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You searched for subject:(Baroque). Showing records 1 – 30 of 674 total matches.

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Queens University

1. Sloan, Tierney. Placid Exuberance and Ostentatious Habits: Depicting the Human Form in New Spain, New France, and the Guaraní Reductions of Paraguay .

Degree: Art History, 2013, Queens University

 This thesis discusses art produced by holy women in New France and New Spain in addition to figural sculpture from the former and the Guaraní… (more)

Subjects/Keywords: Colonial ; Baroque

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APA (6th Edition):

Sloan, T. (2013). Placid Exuberance and Ostentatious Habits: Depicting the Human Form in New Spain, New France, and the Guaraní Reductions of Paraguay . (Thesis). Queens University. Retrieved from http://hdl.handle.net/1974/8437

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sloan, Tierney. “Placid Exuberance and Ostentatious Habits: Depicting the Human Form in New Spain, New France, and the Guaraní Reductions of Paraguay .” 2013. Thesis, Queens University. Accessed April 16, 2021. http://hdl.handle.net/1974/8437.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sloan, Tierney. “Placid Exuberance and Ostentatious Habits: Depicting the Human Form in New Spain, New France, and the Guaraní Reductions of Paraguay .” 2013. Web. 16 Apr 2021.

Vancouver:

Sloan T. Placid Exuberance and Ostentatious Habits: Depicting the Human Form in New Spain, New France, and the Guaraní Reductions of Paraguay . [Internet] [Thesis]. Queens University; 2013. [cited 2021 Apr 16]. Available from: http://hdl.handle.net/1974/8437.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sloan T. Placid Exuberance and Ostentatious Habits: Depicting the Human Form in New Spain, New France, and the Guaraní Reductions of Paraguay . [Thesis]. Queens University; 2013. Available from: http://hdl.handle.net/1974/8437

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oregon

2. Portugal, Luis. Curiosidad Barroca: La Colección en la Cultura Literaria Hispanoamericana Virreinal y Contemporánea.

Degree: PhD, Department of Romance Languages, 2013, University of Oregon

 My main thesis is that Baroque can be considered not only as an aesthetic or historical period in the seventeenth century; it is also a… (more)

Subjects/Keywords: Baroque; Collection; Curiosity; Literature; Modernity; Neo-Baroque

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APA (6th Edition):

Portugal, L. (2013). Curiosidad Barroca: La Colección en la Cultura Literaria Hispanoamericana Virreinal y Contemporánea. (Doctoral Dissertation). University of Oregon. Retrieved from http://hdl.handle.net/1794/12967

Chicago Manual of Style (16th Edition):

Portugal, Luis. “Curiosidad Barroca: La Colección en la Cultura Literaria Hispanoamericana Virreinal y Contemporánea.” 2013. Doctoral Dissertation, University of Oregon. Accessed April 16, 2021. http://hdl.handle.net/1794/12967.

MLA Handbook (7th Edition):

Portugal, Luis. “Curiosidad Barroca: La Colección en la Cultura Literaria Hispanoamericana Virreinal y Contemporánea.” 2013. Web. 16 Apr 2021.

Vancouver:

Portugal L. Curiosidad Barroca: La Colección en la Cultura Literaria Hispanoamericana Virreinal y Contemporánea. [Internet] [Doctoral dissertation]. University of Oregon; 2013. [cited 2021 Apr 16]. Available from: http://hdl.handle.net/1794/12967.

Council of Science Editors:

Portugal L. Curiosidad Barroca: La Colección en la Cultura Literaria Hispanoamericana Virreinal y Contemporánea. [Doctoral Dissertation]. University of Oregon; 2013. Available from: http://hdl.handle.net/1794/12967


Texas A&M University

3. De Cuba, Pablo A. La Usina del Lenguaje: Teoría de la Poesía Neobarroca.

Degree: PhD, Hispanic Studies, 2013, Texas A&M University

 La usina del lenguaje: Teoría de la poesía neobarroca examines one of the most relevant poetry tendencies of the last thirty years: the Neo-baroque. In… (more)

Subjects/Keywords: Poetry; Neo-baroque

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APA (6th Edition):

De Cuba, P. A. (2013). La Usina del Lenguaje: Teoría de la Poesía Neobarroca. (Doctoral Dissertation). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/151177

Chicago Manual of Style (16th Edition):

De Cuba, Pablo A. “La Usina del Lenguaje: Teoría de la Poesía Neobarroca.” 2013. Doctoral Dissertation, Texas A&M University. Accessed April 16, 2021. http://hdl.handle.net/1969.1/151177.

MLA Handbook (7th Edition):

De Cuba, Pablo A. “La Usina del Lenguaje: Teoría de la Poesía Neobarroca.” 2013. Web. 16 Apr 2021.

Vancouver:

De Cuba PA. La Usina del Lenguaje: Teoría de la Poesía Neobarroca. [Internet] [Doctoral dissertation]. Texas A&M University; 2013. [cited 2021 Apr 16]. Available from: http://hdl.handle.net/1969.1/151177.

Council of Science Editors:

De Cuba PA. La Usina del Lenguaje: Teoría de la Poesía Neobarroca. [Doctoral Dissertation]. Texas A&M University; 2013. Available from: http://hdl.handle.net/1969.1/151177


UCLA

4. Chung-Ahn, Gloria chu young. An Introductions to the Art of Singing Italian Baroque Opera.

Degree: Music, 2015, UCLA

 ABSTRACT OF THE DISSERTATIONAn Introductions to the Art of Singing Italian Baroque Opera:A Brief History and PracticebyGloria Chu Young Chung-AhnDoctor of Musical Arts in MusicUniversity… (more)

Subjects/Keywords: Music; Baroque Music; Baroque Opera; Introduction to Baroque opera

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APA (6th Edition):

Chung-Ahn, G. c. y. (2015). An Introductions to the Art of Singing Italian Baroque Opera. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/1mr818xz

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chung-Ahn, Gloria chu young. “An Introductions to the Art of Singing Italian Baroque Opera.” 2015. Thesis, UCLA. Accessed April 16, 2021. http://www.escholarship.org/uc/item/1mr818xz.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chung-Ahn, Gloria chu young. “An Introductions to the Art of Singing Italian Baroque Opera.” 2015. Web. 16 Apr 2021.

Vancouver:

Chung-Ahn Gcy. An Introductions to the Art of Singing Italian Baroque Opera. [Internet] [Thesis]. UCLA; 2015. [cited 2021 Apr 16]. Available from: http://www.escholarship.org/uc/item/1mr818xz.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chung-Ahn Gcy. An Introductions to the Art of Singing Italian Baroque Opera. [Thesis]. UCLA; 2015. Available from: http://www.escholarship.org/uc/item/1mr818xz

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

5. Francesco, Amelia Rose. A Baroque Denouement: The Direct Influence of Theatre on Bernini's Artistic Work .

Degree: 2017, University of Arizona

 Gian Lorenzo Bernini is the most prominent architect of the High and Late Baroque periods and there is a vast amount of scholarship addressing his… (more)

Subjects/Keywords: 17th century; Baroque Art; Baroque Theatre; Bernini; Italian Baroque; Theatre

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APA (6th Edition):

Francesco, A. R. (2017). A Baroque Denouement: The Direct Influence of Theatre on Bernini's Artistic Work . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/627776

Chicago Manual of Style (16th Edition):

Francesco, Amelia Rose. “A Baroque Denouement: The Direct Influence of Theatre on Bernini's Artistic Work .” 2017. Masters Thesis, University of Arizona. Accessed April 16, 2021. http://hdl.handle.net/10150/627776.

MLA Handbook (7th Edition):

Francesco, Amelia Rose. “A Baroque Denouement: The Direct Influence of Theatre on Bernini's Artistic Work .” 2017. Web. 16 Apr 2021.

Vancouver:

Francesco AR. A Baroque Denouement: The Direct Influence of Theatre on Bernini's Artistic Work . [Internet] [Masters thesis]. University of Arizona; 2017. [cited 2021 Apr 16]. Available from: http://hdl.handle.net/10150/627776.

Council of Science Editors:

Francesco AR. A Baroque Denouement: The Direct Influence of Theatre on Bernini's Artistic Work . [Masters Thesis]. University of Arizona; 2017. Available from: http://hdl.handle.net/10150/627776


University of North Texas

6. Park, Seo Yoean Hong. The Eclectic Combination of Neo-Baroque and Klezmer Elements in Paul Schoenfeld's Partita for Violin and Piano.

Degree: 2020, University of North Texas

 Paul Schoenfeld (b. 1947) is considered one of the major American composers of the present day to have incorporated many different styles in his music.… (more)

Subjects/Keywords: Paul Schoenfeld; neo-Baroque; klezmer

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APA (6th Edition):

Park, S. Y. H. (2020). The Eclectic Combination of Neo-Baroque and Klezmer Elements in Paul Schoenfeld's Partita for Violin and Piano. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1707242/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Park, Seo Yoean Hong. “The Eclectic Combination of Neo-Baroque and Klezmer Elements in Paul Schoenfeld's Partita for Violin and Piano.” 2020. Thesis, University of North Texas. Accessed April 16, 2021. https://digital.library.unt.edu/ark:/67531/metadc1707242/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Park, Seo Yoean Hong. “The Eclectic Combination of Neo-Baroque and Klezmer Elements in Paul Schoenfeld's Partita for Violin and Piano.” 2020. Web. 16 Apr 2021.

Vancouver:

Park SYH. The Eclectic Combination of Neo-Baroque and Klezmer Elements in Paul Schoenfeld's Partita for Violin and Piano. [Internet] [Thesis]. University of North Texas; 2020. [cited 2021 Apr 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1707242/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Park SYH. The Eclectic Combination of Neo-Baroque and Klezmer Elements in Paul Schoenfeld's Partita for Violin and Piano. [Thesis]. University of North Texas; 2020. Available from: https://digital.library.unt.edu/ark:/67531/metadc1707242/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Vicente, Sónia Sofia de Jesus. Autenticidade no barroco: uma abordagem preliminar à performance musical.

Degree: 2017, Instituto Politécnico do Porto

O objetivo desta monografia centra-se essencialmente no movimento de performance histórica, suas características e evolução ao longo do tempo, bem como o seu enquadramento na… (more)

Subjects/Keywords: Autenticidade; Barroco; Performance; Authenticity; Baroque

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APA (6th Edition):

Vicente, S. S. d. J. (2017). Autenticidade no barroco: uma abordagem preliminar à performance musical. (Thesis). Instituto Politécnico do Porto. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10083

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vicente, Sónia Sofia de Jesus. “Autenticidade no barroco: uma abordagem preliminar à performance musical.” 2017. Thesis, Instituto Politécnico do Porto. Accessed April 16, 2021. https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10083.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vicente, Sónia Sofia de Jesus. “Autenticidade no barroco: uma abordagem preliminar à performance musical.” 2017. Web. 16 Apr 2021.

Vancouver:

Vicente SSdJ. Autenticidade no barroco: uma abordagem preliminar à performance musical. [Internet] [Thesis]. Instituto Politécnico do Porto; 2017. [cited 2021 Apr 16]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10083.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vicente SSdJ. Autenticidade no barroco: uma abordagem preliminar à performance musical. [Thesis]. Instituto Politécnico do Porto; 2017. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10083

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

8. Anderson, Ron James. The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich Buxtehude .

Degree: 2012, University of Arizona

 Dietrich Buxtehude (ca. 1637-1707) was a North German composer of the mid-Baroque period. He lived in a time and place in which classical rhetoric, the… (more)

Subjects/Keywords: Keyboard; Music; Rhetoric; Baroque; Buxtehude

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APA (6th Edition):

Anderson, R. J. (2012). The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich Buxtehude . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/242454

Chicago Manual of Style (16th Edition):

Anderson, Ron James. “The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich Buxtehude .” 2012. Doctoral Dissertation, University of Arizona. Accessed April 16, 2021. http://hdl.handle.net/10150/242454.

MLA Handbook (7th Edition):

Anderson, Ron James. “The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich Buxtehude .” 2012. Web. 16 Apr 2021.

Vancouver:

Anderson RJ. The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich Buxtehude . [Internet] [Doctoral dissertation]. University of Arizona; 2012. [cited 2021 Apr 16]. Available from: http://hdl.handle.net/10150/242454.

Council of Science Editors:

Anderson RJ. The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich Buxtehude . [Doctoral Dissertation]. University of Arizona; 2012. Available from: http://hdl.handle.net/10150/242454


University of North Texas

9. Fick, Jason. Transfantasies for Flauto Traverso, Computer Music, and Dance.

Degree: 2013, University of North Texas

 TransFantasies is an interdisciplinary composition for Baroque flute (flauto traverso), computer music, and dance. A crucial component of the work is an interactive hardware and… (more)

Subjects/Keywords: Baroque flute; dance; computer music

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APA (6th Edition):

Fick, J. (2013). Transfantasies for Flauto Traverso, Computer Music, and Dance. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc271813/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fick, Jason. “Transfantasies for Flauto Traverso, Computer Music, and Dance.” 2013. Thesis, University of North Texas. Accessed April 16, 2021. https://digital.library.unt.edu/ark:/67531/metadc271813/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fick, Jason. “Transfantasies for Flauto Traverso, Computer Music, and Dance.” 2013. Web. 16 Apr 2021.

Vancouver:

Fick J. Transfantasies for Flauto Traverso, Computer Music, and Dance. [Internet] [Thesis]. University of North Texas; 2013. [cited 2021 Apr 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc271813/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fick J. Transfantasies for Flauto Traverso, Computer Music, and Dance. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc271813/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

10. Park, Song Yi. The Baroque Offertoire: Apotheosis of the French Organ Art.

Degree: DMA, Music, 2016, University of Kansas

 During the French Baroque period, the function of the organ was primarily to serve the liturgy. It was an integral part of both Mass and… (more)

Subjects/Keywords: Music; French Baroque Offertoire

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APA (6th Edition):

Park, S. Y. (2016). The Baroque Offertoire: Apotheosis of the French Organ Art. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/24152

Chicago Manual of Style (16th Edition):

Park, Song Yi. “The Baroque Offertoire: Apotheosis of the French Organ Art.” 2016. Doctoral Dissertation, University of Kansas. Accessed April 16, 2021. http://hdl.handle.net/1808/24152.

MLA Handbook (7th Edition):

Park, Song Yi. “The Baroque Offertoire: Apotheosis of the French Organ Art.” 2016. Web. 16 Apr 2021.

Vancouver:

Park SY. The Baroque Offertoire: Apotheosis of the French Organ Art. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2021 Apr 16]. Available from: http://hdl.handle.net/1808/24152.

Council of Science Editors:

Park SY. The Baroque Offertoire: Apotheosis of the French Organ Art. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/24152


University of Maryland

11. Alger, Shawn. Transcribing Viola da Gamba Literature for the Modern Double Bass.

Degree: Music, 2015, University of Maryland

 The double bass, in its modern incarnation, dates from the late nineteenth century, which means that any performer wishing to play solo music from an… (more)

Subjects/Keywords: Music; Baroque; Bass; Gamba; Transcription

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APA (6th Edition):

Alger, S. (2015). Transcribing Viola da Gamba Literature for the Modern Double Bass. (Thesis). University of Maryland. Retrieved from http://hdl.handle.net/1903/17354

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alger, Shawn. “Transcribing Viola da Gamba Literature for the Modern Double Bass.” 2015. Thesis, University of Maryland. Accessed April 16, 2021. http://hdl.handle.net/1903/17354.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alger, Shawn. “Transcribing Viola da Gamba Literature for the Modern Double Bass.” 2015. Web. 16 Apr 2021.

Vancouver:

Alger S. Transcribing Viola da Gamba Literature for the Modern Double Bass. [Internet] [Thesis]. University of Maryland; 2015. [cited 2021 Apr 16]. Available from: http://hdl.handle.net/1903/17354.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alger S. Transcribing Viola da Gamba Literature for the Modern Double Bass. [Thesis]. University of Maryland; 2015. Available from: http://hdl.handle.net/1903/17354

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tasmania

12. Brookes, Wayne Anthony. Heaven's above - celestial ceilings : a contemporary paragon of Apotheosis.

Degree: 2009, University of Tasmania

 The Project seeks to investigate the relationship between the visual virtuosity of pictorial space and the conjecture it bestows on the spectator. It does so… (more)

Subjects/Keywords: Mural painting and decoration; Baroque; Decoration and ornament; Baroque

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APA (6th Edition):

Brookes, W. A. (2009). Heaven's above - celestial ceilings : a contemporary paragon of Apotheosis. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/19265/1/whole_BrookesWayneAnthony2009_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brookes, Wayne Anthony. “Heaven's above - celestial ceilings : a contemporary paragon of Apotheosis.” 2009. Thesis, University of Tasmania. Accessed April 16, 2021. https://eprints.utas.edu.au/19265/1/whole_BrookesWayneAnthony2009_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brookes, Wayne Anthony. “Heaven's above - celestial ceilings : a contemporary paragon of Apotheosis.” 2009. Web. 16 Apr 2021.

Vancouver:

Brookes WA. Heaven's above - celestial ceilings : a contemporary paragon of Apotheosis. [Internet] [Thesis]. University of Tasmania; 2009. [cited 2021 Apr 16]. Available from: https://eprints.utas.edu.au/19265/1/whole_BrookesWayneAnthony2009_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brookes WA. Heaven's above - celestial ceilings : a contemporary paragon of Apotheosis. [Thesis]. University of Tasmania; 2009. Available from: https://eprints.utas.edu.au/19265/1/whole_BrookesWayneAnthony2009_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. D'aurizio, Claudio. Le pli : Deleuze entre Leibniz et le Baroque : The fold : Deleuze between Leibniz and the Baroque.

Degree: Docteur es, Philosophie, 2019, Reims; Università degli studi della Calabria

Cette étude de la pensée de Gilles Deleuze (1925-1975) trouve son origine dans la confrontation avec un texte et un concept qui nous semblent des… (more)

Subjects/Keywords: Pli; Deleuze; Philosophie; Baroque; Leibniz; Philosophy; Baroque; Leibniz; Deleuze; Fold; 194

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APA (6th Edition):

D'aurizio, C. (2019). Le pli : Deleuze entre Leibniz et le Baroque : The fold : Deleuze between Leibniz and the Baroque. (Doctoral Dissertation). Reims; Università degli studi della Calabria. Retrieved from http://www.theses.fr/2019REIML001

Chicago Manual of Style (16th Edition):

D'aurizio, Claudio. “Le pli : Deleuze entre Leibniz et le Baroque : The fold : Deleuze between Leibniz and the Baroque.” 2019. Doctoral Dissertation, Reims; Università degli studi della Calabria. Accessed April 16, 2021. http://www.theses.fr/2019REIML001.

MLA Handbook (7th Edition):

D'aurizio, Claudio. “Le pli : Deleuze entre Leibniz et le Baroque : The fold : Deleuze between Leibniz and the Baroque.” 2019. Web. 16 Apr 2021.

Vancouver:

D'aurizio C. Le pli : Deleuze entre Leibniz et le Baroque : The fold : Deleuze between Leibniz and the Baroque. [Internet] [Doctoral dissertation]. Reims; Università degli studi della Calabria; 2019. [cited 2021 Apr 16]. Available from: http://www.theses.fr/2019REIML001.

Council of Science Editors:

D'aurizio C. Le pli : Deleuze entre Leibniz et le Baroque : The fold : Deleuze between Leibniz and the Baroque. [Doctoral Dissertation]. Reims; Università degli studi della Calabria; 2019. Available from: http://www.theses.fr/2019REIML001

14. Léonce, Thierry. Le fantastique dans l'oeuvre romanesque de Marcel Brion : The fantastic in the novelistic works of Marcel Brion.

Degree: Docteur es, Langue et Littérature françaises, 2011, Saint-Etienne

Les romans fantastiques de Marcel Brion sont aujourd'hui peu lus. Cet auteur a été globalement peu étudié par les universitaires français, peu pris en compte… (more)

Subjects/Keywords: Fantastique; Romantisme; Baroque; Mythologie; Fantastic; Romanticism; Baroque; Mythology

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APA (6th Edition):

Léonce, T. (2011). Le fantastique dans l'oeuvre romanesque de Marcel Brion : The fantastic in the novelistic works of Marcel Brion. (Doctoral Dissertation). Saint-Etienne. Retrieved from http://www.theses.fr/2011STET2154

Chicago Manual of Style (16th Edition):

Léonce, Thierry. “Le fantastique dans l'oeuvre romanesque de Marcel Brion : The fantastic in the novelistic works of Marcel Brion.” 2011. Doctoral Dissertation, Saint-Etienne. Accessed April 16, 2021. http://www.theses.fr/2011STET2154.

MLA Handbook (7th Edition):

Léonce, Thierry. “Le fantastique dans l'oeuvre romanesque de Marcel Brion : The fantastic in the novelistic works of Marcel Brion.” 2011. Web. 16 Apr 2021.

Vancouver:

Léonce T. Le fantastique dans l'oeuvre romanesque de Marcel Brion : The fantastic in the novelistic works of Marcel Brion. [Internet] [Doctoral dissertation]. Saint-Etienne; 2011. [cited 2021 Apr 16]. Available from: http://www.theses.fr/2011STET2154.

Council of Science Editors:

Léonce T. Le fantastique dans l'oeuvre romanesque de Marcel Brion : The fantastic in the novelistic works of Marcel Brion. [Doctoral Dissertation]. Saint-Etienne; 2011. Available from: http://www.theses.fr/2011STET2154

15. Chamonard-Etienne, Emilie. Mythes et métaphores du regard chez Rubens. Aveuglement et toute-puissance de l'oeil désirant : Myths and metaphors of the vision in Rubens's work; : blindness and all-power of the desiring eye.

Degree: Docteur es, Sciences de l'art, 2010, Saint-Etienne

La peinture de Rubens est hantée par la mythologie, et parmi les légendes les plus récurrentes figurent celles qui mêlent l'œil au désir, à la… (more)

Subjects/Keywords: Mythes; Esthétique; Baroque; Corps; Désir; Myths; Desiring eye; Baroque; Aesthetic

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APA (6th Edition):

Chamonard-Etienne, E. (2010). Mythes et métaphores du regard chez Rubens. Aveuglement et toute-puissance de l'oeil désirant : Myths and metaphors of the vision in Rubens's work; : blindness and all-power of the desiring eye. (Doctoral Dissertation). Saint-Etienne. Retrieved from http://www.theses.fr/2010STET2130

Chicago Manual of Style (16th Edition):

Chamonard-Etienne, Emilie. “Mythes et métaphores du regard chez Rubens. Aveuglement et toute-puissance de l'oeil désirant : Myths and metaphors of the vision in Rubens's work; : blindness and all-power of the desiring eye.” 2010. Doctoral Dissertation, Saint-Etienne. Accessed April 16, 2021. http://www.theses.fr/2010STET2130.

MLA Handbook (7th Edition):

Chamonard-Etienne, Emilie. “Mythes et métaphores du regard chez Rubens. Aveuglement et toute-puissance de l'oeil désirant : Myths and metaphors of the vision in Rubens's work; : blindness and all-power of the desiring eye.” 2010. Web. 16 Apr 2021.

Vancouver:

Chamonard-Etienne E. Mythes et métaphores du regard chez Rubens. Aveuglement et toute-puissance de l'oeil désirant : Myths and metaphors of the vision in Rubens's work; : blindness and all-power of the desiring eye. [Internet] [Doctoral dissertation]. Saint-Etienne; 2010. [cited 2021 Apr 16]. Available from: http://www.theses.fr/2010STET2130.

Council of Science Editors:

Chamonard-Etienne E. Mythes et métaphores du regard chez Rubens. Aveuglement et toute-puissance de l'oeil désirant : Myths and metaphors of the vision in Rubens's work; : blindness and all-power of the desiring eye. [Doctoral Dissertation]. Saint-Etienne; 2010. Available from: http://www.theses.fr/2010STET2130


Université Toulouse II – Le Mirail

16. Pizarro- De Trenqualye, Jean-Paul. Une modernité baroque : de José Gorostiza à Sor Juana Inés de la Cruz : Baroque modernity : from Jose Gorostiza to Sor Juana Inésde la Cruz.

Degree: Docteur es, Études sur l'Amérique latine, 2011, Université Toulouse II – Le Mirail

Ce travail met en relief une relecture du Baroque, en particulier du courant culterano, qui a eu lieu au Mexique au début du 20e siècle.… (more)

Subjects/Keywords: Baroque; Poésie contemporaine; Silve; Mexique; Baroque; Contemporary poetry; Silva; Mexico

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pizarro- De Trenqualye, J. (2011). Une modernité baroque : de José Gorostiza à Sor Juana Inés de la Cruz : Baroque modernity : from Jose Gorostiza to Sor Juana Inésde la Cruz. (Doctoral Dissertation). Université Toulouse II – Le Mirail. Retrieved from http://www.theses.fr/2011TOU20135

Chicago Manual of Style (16th Edition):

Pizarro- De Trenqualye, Jean-Paul. “Une modernité baroque : de José Gorostiza à Sor Juana Inés de la Cruz : Baroque modernity : from Jose Gorostiza to Sor Juana Inésde la Cruz.” 2011. Doctoral Dissertation, Université Toulouse II – Le Mirail. Accessed April 16, 2021. http://www.theses.fr/2011TOU20135.

MLA Handbook (7th Edition):

Pizarro- De Trenqualye, Jean-Paul. “Une modernité baroque : de José Gorostiza à Sor Juana Inés de la Cruz : Baroque modernity : from Jose Gorostiza to Sor Juana Inésde la Cruz.” 2011. Web. 16 Apr 2021.

Vancouver:

Pizarro- De Trenqualye J. Une modernité baroque : de José Gorostiza à Sor Juana Inés de la Cruz : Baroque modernity : from Jose Gorostiza to Sor Juana Inésde la Cruz. [Internet] [Doctoral dissertation]. Université Toulouse II – Le Mirail; 2011. [cited 2021 Apr 16]. Available from: http://www.theses.fr/2011TOU20135.

Council of Science Editors:

Pizarro- De Trenqualye J. Une modernité baroque : de José Gorostiza à Sor Juana Inés de la Cruz : Baroque modernity : from Jose Gorostiza to Sor Juana Inésde la Cruz. [Doctoral Dissertation]. Université Toulouse II – Le Mirail; 2011. Available from: http://www.theses.fr/2011TOU20135


University of Debrecen

17. Tóháti, Zsuzsa. Eyes Can't Sleep: Technique, Visuality and What Is Beyond Them .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

 My thesis examines the way the spectator perceives and interprets baroque art in Peter Greenaway’s cinema of baroque. I will study not only artistic similarities… (more)

Subjects/Keywords: cinema of baroque; Peter Greenaway; postmodernism; neo-baroque

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tóháti, Z. (2013). Eyes Can't Sleep: Technique, Visuality and What Is Beyond Them . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/156543

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tóháti, Zsuzsa. “Eyes Can't Sleep: Technique, Visuality and What Is Beyond Them .” 2013. Thesis, University of Debrecen. Accessed April 16, 2021. http://hdl.handle.net/2437/156543.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tóháti, Zsuzsa. “Eyes Can't Sleep: Technique, Visuality and What Is Beyond Them .” 2013. Web. 16 Apr 2021.

Vancouver:

Tóháti Z. Eyes Can't Sleep: Technique, Visuality and What Is Beyond Them . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Apr 16]. Available from: http://hdl.handle.net/2437/156543.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tóháti Z. Eyes Can't Sleep: Technique, Visuality and What Is Beyond Them . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/156543

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Cartron, Maxime. L'Invention du Baroque. Les anthologies de poésie française du premier XVIIe siècle (1844-2009) : The Invention of The Baroque. The anthologies of the first seventeenth century french poetry (1844-2009).

Degree: Docteur es, Langue et littérature Françaises, 2019, Lyon

Si la question du Baroque littéraire a suscité – et suscite encore aujourd’hui – de nombreuses réactions, la critique ne s’était pas encore penchée de… (more)

Subjects/Keywords: Baroque; Anthologie; Poésie; Historiographie; Appropriation; Baroque; Anthology; Poetry; Historiography; Appropriation

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APA (6th Edition):

Cartron, M. (2019). L'Invention du Baroque. Les anthologies de poésie française du premier XVIIe siècle (1844-2009) : The Invention of The Baroque. The anthologies of the first seventeenth century french poetry (1844-2009). (Doctoral Dissertation). Lyon. Retrieved from http://www.theses.fr/2019LYSE3035

Chicago Manual of Style (16th Edition):

Cartron, Maxime. “L'Invention du Baroque. Les anthologies de poésie française du premier XVIIe siècle (1844-2009) : The Invention of The Baroque. The anthologies of the first seventeenth century french poetry (1844-2009).” 2019. Doctoral Dissertation, Lyon. Accessed April 16, 2021. http://www.theses.fr/2019LYSE3035.

MLA Handbook (7th Edition):

Cartron, Maxime. “L'Invention du Baroque. Les anthologies de poésie française du premier XVIIe siècle (1844-2009) : The Invention of The Baroque. The anthologies of the first seventeenth century french poetry (1844-2009).” 2019. Web. 16 Apr 2021.

Vancouver:

Cartron M. L'Invention du Baroque. Les anthologies de poésie française du premier XVIIe siècle (1844-2009) : The Invention of The Baroque. The anthologies of the first seventeenth century french poetry (1844-2009). [Internet] [Doctoral dissertation]. Lyon; 2019. [cited 2021 Apr 16]. Available from: http://www.theses.fr/2019LYSE3035.

Council of Science Editors:

Cartron M. L'Invention du Baroque. Les anthologies de poésie française du premier XVIIe siècle (1844-2009) : The Invention of The Baroque. The anthologies of the first seventeenth century french poetry (1844-2009). [Doctoral Dissertation]. Lyon; 2019. Available from: http://www.theses.fr/2019LYSE3035


University of Utah

19. Jones, Pamela Palmer. The Fitzwilliam virginal book: historical background and performance practice issues.

Degree: Doctor of Musical Arts in Piano Performance, Music (School of), 2009, University of Utah

 During the reign of Queen Elizabeth I in England in the late sixteenth-earlyseventeenth centuries, very repressive anti-Catholic laws were enacted by Parliament.Catholicism then became the… (more)

Subjects/Keywords: Fitzwilliam virginal book; Harpsichord; English; Baroque

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jones, P. P. (2009). The Fitzwilliam virginal book: historical background and performance practice issues. (Doctoral Dissertation). University of Utah. Retrieved from http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/3344/rec/2527

Chicago Manual of Style (16th Edition):

Jones, Pamela Palmer. “The Fitzwilliam virginal book: historical background and performance practice issues.” 2009. Doctoral Dissertation, University of Utah. Accessed April 16, 2021. http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/3344/rec/2527.

MLA Handbook (7th Edition):

Jones, Pamela Palmer. “The Fitzwilliam virginal book: historical background and performance practice issues.” 2009. Web. 16 Apr 2021.

Vancouver:

Jones PP. The Fitzwilliam virginal book: historical background and performance practice issues. [Internet] [Doctoral dissertation]. University of Utah; 2009. [cited 2021 Apr 16]. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/3344/rec/2527.

Council of Science Editors:

Jones PP. The Fitzwilliam virginal book: historical background and performance practice issues. [Doctoral Dissertation]. University of Utah; 2009. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/3344/rec/2527


University of Michigan

20. Wang, Yun-Chie. Three Dissertation Recitals: the German Romanticism in Instrumental Music and the Baroque Instrumental Genres.

Degree: AMU, Music: Performance, 2018, University of Michigan

 This dissertation includes the programs and program notes of my three dissertation recitals, which were performed in lieu of a written dissertation. The first recital… (more)

Subjects/Keywords: Baroque and Romantic; Music and Dance; Arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wang, Y. (2018). Three Dissertation Recitals: the German Romanticism in Instrumental Music and the Baroque Instrumental Genres. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/145941

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wang, Yun-Chie. “Three Dissertation Recitals: the German Romanticism in Instrumental Music and the Baroque Instrumental Genres.” 2018. Thesis, University of Michigan. Accessed April 16, 2021. http://hdl.handle.net/2027.42/145941.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wang, Yun-Chie. “Three Dissertation Recitals: the German Romanticism in Instrumental Music and the Baroque Instrumental Genres.” 2018. Web. 16 Apr 2021.

Vancouver:

Wang Y. Three Dissertation Recitals: the German Romanticism in Instrumental Music and the Baroque Instrumental Genres. [Internet] [Thesis]. University of Michigan; 2018. [cited 2021 Apr 16]. Available from: http://hdl.handle.net/2027.42/145941.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wang Y. Three Dissertation Recitals: the German Romanticism in Instrumental Music and the Baroque Instrumental Genres. [Thesis]. University of Michigan; 2018. Available from: http://hdl.handle.net/2027.42/145941

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

21. Bégin, Richard. Le baroque cinématographique, ou, Le cabinet de curiosité narratives : essai sur le cinéma de Raoul Ruiz.

Degree: 2005, Université de Montréal

Subjects/Keywords: Cinéma; Baroque; Narration

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bégin, R. (2005). Le baroque cinématographique, ou, Le cabinet de curiosité narratives : essai sur le cinéma de Raoul Ruiz. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/17324

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bégin, Richard. “Le baroque cinématographique, ou, Le cabinet de curiosité narratives : essai sur le cinéma de Raoul Ruiz.” 2005. Thesis, Université de Montréal. Accessed April 16, 2021. http://hdl.handle.net/1866/17324.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bégin, Richard. “Le baroque cinématographique, ou, Le cabinet de curiosité narratives : essai sur le cinéma de Raoul Ruiz.” 2005. Web. 16 Apr 2021.

Vancouver:

Bégin R. Le baroque cinématographique, ou, Le cabinet de curiosité narratives : essai sur le cinéma de Raoul Ruiz. [Internet] [Thesis]. Université de Montréal; 2005. [cited 2021 Apr 16]. Available from: http://hdl.handle.net/1866/17324.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bégin R. Le baroque cinématographique, ou, Le cabinet de curiosité narratives : essai sur le cinéma de Raoul Ruiz. [Thesis]. Université de Montréal; 2005. Available from: http://hdl.handle.net/1866/17324

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Wollongong

22. Watson, Leonie. Articulating desire.

Degree: Doctor of Creative Arts, Faculty of Creative Arts, 2012, University of Wollongong

  This exegesis provides a context for the body of work in the exhibition desire. It examines the notion of desire and the emotional/psychological narratives… (more)

Subjects/Keywords: Painting; drapery; Baroque; Surrealism; fold; traditional techique

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APA (6th Edition):

Watson, L. (2012). Articulating desire. (Doctoral Dissertation). University of Wollongong. Retrieved from ; https://ro.uow.edu.au/theses/3806

Chicago Manual of Style (16th Edition):

Watson, Leonie. “Articulating desire.” 2012. Doctoral Dissertation, University of Wollongong. Accessed April 16, 2021. ; https://ro.uow.edu.au/theses/3806.

MLA Handbook (7th Edition):

Watson, Leonie. “Articulating desire.” 2012. Web. 16 Apr 2021.

Vancouver:

Watson L. Articulating desire. [Internet] [Doctoral dissertation]. University of Wollongong; 2012. [cited 2021 Apr 16]. Available from: ; https://ro.uow.edu.au/theses/3806.

Council of Science Editors:

Watson L. Articulating desire. [Doctoral Dissertation]. University of Wollongong; 2012. Available from: ; https://ro.uow.edu.au/theses/3806


University of Miami

23. Chavarria, Vicente Adrian. José Lazo Valero's Eight Responsories for Matins of St. John the Baptist.

Degree: MM, Musicology (Music), 2011, University of Miami

  The musical archive of the Cathedral of Puebla, Mexico, contains an extensive body of work by José Lazo Valero (1713-1778) amid music not only… (more)

Subjects/Keywords: lazo valero; puebla; baroque; responsories; matins

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APA (6th Edition):

Chavarria, V. A. (2011). José Lazo Valero's Eight Responsories for Matins of St. John the Baptist. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/246

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chavarria, Vicente Adrian. “José Lazo Valero's Eight Responsories for Matins of St. John the Baptist.” 2011. Thesis, University of Miami. Accessed April 16, 2021. https://scholarlyrepository.miami.edu/oa_theses/246.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chavarria, Vicente Adrian. “José Lazo Valero's Eight Responsories for Matins of St. John the Baptist.” 2011. Web. 16 Apr 2021.

Vancouver:

Chavarria VA. José Lazo Valero's Eight Responsories for Matins of St. John the Baptist. [Internet] [Thesis]. University of Miami; 2011. [cited 2021 Apr 16]. Available from: https://scholarlyrepository.miami.edu/oa_theses/246.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chavarria VA. José Lazo Valero's Eight Responsories for Matins of St. John the Baptist. [Thesis]. University of Miami; 2011. Available from: https://scholarlyrepository.miami.edu/oa_theses/246

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

24. Strohmeyer, Dean. The Clavier concertos of the eighteenth and early nineteenth centuries.

Degree: MM, Music History, 1959, Boston University

Subjects/Keywords: Baroque music; Clavier

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Strohmeyer, D. (1959). The Clavier concertos of the eighteenth and early nineteenth centuries. (Masters Thesis). Boston University. Retrieved from http://hdl.handle.net/2144/21949

Chicago Manual of Style (16th Edition):

Strohmeyer, Dean. “The Clavier concertos of the eighteenth and early nineteenth centuries.” 1959. Masters Thesis, Boston University. Accessed April 16, 2021. http://hdl.handle.net/2144/21949.

MLA Handbook (7th Edition):

Strohmeyer, Dean. “The Clavier concertos of the eighteenth and early nineteenth centuries.” 1959. Web. 16 Apr 2021.

Vancouver:

Strohmeyer D. The Clavier concertos of the eighteenth and early nineteenth centuries. [Internet] [Masters thesis]. Boston University; 1959. [cited 2021 Apr 16]. Available from: http://hdl.handle.net/2144/21949.

Council of Science Editors:

Strohmeyer D. The Clavier concertos of the eighteenth and early nineteenth centuries. [Masters Thesis]. Boston University; 1959. Available from: http://hdl.handle.net/2144/21949

25. Fedoryka, Larissa. How baroque cello music laid the foundation for cello works of the 19th and 20th centuries.

Degree: 2018, University of California – eScholarship, University of California

 It has long been the common belief that advanced cello technique and repertoire did not rise until Luigi Boccherini began writing for his instrument in… (more)

Subjects/Keywords: Music; baroque; cello; method*; performance; technique*; violoncello

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APA (6th Edition):

Fedoryka, L. (2018). How baroque cello music laid the foundation for cello works of the 19th and 20th centuries. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/56f7f9kv

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fedoryka, Larissa. “How baroque cello music laid the foundation for cello works of the 19th and 20th centuries.” 2018. Thesis, University of California – eScholarship, University of California. Accessed April 16, 2021. http://www.escholarship.org/uc/item/56f7f9kv.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fedoryka, Larissa. “How baroque cello music laid the foundation for cello works of the 19th and 20th centuries.” 2018. Web. 16 Apr 2021.

Vancouver:

Fedoryka L. How baroque cello music laid the foundation for cello works of the 19th and 20th centuries. [Internet] [Thesis]. University of California – eScholarship, University of California; 2018. [cited 2021 Apr 16]. Available from: http://www.escholarship.org/uc/item/56f7f9kv.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fedoryka L. How baroque cello music laid the foundation for cello works of the 19th and 20th centuries. [Thesis]. University of California – eScholarship, University of California; 2018. Available from: http://www.escholarship.org/uc/item/56f7f9kv

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Arizona State University

26. Fehser, Cheyne Cameron. The Violin Sonatas of Johann Georg Pisendel (1687-1755): A History, Analysis, and Arrangement for Solo Guitar.

Degree: Music, 2017, Arizona State University

 The current project is a study of five violin sonatas by the German Baroque composer Johann Georg Pisendel (1687-1755), arranged for guitar. The first part… (more)

Subjects/Keywords: Music; Baroque; Dresden; Guitar; Hofkapelle; Pisendel; Sonata

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APA (6th Edition):

Fehser, C. C. (2017). The Violin Sonatas of Johann Georg Pisendel (1687-1755): A History, Analysis, and Arrangement for Solo Guitar. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/46191

Chicago Manual of Style (16th Edition):

Fehser, Cheyne Cameron. “The Violin Sonatas of Johann Georg Pisendel (1687-1755): A History, Analysis, and Arrangement for Solo Guitar.” 2017. Doctoral Dissertation, Arizona State University. Accessed April 16, 2021. http://repository.asu.edu/items/46191.

MLA Handbook (7th Edition):

Fehser, Cheyne Cameron. “The Violin Sonatas of Johann Georg Pisendel (1687-1755): A History, Analysis, and Arrangement for Solo Guitar.” 2017. Web. 16 Apr 2021.

Vancouver:

Fehser CC. The Violin Sonatas of Johann Georg Pisendel (1687-1755): A History, Analysis, and Arrangement for Solo Guitar. [Internet] [Doctoral dissertation]. Arizona State University; 2017. [cited 2021 Apr 16]. Available from: http://repository.asu.edu/items/46191.

Council of Science Editors:

Fehser CC. The Violin Sonatas of Johann Georg Pisendel (1687-1755): A History, Analysis, and Arrangement for Solo Guitar. [Doctoral Dissertation]. Arizona State University; 2017. Available from: http://repository.asu.edu/items/46191


University of Arizona

27. Dunsavage, Angelica Marie. Johann Schein: An Analysis of Rhetoric and Word Painting in the Diletti Pastorali Collection .

Degree: 2020, University of Arizona

 The focus of this document is the use of rhetoric and word painting in the German madrigals of Johann Hermann Schein (1586-1630), particularly those in… (more)

Subjects/Keywords: Diletti pastorali; German Baroque; madrigals; rhetoric; Schein

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APA (6th Edition):

Dunsavage, A. M. (2020). Johann Schein: An Analysis of Rhetoric and Word Painting in the Diletti Pastorali Collection . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/645804

Chicago Manual of Style (16th Edition):

Dunsavage, Angelica Marie. “Johann Schein: An Analysis of Rhetoric and Word Painting in the Diletti Pastorali Collection .” 2020. Doctoral Dissertation, University of Arizona. Accessed April 16, 2021. http://hdl.handle.net/10150/645804.

MLA Handbook (7th Edition):

Dunsavage, Angelica Marie. “Johann Schein: An Analysis of Rhetoric and Word Painting in the Diletti Pastorali Collection .” 2020. Web. 16 Apr 2021.

Vancouver:

Dunsavage AM. Johann Schein: An Analysis of Rhetoric and Word Painting in the Diletti Pastorali Collection . [Internet] [Doctoral dissertation]. University of Arizona; 2020. [cited 2021 Apr 16]. Available from: http://hdl.handle.net/10150/645804.

Council of Science Editors:

Dunsavage AM. Johann Schein: An Analysis of Rhetoric and Word Painting in the Diletti Pastorali Collection . [Doctoral Dissertation]. University of Arizona; 2020. Available from: http://hdl.handle.net/10150/645804


University of Minnesota

28. Sanan-Estudillo, Alyssa Robyn. Reconsidering the case of María de Zayas: readings through the optic of the monstrous.

Degree: PhD, Hispanic and Luso Literatures, Cultures & Linguistics, 2014, University of Minnesota

 Maria de Zayas' status as a writer has been, for the longest time, a cold case. Only recently disinterred from history, literary critics have swarmed… (more)

Subjects/Keywords: Baroque; de Zayas; Female; Monstrous; Spanish

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APA (6th Edition):

Sanan-Estudillo, A. R. (2014). Reconsidering the case of María de Zayas: readings through the optic of the monstrous. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/162689

Chicago Manual of Style (16th Edition):

Sanan-Estudillo, Alyssa Robyn. “Reconsidering the case of María de Zayas: readings through the optic of the monstrous.” 2014. Doctoral Dissertation, University of Minnesota. Accessed April 16, 2021. http://hdl.handle.net/11299/162689.

MLA Handbook (7th Edition):

Sanan-Estudillo, Alyssa Robyn. “Reconsidering the case of María de Zayas: readings through the optic of the monstrous.” 2014. Web. 16 Apr 2021.

Vancouver:

Sanan-Estudillo AR. Reconsidering the case of María de Zayas: readings through the optic of the monstrous. [Internet] [Doctoral dissertation]. University of Minnesota; 2014. [cited 2021 Apr 16]. Available from: http://hdl.handle.net/11299/162689.

Council of Science Editors:

Sanan-Estudillo AR. Reconsidering the case of María de Zayas: readings through the optic of the monstrous. [Doctoral Dissertation]. University of Minnesota; 2014. Available from: http://hdl.handle.net/11299/162689


University of Melbourne

29. LO CONTE, ANGELO. Anatomy of a workshop: the Procaccini family in Milan.

Degree: 2016, University of Melbourne

 Contextualized in Milan between the end of the 16th and the start of the 17th century, this study investigates the artistic trajectory of the three… (more)

Subjects/Keywords: art history; Baroque; art; Italy; Milan; workshop

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

LO CONTE, A. (2016). Anatomy of a workshop: the Procaccini family in Milan. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/92244

Chicago Manual of Style (16th Edition):

LO CONTE, ANGELO. “Anatomy of a workshop: the Procaccini family in Milan.” 2016. Doctoral Dissertation, University of Melbourne. Accessed April 16, 2021. http://hdl.handle.net/11343/92244.

MLA Handbook (7th Edition):

LO CONTE, ANGELO. “Anatomy of a workshop: the Procaccini family in Milan.” 2016. Web. 16 Apr 2021.

Vancouver:

LO CONTE A. Anatomy of a workshop: the Procaccini family in Milan. [Internet] [Doctoral dissertation]. University of Melbourne; 2016. [cited 2021 Apr 16]. Available from: http://hdl.handle.net/11343/92244.

Council of Science Editors:

LO CONTE A. Anatomy of a workshop: the Procaccini family in Milan. [Doctoral Dissertation]. University of Melbourne; 2016. Available from: http://hdl.handle.net/11343/92244


California State University – Northridge

30. Ramirez, Mariana. Graduate voice recital.

Degree: M.M., Department of Music, 2011, California State University – Northridge

 This graduate voice recital consists of music in a variety of genres and styles spanning from Handel's Baroque period to the early twentieth century Spanish… (more)

Subjects/Keywords: Baroque music; Dissertations, Academic  – CSUN  – Music.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ramirez, M. (2011). Graduate voice recital. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.3/140327

Chicago Manual of Style (16th Edition):

Ramirez, Mariana. “Graduate voice recital.” 2011. Masters Thesis, California State University – Northridge. Accessed April 16, 2021. http://hdl.handle.net/10211.3/140327.

MLA Handbook (7th Edition):

Ramirez, Mariana. “Graduate voice recital.” 2011. Web. 16 Apr 2021.

Vancouver:

Ramirez M. Graduate voice recital. [Internet] [Masters thesis]. California State University – Northridge; 2011. [cited 2021 Apr 16]. Available from: http://hdl.handle.net/10211.3/140327.

Council of Science Editors:

Ramirez M. Graduate voice recital. [Masters Thesis]. California State University – Northridge; 2011. Available from: http://hdl.handle.net/10211.3/140327

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