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You searched for subject:(Baroque). Showing records 1 – 30 of 537 total matches.

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University of Georgia

1. Brantley, Rebecca Ray. Cremaster 5: Matthew Barney and the neo-baroque.

Degree: MA, Art History, 2009, University of Georgia

 A multimedia series of five films, sculptures, drawings and photographs that were made in the years spanning 1994 to 2002, the Cremaster cycle by Matthew… (more)

Subjects/Keywords: Baroque

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APA (6th Edition):

Brantley, R. R. (2009). Cremaster 5: Matthew Barney and the neo-baroque. (Masters Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/brantley_rebecca_r_200905_ma

Chicago Manual of Style (16th Edition):

Brantley, Rebecca Ray. “Cremaster 5: Matthew Barney and the neo-baroque.” 2009. Masters Thesis, University of Georgia. Accessed February 25, 2020. http://purl.galileo.usg.edu/uga_etd/brantley_rebecca_r_200905_ma.

MLA Handbook (7th Edition):

Brantley, Rebecca Ray. “Cremaster 5: Matthew Barney and the neo-baroque.” 2009. Web. 25 Feb 2020.

Vancouver:

Brantley RR. Cremaster 5: Matthew Barney and the neo-baroque. [Internet] [Masters thesis]. University of Georgia; 2009. [cited 2020 Feb 25]. Available from: http://purl.galileo.usg.edu/uga_etd/brantley_rebecca_r_200905_ma.

Council of Science Editors:

Brantley RR. Cremaster 5: Matthew Barney and the neo-baroque. [Masters Thesis]. University of Georgia; 2009. Available from: http://purl.galileo.usg.edu/uga_etd/brantley_rebecca_r_200905_ma


Queens University

2. Sloan, Tierney. Placid Exuberance and Ostentatious Habits: Depicting the Human Form in New Spain, New France, and the Guaraní Reductions of Paraguay .

Degree: Art History, 2013, Queens University

 This thesis discusses art produced by holy women in New France and New Spain in addition to figural sculpture from the former and the Guaraní… (more)

Subjects/Keywords: Colonial; Baroque

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APA (6th Edition):

Sloan, T. (2013). Placid Exuberance and Ostentatious Habits: Depicting the Human Form in New Spain, New France, and the Guaraní Reductions of Paraguay . (Thesis). Queens University. Retrieved from http://hdl.handle.net/1974/8437

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sloan, Tierney. “Placid Exuberance and Ostentatious Habits: Depicting the Human Form in New Spain, New France, and the Guaraní Reductions of Paraguay .” 2013. Thesis, Queens University. Accessed February 25, 2020. http://hdl.handle.net/1974/8437.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sloan, Tierney. “Placid Exuberance and Ostentatious Habits: Depicting the Human Form in New Spain, New France, and the Guaraní Reductions of Paraguay .” 2013. Web. 25 Feb 2020.

Vancouver:

Sloan T. Placid Exuberance and Ostentatious Habits: Depicting the Human Form in New Spain, New France, and the Guaraní Reductions of Paraguay . [Internet] [Thesis]. Queens University; 2013. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/1974/8437.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sloan T. Placid Exuberance and Ostentatious Habits: Depicting the Human Form in New Spain, New France, and the Guaraní Reductions of Paraguay . [Thesis]. Queens University; 2013. Available from: http://hdl.handle.net/1974/8437

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oregon

3. Portugal, Luis. Curiosidad Barroca: La Colección en la Cultura Literaria Hispanoamericana Virreinal y Contemporánea.

Degree: 2013, University of Oregon

 My main thesis is that Baroque can be considered not only as an aesthetic or historical period in the seventeenth century; it is also a… (more)

Subjects/Keywords: Baroque; Collection; Curiosity; Literature; Modernity; Neo-Baroque

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APA (6th Edition):

Portugal, L. (2013). Curiosidad Barroca: La Colección en la Cultura Literaria Hispanoamericana Virreinal y Contemporánea. (Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/12967

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Portugal, Luis. “Curiosidad Barroca: La Colección en la Cultura Literaria Hispanoamericana Virreinal y Contemporánea.” 2013. Thesis, University of Oregon. Accessed February 25, 2020. http://hdl.handle.net/1794/12967.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Portugal, Luis. “Curiosidad Barroca: La Colección en la Cultura Literaria Hispanoamericana Virreinal y Contemporánea.” 2013. Web. 25 Feb 2020.

Vancouver:

Portugal L. Curiosidad Barroca: La Colección en la Cultura Literaria Hispanoamericana Virreinal y Contemporánea. [Internet] [Thesis]. University of Oregon; 2013. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/1794/12967.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Portugal L. Curiosidad Barroca: La Colección en la Cultura Literaria Hispanoamericana Virreinal y Contemporánea. [Thesis]. University of Oregon; 2013. Available from: http://hdl.handle.net/1794/12967

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas A&M University

4. De Cuba, Pablo A. La Usina del Lenguaje: Teor?a de la Poes?a Neobarroca.

Degree: 2013, Texas A&M University

 La usina del lenguaje: Teor?a de la poes?a neobarroca examines one of the most relevant poetry tendencies of the last thirty years: the Neo-baroque. In… (more)

Subjects/Keywords: Poetry; Neo-baroque

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APA (6th Edition):

De Cuba, P. A. (2013). La Usina del Lenguaje: Teor?a de la Poes?a Neobarroca. (Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/151177

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

De Cuba, Pablo A. “La Usina del Lenguaje: Teor?a de la Poes?a Neobarroca.” 2013. Thesis, Texas A&M University. Accessed February 25, 2020. http://hdl.handle.net/1969.1/151177.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

De Cuba, Pablo A. “La Usina del Lenguaje: Teor?a de la Poes?a Neobarroca.” 2013. Web. 25 Feb 2020.

Vancouver:

De Cuba PA. La Usina del Lenguaje: Teor?a de la Poes?a Neobarroca. [Internet] [Thesis]. Texas A&M University; 2013. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/1969.1/151177.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

De Cuba PA. La Usina del Lenguaje: Teor?a de la Poes?a Neobarroca. [Thesis]. Texas A&M University; 2013. Available from: http://hdl.handle.net/1969.1/151177

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

5. Chung-Ahn, Gloria chu young. An Introductions to the Art of Singing Italian Baroque Opera.

Degree: Music, 2015, UCLA

 ABSTRACT OF THE DISSERTATIONAn Introductions to the Art of Singing Italian Baroque Opera:A Brief History and PracticebyGloria Chu Young Chung-AhnDoctor of Musical Arts in MusicUniversity… (more)

Subjects/Keywords: Music; Baroque Music; Baroque Opera; Introduction to Baroque opera

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APA (6th Edition):

Chung-Ahn, G. c. y. (2015). An Introductions to the Art of Singing Italian Baroque Opera. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/1mr818xz

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chung-Ahn, Gloria chu young. “An Introductions to the Art of Singing Italian Baroque Opera.” 2015. Thesis, UCLA. Accessed February 25, 2020. http://www.escholarship.org/uc/item/1mr818xz.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chung-Ahn, Gloria chu young. “An Introductions to the Art of Singing Italian Baroque Opera.” 2015. Web. 25 Feb 2020.

Vancouver:

Chung-Ahn Gcy. An Introductions to the Art of Singing Italian Baroque Opera. [Internet] [Thesis]. UCLA; 2015. [cited 2020 Feb 25]. Available from: http://www.escholarship.org/uc/item/1mr818xz.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chung-Ahn Gcy. An Introductions to the Art of Singing Italian Baroque Opera. [Thesis]. UCLA; 2015. Available from: http://www.escholarship.org/uc/item/1mr818xz

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

6. Francesco, Amelia Rose. A Baroque Denouement: The Direct Influence of Theatre on Bernini's Artistic Work .

Degree: 2017, University of Arizona

 Gian Lorenzo Bernini is the most prominent architect of the High and Late Baroque periods and there is a vast amount of scholarship addressing his… (more)

Subjects/Keywords: 17th century; Baroque Art; Baroque Theatre; Bernini; Italian Baroque; Theatre

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APA (6th Edition):

Francesco, A. R. (2017). A Baroque Denouement: The Direct Influence of Theatre on Bernini's Artistic Work . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/627776

Chicago Manual of Style (16th Edition):

Francesco, Amelia Rose. “A Baroque Denouement: The Direct Influence of Theatre on Bernini's Artistic Work .” 2017. Masters Thesis, University of Arizona. Accessed February 25, 2020. http://hdl.handle.net/10150/627776.

MLA Handbook (7th Edition):

Francesco, Amelia Rose. “A Baroque Denouement: The Direct Influence of Theatre on Bernini's Artistic Work .” 2017. Web. 25 Feb 2020.

Vancouver:

Francesco AR. A Baroque Denouement: The Direct Influence of Theatre on Bernini's Artistic Work . [Internet] [Masters thesis]. University of Arizona; 2017. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/10150/627776.

Council of Science Editors:

Francesco AR. A Baroque Denouement: The Direct Influence of Theatre on Bernini's Artistic Work . [Masters Thesis]. University of Arizona; 2017. Available from: http://hdl.handle.net/10150/627776


Victoria University of Wellington

7. Dillon, Teressa. Canons, Airs Sérieux and Airs à Boire: A Study of the Contribution of the Eighteenth-Century French Composer and Copyist C. de La Serre.

Degree: 2010, Victoria University of Wellington

 C. de La Serre was a composer, copyist and maître de musique. His known compositions are all airs sérieux and airs à boire, appearing in… (more)

Subjects/Keywords: French baroque; Canons; Airs

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APA (6th Edition):

Dillon, T. (2010). Canons, Airs Sérieux and Airs à Boire: A Study of the Contribution of the Eighteenth-Century French Composer and Copyist C. de La Serre. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/1540

Chicago Manual of Style (16th Edition):

Dillon, Teressa. “Canons, Airs Sérieux and Airs à Boire: A Study of the Contribution of the Eighteenth-Century French Composer and Copyist C. de La Serre.” 2010. Masters Thesis, Victoria University of Wellington. Accessed February 25, 2020. http://hdl.handle.net/10063/1540.

MLA Handbook (7th Edition):

Dillon, Teressa. “Canons, Airs Sérieux and Airs à Boire: A Study of the Contribution of the Eighteenth-Century French Composer and Copyist C. de La Serre.” 2010. Web. 25 Feb 2020.

Vancouver:

Dillon T. Canons, Airs Sérieux and Airs à Boire: A Study of the Contribution of the Eighteenth-Century French Composer and Copyist C. de La Serre. [Internet] [Masters thesis]. Victoria University of Wellington; 2010. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/10063/1540.

Council of Science Editors:

Dillon T. Canons, Airs Sérieux and Airs à Boire: A Study of the Contribution of the Eighteenth-Century French Composer and Copyist C. de La Serre. [Masters Thesis]. Victoria University of Wellington; 2010. Available from: http://hdl.handle.net/10063/1540


University of Kansas

8. Park, Song Yi. The Baroque Offertoire: Apotheosis of the French Organ Art.

Degree: DMA, Music, 2016, University of Kansas

 During the French Baroque period, the function of the organ was primarily to serve the liturgy. It was an integral part of both Mass and… (more)

Subjects/Keywords: Music; French Baroque Offertoire

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APA (6th Edition):

Park, S. Y. (2016). The Baroque Offertoire: Apotheosis of the French Organ Art. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/24152

Chicago Manual of Style (16th Edition):

Park, Song Yi. “The Baroque Offertoire: Apotheosis of the French Organ Art.” 2016. Doctoral Dissertation, University of Kansas. Accessed February 25, 2020. http://hdl.handle.net/1808/24152.

MLA Handbook (7th Edition):

Park, Song Yi. “The Baroque Offertoire: Apotheosis of the French Organ Art.” 2016. Web. 25 Feb 2020.

Vancouver:

Park SY. The Baroque Offertoire: Apotheosis of the French Organ Art. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/1808/24152.

Council of Science Editors:

Park SY. The Baroque Offertoire: Apotheosis of the French Organ Art. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/24152

9. Vicente, Sónia Sofia de Jesus. Autenticidade no barroco: uma abordagem preliminar à performance musical.

Degree: 2017, Instituto Politécnico do Porto

O objetivo desta monografia centra-se essencialmente no movimento de performance histórica, suas características e evolução ao longo do tempo, bem como o seu enquadramento na… (more)

Subjects/Keywords: Autenticidade; Barroco; Performance; Authenticity; Baroque

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APA (6th Edition):

Vicente, S. S. d. J. (2017). Autenticidade no barroco: uma abordagem preliminar à performance musical. (Thesis). Instituto Politécnico do Porto. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10083

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vicente, Sónia Sofia de Jesus. “Autenticidade no barroco: uma abordagem preliminar à performance musical.” 2017. Thesis, Instituto Politécnico do Porto. Accessed February 25, 2020. https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10083.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vicente, Sónia Sofia de Jesus. “Autenticidade no barroco: uma abordagem preliminar à performance musical.” 2017. Web. 25 Feb 2020.

Vancouver:

Vicente SSdJ. Autenticidade no barroco: uma abordagem preliminar à performance musical. [Internet] [Thesis]. Instituto Politécnico do Porto; 2017. [cited 2020 Feb 25]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10083.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vicente SSdJ. Autenticidade no barroco: uma abordagem preliminar à performance musical. [Thesis]. Instituto Politécnico do Porto; 2017. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10083

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

10. Anderson, Ron James. The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich Buxtehude .

Degree: 2012, University of Arizona

 Dietrich Buxtehude (ca. 1637-1707) was a North German composer of the mid-Baroque period. He lived in a time and place in which classical rhetoric, the… (more)

Subjects/Keywords: Keyboard; Music; Rhetoric; Baroque; Buxtehude

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APA (6th Edition):

Anderson, R. J. (2012). The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich Buxtehude . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/242454

Chicago Manual of Style (16th Edition):

Anderson, Ron James. “The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich Buxtehude .” 2012. Doctoral Dissertation, University of Arizona. Accessed February 25, 2020. http://hdl.handle.net/10150/242454.

MLA Handbook (7th Edition):

Anderson, Ron James. “The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich Buxtehude .” 2012. Web. 25 Feb 2020.

Vancouver:

Anderson RJ. The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich Buxtehude . [Internet] [Doctoral dissertation]. University of Arizona; 2012. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/10150/242454.

Council of Science Editors:

Anderson RJ. The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich Buxtehude . [Doctoral Dissertation]. University of Arizona; 2012. Available from: http://hdl.handle.net/10150/242454


University of North Texas

11. Fick, Jason. Transfantasies for Flauto Traverso, Computer Music, and Dance.

Degree: 2013, University of North Texas

 TransFantasies is an interdisciplinary composition for Baroque flute (flauto traverso), computer music, and dance. A crucial component of the work is an interactive hardware and… (more)

Subjects/Keywords: Baroque flute; dance; computer music

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APA (6th Edition):

Fick, J. (2013). Transfantasies for Flauto Traverso, Computer Music, and Dance. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc271813/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fick, Jason. “Transfantasies for Flauto Traverso, Computer Music, and Dance.” 2013. Thesis, University of North Texas. Accessed February 25, 2020. https://digital.library.unt.edu/ark:/67531/metadc271813/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fick, Jason. “Transfantasies for Flauto Traverso, Computer Music, and Dance.” 2013. Web. 25 Feb 2020.

Vancouver:

Fick J. Transfantasies for Flauto Traverso, Computer Music, and Dance. [Internet] [Thesis]. University of North Texas; 2013. [cited 2020 Feb 25]. Available from: https://digital.library.unt.edu/ark:/67531/metadc271813/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fick J. Transfantasies for Flauto Traverso, Computer Music, and Dance. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc271813/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tasmania

12. Brookes, Wayne Anthony. Heaven's above - celestial ceilings : a contemporary paragon of Apotheosis.

Degree: 2009, University of Tasmania

 The Project seeks to investigate the relationship between the visual virtuosity of pictorial space and the conjecture it bestows on the spectator. It does so… (more)

Subjects/Keywords: Mural painting and decoration; Baroque; Decoration and ornament; Baroque

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APA (6th Edition):

Brookes, W. A. (2009). Heaven's above - celestial ceilings : a contemporary paragon of Apotheosis. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/19265/1/whole_BrookesWayneAnthony2009_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brookes, Wayne Anthony. “Heaven's above - celestial ceilings : a contemporary paragon of Apotheosis.” 2009. Thesis, University of Tasmania. Accessed February 25, 2020. https://eprints.utas.edu.au/19265/1/whole_BrookesWayneAnthony2009_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brookes, Wayne Anthony. “Heaven's above - celestial ceilings : a contemporary paragon of Apotheosis.” 2009. Web. 25 Feb 2020.

Vancouver:

Brookes WA. Heaven's above - celestial ceilings : a contemporary paragon of Apotheosis. [Internet] [Thesis]. University of Tasmania; 2009. [cited 2020 Feb 25]. Available from: https://eprints.utas.edu.au/19265/1/whole_BrookesWayneAnthony2009_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brookes WA. Heaven's above - celestial ceilings : a contemporary paragon of Apotheosis. [Thesis]. University of Tasmania; 2009. Available from: https://eprints.utas.edu.au/19265/1/whole_BrookesWayneAnthony2009_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

13. Griffiths, Amy. An approach to performing Handel sonatas on the saxophone.

Degree: DMA, Music, 2010, Louisiana State University

 The saxophone has a long history with transcriptions and arrangements, which augment the saxophone’s repertoire and provide an historical context through which saxophonists may experience… (more)

Subjects/Keywords: saxophone; baroque; saxophone pedagogy; saxophone transcriptions; baroque saxophone; Handel saxophone

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APA (6th Edition):

Griffiths, A. (2010). An approach to performing Handel sonatas on the saxophone. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-11122010-155346 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3501

Chicago Manual of Style (16th Edition):

Griffiths, Amy. “An approach to performing Handel sonatas on the saxophone.” 2010. Doctoral Dissertation, Louisiana State University. Accessed February 25, 2020. etd-11122010-155346 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3501.

MLA Handbook (7th Edition):

Griffiths, Amy. “An approach to performing Handel sonatas on the saxophone.” 2010. Web. 25 Feb 2020.

Vancouver:

Griffiths A. An approach to performing Handel sonatas on the saxophone. [Internet] [Doctoral dissertation]. Louisiana State University; 2010. [cited 2020 Feb 25]. Available from: etd-11122010-155346 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3501.

Council of Science Editors:

Griffiths A. An approach to performing Handel sonatas on the saxophone. [Doctoral Dissertation]. Louisiana State University; 2010. Available from: etd-11122010-155346 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3501

14. Léonce, Thierry. Le fantastique dans l'oeuvre romanesque de Marcel Brion : The fantastic in the novelistic works of Marcel Brion.

Degree: Docteur es, Langue et Littérature françaises, 2011, Saint-Etienne

Les romans fantastiques de Marcel Brion sont aujourd'hui peu lus. Cet auteur a été globalement peu étudié par les universitaires français, peu pris en compte… (more)

Subjects/Keywords: Fantastique; Romantisme; Baroque; Mythologie; Fantastic; Romanticism; Baroque; Mythology

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APA (6th Edition):

Léonce, T. (2011). Le fantastique dans l'oeuvre romanesque de Marcel Brion : The fantastic in the novelistic works of Marcel Brion. (Doctoral Dissertation). Saint-Etienne. Retrieved from http://www.theses.fr/2011STET2154

Chicago Manual of Style (16th Edition):

Léonce, Thierry. “Le fantastique dans l'oeuvre romanesque de Marcel Brion : The fantastic in the novelistic works of Marcel Brion.” 2011. Doctoral Dissertation, Saint-Etienne. Accessed February 25, 2020. http://www.theses.fr/2011STET2154.

MLA Handbook (7th Edition):

Léonce, Thierry. “Le fantastique dans l'oeuvre romanesque de Marcel Brion : The fantastic in the novelistic works of Marcel Brion.” 2011. Web. 25 Feb 2020.

Vancouver:

Léonce T. Le fantastique dans l'oeuvre romanesque de Marcel Brion : The fantastic in the novelistic works of Marcel Brion. [Internet] [Doctoral dissertation]. Saint-Etienne; 2011. [cited 2020 Feb 25]. Available from: http://www.theses.fr/2011STET2154.

Council of Science Editors:

Léonce T. Le fantastique dans l'oeuvre romanesque de Marcel Brion : The fantastic in the novelistic works of Marcel Brion. [Doctoral Dissertation]. Saint-Etienne; 2011. Available from: http://www.theses.fr/2011STET2154

15. Chamonard-Etienne, Emilie. Mythes et métaphores du regard chez Rubens. Aveuglement et toute-puissance de l'oeil désirant : Myths and metaphors of the vision in Rubens's work; : blindness and all-power of the desiring eye.

Degree: Docteur es, Sciences de l'art, 2010, Saint-Etienne

La peinture de Rubens est hantée par la mythologie, et parmi les légendes les plus récurrentes figurent celles qui mêlent l'œil au désir, à la… (more)

Subjects/Keywords: Mythes; Esthétique; Baroque; Corps; Désir; Myths; Desiring eye; Baroque; Aesthetic

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APA (6th Edition):

Chamonard-Etienne, E. (2010). Mythes et métaphores du regard chez Rubens. Aveuglement et toute-puissance de l'oeil désirant : Myths and metaphors of the vision in Rubens's work; : blindness and all-power of the desiring eye. (Doctoral Dissertation). Saint-Etienne. Retrieved from http://www.theses.fr/2010STET2130

Chicago Manual of Style (16th Edition):

Chamonard-Etienne, Emilie. “Mythes et métaphores du regard chez Rubens. Aveuglement et toute-puissance de l'oeil désirant : Myths and metaphors of the vision in Rubens's work; : blindness and all-power of the desiring eye.” 2010. Doctoral Dissertation, Saint-Etienne. Accessed February 25, 2020. http://www.theses.fr/2010STET2130.

MLA Handbook (7th Edition):

Chamonard-Etienne, Emilie. “Mythes et métaphores du regard chez Rubens. Aveuglement et toute-puissance de l'oeil désirant : Myths and metaphors of the vision in Rubens's work; : blindness and all-power of the desiring eye.” 2010. Web. 25 Feb 2020.

Vancouver:

Chamonard-Etienne E. Mythes et métaphores du regard chez Rubens. Aveuglement et toute-puissance de l'oeil désirant : Myths and metaphors of the vision in Rubens's work; : blindness and all-power of the desiring eye. [Internet] [Doctoral dissertation]. Saint-Etienne; 2010. [cited 2020 Feb 25]. Available from: http://www.theses.fr/2010STET2130.

Council of Science Editors:

Chamonard-Etienne E. Mythes et métaphores du regard chez Rubens. Aveuglement et toute-puissance de l'oeil désirant : Myths and metaphors of the vision in Rubens's work; : blindness and all-power of the desiring eye. [Doctoral Dissertation]. Saint-Etienne; 2010. Available from: http://www.theses.fr/2010STET2130


Université Toulouse II – Le Mirail

16. Pizarro- De Trenqualye, Jean-Paul. Une modernité baroque : de José Gorostiza à Sor Juana Inés de la Cruz : Baroque modernity : from Jose Gorostiza to Sor Juana Inésde la Cruz.

Degree: Docteur es, Études sur l'Amérique latine, 2011, Université Toulouse II – Le Mirail

Ce travail met en relief une relecture du Baroque, en particulier du courant culterano, qui a eu lieu au Mexique au début du 20e siècle.… (more)

Subjects/Keywords: Baroque; Poésie contemporaine; Silve; Mexique; Baroque; Contemporary poetry; Silva; Mexico

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APA (6th Edition):

Pizarro- De Trenqualye, J. (2011). Une modernité baroque : de José Gorostiza à Sor Juana Inés de la Cruz : Baroque modernity : from Jose Gorostiza to Sor Juana Inésde la Cruz. (Doctoral Dissertation). Université Toulouse II – Le Mirail. Retrieved from http://www.theses.fr/2011TOU20135

Chicago Manual of Style (16th Edition):

Pizarro- De Trenqualye, Jean-Paul. “Une modernité baroque : de José Gorostiza à Sor Juana Inés de la Cruz : Baroque modernity : from Jose Gorostiza to Sor Juana Inésde la Cruz.” 2011. Doctoral Dissertation, Université Toulouse II – Le Mirail. Accessed February 25, 2020. http://www.theses.fr/2011TOU20135.

MLA Handbook (7th Edition):

Pizarro- De Trenqualye, Jean-Paul. “Une modernité baroque : de José Gorostiza à Sor Juana Inés de la Cruz : Baroque modernity : from Jose Gorostiza to Sor Juana Inésde la Cruz.” 2011. Web. 25 Feb 2020.

Vancouver:

Pizarro- De Trenqualye J. Une modernité baroque : de José Gorostiza à Sor Juana Inés de la Cruz : Baroque modernity : from Jose Gorostiza to Sor Juana Inésde la Cruz. [Internet] [Doctoral dissertation]. Université Toulouse II – Le Mirail; 2011. [cited 2020 Feb 25]. Available from: http://www.theses.fr/2011TOU20135.

Council of Science Editors:

Pizarro- De Trenqualye J. Une modernité baroque : de José Gorostiza à Sor Juana Inés de la Cruz : Baroque modernity : from Jose Gorostiza to Sor Juana Inésde la Cruz. [Doctoral Dissertation]. Université Toulouse II – Le Mirail; 2011. Available from: http://www.theses.fr/2011TOU20135


University of Debrecen

17. Tóháti, Zsuzsa. Eyes Can't Sleep: Technique, Visuality and What Is Beyond Them .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

 My thesis examines the way the spectator perceives and interprets baroque art in Peter Greenaway’s cinema of baroque. I will study not only artistic similarities… (more)

Subjects/Keywords: cinema of baroque; Peter Greenaway; postmodernism; neo-baroque

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APA (6th Edition):

Tóháti, Z. (2013). Eyes Can't Sleep: Technique, Visuality and What Is Beyond Them . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/156543

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tóháti, Zsuzsa. “Eyes Can't Sleep: Technique, Visuality and What Is Beyond Them .” 2013. Thesis, University of Debrecen. Accessed February 25, 2020. http://hdl.handle.net/2437/156543.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tóháti, Zsuzsa. “Eyes Can't Sleep: Technique, Visuality and What Is Beyond Them .” 2013. Web. 25 Feb 2020.

Vancouver:

Tóháti Z. Eyes Can't Sleep: Technique, Visuality and What Is Beyond Them . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/2437/156543.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tóháti Z. Eyes Can't Sleep: Technique, Visuality and What Is Beyond Them . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/156543

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. D'aurizio, Claudio. Le pli : Deleuze entre Leibniz et le Baroque : The fold : Deleuze between Leibniz and the Baroque.

Degree: Docteur es, Philosophie, 2019, Reims; Università degli studi della Calabria

Cette étude de la pensée de Gilles Deleuze (1925-1975) trouve son origine dans la confrontation avec un texte et un concept qui nous semblent des… (more)

Subjects/Keywords: Pli; Deleuze; Philosophie; Baroque; Leibniz; Philosophy; Baroque; Leibniz; Deleuze; Fold; 194

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APA (6th Edition):

D'aurizio, C. (2019). Le pli : Deleuze entre Leibniz et le Baroque : The fold : Deleuze between Leibniz and the Baroque. (Doctoral Dissertation). Reims; Università degli studi della Calabria. Retrieved from http://www.theses.fr/2019REIML001

Chicago Manual of Style (16th Edition):

D'aurizio, Claudio. “Le pli : Deleuze entre Leibniz et le Baroque : The fold : Deleuze between Leibniz and the Baroque.” 2019. Doctoral Dissertation, Reims; Università degli studi della Calabria. Accessed February 25, 2020. http://www.theses.fr/2019REIML001.

MLA Handbook (7th Edition):

D'aurizio, Claudio. “Le pli : Deleuze entre Leibniz et le Baroque : The fold : Deleuze between Leibniz and the Baroque.” 2019. Web. 25 Feb 2020.

Vancouver:

D'aurizio C. Le pli : Deleuze entre Leibniz et le Baroque : The fold : Deleuze between Leibniz and the Baroque. [Internet] [Doctoral dissertation]. Reims; Università degli studi della Calabria; 2019. [cited 2020 Feb 25]. Available from: http://www.theses.fr/2019REIML001.

Council of Science Editors:

D'aurizio C. Le pli : Deleuze entre Leibniz et le Baroque : The fold : Deleuze between Leibniz and the Baroque. [Doctoral Dissertation]. Reims; Università degli studi della Calabria; 2019. Available from: http://www.theses.fr/2019REIML001


University of Kansas

19. Dexter, Anesha. “A Stylistic Comparison of French Agréments in the Works of Marin Marais, Michel de La Barre, and Jacques Hotteterre”.

Degree: DMA, Music, 2018, University of Kansas

 ABSTRACT The lecture-recital included selections from the following works: Trio in C from the Pièces en trio pour les flûtes, violon, et dessus de viole… (more)

Subjects/Keywords: Music; Pedagogy; Music education; Baroque Flute; Baroque Flute Repertoire; Flute Pedagogy; French Baroque Music and Performance Practice; French Baroque Ornamentation; Seventeenth and Eighteenth Century French Baroque Performance Practice

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APA (6th Edition):

Dexter, A. (2018). “A Stylistic Comparison of French Agréments in the Works of Marin Marais, Michel de La Barre, and Jacques Hotteterre”. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/29300

Chicago Manual of Style (16th Edition):

Dexter, Anesha. ““A Stylistic Comparison of French Agréments in the Works of Marin Marais, Michel de La Barre, and Jacques Hotteterre”.” 2018. Doctoral Dissertation, University of Kansas. Accessed February 25, 2020. http://hdl.handle.net/1808/29300.

MLA Handbook (7th Edition):

Dexter, Anesha. ““A Stylistic Comparison of French Agréments in the Works of Marin Marais, Michel de La Barre, and Jacques Hotteterre”.” 2018. Web. 25 Feb 2020.

Vancouver:

Dexter A. “A Stylistic Comparison of French Agréments in the Works of Marin Marais, Michel de La Barre, and Jacques Hotteterre”. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/1808/29300.

Council of Science Editors:

Dexter A. “A Stylistic Comparison of French Agréments in the Works of Marin Marais, Michel de La Barre, and Jacques Hotteterre”. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/29300


University of Utah

20. Jones, Pamela Palmer. The Fitzwilliam virginal book: historical background and performance practice issues.

Degree: Doctor of Musical Arts in Piano Performance, Music (School of), 2009, University of Utah

 During the reign of Queen Elizabeth I in England in the late sixteenth-earlyseventeenth centuries, very repressive anti-Catholic laws were enacted by Parliament.Catholicism then became the… (more)

Subjects/Keywords: Fitzwilliam virginal book; Harpsichord; English; Baroque

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APA (6th Edition):

Jones, P. P. (2009). The Fitzwilliam virginal book: historical background and performance practice issues. (Doctoral Dissertation). University of Utah. Retrieved from http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/3344/rec/2527

Chicago Manual of Style (16th Edition):

Jones, Pamela Palmer. “The Fitzwilliam virginal book: historical background and performance practice issues.” 2009. Doctoral Dissertation, University of Utah. Accessed February 25, 2020. http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/3344/rec/2527.

MLA Handbook (7th Edition):

Jones, Pamela Palmer. “The Fitzwilliam virginal book: historical background and performance practice issues.” 2009. Web. 25 Feb 2020.

Vancouver:

Jones PP. The Fitzwilliam virginal book: historical background and performance practice issues. [Internet] [Doctoral dissertation]. University of Utah; 2009. [cited 2020 Feb 25]. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/3344/rec/2527.

Council of Science Editors:

Jones PP. The Fitzwilliam virginal book: historical background and performance practice issues. [Doctoral Dissertation]. University of Utah; 2009. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/3344/rec/2527


University of Minnesota

21. Sanan-Estudillo, Alyssa Robyn. Reconsidering the case of María de Zayas: readings through the optic of the monstrous.

Degree: PhD, Hispanic and Luso Literatures, Cultures & Linguistics, 2014, University of Minnesota

 Maria de Zayas' status as a writer has been, for the longest time, a cold case. Only recently disinterred from history, literary critics have swarmed… (more)

Subjects/Keywords: Baroque; de Zayas; Female; Monstrous; Spanish

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APA (6th Edition):

Sanan-Estudillo, A. R. (2014). Reconsidering the case of María de Zayas: readings through the optic of the monstrous. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/162689

Chicago Manual of Style (16th Edition):

Sanan-Estudillo, Alyssa Robyn. “Reconsidering the case of María de Zayas: readings through the optic of the monstrous.” 2014. Doctoral Dissertation, University of Minnesota. Accessed February 25, 2020. http://hdl.handle.net/11299/162689.

MLA Handbook (7th Edition):

Sanan-Estudillo, Alyssa Robyn. “Reconsidering the case of María de Zayas: readings through the optic of the monstrous.” 2014. Web. 25 Feb 2020.

Vancouver:

Sanan-Estudillo AR. Reconsidering the case of María de Zayas: readings through the optic of the monstrous. [Internet] [Doctoral dissertation]. University of Minnesota; 2014. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/11299/162689.

Council of Science Editors:

Sanan-Estudillo AR. Reconsidering the case of María de Zayas: readings through the optic of the monstrous. [Doctoral Dissertation]. University of Minnesota; 2014. Available from: http://hdl.handle.net/11299/162689


University of Minnesota

22. Joslin, Isaac V. Baroque and post/colonial Sub-Saharan Francophone Africa: The aesthetic embodiment of unreason.

Degree: PhD, French, 2010, University of Minnesota

 My dissertation approaches postcolonial African literature and political culture through the lens of a baroque aesthetic of spectacle and subversion. The basic premise is that… (more)

Subjects/Keywords: Africa; Baroque; Postcolonial; Transhistorical; Transnational; French

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APA (6th Edition):

Joslin, I. V. (2010). Baroque and post/colonial Sub-Saharan Francophone Africa: The aesthetic embodiment of unreason. (Doctoral Dissertation). University of Minnesota. Retrieved from http://purl.umn.edu/94629

Chicago Manual of Style (16th Edition):

Joslin, Isaac V. “Baroque and post/colonial Sub-Saharan Francophone Africa: The aesthetic embodiment of unreason.” 2010. Doctoral Dissertation, University of Minnesota. Accessed February 25, 2020. http://purl.umn.edu/94629.

MLA Handbook (7th Edition):

Joslin, Isaac V. “Baroque and post/colonial Sub-Saharan Francophone Africa: The aesthetic embodiment of unreason.” 2010. Web. 25 Feb 2020.

Vancouver:

Joslin IV. Baroque and post/colonial Sub-Saharan Francophone Africa: The aesthetic embodiment of unreason. [Internet] [Doctoral dissertation]. University of Minnesota; 2010. [cited 2020 Feb 25]. Available from: http://purl.umn.edu/94629.

Council of Science Editors:

Joslin IV. Baroque and post/colonial Sub-Saharan Francophone Africa: The aesthetic embodiment of unreason. [Doctoral Dissertation]. University of Minnesota; 2010. Available from: http://purl.umn.edu/94629


Duquesne University

23. Clinage, Patrick. Graduate Recital, Voice.

Degree: MM, Music Performance, 2011, Duquesne University

 This recital explores the bass-baritone character within both the opera and art song community, from recitative and arias symbolic of the Baroque style, to the… (more)

Subjects/Keywords: Aria; Art song; Baroque; Bass-Baritone; Romantic

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APA (6th Edition):

Clinage, P. (2011). Graduate Recital, Voice. (Thesis). Duquesne University. Retrieved from https://dsc.duq.edu/etd/419

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Clinage, Patrick. “Graduate Recital, Voice.” 2011. Thesis, Duquesne University. Accessed February 25, 2020. https://dsc.duq.edu/etd/419.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Clinage, Patrick. “Graduate Recital, Voice.” 2011. Web. 25 Feb 2020.

Vancouver:

Clinage P. Graduate Recital, Voice. [Internet] [Thesis]. Duquesne University; 2011. [cited 2020 Feb 25]. Available from: https://dsc.duq.edu/etd/419.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clinage P. Graduate Recital, Voice. [Thesis]. Duquesne University; 2011. Available from: https://dsc.duq.edu/etd/419

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

24. Markley, Joshua. THE BARITONE VOICE IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: A BRIEF EXAMINATION OF ITS DEVELOPMENT AND ITS USE IN HANDEL’S MESSIAH.

Degree: DMA, Music, 2016, University of Kansas

 Musicians who want to perform Handel’s oratorios in the twenty-first century are faced with several choices. One such choice is whether or not to use… (more)

Subjects/Keywords: Music; Baritone; Baroque; Handel; Messiah; Modern; Singing

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APA (6th Edition):

Markley, J. (2016). THE BARITONE VOICE IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: A BRIEF EXAMINATION OF ITS DEVELOPMENT AND ITS USE IN HANDEL’S MESSIAH. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21944

Chicago Manual of Style (16th Edition):

Markley, Joshua. “THE BARITONE VOICE IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: A BRIEF EXAMINATION OF ITS DEVELOPMENT AND ITS USE IN HANDEL’S MESSIAH.” 2016. Doctoral Dissertation, University of Kansas. Accessed February 25, 2020. http://hdl.handle.net/1808/21944.

MLA Handbook (7th Edition):

Markley, Joshua. “THE BARITONE VOICE IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: A BRIEF EXAMINATION OF ITS DEVELOPMENT AND ITS USE IN HANDEL’S MESSIAH.” 2016. Web. 25 Feb 2020.

Vancouver:

Markley J. THE BARITONE VOICE IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: A BRIEF EXAMINATION OF ITS DEVELOPMENT AND ITS USE IN HANDEL’S MESSIAH. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/1808/21944.

Council of Science Editors:

Markley J. THE BARITONE VOICE IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: A BRIEF EXAMINATION OF ITS DEVELOPMENT AND ITS USE IN HANDEL’S MESSIAH. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/21944


University of Sydney

25. Sun, Jessica. The Baroque Orpheus: Fragmentation and metamorphosis in the age of the operatic castrato .

Degree: 2017, University of Sydney

 This thesis is a study in the imagery of bodily fragmentation and metamorphosis in Baroque opera culture from the early seventeenth to the mid-eighteenth century.… (more)

Subjects/Keywords: Baroque Opera; castrato/castrati; Orpheus; fragmentation

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APA (6th Edition):

Sun, J. (2017). The Baroque Orpheus: Fragmentation and metamorphosis in the age of the operatic castrato . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/16863

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sun, Jessica. “The Baroque Orpheus: Fragmentation and metamorphosis in the age of the operatic castrato .” 2017. Thesis, University of Sydney. Accessed February 25, 2020. http://hdl.handle.net/2123/16863.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sun, Jessica. “The Baroque Orpheus: Fragmentation and metamorphosis in the age of the operatic castrato .” 2017. Web. 25 Feb 2020.

Vancouver:

Sun J. The Baroque Orpheus: Fragmentation and metamorphosis in the age of the operatic castrato . [Internet] [Thesis]. University of Sydney; 2017. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/2123/16863.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sun J. The Baroque Orpheus: Fragmentation and metamorphosis in the age of the operatic castrato . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/16863

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

26. Buchanan, Vivian. Evolving Performance Practice of Debussy's Piano Preludes.

Degree: MM, Musicology, 2018, Louisiana State University

  Between 1910 and 1912 Claude Debussy recorded twelve of his solo piano works for the player piano company Welte-Mignon. Although Debussy frequently instructed his… (more)

Subjects/Keywords: Debussy; performance practice; baroque; preludes; piano

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APA (6th Edition):

Buchanan, V. (2018). Evolving Performance Practice of Debussy's Piano Preludes. (Masters Thesis). Louisiana State University. Retrieved from https://digitalcommons.lsu.edu/gradschool_theses/4744

Chicago Manual of Style (16th Edition):

Buchanan, Vivian. “Evolving Performance Practice of Debussy's Piano Preludes.” 2018. Masters Thesis, Louisiana State University. Accessed February 25, 2020. https://digitalcommons.lsu.edu/gradschool_theses/4744.

MLA Handbook (7th Edition):

Buchanan, Vivian. “Evolving Performance Practice of Debussy's Piano Preludes.” 2018. Web. 25 Feb 2020.

Vancouver:

Buchanan V. Evolving Performance Practice of Debussy's Piano Preludes. [Internet] [Masters thesis]. Louisiana State University; 2018. [cited 2020 Feb 25]. Available from: https://digitalcommons.lsu.edu/gradschool_theses/4744.

Council of Science Editors:

Buchanan V. Evolving Performance Practice of Debussy's Piano Preludes. [Masters Thesis]. Louisiana State University; 2018. Available from: https://digitalcommons.lsu.edu/gradschool_theses/4744


California State University – Northridge

27. Ramirez, Mariana. Graduate voice recital.

Degree: M.M., Department of Music, 2011, California State University – Northridge

 This graduate voice recital consists of music in a variety of genres and styles spanning from Handel's Baroque period to the early twentieth century Spanish… (more)

Subjects/Keywords: Baroque music; Dissertations, Academic  – CSUN  – Music.

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APA (6th Edition):

Ramirez, M. (2011). Graduate voice recital. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.3/140327

Chicago Manual of Style (16th Edition):

Ramirez, Mariana. “Graduate voice recital.” 2011. Masters Thesis, California State University – Northridge. Accessed February 25, 2020. http://hdl.handle.net/10211.3/140327.

MLA Handbook (7th Edition):

Ramirez, Mariana. “Graduate voice recital.” 2011. Web. 25 Feb 2020.

Vancouver:

Ramirez M. Graduate voice recital. [Internet] [Masters thesis]. California State University – Northridge; 2011. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/10211.3/140327.

Council of Science Editors:

Ramirez M. Graduate voice recital. [Masters Thesis]. California State University – Northridge; 2011. Available from: http://hdl.handle.net/10211.3/140327


University of Cambridge

28. McQuillan, James Patrick. Geometry and light in the architecture of Guarino Guarini.

Degree: PhD, 1992, University of Cambridge

 Guarino Guarini C.R., (1624-1683) is now recognised as one of the great architects of the High Baroque. Author of imposing works on natural philosophy, mathematics… (more)

Subjects/Keywords: 720; Mathematician; Baroque

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APA (6th Edition):

McQuillan, J. P. (1992). Geometry and light in the architecture of Guarino Guarini. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/256464 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239546

Chicago Manual of Style (16th Edition):

McQuillan, James Patrick. “Geometry and light in the architecture of Guarino Guarini.” 1992. Doctoral Dissertation, University of Cambridge. Accessed February 25, 2020. https://www.repository.cam.ac.uk/handle/1810/256464 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239546.

MLA Handbook (7th Edition):

McQuillan, James Patrick. “Geometry and light in the architecture of Guarino Guarini.” 1992. Web. 25 Feb 2020.

Vancouver:

McQuillan JP. Geometry and light in the architecture of Guarino Guarini. [Internet] [Doctoral dissertation]. University of Cambridge; 1992. [cited 2020 Feb 25]. Available from: https://www.repository.cam.ac.uk/handle/1810/256464 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239546.

Council of Science Editors:

McQuillan JP. Geometry and light in the architecture of Guarino Guarini. [Doctoral Dissertation]. University of Cambridge; 1992. Available from: https://www.repository.cam.ac.uk/handle/1810/256464 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239546


University of Arizona

29. Nihira, Caleb. In Questo Proposito: Formal Innovations in the Vespers by Chiara Margarita Cozzolani .

Degree: 2018, University of Arizona

 The focus of the current study is the use of form in the collection of Vespers music by Chiara Margarita Cozzolani (1602-c.1678), an Italian Benedictine… (more)

Subjects/Keywords: Baroque; Convent Music; Cozzolani; Innovation; Nuns; Vespers

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nihira, C. (2018). In Questo Proposito: Formal Innovations in the Vespers by Chiara Margarita Cozzolani . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/630538

Chicago Manual of Style (16th Edition):

Nihira, Caleb. “In Questo Proposito: Formal Innovations in the Vespers by Chiara Margarita Cozzolani .” 2018. Doctoral Dissertation, University of Arizona. Accessed February 25, 2020. http://hdl.handle.net/10150/630538.

MLA Handbook (7th Edition):

Nihira, Caleb. “In Questo Proposito: Formal Innovations in the Vespers by Chiara Margarita Cozzolani .” 2018. Web. 25 Feb 2020.

Vancouver:

Nihira C. In Questo Proposito: Formal Innovations in the Vespers by Chiara Margarita Cozzolani . [Internet] [Doctoral dissertation]. University of Arizona; 2018. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/10150/630538.

Council of Science Editors:

Nihira C. In Questo Proposito: Formal Innovations in the Vespers by Chiara Margarita Cozzolani . [Doctoral Dissertation]. University of Arizona; 2018. Available from: http://hdl.handle.net/10150/630538


Université de Montréal

30. Bégin, Richard. Le baroque cinématographique, ou, Le cabinet de curiosité narratives : essai sur le cinéma de Raoul Ruiz .

Degree: 2005, Université de Montréal

Subjects/Keywords: Cinéma; Baroque; Narration

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bégin, R. (2005). Le baroque cinématographique, ou, Le cabinet de curiosité narratives : essai sur le cinéma de Raoul Ruiz . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/17324

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bégin, Richard. “Le baroque cinématographique, ou, Le cabinet de curiosité narratives : essai sur le cinéma de Raoul Ruiz .” 2005. Thesis, Université de Montréal. Accessed February 25, 2020. http://hdl.handle.net/1866/17324.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bégin, Richard. “Le baroque cinématographique, ou, Le cabinet de curiosité narratives : essai sur le cinéma de Raoul Ruiz .” 2005. Web. 25 Feb 2020.

Vancouver:

Bégin R. Le baroque cinématographique, ou, Le cabinet de curiosité narratives : essai sur le cinéma de Raoul Ruiz . [Internet] [Thesis]. Université de Montréal; 2005. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/1866/17324.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bégin R. Le baroque cinématographique, ou, Le cabinet de curiosité narratives : essai sur le cinéma de Raoul Ruiz . [Thesis]. Université de Montréal; 2005. Available from: http://hdl.handle.net/1866/17324

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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