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You searched for subject:(Barbara Strozzi). Showing records 1 – 2 of 2 total matches.

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Universidade Estadual de Campinas

1. Scarinci, Silvana Ruffier. Safo Novella : uma poetica do abandono nos lamentos de Barbara Strozzi (Veneza, 1619-1677) .

Degree: 2006, Universidade Estadual de Campinas

Resumo: Este projeto aborda de forma crítica e interdisciplinar os lamentos da compositora do seicento italiano, Barbara Strozzi. Para realizá-lo, diferentes abordagens tornaram-se necessárias: primeiramente fiz uma análise de seus lamentos mais representativos. Em segundo lugar, o confronto destas obras com obras similares de diferentes autores possibilitou a compreensão dos ideais estéticos e expressivos do período; e por último, estabeleci as conexões entre estas obras e o cenário cultural e ideológico que as circunda. As vozes de muitas mulheres, poetas e musicistas, criam um denso diálogo com a voz de nossa Venere canora. De Safo a Gaspara Stampa, das heroínas de Ovídio a Barbara Strozzi, todas elas expressam as dores do abandono com as cores violentas do desejo erótico. Tento explicar como a obra de Strozzi encaixa-se nesta tradição e como ela constrói a figura do ser abandonado dentro de um novo contexto, permeado pela força propulsora de Giambattista Marino. Como anfitriã da Accademia degli Unisoni, Barbara Strozzi cria uma música que dialoga com os intelectuais e poetas que freqüentam sua academia, usando uma linguagem que jocosamente provoca, seduz e corajosamente reafirma seu lugar como cortesã; Abstract: This project adresses in a critical and interdisciplinary way the Laments of the seicento woman composer Barbara Strozzi. This task is approached in three complementary steps: firstly an analysis of her most representative laments; secondly, confronting these works with similar ones from different authors, which enables us to understand the aesthetic and expressive ideals of the period; and thirdly the connections between these works and the cultural and ideological scenery that surrounds them. The voices from many women poets and musicians create a dense dialogue with the Venere Canora?s own singing voice. From Sappho to Gaspara Stampa, from Ovid?s heroines to Barbara Strozzi, they all express the pains of abandonment with the violent shades of erotic longing. I try to explain how Strozzi?s work fits into this tradition and how she constructs the figure of the abandoned being within a new poetic and cultural environment, permeated by the revigorating impulse of Giambattista Marino. Being the hostess of the Venetian Accademia degli Unisoni, Barbara Strozzi creates a music that dialogues with her male visitors in a language that wittily provokes, allures and bravely restates her position as a courtesan Advisors/Committee Members: Jank, Helena, 1939- (advisor), Kuhl, Paulo Mugayar (committee member), Kayama, Adriana Giarola (committee member), Corrêa, Mariza (committee member), Ronai, Laura Tausz (committee member).

Subjects/Keywords: Barbara Strozzi, 1619-1677; Musica barroca; Compositoras - Itália

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APA (6th Edition):

Scarinci, S. R. (2006). Safo Novella : uma poetica do abandono nos lamentos de Barbara Strozzi (Veneza, 1619-1677) . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284273

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scarinci, Silvana Ruffier. “Safo Novella : uma poetica do abandono nos lamentos de Barbara Strozzi (Veneza, 1619-1677) .” 2006. Thesis, Universidade Estadual de Campinas. Accessed December 15, 2019. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284273.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scarinci, Silvana Ruffier. “Safo Novella : uma poetica do abandono nos lamentos de Barbara Strozzi (Veneza, 1619-1677) .” 2006. Web. 15 Dec 2019.

Vancouver:

Scarinci SR. Safo Novella : uma poetica do abandono nos lamentos de Barbara Strozzi (Veneza, 1619-1677) . [Internet] [Thesis]. Universidade Estadual de Campinas; 2006. [cited 2019 Dec 15]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284273.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scarinci SR. Safo Novella : uma poetica do abandono nos lamentos de Barbara Strozzi (Veneza, 1619-1677) . [Thesis]. Universidade Estadual de Campinas; 2006. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284273

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Kim, Youngmi. A Singer’s Guide to Performing Two Baroque Cantatas: Barbara Strozzi’s L’Astratto, Op. 8, No. 4, and Elisabeth-Claude Jacquet de La Guerre’s Le Sommeil d’Ulisse.

Degree: DMA, College-Conservatory of Music: Voice, 2012, University of Cincinnati

The secular cantata was one of the most popular genres in vocal chamber music during the seventeenth and eighteenth centuries. Similar to opera in its musical style and dramatic narrative, the Baroque cantata developed in Italy during the seventeenth century, changing from a multi-sectional movement with quick alternations between recitative, arioso, and aria to a multi-movement piece with several pairs of recitatives and da capo arias by the 1680s. This study is a performer’s guide to Barbara Strozzi’s L’Astratto (1664), Op. 8, No. 4 and Elizabeth-Claude Jacquet de La Guerre’s Le Sommeil d’Ulisse (1715). A comparison of two cantatas by women composers, one from mid-seventeenth-century Italy and the other from early eighteenth century France, allows for a study of different forms, singing styles, ornamentation, instrumentation, and the relationship between text and music in the genre’s development over a half-century. This document aids singers in programming this genre and discovering the music of two of the cantata’s most gifted composers. Chapter 1 presents an overview of the two composers’ biographies in terms of family backgrounds and early careers, social backgrounds, and compositional outputs, providing a frame of reference for the detailed study of each cantata at follows. Chapter 2 focuses on Strozzi’s use of text and musical rhetoric, formal structure (one-movement form with several sections), and performance issues (e.g., ornamentation, vocal technique, and instrumentation). Chapter 3 deals with La Guerre’s use of mythologically based texts, overall formal structure (several movements alternate between r¿¿¿¿citatif and air), air form (e.g., through-composed, strophic variation, and da capo form), compositional style of r¿¿¿¿citatif, and performance issues (e.g., stylized dances and tempo, rhythmic performance practice [overdotting and notes in¿¿¿¿gales], ornamentation, pronunciation, and instrumentation). This study concludes with an assessment of Strozzi’s and La Guerre’s contributions to the history of the cantata. Advisors/Committee Members: mcclung, bruce (Committee Chair).

Subjects/Keywords: Music; Cantata; Baroque; Barbara Strozzi; Elisabeth-Claude Jacquet de la Guerre; L'Astratto; Le Sommeil d'Ulisse

…and 1650s, composers, including Barbara Strozzi (1619–1677) and Antonio Cesti… …article “Barbara Strozzi, Virtuosissima Cantatrice: The Composer’s Voice” provides a summary of… …perspective.16 Beth Glixon’s articles “New Light on the Life and Career of Barbara Strozzi” and… …More on the Life and Death of Barbara Strozzi” focus their attention on aspects of Strozzi’s… …33. 16 Ellen Rosand, “Barbara Strozzi, Virtuosissima Cantatrice: The Composer’s Voice… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kim, Y. (2012). A Singer’s Guide to Performing Two Baroque Cantatas: Barbara Strozzi’s L’Astratto, Op. 8, No. 4, and Elisabeth-Claude Jacquet de La Guerre’s Le Sommeil d’Ulisse. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337265668

Chicago Manual of Style (16th Edition):

Kim, Youngmi. “A Singer’s Guide to Performing Two Baroque Cantatas: Barbara Strozzi’s L’Astratto, Op. 8, No. 4, and Elisabeth-Claude Jacquet de La Guerre’s Le Sommeil d’Ulisse.” 2012. Doctoral Dissertation, University of Cincinnati. Accessed December 15, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337265668.

MLA Handbook (7th Edition):

Kim, Youngmi. “A Singer’s Guide to Performing Two Baroque Cantatas: Barbara Strozzi’s L’Astratto, Op. 8, No. 4, and Elisabeth-Claude Jacquet de La Guerre’s Le Sommeil d’Ulisse.” 2012. Web. 15 Dec 2019.

Vancouver:

Kim Y. A Singer’s Guide to Performing Two Baroque Cantatas: Barbara Strozzi’s L’Astratto, Op. 8, No. 4, and Elisabeth-Claude Jacquet de La Guerre’s Le Sommeil d’Ulisse. [Internet] [Doctoral dissertation]. University of Cincinnati; 2012. [cited 2019 Dec 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337265668.

Council of Science Editors:

Kim Y. A Singer’s Guide to Performing Two Baroque Cantatas: Barbara Strozzi’s L’Astratto, Op. 8, No. 4, and Elisabeth-Claude Jacquet de La Guerre’s Le Sommeil d’Ulisse. [Doctoral Dissertation]. University of Cincinnati; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337265668

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