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Degree: DMA

You searched for subject:(Balliol John de c 1248 1313). Showing records 1 – 30 of 68 total matches.

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University of Iowa

1. Bloomberg, Jennifer Marie Wohlenhaus. Jean Françaix : L'horloge de flore, an analysis, performance suggestions and a simplified, two-hand reduction of the piano accompaniment.

Degree: DMA, Music, 2015, University of Iowa

  L'horloge de flore (The Flower Clock or Flora's Clock) by Jean Françaix was commissioned by John de Lancie, former principal oboist of the Philadelphia… (more)

Subjects/Keywords: publicabstract; Flower Clock; Francaix; John de Lancie; oboe; Music

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APA (6th Edition):

Bloomberg, J. M. W. (2015). Jean Françaix : L'horloge de flore, an analysis, performance suggestions and a simplified, two-hand reduction of the piano accompaniment. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/1934

Chicago Manual of Style (16th Edition):

Bloomberg, Jennifer Marie Wohlenhaus. “Jean Françaix : L'horloge de flore, an analysis, performance suggestions and a simplified, two-hand reduction of the piano accompaniment.” 2015. Doctoral Dissertation, University of Iowa. Accessed October 22, 2019. https://ir.uiowa.edu/etd/1934.

MLA Handbook (7th Edition):

Bloomberg, Jennifer Marie Wohlenhaus. “Jean Françaix : L'horloge de flore, an analysis, performance suggestions and a simplified, two-hand reduction of the piano accompaniment.” 2015. Web. 22 Oct 2019.

Vancouver:

Bloomberg JMW. Jean Françaix : L'horloge de flore, an analysis, performance suggestions and a simplified, two-hand reduction of the piano accompaniment. [Internet] [Doctoral dissertation]. University of Iowa; 2015. [cited 2019 Oct 22]. Available from: https://ir.uiowa.edu/etd/1934.

Council of Science Editors:

Bloomberg JMW. Jean Françaix : L'horloge de flore, an analysis, performance suggestions and a simplified, two-hand reduction of the piano accompaniment. [Doctoral Dissertation]. University of Iowa; 2015. Available from: https://ir.uiowa.edu/etd/1934


University of Georgia

2. Wallace, Jacob Edward. John Mackey's Concerto for soprano sax and wind ensemble (2007): an analysis and conductor's guide to performance.

Degree: DMA, Music, 2009, University of Georgia

John Mackey is an important young American composer. A student of Pulitzer Prize–winning American composer John Corigliano, Mackey has written works for groups ranging from… (more)

Subjects/Keywords: John Mackey

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APA (6th Edition):

Wallace, J. E. (2009). John Mackey's Concerto for soprano sax and wind ensemble (2007): an analysis and conductor's guide to performance. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/wallace_jacob_e_200905_dma

Chicago Manual of Style (16th Edition):

Wallace, Jacob Edward. “John Mackey's Concerto for soprano sax and wind ensemble (2007): an analysis and conductor's guide to performance.” 2009. Doctoral Dissertation, University of Georgia. Accessed October 22, 2019. http://purl.galileo.usg.edu/uga_etd/wallace_jacob_e_200905_dma.

MLA Handbook (7th Edition):

Wallace, Jacob Edward. “John Mackey's Concerto for soprano sax and wind ensemble (2007): an analysis and conductor's guide to performance.” 2009. Web. 22 Oct 2019.

Vancouver:

Wallace JE. John Mackey's Concerto for soprano sax and wind ensemble (2007): an analysis and conductor's guide to performance. [Internet] [Doctoral dissertation]. University of Georgia; 2009. [cited 2019 Oct 22]. Available from: http://purl.galileo.usg.edu/uga_etd/wallace_jacob_e_200905_dma.

Council of Science Editors:

Wallace JE. John Mackey's Concerto for soprano sax and wind ensemble (2007): an analysis and conductor's guide to performance. [Doctoral Dissertation]. University of Georgia; 2009. Available from: http://purl.galileo.usg.edu/uga_etd/wallace_jacob_e_200905_dma

3. Zorgniotti, Marc F. Quotations and Constructivism in Twentieth-Century Violin Chaconnes by John Adams, Hans W. Henze, and Moses Pergament.

Degree: DMA, College-Conservatory of Music : Violin, 2010, University of Cincinnati

 This study examines three twentieth-century violin chaconnes by John Adams (b. 1947), Moses Pergament (1893–1977), and Hans Werner Henze (b. 1926). Although each composer devised… (more)

Subjects/Keywords: Music; Chaconne; Hans W. Henze; John C. Adams; Moses Pergament; Violin; ostinato

…theme, mm. 9–17 . 33 Ex. 23a–c. Vitali, Chaconne for Violin and Basso in G Minor… …Ex. 26a–c. Henze, Il Vitalino Raddoppiato, Second Viennese School similitudes ... 53… …Body through Which the Dream Flows, rhythmic transformations … 74 Ex. 31a–c. Adams… …Flows from Violin Concerto by John Adams © Copyright 1993 by Hendon Music, Inc., a Boosey… …numerous references by Cervantes, Lope de Vega, Quevedo, and other writers indicate that it was a… 

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APA (6th Edition):

Zorgniotti, M. F. (2010). Quotations and Constructivism in Twentieth-Century Violin Chaconnes by John Adams, Hans W. Henze, and Moses Pergament. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276530950

Chicago Manual of Style (16th Edition):

Zorgniotti, Marc F. “Quotations and Constructivism in Twentieth-Century Violin Chaconnes by John Adams, Hans W. Henze, and Moses Pergament.” 2010. Doctoral Dissertation, University of Cincinnati. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276530950.

MLA Handbook (7th Edition):

Zorgniotti, Marc F. “Quotations and Constructivism in Twentieth-Century Violin Chaconnes by John Adams, Hans W. Henze, and Moses Pergament.” 2010. Web. 22 Oct 2019.

Vancouver:

Zorgniotti MF. Quotations and Constructivism in Twentieth-Century Violin Chaconnes by John Adams, Hans W. Henze, and Moses Pergament. [Internet] [Doctoral dissertation]. University of Cincinnati; 2010. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276530950.

Council of Science Editors:

Zorgniotti MF. Quotations and Constructivism in Twentieth-Century Violin Chaconnes by John Adams, Hans W. Henze, and Moses Pergament. [Doctoral Dissertation]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276530950


The Ohio State University

4. Hunter-Holly, Daniel Ryan. A performer's examination of John Musto's "Shadow of the Blues" and "Recuerdo".

Degree: DMA, Music, 2007, The Ohio State University

 As one of American contemporary music’s most versatile composers, John Musto (b. 1954) draws on his jazz background as well as his training as a… (more)

Subjects/Keywords: Music; Musto; John

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APA (6th Edition):

Hunter-Holly, D. R. (2007). A performer's examination of John Musto's "Shadow of the Blues" and "Recuerdo". (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1180292422

Chicago Manual of Style (16th Edition):

Hunter-Holly, Daniel Ryan. “A performer's examination of John Musto's "Shadow of the Blues" and "Recuerdo".” 2007. Doctoral Dissertation, The Ohio State University. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1180292422.

MLA Handbook (7th Edition):

Hunter-Holly, Daniel Ryan. “A performer's examination of John Musto's "Shadow of the Blues" and "Recuerdo".” 2007. Web. 22 Oct 2019.

Vancouver:

Hunter-Holly DR. A performer's examination of John Musto's "Shadow of the Blues" and "Recuerdo". [Internet] [Doctoral dissertation]. The Ohio State University; 2007. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1180292422.

Council of Science Editors:

Hunter-Holly DR. A performer's examination of John Musto's "Shadow of the Blues" and "Recuerdo". [Doctoral Dissertation]. The Ohio State University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1180292422


University of Cincinnati

5. Kang, Eun Young. Late Twentieth-Century Piano Concert Etudes: A Style Study.

Degree: DMA, College-Conservatory of Music: Piano, 2010, University of Cincinnati

  This document examines how four late twentieth-century composers’ styles engage with the traditional genre of the etude. It explores the stylistic characteristics of concert… (more)

Subjects/Keywords: Music; John Cage; William Bolcom; John Corigliano; Gyorgy Ligeti; piano etude

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APA (6th Edition):

Kang, E. Y. (2010). Late Twentieth-Century Piano Concert Etudes: A Style Study. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282169360

Chicago Manual of Style (16th Edition):

Kang, Eun Young. “Late Twentieth-Century Piano Concert Etudes: A Style Study.” 2010. Doctoral Dissertation, University of Cincinnati. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282169360.

MLA Handbook (7th Edition):

Kang, Eun Young. “Late Twentieth-Century Piano Concert Etudes: A Style Study.” 2010. Web. 22 Oct 2019.

Vancouver:

Kang EY. Late Twentieth-Century Piano Concert Etudes: A Style Study. [Internet] [Doctoral dissertation]. University of Cincinnati; 2010. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282169360.

Council of Science Editors:

Kang EY. Late Twentieth-Century Piano Concert Etudes: A Style Study. [Doctoral Dissertation]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282169360


University of Colorado

6. Ramos, Andrew. Thematic Transformation in John Corigliano’s Etude Fantasy.

Degree: DMA, Music, 2018, University of Colorado

John Corigliano describes his Etude Fantasy (1976), a piece for piano, as “a set of five etudes combined into the episodic form and character… (more)

Subjects/Keywords: John Corigliano; Etude Fantasy; Thematic Transformation

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APA (6th Edition):

Ramos, A. (2018). Thematic Transformation in John Corigliano’s Etude Fantasy. (Doctoral Dissertation). University of Colorado. Retrieved from https://scholar.colorado.edu/mkey_gradetds/2

Chicago Manual of Style (16th Edition):

Ramos, Andrew. “Thematic Transformation in John Corigliano’s Etude Fantasy.” 2018. Doctoral Dissertation, University of Colorado. Accessed October 22, 2019. https://scholar.colorado.edu/mkey_gradetds/2.

MLA Handbook (7th Edition):

Ramos, Andrew. “Thematic Transformation in John Corigliano’s Etude Fantasy.” 2018. Web. 22 Oct 2019.

Vancouver:

Ramos A. Thematic Transformation in John Corigliano’s Etude Fantasy. [Internet] [Doctoral dissertation]. University of Colorado; 2018. [cited 2019 Oct 22]. Available from: https://scholar.colorado.edu/mkey_gradetds/2.

Council of Science Editors:

Ramos A. Thematic Transformation in John Corigliano’s Etude Fantasy. [Doctoral Dissertation]. University of Colorado; 2018. Available from: https://scholar.colorado.edu/mkey_gradetds/2


The Ohio State University

7. Bassett, Dennis M. The Five Song Collections of John David Earnest Set to the Poetry of Robert Bode: A Performer's Perspective.

Degree: DMA, Music, 2009, The Ohio State University

 The collaborative ideas of composer John David Earnest and poet Robert Bodehave resulted in musical compositions that are an important addition to 21st centuryAmerican art… (more)

Subjects/Keywords: Composition; Music; John David Earnest; Robert Bode

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APA (6th Edition):

Bassett, D. M. (2009). The Five Song Collections of John David Earnest Set to the Poetry of Robert Bode: A Performer's Perspective. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1243567209

Chicago Manual of Style (16th Edition):

Bassett, Dennis M. “The Five Song Collections of John David Earnest Set to the Poetry of Robert Bode: A Performer's Perspective.” 2009. Doctoral Dissertation, The Ohio State University. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243567209.

MLA Handbook (7th Edition):

Bassett, Dennis M. “The Five Song Collections of John David Earnest Set to the Poetry of Robert Bode: A Performer's Perspective.” 2009. Web. 22 Oct 2019.

Vancouver:

Bassett DM. The Five Song Collections of John David Earnest Set to the Poetry of Robert Bode: A Performer's Perspective. [Internet] [Doctoral dissertation]. The Ohio State University; 2009. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1243567209.

Council of Science Editors:

Bassett DM. The Five Song Collections of John David Earnest Set to the Poetry of Robert Bode: A Performer's Perspective. [Doctoral Dissertation]. The Ohio State University; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1243567209


University of Cincinnati

8. Lewis, Kevin D. “The Miracle of Unintelligibility”: The Music and Invented Instruments of Lucia Dlugoszewski.

Degree: DMA, College-Conservatory of Music: Percussion, 2011, University of Cincinnati

 Although the significance of her achievements has not yet been widely recognized by the musical establishment, the music and aesthetic philosophies of Lucia Dlugoszewski (1931-2000)… (more)

Subjects/Keywords: Music; Percussion; Erick Hawkins; Invented Instruments; John Cage; Edgard Varese

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APA (6th Edition):

Lewis, K. D. (2011). “The Miracle of Unintelligibility”: The Music and Invented Instruments of Lucia Dlugoszewski. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321641867

Chicago Manual of Style (16th Edition):

Lewis, Kevin D. ““The Miracle of Unintelligibility”: The Music and Invented Instruments of Lucia Dlugoszewski.” 2011. Doctoral Dissertation, University of Cincinnati. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321641867.

MLA Handbook (7th Edition):

Lewis, Kevin D. ““The Miracle of Unintelligibility”: The Music and Invented Instruments of Lucia Dlugoszewski.” 2011. Web. 22 Oct 2019.

Vancouver:

Lewis KD. “The Miracle of Unintelligibility”: The Music and Invented Instruments of Lucia Dlugoszewski. [Internet] [Doctoral dissertation]. University of Cincinnati; 2011. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321641867.

Council of Science Editors:

Lewis KD. “The Miracle of Unintelligibility”: The Music and Invented Instruments of Lucia Dlugoszewski. [Doctoral Dissertation]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321641867


University of South Carolina

9. Fadale, Gabriel Michael Anthony. A Comprehensive Examination Of The Saxophone Chamber Music Of John Fitz Rogers.

Degree: DMA, School of Music, 2016, University of South Carolina

  The body of classical saxophone chamber repertoire is an ever-evolving collection of music. Presently, many contemporary composers endeavor to write for the saxophone, some… (more)

Subjects/Keywords: Music; Music Performance; Comprehensive; Examination; Saxophone Chamber Music; John Fitz Rogers

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APA (6th Edition):

Fadale, G. M. A. (2016). A Comprehensive Examination Of The Saxophone Chamber Music Of John Fitz Rogers. (Doctoral Dissertation). University of South Carolina. Retrieved from https://scholarcommons.sc.edu/etd/3430

Chicago Manual of Style (16th Edition):

Fadale, Gabriel Michael Anthony. “A Comprehensive Examination Of The Saxophone Chamber Music Of John Fitz Rogers.” 2016. Doctoral Dissertation, University of South Carolina. Accessed October 22, 2019. https://scholarcommons.sc.edu/etd/3430.

MLA Handbook (7th Edition):

Fadale, Gabriel Michael Anthony. “A Comprehensive Examination Of The Saxophone Chamber Music Of John Fitz Rogers.” 2016. Web. 22 Oct 2019.

Vancouver:

Fadale GMA. A Comprehensive Examination Of The Saxophone Chamber Music Of John Fitz Rogers. [Internet] [Doctoral dissertation]. University of South Carolina; 2016. [cited 2019 Oct 22]. Available from: https://scholarcommons.sc.edu/etd/3430.

Council of Science Editors:

Fadale GMA. A Comprehensive Examination Of The Saxophone Chamber Music Of John Fitz Rogers. [Doctoral Dissertation]. University of South Carolina; 2016. Available from: https://scholarcommons.sc.edu/etd/3430


University of Southern California

10. St. Marie, John S. Theology as a basis for golden section analysis: a model of construction for Johann Sebastian Bach's St. John Passion.

Degree: DMA, Choral Music, 2012, University of Southern California

 The St. John Passion (BWV 245) is a monumental work by Johann Sebastian Bach in the genre of the oratorio Passion. While significant scholarship on… (more)

Subjects/Keywords: golden section; Bach; phi; St. John Passion; passion; divine proportion

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APA (6th Edition):

St. Marie, J. S. (2012). Theology as a basis for golden section analysis: a model of construction for Johann Sebastian Bach's St. John Passion. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/109292/rec/7414

Chicago Manual of Style (16th Edition):

St. Marie, John S. “Theology as a basis for golden section analysis: a model of construction for Johann Sebastian Bach's St. John Passion.” 2012. Doctoral Dissertation, University of Southern California. Accessed October 22, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/109292/rec/7414.

MLA Handbook (7th Edition):

St. Marie, John S. “Theology as a basis for golden section analysis: a model of construction for Johann Sebastian Bach's St. John Passion.” 2012. Web. 22 Oct 2019.

Vancouver:

St. Marie JS. Theology as a basis for golden section analysis: a model of construction for Johann Sebastian Bach's St. John Passion. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Oct 22]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/109292/rec/7414.

Council of Science Editors:

St. Marie JS. Theology as a basis for golden section analysis: a model of construction for Johann Sebastian Bach's St. John Passion. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/109292/rec/7414


University of Cincinnati

11. Jeong, Sejeong. A Performer's Guide to the Prepared Piano of John Cage: The 1930s to 1950s.

Degree: DMA, College-Conservatory of Music: Piano, 2019, University of Cincinnati

John Cage is one of the most prominent American avant-garde composers of the twentieth century. As the first true pioneer of the "prepared piano," Cage's… (more)

Subjects/Keywords: Performing Arts; john cage; prepared piano; performance practice

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APA (6th Edition):

Jeong, S. (2019). A Performer's Guide to the Prepared Piano of John Cage: The 1930s to 1950s. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin155239910934567

Chicago Manual of Style (16th Edition):

Jeong, Sejeong. “A Performer's Guide to the Prepared Piano of John Cage: The 1930s to 1950s.” 2019. Doctoral Dissertation, University of Cincinnati. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin155239910934567.

MLA Handbook (7th Edition):

Jeong, Sejeong. “A Performer's Guide to the Prepared Piano of John Cage: The 1930s to 1950s.” 2019. Web. 22 Oct 2019.

Vancouver:

Jeong S. A Performer's Guide to the Prepared Piano of John Cage: The 1930s to 1950s. [Internet] [Doctoral dissertation]. University of Cincinnati; 2019. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin155239910934567.

Council of Science Editors:

Jeong S. A Performer's Guide to the Prepared Piano of John Cage: The 1930s to 1950s. [Doctoral Dissertation]. University of Cincinnati; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin155239910934567


University of Miami

12. Shefcik, Matthew James. A Performance Guide to Selected Trumpet Excerpts from the Orchestral Music of John Coolidge Adams.

Degree: DMA, Instrumental Performance (Music), 2014, University of Miami

  The purpose of this study is to create a performance guide for the challenging trumpet parts found within the orchestral works of John Coolidge… (more)

Subjects/Keywords: trumpet; orchestral excerpts; John Adams; trumpet excerpts; band music; orchestra music

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APA (6th Edition):

Shefcik, M. J. (2014). A Performance Guide to Selected Trumpet Excerpts from the Orchestral Music of John Coolidge Adams. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1175

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shefcik, Matthew James. “A Performance Guide to Selected Trumpet Excerpts from the Orchestral Music of John Coolidge Adams.” 2014. Thesis, University of Miami. Accessed October 22, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1175.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shefcik, Matthew James. “A Performance Guide to Selected Trumpet Excerpts from the Orchestral Music of John Coolidge Adams.” 2014. Web. 22 Oct 2019.

Vancouver:

Shefcik MJ. A Performance Guide to Selected Trumpet Excerpts from the Orchestral Music of John Coolidge Adams. [Internet] [Thesis]. University of Miami; 2014. [cited 2019 Oct 22]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1175.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shefcik MJ. A Performance Guide to Selected Trumpet Excerpts from the Orchestral Music of John Coolidge Adams. [Thesis]. University of Miami; 2014. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1175

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

13. Alvey, Bethany Lynn. Spirituality and Scottish Identity in Selected Works of James MacMillan.

Degree: DMA, Vocal Performance (Music), 2016, University of Miami

  Sir James MacMillan's choral works have been studied through the lens of, and labelled by, three extra-musical themes: Catholicism, Scottish identity, and social consciousness.… (more)

Subjects/Keywords: James MacMillan; Catholicism; Scottish music; St John Passion; The Gallant Weaver

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APA (6th Edition):

Alvey, B. L. (2016). Spirituality and Scottish Identity in Selected Works of James MacMillan. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1625

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alvey, Bethany Lynn. “Spirituality and Scottish Identity in Selected Works of James MacMillan.” 2016. Thesis, University of Miami. Accessed October 22, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1625.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alvey, Bethany Lynn. “Spirituality and Scottish Identity in Selected Works of James MacMillan.” 2016. Web. 22 Oct 2019.

Vancouver:

Alvey BL. Spirituality and Scottish Identity in Selected Works of James MacMillan. [Internet] [Thesis]. University of Miami; 2016. [cited 2019 Oct 22]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1625.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alvey BL. Spirituality and Scottish Identity in Selected Works of James MacMillan. [Thesis]. University of Miami; 2016. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1625

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

14. Compton, Pamela S. Music of reformed worship: a guide and resource for organists, choirs, and congregations.

Degree: DMA, Choral Music, 2013, University of Southern California

 This dissertation fills a gap in resources for lay church musicians in the Reformed tradition. First, it provides detailed guidelines for organists regarding the accompaniment… (more)

Subjects/Keywords: Reformation; Reformed; John Calvin; organ; hymnody; choir; worship; United Reformed Churches of North America

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APA (6th Edition):

Compton, P. S. (2013). Music of reformed worship: a guide and resource for organists, choirs, and congregations. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/253897/rec/4290

Chicago Manual of Style (16th Edition):

Compton, Pamela S. “Music of reformed worship: a guide and resource for organists, choirs, and congregations.” 2013. Doctoral Dissertation, University of Southern California. Accessed October 22, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/253897/rec/4290.

MLA Handbook (7th Edition):

Compton, Pamela S. “Music of reformed worship: a guide and resource for organists, choirs, and congregations.” 2013. Web. 22 Oct 2019.

Vancouver:

Compton PS. Music of reformed worship: a guide and resource for organists, choirs, and congregations. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2019 Oct 22]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/253897/rec/4290.

Council of Science Editors:

Compton PS. Music of reformed worship: a guide and resource for organists, choirs, and congregations. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/253897/rec/4290


University of Kansas

15. Messina, Anthony Michael. Creating an Aural History: The Detroit Concert Band's Sousa American Bicentennial Collection.

Degree: DMA, Music, 2018, University of Kansas

 The name Leonard B. Smith has permeated the wind band world for many years. Known primarily as conductor of the Detroit Concert Band, the extent… (more)

Subjects/Keywords: Music history; Detroit Concert Band; John Philip Sousa; Leonard B. Smith; Sousa American Bicentennial Collection

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APA (6th Edition):

Messina, A. M. (2018). Creating an Aural History: The Detroit Concert Band's Sousa American Bicentennial Collection. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/27097

Chicago Manual of Style (16th Edition):

Messina, Anthony Michael. “Creating an Aural History: The Detroit Concert Band's Sousa American Bicentennial Collection.” 2018. Doctoral Dissertation, University of Kansas. Accessed October 22, 2019. http://hdl.handle.net/1808/27097.

MLA Handbook (7th Edition):

Messina, Anthony Michael. “Creating an Aural History: The Detroit Concert Band's Sousa American Bicentennial Collection.” 2018. Web. 22 Oct 2019.

Vancouver:

Messina AM. Creating an Aural History: The Detroit Concert Band's Sousa American Bicentennial Collection. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1808/27097.

Council of Science Editors:

Messina AM. Creating an Aural History: The Detroit Concert Band's Sousa American Bicentennial Collection. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/27097


University of Southern California

16. Hunn, Amy Stuart. "That music always round me": 21st century choral settings of the poetry of Walt Whitman.

Degree: DMA, Choral Music, 2012, University of Southern California

 Choral compositions, with few exceptions, begin with text. Text comes first, music comes second. This was true for the medieval cleric setting Gregorian chant, and… (more)

Subjects/Keywords: Walt Whitman; John Muehleisen; Steven Sametz; Nico Muhly; Robert Maggio; choral; poetry

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APA (6th Edition):

Hunn, A. S. (2012). "That music always round me": 21st century choral settings of the poetry of Walt Whitman. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/22464/rec/40

Chicago Manual of Style (16th Edition):

Hunn, Amy Stuart. “"That music always round me": 21st century choral settings of the poetry of Walt Whitman.” 2012. Doctoral Dissertation, University of Southern California. Accessed October 22, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/22464/rec/40.

MLA Handbook (7th Edition):

Hunn, Amy Stuart. “"That music always round me": 21st century choral settings of the poetry of Walt Whitman.” 2012. Web. 22 Oct 2019.

Vancouver:

Hunn AS. "That music always round me": 21st century choral settings of the poetry of Walt Whitman. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Oct 22]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/22464/rec/40.

Council of Science Editors:

Hunn AS. "That music always round me": 21st century choral settings of the poetry of Walt Whitman. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/22464/rec/40


University of Iowa

17. Nakielski, Christopher John. A scholarly edition of Suita Maryjna, a Polish Marian suite for treble chorus, string quartet and two flutes, by Irena Pfeiffer.

Degree: DMA, Music, 2018, University of Iowa

  This is the first published edition of Suita Maryjna (1987), a nine-movement Marian suite intended for three-part treble chorus, string quartet and two flutes… (more)

Subjects/Keywords: Catholicism; Chicago; Irena Pfeiffer; Lira Ensemble; Marian Suite; Pope John Paul II; Music

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APA (6th Edition):

Nakielski, C. J. (2018). A scholarly edition of Suita Maryjna, a Polish Marian suite for treble chorus, string quartet and two flutes, by Irena Pfeiffer. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/6228

Chicago Manual of Style (16th Edition):

Nakielski, Christopher John. “A scholarly edition of Suita Maryjna, a Polish Marian suite for treble chorus, string quartet and two flutes, by Irena Pfeiffer.” 2018. Doctoral Dissertation, University of Iowa. Accessed October 22, 2019. https://ir.uiowa.edu/etd/6228.

MLA Handbook (7th Edition):

Nakielski, Christopher John. “A scholarly edition of Suita Maryjna, a Polish Marian suite for treble chorus, string quartet and two flutes, by Irena Pfeiffer.” 2018. Web. 22 Oct 2019.

Vancouver:

Nakielski CJ. A scholarly edition of Suita Maryjna, a Polish Marian suite for treble chorus, string quartet and two flutes, by Irena Pfeiffer. [Internet] [Doctoral dissertation]. University of Iowa; 2018. [cited 2019 Oct 22]. Available from: https://ir.uiowa.edu/etd/6228.

Council of Science Editors:

Nakielski CJ. A scholarly edition of Suita Maryjna, a Polish Marian suite for treble chorus, string quartet and two flutes, by Irena Pfeiffer. [Doctoral Dissertation]. University of Iowa; 2018. Available from: https://ir.uiowa.edu/etd/6228


University of Colorado

18. Saraga, Jonathan. ALL PATHS LEAD TO GOD: A BRIEF ACCOUNT OF SPIRITUAL AND RELIGIOUS FAITH IN THE LIVES OF YUSEF LATEEF, SONNY ROLLINS & JOHN COLTRANE.

Degree: DMA, Music, 2019, University of Colorado

  Many universally recognized jazz masters have been drawn toward spirituality and/or religion. Some have fused various sonic elements of religious musics with jazz, while… (more)

Subjects/Keywords: spirituality in jazz; religion in jazz; John Coltrane; Yusef Lateef; Sonny Rollins; Other Music

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APA (6th Edition):

Saraga, J. (2019). ALL PATHS LEAD TO GOD: A BRIEF ACCOUNT OF SPIRITUAL AND RELIGIOUS FAITH IN THE LIVES OF YUSEF LATEEF, SONNY ROLLINS & JOHN COLTRANE. (Doctoral Dissertation). University of Colorado. Retrieved from https://scholar.colorado.edu/thom_gradetds/5

Chicago Manual of Style (16th Edition):

Saraga, Jonathan. “ALL PATHS LEAD TO GOD: A BRIEF ACCOUNT OF SPIRITUAL AND RELIGIOUS FAITH IN THE LIVES OF YUSEF LATEEF, SONNY ROLLINS & JOHN COLTRANE.” 2019. Doctoral Dissertation, University of Colorado. Accessed October 22, 2019. https://scholar.colorado.edu/thom_gradetds/5.

MLA Handbook (7th Edition):

Saraga, Jonathan. “ALL PATHS LEAD TO GOD: A BRIEF ACCOUNT OF SPIRITUAL AND RELIGIOUS FAITH IN THE LIVES OF YUSEF LATEEF, SONNY ROLLINS & JOHN COLTRANE.” 2019. Web. 22 Oct 2019.

Vancouver:

Saraga J. ALL PATHS LEAD TO GOD: A BRIEF ACCOUNT OF SPIRITUAL AND RELIGIOUS FAITH IN THE LIVES OF YUSEF LATEEF, SONNY ROLLINS & JOHN COLTRANE. [Internet] [Doctoral dissertation]. University of Colorado; 2019. [cited 2019 Oct 22]. Available from: https://scholar.colorado.edu/thom_gradetds/5.

Council of Science Editors:

Saraga J. ALL PATHS LEAD TO GOD: A BRIEF ACCOUNT OF SPIRITUAL AND RELIGIOUS FAITH IN THE LIVES OF YUSEF LATEEF, SONNY ROLLINS & JOHN COLTRANE. [Doctoral Dissertation]. University of Colorado; 2019. Available from: https://scholar.colorado.edu/thom_gradetds/5


University of Georgia

19. Belvin, Katherine. An analysis and performance considerations for John Harbison's Concerto for oboe, clarinet, and strings.

Degree: DMA, Music, 2009, University of Georgia

John Harbison is an award-winning and prolific American composer. He has written for almost every conceivable genre of concert performance with styles ranging from jazz… (more)

Subjects/Keywords: John Harbison; Concerto for Oboe; Clarinet; and Strings; clarinet concerto; oboe concerto; Baroque concerto grosso; analysis and performance

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APA (6th Edition):

Belvin, K. (2009). An analysis and performance considerations for John Harbison's Concerto for oboe, clarinet, and strings. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/belvin_katherine_m_200912_dma

Chicago Manual of Style (16th Edition):

Belvin, Katherine. “An analysis and performance considerations for John Harbison's Concerto for oboe, clarinet, and strings.” 2009. Doctoral Dissertation, University of Georgia. Accessed October 22, 2019. http://purl.galileo.usg.edu/uga_etd/belvin_katherine_m_200912_dma.

MLA Handbook (7th Edition):

Belvin, Katherine. “An analysis and performance considerations for John Harbison's Concerto for oboe, clarinet, and strings.” 2009. Web. 22 Oct 2019.

Vancouver:

Belvin K. An analysis and performance considerations for John Harbison's Concerto for oboe, clarinet, and strings. [Internet] [Doctoral dissertation]. University of Georgia; 2009. [cited 2019 Oct 22]. Available from: http://purl.galileo.usg.edu/uga_etd/belvin_katherine_m_200912_dma.

Council of Science Editors:

Belvin K. An analysis and performance considerations for John Harbison's Concerto for oboe, clarinet, and strings. [Doctoral Dissertation]. University of Georgia; 2009. Available from: http://purl.galileo.usg.edu/uga_etd/belvin_katherine_m_200912_dma


University of Colorado

20. Casey, Brian. BEFORE THE BLACKLIST: HOW THE NEW YORK JAZZ COMMUNITY PROMOTED RADICAL POLITICS AS AN AGENT OF SOCIAL CHANGE LEADING UP TO THE MCCARTHY ERA.

Degree: DMA, 2016, University of Colorado

  As a musical form that is inextricably linked with the story of race in America, jazz has had a long-standing connection to American politics.… (more)

Subjects/Keywords: jazz; Duke Ellington; Hazel Scott; Communism; Barney Josephson; John Hammond; African American Studies; American Politics; Musicology

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APA (6th Edition):

Casey, B. (2016). BEFORE THE BLACKLIST: HOW THE NEW YORK JAZZ COMMUNITY PROMOTED RADICAL POLITICS AS AN AGENT OF SOCIAL CHANGE LEADING UP TO THE MCCARTHY ERA. (Doctoral Dissertation). University of Colorado. Retrieved from https://scholar.colorado.edu/thom_gradetds/1

Chicago Manual of Style (16th Edition):

Casey, Brian. “BEFORE THE BLACKLIST: HOW THE NEW YORK JAZZ COMMUNITY PROMOTED RADICAL POLITICS AS AN AGENT OF SOCIAL CHANGE LEADING UP TO THE MCCARTHY ERA.” 2016. Doctoral Dissertation, University of Colorado. Accessed October 22, 2019. https://scholar.colorado.edu/thom_gradetds/1.

MLA Handbook (7th Edition):

Casey, Brian. “BEFORE THE BLACKLIST: HOW THE NEW YORK JAZZ COMMUNITY PROMOTED RADICAL POLITICS AS AN AGENT OF SOCIAL CHANGE LEADING UP TO THE MCCARTHY ERA.” 2016. Web. 22 Oct 2019.

Vancouver:

Casey B. BEFORE THE BLACKLIST: HOW THE NEW YORK JAZZ COMMUNITY PROMOTED RADICAL POLITICS AS AN AGENT OF SOCIAL CHANGE LEADING UP TO THE MCCARTHY ERA. [Internet] [Doctoral dissertation]. University of Colorado; 2016. [cited 2019 Oct 22]. Available from: https://scholar.colorado.edu/thom_gradetds/1.

Council of Science Editors:

Casey B. BEFORE THE BLACKLIST: HOW THE NEW YORK JAZZ COMMUNITY PROMOTED RADICAL POLITICS AS AN AGENT OF SOCIAL CHANGE LEADING UP TO THE MCCARTHY ERA. [Doctoral Dissertation]. University of Colorado; 2016. Available from: https://scholar.colorado.edu/thom_gradetds/1


University of Georgia

21. Caldwell, Deborah Ashton. Tragic accents:: a study of five tragic, lyric trumpet solos written for September 11th.

Degree: DMA, Music, 2018, University of Georgia

 Between the years 2001 and 2014, John Adams, Mohammed Fairouz, Amy Scurria, and Eric Ewazen wrote five works commemorating September 11th, 2001. Although they are… (more)

Subjects/Keywords: Taps; September 11th; 9/11; Bugle; Tragic; Lyric; John Adams; Mohammed Fairouz; Amy Scurria; Eric Ewazen; Chris Gekker; Trumpet; Topic Theory

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APA (6th Edition):

Caldwell, D. A. (2018). Tragic accents:: a study of five tragic, lyric trumpet solos written for September 11th. (Doctoral Dissertation). University of Georgia. Retrieved from http://hdl.handle.net/10724/38297

Chicago Manual of Style (16th Edition):

Caldwell, Deborah Ashton. “Tragic accents:: a study of five tragic, lyric trumpet solos written for September 11th.” 2018. Doctoral Dissertation, University of Georgia. Accessed October 22, 2019. http://hdl.handle.net/10724/38297.

MLA Handbook (7th Edition):

Caldwell, Deborah Ashton. “Tragic accents:: a study of five tragic, lyric trumpet solos written for September 11th.” 2018. Web. 22 Oct 2019.

Vancouver:

Caldwell DA. Tragic accents:: a study of five tragic, lyric trumpet solos written for September 11th. [Internet] [Doctoral dissertation]. University of Georgia; 2018. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10724/38297.

Council of Science Editors:

Caldwell DA. Tragic accents:: a study of five tragic, lyric trumpet solos written for September 11th. [Doctoral Dissertation]. University of Georgia; 2018. Available from: http://hdl.handle.net/10724/38297


University of Texas – Austin

22. Gershman, Jeffrey David. "Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band.

Degree: DMA, Music, 2002, University of Texas – Austin

John Corigliano is considered one of the most critically successful American composers of the past quarter century. He has received prestigious awards for both his… (more)

Subjects/Keywords: Corigliano, John, – 1938 – Symphonies, – no. 1; Tarantellas; Band music

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APA (6th Edition):

Gershman, J. D. (2002). "Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/598

Chicago Manual of Style (16th Edition):

Gershman, Jeffrey David. “"Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band.” 2002. Doctoral Dissertation, University of Texas – Austin. Accessed October 22, 2019. http://hdl.handle.net/2152/598.

MLA Handbook (7th Edition):

Gershman, Jeffrey David. “"Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band.” 2002. Web. 22 Oct 2019.

Vancouver:

Gershman JD. "Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2002. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/2152/598.

Council of Science Editors:

Gershman JD. "Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band. [Doctoral Dissertation]. University of Texas – Austin; 2002. Available from: http://hdl.handle.net/2152/598


The Ohio State University

23. Fronckowiak, Ann. The oboe concerto of John Harbison: A guide to analysis, performance, and the collaboration with oboist, William Bennett.

Degree: DMA, Music, 2006, The Ohio State University

 Oboists are extremely fortunate to have a twentieth-century concerto written by John Harbison, a highly sought after, award-winning, and prolific American composer, in their repertory.… (more)

Subjects/Keywords: Music; John Harbison; Oboe Concerto; William Bennett; Collaboration; Analysis; Performance

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APA (6th Edition):

Fronckowiak, A. (2006). The oboe concerto of John Harbison: A guide to analysis, performance, and the collaboration with oboist, William Bennett. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1162787010

Chicago Manual of Style (16th Edition):

Fronckowiak, Ann. “The oboe concerto of John Harbison: A guide to analysis, performance, and the collaboration with oboist, William Bennett.” 2006. Doctoral Dissertation, The Ohio State University. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1162787010.

MLA Handbook (7th Edition):

Fronckowiak, Ann. “The oboe concerto of John Harbison: A guide to analysis, performance, and the collaboration with oboist, William Bennett.” 2006. Web. 22 Oct 2019.

Vancouver:

Fronckowiak A. The oboe concerto of John Harbison: A guide to analysis, performance, and the collaboration with oboist, William Bennett. [Internet] [Doctoral dissertation]. The Ohio State University; 2006. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1162787010.

Council of Science Editors:

Fronckowiak A. The oboe concerto of John Harbison: A guide to analysis, performance, and the collaboration with oboist, William Bennett. [Doctoral Dissertation]. The Ohio State University; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1162787010


University of Cincinnati

24. KESNER, LORI ANN. KRISHNA MEETS PAN: INDIAN-WESTERN FUSION IN TWO WORKS FOR FLUTE AND HARP BY RAVI SHANKAR AND JOHN MAYER.

Degree: DMA, College-Conservatory of Music : Flute, 2006, University of Cincinnati

 With a career spanning over six decades, Ravi Shankar has been the seminal figure in the dissemination of Indian classical music to the West. His… (more)

Subjects/Keywords: Music; Ravi Shankar; John Mayer; Nava Rasa; Enchanted Dawn; L'aube enchantee

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APA (6th Edition):

KESNER, L. A. (2006). KRISHNA MEETS PAN: INDIAN-WESTERN FUSION IN TWO WORKS FOR FLUTE AND HARP BY RAVI SHANKAR AND JOHN MAYER. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1154446863

Chicago Manual of Style (16th Edition):

KESNER, LORI ANN. “KRISHNA MEETS PAN: INDIAN-WESTERN FUSION IN TWO WORKS FOR FLUTE AND HARP BY RAVI SHANKAR AND JOHN MAYER.” 2006. Doctoral Dissertation, University of Cincinnati. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1154446863.

MLA Handbook (7th Edition):

KESNER, LORI ANN. “KRISHNA MEETS PAN: INDIAN-WESTERN FUSION IN TWO WORKS FOR FLUTE AND HARP BY RAVI SHANKAR AND JOHN MAYER.” 2006. Web. 22 Oct 2019.

Vancouver:

KESNER LA. KRISHNA MEETS PAN: INDIAN-WESTERN FUSION IN TWO WORKS FOR FLUTE AND HARP BY RAVI SHANKAR AND JOHN MAYER. [Internet] [Doctoral dissertation]. University of Cincinnati; 2006. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1154446863.

Council of Science Editors:

KESNER LA. KRISHNA MEETS PAN: INDIAN-WESTERN FUSION IN TWO WORKS FOR FLUTE AND HARP BY RAVI SHANKAR AND JOHN MAYER. [Doctoral Dissertation]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1154446863


University of Cincinnati

25. CHENG, WEI. A CONDUCTOR'S GUIDE TO SOFIA GUBAIDULINA'S ST. JOHN PASSION.

Degree: DMA, College-Conservatory of Music : Conducting, Choral Emphasis, 2006, University of Cincinnati

 Sofia Gubaidulina first gained world recognition on 30 May 1981 with the premiere of her violin concerto, Offertorium. Since then her reputation has grown rapidly.… (more)

Subjects/Keywords: Music; conductor's guide; Sofia Gubaidulina; St. John Passion; Passion 2000 project; Choral

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APA (6th Edition):

CHENG, W. (2006). A CONDUCTOR'S GUIDE TO SOFIA GUBAIDULINA'S ST. JOHN PASSION. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1155577851

Chicago Manual of Style (16th Edition):

CHENG, WEI. “A CONDUCTOR'S GUIDE TO SOFIA GUBAIDULINA'S ST. JOHN PASSION.” 2006. Doctoral Dissertation, University of Cincinnati. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1155577851.

MLA Handbook (7th Edition):

CHENG, WEI. “A CONDUCTOR'S GUIDE TO SOFIA GUBAIDULINA'S ST. JOHN PASSION.” 2006. Web. 22 Oct 2019.

Vancouver:

CHENG W. A CONDUCTOR'S GUIDE TO SOFIA GUBAIDULINA'S ST. JOHN PASSION. [Internet] [Doctoral dissertation]. University of Cincinnati; 2006. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1155577851.

Council of Science Editors:

CHENG W. A CONDUCTOR'S GUIDE TO SOFIA GUBAIDULINA'S ST. JOHN PASSION. [Doctoral Dissertation]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1155577851


Louisiana State University

26. DiSalvio, Nicholas Vincent. Charles Ruggiero's "Tenor Attitudes": An Analytical Approach to Jazz Styles and Influences.

Degree: DMA, Music, 2016, Louisiana State University

 Charles Ruggiero has spent much of his career composing saxophone music that blends classical and jazz idioms. His most recent work for Tenor Saxophone and… (more)

Subjects/Keywords: Third Stream; Charles Ruggiero; Sonny Rollins; Dexter Gordon; Gene Ammons; John Coltrane; Michael Brecker; Joe Henderson; Stan Getz; Saxophone; Tenor Saxophone; Classical; Jazz

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APA (6th Edition):

DiSalvio, N. V. (2016). Charles Ruggiero's "Tenor Attitudes": An Analytical Approach to Jazz Styles and Influences. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-04102016-232827 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1

Chicago Manual of Style (16th Edition):

DiSalvio, Nicholas Vincent. “Charles Ruggiero's "Tenor Attitudes": An Analytical Approach to Jazz Styles and Influences.” 2016. Doctoral Dissertation, Louisiana State University. Accessed October 22, 2019. etd-04102016-232827 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1.

MLA Handbook (7th Edition):

DiSalvio, Nicholas Vincent. “Charles Ruggiero's "Tenor Attitudes": An Analytical Approach to Jazz Styles and Influences.” 2016. Web. 22 Oct 2019.

Vancouver:

DiSalvio NV. Charles Ruggiero's "Tenor Attitudes": An Analytical Approach to Jazz Styles and Influences. [Internet] [Doctoral dissertation]. Louisiana State University; 2016. [cited 2019 Oct 22]. Available from: etd-04102016-232827 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1.

Council of Science Editors:

DiSalvio NV. Charles Ruggiero's "Tenor Attitudes": An Analytical Approach to Jazz Styles and Influences. [Doctoral Dissertation]. Louisiana State University; 2016. Available from: etd-04102016-232827 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1

27. Winegardner, Brian James. A Performer's Guide to Concertos for Trumpet and Orchestra by Lowell Liebermann and John Williams.

Degree: DMA, Instrumental Performance (Music), 2011, University of Miami

  The purpose of this essay is to encourage the study and performance of trumpet concertos written by notable contemporary composers. The essay focuses on… (more)

Subjects/Keywords: Trumpet; John Williams; Lowell Liebermann; Pedagogy; Performance; Music Analysis

…List of concertos written by John Williams .. 105 5.2 Williams, Concerto for… …analyze two of them, one by Lowell Liebermann and one by John Williams. The trumpet concertos… …second octave above Middle C,” and great use of the violin’s open strings for a vigorous sound… …concertos for trumpet merit detailed study and research are Lowell Liebermann and John Williams… …www.lowellliebermann.com/biography/index.html (accessed April 22, 2011). 13 de Montréal. 45… 

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APA (6th Edition):

Winegardner, B. J. (2011). A Performer's Guide to Concertos for Trumpet and Orchestra by Lowell Liebermann and John Williams. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Winegardner, Brian James. “A Performer's Guide to Concertos for Trumpet and Orchestra by Lowell Liebermann and John Williams.” 2011. Thesis, University of Miami. Accessed October 22, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Winegardner, Brian James. “A Performer's Guide to Concertos for Trumpet and Orchestra by Lowell Liebermann and John Williams.” 2011. Web. 22 Oct 2019.

Vancouver:

Winegardner BJ. A Performer's Guide to Concertos for Trumpet and Orchestra by Lowell Liebermann and John Williams. [Internet] [Thesis]. University of Miami; 2011. [cited 2019 Oct 22]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Winegardner BJ. A Performer's Guide to Concertos for Trumpet and Orchestra by Lowell Liebermann and John Williams. [Thesis]. University of Miami; 2011. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

28. Aucoin, Amy Louise. The illumination of E. E. Cummings' poetry in J. A. C. Redford's "love is the every only god".

Degree: DMA, Music, 2010, Louisiana State University

  The choral work love is the every only god, composed by J. A. C. Redford, was published in 2001, placing it among the initial… (more)

Subjects/Keywords: J. A. C. Redford; love is the every only god; poetry; E. E. Cummings; choral music; choral composer

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APA (6th Edition):

Aucoin, A. L. (2010). The illumination of E. E. Cummings' poetry in J. A. C. Redford's "love is the every only god". (Doctoral Dissertation). Louisiana State University. Retrieved from etd-11122010-074336 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1435

Chicago Manual of Style (16th Edition):

Aucoin, Amy Louise. “The illumination of E. E. Cummings' poetry in J. A. C. Redford's "love is the every only god".” 2010. Doctoral Dissertation, Louisiana State University. Accessed October 22, 2019. etd-11122010-074336 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1435.

MLA Handbook (7th Edition):

Aucoin, Amy Louise. “The illumination of E. E. Cummings' poetry in J. A. C. Redford's "love is the every only god".” 2010. Web. 22 Oct 2019.

Vancouver:

Aucoin AL. The illumination of E. E. Cummings' poetry in J. A. C. Redford's "love is the every only god". [Internet] [Doctoral dissertation]. Louisiana State University; 2010. [cited 2019 Oct 22]. Available from: etd-11122010-074336 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1435.

Council of Science Editors:

Aucoin AL. The illumination of E. E. Cummings' poetry in J. A. C. Redford's "love is the every only god". [Doctoral Dissertation]. Louisiana State University; 2010. Available from: etd-11122010-074336 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1435


University of Cincinnati

29. Taylor, Anthony Gordon. John Adams’s <i>Gnarly Buttons</i>: Issues of History, Performance and Style.

Degree: DMA, College-Conservatory of Music : Clarinet, 2007, University of Cincinnati

John Adams’s clarinet concerto <i>Gnarly Buttons</i>, now more than ten years old, fuses post-minimalism, post-Stravinsky techniques, and American vernacular idioms, holding a unique place… (more)

Subjects/Keywords: Music; John Adams; clarinet concerto; Gnarly Buttons; The Death of Klinghoffer; Death of Klinghoffer; Nixon in China; minimalism; post-minimalism; minimalist; post-modern; postmodern; post-modernism; postmodernism; harmonic analysis; performance guide

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APA (6th Edition):

Taylor, A. G. (2007). John Adams’s <i>Gnarly Buttons</i>: Issues of History, Performance and Style. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185548983

Chicago Manual of Style (16th Edition):

Taylor, Anthony Gordon. “John Adams’s <i>Gnarly Buttons</i>: Issues of History, Performance and Style.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185548983.

MLA Handbook (7th Edition):

Taylor, Anthony Gordon. “John Adams’s <i>Gnarly Buttons</i>: Issues of History, Performance and Style.” 2007. Web. 22 Oct 2019.

Vancouver:

Taylor AG. John Adams’s <i>Gnarly Buttons</i>: Issues of History, Performance and Style. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185548983.

Council of Science Editors:

Taylor AG. John Adams’s <i>Gnarly Buttons</i>: Issues of History, Performance and Style. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185548983

30. Duggins Pender, Amy. John Harbison’s Simple Daylight: A Textual and Musical Analysis.

Degree: DMA, College-Conservatory of Music: Voice, 2011, University of Cincinnati

John Haribson’s choice of literary material for his vocal repertoire has been diverse, ranging from classic poets such as Johann Wolfgang von Goethe, Emily… (more)

Subjects/Keywords: Music; John Harbison; song cycle; Michael Fried; musical analysis; textual analysis; Bach cantatas

…BIBLIOGRAPHY …. 86 APPENDIX: TRANSCRIPTIONS OF INTERVIEWS WITH JOHN HARBSON… …80 xi Chapter 1 Purpose and Methodology John Harris Harbison (born in Orange, New… …John Harbison and His Music,” Tempo 197 (July 1996): 8. 7 Michael Fried, To the… …John Harbison, Program Note to Simple Daylight (New York: Associated Music Publishers… …2003); Barbara Bonous-Smit, “John Harbison: His Life and Works with Piano” (Ph.D… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Duggins Pender, A. (2011). John Harbison’s Simple Daylight: A Textual and Musical Analysis. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312292109

Chicago Manual of Style (16th Edition):

Duggins Pender, Amy. “John Harbison’s Simple Daylight: A Textual and Musical Analysis.” 2011. Doctoral Dissertation, University of Cincinnati. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312292109.

MLA Handbook (7th Edition):

Duggins Pender, Amy. “John Harbison’s Simple Daylight: A Textual and Musical Analysis.” 2011. Web. 22 Oct 2019.

Vancouver:

Duggins Pender A. John Harbison’s Simple Daylight: A Textual and Musical Analysis. [Internet] [Doctoral dissertation]. University of Cincinnati; 2011. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312292109.

Council of Science Editors:

Duggins Pender A. John Harbison’s Simple Daylight: A Textual and Musical Analysis. [Doctoral Dissertation]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312292109

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