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You searched for subject:(Ballets). Showing records 1 – 30 of 36 total matches.

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Nelson Mandela Metropolitan University

1. Kinsey, Avril. Vulcanus and Fynbos portfolio Orchestral ballet and a chamber work for SSATBarB and two guitars.

Degree: 2018, Nelson Mandela Metropolitan University

 This DMus composition degree is a portfolio (c. 93 minutes) that focuses on creative work with an extensive text in music notation, which embodies the… (more)

Subjects/Keywords: Orchestral music  – Scores; Ballets

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APA (6th Edition):

Kinsey, A. (2018). Vulcanus and Fynbos portfolio Orchestral ballet and a chamber work for SSATBarB and two guitars. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/31323

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kinsey, Avril. “Vulcanus and Fynbos portfolio Orchestral ballet and a chamber work for SSATBarB and two guitars.” 2018. Thesis, Nelson Mandela Metropolitan University. Accessed August 15, 2020. http://hdl.handle.net/10948/31323.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kinsey, Avril. “Vulcanus and Fynbos portfolio Orchestral ballet and a chamber work for SSATBarB and two guitars.” 2018. Web. 15 Aug 2020.

Vancouver:

Kinsey A. Vulcanus and Fynbos portfolio Orchestral ballet and a chamber work for SSATBarB and two guitars. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2018. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/10948/31323.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kinsey A. Vulcanus and Fynbos portfolio Orchestral ballet and a chamber work for SSATBarB and two guitars. [Thesis]. Nelson Mandela Metropolitan University; 2018. Available from: http://hdl.handle.net/10948/31323

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Nelson Mandela Metropolitan University

2. Kinsey, Avril. Vulcanus and Fynbos portfolio orchestral ballet and a chamber work for SSATBarB and two guitars.

Degree: 2018, Nelson Mandela Metropolitan University

 This DMus composition degree is a portfolio (c. 93 minutes) that focuses on creative work with an extensive text in music notation, which embodies the… (more)

Subjects/Keywords: Orchestral music, Arranged  – Parts; Ballets; Orchestral music

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APA (6th Edition):

Kinsey, A. (2018). Vulcanus and Fynbos portfolio orchestral ballet and a chamber work for SSATBarB and two guitars. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/31349

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kinsey, Avril. “Vulcanus and Fynbos portfolio orchestral ballet and a chamber work for SSATBarB and two guitars.” 2018. Thesis, Nelson Mandela Metropolitan University. Accessed August 15, 2020. http://hdl.handle.net/10948/31349.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kinsey, Avril. “Vulcanus and Fynbos portfolio orchestral ballet and a chamber work for SSATBarB and two guitars.” 2018. Web. 15 Aug 2020.

Vancouver:

Kinsey A. Vulcanus and Fynbos portfolio orchestral ballet and a chamber work for SSATBarB and two guitars. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2018. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/10948/31349.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kinsey A. Vulcanus and Fynbos portfolio orchestral ballet and a chamber work for SSATBarB and two guitars. [Thesis]. Nelson Mandela Metropolitan University; 2018. Available from: http://hdl.handle.net/10948/31349

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kansas State University

3. Gundlach, Catherine P. Reflections of a fool a modern ballet derived from electronic sound sources.

Degree: 1985, Kansas State University

Subjects/Keywords: Ballets; Synthesizer music

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APA (6th Edition):

Gundlach, C. P. (1985). Reflections of a fool a modern ballet derived from electronic sound sources. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/9844

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gundlach, Catherine P. “Reflections of a fool a modern ballet derived from electronic sound sources.” 1985. Thesis, Kansas State University. Accessed August 15, 2020. http://hdl.handle.net/2097/9844.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gundlach, Catherine P. “Reflections of a fool a modern ballet derived from electronic sound sources.” 1985. Web. 15 Aug 2020.

Vancouver:

Gundlach CP. Reflections of a fool a modern ballet derived from electronic sound sources. [Internet] [Thesis]. Kansas State University; 1985. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/2097/9844.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gundlach CP. Reflections of a fool a modern ballet derived from electronic sound sources. [Thesis]. Kansas State University; 1985. Available from: http://hdl.handle.net/2097/9844

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Vergnaud, Sabine. La Musique et les arts dans la collaboration du Groupe des Six avec les Ballets Suédois (1920-1925) : Music and arts in the collaboration of the Groupe des Six with the Ballets suédois (1920-1925).

Degree: Docteur es, Musicologie, 2010, Saint-Etienne

Rolf de Maré, directeur, et Jean Biirlin, chorégraphe, fondent à Paris, en 1920 les Ballets suédois. Durant ses cinq années d'existence, cette compagnie affiche la… (more)

Subjects/Keywords: Ballets Suédois; Groupe des Six; Musique; Art; Music

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APA (6th Edition):

Vergnaud, S. (2010). La Musique et les arts dans la collaboration du Groupe des Six avec les Ballets Suédois (1920-1925) : Music and arts in the collaboration of the Groupe des Six with the Ballets suédois (1920-1925). (Doctoral Dissertation). Saint-Etienne. Retrieved from http://www.theses.fr/2010STET2146

Chicago Manual of Style (16th Edition):

Vergnaud, Sabine. “La Musique et les arts dans la collaboration du Groupe des Six avec les Ballets Suédois (1920-1925) : Music and arts in the collaboration of the Groupe des Six with the Ballets suédois (1920-1925).” 2010. Doctoral Dissertation, Saint-Etienne. Accessed August 15, 2020. http://www.theses.fr/2010STET2146.

MLA Handbook (7th Edition):

Vergnaud, Sabine. “La Musique et les arts dans la collaboration du Groupe des Six avec les Ballets Suédois (1920-1925) : Music and arts in the collaboration of the Groupe des Six with the Ballets suédois (1920-1925).” 2010. Web. 15 Aug 2020.

Vancouver:

Vergnaud S. La Musique et les arts dans la collaboration du Groupe des Six avec les Ballets Suédois (1920-1925) : Music and arts in the collaboration of the Groupe des Six with the Ballets suédois (1920-1925). [Internet] [Doctoral dissertation]. Saint-Etienne; 2010. [cited 2020 Aug 15]. Available from: http://www.theses.fr/2010STET2146.

Council of Science Editors:

Vergnaud S. La Musique et les arts dans la collaboration du Groupe des Six avec les Ballets Suédois (1920-1925) : Music and arts in the collaboration of the Groupe des Six with the Ballets suédois (1920-1925). [Doctoral Dissertation]. Saint-Etienne; 2010. Available from: http://www.theses.fr/2010STET2146


University of Manchester

5. Copping, Roxanne Celine. COMPOSERS AND THE BALLETS RUSSES - CONVENTION, INNOVATION, AND EVOLUTION AS SEEN THROUGH THE LESSER-KNOWN WORKS.

Degree: 2016, University of Manchester

The primary focus of this thesis is a selection of lesser-known Ballets Russes works, which, despite being largely neglected in academic studies, constitute important chapters… (more)

Subjects/Keywords: Ballets Russes; Diaghilev; Stravinsky; Tcherepnin; Hahn; Milhaud; Auric; Poulenc

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APA (6th Edition):

Copping, R. C. (2016). COMPOSERS AND THE BALLETS RUSSES - CONVENTION, INNOVATION, AND EVOLUTION AS SEEN THROUGH THE LESSER-KNOWN WORKS. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:305627

Chicago Manual of Style (16th Edition):

Copping, Roxanne Celine. “COMPOSERS AND THE BALLETS RUSSES - CONVENTION, INNOVATION, AND EVOLUTION AS SEEN THROUGH THE LESSER-KNOWN WORKS.” 2016. Doctoral Dissertation, University of Manchester. Accessed August 15, 2020. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:305627.

MLA Handbook (7th Edition):

Copping, Roxanne Celine. “COMPOSERS AND THE BALLETS RUSSES - CONVENTION, INNOVATION, AND EVOLUTION AS SEEN THROUGH THE LESSER-KNOWN WORKS.” 2016. Web. 15 Aug 2020.

Vancouver:

Copping RC. COMPOSERS AND THE BALLETS RUSSES - CONVENTION, INNOVATION, AND EVOLUTION AS SEEN THROUGH THE LESSER-KNOWN WORKS. [Internet] [Doctoral dissertation]. University of Manchester; 2016. [cited 2020 Aug 15]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:305627.

Council of Science Editors:

Copping RC. COMPOSERS AND THE BALLETS RUSSES - CONVENTION, INNOVATION, AND EVOLUTION AS SEEN THROUGH THE LESSER-KNOWN WORKS. [Doctoral Dissertation]. University of Manchester; 2016. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:305627


University of Ottawa

6. Watts, Carolyn. America in the Transatlantic Imagination: The Ballets Russes and John Alden Carpenter's Skyscrapers .

Degree: 2015, University of Ottawa

 During its twenty-year lifespan, the Ballets Russes (1909 to 1929) was celebrated for bringing together illustrious artistic and cultural figures to collaborate on exotic productions… (more)

Subjects/Keywords: John Alden Carpenter; Skyscrapers; Ballets Russes; Serge Diaghilev

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APA (6th Edition):

Watts, C. (2015). America in the Transatlantic Imagination: The Ballets Russes and John Alden Carpenter's Skyscrapers . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/31949

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Watts, Carolyn. “America in the Transatlantic Imagination: The Ballets Russes and John Alden Carpenter's Skyscrapers .” 2015. Thesis, University of Ottawa. Accessed August 15, 2020. http://hdl.handle.net/10393/31949.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Watts, Carolyn. “America in the Transatlantic Imagination: The Ballets Russes and John Alden Carpenter's Skyscrapers .” 2015. Web. 15 Aug 2020.

Vancouver:

Watts C. America in the Transatlantic Imagination: The Ballets Russes and John Alden Carpenter's Skyscrapers . [Internet] [Thesis]. University of Ottawa; 2015. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/10393/31949.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Watts C. America in the Transatlantic Imagination: The Ballets Russes and John Alden Carpenter's Skyscrapers . [Thesis]. University of Ottawa; 2015. Available from: http://hdl.handle.net/10393/31949

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manchester

7. Copping, Roxanne Celine. Composers and the Ballets Russes : convention, innovation, and evolution as seen through the lesser-known works.

Degree: PhD, 2016, University of Manchester

 The primary focus of this thesis is a selection of lesser-known Ballets Russes works, which, despite being largely neglected in academic studies, constitute important chapters… (more)

Subjects/Keywords: 781.5; Ballets Russes; Diaghilev; Stravinsky; Tcherepnin; Hahn; Milhaud; Auric; Poulenc

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Copping, R. C. (2016). Composers and the Ballets Russes : convention, innovation, and evolution as seen through the lesser-known works. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/composers-and-the-ballets-russes – convention-innovation-and-evolution-as-seen-through-the-lesserknown-works(1357e7f5-17c5-4d98-a32a-13f4ba8bfda1).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697788

Chicago Manual of Style (16th Edition):

Copping, Roxanne Celine. “Composers and the Ballets Russes : convention, innovation, and evolution as seen through the lesser-known works.” 2016. Doctoral Dissertation, University of Manchester. Accessed August 15, 2020. https://www.research.manchester.ac.uk/portal/en/theses/composers-and-the-ballets-russes – convention-innovation-and-evolution-as-seen-through-the-lesserknown-works(1357e7f5-17c5-4d98-a32a-13f4ba8bfda1).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697788.

MLA Handbook (7th Edition):

Copping, Roxanne Celine. “Composers and the Ballets Russes : convention, innovation, and evolution as seen through the lesser-known works.” 2016. Web. 15 Aug 2020.

Vancouver:

Copping RC. Composers and the Ballets Russes : convention, innovation, and evolution as seen through the lesser-known works. [Internet] [Doctoral dissertation]. University of Manchester; 2016. [cited 2020 Aug 15]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/composers-and-the-ballets-russes – convention-innovation-and-evolution-as-seen-through-the-lesserknown-works(1357e7f5-17c5-4d98-a32a-13f4ba8bfda1).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697788.

Council of Science Editors:

Copping RC. Composers and the Ballets Russes : convention, innovation, and evolution as seen through the lesser-known works. [Doctoral Dissertation]. University of Manchester; 2016. Available from: https://www.research.manchester.ac.uk/portal/en/theses/composers-and-the-ballets-russes – convention-innovation-and-evolution-as-seen-through-the-lesserknown-works(1357e7f5-17c5-4d98-a32a-13f4ba8bfda1).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697788


University of Arizona

8. Larson, John Arthur, 1915-. Mardi Gras; a modern ballet in three movements, scored for two pianos .

Degree: 1939, University of Arizona

Subjects/Keywords: Ballets  – 2-piano scores.

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APA (6th Edition):

Larson, John Arthur, 1. (1939). Mardi Gras; a modern ballet in three movements, scored for two pianos . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/553434

Chicago Manual of Style (16th Edition):

Larson, John Arthur, 1915-. “Mardi Gras; a modern ballet in three movements, scored for two pianos .” 1939. Masters Thesis, University of Arizona. Accessed August 15, 2020. http://hdl.handle.net/10150/553434.

MLA Handbook (7th Edition):

Larson, John Arthur, 1915-. “Mardi Gras; a modern ballet in three movements, scored for two pianos .” 1939. Web. 15 Aug 2020.

Vancouver:

Larson, John Arthur 1. Mardi Gras; a modern ballet in three movements, scored for two pianos . [Internet] [Masters thesis]. University of Arizona; 1939. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/10150/553434.

Council of Science Editors:

Larson, John Arthur 1. Mardi Gras; a modern ballet in three movements, scored for two pianos . [Masters Thesis]. University of Arizona; 1939. Available from: http://hdl.handle.net/10150/553434

9. Goudard, François. La louange à Louis XIV entre "balladins" et prédicateurs 1661-1697 : renouveler la question du discours sur le roi grâce à la louange contenue dans les divertissements et la prédication : Praise to Louis XIV according to "balladins" and preachers 1661-1697 : the question of the discourse about the King through praise contained in entertainments and preaching.

Degree: Docteur es, Histoire moderne et contemporaine, 2015, Université Paris X – Nanterre

Etudier l'image de Louis XIV n’est pas nouveau. Explorer le discours sur sa personne l‘est davantage. La thématique « comment parle-t-on de Louis XIV? »… (more)

Subjects/Keywords: Célébration du roi; Sermons; Ballets de cour français; Oraisons funèbres; Tragédies lyriques; Prédicateurs; Celebration of the king; Funeral orations; Operas; Preaches; Ballets; Preachers; 944

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APA (6th Edition):

Goudard, F. (2015). La louange à Louis XIV entre "balladins" et prédicateurs 1661-1697 : renouveler la question du discours sur le roi grâce à la louange contenue dans les divertissements et la prédication : Praise to Louis XIV according to "balladins" and preachers 1661-1697 : the question of the discourse about the King through praise contained in entertainments and preaching. (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2015PA100071

Chicago Manual of Style (16th Edition):

Goudard, François. “La louange à Louis XIV entre "balladins" et prédicateurs 1661-1697 : renouveler la question du discours sur le roi grâce à la louange contenue dans les divertissements et la prédication : Praise to Louis XIV according to "balladins" and preachers 1661-1697 : the question of the discourse about the King through praise contained in entertainments and preaching.” 2015. Doctoral Dissertation, Université Paris X – Nanterre. Accessed August 15, 2020. http://www.theses.fr/2015PA100071.

MLA Handbook (7th Edition):

Goudard, François. “La louange à Louis XIV entre "balladins" et prédicateurs 1661-1697 : renouveler la question du discours sur le roi grâce à la louange contenue dans les divertissements et la prédication : Praise to Louis XIV according to "balladins" and preachers 1661-1697 : the question of the discourse about the King through praise contained in entertainments and preaching.” 2015. Web. 15 Aug 2020.

Vancouver:

Goudard F. La louange à Louis XIV entre "balladins" et prédicateurs 1661-1697 : renouveler la question du discours sur le roi grâce à la louange contenue dans les divertissements et la prédication : Praise to Louis XIV according to "balladins" and preachers 1661-1697 : the question of the discourse about the King through praise contained in entertainments and preaching. [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2015. [cited 2020 Aug 15]. Available from: http://www.theses.fr/2015PA100071.

Council of Science Editors:

Goudard F. La louange à Louis XIV entre "balladins" et prédicateurs 1661-1697 : renouveler la question du discours sur le roi grâce à la louange contenue dans les divertissements et la prédication : Praise to Louis XIV according to "balladins" and preachers 1661-1697 : the question of the discourse about the King through praise contained in entertainments and preaching. [Doctoral Dissertation]. Université Paris X – Nanterre; 2015. Available from: http://www.theses.fr/2015PA100071


University of California – San Diego

10. Stravinsky, Igor. The rite of spring : an original piano transcription of Stravinsky's 1913 ballet with annotations and historical notes.

Degree: Music, 2011, University of California – San Diego

 Despite a century of notoriety and several published solo piano arrangements, The rite of spring remains relatively unperformed as a piano piece. Though a number… (more)

Subjects/Keywords: Stravinsky, Igor 1882-1971. appreciation Analysis; Piano music Arranged; Arranged Ballets; Arrangement (Music)

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APA (6th Edition):

Stravinsky, I. (2011). The rite of spring : an original piano transcription of Stravinsky's 1913 ballet with annotations and historical notes. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/6fk7s71w

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stravinsky, Igor. “The rite of spring : an original piano transcription of Stravinsky's 1913 ballet with annotations and historical notes.” 2011. Thesis, University of California – San Diego. Accessed August 15, 2020. http://www.escholarship.org/uc/item/6fk7s71w.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stravinsky, Igor. “The rite of spring : an original piano transcription of Stravinsky's 1913 ballet with annotations and historical notes.” 2011. Web. 15 Aug 2020.

Vancouver:

Stravinsky I. The rite of spring : an original piano transcription of Stravinsky's 1913 ballet with annotations and historical notes. [Internet] [Thesis]. University of California – San Diego; 2011. [cited 2020 Aug 15]. Available from: http://www.escholarship.org/uc/item/6fk7s71w.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stravinsky I. The rite of spring : an original piano transcription of Stravinsky's 1913 ballet with annotations and historical notes. [Thesis]. University of California – San Diego; 2011. Available from: http://www.escholarship.org/uc/item/6fk7s71w

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

11. Au, Susan Hung Gin. Apollon Musagète: a classical theme in tee [sic] twentieth century.

Degree: MA, History of Art, 1975, The Ohio State University

Subjects/Keywords: Ballets; Apollo; Stravinsky; Dance; Apollon; Muse

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APA (6th Edition):

Au, S. H. G. (1975). Apollon Musagète: a classical theme in tee [sic] twentieth century. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1094738482

Chicago Manual of Style (16th Edition):

Au, Susan Hung Gin. “Apollon Musagète: a classical theme in tee [sic] twentieth century.” 1975. Masters Thesis, The Ohio State University. Accessed August 15, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1094738482.

MLA Handbook (7th Edition):

Au, Susan Hung Gin. “Apollon Musagète: a classical theme in tee [sic] twentieth century.” 1975. Web. 15 Aug 2020.

Vancouver:

Au SHG. Apollon Musagète: a classical theme in tee [sic] twentieth century. [Internet] [Masters thesis]. The Ohio State University; 1975. [cited 2020 Aug 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1094738482.

Council of Science Editors:

Au SHG. Apollon Musagète: a classical theme in tee [sic] twentieth century. [Masters Thesis]. The Ohio State University; 1975. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1094738482


Texas Christian University

12. Giordano, John, 1937-. A musical score for the motion picture version of the ballet "The painter" / John Read Giordano.: Painter : a ballet.

Degree: 1963, Texas Christian University

Subjects/Keywords: Motion picture music – Scores; Ballets – Scores

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APA (6th Edition):

Giordano, John, 1. (1963). A musical score for the motion picture version of the ballet "The painter" / John Read Giordano.: Painter : a ballet. (Thesis). Texas Christian University. Retrieved from https://repository.tcu.edu/handle/116099117/34085

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Giordano, John, 1937-. “A musical score for the motion picture version of the ballet "The painter" / John Read Giordano.: Painter : a ballet.” 1963. Thesis, Texas Christian University. Accessed August 15, 2020. https://repository.tcu.edu/handle/116099117/34085.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Giordano, John, 1937-. “A musical score for the motion picture version of the ballet "The painter" / John Read Giordano.: Painter : a ballet.” 1963. Web. 15 Aug 2020.

Vancouver:

Giordano, John 1. A musical score for the motion picture version of the ballet "The painter" / John Read Giordano.: Painter : a ballet. [Internet] [Thesis]. Texas Christian University; 1963. [cited 2020 Aug 15]. Available from: https://repository.tcu.edu/handle/116099117/34085.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Giordano, John 1. A musical score for the motion picture version of the ballet "The painter" / John Read Giordano.: Painter : a ballet. [Thesis]. Texas Christian University; 1963. Available from: https://repository.tcu.edu/handle/116099117/34085

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

13. Peruzzi, Elisabetta. Approaches to ballet-making: the legacy of Ballets Russes in Australia between 1940 and 1960 .

Degree: University of Sydney

 Three major Australian ballet companies founded between 1941 and 1953 gave local dancers the chance to measure themselves with ballet repertoires originally staged in Russia… (more)

Subjects/Keywords: Kirsova; Borovansky; Bousloff; Ballets; Russes; Choreography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Peruzzi, E. (n.d.). Approaches to ballet-making: the legacy of Ballets Russes in Australia between 1940 and 1960 . (Thesis). University of Sydney. Retrieved from https://ses.library.usyd.edu.au/handle/2123/21859

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Peruzzi, Elisabetta. “Approaches to ballet-making: the legacy of Ballets Russes in Australia between 1940 and 1960 .” Thesis, University of Sydney. Accessed August 15, 2020. https://ses.library.usyd.edu.au/handle/2123/21859.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Peruzzi, Elisabetta. “Approaches to ballet-making: the legacy of Ballets Russes in Australia between 1940 and 1960 .” Web. 15 Aug 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Peruzzi E. Approaches to ballet-making: the legacy of Ballets Russes in Australia between 1940 and 1960 . [Internet] [Thesis]. University of Sydney; [cited 2020 Aug 15]. Available from: https://ses.library.usyd.edu.au/handle/2123/21859.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Peruzzi E. Approaches to ballet-making: the legacy of Ballets Russes in Australia between 1940 and 1960 . [Thesis]. University of Sydney; Available from: https://ses.library.usyd.edu.au/handle/2123/21859

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Victoria

14. Delaney, Katherine Rabinovich. Diaghilev's Gesamtkunstwerk as represented in the productions "Le coq d'or" (1914) and "Renard" (1922).

Degree: School of Music, 2008, University of Victoria

Subjects/Keywords: Diaghilev, Serge, 1872-1929; Ballets Russes

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Delaney, K. R. (2008). Diaghilev's Gesamtkunstwerk as represented in the productions "Le coq d'or" (1914) and "Renard" (1922). (Thesis). University of Victoria. Retrieved from http://hdl.handle.net/1828/553

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Delaney, Katherine Rabinovich. “Diaghilev's Gesamtkunstwerk as represented in the productions "Le coq d'or" (1914) and "Renard" (1922).” 2008. Thesis, University of Victoria. Accessed August 15, 2020. http://hdl.handle.net/1828/553.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Delaney, Katherine Rabinovich. “Diaghilev's Gesamtkunstwerk as represented in the productions "Le coq d'or" (1914) and "Renard" (1922).” 2008. Web. 15 Aug 2020.

Vancouver:

Delaney KR. Diaghilev's Gesamtkunstwerk as represented in the productions "Le coq d'or" (1914) and "Renard" (1922). [Internet] [Thesis]. University of Victoria; 2008. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/1828/553.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Delaney KR. Diaghilev's Gesamtkunstwerk as represented in the productions "Le coq d'or" (1914) and "Renard" (1922). [Thesis]. University of Victoria; 2008. Available from: http://hdl.handle.net/1828/553

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

15. Peruzzi, Elisabetta. Approaches to ballet-making: the legacy of Ballets Russes in Australia between 1940 and 1960 .

Degree: University of Sydney

 Three major Australian ballet companies founded between 1941 and 1953 gave local dancers the chance to measure themselves with ballet repertoires originally staged in Russia… (more)

Subjects/Keywords: Kirsova; Borovansky; Bousloff; Ballets; Russes; Choreography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Peruzzi, E. (n.d.). Approaches to ballet-making: the legacy of Ballets Russes in Australia between 1940 and 1960 . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/21859

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Peruzzi, Elisabetta. “Approaches to ballet-making: the legacy of Ballets Russes in Australia between 1940 and 1960 .” Thesis, University of Sydney. Accessed August 15, 2020. http://hdl.handle.net/2123/21859.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Peruzzi, Elisabetta. “Approaches to ballet-making: the legacy of Ballets Russes in Australia between 1940 and 1960 .” Web. 15 Aug 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Peruzzi E. Approaches to ballet-making: the legacy of Ballets Russes in Australia between 1940 and 1960 . [Internet] [Thesis]. University of Sydney; [cited 2020 Aug 15]. Available from: http://hdl.handle.net/2123/21859.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Peruzzi E. Approaches to ballet-making: the legacy of Ballets Russes in Australia between 1940 and 1960 . [Thesis]. University of Sydney; Available from: http://hdl.handle.net/2123/21859

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Helsinki

16. Järvenpää, Katri. Picasson teatteri : taiteilija kahden baletin lavastajana ja puvustajana.

Degree: Department of Philosophy, History, Culture and Art Studies; Helsingfors universitet, Humanistiska fakulteten, Institutionen för filosofi, historia, kultur- och konstforskning, 2017, University of Helsinki

 Pro gradu-tutkielmassani käsittelen kahden Ballets russes’n balettiteoksen, La Paraden (1917) ja Le Tricornen(1919) puvustusta ja lavastusta jotka taiteilija Pablo Picasso suunnitteli. Tarkastelen työssäni mahdollisimman kattavasti… (more)

Subjects/Keywords: Picasso; Ballets russes; baletti; tanssi; kubismi; puvustus- ja lavastussuunnittelu; Art History; Taidehistoria; Konsthistoria

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Järvenpää, K. (2017). Picasson teatteri : taiteilija kahden baletin lavastajana ja puvustajana. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/191080

Chicago Manual of Style (16th Edition):

Järvenpää, Katri. “Picasson teatteri : taiteilija kahden baletin lavastajana ja puvustajana.” 2017. Masters Thesis, University of Helsinki. Accessed August 15, 2020. http://hdl.handle.net/10138/191080.

MLA Handbook (7th Edition):

Järvenpää, Katri. “Picasson teatteri : taiteilija kahden baletin lavastajana ja puvustajana.” 2017. Web. 15 Aug 2020.

Vancouver:

Järvenpää K. Picasson teatteri : taiteilija kahden baletin lavastajana ja puvustajana. [Internet] [Masters thesis]. University of Helsinki; 2017. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/10138/191080.

Council of Science Editors:

Järvenpää K. Picasson teatteri : taiteilija kahden baletin lavastajana ja puvustajana. [Masters Thesis]. University of Helsinki; 2017. Available from: http://hdl.handle.net/10138/191080

17. Oakeson, Rock E. Susanna and the Elders: A One-Act Ballet in Three Scene.

Degree: 1983, North Texas State University

 The ballet, based on the story of Susanna as found in the Apocrypha, is scored for chamber orchestra consisting of flute doubling piccolo, oboe, Bb… (more)

Subjects/Keywords: chamber orchestra; Ballets  – Scores.; ballet music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Oakeson, R. E. (1983). Susanna and the Elders: A One-Act Ballet in Three Scene. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc504468/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oakeson, Rock E. “Susanna and the Elders: A One-Act Ballet in Three Scene.” 1983. Thesis, North Texas State University. Accessed August 15, 2020. https://digital.library.unt.edu/ark:/67531/metadc504468/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oakeson, Rock E. “Susanna and the Elders: A One-Act Ballet in Three Scene.” 1983. Web. 15 Aug 2020.

Vancouver:

Oakeson RE. Susanna and the Elders: A One-Act Ballet in Three Scene. [Internet] [Thesis]. North Texas State University; 1983. [cited 2020 Aug 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc504468/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oakeson RE. Susanna and the Elders: A One-Act Ballet in Three Scene. [Thesis]. North Texas State University; 1983. Available from: https://digital.library.unt.edu/ark:/67531/metadc504468/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Estado do Rio de Janeiro

18. Leticia Alves Pessanha. Lugares Simbólicos no Eixo e no Ziguezague de Rotas Quissamã, Carapebus e Macaé.

Degree: Master, 2016, Universidade do Estado do Rio de Janeiro

Os municípios de Macaé, Carapebus e Quissamã têm sido abordados nos estudos geográficos no que tange as suas dinâmicas e diversidade. Na presente dissertação, a… (more)

Subjects/Keywords: Geografia Humanística; Lugar; Símbolo; Danças-do-lugar; Quissamã; Carapebus; Macaé; Humanistic Geography; Place; Symbol; Place-ballets; Quissamã; Carapebus; Macaé; GEOGRAFIA HUMANA

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APA (6th Edition):

Pessanha, L. A. (2016). Lugares Simbólicos no Eixo e no Ziguezague de Rotas Quissamã, Carapebus e Macaé. (Masters Thesis). Universidade do Estado do Rio de Janeiro. Retrieved from http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=11214 ;

Chicago Manual of Style (16th Edition):

Pessanha, Leticia Alves. “Lugares Simbólicos no Eixo e no Ziguezague de Rotas Quissamã, Carapebus e Macaé.” 2016. Masters Thesis, Universidade do Estado do Rio de Janeiro. Accessed August 15, 2020. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=11214 ;.

MLA Handbook (7th Edition):

Pessanha, Leticia Alves. “Lugares Simbólicos no Eixo e no Ziguezague de Rotas Quissamã, Carapebus e Macaé.” 2016. Web. 15 Aug 2020.

Vancouver:

Pessanha LA. Lugares Simbólicos no Eixo e no Ziguezague de Rotas Quissamã, Carapebus e Macaé. [Internet] [Masters thesis]. Universidade do Estado do Rio de Janeiro; 2016. [cited 2020 Aug 15]. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=11214 ;.

Council of Science Editors:

Pessanha LA. Lugares Simbólicos no Eixo e no Ziguezague de Rotas Quissamã, Carapebus e Macaé. [Masters Thesis]. Universidade do Estado do Rio de Janeiro; 2016. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=11214 ;


University of Oklahoma

19. Mcclure, Casey Shawn, Quanah. Background, description, and analysis of the ballet "Quanah".

Degree: DMA, School of Music, 1997, University of Oklahoma

 To eliminate my subconscious dependence on three habitual cognitive paradigms, I divided my compositional process into two distinct parts: decisions affecting large-scale boundaries and general… (more)

Subjects/Keywords: Biography.; Dance.; Parker, Quanah, 1845?-1911.; Ballets Scores; Music.

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APA (6th Edition):

Mcclure, Casey Shawn, Q. (1997). Background, description, and analysis of the ballet "Quanah". (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/5525

Chicago Manual of Style (16th Edition):

Mcclure, Casey Shawn, Quanah. “Background, description, and analysis of the ballet "Quanah".” 1997. Doctoral Dissertation, University of Oklahoma. Accessed August 15, 2020. http://hdl.handle.net/11244/5525.

MLA Handbook (7th Edition):

Mcclure, Casey Shawn, Quanah. “Background, description, and analysis of the ballet "Quanah".” 1997. Web. 15 Aug 2020.

Vancouver:

Mcclure, Casey Shawn Q. Background, description, and analysis of the ballet "Quanah". [Internet] [Doctoral dissertation]. University of Oklahoma; 1997. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/11244/5525.

Council of Science Editors:

Mcclure, Casey Shawn Q. Background, description, and analysis of the ballet "Quanah". [Doctoral Dissertation]. University of Oklahoma; 1997. Available from: http://hdl.handle.net/11244/5525


Boston College

20. Kolekar, Pramila. Dreamscapes: Blurred Realities and Blended Identities; India on the Nineteenth-century French Stage.

Degree: PhD, Romance Languages and Literatures, 2018, Boston College

 India featured in a large number of performances on the nineteenth-century French stage. The term “contact zones” coined by Mary Louise Pratt in her article… (more)

Subjects/Keywords: Ballets and Operas in 19th century France; bayadères; India and France; Nineteenth-Century French Theater; Orientalism; Postcolonialism; Tipu Sultan

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kolekar, P. (2018). Dreamscapes: Blurred Realities and Blended Identities; India on the Nineteenth-century French Stage. (Doctoral Dissertation). Boston College. Retrieved from http://dlib.bc.edu/islandora/object/bc-ir:107939

Chicago Manual of Style (16th Edition):

Kolekar, Pramila. “Dreamscapes: Blurred Realities and Blended Identities; India on the Nineteenth-century French Stage.” 2018. Doctoral Dissertation, Boston College. Accessed August 15, 2020. http://dlib.bc.edu/islandora/object/bc-ir:107939.

MLA Handbook (7th Edition):

Kolekar, Pramila. “Dreamscapes: Blurred Realities and Blended Identities; India on the Nineteenth-century French Stage.” 2018. Web. 15 Aug 2020.

Vancouver:

Kolekar P. Dreamscapes: Blurred Realities and Blended Identities; India on the Nineteenth-century French Stage. [Internet] [Doctoral dissertation]. Boston College; 2018. [cited 2020 Aug 15]. Available from: http://dlib.bc.edu/islandora/object/bc-ir:107939.

Council of Science Editors:

Kolekar P. Dreamscapes: Blurred Realities and Blended Identities; India on the Nineteenth-century French Stage. [Doctoral Dissertation]. Boston College; 2018. Available from: http://dlib.bc.edu/islandora/object/bc-ir:107939

21. Dorn, Gerhardt George, 1911-. The Mystic Trumpeter.

Degree: 1948, North Texas State Teachers College

 The Mystic Trumpeter is intended to reflect and comment on the meaning of the poem of the same name featured in Walt Whitman's Leaves of… (more)

Subjects/Keywords: Whitman, Walt, 1819-1892; ballets; original composition; scores

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APA (6th Edition):

Dorn, Gerhardt George, 1. (1948). The Mystic Trumpeter. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1038765/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dorn, Gerhardt George, 1911-. “The Mystic Trumpeter.” 1948. Thesis, North Texas State Teachers College. Accessed August 15, 2020. https://digital.library.unt.edu/ark:/67531/metadc1038765/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dorn, Gerhardt George, 1911-. “The Mystic Trumpeter.” 1948. Web. 15 Aug 2020.

Vancouver:

Dorn, Gerhardt George 1. The Mystic Trumpeter. [Internet] [Thesis]. North Texas State Teachers College; 1948. [cited 2020 Aug 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038765/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dorn, Gerhardt George 1. The Mystic Trumpeter. [Thesis]. North Texas State Teachers College; 1948. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038765/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Helsinki

22. Saarinen, Noora. Russkaja èkzotika: tema "russkosti" v repertuare Ballets Russes.

Degree: Department of Modern Languages; Helsingfors universitet, Humanistiska fakulteten, Institutionen för moderna språk, 2018, University of Helsinki

 Sergei Djagilev tunnetaan Ballets Russes -balettiseurueen perustajana, joka teki venäläistä kulttuuria ja erityisesti venäläistä balettia tunnetuksi lännessä 1900-luvun alussa. Tutkielma pyrkii muodostamaan kuvan siitä, miksi… (more)

Subjects/Keywords: Gesamtkunstwerk; Djagilev; Ballets Russes; Mir iskusstva; Russkie sezony; venäläisyys; baletti; symbolismi; Venäjän kieli ja kirjallisuus, venäjä vieraana kielenä; Russian Language and Literature, Russian as a Foreign Language; Ryska språket och litteraturen, ryska som främmande språk; Gesamtkunstwerk; Djagilev; Ballets Russes; Mir iskusstva; Russkie sezony; venäläisyys; baletti; symbolismi

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Saarinen, N. (2018). Russkaja èkzotika: tema "russkosti" v repertuare Ballets Russes. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/232454

Chicago Manual of Style (16th Edition):

Saarinen, Noora. “Russkaja èkzotika: tema "russkosti" v repertuare Ballets Russes.” 2018. Masters Thesis, University of Helsinki. Accessed August 15, 2020. http://hdl.handle.net/10138/232454.

MLA Handbook (7th Edition):

Saarinen, Noora. “Russkaja èkzotika: tema "russkosti" v repertuare Ballets Russes.” 2018. Web. 15 Aug 2020.

Vancouver:

Saarinen N. Russkaja èkzotika: tema "russkosti" v repertuare Ballets Russes. [Internet] [Masters thesis]. University of Helsinki; 2018. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/10138/232454.

Council of Science Editors:

Saarinen N. Russkaja èkzotika: tema "russkosti" v repertuare Ballets Russes. [Masters Thesis]. University of Helsinki; 2018. Available from: http://hdl.handle.net/10138/232454


Université Paris-Sorbonne – Paris IV

23. Celhay de Larrard, Hélène. André Derain et la scène : Andre Derain and the stage.

Degree: Docteur es, Musique et musicologie, 2011, Université Paris-Sorbonne – Paris IV

Le monde des arts est en pleine effervescence au début du XXe siècle, après le scandale déclenché par l’exposition des œuvres des Fauves au Salon… (more)

Subjects/Keywords: France; 20e siècle; Ballet; André Derain; Décor; Costume; Erik Satie; Ballets russes; France; 20th century; Ballet; Opera; Theatre; Performing Arts; Painting; Sets; Costume; André Derain; Erik Satie; Serge Diaghilev; Ballets russes

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APA (6th Edition):

Celhay de Larrard, H. (2011). André Derain et la scène : Andre Derain and the stage. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2011PA040157

Chicago Manual of Style (16th Edition):

Celhay de Larrard, Hélène. “André Derain et la scène : Andre Derain and the stage.” 2011. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed August 15, 2020. http://www.theses.fr/2011PA040157.

MLA Handbook (7th Edition):

Celhay de Larrard, Hélène. “André Derain et la scène : Andre Derain and the stage.” 2011. Web. 15 Aug 2020.

Vancouver:

Celhay de Larrard H. André Derain et la scène : Andre Derain and the stage. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2011. [cited 2020 Aug 15]. Available from: http://www.theses.fr/2011PA040157.

Council of Science Editors:

Celhay de Larrard H. André Derain et la scène : Andre Derain and the stage. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2011. Available from: http://www.theses.fr/2011PA040157


Université Paris-Sorbonne – Paris IV

24. Kirchberg, Irina. Pour une approche sociomusicologique des processus de création musicale. « Faire la musique » en natation synchronisée : A Sociomusicological Analysis of the Creative Processes in Music “Music Making” in Synchronized Swimming.

Degree: Docteur es, Musicologie, 2014, Université Paris-Sorbonne – Paris IV

Huit paires de jambes jaillissant de l’eau simultanément et scandant des mouvements identiques au rythme fulgurant d’une musique entraînante. Voilà ce que l’on retient généralement… (more)

Subjects/Keywords: Musicologie; Sociologie; Musique; Sport; Natation synchronisée; Ballets; Analyse génétique; Transcriptions musi-chorégraphiques Conventions Interactions Processus de création; Music; Sociologie; Musicology; Synchronized Swimming; Ballet; Sketch Studies; Musi-Choregraphic Transcriptions; 780

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APA (6th Edition):

Kirchberg, I. (2014). Pour une approche sociomusicologique des processus de création musicale. « Faire la musique » en natation synchronisée : A Sociomusicological Analysis of the Creative Processes in Music “Music Making” in Synchronized Swimming. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2014PA040045

Chicago Manual of Style (16th Edition):

Kirchberg, Irina. “Pour une approche sociomusicologique des processus de création musicale. « Faire la musique » en natation synchronisée : A Sociomusicological Analysis of the Creative Processes in Music “Music Making” in Synchronized Swimming.” 2014. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed August 15, 2020. http://www.theses.fr/2014PA040045.

MLA Handbook (7th Edition):

Kirchberg, Irina. “Pour une approche sociomusicologique des processus de création musicale. « Faire la musique » en natation synchronisée : A Sociomusicological Analysis of the Creative Processes in Music “Music Making” in Synchronized Swimming.” 2014. Web. 15 Aug 2020.

Vancouver:

Kirchberg I. Pour une approche sociomusicologique des processus de création musicale. « Faire la musique » en natation synchronisée : A Sociomusicological Analysis of the Creative Processes in Music “Music Making” in Synchronized Swimming. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2014. [cited 2020 Aug 15]. Available from: http://www.theses.fr/2014PA040045.

Council of Science Editors:

Kirchberg I. Pour une approche sociomusicologique des processus de création musicale. « Faire la musique » en natation synchronisée : A Sociomusicological Analysis of the Creative Processes in Music “Music Making” in Synchronized Swimming. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2014. Available from: http://www.theses.fr/2014PA040045

25. Frison, Hélène. La réception des Ballets russes à Madrid et Barcelone (1916-1929) : La recepción de los Ballets russes en Madrid y Barcelona (1916 - 1929).

Degree: Docteur es, Études hispaniques, 2014, Université Sorbonne Nouvelle – Paris III

La compagnie des Ballets russes, fondée par Diaghilev en 1911, constitue un tournant dans l’histoire de la scène occidentale. Reprenant le principe de l’œuvre d’art… (more)

Subjects/Keywords: Espagne XXe; Histoire culturelle; Spectacles et divertissements; Esthétique de la réception; Vie intellectuelle / 1900-1939; Ballets russes; 20th century Spain; Cultural studies; Stage performance and entertainment; Esthetics of reception; Intellectual life / 1900-1939; Ballets Russes; España del siglo XX; Historia cultural; Espectáculos; Estética de la recepción; Vida intelectual / 1900-1939; Bailes rusos

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APA (6th Edition):

Frison, H. (2014). La réception des Ballets russes à Madrid et Barcelone (1916-1929) : La recepción de los Ballets russes en Madrid y Barcelona (1916 - 1929). (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2014PA030128

Chicago Manual of Style (16th Edition):

Frison, Hélène. “La réception des Ballets russes à Madrid et Barcelone (1916-1929) : La recepción de los Ballets russes en Madrid y Barcelona (1916 - 1929).” 2014. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed August 15, 2020. http://www.theses.fr/2014PA030128.

MLA Handbook (7th Edition):

Frison, Hélène. “La réception des Ballets russes à Madrid et Barcelone (1916-1929) : La recepción de los Ballets russes en Madrid y Barcelona (1916 - 1929).” 2014. Web. 15 Aug 2020.

Vancouver:

Frison H. La réception des Ballets russes à Madrid et Barcelone (1916-1929) : La recepción de los Ballets russes en Madrid y Barcelona (1916 - 1929). [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2014. [cited 2020 Aug 15]. Available from: http://www.theses.fr/2014PA030128.

Council of Science Editors:

Frison H. La réception des Ballets russes à Madrid et Barcelone (1916-1929) : La recepción de los Ballets russes en Madrid y Barcelona (1916 - 1929). [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2014. Available from: http://www.theses.fr/2014PA030128


Université de Montréal

26. Beaulieu, Marie. Panorama d'une compagnie de ballet (Les Grands Ballets Canadiens, 1957-1977) : la concrétisation d'une vision.

Degree: 2008, Université de Montréal

Subjects/Keywords: Grands Ballets Canadiens; Grands Ballets Canadiens; Ludmilla Chiriaeff; Ludmilla Chiriaeff; Histoire; History; Artistique; Artistic; Oeuvres; Oeuvres; Mission; Mission; Vision; Vision; Gestion; Management; Compagnie de danse; Dance company; Institution; Institution

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APA (6th Edition):

Beaulieu, M. (2008). Panorama d'une compagnie de ballet (Les Grands Ballets Canadiens, 1957-1977) : la concrétisation d'une vision. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/6474

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beaulieu, Marie. “Panorama d'une compagnie de ballet (Les Grands Ballets Canadiens, 1957-1977) : la concrétisation d'une vision.” 2008. Thesis, Université de Montréal. Accessed August 15, 2020. http://hdl.handle.net/1866/6474.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beaulieu, Marie. “Panorama d'une compagnie de ballet (Les Grands Ballets Canadiens, 1957-1977) : la concrétisation d'une vision.” 2008. Web. 15 Aug 2020.

Vancouver:

Beaulieu M. Panorama d'une compagnie de ballet (Les Grands Ballets Canadiens, 1957-1977) : la concrétisation d'une vision. [Internet] [Thesis]. Université de Montréal; 2008. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/1866/6474.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beaulieu M. Panorama d'une compagnie de ballet (Les Grands Ballets Canadiens, 1957-1977) : la concrétisation d'une vision. [Thesis]. Université de Montréal; 2008. Available from: http://hdl.handle.net/1866/6474

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Pretoria

27. Johnson, Alexander F. Thunderbird : 'n bespreking (Afrikaans).

Degree: Music, 2007, University of Pretoria

 No abstract available. Accompanies the compositions of Thunderbird : twee bedrywe, Arabia : konsert vir klavier en orkes; Vyf miniature vir klarinet (b-mol) en kitaar;… (more)

Subjects/Keywords: Ballets; Clarinet and guitar music; Concertos (piano); Songs (high voice) with string quartet; Concerto; UCTD

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APA (6th Edition):

Johnson, A. (2007). Thunderbird : 'n bespreking (Afrikaans). (Doctoral Dissertation). University of Pretoria. Retrieved from http://hdl.handle.net/2263/30515

Chicago Manual of Style (16th Edition):

Johnson, Alexander. “Thunderbird : 'n bespreking (Afrikaans).” 2007. Doctoral Dissertation, University of Pretoria. Accessed August 15, 2020. http://hdl.handle.net/2263/30515.

MLA Handbook (7th Edition):

Johnson, Alexander. “Thunderbird : 'n bespreking (Afrikaans).” 2007. Web. 15 Aug 2020.

Vancouver:

Johnson A. Thunderbird : 'n bespreking (Afrikaans). [Internet] [Doctoral dissertation]. University of Pretoria; 2007. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/2263/30515.

Council of Science Editors:

Johnson A. Thunderbird : 'n bespreking (Afrikaans). [Doctoral Dissertation]. University of Pretoria; 2007. Available from: http://hdl.handle.net/2263/30515


University of Pretoria

28. [No author]. Thunderbird : 'n bespreking (Afrikaans) .

Degree: 2007, University of Pretoria

 No abstract available. Accompanies the compositions of Thunderbird : twee bedrywe, Arabia : konsert vir klavier en orkes; Vyf miniature vir klarinet (b-mol) en kitaar;… (more)

Subjects/Keywords: Ballets; Clarinet and guitar music; Concertos (piano); Songs (high voice) with string quartet; Concerto; UCTD

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APA (6th Edition):

author], [. (2007). Thunderbird : 'n bespreking (Afrikaans) . (Doctoral Dissertation). University of Pretoria. Retrieved from http://upetd.up.ac.za/thesis/available/etd-01102007-172705/

Chicago Manual of Style (16th Edition):

author], [No. “Thunderbird : 'n bespreking (Afrikaans) .” 2007. Doctoral Dissertation, University of Pretoria. Accessed August 15, 2020. http://upetd.up.ac.za/thesis/available/etd-01102007-172705/.

MLA Handbook (7th Edition):

author], [No. “Thunderbird : 'n bespreking (Afrikaans) .” 2007. Web. 15 Aug 2020.

Vancouver:

author] [. Thunderbird : 'n bespreking (Afrikaans) . [Internet] [Doctoral dissertation]. University of Pretoria; 2007. [cited 2020 Aug 15]. Available from: http://upetd.up.ac.za/thesis/available/etd-01102007-172705/.

Council of Science Editors:

author] [. Thunderbird : 'n bespreking (Afrikaans) . [Doctoral Dissertation]. University of Pretoria; 2007. Available from: http://upetd.up.ac.za/thesis/available/etd-01102007-172705/


Université Paris-Sorbonne – Paris IV

29. Rifai, Nabila. Le féminin et le maternel dans l'imaginaire occidental : le mythe de Shéhérazade en analyse : The feminine and the maternal in the occidental imagination : The myth of Scheherazade in analysis.

Degree: Docteur es, Littératures française et comparée, 2012, Université Paris-Sorbonne – Paris IV

Cette thèse analyse le mythe fondateur des Mille et une nuits, ou « mythe de Shéhérazade », par une approche psychanalytique et comparatiste. Nous mettons… (more)

Subjects/Keywords: Shéhérazade; Mille et une nuits; Mythe; Conte; Féminin; Maternel; Loi; Psychanalyse; Zone transitionnelle; Galland; Pétis de la Croix; Crébillon; Sade; T. Gautier; Ballets Russes; Proust; Supervielle; Djebar; Freud; Lacan,; Arabian nights; One thousand and one nights; Shahrazad; Tale; Transitional space; Psychoanalysis; Rimski-Korsakov

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rifai, N. (2012). Le féminin et le maternel dans l'imaginaire occidental : le mythe de Shéhérazade en analyse : The feminine and the maternal in the occidental imagination : The myth of Scheherazade in analysis. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2012PA040131

Chicago Manual of Style (16th Edition):

Rifai, Nabila. “Le féminin et le maternel dans l'imaginaire occidental : le mythe de Shéhérazade en analyse : The feminine and the maternal in the occidental imagination : The myth of Scheherazade in analysis.” 2012. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed August 15, 2020. http://www.theses.fr/2012PA040131.

MLA Handbook (7th Edition):

Rifai, Nabila. “Le féminin et le maternel dans l'imaginaire occidental : le mythe de Shéhérazade en analyse : The feminine and the maternal in the occidental imagination : The myth of Scheherazade in analysis.” 2012. Web. 15 Aug 2020.

Vancouver:

Rifai N. Le féminin et le maternel dans l'imaginaire occidental : le mythe de Shéhérazade en analyse : The feminine and the maternal in the occidental imagination : The myth of Scheherazade in analysis. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2012. [cited 2020 Aug 15]. Available from: http://www.theses.fr/2012PA040131.

Council of Science Editors:

Rifai N. Le féminin et le maternel dans l'imaginaire occidental : le mythe de Shéhérazade en analyse : The feminine and the maternal in the occidental imagination : The myth of Scheherazade in analysis. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2012. Available from: http://www.theses.fr/2012PA040131


Royal Holloway, University of London

30. Millard, Russell. Musical structure, narrative, and gender in Ravel's 'Daphnis et Chloé'.

Degree: PhD, 2017, Royal Holloway, University of London

 This thesis seeks to contribute towards the emerging discourse in Ravel studies concerning gender, as well as adding to the ongoing work in musical narratology,… (more)

Subjects/Keywords: Musical structure; Narrative; Gender; French music; Ravel; Third Republic France; Ballet; Dance; Narratology; Musical analysis; Nijinsky; Ballets Russes; Pan; Salome; Daphnis & Chloe; Schenker; Musical semiotics; Greimas; Modernism; Fokine; Musical narrative; Music

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APA (6th Edition):

Millard, R. (2017). Musical structure, narrative, and gender in Ravel's 'Daphnis et Chloé'. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/musical-structure-narrative-and-gender-in-ravels-daphnis-et-chloe(7661da30-0635-4deb-8cd8-34898b4622cd).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792768

Chicago Manual of Style (16th Edition):

Millard, Russell. “Musical structure, narrative, and gender in Ravel's 'Daphnis et Chloé'.” 2017. Doctoral Dissertation, Royal Holloway, University of London. Accessed August 15, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/musical-structure-narrative-and-gender-in-ravels-daphnis-et-chloe(7661da30-0635-4deb-8cd8-34898b4622cd).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792768.

MLA Handbook (7th Edition):

Millard, Russell. “Musical structure, narrative, and gender in Ravel's 'Daphnis et Chloé'.” 2017. Web. 15 Aug 2020.

Vancouver:

Millard R. Musical structure, narrative, and gender in Ravel's 'Daphnis et Chloé'. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2017. [cited 2020 Aug 15]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/musical-structure-narrative-and-gender-in-ravels-daphnis-et-chloe(7661da30-0635-4deb-8cd8-34898b4622cd).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792768.

Council of Science Editors:

Millard R. Musical structure, narrative, and gender in Ravel's 'Daphnis et Chloé'. [Doctoral Dissertation]. Royal Holloway, University of London; 2017. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/musical-structure-narrative-and-gender-in-ravels-daphnis-et-chloe(7661da30-0635-4deb-8cd8-34898b4622cd).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792768

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