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You searched for subject:(Bach Cantatas for the Modern Church Choir). Showing records 1 – 30 of 85525 total matches.

[1] [2] [3] [4] [5] … [2851]

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University of Oklahoma

1. Yoo, Sujeung. Accessible Bach Cantatas for Church Choirs Comprised of Amateur Singers and BWV 133 as Demonstration.

Degree: DMA, 2020, University of Oklahoma

 Johann Sebastian Bach composed five annual sets of sacred cantatas based on the Lutheran liturgical calendar. Bach carefully constructed cantatas with his exceptional musical ability… (more)

Subjects/Keywords: Accessible Bach Cantatas; Bach Cantatas for the Modern Church Choir; BWV 133; Bach Cantatas for Church Choirs; Ich freue mich in dir

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yoo, S. (2020). Accessible Bach Cantatas for Church Choirs Comprised of Amateur Singers and BWV 133 as Demonstration. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/324373

Chicago Manual of Style (16th Edition):

Yoo, Sujeung. “Accessible Bach Cantatas for Church Choirs Comprised of Amateur Singers and BWV 133 as Demonstration.” 2020. Doctoral Dissertation, University of Oklahoma. Accessed July 13, 2020. http://hdl.handle.net/11244/324373.

MLA Handbook (7th Edition):

Yoo, Sujeung. “Accessible Bach Cantatas for Church Choirs Comprised of Amateur Singers and BWV 133 as Demonstration.” 2020. Web. 13 Jul 2020.

Vancouver:

Yoo S. Accessible Bach Cantatas for Church Choirs Comprised of Amateur Singers and BWV 133 as Demonstration. [Internet] [Doctoral dissertation]. University of Oklahoma; 2020. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/11244/324373.

Council of Science Editors:

Yoo S. Accessible Bach Cantatas for Church Choirs Comprised of Amateur Singers and BWV 133 as Demonstration. [Doctoral Dissertation]. University of Oklahoma; 2020. Available from: http://hdl.handle.net/11244/324373

2. Bijma, R.J. Johann Sebastian Bach en zijn musici in de beide hoofdkerken te Leipzig : Een onderzoek naar hun rol, inzet en opstelling in het algemeen en naar de continuogroep en de daarin participerende instrumenten in het bijzonder.

Degree: 2017, University Utrecht

 The study is devoted to Johann Sebastian Bach and his musicians in Leipzig’s two main churches, and to the question to which extent current opinions… (more)

Subjects/Keywords: Bach; Cantatas; Passions; Leipzig; Performance-practice; Choir-size; Positioning; Continuo; Harpsichord; Violone

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APA (6th Edition):

Bijma, R. J. (2017). Johann Sebastian Bach en zijn musici in de beide hoofdkerken te Leipzig : Een onderzoek naar hun rol, inzet en opstelling in het algemeen en naar de continuogroep en de daarin participerende instrumenten in het bijzonder. (Doctoral Dissertation). University Utrecht. Retrieved from https://dspace.library.uu.nl/handle/1874/357320 ; URN:NBN:NL:UI:10-1874-357320 ; URN:NBN:NL:UI:10-1874-357320 ; https://dspace.library.uu.nl/handle/1874/357320

Chicago Manual of Style (16th Edition):

Bijma, R J. “Johann Sebastian Bach en zijn musici in de beide hoofdkerken te Leipzig : Een onderzoek naar hun rol, inzet en opstelling in het algemeen en naar de continuogroep en de daarin participerende instrumenten in het bijzonder.” 2017. Doctoral Dissertation, University Utrecht. Accessed July 13, 2020. https://dspace.library.uu.nl/handle/1874/357320 ; URN:NBN:NL:UI:10-1874-357320 ; URN:NBN:NL:UI:10-1874-357320 ; https://dspace.library.uu.nl/handle/1874/357320.

MLA Handbook (7th Edition):

Bijma, R J. “Johann Sebastian Bach en zijn musici in de beide hoofdkerken te Leipzig : Een onderzoek naar hun rol, inzet en opstelling in het algemeen en naar de continuogroep en de daarin participerende instrumenten in het bijzonder.” 2017. Web. 13 Jul 2020.

Vancouver:

Bijma RJ. Johann Sebastian Bach en zijn musici in de beide hoofdkerken te Leipzig : Een onderzoek naar hun rol, inzet en opstelling in het algemeen en naar de continuogroep en de daarin participerende instrumenten in het bijzonder. [Internet] [Doctoral dissertation]. University Utrecht; 2017. [cited 2020 Jul 13]. Available from: https://dspace.library.uu.nl/handle/1874/357320 ; URN:NBN:NL:UI:10-1874-357320 ; URN:NBN:NL:UI:10-1874-357320 ; https://dspace.library.uu.nl/handle/1874/357320.

Council of Science Editors:

Bijma RJ. Johann Sebastian Bach en zijn musici in de beide hoofdkerken te Leipzig : Een onderzoek naar hun rol, inzet en opstelling in het algemeen en naar de continuogroep en de daarin participerende instrumenten in het bijzonder. [Doctoral Dissertation]. University Utrecht; 2017. Available from: https://dspace.library.uu.nl/handle/1874/357320 ; URN:NBN:NL:UI:10-1874-357320 ; URN:NBN:NL:UI:10-1874-357320 ; https://dspace.library.uu.nl/handle/1874/357320


Boston University

3. Davis, Richard Carroll. Self parody among the cantatas of Johann Sebastian Bach.

Degree: PhD, Music, 1962, Boston University

 Many of Bach's greatest masterpieces contain movements based on music from earlier compositions. These parodies of previously composed works seemed to require as much, if… (more)

Subjects/Keywords: Bach, Johann Sebastian; Cantatas; Parody

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APA (6th Edition):

Davis, R. C. (1962). Self parody among the cantatas of Johann Sebastian Bach. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/29091

Chicago Manual of Style (16th Edition):

Davis, Richard Carroll. “Self parody among the cantatas of Johann Sebastian Bach.” 1962. Doctoral Dissertation, Boston University. Accessed July 13, 2020. http://hdl.handle.net/2144/29091.

MLA Handbook (7th Edition):

Davis, Richard Carroll. “Self parody among the cantatas of Johann Sebastian Bach.” 1962. Web. 13 Jul 2020.

Vancouver:

Davis RC. Self parody among the cantatas of Johann Sebastian Bach. [Internet] [Doctoral dissertation]. Boston University; 1962. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/2144/29091.

Council of Science Editors:

Davis RC. Self parody among the cantatas of Johann Sebastian Bach. [Doctoral Dissertation]. Boston University; 1962. Available from: http://hdl.handle.net/2144/29091


University of Toronto

4. Glover, Angela Dorothy. Reconstructing the Office Furniture: The Art of the Early Modern Choir Stall.

Degree: PhD, 2016, University of Toronto

This dissertation examines a range of choir stalls made in northern Europe and Spain between 1450 and 1550 with the aim of reinstating choir stalls… (more)

Subjects/Keywords: choir; church; furnishing; furniture; microarchitecture; stall; 0377

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APA (6th Edition):

Glover, A. D. (2016). Reconstructing the Office Furniture: The Art of the Early Modern Choir Stall. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/89254

Chicago Manual of Style (16th Edition):

Glover, Angela Dorothy. “Reconstructing the Office Furniture: The Art of the Early Modern Choir Stall.” 2016. Doctoral Dissertation, University of Toronto. Accessed July 13, 2020. http://hdl.handle.net/1807/89254.

MLA Handbook (7th Edition):

Glover, Angela Dorothy. “Reconstructing the Office Furniture: The Art of the Early Modern Choir Stall.” 2016. Web. 13 Jul 2020.

Vancouver:

Glover AD. Reconstructing the Office Furniture: The Art of the Early Modern Choir Stall. [Internet] [Doctoral dissertation]. University of Toronto; 2016. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/1807/89254.

Council of Science Editors:

Glover AD. Reconstructing the Office Furniture: The Art of the Early Modern Choir Stall. [Doctoral Dissertation]. University of Toronto; 2016. Available from: http://hdl.handle.net/1807/89254


Brandeis University

5. Whitman, Kayleigh. Trumpet in the West: The Program and Struggles of The Church for the Fellowship of All Peoples in San Francisco, 1943-1963.

Degree: 2015, Brandeis University

 This thesis examines the history and founding of The Church for the Fellowship of All Peoples in San Francisco, California between the years 1943 and… (more)

Subjects/Keywords: Church for the Fellowship of All Peoples; Fellowship Church; Howard Thurman; multiracial congregation; interracial work

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APA (6th Edition):

Whitman, K. (2015). Trumpet in the West: The Program and Struggles of The Church for the Fellowship of All Peoples in San Francisco, 1943-1963. (Thesis). Brandeis University. Retrieved from http://hdl.handle.net/10192/30430

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Whitman, Kayleigh. “Trumpet in the West: The Program and Struggles of The Church for the Fellowship of All Peoples in San Francisco, 1943-1963.” 2015. Thesis, Brandeis University. Accessed July 13, 2020. http://hdl.handle.net/10192/30430.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Whitman, Kayleigh. “Trumpet in the West: The Program and Struggles of The Church for the Fellowship of All Peoples in San Francisco, 1943-1963.” 2015. Web. 13 Jul 2020.

Vancouver:

Whitman K. Trumpet in the West: The Program and Struggles of The Church for the Fellowship of All Peoples in San Francisco, 1943-1963. [Internet] [Thesis]. Brandeis University; 2015. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/10192/30430.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Whitman K. Trumpet in the West: The Program and Struggles of The Church for the Fellowship of All Peoples in San Francisco, 1943-1963. [Thesis]. Brandeis University; 2015. Available from: http://hdl.handle.net/10192/30430

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

6. Justi, Katia Regina Kato. O Oboe e a representação da Confiança nas arias das cantatas sacras de J.S. Bach .

Degree: 2007, Universidade Estadual de Campinas

 Resumo: Este trabalho propõe a investigação, do ponto de vista da retórica, da utilização do oboé, oboé d?Amore e oboé da Caccia, nas árias sacras… (more)

Subjects/Keywords: Bach, Johann Sebastian, 1685-1750; Cantatas; Arias; Oboe; Retórica

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APA (6th Edition):

Justi, K. R. K. (2007). O Oboe e a representação da Confiança nas arias das cantatas sacras de J.S. Bach . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284316

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Justi, Katia Regina Kato. “O Oboe e a representação da Confiança nas arias das cantatas sacras de J.S. Bach .” 2007. Thesis, Universidade Estadual de Campinas. Accessed July 13, 2020. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284316.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Justi, Katia Regina Kato. “O Oboe e a representação da Confiança nas arias das cantatas sacras de J.S. Bach .” 2007. Web. 13 Jul 2020.

Vancouver:

Justi KRK. O Oboe e a representação da Confiança nas arias das cantatas sacras de J.S. Bach . [Internet] [Thesis]. Universidade Estadual de Campinas; 2007. [cited 2020 Jul 13]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284316.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Justi KRK. O Oboe e a representação da Confiança nas arias das cantatas sacras de J.S. Bach . [Thesis]. Universidade Estadual de Campinas; 2007. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284316

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

7. Nelson, Lee David. THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM.

Degree: 2009, University of Arizona

 In this study I examine the genesis and compositional purpose of Mendelssohn's seven chorale cantatas which include "Christe, du Lamm Gottes" (1827); "Jesu, meine Freude"… (more)

Subjects/Keywords: Chorale Cantatas; Felix Mendelssohn; J.S. Bach; Translation Theory

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APA (6th Edition):

Nelson, L. D. (2009). THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM. (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/194182

Chicago Manual of Style (16th Edition):

Nelson, Lee David. “THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM. ” 2009. Doctoral Dissertation, University of Arizona. Accessed July 13, 2020. http://hdl.handle.net/10150/194182.

MLA Handbook (7th Edition):

Nelson, Lee David. “THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM. ” 2009. Web. 13 Jul 2020.

Vancouver:

Nelson LD. THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM. [Internet] [Doctoral dissertation]. University of Arizona; 2009. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/10150/194182.

Council of Science Editors:

Nelson LD. THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM. [Doctoral Dissertation]. University of Arizona; 2009. Available from: http://hdl.handle.net/10150/194182


Princeton University

8. Carlson, Thomas Andrew. Christians in Fifteenth-Century Iraq: The Church of the East as a Conceptual Community .

Degree: PhD, 2012, Princeton University

 Mainstream historical scholarship has largely neglected the social diversity of the medieval Middle East: the vast majority of studies focus on Muslim elites, whether political… (more)

Subjects/Keywords: Church of the East; Conceptual Community; Modern Assyrians; Nestorians; Syriac Christianity; Türkmen

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APA (6th Edition):

Carlson, T. A. (2012). Christians in Fifteenth-Century Iraq: The Church of the East as a Conceptual Community . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01t722h885m

Chicago Manual of Style (16th Edition):

Carlson, Thomas Andrew. “Christians in Fifteenth-Century Iraq: The Church of the East as a Conceptual Community .” 2012. Doctoral Dissertation, Princeton University. Accessed July 13, 2020. http://arks.princeton.edu/ark:/88435/dsp01t722h885m.

MLA Handbook (7th Edition):

Carlson, Thomas Andrew. “Christians in Fifteenth-Century Iraq: The Church of the East as a Conceptual Community .” 2012. Web. 13 Jul 2020.

Vancouver:

Carlson TA. Christians in Fifteenth-Century Iraq: The Church of the East as a Conceptual Community . [Internet] [Doctoral dissertation]. Princeton University; 2012. [cited 2020 Jul 13]. Available from: http://arks.princeton.edu/ark:/88435/dsp01t722h885m.

Council of Science Editors:

Carlson TA. Christians in Fifteenth-Century Iraq: The Church of the East as a Conceptual Community . [Doctoral Dissertation]. Princeton University; 2012. Available from: http://arks.princeton.edu/ark:/88435/dsp01t722h885m

9. Quist, Floyd Henry. Bach's Treatment of the Chorale in the Chorale Cantatas.

Degree: 1950, North Texas State College

 The Chorale Cantatas by Johann Sebastian Bach are outstanding examples of his ingenuity. The existing data on the Chorale Cantatas are distributed throughout numerous volumes… (more)

Subjects/Keywords: Johan Sebastian Bach; Chorale Cantatas; chorales; musical composition; Bach, Johann Sebastian, 1685-1750.  – Cantatas, Sacred.; Chorale.

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APA (6th Edition):

Quist, F. H. (1950). Bach's Treatment of the Chorale in the Chorale Cantatas. (Thesis). North Texas State College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc663255/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Quist, Floyd Henry. “Bach's Treatment of the Chorale in the Chorale Cantatas.” 1950. Thesis, North Texas State College. Accessed July 13, 2020. https://digital.library.unt.edu/ark:/67531/metadc663255/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Quist, Floyd Henry. “Bach's Treatment of the Chorale in the Chorale Cantatas.” 1950. Web. 13 Jul 2020.

Vancouver:

Quist FH. Bach's Treatment of the Chorale in the Chorale Cantatas. [Internet] [Thesis]. North Texas State College; 1950. [cited 2020 Jul 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc663255/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Quist FH. Bach's Treatment of the Chorale in the Chorale Cantatas. [Thesis]. North Texas State College; 1950. Available from: https://digital.library.unt.edu/ark:/67531/metadc663255/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Michigan

10. Waggoner Karchner, Katharine. Europe, Islam, and the Role of the Church in the Afterlife of a Medieval Polemic, 1301-1543.

Degree: PhD, History, 2019, University of Michigan

 This dissertation, titled “Europe, Islam, and the Role of the Church in the Afterlife of a Medieval Polemic, 1301-1543,” analyzes the circulation of the highly… (more)

Subjects/Keywords: Medieval and Early Modern Europe; Islam; polemic; the Qur'an; the Catholic Church; Manuscript Studies; History (General); Humanities

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APA (6th Edition):

Waggoner Karchner, K. (2019). Europe, Islam, and the Role of the Church in the Afterlife of a Medieval Polemic, 1301-1543. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/149964

Chicago Manual of Style (16th Edition):

Waggoner Karchner, Katharine. “Europe, Islam, and the Role of the Church in the Afterlife of a Medieval Polemic, 1301-1543.” 2019. Doctoral Dissertation, University of Michigan. Accessed July 13, 2020. http://hdl.handle.net/2027.42/149964.

MLA Handbook (7th Edition):

Waggoner Karchner, Katharine. “Europe, Islam, and the Role of the Church in the Afterlife of a Medieval Polemic, 1301-1543.” 2019. Web. 13 Jul 2020.

Vancouver:

Waggoner Karchner K. Europe, Islam, and the Role of the Church in the Afterlife of a Medieval Polemic, 1301-1543. [Internet] [Doctoral dissertation]. University of Michigan; 2019. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/2027.42/149964.

Council of Science Editors:

Waggoner Karchner K. Europe, Islam, and the Role of the Church in the Afterlife of a Medieval Polemic, 1301-1543. [Doctoral Dissertation]. University of Michigan; 2019. Available from: http://hdl.handle.net/2027.42/149964


University of Kentucky

11. Read, Daniel. WHY WE SING ALONG: MEASURABLE TRAITS OF SUCCESSFUL CONGREGATIONAL SONGS.

Degree: 2017, University of Kentucky

 Songwriters have been creating music for the church for hundreds of years. The songs have gone through many stylistic changes from generation to generation, yet,… (more)

Subjects/Keywords: worship; congregational song; music cognition; statistical analysis; songwriting for the church; Fine Arts; Music Theory

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APA (6th Edition):

Read, D. (2017). WHY WE SING ALONG: MEASURABLE TRAITS OF SUCCESSFUL CONGREGATIONAL SONGS. (Masters Thesis). University of Kentucky. Retrieved from https://uknowledge.uky.edu/music_etds/102

Chicago Manual of Style (16th Edition):

Read, Daniel. “WHY WE SING ALONG: MEASURABLE TRAITS OF SUCCESSFUL CONGREGATIONAL SONGS.” 2017. Masters Thesis, University of Kentucky. Accessed July 13, 2020. https://uknowledge.uky.edu/music_etds/102.

MLA Handbook (7th Edition):

Read, Daniel. “WHY WE SING ALONG: MEASURABLE TRAITS OF SUCCESSFUL CONGREGATIONAL SONGS.” 2017. Web. 13 Jul 2020.

Vancouver:

Read D. WHY WE SING ALONG: MEASURABLE TRAITS OF SUCCESSFUL CONGREGATIONAL SONGS. [Internet] [Masters thesis]. University of Kentucky; 2017. [cited 2020 Jul 13]. Available from: https://uknowledge.uky.edu/music_etds/102.

Council of Science Editors:

Read D. WHY WE SING ALONG: MEASURABLE TRAITS OF SUCCESSFUL CONGREGATIONAL SONGS. [Masters Thesis]. University of Kentucky; 2017. Available from: https://uknowledge.uky.edu/music_etds/102

12. Sicard, Isabelle. Vers la tolérance religieuse : le Massachusetts de l'intolérance à la séparation entre Église et État dans le période post-révolutionnaire : 1776-1833 : Towards religious toleration : Massachusetts from intolerance to the separation between church and state in the post-revolutionary period : 1776-1833.

Degree: Docteur es, Langue et littératures étrangères. Langue et cultures des sociétés anglophones, 2016, Sorbonne Paris Cité

Le Massachusetts, colonie fondée et exclusivement dirigée jusqu’en 1684 par des Puritains organisés en Églises congrégationalistes, est le dernier État à supprimer l’impôt pour le… (more)

Subjects/Keywords: Impôt cultuel; Apolitique; Pluri-confessionnel; Tax for the Church; Mobilization apolitical; Multiconfessional

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APA (6th Edition):

Sicard, I. (2016). Vers la tolérance religieuse : le Massachusetts de l'intolérance à la séparation entre Église et État dans le période post-révolutionnaire : 1776-1833 : Towards religious toleration : Massachusetts from intolerance to the separation between church and state in the post-revolutionary period : 1776-1833. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2016USPCC310

Chicago Manual of Style (16th Edition):

Sicard, Isabelle. “Vers la tolérance religieuse : le Massachusetts de l'intolérance à la séparation entre Église et État dans le période post-révolutionnaire : 1776-1833 : Towards religious toleration : Massachusetts from intolerance to the separation between church and state in the post-revolutionary period : 1776-1833.” 2016. Doctoral Dissertation, Sorbonne Paris Cité. Accessed July 13, 2020. http://www.theses.fr/2016USPCC310.

MLA Handbook (7th Edition):

Sicard, Isabelle. “Vers la tolérance religieuse : le Massachusetts de l'intolérance à la séparation entre Église et État dans le période post-révolutionnaire : 1776-1833 : Towards religious toleration : Massachusetts from intolerance to the separation between church and state in the post-revolutionary period : 1776-1833.” 2016. Web. 13 Jul 2020.

Vancouver:

Sicard I. Vers la tolérance religieuse : le Massachusetts de l'intolérance à la séparation entre Église et État dans le période post-révolutionnaire : 1776-1833 : Towards religious toleration : Massachusetts from intolerance to the separation between church and state in the post-revolutionary period : 1776-1833. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2016. [cited 2020 Jul 13]. Available from: http://www.theses.fr/2016USPCC310.

Council of Science Editors:

Sicard I. Vers la tolérance religieuse : le Massachusetts de l'intolérance à la séparation entre Église et État dans le période post-révolutionnaire : 1776-1833 : Towards religious toleration : Massachusetts from intolerance to the separation between church and state in the post-revolutionary period : 1776-1833. [Doctoral Dissertation]. Sorbonne Paris Cité; 2016. Available from: http://www.theses.fr/2016USPCC310


University of Oxford

13. Drenas, Andrew J. G. 'The Standard-bearer of the Roman Church' : Lorenzo da Brindisi (1559-1619) and Capuchin Missions in the Holy Roman Empire.

Degree: PhD, 2014, University of Oxford

 This thesis examines the missionary work of the Italian Capuchin Lorenzo da Brindisi. Renowned in his own day as a preacher, Bible scholar, missionary, chaplain,… (more)

Subjects/Keywords: 266; History; Early Modern Britain and Europe; Church history; Lorenzo da Brindisi; Capuchin Order; early modern Catholicism; Counter-Reformation; Commentariolum; Lutheranismi hypotyposis; early modern preaching; Polykarp Leyser; Rudolf II; Prague; Vienna; Graz; early modern religious polemics; religious orders; theological disputations; doctors of the Roman Catholic Church

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Drenas, A. J. G. (2014). 'The Standard-bearer of the Roman Church' : Lorenzo da Brindisi (1559-1619) and Capuchin Missions in the Holy Roman Empire. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:74703f2b-5da1-4a5c-bc77-923f006781f3 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.635295

Chicago Manual of Style (16th Edition):

Drenas, Andrew J G. “'The Standard-bearer of the Roman Church' : Lorenzo da Brindisi (1559-1619) and Capuchin Missions in the Holy Roman Empire.” 2014. Doctoral Dissertation, University of Oxford. Accessed July 13, 2020. http://ora.ox.ac.uk/objects/uuid:74703f2b-5da1-4a5c-bc77-923f006781f3 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.635295.

MLA Handbook (7th Edition):

Drenas, Andrew J G. “'The Standard-bearer of the Roman Church' : Lorenzo da Brindisi (1559-1619) and Capuchin Missions in the Holy Roman Empire.” 2014. Web. 13 Jul 2020.

Vancouver:

Drenas AJG. 'The Standard-bearer of the Roman Church' : Lorenzo da Brindisi (1559-1619) and Capuchin Missions in the Holy Roman Empire. [Internet] [Doctoral dissertation]. University of Oxford; 2014. [cited 2020 Jul 13]. Available from: http://ora.ox.ac.uk/objects/uuid:74703f2b-5da1-4a5c-bc77-923f006781f3 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.635295.

Council of Science Editors:

Drenas AJG. 'The Standard-bearer of the Roman Church' : Lorenzo da Brindisi (1559-1619) and Capuchin Missions in the Holy Roman Empire. [Doctoral Dissertation]. University of Oxford; 2014. Available from: http://ora.ox.ac.uk/objects/uuid:74703f2b-5da1-4a5c-bc77-923f006781f3 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.635295


Liberty University

14. Im, Byeong. A Study on the Use of Church Building Space on Sundays and Weekdays: The Case of Yongin Jeil Church.

Degree: 2017, Liberty University

 The objective of this study is to propose alternatives for better utilizing church space. It aims to help the church space serve multiple purposes during… (more)

Subjects/Keywords: Church Construction; Church Space; Utilize the Church Space for Multi-purposes During Weekdays and Sundays; Christian Denominations and Sects; Christianity; Other Religion; Practical Theology; Religion

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APA (6th Edition):

Im, B. (2017). A Study on the Use of Church Building Space on Sundays and Weekdays: The Case of Yongin Jeil Church. (Doctoral Dissertation). Liberty University. Retrieved from http://digitalcommons.liberty.edu/doctoral/1465

Chicago Manual of Style (16th Edition):

Im, Byeong. “A Study on the Use of Church Building Space on Sundays and Weekdays: The Case of Yongin Jeil Church.” 2017. Doctoral Dissertation, Liberty University. Accessed July 13, 2020. http://digitalcommons.liberty.edu/doctoral/1465.

MLA Handbook (7th Edition):

Im, Byeong. “A Study on the Use of Church Building Space on Sundays and Weekdays: The Case of Yongin Jeil Church.” 2017. Web. 13 Jul 2020.

Vancouver:

Im B. A Study on the Use of Church Building Space on Sundays and Weekdays: The Case of Yongin Jeil Church. [Internet] [Doctoral dissertation]. Liberty University; 2017. [cited 2020 Jul 13]. Available from: http://digitalcommons.liberty.edu/doctoral/1465.

Council of Science Editors:

Im B. A Study on the Use of Church Building Space on Sundays and Weekdays: The Case of Yongin Jeil Church. [Doctoral Dissertation]. Liberty University; 2017. Available from: http://digitalcommons.liberty.edu/doctoral/1465


University of Houston

15. Cooper, Jeffrey Thomas. The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678.

Degree: DMA, Music, University of Houston

 Dieterich Buxtehude wrote seven suites on the Planets that have not survived; we know them only from a commendation by Johann Mattheson. Other seven-planet works… (more)

Subjects/Keywords: Bach; Buxtehude; Bernhard; Planets; Cantatas; BWV 4; BWV 71; Clavier-Übung III

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APA (6th Edition):

Cooper, J. T. (n.d.). The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678. (Doctoral Dissertation). University of Houston. Retrieved from http://hdl.handle.net/10657/2090

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Chicago Manual of Style (16th Edition):

Cooper, Jeffrey Thomas. “The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678.” Doctoral Dissertation, University of Houston. Accessed July 13, 2020. http://hdl.handle.net/10657/2090.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

MLA Handbook (7th Edition):

Cooper, Jeffrey Thomas. “The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678.” Web. 13 Jul 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Cooper JT. The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678. [Internet] [Doctoral dissertation]. University of Houston; [cited 2020 Jul 13]. Available from: http://hdl.handle.net/10657/2090.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Council of Science Editors:

Cooper JT. The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678. [Doctoral Dissertation]. University of Houston; Available from: http://hdl.handle.net/10657/2090

Note: this citation may be lacking information needed for this citation format:
No year of publication.

16. Spencer, Hannah. The End is Nigh: Reflections of Philipp Nicolai's Eschatology in BWV 1 and BWV 140.

Degree: 2015, Brandeis University

 In his mission to create a better repertoire of "well-regulated church music to the Glory of God," J.S. Bach utilized every aspect of his craft.… (more)

Subjects/Keywords: Lutheran Eschatology; Philipp Nicolai; Chorale Cantatas; J.S. Bach

…including multiple appearances in various Bach cantatas. For example, the "Abgesang"… …The scared cantatas of Bach are filled with allusions to the scriptural senses. Melodic… …movement 3, the text provides an explanation for Bach's choice of instrumentation. It is… …provided Bach the chance to further supplement his repertoire of chorale cantatas.23 According to… …only three verses, it did not supply enough text for Bach's librettist. Instead of the… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Sample image

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APA (6th Edition):

Spencer, H. (2015). The End is Nigh: Reflections of Philipp Nicolai's Eschatology in BWV 1 and BWV 140. (Thesis). Brandeis University. Retrieved from http://hdl.handle.net/10192/30601

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Spencer, Hannah. “The End is Nigh: Reflections of Philipp Nicolai's Eschatology in BWV 1 and BWV 140.” 2015. Thesis, Brandeis University. Accessed July 13, 2020. http://hdl.handle.net/10192/30601.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Spencer, Hannah. “The End is Nigh: Reflections of Philipp Nicolai's Eschatology in BWV 1 and BWV 140.” 2015. Web. 13 Jul 2020.

Vancouver:

Spencer H. The End is Nigh: Reflections of Philipp Nicolai's Eschatology in BWV 1 and BWV 140. [Internet] [Thesis]. Brandeis University; 2015. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/10192/30601.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Spencer H. The End is Nigh: Reflections of Philipp Nicolai's Eschatology in BWV 1 and BWV 140. [Thesis]. Brandeis University; 2015. Available from: http://hdl.handle.net/10192/30601

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oklahoma

17. Bubar, Cheryl Ann. Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types.

Degree: DMA, School of Music, 2003, University of Oklahoma

 The study of the alto solo cantatas is of particular importance, since today the word "alto" is often applied without distinction to both the contralto… (more)

Subjects/Keywords: Music.; Arias History and criticism.; Cantatas History and criticism.; Bach, Johann Sebastian, 1685-1750. Cantatas.

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APA (6th Edition):

Bubar, C. A. (2003). Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/577

Chicago Manual of Style (16th Edition):

Bubar, Cheryl Ann. “Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types.” 2003. Doctoral Dissertation, University of Oklahoma. Accessed July 13, 2020. http://hdl.handle.net/11244/577.

MLA Handbook (7th Edition):

Bubar, Cheryl Ann. “Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types.” 2003. Web. 13 Jul 2020.

Vancouver:

Bubar CA. Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. [Internet] [Doctoral dissertation]. University of Oklahoma; 2003. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/11244/577.

Council of Science Editors:

Bubar CA. Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. [Doctoral Dissertation]. University of Oklahoma; 2003. Available from: http://hdl.handle.net/11244/577


University of Waikato

18. Johnson, Katie Andrea Elizabeth. Composition Portfolio .

Degree: 2009, University of Waikato

 I have enjoyed this year, writing pieces that are special to me because they relate to experiences during 2008. I've written for orchestra, choir and… (more)

Subjects/Keywords: Orchestra; Choir Missa Brevis; Chamber work for educational xylophones and saxophone

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APA (6th Edition):

Johnson, K. A. E. (2009). Composition Portfolio . (Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/2780

Chicago Manual of Style (16th Edition):

Johnson, Katie Andrea Elizabeth. “Composition Portfolio .” 2009. Masters Thesis, University of Waikato. Accessed July 13, 2020. http://hdl.handle.net/10289/2780.

MLA Handbook (7th Edition):

Johnson, Katie Andrea Elizabeth. “Composition Portfolio .” 2009. Web. 13 Jul 2020.

Vancouver:

Johnson KAE. Composition Portfolio . [Internet] [Masters thesis]. University of Waikato; 2009. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/10289/2780.

Council of Science Editors:

Johnson KAE. Composition Portfolio . [Masters Thesis]. University of Waikato; 2009. Available from: http://hdl.handle.net/10289/2780


University of Michigan

19. Allen, Jessica. Three Dissertation Recitals: Sacred Music for Choir, Strings, and Organ and Complementary Choral Works.

Degree: AMU, Music: Conducting, 2018, University of Michigan

 Three dissertation recitals were performed in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Music: Conducting) in the University of… (more)

Subjects/Keywords: sacred music for choir, strings, and organ; Music and Dance; Arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Allen, J. (2018). Three Dissertation Recitals: Sacred Music for Choir, Strings, and Organ and Complementary Choral Works. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/146078

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Allen, Jessica. “Three Dissertation Recitals: Sacred Music for Choir, Strings, and Organ and Complementary Choral Works.” 2018. Thesis, University of Michigan. Accessed July 13, 2020. http://hdl.handle.net/2027.42/146078.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Allen, Jessica. “Three Dissertation Recitals: Sacred Music for Choir, Strings, and Organ and Complementary Choral Works.” 2018. Web. 13 Jul 2020.

Vancouver:

Allen J. Three Dissertation Recitals: Sacred Music for Choir, Strings, and Organ and Complementary Choral Works. [Internet] [Thesis]. University of Michigan; 2018. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/2027.42/146078.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Allen J. Three Dissertation Recitals: Sacred Music for Choir, Strings, and Organ and Complementary Choral Works. [Thesis]. University of Michigan; 2018. Available from: http://hdl.handle.net/2027.42/146078

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oxford

20. Hardy, Nicholas John Sivewright. The 'ars critica' in early modern England.

Degree: PhD, 2012, University of Oxford

 This thesis surveys and interprets the discipline of humanist philology in England in the seventeenth century, with a focus on the period before the Restoration.… (more)

Subjects/Keywords: 427.02; English Language and Literature; Intellectual History; Modern theology; Latin; Early modern English literature (1550-1780); History of the book; Church history; Reception of Classical antiquity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hardy, N. J. S. (2012). The 'ars critica' in early modern England. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:2e1e1650-071e-41b5-91a0-b7b1e0647566 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573822

Chicago Manual of Style (16th Edition):

Hardy, Nicholas John Sivewright. “The 'ars critica' in early modern England.” 2012. Doctoral Dissertation, University of Oxford. Accessed July 13, 2020. http://ora.ox.ac.uk/objects/uuid:2e1e1650-071e-41b5-91a0-b7b1e0647566 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573822.

MLA Handbook (7th Edition):

Hardy, Nicholas John Sivewright. “The 'ars critica' in early modern England.” 2012. Web. 13 Jul 2020.

Vancouver:

Hardy NJS. The 'ars critica' in early modern England. [Internet] [Doctoral dissertation]. University of Oxford; 2012. [cited 2020 Jul 13]. Available from: http://ora.ox.ac.uk/objects/uuid:2e1e1650-071e-41b5-91a0-b7b1e0647566 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573822.

Council of Science Editors:

Hardy NJS. The 'ars critica' in early modern England. [Doctoral Dissertation]. University of Oxford; 2012. Available from: http://ora.ox.ac.uk/objects/uuid:2e1e1650-071e-41b5-91a0-b7b1e0647566 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573822

21. Apostolidis, Vasileios. Ο πρωτοψάλτης Χρύσανθος Θεοδοσόπουλος (1920-1988): συμβολή στην ιστορία, ερμηνεία και εκτέλεση της ψαλτικής στη Θεσσαλονίκη κατά το δεύτερο ήμισυ του 20ου αιώνος.

Degree: 2019, Πανεπιστήμιο Μακεδονίας

The research and recording of local church history is an important chapter of the general history of the Orthodox Church, especially when it infers to… (more)

Subjects/Keywords: Βυζαντινή μουσική; Ορθόδοξη εκκλησιαστική μουσική; Ψαλτική τέχνη; Χρύσανθος Θεοδοσόπουλος; Πρωτοψάλτης; Ιστορία βυζαντινής μουσικής; Ερμηνεία ψαλτικής; Εκτέλεση ψαλτικής; Ψαλτική παράδοση Θεσσαλονίκης; Ψαλτική 20ου αιώνος; Βυζαντινή χορωδία; Μουσική έκφραση; Byzantine music; Orthodox church music; Psaltic art; Chrysanthos Theodosopoulos; Archcantor; History of byzantine music; Interpretation of church music; Performance of church music; Church music of Thessaloniki; Church music in the 20th century; Byzantine choir; Μusical expression

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APA (6th Edition):

Apostolidis, V. (2019). Ο πρωτοψάλτης Χρύσανθος Θεοδοσόπουλος (1920-1988): συμβολή στην ιστορία, ερμηνεία και εκτέλεση της ψαλτικής στη Θεσσαλονίκη κατά το δεύτερο ήμισυ του 20ου αιώνος. (Thesis). Πανεπιστήμιο Μακεδονίας. Retrieved from http://hdl.handle.net/10442/hedi/46775

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Apostolidis, Vasileios. “Ο πρωτοψάλτης Χρύσανθος Θεοδοσόπουλος (1920-1988): συμβολή στην ιστορία, ερμηνεία και εκτέλεση της ψαλτικής στη Θεσσαλονίκη κατά το δεύτερο ήμισυ του 20ου αιώνος.” 2019. Thesis, Πανεπιστήμιο Μακεδονίας. Accessed July 13, 2020. http://hdl.handle.net/10442/hedi/46775.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Apostolidis, Vasileios. “Ο πρωτοψάλτης Χρύσανθος Θεοδοσόπουλος (1920-1988): συμβολή στην ιστορία, ερμηνεία και εκτέλεση της ψαλτικής στη Θεσσαλονίκη κατά το δεύτερο ήμισυ του 20ου αιώνος.” 2019. Web. 13 Jul 2020.

Vancouver:

Apostolidis V. Ο πρωτοψάλτης Χρύσανθος Θεοδοσόπουλος (1920-1988): συμβολή στην ιστορία, ερμηνεία και εκτέλεση της ψαλτικής στη Θεσσαλονίκη κατά το δεύτερο ήμισυ του 20ου αιώνος. [Internet] [Thesis]. Πανεπιστήμιο Μακεδονίας; 2019. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/10442/hedi/46775.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Apostolidis V. Ο πρωτοψάλτης Χρύσανθος Θεοδοσόπουλος (1920-1988): συμβολή στην ιστορία, ερμηνεία και εκτέλεση της ψαλτικής στη Θεσσαλονίκη κατά το δεύτερο ήμισυ του 20ου αιώνος. [Thesis]. Πανεπιστήμιο Μακεδονίας; 2019. Available from: http://hdl.handle.net/10442/hedi/46775

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Missouri – Columbia

22. Strobel, Robert, 1988-. Songs from the golden gate.

Degree: 2014, University of Missouri – Columbia

 [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This musical score, presented as a thesis, uses selections from the book of poetry, Songs… (more)

Subjects/Keywords: Author supplied: cantata, Ina Coolbrith, songs from the golden gate; Cantatas; Piano with chamber orchestra

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APA (6th Edition):

Strobel, Robert, 1. (2014). Songs from the golden gate. (Thesis). University of Missouri – Columbia. Retrieved from http://hdl.handle.net/10355/44371

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Strobel, Robert, 1988-. “Songs from the golden gate.” 2014. Thesis, University of Missouri – Columbia. Accessed July 13, 2020. http://hdl.handle.net/10355/44371.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Strobel, Robert, 1988-. “Songs from the golden gate.” 2014. Web. 13 Jul 2020.

Vancouver:

Strobel, Robert 1. Songs from the golden gate. [Internet] [Thesis]. University of Missouri – Columbia; 2014. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/10355/44371.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Strobel, Robert 1. Songs from the golden gate. [Thesis]. University of Missouri – Columbia; 2014. Available from: http://hdl.handle.net/10355/44371

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Remley, Rebecca D. (Rebecca Danner). A New Song.

Degree: 1983, North Texas State University

 A New Song is a sacred contata in four parts written for mixed chorus, soloists, narrator, congregation, and chamber ensemble consisting of organ, brass ensemble,… (more)

Subjects/Keywords: sacred contata; music composition; church music; Cantatas, Sacred  – Scores.

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APA (6th Edition):

Remley, R. D. (. D. (1983). A New Song. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc504151/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Remley, Rebecca D (Rebecca Danner). “A New Song.” 1983. Thesis, North Texas State University. Accessed July 13, 2020. https://digital.library.unt.edu/ark:/67531/metadc504151/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Remley, Rebecca D (Rebecca Danner). “A New Song.” 1983. Web. 13 Jul 2020.

Vancouver:

Remley RD(D. A New Song. [Internet] [Thesis]. North Texas State University; 1983. [cited 2020 Jul 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc504151/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Remley RD(D. A New Song. [Thesis]. North Texas State University; 1983. Available from: https://digital.library.unt.edu/ark:/67531/metadc504151/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Seighman, Jennifer Lynn. Catholic Choir School Models in the United States: Reinvigorating the Musico-Liturgical Life of the Church.

Degree: DMA, Sacred Music, 2015, Catholic U of America

Choir schools have been an intrinsic part of the Catholic Church since the fourth century. While the Holy See has instructed that such schools and… (more)

Subjects/Keywords: Music; Music education; Spirituality; Benedict XVI; case study; Catholic Church; choir school; liturgy; Vatican II

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Seighman, J. L. (2015). Catholic Choir School Models in the United States: Reinvigorating the Musico-Liturgical Life of the Church. (Doctoral Dissertation). Catholic U of America. Retrieved from http://hdl.handle.net/1961/cuislandora:28300

Chicago Manual of Style (16th Edition):

Seighman, Jennifer Lynn. “Catholic Choir School Models in the United States: Reinvigorating the Musico-Liturgical Life of the Church.” 2015. Doctoral Dissertation, Catholic U of America. Accessed July 13, 2020. http://hdl.handle.net/1961/cuislandora:28300.

MLA Handbook (7th Edition):

Seighman, Jennifer Lynn. “Catholic Choir School Models in the United States: Reinvigorating the Musico-Liturgical Life of the Church.” 2015. Web. 13 Jul 2020.

Vancouver:

Seighman JL. Catholic Choir School Models in the United States: Reinvigorating the Musico-Liturgical Life of the Church. [Internet] [Doctoral dissertation]. Catholic U of America; 2015. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/1961/cuislandora:28300.

Council of Science Editors:

Seighman JL. Catholic Choir School Models in the United States: Reinvigorating the Musico-Liturgical Life of the Church. [Doctoral Dissertation]. Catholic U of America; 2015. Available from: http://hdl.handle.net/1961/cuislandora:28300

25. Munck, Eva-Maria. A singing people : choir singing among the Karen people in Northern Thailand and Burma.

Degree: Music Education, 2012, Royal College of Music in Stockholm

  This Minor Field Study was carried out in Thailand and Burma during June, July and August 2011. The aims of this study were to… (more)

Subjects/Keywords: ethnography; choir singing; religious choir singing; Christian choir singing; the Karen people; Mae La Refugee Camp; Karen Kawthoolei Baptist Bible School and College; Karen Baptist Theological Seminary; Siloam Bible Institute

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APA (6th Edition):

Munck, E. (2012). A singing people : choir singing among the Karen people in Northern Thailand and Burma. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1320

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Munck, Eva-Maria. “A singing people : choir singing among the Karen people in Northern Thailand and Burma.” 2012. Thesis, Royal College of Music in Stockholm. Accessed July 13, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1320.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Munck, Eva-Maria. “A singing people : choir singing among the Karen people in Northern Thailand and Burma.” 2012. Web. 13 Jul 2020.

Vancouver:

Munck E. A singing people : choir singing among the Karen people in Northern Thailand and Burma. [Internet] [Thesis]. Royal College of Music in Stockholm; 2012. [cited 2020 Jul 13]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1320.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Munck E. A singing people : choir singing among the Karen people in Northern Thailand and Burma. [Thesis]. Royal College of Music in Stockholm; 2012. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1320

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

26. Squire, Hannah. French women artists of the Napoleonic era (1799 –1815).

Degree: m_rs, College of Arts & Law, 2015, University of Birmingham

 This thesis analyses the gendered power relations involved in art works that were created by women artists, during the Napoleonic era (1799 –1815). I explore… (more)

Subjects/Keywords: D204 Modern History; HQ The family. Marriage. Woman; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Squire, H. (2015). French women artists of the Napoleonic era (1799 –1815). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6078/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Squire, Hannah. “French women artists of the Napoleonic era (1799 –1815).” 2015. Thesis, University of Birmingham. Accessed July 13, 2020. http://etheses.bham.ac.uk//id/eprint/6078/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Squire, Hannah. “French women artists of the Napoleonic era (1799 –1815).” 2015. Web. 13 Jul 2020.

Vancouver:

Squire H. French women artists of the Napoleonic era (1799 –1815). [Internet] [Thesis]. University of Birmingham; 2015. [cited 2020 Jul 13]. Available from: http://etheses.bham.ac.uk//id/eprint/6078/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Squire H. French women artists of the Napoleonic era (1799 –1815). [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/6078/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kent State University

27. Howard, Jason Tad. Part I: A Nighttime Trilogy for Saxophone and Piano Part II: A Schenkerian Analysis of Suite No. 1 for Unaccompanied Cello by J. S. Bach.

Degree: PhD, College of the Arts / School of Music, 2010, Kent State University

  The composition component of the dissertation will be a three-movement work for saxophone and piano, A Nighttime Trilogy for Saxophone and Piano. The three… (more)

Subjects/Keywords: Composition; Fine Arts; Music; Bach Cello Suites; Schenkerian Analysis; Music for Saxophone and Piano; Saxophone; Bach; Cello; Cello Suites; Schenker; Schenkerian; Bach Analysis; Piano; Bach Suites; Howard; Saxophone and Piano; Saxophone Music; Bach Performance; Performance

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APA (6th Edition):

Howard, J. T. (2010). Part I: A Nighttime Trilogy for Saxophone and Piano Part II: A Schenkerian Analysis of Suite No. 1 for Unaccompanied Cello by J. S. Bach. (Doctoral Dissertation). Kent State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=kent1279403848

Chicago Manual of Style (16th Edition):

Howard, Jason Tad. “Part I: A Nighttime Trilogy for Saxophone and Piano Part II: A Schenkerian Analysis of Suite No. 1 for Unaccompanied Cello by J. S. Bach.” 2010. Doctoral Dissertation, Kent State University. Accessed July 13, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1279403848.

MLA Handbook (7th Edition):

Howard, Jason Tad. “Part I: A Nighttime Trilogy for Saxophone and Piano Part II: A Schenkerian Analysis of Suite No. 1 for Unaccompanied Cello by J. S. Bach.” 2010. Web. 13 Jul 2020.

Vancouver:

Howard JT. Part I: A Nighttime Trilogy for Saxophone and Piano Part II: A Schenkerian Analysis of Suite No. 1 for Unaccompanied Cello by J. S. Bach. [Internet] [Doctoral dissertation]. Kent State University; 2010. [cited 2020 Jul 13]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1279403848.

Council of Science Editors:

Howard JT. Part I: A Nighttime Trilogy for Saxophone and Piano Part II: A Schenkerian Analysis of Suite No. 1 for Unaccompanied Cello by J. S. Bach. [Doctoral Dissertation]. Kent State University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1279403848

28. Moran, Sarah Joan. Unconventual women| Religion, politics, and image in the Court Beguinages, 1585 – 1713.

Degree: 2010, Brown University

  My dissertation combines archival research with visual analysis to interrogate the roles of the Court Beguinages of the Southern Low Countries in the Counter-Reformation… (more)

Subjects/Keywords: History, Church; Art History; History, Modern

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APA (6th Edition):

Moran, S. J. (2010). Unconventual women| Religion, politics, and image in the Court Beguinages, 1585 – 1713. (Thesis). Brown University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3430144

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moran, Sarah Joan. “Unconventual women| Religion, politics, and image in the Court Beguinages, 1585 – 1713.” 2010. Thesis, Brown University. Accessed July 13, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=3430144.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moran, Sarah Joan. “Unconventual women| Religion, politics, and image in the Court Beguinages, 1585 – 1713.” 2010. Web. 13 Jul 2020.

Vancouver:

Moran SJ. Unconventual women| Religion, politics, and image in the Court Beguinages, 1585 – 1713. [Internet] [Thesis]. Brown University; 2010. [cited 2020 Jul 13]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3430144.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moran SJ. Unconventual women| Religion, politics, and image in the Court Beguinages, 1585 – 1713. [Thesis]. Brown University; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3430144

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Gundersen, John-Eric. Tuning Your Choral Pipes: An Organist's Manual for Choral Sound.

Degree: DMA, Music, 2012, Rice University

 As choir masters, many organists have the responsibility of hiring and working with paid singers as well as a dedicated group of volunteer singers ranging… (more)

Subjects/Keywords: Organ; Choir; Choirmaster; Church organist; Organist; Tuning; Choral; Choir director

…within a given section of the choir. For example, if the repertoire to be sung is essentially… …of the choir's output. For example, the addition of one "dark" contralto to… …ix explained that the training of organists at UTS focused equally on choir… …the degree plan, and each organist was assigned to serve a NY/NJ Church as… …University, I was offered a position as coordinator of Sacred Music and Organ Studies for the… 

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APA (6th Edition):

Gundersen, J. (2012). Tuning Your Choral Pipes: An Organist's Manual for Choral Sound. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/64659

Chicago Manual of Style (16th Edition):

Gundersen, John-Eric. “Tuning Your Choral Pipes: An Organist's Manual for Choral Sound.” 2012. Doctoral Dissertation, Rice University. Accessed July 13, 2020. http://hdl.handle.net/1911/64659.

MLA Handbook (7th Edition):

Gundersen, John-Eric. “Tuning Your Choral Pipes: An Organist's Manual for Choral Sound.” 2012. Web. 13 Jul 2020.

Vancouver:

Gundersen J. Tuning Your Choral Pipes: An Organist's Manual for Choral Sound. [Internet] [Doctoral dissertation]. Rice University; 2012. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/1911/64659.

Council of Science Editors:

Gundersen J. Tuning Your Choral Pipes: An Organist's Manual for Choral Sound. [Doctoral Dissertation]. Rice University; 2012. Available from: http://hdl.handle.net/1911/64659


University of Waikato

30. Ulenberg, Phillippa. Composition Portfolio .

Degree: 2011, University of Waikato

 The music written for this portfolio offers creative answers to some of the challenges facing contemporary New Zealand composition, including multiculturalism.This has involved in-depth research… (more)

Subjects/Keywords: composition portfolio; gu-zheng taonga puoro chamber ensemble; gu-zheng symphony orchestra; choral piece for girls choir; solo bassoon; choir and organ; song cycle for soprano and piano

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ulenberg, P. (2011). Composition Portfolio . (Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/6517

Chicago Manual of Style (16th Edition):

Ulenberg, Phillippa. “Composition Portfolio .” 2011. Masters Thesis, University of Waikato. Accessed July 13, 2020. http://hdl.handle.net/10289/6517.

MLA Handbook (7th Edition):

Ulenberg, Phillippa. “Composition Portfolio .” 2011. Web. 13 Jul 2020.

Vancouver:

Ulenberg P. Composition Portfolio . [Internet] [Masters thesis]. University of Waikato; 2011. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/10289/6517.

Council of Science Editors:

Ulenberg P. Composition Portfolio . [Masters Thesis]. University of Waikato; 2011. Available from: http://hdl.handle.net/10289/6517

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