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You searched for subject:(Bach Cantatas for Church Choirs). Showing records 1 – 30 of 30781 total matches.

[1] [2] [3] [4] [5] … [1027]

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University of Oklahoma

1. Yoo, Sujeung. Accessible Bach Cantatas for Church Choirs Comprised of Amateur Singers and BWV 133 as Demonstration.

Degree: DMA, 2020, University of Oklahoma

 Johann Sebastian Bach composed five annual sets of sacred cantatas based on the Lutheran liturgical calendar. Bach carefully constructed cantatas with his exceptional musical ability… (more)

Subjects/Keywords: Accessible Bach Cantatas; Bach Cantatas for the Modern Church Choir; BWV 133; Bach Cantatas for Church Choirs; Ich freue mich in dir

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yoo, S. (2020). Accessible Bach Cantatas for Church Choirs Comprised of Amateur Singers and BWV 133 as Demonstration. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/324373

Chicago Manual of Style (16th Edition):

Yoo, Sujeung. “Accessible Bach Cantatas for Church Choirs Comprised of Amateur Singers and BWV 133 as Demonstration.” 2020. Doctoral Dissertation, University of Oklahoma. Accessed July 13, 2020. http://hdl.handle.net/11244/324373.

MLA Handbook (7th Edition):

Yoo, Sujeung. “Accessible Bach Cantatas for Church Choirs Comprised of Amateur Singers and BWV 133 as Demonstration.” 2020. Web. 13 Jul 2020.

Vancouver:

Yoo S. Accessible Bach Cantatas for Church Choirs Comprised of Amateur Singers and BWV 133 as Demonstration. [Internet] [Doctoral dissertation]. University of Oklahoma; 2020. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/11244/324373.

Council of Science Editors:

Yoo S. Accessible Bach Cantatas for Church Choirs Comprised of Amateur Singers and BWV 133 as Demonstration. [Doctoral Dissertation]. University of Oklahoma; 2020. Available from: http://hdl.handle.net/11244/324373


Boston University

2. Davis, Richard Carroll. Self parody among the cantatas of Johann Sebastian Bach.

Degree: PhD, Music, 1962, Boston University

 Many of Bach's greatest masterpieces contain movements based on music from earlier compositions. These parodies of previously composed works seemed to require as much, if… (more)

Subjects/Keywords: Bach, Johann Sebastian; Cantatas; Parody

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APA (6th Edition):

Davis, R. C. (1962). Self parody among the cantatas of Johann Sebastian Bach. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/29091

Chicago Manual of Style (16th Edition):

Davis, Richard Carroll. “Self parody among the cantatas of Johann Sebastian Bach.” 1962. Doctoral Dissertation, Boston University. Accessed July 13, 2020. http://hdl.handle.net/2144/29091.

MLA Handbook (7th Edition):

Davis, Richard Carroll. “Self parody among the cantatas of Johann Sebastian Bach.” 1962. Web. 13 Jul 2020.

Vancouver:

Davis RC. Self parody among the cantatas of Johann Sebastian Bach. [Internet] [Doctoral dissertation]. Boston University; 1962. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/2144/29091.

Council of Science Editors:

Davis RC. Self parody among the cantatas of Johann Sebastian Bach. [Doctoral Dissertation]. Boston University; 1962. Available from: http://hdl.handle.net/2144/29091


NSYSU

3. Lin, Jyh-Shinn. The Application of Eurhythmics in the Choral Training in Protestant Church Choirs in Taiwan.

Degree: Master, Music, 2001, NSYSU

 The system known as eurhythmics focuses on developing oneâs rhythmic potential through the use of his or her own body. Through experiences with natural movement,… (more)

Subjects/Keywords: Eurhythmics; Taiwan; Church Choirs

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APA (6th Edition):

Lin, J. (2001). The Application of Eurhythmics in the Choral Training in Protestant Church Choirs in Taiwan. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0201101-135800

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lin, Jyh-Shinn. “The Application of Eurhythmics in the Choral Training in Protestant Church Choirs in Taiwan.” 2001. Thesis, NSYSU. Accessed July 13, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0201101-135800.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lin, Jyh-Shinn. “The Application of Eurhythmics in the Choral Training in Protestant Church Choirs in Taiwan.” 2001. Web. 13 Jul 2020.

Vancouver:

Lin J. The Application of Eurhythmics in the Choral Training in Protestant Church Choirs in Taiwan. [Internet] [Thesis]. NSYSU; 2001. [cited 2020 Jul 13]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0201101-135800.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lin J. The Application of Eurhythmics in the Choral Training in Protestant Church Choirs in Taiwan. [Thesis]. NSYSU; 2001. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0201101-135800

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kansas State University

4. May, Deborah Christine. Working creatively with small church choirs.

Degree: 1975, Kansas State University

Subjects/Keywords: Choirs (Music); Church music

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APA (6th Edition):

May, D. C. (1975). Working creatively with small church choirs. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/8869

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

May, Deborah Christine. “Working creatively with small church choirs.” 1975. Thesis, Kansas State University. Accessed July 13, 2020. http://hdl.handle.net/2097/8869.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

May, Deborah Christine. “Working creatively with small church choirs.” 1975. Web. 13 Jul 2020.

Vancouver:

May DC. Working creatively with small church choirs. [Internet] [Thesis]. Kansas State University; 1975. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/2097/8869.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

May DC. Working creatively with small church choirs. [Thesis]. Kansas State University; 1975. Available from: http://hdl.handle.net/2097/8869

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

5. Justi, Katia Regina Kato. O Oboe e a representação da Confiança nas arias das cantatas sacras de J.S. Bach .

Degree: 2007, Universidade Estadual de Campinas

 Resumo: Este trabalho propõe a investigação, do ponto de vista da retórica, da utilização do oboé, oboé d?Amore e oboé da Caccia, nas árias sacras… (more)

Subjects/Keywords: Bach, Johann Sebastian, 1685-1750; Cantatas; Arias; Oboe; Retórica

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APA (6th Edition):

Justi, K. R. K. (2007). O Oboe e a representação da Confiança nas arias das cantatas sacras de J.S. Bach . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284316

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Justi, Katia Regina Kato. “O Oboe e a representação da Confiança nas arias das cantatas sacras de J.S. Bach .” 2007. Thesis, Universidade Estadual de Campinas. Accessed July 13, 2020. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284316.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Justi, Katia Regina Kato. “O Oboe e a representação da Confiança nas arias das cantatas sacras de J.S. Bach .” 2007. Web. 13 Jul 2020.

Vancouver:

Justi KRK. O Oboe e a representação da Confiança nas arias das cantatas sacras de J.S. Bach . [Internet] [Thesis]. Universidade Estadual de Campinas; 2007. [cited 2020 Jul 13]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284316.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Justi KRK. O Oboe e a representação da Confiança nas arias das cantatas sacras de J.S. Bach . [Thesis]. Universidade Estadual de Campinas; 2007. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284316

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

6. Nelson, Lee David. THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM.

Degree: 2009, University of Arizona

 In this study I examine the genesis and compositional purpose of Mendelssohn's seven chorale cantatas which include "Christe, du Lamm Gottes" (1827); "Jesu, meine Freude"… (more)

Subjects/Keywords: Chorale Cantatas; Felix Mendelssohn; J.S. Bach; Translation Theory

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APA (6th Edition):

Nelson, L. D. (2009). THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM. (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/194182

Chicago Manual of Style (16th Edition):

Nelson, Lee David. “THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM. ” 2009. Doctoral Dissertation, University of Arizona. Accessed July 13, 2020. http://hdl.handle.net/10150/194182.

MLA Handbook (7th Edition):

Nelson, Lee David. “THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM. ” 2009. Web. 13 Jul 2020.

Vancouver:

Nelson LD. THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM. [Internet] [Doctoral dissertation]. University of Arizona; 2009. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/10150/194182.

Council of Science Editors:

Nelson LD. THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM. [Doctoral Dissertation]. University of Arizona; 2009. Available from: http://hdl.handle.net/10150/194182

7. Quist, Floyd Henry. Bach's Treatment of the Chorale in the Chorale Cantatas.

Degree: 1950, North Texas State College

 The Chorale Cantatas by Johann Sebastian Bach are outstanding examples of his ingenuity. The existing data on the Chorale Cantatas are distributed throughout numerous volumes… (more)

Subjects/Keywords: Johan Sebastian Bach; Chorale Cantatas; chorales; musical composition; Bach, Johann Sebastian, 1685-1750.  – Cantatas, Sacred.; Chorale.

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APA (6th Edition):

Quist, F. H. (1950). Bach's Treatment of the Chorale in the Chorale Cantatas. (Thesis). North Texas State College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc663255/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Quist, Floyd Henry. “Bach's Treatment of the Chorale in the Chorale Cantatas.” 1950. Thesis, North Texas State College. Accessed July 13, 2020. https://digital.library.unt.edu/ark:/67531/metadc663255/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Quist, Floyd Henry. “Bach's Treatment of the Chorale in the Chorale Cantatas.” 1950. Web. 13 Jul 2020.

Vancouver:

Quist FH. Bach's Treatment of the Chorale in the Chorale Cantatas. [Internet] [Thesis]. North Texas State College; 1950. [cited 2020 Jul 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc663255/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Quist FH. Bach's Treatment of the Chorale in the Chorale Cantatas. [Thesis]. North Texas State College; 1950. Available from: https://digital.library.unt.edu/ark:/67531/metadc663255/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

8. Cooper, Jeffrey Thomas. The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678.

Degree: DMA, Music, University of Houston

 Dieterich Buxtehude wrote seven suites on the Planets that have not survived; we know them only from a commendation by Johann Mattheson. Other seven-planet works… (more)

Subjects/Keywords: Bach; Buxtehude; Bernhard; Planets; Cantatas; BWV 4; BWV 71; Clavier-Übung III

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APA (6th Edition):

Cooper, J. T. (n.d.). The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678. (Doctoral Dissertation). University of Houston. Retrieved from http://hdl.handle.net/10657/2090

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Chicago Manual of Style (16th Edition):

Cooper, Jeffrey Thomas. “The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678.” Doctoral Dissertation, University of Houston. Accessed July 13, 2020. http://hdl.handle.net/10657/2090.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

MLA Handbook (7th Edition):

Cooper, Jeffrey Thomas. “The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678.” Web. 13 Jul 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Cooper JT. The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678. [Internet] [Doctoral dissertation]. University of Houston; [cited 2020 Jul 13]. Available from: http://hdl.handle.net/10657/2090.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Council of Science Editors:

Cooper JT. The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678. [Doctoral Dissertation]. University of Houston; Available from: http://hdl.handle.net/10657/2090

Note: this citation may be lacking information needed for this citation format:
No year of publication.

9. Spencer, Hannah. The End is Nigh: Reflections of Philipp Nicolai's Eschatology in BWV 1 and BWV 140.

Degree: 2015, Brandeis University

 In his mission to create a better repertoire of "well-regulated church music to the Glory of God," J.S. Bach utilized every aspect of his craft.… (more)

Subjects/Keywords: Lutheran Eschatology; Philipp Nicolai; Chorale Cantatas; J.S. Bach

…including multiple appearances in various Bach cantatas. For example, the "Abgesang"… …The scared cantatas of Bach are filled with allusions to the scriptural senses. Melodic… …cantatas is not haphazard, but is a carefully planned depiction of spiritual life.14 Bach… …Cantatas of JS Bach with their Librettos in German-English Parallel Text (Oxford: Oxford… …movement 3, the text provides an explanation for Bach's choice of instrumentation. It is… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Sample image

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APA (6th Edition):

Spencer, H. (2015). The End is Nigh: Reflections of Philipp Nicolai's Eschatology in BWV 1 and BWV 140. (Thesis). Brandeis University. Retrieved from http://hdl.handle.net/10192/30601

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Spencer, Hannah. “The End is Nigh: Reflections of Philipp Nicolai's Eschatology in BWV 1 and BWV 140.” 2015. Thesis, Brandeis University. Accessed July 13, 2020. http://hdl.handle.net/10192/30601.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Spencer, Hannah. “The End is Nigh: Reflections of Philipp Nicolai's Eschatology in BWV 1 and BWV 140.” 2015. Web. 13 Jul 2020.

Vancouver:

Spencer H. The End is Nigh: Reflections of Philipp Nicolai's Eschatology in BWV 1 and BWV 140. [Internet] [Thesis]. Brandeis University; 2015. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/10192/30601.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Spencer H. The End is Nigh: Reflections of Philipp Nicolai's Eschatology in BWV 1 and BWV 140. [Thesis]. Brandeis University; 2015. Available from: http://hdl.handle.net/10192/30601

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Bijma, R.J. Johann Sebastian Bach en zijn musici in de beide hoofdkerken te Leipzig : Een onderzoek naar hun rol, inzet en opstelling in het algemeen en naar de continuogroep en de daarin participerende instrumenten in het bijzonder.

Degree: 2017, University Utrecht

 The study is devoted to Johann Sebastian Bach and his musicians in Leipzig’s two main churches, and to the question to which extent current opinions… (more)

Subjects/Keywords: Bach; Cantatas; Passions; Leipzig; Performance-practice; Choir-size; Positioning; Continuo; Harpsichord; Violone

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APA (6th Edition):

Bijma, R. J. (2017). Johann Sebastian Bach en zijn musici in de beide hoofdkerken te Leipzig : Een onderzoek naar hun rol, inzet en opstelling in het algemeen en naar de continuogroep en de daarin participerende instrumenten in het bijzonder. (Doctoral Dissertation). University Utrecht. Retrieved from https://dspace.library.uu.nl/handle/1874/357320 ; URN:NBN:NL:UI:10-1874-357320 ; URN:NBN:NL:UI:10-1874-357320 ; https://dspace.library.uu.nl/handle/1874/357320

Chicago Manual of Style (16th Edition):

Bijma, R J. “Johann Sebastian Bach en zijn musici in de beide hoofdkerken te Leipzig : Een onderzoek naar hun rol, inzet en opstelling in het algemeen en naar de continuogroep en de daarin participerende instrumenten in het bijzonder.” 2017. Doctoral Dissertation, University Utrecht. Accessed July 13, 2020. https://dspace.library.uu.nl/handle/1874/357320 ; URN:NBN:NL:UI:10-1874-357320 ; URN:NBN:NL:UI:10-1874-357320 ; https://dspace.library.uu.nl/handle/1874/357320.

MLA Handbook (7th Edition):

Bijma, R J. “Johann Sebastian Bach en zijn musici in de beide hoofdkerken te Leipzig : Een onderzoek naar hun rol, inzet en opstelling in het algemeen en naar de continuogroep en de daarin participerende instrumenten in het bijzonder.” 2017. Web. 13 Jul 2020.

Vancouver:

Bijma RJ. Johann Sebastian Bach en zijn musici in de beide hoofdkerken te Leipzig : Een onderzoek naar hun rol, inzet en opstelling in het algemeen en naar de continuogroep en de daarin participerende instrumenten in het bijzonder. [Internet] [Doctoral dissertation]. University Utrecht; 2017. [cited 2020 Jul 13]. Available from: https://dspace.library.uu.nl/handle/1874/357320 ; URN:NBN:NL:UI:10-1874-357320 ; URN:NBN:NL:UI:10-1874-357320 ; https://dspace.library.uu.nl/handle/1874/357320.

Council of Science Editors:

Bijma RJ. Johann Sebastian Bach en zijn musici in de beide hoofdkerken te Leipzig : Een onderzoek naar hun rol, inzet en opstelling in het algemeen en naar de continuogroep en de daarin participerende instrumenten in het bijzonder. [Doctoral Dissertation]. University Utrecht; 2017. Available from: https://dspace.library.uu.nl/handle/1874/357320 ; URN:NBN:NL:UI:10-1874-357320 ; URN:NBN:NL:UI:10-1874-357320 ; https://dspace.library.uu.nl/handle/1874/357320


University of Oklahoma

11. Bubar, Cheryl Ann. Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types.

Degree: DMA, School of Music, 2003, University of Oklahoma

 The study of the alto solo cantatas is of particular importance, since today the word "alto" is often applied without distinction to both the contralto… (more)

Subjects/Keywords: Music.; Arias History and criticism.; Cantatas History and criticism.; Bach, Johann Sebastian, 1685-1750. Cantatas.

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APA (6th Edition):

Bubar, C. A. (2003). Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/577

Chicago Manual of Style (16th Edition):

Bubar, Cheryl Ann. “Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types.” 2003. Doctoral Dissertation, University of Oklahoma. Accessed July 13, 2020. http://hdl.handle.net/11244/577.

MLA Handbook (7th Edition):

Bubar, Cheryl Ann. “Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types.” 2003. Web. 13 Jul 2020.

Vancouver:

Bubar CA. Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. [Internet] [Doctoral dissertation]. University of Oklahoma; 2003. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/11244/577.

Council of Science Editors:

Bubar CA. Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. [Doctoral Dissertation]. University of Oklahoma; 2003. Available from: http://hdl.handle.net/11244/577

12. Remley, Rebecca D. (Rebecca Danner). A New Song.

Degree: 1983, North Texas State University

 A New Song is a sacred contata in four parts written for mixed chorus, soloists, narrator, congregation, and chamber ensemble consisting of organ, brass ensemble,… (more)

Subjects/Keywords: sacred contata; music composition; church music; Cantatas, Sacred  – Scores.

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APA (6th Edition):

Remley, R. D. (. D. (1983). A New Song. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc504151/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Remley, Rebecca D (Rebecca Danner). “A New Song.” 1983. Thesis, North Texas State University. Accessed July 13, 2020. https://digital.library.unt.edu/ark:/67531/metadc504151/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Remley, Rebecca D (Rebecca Danner). “A New Song.” 1983. Web. 13 Jul 2020.

Vancouver:

Remley RD(D. A New Song. [Internet] [Thesis]. North Texas State University; 1983. [cited 2020 Jul 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc504151/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Remley RD(D. A New Song. [Thesis]. North Texas State University; 1983. Available from: https://digital.library.unt.edu/ark:/67531/metadc504151/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan State University

13. Jennings, Robert Lee, 1928-. A study of the historical development of choral ensembles in selected Lutheran liberal arts colleges in the United States.

Degree: PhD, 1969, Michigan State University

Subjects/Keywords: Choirs (Music) – United States; Choral music; Lutheran Church – Education

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APA (6th Edition):

Jennings, Robert Lee, 1. (1969). A study of the historical development of choral ensembles in selected Lutheran liberal arts colleges in the United States. (Doctoral Dissertation). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:43405

Chicago Manual of Style (16th Edition):

Jennings, Robert Lee, 1928-. “A study of the historical development of choral ensembles in selected Lutheran liberal arts colleges in the United States.” 1969. Doctoral Dissertation, Michigan State University. Accessed July 13, 2020. http://etd.lib.msu.edu/islandora/object/etd:43405.

MLA Handbook (7th Edition):

Jennings, Robert Lee, 1928-. “A study of the historical development of choral ensembles in selected Lutheran liberal arts colleges in the United States.” 1969. Web. 13 Jul 2020.

Vancouver:

Jennings, Robert Lee 1. A study of the historical development of choral ensembles in selected Lutheran liberal arts colleges in the United States. [Internet] [Doctoral dissertation]. Michigan State University; 1969. [cited 2020 Jul 13]. Available from: http://etd.lib.msu.edu/islandora/object/etd:43405.

Council of Science Editors:

Jennings, Robert Lee 1. A study of the historical development of choral ensembles in selected Lutheran liberal arts colleges in the United States. [Doctoral Dissertation]. Michigan State University; 1969. Available from: http://etd.lib.msu.edu/islandora/object/etd:43405


Kent State University

14. Howard, Jason Tad. Part I: A Nighttime Trilogy for Saxophone and Piano Part II: A Schenkerian Analysis of Suite No. 1 for Unaccompanied Cello by J. S. Bach.

Degree: PhD, College of the Arts / School of Music, 2010, Kent State University

  The composition component of the dissertation will be a three-movement work for saxophone and piano, A Nighttime Trilogy for Saxophone and Piano. The three… (more)

Subjects/Keywords: Composition; Fine Arts; Music; Bach Cello Suites; Schenkerian Analysis; Music for Saxophone and Piano; Saxophone; Bach; Cello; Cello Suites; Schenker; Schenkerian; Bach Analysis; Piano; Bach Suites; Howard; Saxophone and Piano; Saxophone Music; Bach Performance; Performance

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APA (6th Edition):

Howard, J. T. (2010). Part I: A Nighttime Trilogy for Saxophone and Piano Part II: A Schenkerian Analysis of Suite No. 1 for Unaccompanied Cello by J. S. Bach. (Doctoral Dissertation). Kent State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=kent1279403848

Chicago Manual of Style (16th Edition):

Howard, Jason Tad. “Part I: A Nighttime Trilogy for Saxophone and Piano Part II: A Schenkerian Analysis of Suite No. 1 for Unaccompanied Cello by J. S. Bach.” 2010. Doctoral Dissertation, Kent State University. Accessed July 13, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1279403848.

MLA Handbook (7th Edition):

Howard, Jason Tad. “Part I: A Nighttime Trilogy for Saxophone and Piano Part II: A Schenkerian Analysis of Suite No. 1 for Unaccompanied Cello by J. S. Bach.” 2010. Web. 13 Jul 2020.

Vancouver:

Howard JT. Part I: A Nighttime Trilogy for Saxophone and Piano Part II: A Schenkerian Analysis of Suite No. 1 for Unaccompanied Cello by J. S. Bach. [Internet] [Doctoral dissertation]. Kent State University; 2010. [cited 2020 Jul 13]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1279403848.

Council of Science Editors:

Howard JT. Part I: A Nighttime Trilogy for Saxophone and Piano Part II: A Schenkerian Analysis of Suite No. 1 for Unaccompanied Cello by J. S. Bach. [Doctoral Dissertation]. Kent State University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1279403848

15. Duggins Pender, Amy. John Harbison’s Simple Daylight: A Textual and Musical Analysis.

Degree: DMA, College-Conservatory of Music: Voice, 2011, University of Cincinnati

  John Haribson’s choice of literary material for his vocal repertoire has been diverse, ranging from classic poets such as Johann Wolfgang von Goethe, Emily… (more)

Subjects/Keywords: Music; John Harbison; song cycle; Michael Fried; musical analysis; textual analysis; Bach cantatas

…texts that were set by Bach in his approximately two hundred surviving cantatas. Bach began… …were intended for performance during the Lutheran church service. They were usually connected… …of Bach Cantatas (New York: Norton, 1997), 101. 73 Ibid., 23. 26 biblical… …to the Textual Paradigm of Bach’s Cantatas Conclusions 4. MUSICAL ANALYSIS… …viii 57 5. CONCLUSION …. 83 Harbison’s Affinity for Fried’s Poetry… 

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APA (6th Edition):

Duggins Pender, A. (2011). John Harbison’s Simple Daylight: A Textual and Musical Analysis. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312292109

Chicago Manual of Style (16th Edition):

Duggins Pender, Amy. “John Harbison’s Simple Daylight: A Textual and Musical Analysis.” 2011. Doctoral Dissertation, University of Cincinnati. Accessed July 13, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312292109.

MLA Handbook (7th Edition):

Duggins Pender, Amy. “John Harbison’s Simple Daylight: A Textual and Musical Analysis.” 2011. Web. 13 Jul 2020.

Vancouver:

Duggins Pender A. John Harbison’s Simple Daylight: A Textual and Musical Analysis. [Internet] [Doctoral dissertation]. University of Cincinnati; 2011. [cited 2020 Jul 13]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312292109.

Council of Science Editors:

Duggins Pender A. John Harbison’s Simple Daylight: A Textual and Musical Analysis. [Doctoral Dissertation]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312292109


University of Cincinnati

16. Yoo, Esther S. Old Wine in New Bottles: Felix Mendelssoohn-Bartholdy’s Chorale Cantatas – J.S. Bach’s Models Become “Romanticized”.

Degree: DMA, College-Conservatory of Music : Conducting, Choral Emphasis, 2006, University of Cincinnati

  Felix Mendelssohn Bartholdy (1809–47) composed eight chorale cantatas between the years 1827–32. These compositions stem from the time of Mendelssohn’s study and interest in… (more)

Subjects/Keywords: Music; Felix Mendelssohn; chorale cantatas; J. S. Bach and Mendelssohn; Ach Gott, vom Himmel sieh darein

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APA (6th Edition):

Yoo, E. S. (2006). Old Wine in New Bottles: Felix Mendelssoohn-Bartholdy’s Chorale Cantatas – J.S. Bach’s Models Become “Romanticized”. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1155806910

Chicago Manual of Style (16th Edition):

Yoo, Esther S. “Old Wine in New Bottles: Felix Mendelssoohn-Bartholdy’s Chorale Cantatas – J.S. Bach’s Models Become “Romanticized”.” 2006. Doctoral Dissertation, University of Cincinnati. Accessed July 13, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1155806910.

MLA Handbook (7th Edition):

Yoo, Esther S. “Old Wine in New Bottles: Felix Mendelssoohn-Bartholdy’s Chorale Cantatas – J.S. Bach’s Models Become “Romanticized”.” 2006. Web. 13 Jul 2020.

Vancouver:

Yoo ES. Old Wine in New Bottles: Felix Mendelssoohn-Bartholdy’s Chorale Cantatas – J.S. Bach’s Models Become “Romanticized”. [Internet] [Doctoral dissertation]. University of Cincinnati; 2006. [cited 2020 Jul 13]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1155806910.

Council of Science Editors:

Yoo ES. Old Wine in New Bottles: Felix Mendelssoohn-Bartholdy’s Chorale Cantatas – J.S. Bach’s Models Become “Romanticized”. [Doctoral Dissertation]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1155806910


Liberty University

17. Foster, Arthur L. Declining Inner-City Church Membership: Creating Spiritually Healthy Inner-City Churches through Acts 2:42-47.

Degree: 2019, Liberty University

 Churches Are Declining in the Inner-City Multi-ethnic, inner-city churches are declining in membership. This premise is validated through surveys of inner-city church leaders and rigorous… (more)

Subjects/Keywords: Church Growth; Church Decline; Acts 2:42 Model for Church Health and Growth; Christianity; Religion

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APA (6th Edition):

Foster, A. L. (2019). Declining Inner-City Church Membership: Creating Spiritually Healthy Inner-City Churches through Acts 2:42-47. (Doctoral Dissertation). Liberty University. Retrieved from https://digitalcommons.liberty.edu/doctoral/2019

Chicago Manual of Style (16th Edition):

Foster, Arthur L. “Declining Inner-City Church Membership: Creating Spiritually Healthy Inner-City Churches through Acts 2:42-47.” 2019. Doctoral Dissertation, Liberty University. Accessed July 13, 2020. https://digitalcommons.liberty.edu/doctoral/2019.

MLA Handbook (7th Edition):

Foster, Arthur L. “Declining Inner-City Church Membership: Creating Spiritually Healthy Inner-City Churches through Acts 2:42-47.” 2019. Web. 13 Jul 2020.

Vancouver:

Foster AL. Declining Inner-City Church Membership: Creating Spiritually Healthy Inner-City Churches through Acts 2:42-47. [Internet] [Doctoral dissertation]. Liberty University; 2019. [cited 2020 Jul 13]. Available from: https://digitalcommons.liberty.edu/doctoral/2019.

Council of Science Editors:

Foster AL. Declining Inner-City Church Membership: Creating Spiritually Healthy Inner-City Churches through Acts 2:42-47. [Doctoral Dissertation]. Liberty University; 2019. Available from: https://digitalcommons.liberty.edu/doctoral/2019


University of Zambia

18. Lungu, Kerita. The Jesuit Center for Theological Reflection in Zambia: Perspectives of the Council of Churches in Zambia, Evangelical fellowship of Zambia Episcopal Conference .

Degree: 2015, University of Zambia

 The objectives of the study were to: assess the effectiveness of the JCTR in the socio-economic and political life of Zambia; to assess the meaning… (more)

Subjects/Keywords: Church management.; Church Organization; Jesuit Centre For Theological Reflection(JCTR)

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APA (6th Edition):

Lungu, K. (2015). The Jesuit Center for Theological Reflection in Zambia: Perspectives of the Council of Churches in Zambia, Evangelical fellowship of Zambia Episcopal Conference . (Thesis). University of Zambia. Retrieved from http://hdl.handle.net/123456789/3698

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lungu, Kerita. “The Jesuit Center for Theological Reflection in Zambia: Perspectives of the Council of Churches in Zambia, Evangelical fellowship of Zambia Episcopal Conference .” 2015. Thesis, University of Zambia. Accessed July 13, 2020. http://hdl.handle.net/123456789/3698.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lungu, Kerita. “The Jesuit Center for Theological Reflection in Zambia: Perspectives of the Council of Churches in Zambia, Evangelical fellowship of Zambia Episcopal Conference .” 2015. Web. 13 Jul 2020.

Vancouver:

Lungu K. The Jesuit Center for Theological Reflection in Zambia: Perspectives of the Council of Churches in Zambia, Evangelical fellowship of Zambia Episcopal Conference . [Internet] [Thesis]. University of Zambia; 2015. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/123456789/3698.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lungu K. The Jesuit Center for Theological Reflection in Zambia: Perspectives of the Council of Churches in Zambia, Evangelical fellowship of Zambia Episcopal Conference . [Thesis]. University of Zambia; 2015. Available from: http://hdl.handle.net/123456789/3698

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

19. Park, Sang Bum. Soundscape of Three Worship Spaces.

Degree: PhD, Design, Construction, and Planning Doctorate - Design, Construction and Planning, 2012, University of Florida

 A soundscape concept was used to investigate acoustical qualities of three worship spaces representing three different room acoustical characteristics and three different levels in the… (more)

Subjects/Keywords: Acoustics; Choirs; Loudspeakers; Musical direction; Pastors; Sound; Sound amplification; Sound pressure; Sound propagation; Worship services; acoustics  – amplification  – church  – reinforcement  – soundscape  – worship; City of Gainesville ( local )

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APA (6th Edition):

Park, S. B. (2012). Soundscape of Three Worship Spaces. (Doctoral Dissertation). University of Florida. Retrieved from https://ufdc.ufl.edu/UFE0043678

Chicago Manual of Style (16th Edition):

Park, Sang Bum. “Soundscape of Three Worship Spaces.” 2012. Doctoral Dissertation, University of Florida. Accessed July 13, 2020. https://ufdc.ufl.edu/UFE0043678.

MLA Handbook (7th Edition):

Park, Sang Bum. “Soundscape of Three Worship Spaces.” 2012. Web. 13 Jul 2020.

Vancouver:

Park SB. Soundscape of Three Worship Spaces. [Internet] [Doctoral dissertation]. University of Florida; 2012. [cited 2020 Jul 13]. Available from: https://ufdc.ufl.edu/UFE0043678.

Council of Science Editors:

Park SB. Soundscape of Three Worship Spaces. [Doctoral Dissertation]. University of Florida; 2012. Available from: https://ufdc.ufl.edu/UFE0043678


University of Otago

20. Filmer, Andrew Brian. Retuning for a New Age: Extending Scordatura Options for the Viola .

Degree: 2013, University of Otago

 The art of retuning stringed instruments has journeyed through four centuries of music under various identities. Retuning can range from its use for polyphonic expansion… (more)

Subjects/Keywords: Scordatura; Retuning; Viola; Mozart; Sinfonia Concertante; J.S. Bach; Brandenburg Concerto; Bach Cello Suites; Telemann; Concerto for Two Violettas; Violetta; Bratsche; Verstimmung; Umstimmung; Instrumental substitution

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APA (6th Edition):

Filmer, A. B. (2013). Retuning for a New Age: Extending Scordatura Options for the Viola . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/4329

Chicago Manual of Style (16th Edition):

Filmer, Andrew Brian. “Retuning for a New Age: Extending Scordatura Options for the Viola .” 2013. Doctoral Dissertation, University of Otago. Accessed July 13, 2020. http://hdl.handle.net/10523/4329.

MLA Handbook (7th Edition):

Filmer, Andrew Brian. “Retuning for a New Age: Extending Scordatura Options for the Viola .” 2013. Web. 13 Jul 2020.

Vancouver:

Filmer AB. Retuning for a New Age: Extending Scordatura Options for the Viola . [Internet] [Doctoral dissertation]. University of Otago; 2013. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/10523/4329.

Council of Science Editors:

Filmer AB. Retuning for a New Age: Extending Scordatura Options for the Viola . [Doctoral Dissertation]. University of Otago; 2013. Available from: http://hdl.handle.net/10523/4329

21. Lorger, Metka. Moški zbori Emila Adamiča v reviji Novi akordi.

Degree: 2016, Univerza v Mariboru

V magistrskem delu z naslovom Moški zbori Emila Adamiča v reviji Novi akordi je na začetku predstavljeno življenje in delo Emila Adamiča, njegova številna poslanstva… (more)

Subjects/Keywords: Emil Adamič; Novi akordi; moški zbori; Nova muzika; bibliografija Adamičevih del za moške zbore.; Emil Adamič; New Chords Magazine; male choirs; Nova muzika; bibliography of Adamič’s works for male choirs.; info:eu-repo/classification/udc/015Adamič E.:78.087.683(043.2)

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APA (6th Edition):

Lorger, M. (2016). Moški zbori Emila Adamiča v reviji Novi akordi. (Masters Thesis). Univerza v Mariboru. Retrieved from https://dk.um.si/IzpisGradiva.php?id=62235 ; https://dk.um.si/Dokument.php?id=101278&dn= ; https://plus.si.cobiss.net/opac7/bib/22562824?lang=sl

Chicago Manual of Style (16th Edition):

Lorger, Metka. “Moški zbori Emila Adamiča v reviji Novi akordi.” 2016. Masters Thesis, Univerza v Mariboru. Accessed July 13, 2020. https://dk.um.si/IzpisGradiva.php?id=62235 ; https://dk.um.si/Dokument.php?id=101278&dn= ; https://plus.si.cobiss.net/opac7/bib/22562824?lang=sl.

MLA Handbook (7th Edition):

Lorger, Metka. “Moški zbori Emila Adamiča v reviji Novi akordi.” 2016. Web. 13 Jul 2020.

Vancouver:

Lorger M. Moški zbori Emila Adamiča v reviji Novi akordi. [Internet] [Masters thesis]. Univerza v Mariboru; 2016. [cited 2020 Jul 13]. Available from: https://dk.um.si/IzpisGradiva.php?id=62235 ; https://dk.um.si/Dokument.php?id=101278&dn= ; https://plus.si.cobiss.net/opac7/bib/22562824?lang=sl.

Council of Science Editors:

Lorger M. Moški zbori Emila Adamiča v reviji Novi akordi. [Masters Thesis]. Univerza v Mariboru; 2016. Available from: https://dk.um.si/IzpisGradiva.php?id=62235 ; https://dk.um.si/Dokument.php?id=101278&dn= ; https://plus.si.cobiss.net/opac7/bib/22562824?lang=sl

22. Napier, Dione J. A STUDY OF J.S. BACH’S SACRED AND SECULAR VOCAL WORKS INFLUENCED BY POPULAR STYLIZED DANCE OF THE FRENCH BAROQUE COURT: A PERFORMER’S GUIDE.

Degree: 2014, University of Kentucky

 Among the existing body of literature on J.S. Bach’s massive compositional output, a scarce percentage of this research is dedicated specifically to the study of… (more)

Subjects/Keywords: Bach Cantatas; French Baroque Influences; Eighteenth-Century French Court Dance; Dance and Solo Vocal Repertoire; Bourée; Music Performance

church year, Bach wrote sacred cantatas for other occasions such as changes of town council… …Wohlfarth, 66-74 16 separates this cantata from Bach's sacred cantatas for solo voice.21… …composed five total cycles of sacred cantatas (Jahrgänge) for the Church year. There… …from his sacred cantatas for the church. Overall, the expressive power of Bach’s musical… …amount of previously conducted research on the music of J.S. Bach, the agenda for this study is… 

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APA (6th Edition):

Napier, D. J. (2014). A STUDY OF J.S. BACH’S SACRED AND SECULAR VOCAL WORKS INFLUENCED BY POPULAR STYLIZED DANCE OF THE FRENCH BAROQUE COURT: A PERFORMER’S GUIDE. (Doctoral Dissertation). University of Kentucky. Retrieved from https://uknowledge.uky.edu/music_etds/23

Chicago Manual of Style (16th Edition):

Napier, Dione J. “A STUDY OF J.S. BACH’S SACRED AND SECULAR VOCAL WORKS INFLUENCED BY POPULAR STYLIZED DANCE OF THE FRENCH BAROQUE COURT: A PERFORMER’S GUIDE.” 2014. Doctoral Dissertation, University of Kentucky. Accessed July 13, 2020. https://uknowledge.uky.edu/music_etds/23.

MLA Handbook (7th Edition):

Napier, Dione J. “A STUDY OF J.S. BACH’S SACRED AND SECULAR VOCAL WORKS INFLUENCED BY POPULAR STYLIZED DANCE OF THE FRENCH BAROQUE COURT: A PERFORMER’S GUIDE.” 2014. Web. 13 Jul 2020.

Vancouver:

Napier DJ. A STUDY OF J.S. BACH’S SACRED AND SECULAR VOCAL WORKS INFLUENCED BY POPULAR STYLIZED DANCE OF THE FRENCH BAROQUE COURT: A PERFORMER’S GUIDE. [Internet] [Doctoral dissertation]. University of Kentucky; 2014. [cited 2020 Jul 13]. Available from: https://uknowledge.uky.edu/music_etds/23.

Council of Science Editors:

Napier DJ. A STUDY OF J.S. BACH’S SACRED AND SECULAR VOCAL WORKS INFLUENCED BY POPULAR STYLIZED DANCE OF THE FRENCH BAROQUE COURT: A PERFORMER’S GUIDE. [Doctoral Dissertation]. University of Kentucky; 2014. Available from: https://uknowledge.uky.edu/music_etds/23

23. Silva, Caiti Hauck da. Preparação vocal em coros comunitários: estratégias pedagógicas para construção vocal no Comunicantus: laboratório coral do departamento de Música da ECA-USP.

Degree: Mestrado, Processos de Criação Musical, 2012, University of São Paulo

Este trabalho é fruto de uma pesquisa-ação associada às atividades de preparação vocal realizadas com o Coral Escola e o Coral Oficina do Comunicantus: Laboratório… (more)

Subjects/Keywords: Canto Coral; Choral Singing; Comunicantus: Coral Laboratory; Comunicantus: Laboratório Coral; Percepção Vocal; Preparação Vocal para Coro; Técnica Vocal; Vocal Perception; Vocal Technique; Voice Building for Choirs

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APA (6th Edition):

Silva, C. H. d. (2012). Preparação vocal em coros comunitários: estratégias pedagógicas para construção vocal no Comunicantus: laboratório coral do departamento de Música da ECA-USP. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-143458/ ;

Chicago Manual of Style (16th Edition):

Silva, Caiti Hauck da. “Preparação vocal em coros comunitários: estratégias pedagógicas para construção vocal no Comunicantus: laboratório coral do departamento de Música da ECA-USP.” 2012. Masters Thesis, University of São Paulo. Accessed July 13, 2020. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-143458/ ;.

MLA Handbook (7th Edition):

Silva, Caiti Hauck da. “Preparação vocal em coros comunitários: estratégias pedagógicas para construção vocal no Comunicantus: laboratório coral do departamento de Música da ECA-USP.” 2012. Web. 13 Jul 2020.

Vancouver:

Silva CHd. Preparação vocal em coros comunitários: estratégias pedagógicas para construção vocal no Comunicantus: laboratório coral do departamento de Música da ECA-USP. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2020 Jul 13]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-143458/ ;.

Council of Science Editors:

Silva CHd. Preparação vocal em coros comunitários: estratégias pedagógicas para construção vocal no Comunicantus: laboratório coral do departamento de Música da ECA-USP. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-143458/ ;


The Ohio State University

24. Ladd, Karen Shakley. The solo cantatas of Emanuele d'Astorga.

Degree: PhD, Graduate School, 1981, The Ohio State University

Subjects/Keywords: Music; Cantatas

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APA (6th Edition):

Ladd, K. S. (1981). The solo cantatas of Emanuele d'Astorga. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487171978760503

Chicago Manual of Style (16th Edition):

Ladd, Karen Shakley. “The solo cantatas of Emanuele d'Astorga.” 1981. Doctoral Dissertation, The Ohio State University. Accessed July 13, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487171978760503.

MLA Handbook (7th Edition):

Ladd, Karen Shakley. “The solo cantatas of Emanuele d'Astorga.” 1981. Web. 13 Jul 2020.

Vancouver:

Ladd KS. The solo cantatas of Emanuele d'Astorga. [Internet] [Doctoral dissertation]. The Ohio State University; 1981. [cited 2020 Jul 13]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487171978760503.

Council of Science Editors:

Ladd KS. The solo cantatas of Emanuele d'Astorga. [Doctoral Dissertation]. The Ohio State University; 1981. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487171978760503


University of Arizona

25. Lesniaski, David Allen. And am I Born to Die. [Original composition].

Degree: 1988, University of Arizona

 This work, a requiem cantata for chorus and orchestra, is based in part on the shape-note hymn "Idumea". The first verse of "Idumea" ("And am… (more)

Subjects/Keywords: Cantatas; Secular.

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APA (6th Edition):

Lesniaski, D. A. (1988). And am I Born to Die. [Original composition]. (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/184386

Chicago Manual of Style (16th Edition):

Lesniaski, David Allen. “And am I Born to Die. [Original composition]. ” 1988. Doctoral Dissertation, University of Arizona. Accessed July 13, 2020. http://hdl.handle.net/10150/184386.

MLA Handbook (7th Edition):

Lesniaski, David Allen. “And am I Born to Die. [Original composition]. ” 1988. Web. 13 Jul 2020.

Vancouver:

Lesniaski DA. And am I Born to Die. [Original composition]. [Internet] [Doctoral dissertation]. University of Arizona; 1988. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/10150/184386.

Council of Science Editors:

Lesniaski DA. And am I Born to Die. [Original composition]. [Doctoral Dissertation]. University of Arizona; 1988. Available from: http://hdl.handle.net/10150/184386


University of Debrecen

26. Dankos, Attila Zoltán. A fúga típusainak bemutatása Johann Sebastian Bach Die Kunst der Fuge című műve alapján .

Degree: DE – TEK – Zeneművészeti Kar – Szolfézs-Zeneelmélet, Karvezetés Tanszék, 2013, University of Debrecen

 A fúga a latin fugere szóból ered, ami futást, menekülést jelent. A fúga nem forma, hanem egy kompozíciós technika, melynek azonban vannak bizonyos jellemző formai… (more)

Subjects/Keywords: Bach; fúga

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dankos, A. Z. (2013). A fúga típusainak bemutatása Johann Sebastian Bach Die Kunst der Fuge című műve alapján . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/170463

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dankos, Attila Zoltán. “A fúga típusainak bemutatása Johann Sebastian Bach Die Kunst der Fuge című műve alapján .” 2013. Thesis, University of Debrecen. Accessed July 13, 2020. http://hdl.handle.net/2437/170463.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dankos, Attila Zoltán. “A fúga típusainak bemutatása Johann Sebastian Bach Die Kunst der Fuge című műve alapján .” 2013. Web. 13 Jul 2020.

Vancouver:

Dankos AZ. A fúga típusainak bemutatása Johann Sebastian Bach Die Kunst der Fuge című műve alapján . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/2437/170463.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dankos AZ. A fúga típusainak bemutatása Johann Sebastian Bach Die Kunst der Fuge című műve alapján . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/170463

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

27. Leonard, Michael F. Bach as humanist: the influences of the classics and court aesthetics on the design of the six Brandenburg Concertos, BWV 1046-1051.

Degree: A.Mus.D., Music, 2015, University of Illinois – Urbana-Champaign

 This dissertation explores J. S. Bach's Six Brandenburg Concertos in the light of a Bildprogrammatik, governed by the same principles that defined arrangements of Baroque… (more)

Subjects/Keywords: Bach; Humanism

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APA (6th Edition):

Leonard, M. F. (2015). Bach as humanist: the influences of the classics and court aesthetics on the design of the six Brandenburg Concertos, BWV 1046-1051. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/78492

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leonard, Michael F. “Bach as humanist: the influences of the classics and court aesthetics on the design of the six Brandenburg Concertos, BWV 1046-1051.” 2015. Thesis, University of Illinois – Urbana-Champaign. Accessed July 13, 2020. http://hdl.handle.net/2142/78492.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leonard, Michael F. “Bach as humanist: the influences of the classics and court aesthetics on the design of the six Brandenburg Concertos, BWV 1046-1051.” 2015. Web. 13 Jul 2020.

Vancouver:

Leonard MF. Bach as humanist: the influences of the classics and court aesthetics on the design of the six Brandenburg Concertos, BWV 1046-1051. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2015. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/2142/78492.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leonard MF. Bach as humanist: the influences of the classics and court aesthetics on the design of the six Brandenburg Concertos, BWV 1046-1051. [Thesis]. University of Illinois – Urbana-Champaign; 2015. Available from: http://hdl.handle.net/2142/78492

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brandeis University

28. Whitman, Kayleigh. Trumpet in the West: The Program and Struggles of The Church for the Fellowship of All Peoples in San Francisco, 1943-1963.

Degree: 2015, Brandeis University

 This thesis examines the history and founding of The Church for the Fellowship of All Peoples in San Francisco, California between the years 1943 and… (more)

Subjects/Keywords: Church for the Fellowship of All Peoples; Fellowship Church; Howard Thurman; multiracial congregation; interracial work

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Whitman, K. (2015). Trumpet in the West: The Program and Struggles of The Church for the Fellowship of All Peoples in San Francisco, 1943-1963. (Thesis). Brandeis University. Retrieved from http://hdl.handle.net/10192/30430

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Whitman, Kayleigh. “Trumpet in the West: The Program and Struggles of The Church for the Fellowship of All Peoples in San Francisco, 1943-1963.” 2015. Thesis, Brandeis University. Accessed July 13, 2020. http://hdl.handle.net/10192/30430.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Whitman, Kayleigh. “Trumpet in the West: The Program and Struggles of The Church for the Fellowship of All Peoples in San Francisco, 1943-1963.” 2015. Web. 13 Jul 2020.

Vancouver:

Whitman K. Trumpet in the West: The Program and Struggles of The Church for the Fellowship of All Peoples in San Francisco, 1943-1963. [Internet] [Thesis]. Brandeis University; 2015. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/10192/30430.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Whitman K. Trumpet in the West: The Program and Struggles of The Church for the Fellowship of All Peoples in San Francisco, 1943-1963. [Thesis]. Brandeis University; 2015. Available from: http://hdl.handle.net/10192/30430

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Baek, Jung Jin. A Conductor’s Guide to J. S. Bach’s Quinquagesima Cantatas.

Degree: DMA, College-Conservatory of Music: Conducting, Choral Emphasis, 2012, University of Cincinnati

 Johann Sebastian Bach’s cantatas occupy a significant portion of his output. This document focuses on his four cantatas written for the Quinquagesima Sunday in Leipzig.… (more)

Subjects/Keywords: Music; Bach; Church Cantata; Quinquagesima; Audition; Leipzig; Lutheran Liturgy

…vi CHAPTER I: INTRODUCTION OVERVIEW OF THE CHURCH CANTATAS OF J. S. BACH Historical and… …regulated church music.”33 In Leipzig, Bach provided a cantata for every Sunday and feast day of… …deliberately designed his cantatas intended for this day as musical highlights on the church year.40… …Society).4 Also, ‘a wellregulated church music’ was a phrase Bach used when he intended to… …musical sermon. As James Day categorizes Bach’s church cantatas into five types according to its… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Baek, J. J. (2012). A Conductor’s Guide to J. S. Bach’s Quinquagesima Cantatas. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337101464

Chicago Manual of Style (16th Edition):

Baek, Jung Jin. “A Conductor’s Guide to J. S. Bach’s Quinquagesima Cantatas.” 2012. Doctoral Dissertation, University of Cincinnati. Accessed July 13, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337101464.

MLA Handbook (7th Edition):

Baek, Jung Jin. “A Conductor’s Guide to J. S. Bach’s Quinquagesima Cantatas.” 2012. Web. 13 Jul 2020.

Vancouver:

Baek JJ. A Conductor’s Guide to J. S. Bach’s Quinquagesima Cantatas. [Internet] [Doctoral dissertation]. University of Cincinnati; 2012. [cited 2020 Jul 13]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337101464.

Council of Science Editors:

Baek JJ. A Conductor’s Guide to J. S. Bach’s Quinquagesima Cantatas. [Doctoral Dissertation]. University of Cincinnati; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337101464


University of Victoria

30. Janson, Peter. Explicatio Textus or Dramma per Musica?: the function of the church cantatas by Georg Friedrich Kauffmann.

Degree: School of Music, 2018, University of Victoria

 Georg Friedrich Kauffmann (1679-1735), a contemporary of J. S. Bach, was a prolific composer who wrote about 150 organ chorales, a theoretical treatise, an Ascension… (more)

Subjects/Keywords: Cantatas, Germany, history and criticism, 18th century; Cantatas, Sacred; Scores

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Janson, P. (2018). Explicatio Textus or Dramma per Musica?: the function of the church cantatas by Georg Friedrich Kauffmann. (Thesis). University of Victoria. Retrieved from https://dspace.library.uvic.ca//handle/1828/9546

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Janson, Peter. “Explicatio Textus or Dramma per Musica?: the function of the church cantatas by Georg Friedrich Kauffmann.” 2018. Thesis, University of Victoria. Accessed July 13, 2020. https://dspace.library.uvic.ca//handle/1828/9546.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Janson, Peter. “Explicatio Textus or Dramma per Musica?: the function of the church cantatas by Georg Friedrich Kauffmann.” 2018. Web. 13 Jul 2020.

Vancouver:

Janson P. Explicatio Textus or Dramma per Musica?: the function of the church cantatas by Georg Friedrich Kauffmann. [Internet] [Thesis]. University of Victoria; 2018. [cited 2020 Jul 13]. Available from: https://dspace.library.uvic.ca//handle/1828/9546.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Janson P. Explicatio Textus or Dramma per Musica?: the function of the church cantatas by Georg Friedrich Kauffmann. [Thesis]. University of Victoria; 2018. Available from: https://dspace.library.uvic.ca//handle/1828/9546

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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