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You searched for subject:(Avant Garde). Showing records 1 – 30 of 511 total matches.

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1. Manigot, Vincent. Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde.

Degree: Docteur es, Arts, 2018, Sorbonne Paris Cité

Durant la première moitié du XXᵉ siècle, divers mouvements d’avant-garde occidentaux sont introduits au Japon et s’y développent dans un court intervalle de temps, menant… (more)

Subjects/Keywords: Art; Avant-Gardes; Art; Avant-Garde

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APA (6th Edition):

Manigot, V. (2018). Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2018USPCF001

Chicago Manual of Style (16th Edition):

Manigot, Vincent. “Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde.” 2018. Doctoral Dissertation, Sorbonne Paris Cité. Accessed April 10, 2020. http://www.theses.fr/2018USPCF001.

MLA Handbook (7th Edition):

Manigot, Vincent. “Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde.” 2018. Web. 10 Apr 2020.

Vancouver:

Manigot V. Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2018. [cited 2020 Apr 10]. Available from: http://www.theses.fr/2018USPCF001.

Council of Science Editors:

Manigot V. Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde. [Doctoral Dissertation]. Sorbonne Paris Cité; 2018. Available from: http://www.theses.fr/2018USPCF001


Victoria University of Wellington

2. Sleigh, Thomasin. Neither Here nor There: The Writing of Wystan Curnow 1961-1984.

Degree: 2010, Victoria University of Wellington

 This thesis addresses the writing of Wystan Curnow from 1961 to 1984. Curnow has written a great deal throughout his life, and the challenge of… (more)

Subjects/Keywords: Art criticism; Poetry; Avant-garde

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APA (6th Edition):

Sleigh, T. (2010). Neither Here nor There: The Writing of Wystan Curnow 1961-1984. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/4480

Chicago Manual of Style (16th Edition):

Sleigh, Thomasin. “Neither Here nor There: The Writing of Wystan Curnow 1961-1984.” 2010. Masters Thesis, Victoria University of Wellington. Accessed April 10, 2020. http://hdl.handle.net/10063/4480.

MLA Handbook (7th Edition):

Sleigh, Thomasin. “Neither Here nor There: The Writing of Wystan Curnow 1961-1984.” 2010. Web. 10 Apr 2020.

Vancouver:

Sleigh T. Neither Here nor There: The Writing of Wystan Curnow 1961-1984. [Internet] [Masters thesis]. Victoria University of Wellington; 2010. [cited 2020 Apr 10]. Available from: http://hdl.handle.net/10063/4480.

Council of Science Editors:

Sleigh T. Neither Here nor There: The Writing of Wystan Curnow 1961-1984. [Masters Thesis]. Victoria University of Wellington; 2010. Available from: http://hdl.handle.net/10063/4480

3. Furuhata, Yuriko. Refiguring Actuality: Japan's Film Theory and Avant-Garde Documentary Movement, 1950s-1960s.

Degree: PhD, Comparative Literature, 2008, Brown University

 The aim of this dissertation is to bring to light innovative ? and until recently, thoroughly ignored ? theoretical discussions of the concepts of "actuality"… (more)

Subjects/Keywords: Avant-garde

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APA (6th Edition):

Furuhata, Y. (2008). Refiguring Actuality: Japan's Film Theory and Avant-Garde Documentary Movement, 1950s-1960s. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:22/

Chicago Manual of Style (16th Edition):

Furuhata, Yuriko. “Refiguring Actuality: Japan's Film Theory and Avant-Garde Documentary Movement, 1950s-1960s.” 2008. Doctoral Dissertation, Brown University. Accessed April 10, 2020. https://repository.library.brown.edu/studio/item/bdr:22/.

MLA Handbook (7th Edition):

Furuhata, Yuriko. “Refiguring Actuality: Japan's Film Theory and Avant-Garde Documentary Movement, 1950s-1960s.” 2008. Web. 10 Apr 2020.

Vancouver:

Furuhata Y. Refiguring Actuality: Japan's Film Theory and Avant-Garde Documentary Movement, 1950s-1960s. [Internet] [Doctoral dissertation]. Brown University; 2008. [cited 2020 Apr 10]. Available from: https://repository.library.brown.edu/studio/item/bdr:22/.

Council of Science Editors:

Furuhata Y. Refiguring Actuality: Japan's Film Theory and Avant-Garde Documentary Movement, 1950s-1960s. [Doctoral Dissertation]. Brown University; 2008. Available from: https://repository.library.brown.edu/studio/item/bdr:22/


University of Notre Dame

4. Quinn Darlington. Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>.

Degree: MA, Art, Art History and Design, 2012, University of Notre Dame

  Carrie Stettheimer’s Dollhouse was created over the course of almost twenty years (from 1916-1935) and was inspired in part by the Stettheimers’ luxurious homes,… (more)

Subjects/Keywords: domesticity; avant-garde; art; femininity

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APA (6th Edition):

Darlington, Q. (2012). Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>. (Masters Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/n296ww74n5t

Chicago Manual of Style (16th Edition):

Darlington, Quinn. “Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>.” 2012. Masters Thesis, University of Notre Dame. Accessed April 10, 2020. https://curate.nd.edu/show/n296ww74n5t.

MLA Handbook (7th Edition):

Darlington, Quinn. “Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>.” 2012. Web. 10 Apr 2020.

Vancouver:

Darlington Q. Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>. [Internet] [Masters thesis]. University of Notre Dame; 2012. [cited 2020 Apr 10]. Available from: https://curate.nd.edu/show/n296ww74n5t.

Council of Science Editors:

Darlington Q. Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>. [Masters Thesis]. University of Notre Dame; 2012. Available from: https://curate.nd.edu/show/n296ww74n5t


University of Western Australia

5. O'Regan, Eve-Anne. Art, advertising and modernism : the transfiguration of the artist in the age of capitalism.

Degree: PhD, 2012, University of Western Australia

This dissertation analyses advertising as a "species of social communication" and "narrative" (Wick, 1988) that has been entwined with avant-garde art in a complex relationship… (more)

Subjects/Keywords: Advertising; Art; Avant-garde; Branding

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APA (6th Edition):

O'Regan, E. (2012). Art, advertising and modernism : the transfiguration of the artist in the age of capitalism. (Doctoral Dissertation). University of Western Australia. Retrieved from http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=34887&local_base=GEN01-INS01

Chicago Manual of Style (16th Edition):

O'Regan, Eve-Anne. “Art, advertising and modernism : the transfiguration of the artist in the age of capitalism.” 2012. Doctoral Dissertation, University of Western Australia. Accessed April 10, 2020. http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=34887&local_base=GEN01-INS01.

MLA Handbook (7th Edition):

O'Regan, Eve-Anne. “Art, advertising and modernism : the transfiguration of the artist in the age of capitalism.” 2012. Web. 10 Apr 2020.

Vancouver:

O'Regan E. Art, advertising and modernism : the transfiguration of the artist in the age of capitalism. [Internet] [Doctoral dissertation]. University of Western Australia; 2012. [cited 2020 Apr 10]. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=34887&local_base=GEN01-INS01.

Council of Science Editors:

O'Regan E. Art, advertising and modernism : the transfiguration of the artist in the age of capitalism. [Doctoral Dissertation]. University of Western Australia; 2012. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=34887&local_base=GEN01-INS01


Universiteit Utrecht

6. Winter, C.M. Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu.

Degree: 2011, Universiteit Utrecht

Onderzoek naar de positie van Vera Ermolaeva, Nina Kogan, Varvara Stepanova en Liubov Popova in twee belangrijke centra van de Russische avant-garde en hun bekendheid nu. Advisors/Committee Members: Boersma, Linda S..

Subjects/Keywords: Russische avant-garde; kunstenaressen

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APA (6th Edition):

Winter, C. M. (2011). Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/208148

Chicago Manual of Style (16th Edition):

Winter, C M. “Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu.” 2011. Masters Thesis, Universiteit Utrecht. Accessed April 10, 2020. http://dspace.library.uu.nl:8080/handle/1874/208148.

MLA Handbook (7th Edition):

Winter, C M. “Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu.” 2011. Web. 10 Apr 2020.

Vancouver:

Winter CM. Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu. [Internet] [Masters thesis]. Universiteit Utrecht; 2011. [cited 2020 Apr 10]. Available from: http://dspace.library.uu.nl:8080/handle/1874/208148.

Council of Science Editors:

Winter CM. Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu. [Masters Thesis]. Universiteit Utrecht; 2011. Available from: http://dspace.library.uu.nl:8080/handle/1874/208148

7. Twitchin, Mischa. The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?.

Degree: PhD, 2013, Queen Mary, University of London

 The aim of this thesis is to explore an heuristic analogy as proposed in its very title: how does a concept of the “uncanny in… (more)

Subjects/Keywords: 792; Drama; Avant-Garde

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APA (6th Edition):

Twitchin, M. (2013). The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/8626 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667207

Chicago Manual of Style (16th Edition):

Twitchin, Mischa. “The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?.” 2013. Doctoral Dissertation, Queen Mary, University of London. Accessed April 10, 2020. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8626 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667207.

MLA Handbook (7th Edition):

Twitchin, Mischa. “The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?.” 2013. Web. 10 Apr 2020.

Vancouver:

Twitchin M. The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2013. [cited 2020 Apr 10]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8626 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667207.

Council of Science Editors:

Twitchin M. The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?. [Doctoral Dissertation]. Queen Mary, University of London; 2013. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8626 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667207


University of North Texas

8. Breckenridge, Mark A. “Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S.

Degree: 2012, University of North Texas

 In “Sounds for Adventurous Listeners,” I argue that Conover’s role in the dissemination of jazz through the Music USA Jazz Hour was more influential on… (more)

Subjects/Keywords: Conover; avant-garde; jazz

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APA (6th Edition):

Breckenridge, M. A. (2012). “Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc149564/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Breckenridge, Mark A. ““Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S.” 2012. Thesis, University of North Texas. Accessed April 10, 2020. https://digital.library.unt.edu/ark:/67531/metadc149564/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Breckenridge, Mark A. ““Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S.” 2012. Web. 10 Apr 2020.

Vancouver:

Breckenridge MA. “Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S. [Internet] [Thesis]. University of North Texas; 2012. [cited 2020 Apr 10]. Available from: https://digital.library.unt.edu/ark:/67531/metadc149564/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Breckenridge MA. “Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S. [Thesis]. University of North Texas; 2012. Available from: https://digital.library.unt.edu/ark:/67531/metadc149564/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Miller, Tyler. Winds of change.

Degree: 2013, NC Docks

 Winds of Change attempts to build upon the recent tradition of monophonic compositional practice by combining techniques directed at setting a central musical line to… (more)

Subjects/Keywords: Composition (Music); Avant-garde (Music)

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APA (6th Edition):

Miller, T. (2013). Winds of change. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/MillerT_uncg_0154M_11225.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miller, Tyler. “Winds of change.” 2013. Thesis, NC Docks. Accessed April 10, 2020. http://libres.uncg.edu/ir/uncg/f/MillerT_uncg_0154M_11225.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miller, Tyler. “Winds of change.” 2013. Web. 10 Apr 2020.

Vancouver:

Miller T. Winds of change. [Internet] [Thesis]. NC Docks; 2013. [cited 2020 Apr 10]. Available from: http://libres.uncg.edu/ir/uncg/f/MillerT_uncg_0154M_11225.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miller T. Winds of change. [Thesis]. NC Docks; 2013. Available from: http://libres.uncg.edu/ir/uncg/f/MillerT_uncg_0154M_11225.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Univerzitet u Beogradu

10. Saveski, Zoran M., 1959-. Савремена филмска култура: авангардни приступи и алтернативни избори.

Degree: Fakultet političkih nauka, 2016, Univerzitet u Beogradu

Политичке науке - Теорија културе / Political Sciences - Culture Theory

Појам савремена филмска култура подразумева ону културу која тежи да укаже на самосвојност филмског… (more)

Subjects/Keywords: film; avant-garde; avant-garde Film; alternative culture; alternative film

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APA (6th Edition):

Saveski, Zoran M., 1. (2016). Савремена филмска култура: авангардни приступи и алтернативни избори. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:13759/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Saveski, Zoran M., 1959-. “Савремена филмска култура: авангардни приступи и алтернативни избори.” 2016. Thesis, Univerzitet u Beogradu. Accessed April 10, 2020. https://fedorabg.bg.ac.rs/fedora/get/o:13759/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Saveski, Zoran M., 1959-. “Савремена филмска култура: авангардни приступи и алтернативни избори.” 2016. Web. 10 Apr 2020.

Vancouver:

Saveski, Zoran M. 1. Савремена филмска култура: авангардни приступи и алтернативни избори. [Internet] [Thesis]. Univerzitet u Beogradu; 2016. [cited 2020 Apr 10]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:13759/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Saveski, Zoran M. 1. Савремена филмска култура: авангардни приступи и алтернативни избори. [Thesis]. Univerzitet u Beogradu; 2016. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:13759/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Rochard, Marine. Une avant-garde à réaction : gestualité, lyrisme et autopromotion chez Georges Mathieu (1944-1975) : A reaction avant-garde : gesture, lyricism and selfpromotion in Georges Mathieu's work (1944-1975).

Degree: Docteur es, Histoire de l'Art, 2014, Université François-Rabelais de Tours

L’étude de l’œuvre de Georges Mathieu, artiste controversé dont les activités s’étendent sur les décennies suivant la Seconde Guerre Mondiale, vise à éclairer un parcours… (more)

Subjects/Keywords: Avant-garde; Lyrisme; Gestualité; Autopromotion; Avant-garde; Lyricism; Gesture; Selfpromotion

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APA (6th Edition):

Rochard, M. (2014). Une avant-garde à réaction : gestualité, lyrisme et autopromotion chez Georges Mathieu (1944-1975) : A reaction avant-garde : gesture, lyricism and selfpromotion in Georges Mathieu's work (1944-1975). (Doctoral Dissertation). Université François-Rabelais de Tours. Retrieved from http://www.theses.fr/2014TOUR2005

Chicago Manual of Style (16th Edition):

Rochard, Marine. “Une avant-garde à réaction : gestualité, lyrisme et autopromotion chez Georges Mathieu (1944-1975) : A reaction avant-garde : gesture, lyricism and selfpromotion in Georges Mathieu's work (1944-1975).” 2014. Doctoral Dissertation, Université François-Rabelais de Tours. Accessed April 10, 2020. http://www.theses.fr/2014TOUR2005.

MLA Handbook (7th Edition):

Rochard, Marine. “Une avant-garde à réaction : gestualité, lyrisme et autopromotion chez Georges Mathieu (1944-1975) : A reaction avant-garde : gesture, lyricism and selfpromotion in Georges Mathieu's work (1944-1975).” 2014. Web. 10 Apr 2020.

Vancouver:

Rochard M. Une avant-garde à réaction : gestualité, lyrisme et autopromotion chez Georges Mathieu (1944-1975) : A reaction avant-garde : gesture, lyricism and selfpromotion in Georges Mathieu's work (1944-1975). [Internet] [Doctoral dissertation]. Université François-Rabelais de Tours; 2014. [cited 2020 Apr 10]. Available from: http://www.theses.fr/2014TOUR2005.

Council of Science Editors:

Rochard M. Une avant-garde à réaction : gestualité, lyrisme et autopromotion chez Georges Mathieu (1944-1975) : A reaction avant-garde : gesture, lyricism and selfpromotion in Georges Mathieu's work (1944-1975). [Doctoral Dissertation]. Université François-Rabelais de Tours; 2014. Available from: http://www.theses.fr/2014TOUR2005


The Ohio State University

12. Papalas, Mary Laura. A Changing of the Guard: The Evolution of the French Avant-Garde from Italian Futurism, to Surrealism, to Situationism, to the Writers of the Literary Journal Tel Quel.

Degree: PhD, French and Italian, 2008, The Ohio State University

 The avant-garde is an aesthetic movement that spanned the twentieth century. It is made up of writers and artists that rebelled against art and against… (more)

Subjects/Keywords: Literature; French Avant-Garde; European Avant-Garde; Literary Avant-Garde; Futurism; Surrealism; Situationism; Tel Quel; Joyce Mansour

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APA (6th Edition):

Papalas, M. L. (2008). A Changing of the Guard: The Evolution of the French Avant-Garde from Italian Futurism, to Surrealism, to Situationism, to the Writers of the Literary Journal Tel Quel. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1211977685

Chicago Manual of Style (16th Edition):

Papalas, Mary Laura. “A Changing of the Guard: The Evolution of the French Avant-Garde from Italian Futurism, to Surrealism, to Situationism, to the Writers of the Literary Journal Tel Quel.” 2008. Doctoral Dissertation, The Ohio State University. Accessed April 10, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1211977685.

MLA Handbook (7th Edition):

Papalas, Mary Laura. “A Changing of the Guard: The Evolution of the French Avant-Garde from Italian Futurism, to Surrealism, to Situationism, to the Writers of the Literary Journal Tel Quel.” 2008. Web. 10 Apr 2020.

Vancouver:

Papalas ML. A Changing of the Guard: The Evolution of the French Avant-Garde from Italian Futurism, to Surrealism, to Situationism, to the Writers of the Literary Journal Tel Quel. [Internet] [Doctoral dissertation]. The Ohio State University; 2008. [cited 2020 Apr 10]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1211977685.

Council of Science Editors:

Papalas ML. A Changing of the Guard: The Evolution of the French Avant-Garde from Italian Futurism, to Surrealism, to Situationism, to the Writers of the Literary Journal Tel Quel. [Doctoral Dissertation]. The Ohio State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1211977685


Leiden University

13. Vlies, Roel van der. Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger.

Degree: 2016, Leiden University

 This study analyzes the relation between avant-garde and the autonomy of art. Although the phenomenon of avant-garde is widely discussed, there is no agreement about… (more)

Subjects/Keywords: avant-garde; autonomy; Clement Greenberg; Peter Bürger

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APA (6th Edition):

Vlies, R. v. d. (2016). Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/37422

Chicago Manual of Style (16th Edition):

Vlies, Roel van der. “Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger.” 2016. Masters Thesis, Leiden University. Accessed April 10, 2020. http://hdl.handle.net/1887/37422.

MLA Handbook (7th Edition):

Vlies, Roel van der. “Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger.” 2016. Web. 10 Apr 2020.

Vancouver:

Vlies Rvd. Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger. [Internet] [Masters thesis]. Leiden University; 2016. [cited 2020 Apr 10]. Available from: http://hdl.handle.net/1887/37422.

Council of Science Editors:

Vlies Rvd. Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger. [Masters Thesis]. Leiden University; 2016. Available from: http://hdl.handle.net/1887/37422


Université du Québec à Montréal

14. Legault, Jean-François. Manipulation de code et avant-garde : pour une littérature hackée.

Degree: 2012, Université du Québec à Montréal

 Dans le cyberespace, les distinctions entre les différentes acceptions du mot code deviennent poreuses : le code juridique cède le pas au code informatique dans… (more)

Subjects/Keywords: Avant-garde (Art); Code; Cyberespace; Hacker; Internet

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APA (6th Edition):

Legault, J. (2012). Manipulation de code et avant-garde : pour une littérature hackée. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/5076/1/M12627.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Legault, Jean-François. “Manipulation de code et avant-garde : pour une littérature hackée.” 2012. Thesis, Université du Québec à Montréal. Accessed April 10, 2020. http://archipel.uqam.ca/5076/1/M12627.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Legault, Jean-François. “Manipulation de code et avant-garde : pour une littérature hackée.” 2012. Web. 10 Apr 2020.

Vancouver:

Legault J. Manipulation de code et avant-garde : pour une littérature hackée. [Internet] [Thesis]. Université du Québec à Montréal; 2012. [cited 2020 Apr 10]. Available from: http://archipel.uqam.ca/5076/1/M12627.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Legault J. Manipulation de code et avant-garde : pour une littérature hackée. [Thesis]. Université du Québec à Montréal; 2012. Available from: http://archipel.uqam.ca/5076/1/M12627.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Newcastle

15. Chapman, Michael. Disfigured ground: architectures of Dada and surrealism.

Degree: PhD, 2011, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

In his 1974 work, Theory of the Avant-Garde, Peter Bürger developed a sociological argument that the practices of… (more)

Subjects/Keywords: avant-garde; architecture; surrealism; art theory

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APA (6th Edition):

Chapman, M. (2011). Disfigured ground: architectures of Dada and surrealism. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/919742

Chicago Manual of Style (16th Edition):

Chapman, Michael. “Disfigured ground: architectures of Dada and surrealism.” 2011. Doctoral Dissertation, University of Newcastle. Accessed April 10, 2020. http://hdl.handle.net/1959.13/919742.

MLA Handbook (7th Edition):

Chapman, Michael. “Disfigured ground: architectures of Dada and surrealism.” 2011. Web. 10 Apr 2020.

Vancouver:

Chapman M. Disfigured ground: architectures of Dada and surrealism. [Internet] [Doctoral dissertation]. University of Newcastle; 2011. [cited 2020 Apr 10]. Available from: http://hdl.handle.net/1959.13/919742.

Council of Science Editors:

Chapman M. Disfigured ground: architectures of Dada and surrealism. [Doctoral Dissertation]. University of Newcastle; 2011. Available from: http://hdl.handle.net/1959.13/919742


Victoria University of Wellington

16. Hopkins, Timothy John. The Bass-less Trio.

Degree: 2012, Victoria University of Wellington

 Miles Davis asserts in his autobiography, that "a great artist needs to be able to stretch" [Davis, Troup, 1990]. While I may not a great… (more)

Subjects/Keywords: New jazz; Contemporary; Avant garde; Bassless

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APA (6th Edition):

Hopkins, T. J. (2012). The Bass-less Trio. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/2216

Chicago Manual of Style (16th Edition):

Hopkins, Timothy John. “The Bass-less Trio.” 2012. Masters Thesis, Victoria University of Wellington. Accessed April 10, 2020. http://hdl.handle.net/10063/2216.

MLA Handbook (7th Edition):

Hopkins, Timothy John. “The Bass-less Trio.” 2012. Web. 10 Apr 2020.

Vancouver:

Hopkins TJ. The Bass-less Trio. [Internet] [Masters thesis]. Victoria University of Wellington; 2012. [cited 2020 Apr 10]. Available from: http://hdl.handle.net/10063/2216.

Council of Science Editors:

Hopkins TJ. The Bass-less Trio. [Masters Thesis]. Victoria University of Wellington; 2012. Available from: http://hdl.handle.net/10063/2216


University of Rochester

17. Bouman, Margot (1962 - ). “A broken piece of an absent whole” : experimental video and its spaces of production and reception.

Degree: PhD, 2009, University of Rochester

 This dissertation, “‘A Broken Piece of an Absent Whole’: Experimental Video and its Spaces of Production and Reception” presumes that where video is found—as the… (more)

Subjects/Keywords: Contemporary art; Video art; Avant-garde; Television

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APA (6th Edition):

Bouman, M. (. -. ). (2009). “A broken piece of an absent whole” : experimental video and its spaces of production and reception. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/6783

Chicago Manual of Style (16th Edition):

Bouman, Margot (1962 - ). ““A broken piece of an absent whole” : experimental video and its spaces of production and reception.” 2009. Doctoral Dissertation, University of Rochester. Accessed April 10, 2020. http://hdl.handle.net/1802/6783.

MLA Handbook (7th Edition):

Bouman, Margot (1962 - ). ““A broken piece of an absent whole” : experimental video and its spaces of production and reception.” 2009. Web. 10 Apr 2020.

Vancouver:

Bouman M(-). “A broken piece of an absent whole” : experimental video and its spaces of production and reception. [Internet] [Doctoral dissertation]. University of Rochester; 2009. [cited 2020 Apr 10]. Available from: http://hdl.handle.net/1802/6783.

Council of Science Editors:

Bouman M(-). “A broken piece of an absent whole” : experimental video and its spaces of production and reception. [Doctoral Dissertation]. University of Rochester; 2009. Available from: http://hdl.handle.net/1802/6783


Université du Québec à Montréal

18. Legault, Jean-François. Manipulation de code et avant-garde : pour une littérature hackée.

Degree: 2012, Université du Québec à Montréal

 Dans le cyberespace, les distinctions entre les différentes acceptions du mot code deviennent poreuses : le code juridique cède le pas au code informatique dans… (more)

Subjects/Keywords: Avant-garde (Art); Code; Cyberespace; Hacker; Internet

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Legault, J. (2012). Manipulation de code et avant-garde : pour une littérature hackée. (Thesis). Université du Québec à Montréal. Retrieved from http://www.archipel.uqam.ca/5076/1/M12627.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Legault, Jean-François. “Manipulation de code et avant-garde : pour une littérature hackée.” 2012. Thesis, Université du Québec à Montréal. Accessed April 10, 2020. http://www.archipel.uqam.ca/5076/1/M12627.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Legault, Jean-François. “Manipulation de code et avant-garde : pour une littérature hackée.” 2012. Web. 10 Apr 2020.

Vancouver:

Legault J. Manipulation de code et avant-garde : pour une littérature hackée. [Internet] [Thesis]. Université du Québec à Montréal; 2012. [cited 2020 Apr 10]. Available from: http://www.archipel.uqam.ca/5076/1/M12627.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Legault J. Manipulation de code et avant-garde : pour une littérature hackée. [Thesis]. Université du Québec à Montréal; 2012. Available from: http://www.archipel.uqam.ca/5076/1/M12627.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Chicago

19. Najda, Aleksander. Apocalypse According to Vasily Kandinsky.

Degree: 2014, University of Illinois – Chicago

 Abstract The main objective of this dissertation is to identify and analyze the influence of Russian icons, frescoes and popular broadsheets (lubki) and prove their… (more)

Subjects/Keywords: Kandinsky; Abstract; Iconoclasm; Avant-Garde; Modernism, Icon

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APA (6th Edition):

Najda, A. (2014). Apocalypse According to Vasily Kandinsky. (Thesis). University of Illinois – Chicago. Retrieved from http://hdl.handle.net/10027/18908

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Najda, Aleksander. “Apocalypse According to Vasily Kandinsky.” 2014. Thesis, University of Illinois – Chicago. Accessed April 10, 2020. http://hdl.handle.net/10027/18908.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Najda, Aleksander. “Apocalypse According to Vasily Kandinsky.” 2014. Web. 10 Apr 2020.

Vancouver:

Najda A. Apocalypse According to Vasily Kandinsky. [Internet] [Thesis]. University of Illinois – Chicago; 2014. [cited 2020 Apr 10]. Available from: http://hdl.handle.net/10027/18908.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Najda A. Apocalypse According to Vasily Kandinsky. [Thesis]. University of Illinois – Chicago; 2014. Available from: http://hdl.handle.net/10027/18908

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

20. Palmese, Michael Edward. John Adams Composing Through Others: Modeling, Innovation, and Recomposition.

Degree: PhD, Musicology, 2019, Louisiana State University

  John Adams has frequently embedded allusions to the music of others in his work while also drawing on more general stylistic conventions and sensibilities… (more)

Subjects/Keywords: influence; juvenilia; allusion; quotation; intertextuality; avant-garde

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APA (6th Edition):

Palmese, M. E. (2019). John Adams Composing Through Others: Modeling, Innovation, and Recomposition. (Doctoral Dissertation). Louisiana State University. Retrieved from https://digitalcommons.lsu.edu/gradschool_dissertations/4809

Chicago Manual of Style (16th Edition):

Palmese, Michael Edward. “John Adams Composing Through Others: Modeling, Innovation, and Recomposition.” 2019. Doctoral Dissertation, Louisiana State University. Accessed April 10, 2020. https://digitalcommons.lsu.edu/gradschool_dissertations/4809.

MLA Handbook (7th Edition):

Palmese, Michael Edward. “John Adams Composing Through Others: Modeling, Innovation, and Recomposition.” 2019. Web. 10 Apr 2020.

Vancouver:

Palmese ME. John Adams Composing Through Others: Modeling, Innovation, and Recomposition. [Internet] [Doctoral dissertation]. Louisiana State University; 2019. [cited 2020 Apr 10]. Available from: https://digitalcommons.lsu.edu/gradschool_dissertations/4809.

Council of Science Editors:

Palmese ME. John Adams Composing Through Others: Modeling, Innovation, and Recomposition. [Doctoral Dissertation]. Louisiana State University; 2019. Available from: https://digitalcommons.lsu.edu/gradschool_dissertations/4809


University of Oklahoma

21. Figueroa Obregón, Rodrigo. LA CIUDAD COMO TERCERESPACIO EN LA LITERATURA ESTRIDENTISTA.

Degree: PhD, 2016, University of Oklahoma

 This dissertation analyzes the main works of Stridentist authors from 1921 to 1939 regarding their relation to Mexico City and Xalapa, Veracruz. It raises the… (more)

Subjects/Keywords: Mexican Literature; Stridentism; Estridentismo; Mexican avant-garde

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APA (6th Edition):

Figueroa Obregón, R. (2016). LA CIUDAD COMO TERCERESPACIO EN LA LITERATURA ESTRIDENTISTA. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/34575

Chicago Manual of Style (16th Edition):

Figueroa Obregón, Rodrigo. “LA CIUDAD COMO TERCERESPACIO EN LA LITERATURA ESTRIDENTISTA.” 2016. Doctoral Dissertation, University of Oklahoma. Accessed April 10, 2020. http://hdl.handle.net/11244/34575.

MLA Handbook (7th Edition):

Figueroa Obregón, Rodrigo. “LA CIUDAD COMO TERCERESPACIO EN LA LITERATURA ESTRIDENTISTA.” 2016. Web. 10 Apr 2020.

Vancouver:

Figueroa Obregón R. LA CIUDAD COMO TERCERESPACIO EN LA LITERATURA ESTRIDENTISTA. [Internet] [Doctoral dissertation]. University of Oklahoma; 2016. [cited 2020 Apr 10]. Available from: http://hdl.handle.net/11244/34575.

Council of Science Editors:

Figueroa Obregón R. LA CIUDAD COMO TERCERESPACIO EN LA LITERATURA ESTRIDENTISTA. [Doctoral Dissertation]. University of Oklahoma; 2016. Available from: http://hdl.handle.net/11244/34575

22. Rothwell, Ian James Pirie. Images under control : pessimism, humour and stupidity in the digital age.

Degree: PhD, 2017, University of Edinburgh

 This thesis offers a periodization of the present according to which contemporary art and visual culture are understood to be symptomatic of an increasingly pervasive… (more)

Subjects/Keywords: 709; avant-garde; internet; contemporary art

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APA (6th Edition):

Rothwell, I. J. P. (2017). Images under control : pessimism, humour and stupidity in the digital age. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/22974

Chicago Manual of Style (16th Edition):

Rothwell, Ian James Pirie. “Images under control : pessimism, humour and stupidity in the digital age.” 2017. Doctoral Dissertation, University of Edinburgh. Accessed April 10, 2020. http://hdl.handle.net/1842/22974.

MLA Handbook (7th Edition):

Rothwell, Ian James Pirie. “Images under control : pessimism, humour and stupidity in the digital age.” 2017. Web. 10 Apr 2020.

Vancouver:

Rothwell IJP. Images under control : pessimism, humour and stupidity in the digital age. [Internet] [Doctoral dissertation]. University of Edinburgh; 2017. [cited 2020 Apr 10]. Available from: http://hdl.handle.net/1842/22974.

Council of Science Editors:

Rothwell IJP. Images under control : pessimism, humour and stupidity in the digital age. [Doctoral Dissertation]. University of Edinburgh; 2017. Available from: http://hdl.handle.net/1842/22974


Columbia University

23. Hall, Alexander David. Noise, sound and objecthood: the politics of representation in avant-garde music.

Degree: 2016, Columbia University

 This essay offers both a historical analysis of twentieth century avant-garde practices relating to representation in music, and a prescriptive model for contemporary methods of… (more)

Subjects/Keywords: Neoliberalism; Composition (Music); Music; Avant-garde (Music)

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APA (6th Edition):

Hall, A. D. (2016). Noise, sound and objecthood: the politics of representation in avant-garde music. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8RF5V0K

Chicago Manual of Style (16th Edition):

Hall, Alexander David. “Noise, sound and objecthood: the politics of representation in avant-garde music.” 2016. Doctoral Dissertation, Columbia University. Accessed April 10, 2020. https://doi.org/10.7916/D8RF5V0K.

MLA Handbook (7th Edition):

Hall, Alexander David. “Noise, sound and objecthood: the politics of representation in avant-garde music.” 2016. Web. 10 Apr 2020.

Vancouver:

Hall AD. Noise, sound and objecthood: the politics of representation in avant-garde music. [Internet] [Doctoral dissertation]. Columbia University; 2016. [cited 2020 Apr 10]. Available from: https://doi.org/10.7916/D8RF5V0K.

Council of Science Editors:

Hall AD. Noise, sound and objecthood: the politics of representation in avant-garde music. [Doctoral Dissertation]. Columbia University; 2016. Available from: https://doi.org/10.7916/D8RF5V0K


Columbia University

24. Arkebauer, Sarah Hannan. The Objectification of Poetry: Textiles, Maps, Documents, and Margins in the Postwar American Avant-Garde.

Degree: 2019, Columbia University

 My dissertation, “The Objectification of Poetry: Textiles, Maps, Documents, and Margins in the Postwar American Avant-Garde,” charts the ways poets understand and articulate how history… (more)

Subjects/Keywords: American literature; Literature; Avant-garde (Aesthetics); Poetry

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APA (6th Edition):

Arkebauer, S. H. (2019). The Objectification of Poetry: Textiles, Maps, Documents, and Margins in the Postwar American Avant-Garde. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/d8-yq5m-ew25

Chicago Manual of Style (16th Edition):

Arkebauer, Sarah Hannan. “The Objectification of Poetry: Textiles, Maps, Documents, and Margins in the Postwar American Avant-Garde.” 2019. Doctoral Dissertation, Columbia University. Accessed April 10, 2020. https://doi.org/10.7916/d8-yq5m-ew25.

MLA Handbook (7th Edition):

Arkebauer, Sarah Hannan. “The Objectification of Poetry: Textiles, Maps, Documents, and Margins in the Postwar American Avant-Garde.” 2019. Web. 10 Apr 2020.

Vancouver:

Arkebauer SH. The Objectification of Poetry: Textiles, Maps, Documents, and Margins in the Postwar American Avant-Garde. [Internet] [Doctoral dissertation]. Columbia University; 2019. [cited 2020 Apr 10]. Available from: https://doi.org/10.7916/d8-yq5m-ew25.

Council of Science Editors:

Arkebauer SH. The Objectification of Poetry: Textiles, Maps, Documents, and Margins in the Postwar American Avant-Garde. [Doctoral Dissertation]. Columbia University; 2019. Available from: https://doi.org/10.7916/d8-yq5m-ew25


Columbia University

25. Silveri, Rachel. The Art of Living in the Historical Avant-Garde.

Degree: 2017, Columbia University

 This dissertation reexamines the art-into-life narrative of the historical avant-gardes through an analysis of a set of experimental life practices established by artists across Dada,… (more)

Subjects/Keywords: Art; Avant-garde (Aesthetics); Art and history

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APA (6th Edition):

Silveri, R. (2017). The Art of Living in the Historical Avant-Garde. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8XK8STK

Chicago Manual of Style (16th Edition):

Silveri, Rachel. “The Art of Living in the Historical Avant-Garde.” 2017. Doctoral Dissertation, Columbia University. Accessed April 10, 2020. https://doi.org/10.7916/D8XK8STK.

MLA Handbook (7th Edition):

Silveri, Rachel. “The Art of Living in the Historical Avant-Garde.” 2017. Web. 10 Apr 2020.

Vancouver:

Silveri R. The Art of Living in the Historical Avant-Garde. [Internet] [Doctoral dissertation]. Columbia University; 2017. [cited 2020 Apr 10]. Available from: https://doi.org/10.7916/D8XK8STK.

Council of Science Editors:

Silveri R. The Art of Living in the Historical Avant-Garde. [Doctoral Dissertation]. Columbia University; 2017. Available from: https://doi.org/10.7916/D8XK8STK


Princeton University

26. Strudler, Jason. Mathematical Rebellion. Zero in the Russian Avant-Garde .

Degree: PhD, 2014, Princeton University

 In the early twentieth century, many avant-gardists became convinced that traditional art had run its course, and they viewed themselves as being on the verge… (more)

Subjects/Keywords: avant-garde; Bely; Kruchenykh; Malevich; modernism; Russia

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APA (6th Edition):

Strudler, J. (2014). Mathematical Rebellion. Zero in the Russian Avant-Garde . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01tb09j788j

Chicago Manual of Style (16th Edition):

Strudler, Jason. “Mathematical Rebellion. Zero in the Russian Avant-Garde .” 2014. Doctoral Dissertation, Princeton University. Accessed April 10, 2020. http://arks.princeton.edu/ark:/88435/dsp01tb09j788j.

MLA Handbook (7th Edition):

Strudler, Jason. “Mathematical Rebellion. Zero in the Russian Avant-Garde .” 2014. Web. 10 Apr 2020.

Vancouver:

Strudler J. Mathematical Rebellion. Zero in the Russian Avant-Garde . [Internet] [Doctoral dissertation]. Princeton University; 2014. [cited 2020 Apr 10]. Available from: http://arks.princeton.edu/ark:/88435/dsp01tb09j788j.

Council of Science Editors:

Strudler J. Mathematical Rebellion. Zero in the Russian Avant-Garde . [Doctoral Dissertation]. Princeton University; 2014. Available from: http://arks.princeton.edu/ark:/88435/dsp01tb09j788j


Princeton University

27. Hansen, Catherine. Blacker in Black: The Romanian Surrealist Group and Postwar Surrealism .

Degree: PhD, 2015, Princeton University

 This dissertation concerns the Romanian surrealist group Infra Noir, whose five members were Gherasim Luca, Gellu Naum, Dolfi Trost, Paul Paun, and Virgil Teodorescu. Active… (more)

Subjects/Keywords: Infra Noir; Romanian avant-garde; Surrealism

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APA (6th Edition):

Hansen, C. (2015). Blacker in Black: The Romanian Surrealist Group and Postwar Surrealism . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01hh63sz15q

Chicago Manual of Style (16th Edition):

Hansen, Catherine. “Blacker in Black: The Romanian Surrealist Group and Postwar Surrealism .” 2015. Doctoral Dissertation, Princeton University. Accessed April 10, 2020. http://arks.princeton.edu/ark:/88435/dsp01hh63sz15q.

MLA Handbook (7th Edition):

Hansen, Catherine. “Blacker in Black: The Romanian Surrealist Group and Postwar Surrealism .” 2015. Web. 10 Apr 2020.

Vancouver:

Hansen C. Blacker in Black: The Romanian Surrealist Group and Postwar Surrealism . [Internet] [Doctoral dissertation]. Princeton University; 2015. [cited 2020 Apr 10]. Available from: http://arks.princeton.edu/ark:/88435/dsp01hh63sz15q.

Council of Science Editors:

Hansen C. Blacker in Black: The Romanian Surrealist Group and Postwar Surrealism . [Doctoral Dissertation]. Princeton University; 2015. Available from: http://arks.princeton.edu/ark:/88435/dsp01hh63sz15q

28. Moneo, Cameron David. Dissertation in Which There Appear Lost Punchlines, Dreadful Puns, Low Resolution, etc.: On the Failure of Humour in Avant-garde Film and Video.

Degree: PhD, Cinema and Media Studies, 2019, York University

 This dissertation explores the overlooked functions that humour has served in American avant-garde film and video, arguing that humour is involved consistently in many of… (more)

Subjects/Keywords: Art criticism; Avant-garde; Humour; Cinema; Failure

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APA (6th Edition):

Moneo, C. D. (2019). Dissertation in Which There Appear Lost Punchlines, Dreadful Puns, Low Resolution, etc.: On the Failure of Humour in Avant-garde Film and Video. (Doctoral Dissertation). York University. Retrieved from https://yorkspace.library.yorku.ca/xmlui/handle/10315/36715

Chicago Manual of Style (16th Edition):

Moneo, Cameron David. “Dissertation in Which There Appear Lost Punchlines, Dreadful Puns, Low Resolution, etc.: On the Failure of Humour in Avant-garde Film and Video.” 2019. Doctoral Dissertation, York University. Accessed April 10, 2020. https://yorkspace.library.yorku.ca/xmlui/handle/10315/36715.

MLA Handbook (7th Edition):

Moneo, Cameron David. “Dissertation in Which There Appear Lost Punchlines, Dreadful Puns, Low Resolution, etc.: On the Failure of Humour in Avant-garde Film and Video.” 2019. Web. 10 Apr 2020.

Vancouver:

Moneo CD. Dissertation in Which There Appear Lost Punchlines, Dreadful Puns, Low Resolution, etc.: On the Failure of Humour in Avant-garde Film and Video. [Internet] [Doctoral dissertation]. York University; 2019. [cited 2020 Apr 10]. Available from: https://yorkspace.library.yorku.ca/xmlui/handle/10315/36715.

Council of Science Editors:

Moneo CD. Dissertation in Which There Appear Lost Punchlines, Dreadful Puns, Low Resolution, etc.: On the Failure of Humour in Avant-garde Film and Video. [Doctoral Dissertation]. York University; 2019. Available from: https://yorkspace.library.yorku.ca/xmlui/handle/10315/36715


Florida Atlantic University

29. Wood, Scott. anekdota.

Degree: M.F.A., 2011, Florida Atlantic University

Summary: anekdota is an exploration of the form of short short fiction. The exploration contains original works of fiction as short as five words and… (more)

Subjects/Keywords: Symbolism in literature; Postmodernism; Avant-garde (Aesthetics)

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APA (6th Edition):

Wood, S. (2011). anekdota. (Masters Thesis). Florida Atlantic University. Retrieved from http://purl.flvc.org/FAU/3338860

Chicago Manual of Style (16th Edition):

Wood, Scott. “anekdota.” 2011. Masters Thesis, Florida Atlantic University. Accessed April 10, 2020. http://purl.flvc.org/FAU/3338860.

MLA Handbook (7th Edition):

Wood, Scott. “anekdota.” 2011. Web. 10 Apr 2020.

Vancouver:

Wood S. anekdota. [Internet] [Masters thesis]. Florida Atlantic University; 2011. [cited 2020 Apr 10]. Available from: http://purl.flvc.org/FAU/3338860.

Council of Science Editors:

Wood S. anekdota. [Masters Thesis]. Florida Atlantic University; 2011. Available from: http://purl.flvc.org/FAU/3338860

30. Raccis, Giacomo. L’opera letteraria di Emilio Tadini : Emilio Tadini's literary work.

Degree: Docteur es, Langues littératures et civilisation romanes : Italien, 2015, Université Paris X – Nanterre

Cette thèse se propose d'étudier l'œuvre littéraire d'Emilio Tadini (1927-2002). Peintre unanimement reconnu, Tadini a été de même protagoniste d'un parcours littéraire de grand valeur… (more)

Subjects/Keywords: Tadini; Avant-Garde; Réalisme; Phénoménologie; Polyphonie; Celine; Tadini; Avant-Garde; Realism; Joyce; Faulkner; Postmodern; 450

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Raccis, G. (2015). L’opera letteraria di Emilio Tadini : Emilio Tadini's literary work. (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2015PA100031

Chicago Manual of Style (16th Edition):

Raccis, Giacomo. “L’opera letteraria di Emilio Tadini : Emilio Tadini's literary work.” 2015. Doctoral Dissertation, Université Paris X – Nanterre. Accessed April 10, 2020. http://www.theses.fr/2015PA100031.

MLA Handbook (7th Edition):

Raccis, Giacomo. “L’opera letteraria di Emilio Tadini : Emilio Tadini's literary work.” 2015. Web. 10 Apr 2020.

Vancouver:

Raccis G. L’opera letteraria di Emilio Tadini : Emilio Tadini's literary work. [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2015. [cited 2020 Apr 10]. Available from: http://www.theses.fr/2015PA100031.

Council of Science Editors:

Raccis G. L’opera letteraria di Emilio Tadini : Emilio Tadini's literary work. [Doctoral Dissertation]. Université Paris X – Nanterre; 2015. Available from: http://www.theses.fr/2015PA100031

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