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You searched for subject:(Automatick obchodn syst m). Showing records 121 – 150 of 5406 total matches.

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University of Birmingham

121. Scardanelli, Simon. A portfolio of electroacoustic and acousmatic compositions.

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

 A portfolio of electroacoustic and acousmatic compositions realised through a variety of audio and audio-visual media, and with a particular emphasis on using speech as… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Scardanelli, S. (2010). A portfolio of electroacoustic and acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scardanelli, Simon. “A portfolio of electroacoustic and acousmatic compositions.” 2010. Thesis, University of Birmingham. Accessed January 24, 2020. http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scardanelli, Simon. “A portfolio of electroacoustic and acousmatic compositions.” 2010. Web. 24 Jan 2020.

Vancouver:

Scardanelli S. A portfolio of electroacoustic and acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2020 Jan 24]. Available from: http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scardanelli S. A portfolio of electroacoustic and acousmatic compositions. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

122. Kinch, Simon David. Portfolio of Compositions: compositions of indeterminacy and predeterminacy.

Degree: m_mmus, College of Arts & Law, 2010, University of Birmingham

 A portfolio of three compositions - 2494.8 cm(2), a graphic score; Stjepan + Natalia, a piano duet composed using serial practices; and Satellites, and acousmatic… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kinch, S. D. (2010). Portfolio of Compositions: compositions of indeterminacy and predeterminacy. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1174/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kinch, Simon David. “Portfolio of Compositions: compositions of indeterminacy and predeterminacy.” 2010. Thesis, University of Birmingham. Accessed January 24, 2020. http://etheses.bham.ac.uk//id/eprint/1174/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kinch, Simon David. “Portfolio of Compositions: compositions of indeterminacy and predeterminacy.” 2010. Web. 24 Jan 2020.

Vancouver:

Kinch SD. Portfolio of Compositions: compositions of indeterminacy and predeterminacy. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2020 Jan 24]. Available from: http://etheses.bham.ac.uk//id/eprint/1174/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kinch SD. Portfolio of Compositions: compositions of indeterminacy and predeterminacy. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/1174/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

123. Clay, Jeremy David. Portfolio of compositions.

Degree: m_mmus, College of Arts & Law, 2012, University of Birmingham

 This thesis and portfolio of compositions is an investigation into the possibilities of reusing ideas from past music, specifically those used in the field of… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Clay, J. D. (2012). Portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3237/http://etheses.bham.ac.uk//id/eprint/3237/8/01_Contraction_%5Bworkshop%2C_not_final_version%5D.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/9/02_Until_the_Middle.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/10/03_A_Little_Character.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/11/04_Dancing_with_girls_by_the_cemetery.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/12/05_Appendix_1_-_Subverting_Garcia.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/13/06_Appendix_2_-_Watch_My_Flight.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Clay, Jeremy David. “Portfolio of compositions.” 2012. Thesis, University of Birmingham. Accessed January 24, 2020. http://etheses.bham.ac.uk//id/eprint/3237/http://etheses.bham.ac.uk//id/eprint/3237/8/01_Contraction_%5Bworkshop%2C_not_final_version%5D.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/9/02_Until_the_Middle.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/10/03_A_Little_Character.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/11/04_Dancing_with_girls_by_the_cemetery.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/12/05_Appendix_1_-_Subverting_Garcia.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/13/06_Appendix_2_-_Watch_My_Flight.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Clay, Jeremy David. “Portfolio of compositions.” 2012. Web. 24 Jan 2020.

Vancouver:

Clay JD. Portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2020 Jan 24]. Available from: http://etheses.bham.ac.uk//id/eprint/3237/http://etheses.bham.ac.uk//id/eprint/3237/8/01_Contraction_%5Bworkshop%2C_not_final_version%5D.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/9/02_Until_the_Middle.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/10/03_A_Little_Character.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/11/04_Dancing_with_girls_by_the_cemetery.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/12/05_Appendix_1_-_Subverting_Garcia.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/13/06_Appendix_2_-_Watch_My_Flight.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clay JD. Portfolio of compositions. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3237/http://etheses.bham.ac.uk//id/eprint/3237/8/01_Contraction_%5Bworkshop%2C_not_final_version%5D.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/9/02_Until_the_Middle.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/10/03_A_Little_Character.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/11/04_Dancing_with_girls_by_the_cemetery.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/12/05_Appendix_1_-_Subverting_Garcia.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/13/06_Appendix_2_-_Watch_My_Flight.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

124. Hutchins, Charles Celeste. Portfolio of Compositions.

Degree: d_ph, College of Arts & Law, 2012, University of Birmingham

 This portfolio of 19 compositions includes several short commissions intended to reach new listeners and address issues of sustainability and copyright. Two of the pieces… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hutchins, C. C. (2012). Portfolio of Compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hutchins, Charles Celeste. “Portfolio of Compositions.” 2012. Thesis, University of Birmingham. Accessed January 24, 2020. http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hutchins, Charles Celeste. “Portfolio of Compositions.” 2012. Web. 24 Jan 2020.

Vancouver:

Hutchins CC. Portfolio of Compositions. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2020 Jan 24]. Available from: http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hutchins CC. Portfolio of Compositions. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

125. Pinchbeck, Shawn William. A portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 This thesis describes a portfolio of musical compositions and artworks that explore the development of real-time acousmatic music composition, multimedia music and dance performances, interactive… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pinchbeck, S. W. (2013). A portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pinchbeck, Shawn William. “A portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed January 24, 2020. http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pinchbeck, Shawn William. “A portfolio of compositions.” 2013. Web. 24 Jan 2020.

Vancouver:

Pinchbeck SW. A portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2020 Jan 24]. Available from: http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pinchbeck SW. A portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

126. Carpenter, James John. Portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 A portfolio of acousmatic and mixed compositions for stereophonic and multichannel formats. Particular focus is given to acousmatic music’s relationship with materials and features typically… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carpenter, J. J. (2013). Portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carpenter, James John. “Portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed January 24, 2020. http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carpenter, James John. “Portfolio of compositions.” 2013. Web. 24 Jan 2020.

Vancouver:

Carpenter JJ. Portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2020 Jan 24]. Available from: http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carpenter JJ. Portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

127. Knotts, Shelly. A portfolio of compositions: commentary.

Degree: m_mmus, College of Arts & Law, 2013, University of Birmingham

 I present here a Portfolio of Compositions totalling five works composed between October 2007 and September 2011 at the University of Birmingham Electroacoustic Music Studios.… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Knotts, S. (2013). A portfolio of compositions: commentary. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4304/http://etheses.bham.ac.uk//id/eprint/4304/7/Knotts13PhD_1_Chordophonia_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/8/Knotts13PhD_2_Vanishing_Point_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/9/Knotts13PhD_4_For_Piano_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/10/Knotts13PhD_7_XYZ_BiLE-Music.wav

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Knotts, Shelly. “A portfolio of compositions: commentary.” 2013. Thesis, University of Birmingham. Accessed January 24, 2020. http://etheses.bham.ac.uk//id/eprint/4304/http://etheses.bham.ac.uk//id/eprint/4304/7/Knotts13PhD_1_Chordophonia_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/8/Knotts13PhD_2_Vanishing_Point_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/9/Knotts13PhD_4_For_Piano_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/10/Knotts13PhD_7_XYZ_BiLE-Music.wav.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Knotts, Shelly. “A portfolio of compositions: commentary.” 2013. Web. 24 Jan 2020.

Vancouver:

Knotts S. A portfolio of compositions: commentary. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2020 Jan 24]. Available from: http://etheses.bham.ac.uk//id/eprint/4304/http://etheses.bham.ac.uk//id/eprint/4304/7/Knotts13PhD_1_Chordophonia_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/8/Knotts13PhD_2_Vanishing_Point_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/9/Knotts13PhD_4_For_Piano_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/10/Knotts13PhD_7_XYZ_BiLE-Music.wav.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Knotts S. A portfolio of compositions: commentary. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4304/http://etheses.bham.ac.uk//id/eprint/4304/7/Knotts13PhD_1_Chordophonia_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/8/Knotts13PhD_2_Vanishing_Point_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/9/Knotts13PhD_4_For_Piano_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/10/Knotts13PhD_7_XYZ_BiLE-Music.wav

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

128. Brodie, Val. The overlooked evidence: the use of music in productions of Henry V 1859-1916 .

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 This thesis uses the joint approaches of theatre research and musicology to reveal the overlooked soundscape of productions of Shakespeare’s Henry V. The starting point… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brodie, V. (2013). The overlooked evidence: the use of music in productions of Henry V 1859-1916 . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4476/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brodie, Val. “The overlooked evidence: the use of music in productions of Henry V 1859-1916 .” 2013. Thesis, University of Birmingham. Accessed January 24, 2020. http://etheses.bham.ac.uk//id/eprint/4476/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brodie, Val. “The overlooked evidence: the use of music in productions of Henry V 1859-1916 .” 2013. Web. 24 Jan 2020.

Vancouver:

Brodie V. The overlooked evidence: the use of music in productions of Henry V 1859-1916 . [Internet] [Thesis]. University of Birmingham; 2013. [cited 2020 Jan 24]. Available from: http://etheses.bham.ac.uk//id/eprint/4476/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brodie V. The overlooked evidence: the use of music in productions of Henry V 1859-1916 . [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4476/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

129. Ryall, Nicholas J. MPhil musical composition: commentaries.

Degree: m_ph, College of Arts & Law, 2014, University of Birmingham

 My interest in musical composition covers a broad range of styles and genres and this MPhil Submission is designed to reflect that range by a… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ryall, N. J. (2014). MPhil musical composition: commentaries. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ryall, Nicholas J. “MPhil musical composition: commentaries.” 2014. Thesis, University of Birmingham. Accessed January 24, 2020. http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ryall, Nicholas J. “MPhil musical composition: commentaries.” 2014. Web. 24 Jan 2020.

Vancouver:

Ryall NJ. MPhil musical composition: commentaries. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2020 Jan 24]. Available from: http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ryall NJ. MPhil musical composition: commentaries. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

130. Lorway, Norah. A portfolio of fixed electroacoustic and live laptop works.

Degree: d_ph, College of Arts & Law, 2014, University of Birmingham

 This PhD thesis includes a portfolio of electroacoustic and live electroacoustic compositions carried out at the electroacoustic music studios at the University of Birmingham. The… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lorway, N. (2014). A portfolio of fixed electroacoustic and live laptop works. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lorway, Norah. “A portfolio of fixed electroacoustic and live laptop works.” 2014. Thesis, University of Birmingham. Accessed January 24, 2020. http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lorway, Norah. “A portfolio of fixed electroacoustic and live laptop works.” 2014. Web. 24 Jan 2020.

Vancouver:

Lorway N. A portfolio of fixed electroacoustic and live laptop works. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2020 Jan 24]. Available from: http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lorway N. A portfolio of fixed electroacoustic and live laptop works. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

131. Cogle, Joanna Marie. Portfolio of compositions: explorations of genre within a classical idiom.

Degree: m_mmus, College of Arts & Law, 2014, University of Birmingham

 I originally intended for this portfolio to consist of pieces mixed between electroacoustic tape parts and live acoustic parts. The actual portfolio I have produced… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cogle, J. M. (2014). Portfolio of compositions: explorations of genre within a classical idiom. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5188/http://etheses.bham.ac.uk//id/eprint/5188/3/Miniopera_mix_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/4/Out_of_the_overflow_Electronics_with_violin_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/5/Out_of_the_overflow_Electronics_without_violin_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/6/Song_of_Old_Age_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/7/Song_of_the_Daughters_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/8/Song_of_the_Neigbours_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/9/The_Lingerer_Electronics_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/10/When_all_around_is_fading_final_version_midi_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/11/When_all_around_is_fading_ums_march_2013_recording_Cogle14MMus.wav

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cogle, Joanna Marie. “Portfolio of compositions: explorations of genre within a classical idiom.” 2014. Thesis, University of Birmingham. Accessed January 24, 2020. http://etheses.bham.ac.uk//id/eprint/5188/http://etheses.bham.ac.uk//id/eprint/5188/3/Miniopera_mix_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/4/Out_of_the_overflow_Electronics_with_violin_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/5/Out_of_the_overflow_Electronics_without_violin_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/6/Song_of_Old_Age_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/7/Song_of_the_Daughters_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/8/Song_of_the_Neigbours_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/9/The_Lingerer_Electronics_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/10/When_all_around_is_fading_final_version_midi_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/11/When_all_around_is_fading_ums_march_2013_recording_Cogle14MMus.wav.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cogle, Joanna Marie. “Portfolio of compositions: explorations of genre within a classical idiom.” 2014. Web. 24 Jan 2020.

Vancouver:

Cogle JM. Portfolio of compositions: explorations of genre within a classical idiom. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2020 Jan 24]. Available from: http://etheses.bham.ac.uk//id/eprint/5188/http://etheses.bham.ac.uk//id/eprint/5188/3/Miniopera_mix_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/4/Out_of_the_overflow_Electronics_with_violin_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/5/Out_of_the_overflow_Electronics_without_violin_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/6/Song_of_Old_Age_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/7/Song_of_the_Daughters_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/8/Song_of_the_Neigbours_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/9/The_Lingerer_Electronics_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/10/When_all_around_is_fading_final_version_midi_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/11/When_all_around_is_fading_ums_march_2013_recording_Cogle14MMus.wav.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cogle JM. Portfolio of compositions: explorations of genre within a classical idiom. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5188/http://etheses.bham.ac.uk//id/eprint/5188/3/Miniopera_mix_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/4/Out_of_the_overflow_Electronics_with_violin_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/5/Out_of_the_overflow_Electronics_without_violin_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/6/Song_of_Old_Age_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/7/Song_of_the_Daughters_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/8/Song_of_the_Neigbours_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/9/The_Lingerer_Electronics_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/10/When_all_around_is_fading_final_version_midi_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/11/When_all_around_is_fading_ums_march_2013_recording_Cogle14MMus.wav

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

132. Szwed, Katarzyna Zofia. A portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2015, University of Birmingham

 A portfolio of compositions with additional commentary and a contextual chapter. In the introduction chapter, particular focus is given to the individual approach to elements… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Szwed, K. Z. (2015). A portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Szwed, Katarzyna Zofia. “A portfolio of compositions.” 2015. Thesis, University of Birmingham. Accessed January 24, 2020. http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Szwed, Katarzyna Zofia. “A portfolio of compositions.” 2015. Web. 24 Jan 2020.

Vancouver:

Szwed KZ. A portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2020 Jan 24]. Available from: http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Szwed KZ. A portfolio of compositions. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

133. Ibbett, David Roger. Towards an integrated art music.

Degree: d_ph, College of Arts & Law, 2015, University of Birmingham

 This thesis consists of a portfolio of compositions in acoustic and electronic media with an accompanying commentary. The central theme of these works is the… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Ibbett, D. R. (2015). Towards an integrated art music. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6485/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ibbett, David Roger. “Towards an integrated art music.” 2015. Thesis, University of Birmingham. Accessed January 24, 2020. http://etheses.bham.ac.uk//id/eprint/6485/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ibbett, David Roger. “Towards an integrated art music.” 2015. Web. 24 Jan 2020.

Vancouver:

Ibbett DR. Towards an integrated art music. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2020 Jan 24]. Available from: http://etheses.bham.ac.uk//id/eprint/6485/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ibbett DR. Towards an integrated art music. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/6485/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Huddersfield

134. Millington, Richard. Black Metal: Within the Sounds of Nature.

Degree: 2018, University of Huddersfield

 This project explores musical composition within the black metal music subgenre. Nature and animal life form a very important aesthetic of this style, but one… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Millington, R. (2018). Black Metal: Within the Sounds of Nature. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34736/1/Millington%20THESIS.pdf

Chicago Manual of Style (16th Edition):

Millington, Richard. “Black Metal: Within the Sounds of Nature.” 2018. Masters Thesis, University of Huddersfield. Accessed January 24, 2020. http://eprints.hud.ac.uk/id/eprint/34736/1/Millington%20THESIS.pdf.

MLA Handbook (7th Edition):

Millington, Richard. “Black Metal: Within the Sounds of Nature.” 2018. Web. 24 Jan 2020.

Vancouver:

Millington R. Black Metal: Within the Sounds of Nature. [Internet] [Masters thesis]. University of Huddersfield; 2018. [cited 2020 Jan 24]. Available from: http://eprints.hud.ac.uk/id/eprint/34736/1/Millington%20THESIS.pdf.

Council of Science Editors:

Millington R. Black Metal: Within the Sounds of Nature. [Masters Thesis]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34736/1/Millington%20THESIS.pdf


Cardiff University

135. Kostka, Magdalena. Sonatas for violin and basso continuo written by British composers in the first half of the eighteenth century.

Degree: PhD, 2014, Cardiff University

 The sonata for violin and basso continuo was one of the most popular instrumental genres in early eighteenth-century Europe, as is clearly evident from the… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Kostka, M. (2014). Sonatas for violin and basso continuo written by British composers in the first half of the eighteenth century. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/67440/

Chicago Manual of Style (16th Edition):

Kostka, Magdalena. “Sonatas for violin and basso continuo written by British composers in the first half of the eighteenth century.” 2014. Doctoral Dissertation, Cardiff University. Accessed January 24, 2020. http://orca.cf.ac.uk/67440/.

MLA Handbook (7th Edition):

Kostka, Magdalena. “Sonatas for violin and basso continuo written by British composers in the first half of the eighteenth century.” 2014. Web. 24 Jan 2020.

Vancouver:

Kostka M. Sonatas for violin and basso continuo written by British composers in the first half of the eighteenth century. [Internet] [Doctoral dissertation]. Cardiff University; 2014. [cited 2020 Jan 24]. Available from: http://orca.cf.ac.uk/67440/.

Council of Science Editors:

Kostka M. Sonatas for violin and basso continuo written by British composers in the first half of the eighteenth century. [Doctoral Dissertation]. Cardiff University; 2014. Available from: http://orca.cf.ac.uk/67440/


Cardiff University

136. Čurda, Martin. Analytical and hermeneutical perspectives on the music of Pavel Haas.

Degree: PhD, 2017, Cardiff University

 The Czech composer Pavel Haas (1899–1944) is commonly positioned in the history of twentieth-century music as a representative of Leoš Janáček‘s compositional school and as… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Čurda, M. (2017). Analytical and hermeneutical perspectives on the music of Pavel Haas. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/100017/

Chicago Manual of Style (16th Edition):

Čurda, Martin. “Analytical and hermeneutical perspectives on the music of Pavel Haas.” 2017. Doctoral Dissertation, Cardiff University. Accessed January 24, 2020. http://orca.cf.ac.uk/100017/.

MLA Handbook (7th Edition):

Čurda, Martin. “Analytical and hermeneutical perspectives on the music of Pavel Haas.” 2017. Web. 24 Jan 2020.

Vancouver:

Čurda M. Analytical and hermeneutical perspectives on the music of Pavel Haas. [Internet] [Doctoral dissertation]. Cardiff University; 2017. [cited 2020 Jan 24]. Available from: http://orca.cf.ac.uk/100017/.

Council of Science Editors:

Čurda M. Analytical and hermeneutical perspectives on the music of Pavel Haas. [Doctoral Dissertation]. Cardiff University; 2017. Available from: http://orca.cf.ac.uk/100017/


Cardiff University

137. Llewelyn-Jones, Iwan. Studies in pianistic sonority, nuance and expression: French performance practices in the piano works of Maurice Ravel.

Degree: PhD, 2016, Cardiff University

 This thesis traces the development of Maurice Ravel’s pianism in relation to sonority, nuance and expression by addressing four main areas of research that have… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Llewelyn-Jones, I. (2016). Studies in pianistic sonority, nuance and expression: French performance practices in the piano works of Maurice Ravel. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/100830/

Chicago Manual of Style (16th Edition):

Llewelyn-Jones, Iwan. “Studies in pianistic sonority, nuance and expression: French performance practices in the piano works of Maurice Ravel.” 2016. Doctoral Dissertation, Cardiff University. Accessed January 24, 2020. http://orca.cf.ac.uk/100830/.

MLA Handbook (7th Edition):

Llewelyn-Jones, Iwan. “Studies in pianistic sonority, nuance and expression: French performance practices in the piano works of Maurice Ravel.” 2016. Web. 24 Jan 2020.

Vancouver:

Llewelyn-Jones I. Studies in pianistic sonority, nuance and expression: French performance practices in the piano works of Maurice Ravel. [Internet] [Doctoral dissertation]. Cardiff University; 2016. [cited 2020 Jan 24]. Available from: http://orca.cf.ac.uk/100830/.

Council of Science Editors:

Llewelyn-Jones I. Studies in pianistic sonority, nuance and expression: French performance practices in the piano works of Maurice Ravel. [Doctoral Dissertation]. Cardiff University; 2016. Available from: http://orca.cf.ac.uk/100830/


Cardiff University

138. Laghi, Simone. Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810).

Degree: PhD, 2017, Cardiff University

 This dissertation presents an overview of the situation of the printed string quartet output in London in the years between 1765 (year of publication of… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Laghi, S. (2017). Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810). (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/107709/

Chicago Manual of Style (16th Edition):

Laghi, Simone. “Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810).” 2017. Doctoral Dissertation, Cardiff University. Accessed January 24, 2020. http://orca.cf.ac.uk/107709/.

MLA Handbook (7th Edition):

Laghi, Simone. “Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810).” 2017. Web. 24 Jan 2020.

Vancouver:

Laghi S. Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810). [Internet] [Doctoral dissertation]. Cardiff University; 2017. [cited 2020 Jan 24]. Available from: http://orca.cf.ac.uk/107709/.

Council of Science Editors:

Laghi S. Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810). [Doctoral Dissertation]. Cardiff University; 2017. Available from: http://orca.cf.ac.uk/107709/

139. Palidda, Alessandra. Milan 1790-1802: Music, society and politics in the city of many regimes.

Degree: PhD, 2017, Cardiff University

 Between the end of the eighteenth century and the beginning of the following one, the Napoleonic wars caused the whole of Northern Italy to live… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Palidda, A. (2017). Milan 1790-1802: Music, society and politics in the city of many regimes. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/111398/

Chicago Manual of Style (16th Edition):

Palidda, Alessandra. “Milan 1790-1802: Music, society and politics in the city of many regimes.” 2017. Doctoral Dissertation, Cardiff University. Accessed January 24, 2020. http://orca.cf.ac.uk/111398/.

MLA Handbook (7th Edition):

Palidda, Alessandra. “Milan 1790-1802: Music, society and politics in the city of many regimes.” 2017. Web. 24 Jan 2020.

Vancouver:

Palidda A. Milan 1790-1802: Music, society and politics in the city of many regimes. [Internet] [Doctoral dissertation]. Cardiff University; 2017. [cited 2020 Jan 24]. Available from: http://orca.cf.ac.uk/111398/.

Council of Science Editors:

Palidda A. Milan 1790-1802: Music, society and politics in the city of many regimes. [Doctoral Dissertation]. Cardiff University; 2017. Available from: http://orca.cf.ac.uk/111398/


Cardiff University

140. Pace, Ian. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).

Degree: PhD, 2018, Cardiff University

 This thesis is an analysis of the development of new music in occupied Germany from the end of World War Two, on 8 May 1945,… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Pace, I. (2018). The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/111692/

Chicago Manual of Style (16th Edition):

Pace, Ian. “The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).” 2018. Doctoral Dissertation, Cardiff University. Accessed January 24, 2020. http://orca.cf.ac.uk/111692/.

MLA Handbook (7th Edition):

Pace, Ian. “The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).” 2018. Web. 24 Jan 2020.

Vancouver:

Pace I. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). [Internet] [Doctoral dissertation]. Cardiff University; 2018. [cited 2020 Jan 24]. Available from: http://orca.cf.ac.uk/111692/.

Council of Science Editors:

Pace I. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). [Doctoral Dissertation]. Cardiff University; 2018. Available from: http://orca.cf.ac.uk/111692/


Cardiff University

141. Price, Gareth Idwal John. Performing Duruflé’s 'Veni creator' Op. 4: Influences, issues and ideals.

Degree: PhD, 2018, Cardiff University

 Historically informed performance of French organ music from the late nineteenth- and early twentieth-centuries can be a difficult thing to achieve on a non-French instrument.… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Price, G. I. J. (2018). Performing Duruflé’s 'Veni creator' Op. 4: Influences, issues and ideals. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/118456/

Chicago Manual of Style (16th Edition):

Price, Gareth Idwal John. “Performing Duruflé’s 'Veni creator' Op. 4: Influences, issues and ideals.” 2018. Doctoral Dissertation, Cardiff University. Accessed January 24, 2020. http://orca.cf.ac.uk/118456/.

MLA Handbook (7th Edition):

Price, Gareth Idwal John. “Performing Duruflé’s 'Veni creator' Op. 4: Influences, issues and ideals.” 2018. Web. 24 Jan 2020.

Vancouver:

Price GIJ. Performing Duruflé’s 'Veni creator' Op. 4: Influences, issues and ideals. [Internet] [Doctoral dissertation]. Cardiff University; 2018. [cited 2020 Jan 24]. Available from: http://orca.cf.ac.uk/118456/.

Council of Science Editors:

Price GIJ. Performing Duruflé’s 'Veni creator' Op. 4: Influences, issues and ideals. [Doctoral Dissertation]. Cardiff University; 2018. Available from: http://orca.cf.ac.uk/118456/


Cardiff University

142. Crown, Helen. Lewis Granom: His significance for the flute in the eighteenth century.

Degree: PhD, 2013, Cardiff University

 An article in the London Daily Advertiser, April 6 1752 makes reference to ‘Mr. Granom, whose expression in composition can only be equalled by his… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Crown, H. (2013). Lewis Granom: His significance for the flute in the eighteenth century. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/50783/

Chicago Manual of Style (16th Edition):

Crown, Helen. “Lewis Granom: His significance for the flute in the eighteenth century.” 2013. Doctoral Dissertation, Cardiff University. Accessed January 24, 2020. http://orca.cf.ac.uk/50783/.

MLA Handbook (7th Edition):

Crown, Helen. “Lewis Granom: His significance for the flute in the eighteenth century.” 2013. Web. 24 Jan 2020.

Vancouver:

Crown H. Lewis Granom: His significance for the flute in the eighteenth century. [Internet] [Doctoral dissertation]. Cardiff University; 2013. [cited 2020 Jan 24]. Available from: http://orca.cf.ac.uk/50783/.

Council of Science Editors:

Crown H. Lewis Granom: His significance for the flute in the eighteenth century. [Doctoral Dissertation]. Cardiff University; 2013. Available from: http://orca.cf.ac.uk/50783/


Cardiff University

143. Curry, Ben John. Reading conventions, interpreting habits: Peircian semiotics in music.

Degree: PhD, 2011, Cardiff University

 The influence of Peircian semiotics on the study of music has grown during the last two decades due to the recognition of Robert Hatten's achievements,… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Curry, B. J. (2011). Reading conventions, interpreting habits: Peircian semiotics in music. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/54429/

Chicago Manual of Style (16th Edition):

Curry, Ben John. “Reading conventions, interpreting habits: Peircian semiotics in music.” 2011. Doctoral Dissertation, Cardiff University. Accessed January 24, 2020. http://orca.cf.ac.uk/54429/.

MLA Handbook (7th Edition):

Curry, Ben John. “Reading conventions, interpreting habits: Peircian semiotics in music.” 2011. Web. 24 Jan 2020.

Vancouver:

Curry BJ. Reading conventions, interpreting habits: Peircian semiotics in music. [Internet] [Doctoral dissertation]. Cardiff University; 2011. [cited 2020 Jan 24]. Available from: http://orca.cf.ac.uk/54429/.

Council of Science Editors:

Curry BJ. Reading conventions, interpreting habits: Peircian semiotics in music. [Doctoral Dissertation]. Cardiff University; 2011. Available from: http://orca.cf.ac.uk/54429/


Cardiff University

144. Caton, Anke Theresa. Disenchantment during the Biedermeier period: political subtexts in Schubert's songs.

Degree: PhD, 2011, Cardiff University

 Even today Franz Schubert is belittled by many music enthusiasts as a typical Biedermeier composer, whose works appear to be of a purely lyrical and… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Caton, A. T. (2011). Disenchantment during the Biedermeier period: political subtexts in Schubert's songs. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/54468/

Chicago Manual of Style (16th Edition):

Caton, Anke Theresa. “Disenchantment during the Biedermeier period: political subtexts in Schubert's songs.” 2011. Doctoral Dissertation, Cardiff University. Accessed January 24, 2020. http://orca.cf.ac.uk/54468/.

MLA Handbook (7th Edition):

Caton, Anke Theresa. “Disenchantment during the Biedermeier period: political subtexts in Schubert's songs.” 2011. Web. 24 Jan 2020.

Vancouver:

Caton AT. Disenchantment during the Biedermeier period: political subtexts in Schubert's songs. [Internet] [Doctoral dissertation]. Cardiff University; 2011. [cited 2020 Jan 24]. Available from: http://orca.cf.ac.uk/54468/.

Council of Science Editors:

Caton AT. Disenchantment during the Biedermeier period: political subtexts in Schubert's songs. [Doctoral Dissertation]. Cardiff University; 2011. Available from: http://orca.cf.ac.uk/54468/


Cardiff University

145. McReynolds, Richard. An exploration of the influence of technology upon the composer’s process.

Degree: PhD, 2019, Cardiff University

 This thesis focuses upon how the use of aleatoricism can be used in electro-acoustic music to increase the perceived connection between the electronic and acoustic… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

McReynolds, R. (2019). An exploration of the influence of technology upon the composer’s process. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/119307/

Chicago Manual of Style (16th Edition):

McReynolds, Richard. “An exploration of the influence of technology upon the composer’s process.” 2019. Doctoral Dissertation, Cardiff University. Accessed January 24, 2020. http://orca.cf.ac.uk/119307/.

MLA Handbook (7th Edition):

McReynolds, Richard. “An exploration of the influence of technology upon the composer’s process.” 2019. Web. 24 Jan 2020.

Vancouver:

McReynolds R. An exploration of the influence of technology upon the composer’s process. [Internet] [Doctoral dissertation]. Cardiff University; 2019. [cited 2020 Jan 24]. Available from: http://orca.cf.ac.uk/119307/.

Council of Science Editors:

McReynolds R. An exploration of the influence of technology upon the composer’s process. [Doctoral Dissertation]. Cardiff University; 2019. Available from: http://orca.cf.ac.uk/119307/


Cardiff University

146. Howell, Julia. The memory of music and music of memory: A portfolio of original compositions.

Degree: PhD, 2017, Cardiff University

 The thesis explores through composition the processes of listening, remembering, storing, and recalling music and the ephemeral nature of these same actions, recognising that musical… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Howell, J. (2017). The memory of music and music of memory: A portfolio of original compositions. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/119866/

Chicago Manual of Style (16th Edition):

Howell, Julia. “The memory of music and music of memory: A portfolio of original compositions.” 2017. Doctoral Dissertation, Cardiff University. Accessed January 24, 2020. http://orca.cf.ac.uk/119866/.

MLA Handbook (7th Edition):

Howell, Julia. “The memory of music and music of memory: A portfolio of original compositions.” 2017. Web. 24 Jan 2020.

Vancouver:

Howell J. The memory of music and music of memory: A portfolio of original compositions. [Internet] [Doctoral dissertation]. Cardiff University; 2017. [cited 2020 Jan 24]. Available from: http://orca.cf.ac.uk/119866/.

Council of Science Editors:

Howell J. The memory of music and music of memory: A portfolio of original compositions. [Doctoral Dissertation]. Cardiff University; 2017. Available from: http://orca.cf.ac.uk/119866/


Cardiff University

147. Murray, Samuel. An ethnography of the music scene in Portland, Oregon.

Degree: PhD, 2018, Cardiff University

 The northwest city of Portland, Oregon is a beacon for independent music making in the United States. Portland is not musically defined by a single… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Murray, S. (2018). An ethnography of the music scene in Portland, Oregon. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/121247/

Chicago Manual of Style (16th Edition):

Murray, Samuel. “An ethnography of the music scene in Portland, Oregon.” 2018. Doctoral Dissertation, Cardiff University. Accessed January 24, 2020. http://orca.cf.ac.uk/121247/.

MLA Handbook (7th Edition):

Murray, Samuel. “An ethnography of the music scene in Portland, Oregon.” 2018. Web. 24 Jan 2020.

Vancouver:

Murray S. An ethnography of the music scene in Portland, Oregon. [Internet] [Doctoral dissertation]. Cardiff University; 2018. [cited 2020 Jan 24]. Available from: http://orca.cf.ac.uk/121247/.

Council of Science Editors:

Murray S. An ethnography of the music scene in Portland, Oregon. [Doctoral Dissertation]. Cardiff University; 2018. Available from: http://orca.cf.ac.uk/121247/

148. Neale, Elizabeth Katherine Ruth. Cornish carols: Heritage in California and South Australia.

Degree: PhD, 2018, Cardiff University, University of Exeter

 This thesis examines Christmas carols as heritage in the Cornish diaspora. Emerging from the same carolling tradition in Cornwall, labour migration during the 19th century… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Neale, E. K. R. (2018). Cornish carols: Heritage in California and South Australia. (Doctoral Dissertation). Cardiff University, University of Exeter. Retrieved from http://orca.cf.ac.uk/122868/

Chicago Manual of Style (16th Edition):

Neale, Elizabeth Katherine Ruth. “Cornish carols: Heritage in California and South Australia.” 2018. Doctoral Dissertation, Cardiff University, University of Exeter. Accessed January 24, 2020. http://orca.cf.ac.uk/122868/.

MLA Handbook (7th Edition):

Neale, Elizabeth Katherine Ruth. “Cornish carols: Heritage in California and South Australia.” 2018. Web. 24 Jan 2020.

Vancouver:

Neale EKR. Cornish carols: Heritage in California and South Australia. [Internet] [Doctoral dissertation]. Cardiff University, University of Exeter; 2018. [cited 2020 Jan 24]. Available from: http://orca.cf.ac.uk/122868/.

Council of Science Editors:

Neale EKR. Cornish carols: Heritage in California and South Australia. [Doctoral Dissertation]. Cardiff University, University of Exeter; 2018. Available from: http://orca.cf.ac.uk/122868/


Cardiff University

149. Boyd, Blair Elizabeth. Temporal structuring in a portfolio of original compositions. Volume 2 of 2: Academic commentary.

Degree: PhD, 2019, Cardiff University

 This thesis consists of a portfolio of ten compositions, ranging in duration and instrumentation, accompanied by a written commentary, and (where possible) audio recordings of… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Boyd, B. E. (2019). Temporal structuring in a portfolio of original compositions. Volume 2 of 2: Academic commentary. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/124836/

Chicago Manual of Style (16th Edition):

Boyd, Blair Elizabeth. “Temporal structuring in a portfolio of original compositions. Volume 2 of 2: Academic commentary.” 2019. Doctoral Dissertation, Cardiff University. Accessed January 24, 2020. http://orca.cf.ac.uk/124836/.

MLA Handbook (7th Edition):

Boyd, Blair Elizabeth. “Temporal structuring in a portfolio of original compositions. Volume 2 of 2: Academic commentary.” 2019. Web. 24 Jan 2020.

Vancouver:

Boyd BE. Temporal structuring in a portfolio of original compositions. Volume 2 of 2: Academic commentary. [Internet] [Doctoral dissertation]. Cardiff University; 2019. [cited 2020 Jan 24]. Available from: http://orca.cf.ac.uk/124836/.

Council of Science Editors:

Boyd BE. Temporal structuring in a portfolio of original compositions. Volume 2 of 2: Academic commentary. [Doctoral Dissertation]. Cardiff University; 2019. Available from: http://orca.cf.ac.uk/124836/

150. Jassey, Victoria Rosemary. Tambor Reverberations: Gender, Sexuality and Change in Cuban Batá performance.

Degree: PhD, 2019, Cardiff University School of Music

 ‘Tambor’ means drum in Spanish but in the Afro-Cuban religion called Regla de Ocha, the word can also refer to the ritual batá drum, a… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jassey, V. R. (2019). Tambor Reverberations: Gender, Sexuality and Change in Cuban Batá performance. (Doctoral Dissertation). Cardiff University School of Music. Retrieved from http://orca.cf.ac.uk/125012/

Chicago Manual of Style (16th Edition):

Jassey, Victoria Rosemary. “Tambor Reverberations: Gender, Sexuality and Change in Cuban Batá performance.” 2019. Doctoral Dissertation, Cardiff University School of Music. Accessed January 24, 2020. http://orca.cf.ac.uk/125012/.

MLA Handbook (7th Edition):

Jassey, Victoria Rosemary. “Tambor Reverberations: Gender, Sexuality and Change in Cuban Batá performance.” 2019. Web. 24 Jan 2020.

Vancouver:

Jassey VR. Tambor Reverberations: Gender, Sexuality and Change in Cuban Batá performance. [Internet] [Doctoral dissertation]. Cardiff University School of Music; 2019. [cited 2020 Jan 24]. Available from: http://orca.cf.ac.uk/125012/.

Council of Science Editors:

Jassey VR. Tambor Reverberations: Gender, Sexuality and Change in Cuban Batá performance. [Doctoral Dissertation]. Cardiff University School of Music; 2019. Available from: http://orca.cf.ac.uk/125012/

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