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You searched for subject:(Australian theatre). Showing records 1 – 30 of 34 total matches.

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Victoria University of Wellington

1. Smith, Tama. (Re)Presentation in Verbatim Theatre.

Degree: 2016, Victoria University of Wellington

 Using a range of interpretive methodologies and based on both the practice of others and the author’s production, direction and evaluation of a series of… (more)

Subjects/Keywords: New Zealand theatre; Australian theatre; Documentary theatre; Reminiscence theatre; Return Services Association

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APA (6th Edition):

Smith, T. (2016). (Re)Presentation in Verbatim Theatre. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/5405

Chicago Manual of Style (16th Edition):

Smith, Tama. “(Re)Presentation in Verbatim Theatre.” 2016. Masters Thesis, Victoria University of Wellington. Accessed December 11, 2019. http://hdl.handle.net/10063/5405.

MLA Handbook (7th Edition):

Smith, Tama. “(Re)Presentation in Verbatim Theatre.” 2016. Web. 11 Dec 2019.

Vancouver:

Smith T. (Re)Presentation in Verbatim Theatre. [Internet] [Masters thesis]. Victoria University of Wellington; 2016. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/10063/5405.

Council of Science Editors:

Smith T. (Re)Presentation in Verbatim Theatre. [Masters Thesis]. Victoria University of Wellington; 2016. Available from: http://hdl.handle.net/10063/5405


University of Tasmania

2. Angel, C. The Woman Who Did: Janet Achurch, Ibsen, and the New Woman, Australia 1889-1891.

Degree: 2014, University of Tasmania

 The Australian theatre in the late nineteenth century was in transition: it was, like the country, seeking its own identity in a period of social… (more)

Subjects/Keywords: Womens isssues; Australian theatre; late nineteenth century

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APA (6th Edition):

Angel, C. (2014). The Woman Who Did: Janet Achurch, Ibsen, and the New Woman, Australia 1889-1891. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/20830/1/Whole-Angel-thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Angel, C. “The Woman Who Did: Janet Achurch, Ibsen, and the New Woman, Australia 1889-1891.” 2014. Thesis, University of Tasmania. Accessed December 11, 2019. https://eprints.utas.edu.au/20830/1/Whole-Angel-thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Angel, C. “The Woman Who Did: Janet Achurch, Ibsen, and the New Woman, Australia 1889-1891.” 2014. Web. 11 Dec 2019.

Vancouver:

Angel C. The Woman Who Did: Janet Achurch, Ibsen, and the New Woman, Australia 1889-1891. [Internet] [Thesis]. University of Tasmania; 2014. [cited 2019 Dec 11]. Available from: https://eprints.utas.edu.au/20830/1/Whole-Angel-thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Angel C. The Woman Who Did: Janet Achurch, Ibsen, and the New Woman, Australia 1889-1891. [Thesis]. University of Tasmania; 2014. Available from: https://eprints.utas.edu.au/20830/1/Whole-Angel-thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

3. Malone, Jane Elizabeth. Cohabitation : placing disability centre stage.

Degree: 2011, Queensland University of Technology

 The play Cohabitation places disability centre stage by creating a three dimensional protagonist who is also a wheelchair user. The accompanying exegesis examines the challenges… (more)

Subjects/Keywords: playwriting; performance; disability; paraplegia; wheelchair; Australian theatre

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APA (6th Edition):

Malone, J. E. (2011). Cohabitation : placing disability centre stage. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/48459/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Malone, Jane Elizabeth. “Cohabitation : placing disability centre stage.” 2011. Thesis, Queensland University of Technology. Accessed December 11, 2019. https://eprints.qut.edu.au/48459/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Malone, Jane Elizabeth. “Cohabitation : placing disability centre stage.” 2011. Web. 11 Dec 2019.

Vancouver:

Malone JE. Cohabitation : placing disability centre stage. [Internet] [Thesis]. Queensland University of Technology; 2011. [cited 2019 Dec 11]. Available from: https://eprints.qut.edu.au/48459/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Malone JE. Cohabitation : placing disability centre stage. [Thesis]. Queensland University of Technology; 2011. Available from: https://eprints.qut.edu.au/48459/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

4. Crawford, Terence Michael. Real Human in this Fantastical World: Political, Artistic and Fictive Concerns of Actors in Rehearsal: An Ethnography .

Degree: 2015, University of Sydney

 This study adopts an ethnographic and—in part—autoethnographic stance in the observation of professional rehearsal rooms, with a view to identifying the division of interests and… (more)

Subjects/Keywords: ethnography; autoethnography; Australian theatre; acting; Bourdieu

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APA (6th Edition):

Crawford, T. M. (2015). Real Human in this Fantastical World: Political, Artistic and Fictive Concerns of Actors in Rehearsal: An Ethnography . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/13803

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crawford, Terence Michael. “Real Human in this Fantastical World: Political, Artistic and Fictive Concerns of Actors in Rehearsal: An Ethnography .” 2015. Thesis, University of Sydney. Accessed December 11, 2019. http://hdl.handle.net/2123/13803.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crawford, Terence Michael. “Real Human in this Fantastical World: Political, Artistic and Fictive Concerns of Actors in Rehearsal: An Ethnography .” 2015. Web. 11 Dec 2019.

Vancouver:

Crawford TM. Real Human in this Fantastical World: Political, Artistic and Fictive Concerns of Actors in Rehearsal: An Ethnography . [Internet] [Thesis]. University of Sydney; 2015. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/2123/13803.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crawford TM. Real Human in this Fantastical World: Political, Artistic and Fictive Concerns of Actors in Rehearsal: An Ethnography . [Thesis]. University of Sydney; 2015. Available from: http://hdl.handle.net/2123/13803

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

5. Moor, Andrea L. Contemporary actor training in Australia.

Degree: 2013, Queensland University of Technology

 This professional doctorate included a major research project investigating the efficacy of acting methodologies taught at four leading Australian actor-training institutions - National Institute of… (more)

Subjects/Keywords: Australian Actor Training; Actor Training; Australian Drama School; Australian Theatre Industry; Australian Film Industry; Australian Television Industry

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APA (6th Edition):

Moor, A. L. (2013). Contemporary actor training in Australia. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/63083/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moor, Andrea L. “Contemporary actor training in Australia.” 2013. Thesis, Queensland University of Technology. Accessed December 11, 2019. https://eprints.qut.edu.au/63083/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moor, Andrea L. “Contemporary actor training in Australia.” 2013. Web. 11 Dec 2019.

Vancouver:

Moor AL. Contemporary actor training in Australia. [Internet] [Thesis]. Queensland University of Technology; 2013. [cited 2019 Dec 11]. Available from: https://eprints.qut.edu.au/63083/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moor AL. Contemporary actor training in Australia. [Thesis]. Queensland University of Technology; 2013. Available from: https://eprints.qut.edu.au/63083/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Edith Cowan University

6. Parsons, Julie. Undressing and redressing the harlequin: An Australian designer's perspective.

Degree: 2009, Edith Cowan University

 In undressing and redressing the Harlequin from an Australian designer’s perspective, the question is why has the Harlequin costume endured for over 500 years and… (more)

Subjects/Keywords: Masks; Theatre; Australian identity; Fool; Joker; Costume design; Theatre History

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APA (6th Edition):

Parsons, J. (2009). Undressing and redressing the harlequin: An Australian designer's perspective. (Thesis). Edith Cowan University. Retrieved from http://ro.ecu.edu.au/theses/125

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Parsons, Julie. “Undressing and redressing the harlequin: An Australian designer's perspective.” 2009. Thesis, Edith Cowan University. Accessed December 11, 2019. http://ro.ecu.edu.au/theses/125.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Parsons, Julie. “Undressing and redressing the harlequin: An Australian designer's perspective.” 2009. Web. 11 Dec 2019.

Vancouver:

Parsons J. Undressing and redressing the harlequin: An Australian designer's perspective. [Internet] [Thesis]. Edith Cowan University; 2009. [cited 2019 Dec 11]. Available from: http://ro.ecu.edu.au/theses/125.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Parsons J. Undressing and redressing the harlequin: An Australian designer's perspective. [Thesis]. Edith Cowan University; 2009. Available from: http://ro.ecu.edu.au/theses/125

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

7. Schlusser, Daniel Eugen Bruni. The eye of the storm: an examination of directorial strategies and dramaturgical structures in the creation of a production of Ibsen's Peer Gynt.

Degree: 2010, University of Melbourne

 Daniel Schlusser proposes that his particular style of theatre directing includes three main threads: (1) working with large groups of actors, (2) keeping the whole… (more)

Subjects/Keywords: theatre; directing; Australian theatre; Ibsen; Peer Gynt; dramaturgy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schlusser, D. E. B. (2010). The eye of the storm: an examination of directorial strategies and dramaturgical structures in the creation of a production of Ibsen's Peer Gynt. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/37609

Chicago Manual of Style (16th Edition):

Schlusser, Daniel Eugen Bruni. “The eye of the storm: an examination of directorial strategies and dramaturgical structures in the creation of a production of Ibsen's Peer Gynt.” 2010. Masters Thesis, University of Melbourne. Accessed December 11, 2019. http://hdl.handle.net/11343/37609.

MLA Handbook (7th Edition):

Schlusser, Daniel Eugen Bruni. “The eye of the storm: an examination of directorial strategies and dramaturgical structures in the creation of a production of Ibsen's Peer Gynt.” 2010. Web. 11 Dec 2019.

Vancouver:

Schlusser DEB. The eye of the storm: an examination of directorial strategies and dramaturgical structures in the creation of a production of Ibsen's Peer Gynt. [Internet] [Masters thesis]. University of Melbourne; 2010. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/11343/37609.

Council of Science Editors:

Schlusser DEB. The eye of the storm: an examination of directorial strategies and dramaturgical structures in the creation of a production of Ibsen's Peer Gynt. [Masters Thesis]. University of Melbourne; 2010. Available from: http://hdl.handle.net/11343/37609


University of New South Wales

8. Zabala, Gabriela. The Politics of Drama: The Relationship Between the Communist Party of Australia and New Theatre Writers 1932-1980s.

Degree: Arts and Media, 2012, University of New South Wales

 One of the longest running theatre companies in Australia, New Theatre began life as the Workers’ Art Club in Sydney in 1932 as a Communist… (more)

Subjects/Keywords: Australian theatre; New Theatre; Communist Party of Australia

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zabala, G. (2012). The Politics of Drama: The Relationship Between the Communist Party of Australia and New Theatre Writers 1932-1980s. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/51946 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10616/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Zabala, Gabriela. “The Politics of Drama: The Relationship Between the Communist Party of Australia and New Theatre Writers 1932-1980s.” 2012. Doctoral Dissertation, University of New South Wales. Accessed December 11, 2019. http://handle.unsw.edu.au/1959.4/51946 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10616/SOURCE02?view=true.

MLA Handbook (7th Edition):

Zabala, Gabriela. “The Politics of Drama: The Relationship Between the Communist Party of Australia and New Theatre Writers 1932-1980s.” 2012. Web. 11 Dec 2019.

Vancouver:

Zabala G. The Politics of Drama: The Relationship Between the Communist Party of Australia and New Theatre Writers 1932-1980s. [Internet] [Doctoral dissertation]. University of New South Wales; 2012. [cited 2019 Dec 11]. Available from: http://handle.unsw.edu.au/1959.4/51946 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10616/SOURCE02?view=true.

Council of Science Editors:

Zabala G. The Politics of Drama: The Relationship Between the Communist Party of Australia and New Theatre Writers 1932-1980s. [Doctoral Dissertation]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/51946 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10616/SOURCE02?view=true


Queensland University of Technology

9. Moss, Merrilee Anne. Tango Femme : placing the lesbian centre stage.

Degree: 2009, Queensland University of Technology

 The play Tango Femme places the lesbian centre stage by creating characters, narrative and drama in the world of same-sex dancing. The accompanying exegesis examines… (more)

Subjects/Keywords: playwriting; performance; drama; lesbian theatre; women’s theatre; Australian theatre; queer theatre; minority theatre; same-sex dance

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APA (6th Edition):

Moss, M. A. (2009). Tango Femme : placing the lesbian centre stage. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/32157/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moss, Merrilee Anne. “Tango Femme : placing the lesbian centre stage.” 2009. Thesis, Queensland University of Technology. Accessed December 11, 2019. https://eprints.qut.edu.au/32157/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moss, Merrilee Anne. “Tango Femme : placing the lesbian centre stage.” 2009. Web. 11 Dec 2019.

Vancouver:

Moss MA. Tango Femme : placing the lesbian centre stage. [Internet] [Thesis]. Queensland University of Technology; 2009. [cited 2019 Dec 11]. Available from: https://eprints.qut.edu.au/32157/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moss MA. Tango Femme : placing the lesbian centre stage. [Thesis]. Queensland University of Technology; 2009. Available from: https://eprints.qut.edu.au/32157/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

10. Murphet, Richard. Acts of resistance: writing and directing in late modernist theatre.

Degree: 2017, University of Melbourne

 The decades of the late twentieth century witnessed concerted attempts within theatre to propose and develop alternatives to the forms of dramatic realism that had… (more)

Subjects/Keywords: theatre practice; late modernism; American theatre; Australian theatre; Richard Foreman; Jenny Kemp; Richard Murphet

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APA (6th Edition):

Murphet, R. (2017). Acts of resistance: writing and directing in late modernist theatre. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/194539

Chicago Manual of Style (16th Edition):

Murphet, Richard. “Acts of resistance: writing and directing in late modernist theatre.” 2017. Doctoral Dissertation, University of Melbourne. Accessed December 11, 2019. http://hdl.handle.net/11343/194539.

MLA Handbook (7th Edition):

Murphet, Richard. “Acts of resistance: writing and directing in late modernist theatre.” 2017. Web. 11 Dec 2019.

Vancouver:

Murphet R. Acts of resistance: writing and directing in late modernist theatre. [Internet] [Doctoral dissertation]. University of Melbourne; 2017. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/11343/194539.

Council of Science Editors:

Murphet R. Acts of resistance: writing and directing in late modernist theatre. [Doctoral Dissertation]. University of Melbourne; 2017. Available from: http://hdl.handle.net/11343/194539


Queensland University of Technology

11. Murray, Peta. Things that fall over : Women's playwriting, poetics and the (anti-)musical.

Degree: 2012, Queensland University of Technology

 This study explores the contradictions and ambivalences experienced by a working artist at a time when her age, her gender, and broader cultural shifts are… (more)

Subjects/Keywords: Australian theatre; creative writing; feminist theatre; intertextuality; women’s playwriting; women’s theatre; queer theatre; the anti- musical; the creative process

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APA (6th Edition):

Murray, P. (2012). Things that fall over : Women's playwriting, poetics and the (anti-)musical. (Thesis). Queensland University of Technology. Retrieved from http://eprints.qut.edu.au/53579/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Murray, Peta. “Things that fall over : Women's playwriting, poetics and the (anti-)musical.” 2012. Thesis, Queensland University of Technology. Accessed December 11, 2019. http://eprints.qut.edu.au/53579/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Murray, Peta. “Things that fall over : Women's playwriting, poetics and the (anti-)musical.” 2012. Web. 11 Dec 2019.

Vancouver:

Murray P. Things that fall over : Women's playwriting, poetics and the (anti-)musical. [Internet] [Thesis]. Queensland University of Technology; 2012. [cited 2019 Dec 11]. Available from: http://eprints.qut.edu.au/53579/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murray P. Things that fall over : Women's playwriting, poetics and the (anti-)musical. [Thesis]. Queensland University of Technology; 2012. Available from: http://eprints.qut.edu.au/53579/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Edith Cowan University

12. Pike, Shane Laurence. (Re)presenting Masculinity: A theatre director’s critical observations of, and theatrical experimentations with, (re)presentations of masculinity in selected works of contemporary Australian theatre.

Degree: 2014, Edith Cowan University

 The “crisis of masculinity” has become a catchphrase synonymous with reports of alcohol-fuelled violence, depression and, even, suicide amongst Australian males, particularly young men aged… (more)

Subjects/Keywords: Australian Theatre; Masculinity; Performance; Gender; Australian Male; Identity; Australian Legend; Practice Led Research; Arts Research; Drama; Directing; Theatre; Gender and Sexuality; Theatre and Performance Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pike, S. L. (2014). (Re)presenting Masculinity: A theatre director’s critical observations of, and theatrical experimentations with, (re)presentations of masculinity in selected works of contemporary Australian theatre. (Thesis). Edith Cowan University. Retrieved from https://ro.ecu.edu.au/theses/1526

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pike, Shane Laurence. “(Re)presenting Masculinity: A theatre director’s critical observations of, and theatrical experimentations with, (re)presentations of masculinity in selected works of contemporary Australian theatre.” 2014. Thesis, Edith Cowan University. Accessed December 11, 2019. https://ro.ecu.edu.au/theses/1526.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pike, Shane Laurence. “(Re)presenting Masculinity: A theatre director’s critical observations of, and theatrical experimentations with, (re)presentations of masculinity in selected works of contemporary Australian theatre.” 2014. Web. 11 Dec 2019.

Vancouver:

Pike SL. (Re)presenting Masculinity: A theatre director’s critical observations of, and theatrical experimentations with, (re)presentations of masculinity in selected works of contemporary Australian theatre. [Internet] [Thesis]. Edith Cowan University; 2014. [cited 2019 Dec 11]. Available from: https://ro.ecu.edu.au/theses/1526.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pike SL. (Re)presenting Masculinity: A theatre director’s critical observations of, and theatrical experimentations with, (re)presentations of masculinity in selected works of contemporary Australian theatre. [Thesis]. Edith Cowan University; 2014. Available from: https://ro.ecu.edu.au/theses/1526

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

13. Stewart, Lucy Claire. "Theatre of the dancing language" : new possibilities in contemporary Australian playwrighting.

Degree: 2008, Queensland University of Technology

 This study focuses on trends in contemporary Australian playwrighting, discussing recent investigations into the playwrighting process. The study analyses the current state of this country’s… (more)

Subjects/Keywords: Theatre; playwriting/ playwrighting; New Lyricism; magic realism; history of Australian theatre; contemporary Australian theatre; creative practice as research; playwriting structure; playwriting trends; postdramatic theatre

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APA (6th Edition):

Stewart, L. C. (2008). "Theatre of the dancing language" : new possibilities in contemporary Australian playwrighting. (Thesis). Queensland University of Technology. Retrieved from http://eprints.qut.edu.au/28477/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stewart, Lucy Claire. “"Theatre of the dancing language" : new possibilities in contemporary Australian playwrighting.” 2008. Thesis, Queensland University of Technology. Accessed December 11, 2019. http://eprints.qut.edu.au/28477/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stewart, Lucy Claire. “"Theatre of the dancing language" : new possibilities in contemporary Australian playwrighting.” 2008. Web. 11 Dec 2019.

Vancouver:

Stewart LC. "Theatre of the dancing language" : new possibilities in contemporary Australian playwrighting. [Internet] [Thesis]. Queensland University of Technology; 2008. [cited 2019 Dec 11]. Available from: http://eprints.qut.edu.au/28477/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stewart LC. "Theatre of the dancing language" : new possibilities in contemporary Australian playwrighting. [Thesis]. Queensland University of Technology; 2008. Available from: http://eprints.qut.edu.au/28477/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

14. Field , Sue. Drawn to the light: the freehand drawing from the dramatic text as an illumination of the theatre designer’s eye of the mind.

Degree: Design Studies, 2012, University of New South Wales

 This practice-based research is drawn from the broader field of the Dramatic Arts andlies within the specific discipline of theatre design. The principle aim is… (more)

Subjects/Keywords: freehand; drawing; light; dramatic texts; theatre design; Australian

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APA (6th Edition):

Field , S. (2012). Drawn to the light: the freehand drawing from the dramatic text as an illumination of the theatre designer’s eye of the mind. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/52257 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10929/SOURCE01?view=true

Chicago Manual of Style (16th Edition):

Field , Sue. “Drawn to the light: the freehand drawing from the dramatic text as an illumination of the theatre designer’s eye of the mind.” 2012. Masters Thesis, University of New South Wales. Accessed December 11, 2019. http://handle.unsw.edu.au/1959.4/52257 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10929/SOURCE01?view=true.

MLA Handbook (7th Edition):

Field , Sue. “Drawn to the light: the freehand drawing from the dramatic text as an illumination of the theatre designer’s eye of the mind.” 2012. Web. 11 Dec 2019.

Vancouver:

Field S. Drawn to the light: the freehand drawing from the dramatic text as an illumination of the theatre designer’s eye of the mind. [Internet] [Masters thesis]. University of New South Wales; 2012. [cited 2019 Dec 11]. Available from: http://handle.unsw.edu.au/1959.4/52257 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10929/SOURCE01?view=true.

Council of Science Editors:

Field S. Drawn to the light: the freehand drawing from the dramatic text as an illumination of the theatre designer’s eye of the mind. [Masters Thesis]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/52257 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10929/SOURCE01?view=true


Queensland University of Technology

15. Comans, Christine Anne Wilmington. La Boite Theatre 1925 to 2003: an historical survey of its transformation from an amateur repertory society to an established professional company.

Degree: 2006, Queensland University of Technology

 This study addresses the central question of how Brisbane's La Boite Theatre negotiated its transformation from an amateur repertory society to an established professional company… (more)

Subjects/Keywords: Australian theatre history; Brisbane Repertory Theatre; Brisbane theatre history; La Boite Theatre Company

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APA (6th Edition):

Comans, C. A. W. (2006). La Boite Theatre 1925 to 2003: an historical survey of its transformation from an amateur repertory society to an established professional company. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/16306/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Comans, Christine Anne Wilmington. “La Boite Theatre 1925 to 2003: an historical survey of its transformation from an amateur repertory society to an established professional company.” 2006. Thesis, Queensland University of Technology. Accessed December 11, 2019. https://eprints.qut.edu.au/16306/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Comans, Christine Anne Wilmington. “La Boite Theatre 1925 to 2003: an historical survey of its transformation from an amateur repertory society to an established professional company.” 2006. Web. 11 Dec 2019.

Vancouver:

Comans CAW. La Boite Theatre 1925 to 2003: an historical survey of its transformation from an amateur repertory society to an established professional company. [Internet] [Thesis]. Queensland University of Technology; 2006. [cited 2019 Dec 11]. Available from: https://eprints.qut.edu.au/16306/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Comans CAW. La Boite Theatre 1925 to 2003: an historical survey of its transformation from an amateur repertory society to an established professional company. [Thesis]. Queensland University of Technology; 2006. Available from: https://eprints.qut.edu.au/16306/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Pike, Shane. (Re)presenting Masculinity: A theatre director's critical observations of, and theatrical experimentation with, (re)presentations of masculinity in selected works of contemporary Australian theatre.

Degree: 2014, Western Australian Academy of Performing Arts, Edith Cowan University

 Health professionals, academics, social commentators and the media are increasingly sending the same message – Australian men are in crisis. This message has been supported… (more)

Subjects/Keywords: 190404 Drama Theatre and Performance Studies; Drama; Australian Theatre; Masculinity in performance; Gender in Performance; Practice-led research

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APA (6th Edition):

Pike, S. (2014). (Re)presenting Masculinity: A theatre director's critical observations of, and theatrical experimentation with, (re)presentations of masculinity in selected works of contemporary Australian theatre. (Thesis). Western Australian Academy of Performing Arts, Edith Cowan University. Retrieved from http://eprints.qut.edu.au/93340/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pike, Shane. “(Re)presenting Masculinity: A theatre director's critical observations of, and theatrical experimentation with, (re)presentations of masculinity in selected works of contemporary Australian theatre.” 2014. Thesis, Western Australian Academy of Performing Arts, Edith Cowan University. Accessed December 11, 2019. http://eprints.qut.edu.au/93340/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pike, Shane. “(Re)presenting Masculinity: A theatre director's critical observations of, and theatrical experimentation with, (re)presentations of masculinity in selected works of contemporary Australian theatre.” 2014. Web. 11 Dec 2019.

Vancouver:

Pike S. (Re)presenting Masculinity: A theatre director's critical observations of, and theatrical experimentation with, (re)presentations of masculinity in selected works of contemporary Australian theatre. [Internet] [Thesis]. Western Australian Academy of Performing Arts, Edith Cowan University; 2014. [cited 2019 Dec 11]. Available from: http://eprints.qut.edu.au/93340/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pike S. (Re)presenting Masculinity: A theatre director's critical observations of, and theatrical experimentation with, (re)presentations of masculinity in selected works of contemporary Australian theatre. [Thesis]. Western Australian Academy of Performing Arts, Edith Cowan University; 2014. Available from: http://eprints.qut.edu.au/93340/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

17. Brook, Simon Richard. Industrial playwriting : forms, strategies, and methods for creative production.

Degree: 2009, Queensland University of Technology

 This study, in its exploration of the attached play scripts and their method of development, evaluates the forms, strategies, and methods of an organised model… (more)

Subjects/Keywords: playwriting; industrial playwriting; writer development models; Australian theatre history; new play production

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APA (6th Edition):

Brook, S. R. (2009). Industrial playwriting : forms, strategies, and methods for creative production. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/30137/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brook, Simon Richard. “Industrial playwriting : forms, strategies, and methods for creative production.” 2009. Thesis, Queensland University of Technology. Accessed December 11, 2019. https://eprints.qut.edu.au/30137/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brook, Simon Richard. “Industrial playwriting : forms, strategies, and methods for creative production.” 2009. Web. 11 Dec 2019.

Vancouver:

Brook SR. Industrial playwriting : forms, strategies, and methods for creative production. [Internet] [Thesis]. Queensland University of Technology; 2009. [cited 2019 Dec 11]. Available from: https://eprints.qut.edu.au/30137/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brook SR. Industrial playwriting : forms, strategies, and methods for creative production. [Thesis]. Queensland University of Technology; 2009. Available from: https://eprints.qut.edu.au/30137/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Edith Cowan University

18. Fitzgerald, Melissa Claire. Bridging the Great Divide: An Exploration of Postmodernism in the Guitar Music of Nigel Westlake.

Degree: 2017, Edith Cowan University

 This research explores the tension between ‘elite’ and ‘popular’ musical styles in eight significant works of guitar music by Australian composer Nigel Westlake; namely Antarctica,… (more)

Subjects/Keywords: Nigel Westlake; classical guitar; Australian music; octatonicism; minimalism; Music; Theatre and Performance Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fitzgerald, M. C. (2017). Bridging the Great Divide: An Exploration of Postmodernism in the Guitar Music of Nigel Westlake. (Thesis). Edith Cowan University. Retrieved from http://ro.ecu.edu.au/theses/2000

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fitzgerald, Melissa Claire. “Bridging the Great Divide: An Exploration of Postmodernism in the Guitar Music of Nigel Westlake.” 2017. Thesis, Edith Cowan University. Accessed December 11, 2019. http://ro.ecu.edu.au/theses/2000.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fitzgerald, Melissa Claire. “Bridging the Great Divide: An Exploration of Postmodernism in the Guitar Music of Nigel Westlake.” 2017. Web. 11 Dec 2019.

Vancouver:

Fitzgerald MC. Bridging the Great Divide: An Exploration of Postmodernism in the Guitar Music of Nigel Westlake. [Internet] [Thesis]. Edith Cowan University; 2017. [cited 2019 Dec 11]. Available from: http://ro.ecu.edu.au/theses/2000.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fitzgerald MC. Bridging the Great Divide: An Exploration of Postmodernism in the Guitar Music of Nigel Westlake. [Thesis]. Edith Cowan University; 2017. Available from: http://ro.ecu.edu.au/theses/2000

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Edith Cowan University

19. Conte, Susannah. The Fifth Sparrow: In Memory of Mollie Skinner.

Degree: 2018, Edith Cowan University

 This thesis offers a case study in adapting Australian literary biography to the theatre, specifically in the form of a one woman show or monologue… (more)

Subjects/Keywords: mollie Skinner; play-writing; theatre; biography Western Australia; history; author; D.H. Lawrence; Mary Durack; Australian literature; one-woman show; feminist; Playwriting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Conte, S. (2018). The Fifth Sparrow: In Memory of Mollie Skinner. (Thesis). Edith Cowan University. Retrieved from https://ro.ecu.edu.au/theses/2080

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Conte, Susannah. “The Fifth Sparrow: In Memory of Mollie Skinner.” 2018. Thesis, Edith Cowan University. Accessed December 11, 2019. https://ro.ecu.edu.au/theses/2080.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Conte, Susannah. “The Fifth Sparrow: In Memory of Mollie Skinner.” 2018. Web. 11 Dec 2019.

Vancouver:

Conte S. The Fifth Sparrow: In Memory of Mollie Skinner. [Internet] [Thesis]. Edith Cowan University; 2018. [cited 2019 Dec 11]. Available from: https://ro.ecu.edu.au/theses/2080.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Conte S. The Fifth Sparrow: In Memory of Mollie Skinner. [Thesis]. Edith Cowan University; 2018. Available from: https://ro.ecu.edu.au/theses/2080

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Edith Cowan University

20. Tuffin, Zoe. Claiming Shakespeare for our own: An investigation into directing Shakespeare in Australia in the 21st century.

Degree: 2014, Edith Cowan University

 Shakespeare has been performed on Australian stages for over two hundred years, yet despite this fact, in Australia we still treat Shakespeare as a revered… (more)

Subjects/Keywords: Shakespeare; William; 1564-1616 - Dramatic production - 21st century; Shakespeare; William; 1564-1616 - Stage history - Taiwan - 21st century; Shakespeare; Australian theatre; Intercultural theatrel; Tiawanese theatre; Asian Shakespeare; Zen Zen Zo Physical Theatre; John Bell; Contemporary Legend Theatre; Wu Hsing-Ko; Other Theatre and Performance Studies; Performance Studies; Theatre History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tuffin, Z. (2014). Claiming Shakespeare for our own: An investigation into directing Shakespeare in Australia in the 21st century. (Thesis). Edith Cowan University. Retrieved from https://ro.ecu.edu.au/theses/1285

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tuffin, Zoe. “Claiming Shakespeare for our own: An investigation into directing Shakespeare in Australia in the 21st century.” 2014. Thesis, Edith Cowan University. Accessed December 11, 2019. https://ro.ecu.edu.au/theses/1285.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tuffin, Zoe. “Claiming Shakespeare for our own: An investigation into directing Shakespeare in Australia in the 21st century.” 2014. Web. 11 Dec 2019.

Vancouver:

Tuffin Z. Claiming Shakespeare for our own: An investigation into directing Shakespeare in Australia in the 21st century. [Internet] [Thesis]. Edith Cowan University; 2014. [cited 2019 Dec 11]. Available from: https://ro.ecu.edu.au/theses/1285.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tuffin Z. Claiming Shakespeare for our own: An investigation into directing Shakespeare in Australia in the 21st century. [Thesis]. Edith Cowan University; 2014. Available from: https://ro.ecu.edu.au/theses/1285

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Queensland

21. Radbourne, Jennifer J. Little theatre: Its development, since World War II, in Australia, with particular reference to Queensland.

Degree: School of English, Media Studies and Art History, 1979, University of Queensland

Subjects/Keywords: Theater  – Queensland  – History  – 20th century; Theater  – Australia  – History  – 20th century; 190404 Drama, Theatre and Performance Studies; 210303 Australian History (excl. Aboriginal and Torres Strait Islander History)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Radbourne, J. J. (1979). Little theatre: Its development, since World War II, in Australia, with particular reference to Queensland. (Thesis). University of Queensland. Retrieved from http://espace.library.uq.edu.au/view/UQ:190020

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Radbourne, Jennifer J. “Little theatre: Its development, since World War II, in Australia, with particular reference to Queensland.” 1979. Thesis, University of Queensland. Accessed December 11, 2019. http://espace.library.uq.edu.au/view/UQ:190020.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Radbourne, Jennifer J. “Little theatre: Its development, since World War II, in Australia, with particular reference to Queensland.” 1979. Web. 11 Dec 2019.

Vancouver:

Radbourne JJ. Little theatre: Its development, since World War II, in Australia, with particular reference to Queensland. [Internet] [Thesis]. University of Queensland; 1979. [cited 2019 Dec 11]. Available from: http://espace.library.uq.edu.au/view/UQ:190020.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Radbourne JJ. Little theatre: Its development, since World War II, in Australia, with particular reference to Queensland. [Thesis]. University of Queensland; 1979. Available from: http://espace.library.uq.edu.au/view/UQ:190020

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Queensland

22. Ryan, Delyse Joy. Brisbane theatre during World War I.

Degree: School of English, Media Studies and Art History, 2000, University of Queensland

Subjects/Keywords: Theater  – Queensland  – Brisbane  – History.; 410102 Drama, Theatre and Performance Studies; L; 750201 The performing arts (incl. music, theatre and dance); 190404 Drama, Theatre and Performance Studies; 210303 Australian History (excl. Aboriginal and Torres Strait Islander History)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ryan, D. J. (2000). Brisbane theatre during World War I. (Thesis). University of Queensland. Retrieved from http://espace.library.uq.edu.au/view/UQ:193253

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ryan, Delyse Joy. “Brisbane theatre during World War I.” 2000. Thesis, University of Queensland. Accessed December 11, 2019. http://espace.library.uq.edu.au/view/UQ:193253.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ryan, Delyse Joy. “Brisbane theatre during World War I.” 2000. Web. 11 Dec 2019.

Vancouver:

Ryan DJ. Brisbane theatre during World War I. [Internet] [Thesis]. University of Queensland; 2000. [cited 2019 Dec 11]. Available from: http://espace.library.uq.edu.au/view/UQ:193253.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ryan DJ. Brisbane theatre during World War I. [Thesis]. University of Queensland; 2000. Available from: http://espace.library.uq.edu.au/view/UQ:193253

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Macquarie University

23. Sawada, Keiji. From The floating world to The 7 stages of grieving: the presentation of contemporary Australian plays in Japan.

Degree: PhD, 2005, Macquarie University

Bibliography: p. 274-291.

Introduction  – The emergence of "honyakugeki"  – Shôgekijô and the quest for national identity  – "Honyakugeki" after the rise of Shôgekijô  –… (more)

Subjects/Keywords: Theater  – Japan; Australian drama  – Japan; Australian drama  – Aboriginal Australian authors  – Translations into Japanese; Theater and society  – Japan; Minorities  – Japan; Japan  – Civilization  – 1945

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APA (6th Edition):

Sawada, K. (2005). From The floating world to The 7 stages of grieving: the presentation of contemporary Australian plays in Japan. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/13213

Chicago Manual of Style (16th Edition):

Sawada, Keiji. “From The floating world to The 7 stages of grieving: the presentation of contemporary Australian plays in Japan.” 2005. Doctoral Dissertation, Macquarie University. Accessed December 11, 2019. http://hdl.handle.net/1959.14/13213.

MLA Handbook (7th Edition):

Sawada, Keiji. “From The floating world to The 7 stages of grieving: the presentation of contemporary Australian plays in Japan.” 2005. Web. 11 Dec 2019.

Vancouver:

Sawada K. From The floating world to The 7 stages of grieving: the presentation of contemporary Australian plays in Japan. [Internet] [Doctoral dissertation]. Macquarie University; 2005. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/1959.14/13213.

Council of Science Editors:

Sawada K. From The floating world to The 7 stages of grieving: the presentation of contemporary Australian plays in Japan. [Doctoral Dissertation]. Macquarie University; 2005. Available from: http://hdl.handle.net/1959.14/13213


University of Queensland

24. Mercer, Leah (Leah Gwenyth). A temporary moment of feminization : theatre work/ers in 1920s' Brisbane.

Degree: School of English, Media Studies and Art History, 1998, University of Queensland

Subjects/Keywords: Theater  – Queensland  – Brisbane  – History; Women in the theater  – Queensland; Feminism and theater  – Queensland; 190404 Drama, Theatre and Performance Studies; 210303 Australian History (excl. Aboriginal and Torres Strait Islander History)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mercer, L. (. G. (1998). A temporary moment of feminization : theatre work/ers in 1920s' Brisbane. (Thesis). University of Queensland. Retrieved from http://espace.library.uq.edu.au/view/UQ:196343

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mercer, Leah (Leah Gwenyth). “A temporary moment of feminization : theatre work/ers in 1920s' Brisbane.” 1998. Thesis, University of Queensland. Accessed December 11, 2019. http://espace.library.uq.edu.au/view/UQ:196343.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mercer, Leah (Leah Gwenyth). “A temporary moment of feminization : theatre work/ers in 1920s' Brisbane.” 1998. Web. 11 Dec 2019.

Vancouver:

Mercer L(G. A temporary moment of feminization : theatre work/ers in 1920s' Brisbane. [Internet] [Thesis]. University of Queensland; 1998. [cited 2019 Dec 11]. Available from: http://espace.library.uq.edu.au/view/UQ:196343.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mercer L(G. A temporary moment of feminization : theatre work/ers in 1920s' Brisbane. [Thesis]. University of Queensland; 1998. Available from: http://espace.library.uq.edu.au/view/UQ:196343

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

25. Jordan, Richard. The space between: Representing 'youth' on the contemporary Australian stage.

Degree: 2006, Queensland University of Technology

 Young characters throughout the history of Australian theatre have traditionally been represented as tragic, transient, and dangerous; discourses which have defined and limited their construction.… (more)

Subjects/Keywords: youth culture; performance; theatre for young people; post-modern theatre; history of Australian theatre; Queensland theatre; performativity; television; creative practice as research

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APA (6th Edition):

Jordan, R. (2006). The space between: Representing 'youth' on the contemporary Australian stage. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/16173/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jordan, Richard. “The space between: Representing 'youth' on the contemporary Australian stage.” 2006. Thesis, Queensland University of Technology. Accessed December 11, 2019. https://eprints.qut.edu.au/16173/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jordan, Richard. “The space between: Representing 'youth' on the contemporary Australian stage.” 2006. Web. 11 Dec 2019.

Vancouver:

Jordan R. The space between: Representing 'youth' on the contemporary Australian stage. [Internet] [Thesis]. Queensland University of Technology; 2006. [cited 2019 Dec 11]. Available from: https://eprints.qut.edu.au/16173/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jordan R. The space between: Representing 'youth' on the contemporary Australian stage. [Thesis]. Queensland University of Technology; 2006. Available from: https://eprints.qut.edu.au/16173/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

26. Adams, R. E. Seeing in unordinary ways: magical realism in Australian theatre.

Degree: 2008, University of Melbourne

 This thesis introduces three emerging Australian playwrights, Lally Katz, Ben Ellis and Kit Lazaroo, who are interrogating the politics of culture, identity and gender through… (more)

Subjects/Keywords: magical realism; Australian theatre; Lally Katz; Ben Ellis; Kit Lazaroo

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APA (6th Edition):

Adams, R. E. (2008). Seeing in unordinary ways: magical realism in Australian theatre. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/39592

Chicago Manual of Style (16th Edition):

Adams, R E. “Seeing in unordinary ways: magical realism in Australian theatre.” 2008. Doctoral Dissertation, University of Melbourne. Accessed December 11, 2019. http://hdl.handle.net/11343/39592.

MLA Handbook (7th Edition):

Adams, R E. “Seeing in unordinary ways: magical realism in Australian theatre.” 2008. Web. 11 Dec 2019.

Vancouver:

Adams RE. Seeing in unordinary ways: magical realism in Australian theatre. [Internet] [Doctoral dissertation]. University of Melbourne; 2008. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/11343/39592.

Council of Science Editors:

Adams RE. Seeing in unordinary ways: magical realism in Australian theatre. [Doctoral Dissertation]. University of Melbourne; 2008. Available from: http://hdl.handle.net/11343/39592


Queensland University of Technology

27. Faulkner, Natalie. Section 24 of the criminal code : navigating veracity and verisimilitude in verbatim theatre.

Degree: 2007, Queensland University of Technology

 This research project comprises a stage play Section 24 of the Criminal Code, and accompanying exegesis, which focuses upon the experience of a woman accessing… (more)

Subjects/Keywords: Verbatim theatre; transcript theatre; Australian Justice system; rape and sexual assault; deserving victim; false rape; autobiography; testimonio; life history; feminist theatre; playwrighting; practice as research.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Faulkner, N. (2007). Section 24 of the criminal code : navigating veracity and verisimilitude in verbatim theatre. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/16641/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Faulkner, Natalie. “Section 24 of the criminal code : navigating veracity and verisimilitude in verbatim theatre.” 2007. Thesis, Queensland University of Technology. Accessed December 11, 2019. https://eprints.qut.edu.au/16641/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Faulkner, Natalie. “Section 24 of the criminal code : navigating veracity and verisimilitude in verbatim theatre.” 2007. Web. 11 Dec 2019.

Vancouver:

Faulkner N. Section 24 of the criminal code : navigating veracity and verisimilitude in verbatim theatre. [Internet] [Thesis]. Queensland University of Technology; 2007. [cited 2019 Dec 11]. Available from: https://eprints.qut.edu.au/16641/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Faulkner N. Section 24 of the criminal code : navigating veracity and verisimilitude in verbatim theatre. [Thesis]. Queensland University of Technology; 2007. Available from: https://eprints.qut.edu.au/16641/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

28. Carroll, Kieran. Joanna Murray-Smith and Daniel Keene : class oppositions.

Degree: 2007, Queensland University of Technology

 Joanna Murray-Smith and Daniel Keene are both successful mid-career Melbourne playwrights. Taking them as a starting point and re-tracing an Australian theatrical lineage, this project… (more)

Subjects/Keywords: Australian theatre; urban plays; urban drama; Melbourne playwrights; pageant-play; Daniel Keene; Joanna Murray-Smith

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carroll, K. (2007). Joanna Murray-Smith and Daniel Keene : class oppositions. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/16604/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carroll, Kieran. “Joanna Murray-Smith and Daniel Keene : class oppositions.” 2007. Thesis, Queensland University of Technology. Accessed December 11, 2019. https://eprints.qut.edu.au/16604/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carroll, Kieran. “Joanna Murray-Smith and Daniel Keene : class oppositions.” 2007. Web. 11 Dec 2019.

Vancouver:

Carroll K. Joanna Murray-Smith and Daniel Keene : class oppositions. [Internet] [Thesis]. Queensland University of Technology; 2007. [cited 2019 Dec 11]. Available from: https://eprints.qut.edu.au/16604/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carroll K. Joanna Murray-Smith and Daniel Keene : class oppositions. [Thesis]. Queensland University of Technology; 2007. Available from: https://eprints.qut.edu.au/16604/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

29. Pryde, Bernadette Anne. Languaging the actor : an examination of the terminology used in actor training.

Degree: 2002, Queensland University of Technology

 Throughout the twentieth century increased interest in the training of actors resulted in the emergence of a plethora of acting theories and innovative theatrical movements… (more)

Subjects/Keywords: acting study and teaching; theater terminology; actors training of; acting; actor training; Australian actor training; grounded theory; language; thesis; masters

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pryde, B. A. (2002). Languaging the actor : an examination of the terminology used in actor training. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/36445/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pryde, Bernadette Anne. “Languaging the actor : an examination of the terminology used in actor training.” 2002. Thesis, Queensland University of Technology. Accessed December 11, 2019. https://eprints.qut.edu.au/36445/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pryde, Bernadette Anne. “Languaging the actor : an examination of the terminology used in actor training.” 2002. Web. 11 Dec 2019.

Vancouver:

Pryde BA. Languaging the actor : an examination of the terminology used in actor training. [Internet] [Thesis]. Queensland University of Technology; 2002. [cited 2019 Dec 11]. Available from: https://eprints.qut.edu.au/36445/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pryde BA. Languaging the actor : an examination of the terminology used in actor training. [Thesis]. Queensland University of Technology; 2002. Available from: https://eprints.qut.edu.au/36445/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

30. Beaton, Hilary. Millennium bridge: a contemporary Australian history.

Degree: 2006, Queensland University of Technology

 The script, Millennium Bridge, is an investigation into the passions and fears that are shaping contemporary Australia today. Charting the political climate of the past… (more)

Subjects/Keywords: mid career; playwright profile; playwrighting; early career; commissioning process; theatre reviews; theatre industry; creative industries; government funding; audience development; consumers and distributors; Asian-Australian relations; globalisation; human rights abuse; bridge-building

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Beaton, H. (2006). Millennium bridge: a contemporary Australian history. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/16435/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beaton, Hilary. “Millennium bridge: a contemporary Australian history.” 2006. Thesis, Queensland University of Technology. Accessed December 11, 2019. https://eprints.qut.edu.au/16435/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beaton, Hilary. “Millennium bridge: a contemporary Australian history.” 2006. Web. 11 Dec 2019.

Vancouver:

Beaton H. Millennium bridge: a contemporary Australian history. [Internet] [Thesis]. Queensland University of Technology; 2006. [cited 2019 Dec 11]. Available from: https://eprints.qut.edu.au/16435/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beaton H. Millennium bridge: a contemporary Australian history. [Thesis]. Queensland University of Technology; 2006. Available from: https://eprints.qut.edu.au/16435/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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