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You searched for subject:(Audio Arts AND Acoustics). Showing records 1 – 30 of 43 total matches.

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Clemson University

1. Iyer, Vaibhav. ACOUSTIC SCATTERING AND RADIATION RESPONSE OF CIRCULAR HEXAGONAL AND AUXETIC HONEYCOMB SHELL STRUCTURES.

Degree: MS, Mechanical Engineering, 2014, Clemson University

  Sandwich panels with honeycomb cores are used in many engineering applications because of their high strength to weight ratio, vibration isolation and sound transmission… (more)

Subjects/Keywords: Cylindrical shell; Radiation; Scattering; Audio Arts and Acoustics; Mechanical Engineering

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APA (6th Edition):

Iyer, V. (2014). ACOUSTIC SCATTERING AND RADIATION RESPONSE OF CIRCULAR HEXAGONAL AND AUXETIC HONEYCOMB SHELL STRUCTURES. (Masters Thesis). Clemson University. Retrieved from https://tigerprints.clemson.edu/all_theses/1912

Chicago Manual of Style (16th Edition):

Iyer, Vaibhav. “ACOUSTIC SCATTERING AND RADIATION RESPONSE OF CIRCULAR HEXAGONAL AND AUXETIC HONEYCOMB SHELL STRUCTURES.” 2014. Masters Thesis, Clemson University. Accessed August 24, 2019. https://tigerprints.clemson.edu/all_theses/1912.

MLA Handbook (7th Edition):

Iyer, Vaibhav. “ACOUSTIC SCATTERING AND RADIATION RESPONSE OF CIRCULAR HEXAGONAL AND AUXETIC HONEYCOMB SHELL STRUCTURES.” 2014. Web. 24 Aug 2019.

Vancouver:

Iyer V. ACOUSTIC SCATTERING AND RADIATION RESPONSE OF CIRCULAR HEXAGONAL AND AUXETIC HONEYCOMB SHELL STRUCTURES. [Internet] [Masters thesis]. Clemson University; 2014. [cited 2019 Aug 24]. Available from: https://tigerprints.clemson.edu/all_theses/1912.

Council of Science Editors:

Iyer V. ACOUSTIC SCATTERING AND RADIATION RESPONSE OF CIRCULAR HEXAGONAL AND AUXETIC HONEYCOMB SHELL STRUCTURES. [Masters Thesis]. Clemson University; 2014. Available from: https://tigerprints.clemson.edu/all_theses/1912


University of Tennessee – Knoxville

2. Robinette, Larry N. Acoustic Reflex Threshold-Duration Functions for Normals and Noise-Induced Permanent Threshold Shift.

Degree: MA, Speech and Hearing Science, 1975, University of Tennessee – Knoxville

  The purpose of this investigation was to compare the effects of temporal auditory integration on the acoustic reflex thresholds for subjects with normal hearing… (more)

Subjects/Keywords: Audio Arts and Acoustics

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APA (6th Edition):

Robinette, L. N. (1975). Acoustic Reflex Threshold-Duration Functions for Normals and Noise-Induced Permanent Threshold Shift. (Thesis). University of Tennessee – Knoxville. Retrieved from https://trace.tennessee.edu/utk_gradthes/4351

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Robinette, Larry N. “Acoustic Reflex Threshold-Duration Functions for Normals and Noise-Induced Permanent Threshold Shift.” 1975. Thesis, University of Tennessee – Knoxville. Accessed August 24, 2019. https://trace.tennessee.edu/utk_gradthes/4351.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Robinette, Larry N. “Acoustic Reflex Threshold-Duration Functions for Normals and Noise-Induced Permanent Threshold Shift.” 1975. Web. 24 Aug 2019.

Vancouver:

Robinette LN. Acoustic Reflex Threshold-Duration Functions for Normals and Noise-Induced Permanent Threshold Shift. [Internet] [Thesis]. University of Tennessee – Knoxville; 1975. [cited 2019 Aug 24]. Available from: https://trace.tennessee.edu/utk_gradthes/4351.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Robinette LN. Acoustic Reflex Threshold-Duration Functions for Normals and Noise-Induced Permanent Threshold Shift. [Thesis]. University of Tennessee – Knoxville; 1975. Available from: https://trace.tennessee.edu/utk_gradthes/4351

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Hutchison, Bradford S. Performance Space for Niche and Emerging Artists.

Degree: Master of Architecture (M.Arch.), Architecture, 2012, University of Massachusetts

  While large performance spaces fulfill important cultural, civic, architectural and artistic needs, few performing artists begin their careers playing in large halls. As in… (more)

Subjects/Keywords: Performance space; social space; Architecture; Audio Arts and Acoustics; Music Performance

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APA (6th Edition):

Hutchison, B. S. (2012). Performance Space for Niche and Emerging Artists. (Masters Thesis). University of Massachusetts. Retrieved from https://scholarworks.umass.edu/theses/872

Chicago Manual of Style (16th Edition):

Hutchison, Bradford S. “Performance Space for Niche and Emerging Artists.” 2012. Masters Thesis, University of Massachusetts. Accessed August 24, 2019. https://scholarworks.umass.edu/theses/872.

MLA Handbook (7th Edition):

Hutchison, Bradford S. “Performance Space for Niche and Emerging Artists.” 2012. Web. 24 Aug 2019.

Vancouver:

Hutchison BS. Performance Space for Niche and Emerging Artists. [Internet] [Masters thesis]. University of Massachusetts; 2012. [cited 2019 Aug 24]. Available from: https://scholarworks.umass.edu/theses/872.

Council of Science Editors:

Hutchison BS. Performance Space for Niche and Emerging Artists. [Masters Thesis]. University of Massachusetts; 2012. Available from: https://scholarworks.umass.edu/theses/872


Southern Cross University

4. Chambin, Philippe. Skweeel : towards a method for music production with an automated large-format analogue audio mixing console used as a sound-generating device through controlled Larsen effects.

Degree: 2019, Southern Cross University

 Large-format analogue consoles such as the Neve VR, VX and 88R, or the Solid State Logic SL 4000 G and XL 9000 K, are being… (more)

Subjects/Keywords: music production; audio feedback-loop; electronic computer assisted-music; Arts and Humanities; Audio Arts and Acoustics; Music

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APA (6th Edition):

Chambin, P. (2019). Skweeel : towards a method for music production with an automated large-format analogue audio mixing console used as a sound-generating device through controlled Larsen effects. (Thesis). Southern Cross University. Retrieved from https://epubs.scu.edu.au/theses/640

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chambin, Philippe. “Skweeel : towards a method for music production with an automated large-format analogue audio mixing console used as a sound-generating device through controlled Larsen effects.” 2019. Thesis, Southern Cross University. Accessed August 24, 2019. https://epubs.scu.edu.au/theses/640.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chambin, Philippe. “Skweeel : towards a method for music production with an automated large-format analogue audio mixing console used as a sound-generating device through controlled Larsen effects.” 2019. Web. 24 Aug 2019.

Vancouver:

Chambin P. Skweeel : towards a method for music production with an automated large-format analogue audio mixing console used as a sound-generating device through controlled Larsen effects. [Internet] [Thesis]. Southern Cross University; 2019. [cited 2019 Aug 24]. Available from: https://epubs.scu.edu.au/theses/640.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chambin P. Skweeel : towards a method for music production with an automated large-format analogue audio mixing console used as a sound-generating device through controlled Larsen effects. [Thesis]. Southern Cross University; 2019. Available from: https://epubs.scu.edu.au/theses/640

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

5. Sheaffer, Kelsey. Choreographic Space.

Degree: MFA, Kinetic Imaging, 2016, Virginia Commonwealth University

  This thesis, Choreographic Space, and accompanying exhibit is an arrangement of contemporary work being done in the cross-over between movement, drawing, sound and architecture.… (more)

Subjects/Keywords: movement; drawing; sound; architecture; choreographic object; Audio Arts and Acoustics; Dance; Fine Arts; Interdisciplinary Arts and Media

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APA (6th Edition):

Sheaffer, K. (2016). Choreographic Space. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/4254

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sheaffer, Kelsey. “Choreographic Space.” 2016. Thesis, Virginia Commonwealth University. Accessed August 24, 2019. https://scholarscompass.vcu.edu/etd/4254.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sheaffer, Kelsey. “Choreographic Space.” 2016. Web. 24 Aug 2019.

Vancouver:

Sheaffer K. Choreographic Space. [Internet] [Thesis]. Virginia Commonwealth University; 2016. [cited 2019 Aug 24]. Available from: https://scholarscompass.vcu.edu/etd/4254.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sheaffer K. Choreographic Space. [Thesis]. Virginia Commonwealth University; 2016. Available from: https://scholarscompass.vcu.edu/etd/4254

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

6. Makhlouf, Mona Mahmoud. Sound Perception:Encapsulating Intangible Voice Memories in a Physical Memento.

Degree: MFA, Fine Arts, 2017, Virginia Commonwealth University

  We live in a very busy world with a variety of sensory stimulation including the olfactory, visual, tactile, and auditory. The five senses are… (more)

Subjects/Keywords: Voice Memories; Sound Perception; Memento; Audio Arts and Acoustics; Industrial and Product Design; Interdisciplinary Arts and Media; Metal and Jewelry Arts

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APA (6th Edition):

Makhlouf, M. M. (2017). Sound Perception:Encapsulating Intangible Voice Memories in a Physical Memento. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/4837

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Makhlouf, Mona Mahmoud. “Sound Perception:Encapsulating Intangible Voice Memories in a Physical Memento.” 2017. Thesis, Virginia Commonwealth University. Accessed August 24, 2019. https://scholarscompass.vcu.edu/etd/4837.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Makhlouf, Mona Mahmoud. “Sound Perception:Encapsulating Intangible Voice Memories in a Physical Memento.” 2017. Web. 24 Aug 2019.

Vancouver:

Makhlouf MM. Sound Perception:Encapsulating Intangible Voice Memories in a Physical Memento. [Internet] [Thesis]. Virginia Commonwealth University; 2017. [cited 2019 Aug 24]. Available from: https://scholarscompass.vcu.edu/etd/4837.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Makhlouf MM. Sound Perception:Encapsulating Intangible Voice Memories in a Physical Memento. [Thesis]. Virginia Commonwealth University; 2017. Available from: https://scholarscompass.vcu.edu/etd/4837

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Colorado

7. Alrashed, Fahad Hamad. The Effect of the Postnasal on the Gestural Overlapping between the Nasal and the Vowel in Saudi Arabic.

Degree: MA, Linguistics, 2015, University of Colorado

  Production and perception studies were conducted to investigate coarticulatory vowel nasalization in VNC sequences in Saudi Arabic. Previous studies have shown that the degree… (more)

Subjects/Keywords: Acoustic phonetics; Articulatory gestures; Articulatory phonology; Coarticulation; Nasalization; Perception of coarticulation; Audio Arts and Acoustics; Linguistics

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APA (6th Edition):

Alrashed, F. H. (2015). The Effect of the Postnasal on the Gestural Overlapping between the Nasal and the Vowel in Saudi Arabic. (Masters Thesis). University of Colorado. Retrieved from http://scholar.colorado.edu/ling_gradetds/44

Chicago Manual of Style (16th Edition):

Alrashed, Fahad Hamad. “The Effect of the Postnasal on the Gestural Overlapping between the Nasal and the Vowel in Saudi Arabic.” 2015. Masters Thesis, University of Colorado. Accessed August 24, 2019. http://scholar.colorado.edu/ling_gradetds/44.

MLA Handbook (7th Edition):

Alrashed, Fahad Hamad. “The Effect of the Postnasal on the Gestural Overlapping between the Nasal and the Vowel in Saudi Arabic.” 2015. Web. 24 Aug 2019.

Vancouver:

Alrashed FH. The Effect of the Postnasal on the Gestural Overlapping between the Nasal and the Vowel in Saudi Arabic. [Internet] [Masters thesis]. University of Colorado; 2015. [cited 2019 Aug 24]. Available from: http://scholar.colorado.edu/ling_gradetds/44.

Council of Science Editors:

Alrashed FH. The Effect of the Postnasal on the Gestural Overlapping between the Nasal and the Vowel in Saudi Arabic. [Masters Thesis]. University of Colorado; 2015. Available from: http://scholar.colorado.edu/ling_gradetds/44


University of Western Ontario

8. Jackson, David C. Becoming Sonic: Ambient Poetics and the Ecology of Listening in Four Militant Sound Investigations.

Degree: 2016, University of Western Ontario

 This dissertation Becoming Sonic: Ambient Poetics and the Ecology of the Ear in Four Militant Sound Investigations offers a critical and historical analysis of acoustic… (more)

Subjects/Keywords: soundscape; ecology; listening; ecomedia; space; city; Audio Arts and Acoustics; Critical and Cultural Studies; Theory and Criticism

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APA (6th Edition):

Jackson, D. C. (2016). Becoming Sonic: Ambient Poetics and the Ecology of Listening in Four Militant Sound Investigations. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/4166

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jackson, David C. “Becoming Sonic: Ambient Poetics and the Ecology of Listening in Four Militant Sound Investigations.” 2016. Thesis, University of Western Ontario. Accessed August 24, 2019. https://ir.lib.uwo.ca/etd/4166.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jackson, David C. “Becoming Sonic: Ambient Poetics and the Ecology of Listening in Four Militant Sound Investigations.” 2016. Web. 24 Aug 2019.

Vancouver:

Jackson DC. Becoming Sonic: Ambient Poetics and the Ecology of Listening in Four Militant Sound Investigations. [Internet] [Thesis]. University of Western Ontario; 2016. [cited 2019 Aug 24]. Available from: https://ir.lib.uwo.ca/etd/4166.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jackson DC. Becoming Sonic: Ambient Poetics and the Ecology of Listening in Four Militant Sound Investigations. [Thesis]. University of Western Ontario; 2016. Available from: https://ir.lib.uwo.ca/etd/4166

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


East Tennessee State University

9. Goller, Whitney. DollHouse.

Degree: MFA (Master of Fine Arts), Art, 2016, East Tennessee State University

  The artist discusses the work in DollHouse, her Master of Fine Arts exhibition on display at Tipton Gallery, Johnson City, Tennessee from January 25… (more)

Subjects/Keywords: Installation; Interactive; Performance; Masks; Cultural Norms; Dolls; Audio Arts and Acoustics; Fiber, Textile, and Weaving Arts; Interactive Arts; Interdisciplinary Arts and Media; Painting; Sculpture; Women's Studies

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APA (6th Edition):

Goller, W. (2016). DollHouse. (Masters Thesis). East Tennessee State University. Retrieved from https://dc.etsu.edu/etd/3065

Chicago Manual of Style (16th Edition):

Goller, Whitney. “DollHouse.” 2016. Masters Thesis, East Tennessee State University. Accessed August 24, 2019. https://dc.etsu.edu/etd/3065.

MLA Handbook (7th Edition):

Goller, Whitney. “DollHouse.” 2016. Web. 24 Aug 2019.

Vancouver:

Goller W. DollHouse. [Internet] [Masters thesis]. East Tennessee State University; 2016. [cited 2019 Aug 24]. Available from: https://dc.etsu.edu/etd/3065.

Council of Science Editors:

Goller W. DollHouse. [Masters Thesis]. East Tennessee State University; 2016. Available from: https://dc.etsu.edu/etd/3065


University of Western Ontario

10. Trueman, Matthew S. Slower Than Time Itself.

Degree: 2018, University of Western Ontario

 This paper is combined with my Master of Fine Art thesis exhibition, Slower Than Time Itself. There is a significant discontinuity between how duration is… (more)

Subjects/Keywords: Time; Aesthetic Slowness; Escapement; Duration; Multiplicity; Slow Cinema; Art and Design; Art Practice; Audio Arts and Acoustics; Interactive Arts; Interdisciplinary Arts and Media

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APA (6th Edition):

Trueman, M. S. (2018). Slower Than Time Itself. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5391

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Trueman, Matthew S. “Slower Than Time Itself.” 2018. Thesis, University of Western Ontario. Accessed August 24, 2019. https://ir.lib.uwo.ca/etd/5391.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Trueman, Matthew S. “Slower Than Time Itself.” 2018. Web. 24 Aug 2019.

Vancouver:

Trueman MS. Slower Than Time Itself. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2019 Aug 24]. Available from: https://ir.lib.uwo.ca/etd/5391.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Trueman MS. Slower Than Time Itself. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5391

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

11. Robinson, Johanna. QUOTATIONS LIKE THE SHARPEST CLAWS.

Degree: MFA, Painting and Printmaking, 2018, Virginia Commonwealth University

  Quotations like the Sharpest Claws describes a multimedia installation composed of paintings and sound that explores the theory of cognitive dissonance, a controversial psychological… (more)

Subjects/Keywords: painting; contemporary art; philosophy; color theory; dissonance; surreal; Art Practice; Audio Arts and Acoustics; Feminist Philosophy; Fine Arts; Interdisciplinary Arts and Media; Painting

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APA (6th Edition):

Robinson, J. (2018). QUOTATIONS LIKE THE SHARPEST CLAWS. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/5443

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Robinson, Johanna. “QUOTATIONS LIKE THE SHARPEST CLAWS.” 2018. Thesis, Virginia Commonwealth University. Accessed August 24, 2019. https://scholarscompass.vcu.edu/etd/5443.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Robinson, Johanna. “QUOTATIONS LIKE THE SHARPEST CLAWS.” 2018. Web. 24 Aug 2019.

Vancouver:

Robinson J. QUOTATIONS LIKE THE SHARPEST CLAWS. [Internet] [Thesis]. Virginia Commonwealth University; 2018. [cited 2019 Aug 24]. Available from: https://scholarscompass.vcu.edu/etd/5443.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Robinson J. QUOTATIONS LIKE THE SHARPEST CLAWS. [Thesis]. Virginia Commonwealth University; 2018. Available from: https://scholarscompass.vcu.edu/etd/5443

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

12. McNeill, Hallie S. D is for the most cherished sense (whence it comes and wither it goes).

Degree: MFA, Sculpture + Extended Media, 2017, Virginia Commonwealth University

A transcript of the audio that constitutes the work by the same title, along with an introduction and relevant bibliography. Advisors/Committee Members: Corin Hewitt, Matt King, Gordon Hall.

Subjects/Keywords: faith; sound; philosophy; selfhood; dialogic thinking; solipsism; Audio Arts and Acoustics; Epistemology; Ethics and Political Philosophy; Fine Arts; Philosophy of Language; Philosophy of Mind; Reading and Language

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APA (6th Edition):

McNeill, H. S. (2017). D is for the most cherished sense (whence it comes and wither it goes). (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/4901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McNeill, Hallie S. “D is for the most cherished sense (whence it comes and wither it goes).” 2017. Thesis, Virginia Commonwealth University. Accessed August 24, 2019. https://scholarscompass.vcu.edu/etd/4901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McNeill, Hallie S. “D is for the most cherished sense (whence it comes and wither it goes).” 2017. Web. 24 Aug 2019.

Vancouver:

McNeill HS. D is for the most cherished sense (whence it comes and wither it goes). [Internet] [Thesis]. Virginia Commonwealth University; 2017. [cited 2019 Aug 24]. Available from: https://scholarscompass.vcu.edu/etd/4901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McNeill HS. D is for the most cherished sense (whence it comes and wither it goes). [Thesis]. Virginia Commonwealth University; 2017. Available from: https://scholarscompass.vcu.edu/etd/4901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

13. Papadatos, Margherita N. A Space Without Memory: Time and the Sublime in the Work of Janet Cardiff and George Bures Miller.

Degree: 2014, University of Western Ontario

 The central question of my investigation is: how do artists present the unpresentable when presentation itself is impossible? Concentrating solely on Janet Cardiff and George… (more)

Subjects/Keywords: Janet Cardiff; George Bures Miller; Lyotard; Kant; Sublime; Present; Presence; Memory; Temporality; Time; Subjectivity; Ontology.; Art Practice; Audio Arts and Acoustics; Contemporary Art; Other Philosophy; Theory and Criticism

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APA (6th Edition):

Papadatos, M. N. (2014). A Space Without Memory: Time and the Sublime in the Work of Janet Cardiff and George Bures Miller. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/2439

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Papadatos, Margherita N. “A Space Without Memory: Time and the Sublime in the Work of Janet Cardiff and George Bures Miller.” 2014. Thesis, University of Western Ontario. Accessed August 24, 2019. https://ir.lib.uwo.ca/etd/2439.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Papadatos, Margherita N. “A Space Without Memory: Time and the Sublime in the Work of Janet Cardiff and George Bures Miller.” 2014. Web. 24 Aug 2019.

Vancouver:

Papadatos MN. A Space Without Memory: Time and the Sublime in the Work of Janet Cardiff and George Bures Miller. [Internet] [Thesis]. University of Western Ontario; 2014. [cited 2019 Aug 24]. Available from: https://ir.lib.uwo.ca/etd/2439.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Papadatos MN. A Space Without Memory: Time and the Sublime in the Work of Janet Cardiff and George Bures Miller. [Thesis]. University of Western Ontario; 2014. Available from: https://ir.lib.uwo.ca/etd/2439

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Wilfrid Laurier University

14. Quanz, Katherine E. The Struggle To Be Heard: Toronto's Postproduction Sound Industry, 1968 to 2005.

Degree: 2016, Wilfrid Laurier University

 This dissertation examines how economic and technological changes shaped the sounds of Canadian cinema, from the modern industry’s founding in the late 1960s to the… (more)

Subjects/Keywords: Film Sound; Canadian Cinema; Toronto; Pro Tools; National Film Board of Canada; Technology; Audio Arts and Acoustics; Canadian History; Film and Media Studies

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APA (6th Edition):

Quanz, K. E. (2016). The Struggle To Be Heard: Toronto's Postproduction Sound Industry, 1968 to 2005. (Thesis). Wilfrid Laurier University. Retrieved from https://scholars.wlu.ca/etd/1866

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Quanz, Katherine E. “The Struggle To Be Heard: Toronto's Postproduction Sound Industry, 1968 to 2005.” 2016. Thesis, Wilfrid Laurier University. Accessed August 24, 2019. https://scholars.wlu.ca/etd/1866.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Quanz, Katherine E. “The Struggle To Be Heard: Toronto's Postproduction Sound Industry, 1968 to 2005.” 2016. Web. 24 Aug 2019.

Vancouver:

Quanz KE. The Struggle To Be Heard: Toronto's Postproduction Sound Industry, 1968 to 2005. [Internet] [Thesis]. Wilfrid Laurier University; 2016. [cited 2019 Aug 24]. Available from: https://scholars.wlu.ca/etd/1866.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Quanz KE. The Struggle To Be Heard: Toronto's Postproduction Sound Industry, 1968 to 2005. [Thesis]. Wilfrid Laurier University; 2016. Available from: https://scholars.wlu.ca/etd/1866

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Saphire, Joseph E, Jr. Navigating the Interim.

Degree: 2015, University of Massachusetts

  Navigating the Interim attempts to build a framework for the ways in which visual art, media studies, and forms of social practice might intermingle… (more)

Subjects/Keywords: art; media; pedagogy; critical and cultural studies; American Film Studies; American Material Culture; American Popular Culture; Art Education; Art Practice; Audio Arts and Acoustics; Curriculum and Instruction; Digital Humanities; Fine Arts; Interactive Arts; Interdisciplinary Arts and Media; Other Film and Media Studies; Photography; Television; Visual Studies

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APA (6th Edition):

Saphire, Joseph E, J. (2015). Navigating the Interim. (Thesis). University of Massachusetts. Retrieved from https://scholarworks.umass.edu/masters_theses_2/250

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Saphire, Joseph E, Jr. “Navigating the Interim.” 2015. Thesis, University of Massachusetts. Accessed August 24, 2019. https://scholarworks.umass.edu/masters_theses_2/250.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Saphire, Joseph E, Jr. “Navigating the Interim.” 2015. Web. 24 Aug 2019.

Vancouver:

Saphire, Joseph E J. Navigating the Interim. [Internet] [Thesis]. University of Massachusetts; 2015. [cited 2019 Aug 24]. Available from: https://scholarworks.umass.edu/masters_theses_2/250.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Saphire, Joseph E J. Navigating the Interim. [Thesis]. University of Massachusetts; 2015. Available from: https://scholarworks.umass.edu/masters_theses_2/250

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Florida State University

16. Chenez, Raymond. Vocal registers of the countertenor voice| Based on signals recorded and analyzed in VoceVista.

Degree: 2011, The Florida State University

  Today's countertenors possess vocal ranges similar to the mezzo-soprano, and are trained to sing with a vibrant, focused tone. Little research has been conducted… (more)

Subjects/Keywords: Music; Performing Arts; Physics, Acoustics

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APA (6th Edition):

Chenez, R. (2011). Vocal registers of the countertenor voice| Based on signals recorded and analyzed in VoceVista. (Thesis). The Florida State University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3477195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chenez, Raymond. “Vocal registers of the countertenor voice| Based on signals recorded and analyzed in VoceVista.” 2011. Thesis, The Florida State University. Accessed August 24, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3477195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chenez, Raymond. “Vocal registers of the countertenor voice| Based on signals recorded and analyzed in VoceVista.” 2011. Web. 24 Aug 2019.

Vancouver:

Chenez R. Vocal registers of the countertenor voice| Based on signals recorded and analyzed in VoceVista. [Internet] [Thesis]. The Florida State University; 2011. [cited 2019 Aug 24]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3477195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chenez R. Vocal registers of the countertenor voice| Based on signals recorded and analyzed in VoceVista. [Thesis]. The Florida State University; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3477195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Washington University in St. Louis

17. Hogan, Adam S. A Composed Space.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2014, Washington University in St. Louis

  My practice is invested in expanding our conscious scope—revealing phenomena and observations, and presenting the information to the viewer through auxiliary channels. Using the… (more)

Subjects/Keywords: Sound; Art; Experimental cinema; physics; composition; technology; digital film; aural architecture; Art and Design; Audio Arts and Acoustics; Composition; Film and Media Studies; Fine Arts; Music Performance; Music Practice; Music Theory

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hogan, A. S. (2014). A Composed Space. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/21

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hogan, Adam S. “A Composed Space.” 2014. Thesis, Washington University in St. Louis. Accessed August 24, 2019. https://openscholarship.wustl.edu/samfox_art_etds/21.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hogan, Adam S. “A Composed Space.” 2014. Web. 24 Aug 2019.

Vancouver:

Hogan AS. A Composed Space. [Internet] [Thesis]. Washington University in St. Louis; 2014. [cited 2019 Aug 24]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/21.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hogan AS. A Composed Space. [Thesis]. Washington University in St. Louis; 2014. Available from: https://openscholarship.wustl.edu/samfox_art_etds/21

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Colorado

18. Nanton, Dakota. Cinematic Meditations.

Degree: MFA, Art & Art History, 2019, University of Colorado

  The cinematic experience is a sort of ritualistic ceremony between the audience and the projected image. Audiences come into the cinematic space with a… (more)

Subjects/Keywords: Abstraction; Animation; Filmmaking; Haptics; Shamanism; Synesthesia; Alternative and Complementary Medicine; Art and Design; Art Practice; Audio Arts and Acoustics; Digital Humanities; Film and Media Studies; Film Production; Interactive Arts; Other Film and Media Studies; Printmaking; Visual Studies

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APA (6th Edition):

Nanton, D. (2019). Cinematic Meditations. (Thesis). University of Colorado. Retrieved from https://scholar.colorado.edu/art_mfa/59

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nanton, Dakota. “Cinematic Meditations.” 2019. Thesis, University of Colorado. Accessed August 24, 2019. https://scholar.colorado.edu/art_mfa/59.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nanton, Dakota. “Cinematic Meditations.” 2019. Web. 24 Aug 2019.

Vancouver:

Nanton D. Cinematic Meditations. [Internet] [Thesis]. University of Colorado; 2019. [cited 2019 Aug 24]. Available from: https://scholar.colorado.edu/art_mfa/59.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nanton D. Cinematic Meditations. [Thesis]. University of Colorado; 2019. Available from: https://scholar.colorado.edu/art_mfa/59

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Maine

19. Champlin, Alicia. Rediscovering The Interpersonal: Models Of Networked Communication In New Media Performance.

Degree: MFA, Intermedia, 2018, University of Maine

  This paper examines the themes of human perception and participation within the contemporary paradigm and relates the hallmarks of the major paradigm shift which… (more)

Subjects/Keywords: cybernetics; sonified EEG; interactive art; biofeedback; embodiment; systems; Art Practice; Audio Arts and Acoustics; Composition; Digital Humanities; Graphics and Human Computer Interfaces; Harmonic Analysis and Representation; Interactive Arts; Interdisciplinary Arts and Media; Music Performance; Other Arts and Humanities; Other Music; Performance Studies; Philosophy of Language; Theory and Algorithms

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Champlin, A. (2018). Rediscovering The Interpersonal: Models Of Networked Communication In New Media Performance. (Thesis). University of Maine. Retrieved from https://digitalcommons.library.umaine.edu/etd/2922

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Champlin, Alicia. “Rediscovering The Interpersonal: Models Of Networked Communication In New Media Performance.” 2018. Thesis, University of Maine. Accessed August 24, 2019. https://digitalcommons.library.umaine.edu/etd/2922.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Champlin, Alicia. “Rediscovering The Interpersonal: Models Of Networked Communication In New Media Performance.” 2018. Web. 24 Aug 2019.

Vancouver:

Champlin A. Rediscovering The Interpersonal: Models Of Networked Communication In New Media Performance. [Internet] [Thesis]. University of Maine; 2018. [cited 2019 Aug 24]. Available from: https://digitalcommons.library.umaine.edu/etd/2922.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Champlin A. Rediscovering The Interpersonal: Models Of Networked Communication In New Media Performance. [Thesis]. University of Maine; 2018. Available from: https://digitalcommons.library.umaine.edu/etd/2922

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Orleans

20. Fisk, William M. The Horse's Ass: A Survey of Comediology.

Degree: M.F.A., Film and Theatre, 2017, University of New Orleans

  What is comedy? Can someone learn to be funny? Are there rules or guidelines for the production of laughter, the universal language? This paper,… (more)

Subjects/Keywords: Comedy; Cinema; Adam Mckay; Surprise; Timing; Incongruity; Art Education; Audio Arts and Acoustics; Esthetics; Fiction; Film Production; Other Film and Media Studies; Screenwriting; Social Psychology; Speech and Rhetorical Studies; Theory and Philosophy; Visual Studies

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APA (6th Edition):

Fisk, W. M. (2017). The Horse's Ass: A Survey of Comediology. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/2404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fisk, William M. “The Horse's Ass: A Survey of Comediology.” 2017. Thesis, University of New Orleans. Accessed August 24, 2019. https://scholarworks.uno.edu/td/2404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fisk, William M. “The Horse's Ass: A Survey of Comediology.” 2017. Web. 24 Aug 2019.

Vancouver:

Fisk WM. The Horse's Ass: A Survey of Comediology. [Internet] [Thesis]. University of New Orleans; 2017. [cited 2019 Aug 24]. Available from: https://scholarworks.uno.edu/td/2404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fisk WM. The Horse's Ass: A Survey of Comediology. [Thesis]. University of New Orleans; 2017. Available from: https://scholarworks.uno.edu/td/2404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Minnesota

21. Mannone, Maria. Musical Gestures between Scores and Acoustics: A Creative Application to Orchestra.

Degree: PhD, Music, 2017, University of Minnesota

 Musical gestures connect symbolic scores to physical sounds, and they can be mathematically investigated. Mathematics can also be used to transform images into music and… (more)

Subjects/Keywords: Acoustics; Category Theory; Gestures; Orchestra; Visual Arts

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APA (6th Edition):

Mannone, M. (2017). Musical Gestures between Scores and Acoustics: A Creative Application to Orchestra. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/188931

Chicago Manual of Style (16th Edition):

Mannone, Maria. “Musical Gestures between Scores and Acoustics: A Creative Application to Orchestra.” 2017. Doctoral Dissertation, University of Minnesota. Accessed August 24, 2019. http://hdl.handle.net/11299/188931.

MLA Handbook (7th Edition):

Mannone, Maria. “Musical Gestures between Scores and Acoustics: A Creative Application to Orchestra.” 2017. Web. 24 Aug 2019.

Vancouver:

Mannone M. Musical Gestures between Scores and Acoustics: A Creative Application to Orchestra. [Internet] [Doctoral dissertation]. University of Minnesota; 2017. [cited 2019 Aug 24]. Available from: http://hdl.handle.net/11299/188931.

Council of Science Editors:

Mannone M. Musical Gestures between Scores and Acoustics: A Creative Application to Orchestra. [Doctoral Dissertation]. University of Minnesota; 2017. Available from: http://hdl.handle.net/11299/188931


Virginia Commonwealth University

22. Austin, Travis R. Laminated PAINT.

Degree: MFA, Kinetic Imaging, 2018, Virginia Commonwealth University

  Though we may not perceive it, we are surrounded by material-in-flux. Inert materials degrade and the events that comprise our natural and social environments… (more)

Subjects/Keywords: Postminimalism; Sound; Materialism; Phenomenology; Sculpture; American Art and Architecture; American Film Studies; Ancient Philosophy; Art and Design; Art Practice; Arts and Humanities; Audio Arts and Acoustics; Composition; Contemporary Art; Esthetics; Film and Media Studies; Fine Arts; History of Art, Architecture, and Archaeology; Interactive Arts; Interdisciplinary Arts and Media; Metaphysics; Modern Art and Architecture; Music; Other Arts and Humanities; Other Film and Media Studies; Other Music; Painting; Philosophy; Poetry; Sculpture; Theory and Criticism; Visual Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Austin, T. R. (2018). Laminated PAINT. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/5462

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Austin, Travis R. “Laminated PAINT.” 2018. Thesis, Virginia Commonwealth University. Accessed August 24, 2019. https://scholarscompass.vcu.edu/etd/5462.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Austin, Travis R. “Laminated PAINT.” 2018. Web. 24 Aug 2019.

Vancouver:

Austin TR. Laminated PAINT. [Internet] [Thesis]. Virginia Commonwealth University; 2018. [cited 2019 Aug 24]. Available from: https://scholarscompass.vcu.edu/etd/5462.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Austin TR. Laminated PAINT. [Thesis]. Virginia Commonwealth University; 2018. Available from: https://scholarscompass.vcu.edu/etd/5462

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

23. Barfield, Johannes J. MY EYES DUE SEE.

Degree: MFA, Photography and Film, 2018, Virginia Commonwealth University

  My Eyes Due See is a multidimensional examination of the “black experience” in America. The installation is composed of a single-channel video, a music… (more)

Subjects/Keywords: Johannes James Barfield; Johannes; Johannes Barfield; Barfield; my eyes due see; black video artist; black artist; road; street; asphalt; fluorescent lights; fluorescent; forensic rod; forensic trajectory rod; rods; automotive; car parts; road marking tape; broomsedge; ballistic trajectory rods; grass; objective reasonableness; amplification; nullification; southern pine asphalt impregnated board; Audio Arts and Acoustics; Composition; Fine Arts; Interdisciplinary Arts and Media; Other Film and Media Studies; Sculpture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barfield, J. J. (2018). MY EYES DUE SEE. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/5376

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barfield, Johannes J. “MY EYES DUE SEE.” 2018. Thesis, Virginia Commonwealth University. Accessed August 24, 2019. https://scholarscompass.vcu.edu/etd/5376.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barfield, Johannes J. “MY EYES DUE SEE.” 2018. Web. 24 Aug 2019.

Vancouver:

Barfield JJ. MY EYES DUE SEE. [Internet] [Thesis]. Virginia Commonwealth University; 2018. [cited 2019 Aug 24]. Available from: https://scholarscompass.vcu.edu/etd/5376.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barfield JJ. MY EYES DUE SEE. [Thesis]. Virginia Commonwealth University; 2018. Available from: https://scholarscompass.vcu.edu/etd/5376

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

24. Khodier, Nesma Magdy, VCUQ. The Future of Arabic Music: No sound without silence.

Degree: MFA, Fine Arts, 2016, Virginia Commonwealth University

  For centuries, Arabic music has been intrinsically linked to Arab culture and by extension bonded to the environmental landscape of the region, reflecting their… (more)

Subjects/Keywords: Oud/Kanun; Design; Arabic Music; Future; Responsive Technology; Instrument; Archaeological Anthropology; Art and Materials Conservation; Audio Arts and Acoustics; Communication Technology and New Media; Critical and Cultural Studies; Ethnomusicology; Folklore; Industrial and Product Design; Interdisciplinary Arts and Media; Leisure Studies; Musicology; Music Practice; Music Theory; Near and Middle Eastern Studies; Regional Sociology; Science and Technology Studies; Social and Cultural Anthropology; Social Media; Social Work; Sociology of Culture

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APA (6th Edition):

Khodier, Nesma Magdy, V. (2016). The Future of Arabic Music: No sound without silence. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/4170

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Khodier, Nesma Magdy, VCUQ. “The Future of Arabic Music: No sound without silence.” 2016. Thesis, Virginia Commonwealth University. Accessed August 24, 2019. https://scholarscompass.vcu.edu/etd/4170.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Khodier, Nesma Magdy, VCUQ. “The Future of Arabic Music: No sound without silence.” 2016. Web. 24 Aug 2019.

Vancouver:

Khodier, Nesma Magdy V. The Future of Arabic Music: No sound without silence. [Internet] [Thesis]. Virginia Commonwealth University; 2016. [cited 2019 Aug 24]. Available from: https://scholarscompass.vcu.edu/etd/4170.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Khodier, Nesma Magdy V. The Future of Arabic Music: No sound without silence. [Thesis]. Virginia Commonwealth University; 2016. Available from: https://scholarscompass.vcu.edu/etd/4170

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. LaFoy, Melanie Ann. Rethinking <i>l'exception culturelle</i> in French Music Then and Now: Language, Memory, and Political Order.

Degree: MA, French, 2016, University of Tennessee – Knoxville

  Through this thesis, entitled “Rethinking l'exception culturelle in French Music then and now: Language, Memory, and Political Order,” I explore the concept of exception… (more)

Subjects/Keywords: l'exception culturelle; nation; national memory; national identity; French music; post-colonial; Audio Arts and Acoustics; Ethnomusicology; French and Francophone Language and Literature; Musicology; Music Performance; Music Practice

…will become crucial in establishing the notion of l’exception culturelle in the arts at the… 

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APA (6th Edition):

LaFoy, M. A. (2016). Rethinking <i>l'exception culturelle</i> in French Music Then and Now: Language, Memory, and Political Order. (Thesis). University of Tennessee – Knoxville. Retrieved from https://trace.tennessee.edu/utk_gradthes/4050

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

LaFoy, Melanie Ann. “Rethinking <i>l'exception culturelle</i> in French Music Then and Now: Language, Memory, and Political Order.” 2016. Thesis, University of Tennessee – Knoxville. Accessed August 24, 2019. https://trace.tennessee.edu/utk_gradthes/4050.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

LaFoy, Melanie Ann. “Rethinking <i>l'exception culturelle</i> in French Music Then and Now: Language, Memory, and Political Order.” 2016. Web. 24 Aug 2019.

Vancouver:

LaFoy MA. Rethinking <i>l'exception culturelle</i> in French Music Then and Now: Language, Memory, and Political Order. [Internet] [Thesis]. University of Tennessee – Knoxville; 2016. [cited 2019 Aug 24]. Available from: https://trace.tennessee.edu/utk_gradthes/4050.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

LaFoy MA. Rethinking <i>l'exception culturelle</i> in French Music Then and Now: Language, Memory, and Political Order. [Thesis]. University of Tennessee – Knoxville; 2016. Available from: https://trace.tennessee.edu/utk_gradthes/4050

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. D'Alton, Louis J. The Copyright Board and Tribunals Process: Users in the Balance.

Degree: 2016, University of Western Ontario

 The wholesale adoption of copyright collective management as public policy tool has had an extraordinary impact on the information landscape. The unfettered expansion of collective… (more)

Subjects/Keywords: performance right; copyright law; copyright collectives; copyright tribunals; intellectual property; critical analysis; Administrative Law; Arts Management; Audio Arts and Acoustics; Composition; Entertainment, Arts, and Sports Law; Intellectual Property Law; Musicology; Music Performance; Other Film and Media Studies; Other Music

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APA (6th Edition):

D'Alton, L. J. (2016). The Copyright Board and Tribunals Process: Users in the Balance. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/3708

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

D'Alton, Louis J. “The Copyright Board and Tribunals Process: Users in the Balance.” 2016. Thesis, University of Western Ontario. Accessed August 24, 2019. https://ir.lib.uwo.ca/etd/3708.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

D'Alton, Louis J. “The Copyright Board and Tribunals Process: Users in the Balance.” 2016. Web. 24 Aug 2019.

Vancouver:

D'Alton LJ. The Copyright Board and Tribunals Process: Users in the Balance. [Internet] [Thesis]. University of Western Ontario; 2016. [cited 2019 Aug 24]. Available from: https://ir.lib.uwo.ca/etd/3708.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

D'Alton LJ. The Copyright Board and Tribunals Process: Users in the Balance. [Thesis]. University of Western Ontario; 2016. Available from: https://ir.lib.uwo.ca/etd/3708

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

27. Montie, Misty D. Sound production and behavior of red grouper (Epinephelus morio) on the West Florida Shelf.

Degree: 2010, University of South Florida

 Red grouper (Epinephelus morio) are long-lived, commercially important, soniferous fish belonging to the family Epinephelidae. Found throughout the western North Atlantic and Gulf of Mexico,… (more)

Subjects/Keywords: Passive acoustics; Diel periodicity; Acoustic communication; Epinephelidae; Fish sounds; American Studies; Arts and Humanities

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APA (6th Edition):

Montie, M. D. (2010). Sound production and behavior of red grouper (Epinephelus morio) on the West Florida Shelf. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/1715

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Montie, Misty D. “Sound production and behavior of red grouper (Epinephelus morio) on the West Florida Shelf.” 2010. Thesis, University of South Florida. Accessed August 24, 2019. https://scholarcommons.usf.edu/etd/1715.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Montie, Misty D. “Sound production and behavior of red grouper (Epinephelus morio) on the West Florida Shelf.” 2010. Web. 24 Aug 2019.

Vancouver:

Montie MD. Sound production and behavior of red grouper (Epinephelus morio) on the West Florida Shelf. [Internet] [Thesis]. University of South Florida; 2010. [cited 2019 Aug 24]. Available from: https://scholarcommons.usf.edu/etd/1715.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Montie MD. Sound production and behavior of red grouper (Epinephelus morio) on the West Florida Shelf. [Thesis]. University of South Florida; 2010. Available from: https://scholarcommons.usf.edu/etd/1715

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Wan Rosli, Muhammad Hafiz. Spatiotemporal Granulation.

Degree: 2017, University of California – eScholarship, University of California

 This document introduces a novel theory and technique called Spatiotemporal Granulation. Through the use of spatially encoded signals, the algorithm segments spatial and temporal information,… (more)

Subjects/Keywords: Music; Acoustics; Performing arts; Analysis-Synthesis; Microsound; Sound Synthesis; Sound Transformation; Spatialization; Spatial Sound

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APA (6th Edition):

Wan Rosli, M. H. (2017). Spatiotemporal Granulation. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/0d87604q

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wan Rosli, Muhammad Hafiz. “Spatiotemporal Granulation.” 2017. Thesis, University of California – eScholarship, University of California. Accessed August 24, 2019. http://www.escholarship.org/uc/item/0d87604q.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wan Rosli, Muhammad Hafiz. “Spatiotemporal Granulation.” 2017. Web. 24 Aug 2019.

Vancouver:

Wan Rosli MH. Spatiotemporal Granulation. [Internet] [Thesis]. University of California – eScholarship, University of California; 2017. [cited 2019 Aug 24]. Available from: http://www.escholarship.org/uc/item/0d87604q.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wan Rosli MH. Spatiotemporal Granulation. [Thesis]. University of California – eScholarship, University of California; 2017. Available from: http://www.escholarship.org/uc/item/0d87604q

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – San Bernardino

29. McCorkle, Tricia Dawn. Math, music, and membranes: A historical survey of the question "can one hear the shape of a drum"?.

Degree: MAin Mathematics, Mathematics, 2005, California State University – San Bernardino

 In 1966 Mark Kac posed an interesting question regarding vibrating membranes and the sounds they make. His article entitled "Can One Hear the Shape of… (more)

Subjects/Keywords: Music Acoustics and physics; Drum; Wave equation; Differential equations; Partial; Wave-motion; Theory of; Wave mechanics; Mathematical physics; Sound-waves; Sound-waves Mathematical models; Eigenvalues; Differential equations; Partial; Drum; Eigenvalues; Mathematical physics; Music Acoustics and physics; Sound-waves; Sound-waves Mathematical models; Wave equation; Wave mechanics; Wave-motion; Theory of.; Audio Arts and Acoustics; Mathematics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McCorkle, T. D. (2005). Math, music, and membranes: A historical survey of the question "can one hear the shape of a drum"?. (Thesis). California State University – San Bernardino. Retrieved from https://scholarworks.lib.csusb.edu/etd-project/2933

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McCorkle, Tricia Dawn. “Math, music, and membranes: A historical survey of the question "can one hear the shape of a drum"?.” 2005. Thesis, California State University – San Bernardino. Accessed August 24, 2019. https://scholarworks.lib.csusb.edu/etd-project/2933.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McCorkle, Tricia Dawn. “Math, music, and membranes: A historical survey of the question "can one hear the shape of a drum"?.” 2005. Web. 24 Aug 2019.

Vancouver:

McCorkle TD. Math, music, and membranes: A historical survey of the question "can one hear the shape of a drum"?. [Internet] [Thesis]. California State University – San Bernardino; 2005. [cited 2019 Aug 24]. Available from: https://scholarworks.lib.csusb.edu/etd-project/2933.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McCorkle TD. Math, music, and membranes: A historical survey of the question "can one hear the shape of a drum"?. [Thesis]. California State University – San Bernardino; 2005. Available from: https://scholarworks.lib.csusb.edu/etd-project/2933

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Utami, Sentagi Sesotya. Characterizing the Audibility of Sound Field with Diffusion in Architectural Spaces.

Degree: PhD, Architecture, 2012, University of Michigan

 The significance of diffusion control in room acoustics is that it attempts to avoid echoes by dispersing reflections while removing less valuable sound energy. Some… (more)

Subjects/Keywords: Architectural Acoustics; Diffusion; Audibility; Architecture; Arts

…diffusion. . 25 1.2 Comparison of sound sources’ capabilities for room acoustics field… …179 viii List of Figures Figure 1.1 Research path in room acoustics design… …3 1.2 Regions of sound field in room acoustics based on the sound frequency. .. 4 1.3… …Historical review of room acoustics objective and subjective parameters. .. 6 1.4 Illustration of… …computer model of Duderstadt Audio Studio (DAS) without piano and with piano present… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Utami, S. S. (2012). Characterizing the Audibility of Sound Field with Diffusion in Architectural Spaces. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/93826

Chicago Manual of Style (16th Edition):

Utami, Sentagi Sesotya. “Characterizing the Audibility of Sound Field with Diffusion in Architectural Spaces.” 2012. Doctoral Dissertation, University of Michigan. Accessed August 24, 2019. http://hdl.handle.net/2027.42/93826.

MLA Handbook (7th Edition):

Utami, Sentagi Sesotya. “Characterizing the Audibility of Sound Field with Diffusion in Architectural Spaces.” 2012. Web. 24 Aug 2019.

Vancouver:

Utami SS. Characterizing the Audibility of Sound Field with Diffusion in Architectural Spaces. [Internet] [Doctoral dissertation]. University of Michigan; 2012. [cited 2019 Aug 24]. Available from: http://hdl.handle.net/2027.42/93826.

Council of Science Editors:

Utami SS. Characterizing the Audibility of Sound Field with Diffusion in Architectural Spaces. [Doctoral Dissertation]. University of Michigan; 2012. Available from: http://hdl.handle.net/2027.42/93826

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