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You searched for subject:(Artworks). Showing records 1 – 30 of 44 total matches.

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Deakin University

1. Barry, Kaya. Creativity in-transit: material ideals and spatial negotiations.

Degree: 2014, Deakin University

  “Creativity in-transit” is a series of artworks and exegesis that explore how movements undertaken while transiting draw attention to everyday and collaborative encounters. Packing a… (more)

Subjects/Keywords: artworks; transiting; movement; packing; travelling

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APA (6th Edition):

Barry, K. (2014). Creativity in-transit: material ideals and spatial negotiations. (Thesis). Deakin University. Retrieved from http://hdl.handle.net/10536/DRO/DU:30079025

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barry, Kaya. “Creativity in-transit: material ideals and spatial negotiations.” 2014. Thesis, Deakin University. Accessed October 14, 2019. http://hdl.handle.net/10536/DRO/DU:30079025.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barry, Kaya. “Creativity in-transit: material ideals and spatial negotiations.” 2014. Web. 14 Oct 2019.

Vancouver:

Barry K. Creativity in-transit: material ideals and spatial negotiations. [Internet] [Thesis]. Deakin University; 2014. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10536/DRO/DU:30079025.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barry K. Creativity in-transit: material ideals and spatial negotiations. [Thesis]. Deakin University; 2014. Available from: http://hdl.handle.net/10536/DRO/DU:30079025

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Newcastle

2. Ryman, Susan. Collecting Identity - the PINcard game.

Degree: PhD, 2015, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

Recollection from the artist - age 17, 1972. I walked into my grandmother’s kitchen, the larger of two… (more)

Subjects/Keywords: multiple meanings of artworks; identity; Australian art; artworks

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APA (6th Edition):

Ryman, S. (2015). Collecting Identity - the PINcard game. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1059882

Chicago Manual of Style (16th Edition):

Ryman, Susan. “Collecting Identity - the PINcard game.” 2015. Doctoral Dissertation, University of Newcastle. Accessed October 14, 2019. http://hdl.handle.net/1959.13/1059882.

MLA Handbook (7th Edition):

Ryman, Susan. “Collecting Identity - the PINcard game.” 2015. Web. 14 Oct 2019.

Vancouver:

Ryman S. Collecting Identity - the PINcard game. [Internet] [Doctoral dissertation]. University of Newcastle; 2015. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/1959.13/1059882.

Council of Science Editors:

Ryman S. Collecting Identity - the PINcard game. [Doctoral Dissertation]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1059882


University of Edinburgh

3. von Jungenfeld, Rocio. Walking with portable projections : a creative exploration into mediated perception in the environment.

Degree: PhD, 2016, University of Edinburgh

 I have used practice as method to investigate the creative potential of portable projectors, and theoretical approaches to reflect on: 1. the perception of the… (more)

Subjects/Keywords: 771; Portable Electronic Devices; Media artworks

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APA (6th Edition):

von Jungenfeld, R. (2016). Walking with portable projections : a creative exploration into mediated perception in the environment. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/20472

Chicago Manual of Style (16th Edition):

von Jungenfeld, Rocio. “Walking with portable projections : a creative exploration into mediated perception in the environment.” 2016. Doctoral Dissertation, University of Edinburgh. Accessed October 14, 2019. http://hdl.handle.net/1842/20472.

MLA Handbook (7th Edition):

von Jungenfeld, Rocio. “Walking with portable projections : a creative exploration into mediated perception in the environment.” 2016. Web. 14 Oct 2019.

Vancouver:

von Jungenfeld R. Walking with portable projections : a creative exploration into mediated perception in the environment. [Internet] [Doctoral dissertation]. University of Edinburgh; 2016. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/1842/20472.

Council of Science Editors:

von Jungenfeld R. Walking with portable projections : a creative exploration into mediated perception in the environment. [Doctoral Dissertation]. University of Edinburgh; 2016. Available from: http://hdl.handle.net/1842/20472


Leiden University

4. Michniewicz, Marta. The cultural importance of Karol Lanckoronski (1848-1933) as a last genuine humanist around 1900 and his collection in Vienna.

Degree: 2018, Leiden University

 When we think about Vienna around 1900, our first associations with this period are fin-de-siècle and the establishment of the Art Nouveau period. Moreover, it… (more)

Subjects/Keywords: Vienna; Karol Lanckoroński; Polish collector; Private collection; 1900; Vienna cultural circle; Humanist; Italian Renaissance artworks; 17th century Dutch artworks

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APA (6th Edition):

Michniewicz, M. (2018). The cultural importance of Karol Lanckoronski (1848-1933) as a last genuine humanist around 1900 and his collection in Vienna. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/64441

Chicago Manual of Style (16th Edition):

Michniewicz, Marta. “The cultural importance of Karol Lanckoronski (1848-1933) as a last genuine humanist around 1900 and his collection in Vienna.” 2018. Masters Thesis, Leiden University. Accessed October 14, 2019. http://hdl.handle.net/1887/64441.

MLA Handbook (7th Edition):

Michniewicz, Marta. “The cultural importance of Karol Lanckoronski (1848-1933) as a last genuine humanist around 1900 and his collection in Vienna.” 2018. Web. 14 Oct 2019.

Vancouver:

Michniewicz M. The cultural importance of Karol Lanckoronski (1848-1933) as a last genuine humanist around 1900 and his collection in Vienna. [Internet] [Masters thesis]. Leiden University; 2018. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/1887/64441.

Council of Science Editors:

Michniewicz M. The cultural importance of Karol Lanckoronski (1848-1933) as a last genuine humanist around 1900 and his collection in Vienna. [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/64441


University of Windsor

5. Gavrilov, Dmitry J. Development and optimization of thermographic techniques for Non-Destructive Evaluation of multilayered structures.

Degree: PhD, Physics, 2014, University of Windsor

  Quality control of modern materials is of the utmost importance in science and industry. Methods for nondestructive evaluation of material properties and the presence… (more)

Subjects/Keywords: Pure sciences; Artworks; Layered structures; Non-destructive evaluation; Thermography

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APA (6th Edition):

Gavrilov, D. J. (2014). Development and optimization of thermographic techniques for Non-Destructive Evaluation of multilayered structures. (Doctoral Dissertation). University of Windsor. Retrieved from http://scholar.uwindsor.ca/etd/5030

Chicago Manual of Style (16th Edition):

Gavrilov, Dmitry J. “Development and optimization of thermographic techniques for Non-Destructive Evaluation of multilayered structures.” 2014. Doctoral Dissertation, University of Windsor. Accessed October 14, 2019. http://scholar.uwindsor.ca/etd/5030.

MLA Handbook (7th Edition):

Gavrilov, Dmitry J. “Development and optimization of thermographic techniques for Non-Destructive Evaluation of multilayered structures.” 2014. Web. 14 Oct 2019.

Vancouver:

Gavrilov DJ. Development and optimization of thermographic techniques for Non-Destructive Evaluation of multilayered structures. [Internet] [Doctoral dissertation]. University of Windsor; 2014. [cited 2019 Oct 14]. Available from: http://scholar.uwindsor.ca/etd/5030.

Council of Science Editors:

Gavrilov DJ. Development and optimization of thermographic techniques for Non-Destructive Evaluation of multilayered structures. [Doctoral Dissertation]. University of Windsor; 2014. Available from: http://scholar.uwindsor.ca/etd/5030

6. Ryan, Leonie. Site, substance and sensation.

Degree: Master of Art by Research, 2016, Federation University Australia

The idea that experiencing the world is a straightforward uncomplicated matter is challenged in a contemporary postmodern context. The empirical notion that reality can be… (more)

Subjects/Keywords: Artworks; Sensory experiences; 1905 Visual Arts and Crafts

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APA (6th Edition):

Ryan, L. (2016). Site, substance and sensation. (Masters Thesis). Federation University Australia. Retrieved from http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/102313

Chicago Manual of Style (16th Edition):

Ryan, Leonie. “Site, substance and sensation.” 2016. Masters Thesis, Federation University Australia. Accessed October 14, 2019. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/102313.

MLA Handbook (7th Edition):

Ryan, Leonie. “Site, substance and sensation.” 2016. Web. 14 Oct 2019.

Vancouver:

Ryan L. Site, substance and sensation. [Internet] [Masters thesis]. Federation University Australia; 2016. [cited 2019 Oct 14]. Available from: http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/102313.

Council of Science Editors:

Ryan L. Site, substance and sensation. [Masters Thesis]. Federation University Australia; 2016. Available from: http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/102313


University of Illinois – Urbana-Champaign

7. Huang, Jing. Fine-grained artworks classification.

Degree: MS, Computer Science, 2018, University of Illinois – Urbana-Champaign

 In this thesis, we apply deep convolutional neural networks to ne-grained artwork classification on the large-scale painting collection, WikiArt. We propose a new architecture that… (more)

Subjects/Keywords: Convolutional Neural Networks; Fine-grained Classification; Artworks Classification

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APA (6th Edition):

Huang, J. (2018). Fine-grained artworks classification. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/101050

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Huang, Jing. “Fine-grained artworks classification.” 2018. Thesis, University of Illinois – Urbana-Champaign. Accessed October 14, 2019. http://hdl.handle.net/2142/101050.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Huang, Jing. “Fine-grained artworks classification.” 2018. Web. 14 Oct 2019.

Vancouver:

Huang J. Fine-grained artworks classification. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2018. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/2142/101050.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Huang J. Fine-grained artworks classification. [Thesis]. University of Illinois – Urbana-Champaign; 2018. Available from: http://hdl.handle.net/2142/101050

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Tampere University

8. Zhou, Hui. Characteristics of user experience in art e-commerce : case "buybuy Art" .

Degree: 2018, Tampere University

 With the development of mobile Internet technology and the proposed of “Internet plus” by Chinese government, art trading online and offline is not just limited… (more)

Subjects/Keywords: art electronic supplier; art e-commerce; interactive design; user experience; artworks

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APA (6th Edition):

Zhou, H. (2018). Characteristics of user experience in art e-commerce : case "buybuy Art" . (Masters Thesis). Tampere University. Retrieved from https://trepo.tuni.fi/handle/10024/103861

Chicago Manual of Style (16th Edition):

Zhou, Hui. “Characteristics of user experience in art e-commerce : case "buybuy Art" .” 2018. Masters Thesis, Tampere University. Accessed October 14, 2019. https://trepo.tuni.fi/handle/10024/103861.

MLA Handbook (7th Edition):

Zhou, Hui. “Characteristics of user experience in art e-commerce : case "buybuy Art" .” 2018. Web. 14 Oct 2019.

Vancouver:

Zhou H. Characteristics of user experience in art e-commerce : case "buybuy Art" . [Internet] [Masters thesis]. Tampere University; 2018. [cited 2019 Oct 14]. Available from: https://trepo.tuni.fi/handle/10024/103861.

Council of Science Editors:

Zhou H. Characteristics of user experience in art e-commerce : case "buybuy Art" . [Masters Thesis]. Tampere University; 2018. Available from: https://trepo.tuni.fi/handle/10024/103861

9. Noual, Pierre. L'être et l'avoir de la collection : essai sur l'avenir juridique des corpus artistiques : Being and having of the collection : essay on the legal future of the artistic corpus.

Degree: Docteur es, Droit, 2016, Université Toulouse I – Capitole

La collection demeure un puissant moteur de curiosité en perpétuelle effervescence. Elle relève de la sphère artistique et participe de l’indicible. Elle échappe à la… (more)

Subjects/Keywords: Oeuvres d'art; Biens culturels; Collection; Collectibles; Artworks; Art Law; Cultural property

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Noual, P. (2016). L'être et l'avoir de la collection : essai sur l'avenir juridique des corpus artistiques : Being and having of the collection : essay on the legal future of the artistic corpus. (Doctoral Dissertation). Université Toulouse I – Capitole. Retrieved from http://www.theses.fr/2016TOU10043

Chicago Manual of Style (16th Edition):

Noual, Pierre. “L'être et l'avoir de la collection : essai sur l'avenir juridique des corpus artistiques : Being and having of the collection : essay on the legal future of the artistic corpus.” 2016. Doctoral Dissertation, Université Toulouse I – Capitole. Accessed October 14, 2019. http://www.theses.fr/2016TOU10043.

MLA Handbook (7th Edition):

Noual, Pierre. “L'être et l'avoir de la collection : essai sur l'avenir juridique des corpus artistiques : Being and having of the collection : essay on the legal future of the artistic corpus.” 2016. Web. 14 Oct 2019.

Vancouver:

Noual P. L'être et l'avoir de la collection : essai sur l'avenir juridique des corpus artistiques : Being and having of the collection : essay on the legal future of the artistic corpus. [Internet] [Doctoral dissertation]. Université Toulouse I – Capitole; 2016. [cited 2019 Oct 14]. Available from: http://www.theses.fr/2016TOU10043.

Council of Science Editors:

Noual P. L'être et l'avoir de la collection : essai sur l'avenir juridique des corpus artistiques : Being and having of the collection : essay on the legal future of the artistic corpus. [Doctoral Dissertation]. Université Toulouse I – Capitole; 2016. Available from: http://www.theses.fr/2016TOU10043


Leiden University

10. Feenstra, Nynke Hieke. Hear the Deaf: Embedding Accessibility in Museums' Collection Presentation.

Degree: 2015, Leiden University

 This research maps the problems experienced by the prelingual Deaf in museums. Most Deaf people face linguistic, educational, and social barriers in museums. Nowadays, more… (more)

Subjects/Keywords: Deaf; museums; modern art; senses; embodied cognition; multisensory; aesthetics; Deaf community; artworks; accessibility

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Feenstra, N. H. (2015). Hear the Deaf: Embedding Accessibility in Museums' Collection Presentation. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/36445

Chicago Manual of Style (16th Edition):

Feenstra, Nynke Hieke. “Hear the Deaf: Embedding Accessibility in Museums' Collection Presentation.” 2015. Masters Thesis, Leiden University. Accessed October 14, 2019. http://hdl.handle.net/1887/36445.

MLA Handbook (7th Edition):

Feenstra, Nynke Hieke. “Hear the Deaf: Embedding Accessibility in Museums' Collection Presentation.” 2015. Web. 14 Oct 2019.

Vancouver:

Feenstra NH. Hear the Deaf: Embedding Accessibility in Museums' Collection Presentation. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/1887/36445.

Council of Science Editors:

Feenstra NH. Hear the Deaf: Embedding Accessibility in Museums' Collection Presentation. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/36445

11. Γιακουμάκη, Αναστασία. Ανάπτυξη οπτικών και φασματοσκοπικών διατάξεων λέιζερ για το χαρακτηρισμό και την ανάλυση υλικών σε αρχαιολογικά αντικείμενα και έργα τέχνης.

Degree: 2008, University of Crete (UOC); Πανεπιστήμιο Κρήτης

Aim of the present study is the development of laser-based spectroscopy methodology and instrumentation for the analysis of materials in archaeological objects and works of… (more)

Subjects/Keywords: Φασματοσκοπία; Λέιζερ; Αρχαιολογικά αντικείμενα; Έργα τέχνης; Υλικά; Spectroscopy; Laser; Archaeological objects; Artworks; Materials

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APA (6th Edition):

Γιακουμάκη, . . (2008). Ανάπτυξη οπτικών και φασματοσκοπικών διατάξεων λέιζερ για το χαρακτηρισμό και την ανάλυση υλικών σε αρχαιολογικά αντικείμενα και έργα τέχνης. (Thesis). University of Crete (UOC); Πανεπιστήμιο Κρήτης. Retrieved from http://hdl.handle.net/10442/hedi/16883

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Γιακουμάκη, Αναστασία. “Ανάπτυξη οπτικών και φασματοσκοπικών διατάξεων λέιζερ για το χαρακτηρισμό και την ανάλυση υλικών σε αρχαιολογικά αντικείμενα και έργα τέχνης.” 2008. Thesis, University of Crete (UOC); Πανεπιστήμιο Κρήτης. Accessed October 14, 2019. http://hdl.handle.net/10442/hedi/16883.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Γιακουμάκη, Αναστασία. “Ανάπτυξη οπτικών και φασματοσκοπικών διατάξεων λέιζερ για το χαρακτηρισμό και την ανάλυση υλικών σε αρχαιολογικά αντικείμενα και έργα τέχνης.” 2008. Web. 14 Oct 2019.

Vancouver:

Γιακουμάκη . Ανάπτυξη οπτικών και φασματοσκοπικών διατάξεων λέιζερ για το χαρακτηρισμό και την ανάλυση υλικών σε αρχαιολογικά αντικείμενα και έργα τέχνης. [Internet] [Thesis]. University of Crete (UOC); Πανεπιστήμιο Κρήτης; 2008. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10442/hedi/16883.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Γιακουμάκη . Ανάπτυξη οπτικών και φασματοσκοπικών διατάξεων λέιζερ για το χαρακτηρισμό και την ανάλυση υλικών σε αρχαιολογικά αντικείμενα και έργα τέχνης. [Thesis]. University of Crete (UOC); Πανεπιστήμιο Κρήτης; 2008. Available from: http://hdl.handle.net/10442/hedi/16883

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Uppsala University

12. Yijun, Ding. The aura of the artwork in the digitalization age : An experimental study based on Benjamin and Baudrillard.

Degree: Informatics and Media, 2017, Uppsala University

  This thesis explores how the aura of the artworks changes in the age of digital reproduction through the empirical experiments conducted in Uppsala Konstmuseum.… (more)

Subjects/Keywords: Aura; simulacra; artworks; digital museums; reproduction; medium; control experiment; Benjamin; Baudrillard; Media Studies; Medievetenskap

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APA (6th Edition):

Yijun, D. (2017). The aura of the artwork in the digitalization age : An experimental study based on Benjamin and Baudrillard. (Thesis). Uppsala University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-325739

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yijun, Ding. “The aura of the artwork in the digitalization age : An experimental study based on Benjamin and Baudrillard.” 2017. Thesis, Uppsala University. Accessed October 14, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-325739.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yijun, Ding. “The aura of the artwork in the digitalization age : An experimental study based on Benjamin and Baudrillard.” 2017. Web. 14 Oct 2019.

Vancouver:

Yijun D. The aura of the artwork in the digitalization age : An experimental study based on Benjamin and Baudrillard. [Internet] [Thesis]. Uppsala University; 2017. [cited 2019 Oct 14]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-325739.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yijun D. The aura of the artwork in the digitalization age : An experimental study based on Benjamin and Baudrillard. [Thesis]. Uppsala University; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-325739

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

13. John, Brigitte. Alles hat seine Zeit.

Degree: 2010, University of Vienna

 Die beiden vorliegenden Experimente stellen eine Methode vor, die es ermöglichen soll, ästhetische Fragen unter einem „ökologischen“ Gesichtspunkt zu beantworten. Zentral war hierbei der Vergleich… (more)

Subjects/Keywords: 77.40 Wahrnehmungspsychologie; Ästhetik / Kunstbetrachtung / Betrachtungsdauer / aesthetic choice paradigm; aesthetic / viewing time artworks / aesthetic choice paradigm

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APA (6th Edition):

John, B. (2010). Alles hat seine Zeit. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/11762/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

John, Brigitte. “Alles hat seine Zeit.” 2010. Thesis, University of Vienna. Accessed October 14, 2019. http://othes.univie.ac.at/11762/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

John, Brigitte. “Alles hat seine Zeit.” 2010. Web. 14 Oct 2019.

Vancouver:

John B. Alles hat seine Zeit. [Internet] [Thesis]. University of Vienna; 2010. [cited 2019 Oct 14]. Available from: http://othes.univie.ac.at/11762/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

John B. Alles hat seine Zeit. [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/11762/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vytautas Magnus University

14. Maziliauskaitė, Virginija. Can a former owner get restitution or compensation for artwoks which were seized during war?.

Degree: Master, Law, 2012, Vytautas Magnus University

The past ten years can be named as art restitution decade in international law. Since Washington Principles were signed in the huge amount of cases… (more)

Subjects/Keywords: Artworks; restitution; Compensation; War; Washington principles; Meno kūrinys; Restitucija; Kompensavimas; karas; Kultūros vertybės

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APA (6th Edition):

Maziliauskaitė, V. (2012). Can a former owner get restitution or compensation for artwoks which were seized during war?. (Masters Thesis). Vytautas Magnus University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120619_123030-84949 ;

Chicago Manual of Style (16th Edition):

Maziliauskaitė, Virginija. “Can a former owner get restitution or compensation for artwoks which were seized during war?.” 2012. Masters Thesis, Vytautas Magnus University. Accessed October 14, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120619_123030-84949 ;.

MLA Handbook (7th Edition):

Maziliauskaitė, Virginija. “Can a former owner get restitution or compensation for artwoks which were seized during war?.” 2012. Web. 14 Oct 2019.

Vancouver:

Maziliauskaitė V. Can a former owner get restitution or compensation for artwoks which were seized during war?. [Internet] [Masters thesis]. Vytautas Magnus University; 2012. [cited 2019 Oct 14]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120619_123030-84949 ;.

Council of Science Editors:

Maziliauskaitė V. Can a former owner get restitution or compensation for artwoks which were seized during war?. [Masters Thesis]. Vytautas Magnus University; 2012. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120619_123030-84949 ;


Seton Hall University

15. Caruso, Anthony. Ethics or Law: Which should Prevail in Conflicts Regarding the Restitution of Nazi-Looted Art?.

Degree: MA Museum Professions, Communication and the Arts, 2019, Seton Hall University

  Museums and sovereign states often face a dilemma when confronted with a claim seeking restitution of Nazi-looted artwork. The assertion of legal technicalities may… (more)

Subjects/Keywords: Museums; Ethics; Law; Artworks; Restitution; Holocaust; International Law; Legal Ethics and Professional Responsibility; Museum Studies

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APA (6th Edition):

Caruso, A. (2019). Ethics or Law: Which should Prevail in Conflicts Regarding the Restitution of Nazi-Looted Art?. (Doctoral Dissertation). Seton Hall University. Retrieved from https://scholarship.shu.edu/dissertations/2691

Chicago Manual of Style (16th Edition):

Caruso, Anthony. “Ethics or Law: Which should Prevail in Conflicts Regarding the Restitution of Nazi-Looted Art?.” 2019. Doctoral Dissertation, Seton Hall University. Accessed October 14, 2019. https://scholarship.shu.edu/dissertations/2691.

MLA Handbook (7th Edition):

Caruso, Anthony. “Ethics or Law: Which should Prevail in Conflicts Regarding the Restitution of Nazi-Looted Art?.” 2019. Web. 14 Oct 2019.

Vancouver:

Caruso A. Ethics or Law: Which should Prevail in Conflicts Regarding the Restitution of Nazi-Looted Art?. [Internet] [Doctoral dissertation]. Seton Hall University; 2019. [cited 2019 Oct 14]. Available from: https://scholarship.shu.edu/dissertations/2691.

Council of Science Editors:

Caruso A. Ethics or Law: Which should Prevail in Conflicts Regarding the Restitution of Nazi-Looted Art?. [Doctoral Dissertation]. Seton Hall University; 2019. Available from: https://scholarship.shu.edu/dissertations/2691


Leiden University

16. Monteiro, Carolina. Colonial Representations of Brazil and their current display at Western museums: The Mauritshuis case and the Dutch gaze.

Degree: 2019, Leiden University

 From 1630 to 1654 the Dutch West India Company have succeeded in establishing a colony in the Northeast part of Brazil, then under the dominance… (more)

Subjects/Keywords: colonial Brazil; colonial artworks; Dutch Brazil; representation; exotic gaze; Frans Post; Albert Eckhout

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APA (6th Edition):

Monteiro, C. (2019). Colonial Representations of Brazil and their current display at Western museums: The Mauritshuis case and the Dutch gaze. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/77718

Chicago Manual of Style (16th Edition):

Monteiro, Carolina. “Colonial Representations of Brazil and their current display at Western museums: The Mauritshuis case and the Dutch gaze.” 2019. Masters Thesis, Leiden University. Accessed October 14, 2019. http://hdl.handle.net/1887/77718.

MLA Handbook (7th Edition):

Monteiro, Carolina. “Colonial Representations of Brazil and their current display at Western museums: The Mauritshuis case and the Dutch gaze.” 2019. Web. 14 Oct 2019.

Vancouver:

Monteiro C. Colonial Representations of Brazil and their current display at Western museums: The Mauritshuis case and the Dutch gaze. [Internet] [Masters thesis]. Leiden University; 2019. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/1887/77718.

Council of Science Editors:

Monteiro C. Colonial Representations of Brazil and their current display at Western museums: The Mauritshuis case and the Dutch gaze. [Masters Thesis]. Leiden University; 2019. Available from: http://hdl.handle.net/1887/77718

17. Sagadin, Nina. Pogovor z učenci prvega vzgojno-izobraževalnega obdobja o likovnih delih.

Degree: 2017, Univerza v Mariboru

Likovna dela umetnikov imajo pri pouku likovne umetnosti posebno vlogo. Opazovanje del in pogovarjanje o njih učencem omogoča razvijati občutljivost za likovno umetnost, hkrati pa… (more)

Subjects/Keywords: likovna dela umetnikov; prikazovanje reprodukcij; pogovor o likovnih delih; kriteriji za izbiro likovnih del; originalna likovna dela; artworks; displaying reproductions; talk about the works of art; criteria for the selection of artworks; original artworks; info:eu-repo/classification/udc/37.091.3:73/76(043.2)

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APA (6th Edition):

Sagadin, N. (2017). Pogovor z učenci prvega vzgojno-izobraževalnega obdobja o likovnih delih. (Masters Thesis). Univerza v Mariboru. Retrieved from https://dk.um.si/IzpisGradiva.php?id=67504 ; https://dk.um.si/Dokument.php?id=116208&dn= ; https://plus.si.cobiss.net/opac7/bib/23363848?lang=sl

Chicago Manual of Style (16th Edition):

Sagadin, Nina. “Pogovor z učenci prvega vzgojno-izobraževalnega obdobja o likovnih delih.” 2017. Masters Thesis, Univerza v Mariboru. Accessed October 14, 2019. https://dk.um.si/IzpisGradiva.php?id=67504 ; https://dk.um.si/Dokument.php?id=116208&dn= ; https://plus.si.cobiss.net/opac7/bib/23363848?lang=sl.

MLA Handbook (7th Edition):

Sagadin, Nina. “Pogovor z učenci prvega vzgojno-izobraževalnega obdobja o likovnih delih.” 2017. Web. 14 Oct 2019.

Vancouver:

Sagadin N. Pogovor z učenci prvega vzgojno-izobraževalnega obdobja o likovnih delih. [Internet] [Masters thesis]. Univerza v Mariboru; 2017. [cited 2019 Oct 14]. Available from: https://dk.um.si/IzpisGradiva.php?id=67504 ; https://dk.um.si/Dokument.php?id=116208&dn= ; https://plus.si.cobiss.net/opac7/bib/23363848?lang=sl.

Council of Science Editors:

Sagadin N. Pogovor z učenci prvega vzgojno-izobraževalnega obdobja o likovnih delih. [Masters Thesis]. Univerza v Mariboru; 2017. Available from: https://dk.um.si/IzpisGradiva.php?id=67504 ; https://dk.um.si/Dokument.php?id=116208&dn= ; https://plus.si.cobiss.net/opac7/bib/23363848?lang=sl


University of Pretoria

18. Stutzer, Rina. The hybrid monster as a figure of liberation in selected artworks of Minnette Vári.

Degree: Visual Arts, 2008, University of Pretoria

No abstract available Advisors/Committee Members: Mr P Badenhorst (advisor).

Subjects/Keywords: Minnette vari; Figure of liberation; Artworks; UCTD

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APA (6th Edition):

Stutzer, R. (2008). The hybrid monster as a figure of liberation in selected artworks of Minnette Vári. (Masters Thesis). University of Pretoria. Retrieved from http://hdl.handle.net/2263/28537

Chicago Manual of Style (16th Edition):

Stutzer, Rina. “The hybrid monster as a figure of liberation in selected artworks of Minnette Vári.” 2008. Masters Thesis, University of Pretoria. Accessed October 14, 2019. http://hdl.handle.net/2263/28537.

MLA Handbook (7th Edition):

Stutzer, Rina. “The hybrid monster as a figure of liberation in selected artworks of Minnette Vári.” 2008. Web. 14 Oct 2019.

Vancouver:

Stutzer R. The hybrid monster as a figure of liberation in selected artworks of Minnette Vári. [Internet] [Masters thesis]. University of Pretoria; 2008. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/2263/28537.

Council of Science Editors:

Stutzer R. The hybrid monster as a figure of liberation in selected artworks of Minnette Vári. [Masters Thesis]. University of Pretoria; 2008. Available from: http://hdl.handle.net/2263/28537


The Ohio State University

19. Pratt, Henry John. Comparing artworks.

Degree: PhD, Philosophy, 2005, The Ohio State University

 Judgments about the comparative value of artworks, both within and across categories, are central to art criticism. Some philosophers, however, have thought that not all… (more)

Subjects/Keywords: Philosophy; aesthetics; comparability; artistic value; commensurability; comparison of artworks

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APA (6th Edition):

Pratt, H. J. (2005). Comparing artworks. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1117628400

Chicago Manual of Style (16th Edition):

Pratt, Henry John. “Comparing artworks.” 2005. Doctoral Dissertation, The Ohio State University. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1117628400.

MLA Handbook (7th Edition):

Pratt, Henry John. “Comparing artworks.” 2005. Web. 14 Oct 2019.

Vancouver:

Pratt HJ. Comparing artworks. [Internet] [Doctoral dissertation]. The Ohio State University; 2005. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1117628400.

Council of Science Editors:

Pratt HJ. Comparing artworks. [Doctoral Dissertation]. The Ohio State University; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1117628400


University of Pretoria

20. [No author]. The hybrid monster as a figure of liberation in selected artworks of Minnette Vári .

Degree: 2008, University of Pretoria

No abstract available Advisors/Committee Members: Mr P Badenhorst (advisor).

Subjects/Keywords: Minnette vari; Figure of liberation; Artworks; UCTD

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APA (6th Edition):

author], [. (2008). The hybrid monster as a figure of liberation in selected artworks of Minnette Vári . (Masters Thesis). University of Pretoria. Retrieved from http://upetd.up.ac.za/thesis/available/etd-10082008-083705/

Chicago Manual of Style (16th Edition):

author], [No. “The hybrid monster as a figure of liberation in selected artworks of Minnette Vári .” 2008. Masters Thesis, University of Pretoria. Accessed October 14, 2019. http://upetd.up.ac.za/thesis/available/etd-10082008-083705/.

MLA Handbook (7th Edition):

author], [No. “The hybrid monster as a figure of liberation in selected artworks of Minnette Vári .” 2008. Web. 14 Oct 2019.

Vancouver:

author] [. The hybrid monster as a figure of liberation in selected artworks of Minnette Vári . [Internet] [Masters thesis]. University of Pretoria; 2008. [cited 2019 Oct 14]. Available from: http://upetd.up.ac.za/thesis/available/etd-10082008-083705/.

Council of Science Editors:

author] [. The hybrid monster as a figure of liberation in selected artworks of Minnette Vári . [Masters Thesis]. University of Pretoria; 2008. Available from: http://upetd.up.ac.za/thesis/available/etd-10082008-083705/


Montana Tech

21. McLane, Clara Sharon. Renewal.

Degree: MA, 2007, Montana Tech

 This paper documents the process of completing a Creative Project in Integrated Arts and Education. The project has two distinct arms: one, to develop a… (more)

Subjects/Keywords: artworks; creative pulse; integrated arts and education; teaching illustration

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APA (6th Edition):

McLane, C. S. (2007). Renewal. (Masters Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/1237

Chicago Manual of Style (16th Edition):

McLane, Clara Sharon. “Renewal.” 2007. Masters Thesis, Montana Tech. Accessed October 14, 2019. https://scholarworks.umt.edu/etd/1237.

MLA Handbook (7th Edition):

McLane, Clara Sharon. “Renewal.” 2007. Web. 14 Oct 2019.

Vancouver:

McLane CS. Renewal. [Internet] [Masters thesis]. Montana Tech; 2007. [cited 2019 Oct 14]. Available from: https://scholarworks.umt.edu/etd/1237.

Council of Science Editors:

McLane CS. Renewal. [Masters Thesis]. Montana Tech; 2007. Available from: https://scholarworks.umt.edu/etd/1237

22. Ndiaye, François Diouane. La circulation des oeuvres d'art contemporain en Afrique de l'Ouest : cas des arts plastiques à travers l'exemple du Sénégal : The movement of contemporary artworks in West Africa : case of art through the exemple of Senegal.

Degree: Docteur es, Arts (Histoire, Théorie, Pratique), 2014, Université Michel de Montaigne – Bordeaux III

La part de l’Afrique dans le commerce mondial de biens et services culturels reste très faible. Cette situation reflète en partie le niveau des échanges… (more)

Subjects/Keywords: Circulation; Art contemporain; Champ artistique; Œuvre d’art; Marché de l’art; Movement; Artworks; Contemporary art; Artistic field; Art market

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ndiaye, F. D. (2014). La circulation des oeuvres d'art contemporain en Afrique de l'Ouest : cas des arts plastiques à travers l'exemple du Sénégal : The movement of contemporary artworks in West Africa : case of art through the exemple of Senegal. (Doctoral Dissertation). Université Michel de Montaigne – Bordeaux III. Retrieved from http://www.theses.fr/2014BOR30042

Chicago Manual of Style (16th Edition):

Ndiaye, François Diouane. “La circulation des oeuvres d'art contemporain en Afrique de l'Ouest : cas des arts plastiques à travers l'exemple du Sénégal : The movement of contemporary artworks in West Africa : case of art through the exemple of Senegal.” 2014. Doctoral Dissertation, Université Michel de Montaigne – Bordeaux III. Accessed October 14, 2019. http://www.theses.fr/2014BOR30042.

MLA Handbook (7th Edition):

Ndiaye, François Diouane. “La circulation des oeuvres d'art contemporain en Afrique de l'Ouest : cas des arts plastiques à travers l'exemple du Sénégal : The movement of contemporary artworks in West Africa : case of art through the exemple of Senegal.” 2014. Web. 14 Oct 2019.

Vancouver:

Ndiaye FD. La circulation des oeuvres d'art contemporain en Afrique de l'Ouest : cas des arts plastiques à travers l'exemple du Sénégal : The movement of contemporary artworks in West Africa : case of art through the exemple of Senegal. [Internet] [Doctoral dissertation]. Université Michel de Montaigne – Bordeaux III; 2014. [cited 2019 Oct 14]. Available from: http://www.theses.fr/2014BOR30042.

Council of Science Editors:

Ndiaye FD. La circulation des oeuvres d'art contemporain en Afrique de l'Ouest : cas des arts plastiques à travers l'exemple du Sénégal : The movement of contemporary artworks in West Africa : case of art through the exemple of Senegal. [Doctoral Dissertation]. Université Michel de Montaigne – Bordeaux III; 2014. Available from: http://www.theses.fr/2014BOR30042


Queensland University of Technology

23. Haynes, Rachael Anne. Embodied vulnerabilities : responding to violent encounters through installation practices.

Degree: 2009, Queensland University of Technology

 This practice-led research was initiated in response to a series of violent encounters that occurred between my fragile installations and viewers. The central focus of… (more)

Subjects/Keywords: installation; ephemeral artworks; destruction and art; paper art; ethical response; responsive practice Eva Hesse; Emmanuel Levinas; Felix Gonzalez-Torres; Sarah Sze

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Haynes, R. A. (2009). Embodied vulnerabilities : responding to violent encounters through installation practices. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/27663/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Haynes, Rachael Anne. “Embodied vulnerabilities : responding to violent encounters through installation practices.” 2009. Thesis, Queensland University of Technology. Accessed October 14, 2019. https://eprints.qut.edu.au/27663/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Haynes, Rachael Anne. “Embodied vulnerabilities : responding to violent encounters through installation practices.” 2009. Web. 14 Oct 2019.

Vancouver:

Haynes RA. Embodied vulnerabilities : responding to violent encounters through installation practices. [Internet] [Thesis]. Queensland University of Technology; 2009. [cited 2019 Oct 14]. Available from: https://eprints.qut.edu.au/27663/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Haynes RA. Embodied vulnerabilities : responding to violent encounters through installation practices. [Thesis]. Queensland University of Technology; 2009. Available from: https://eprints.qut.edu.au/27663/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

24. Starling, Anne. Contemplating the terrain vague.

Degree: Art, 2012, University of New South Wales

 This research paper, Contemplating the Terrain Vague, is an examination of the post- industrial landscapes of Rhodes and Port Kembla in New South Wales and… (more)

Subjects/Keywords: Rhodes, N; Port Kembla, N; post-industrial; landscape; degradation; pollution; waterways; The Terrain Vague; artworks; Australian

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APA (6th Edition):

Starling, A. (2012). Contemplating the terrain vague. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/51902 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10572/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Starling, Anne. “Contemplating the terrain vague.” 2012. Masters Thesis, University of New South Wales. Accessed October 14, 2019. http://handle.unsw.edu.au/1959.4/51902 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10572/SOURCE02?view=true.

MLA Handbook (7th Edition):

Starling, Anne. “Contemplating the terrain vague.” 2012. Web. 14 Oct 2019.

Vancouver:

Starling A. Contemplating the terrain vague. [Internet] [Masters thesis]. University of New South Wales; 2012. [cited 2019 Oct 14]. Available from: http://handle.unsw.edu.au/1959.4/51902 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10572/SOURCE02?view=true.

Council of Science Editors:

Starling A. Contemplating the terrain vague. [Masters Thesis]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/51902 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10572/SOURCE02?view=true


Rochester Institute of Technology

25. Murray, Cheryl. Analyzing deaf artists' artworks: a curriculum for middle school students.

Degree: Master of Science of Secondary Education of Students Who are Deaf or Hard of Hearing (NTID), 2005, Rochester Institute of Technology

 This thesis presents a rich context of art information for interpreting artworks of deaf artists. Over the past decade, many artworks have been created by… (more)

Subjects/Keywords: Analyzing; Curriculum; Deaf artists' artworks; Middle school students

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APA (6th Edition):

Murray, C. (2005). Analyzing deaf artists' artworks: a curriculum for middle school students. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/4004

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Murray, Cheryl. “Analyzing deaf artists' artworks: a curriculum for middle school students.” 2005. Thesis, Rochester Institute of Technology. Accessed October 14, 2019. https://scholarworks.rit.edu/theses/4004.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Murray, Cheryl. “Analyzing deaf artists' artworks: a curriculum for middle school students.” 2005. Web. 14 Oct 2019.

Vancouver:

Murray C. Analyzing deaf artists' artworks: a curriculum for middle school students. [Internet] [Thesis]. Rochester Institute of Technology; 2005. [cited 2019 Oct 14]. Available from: https://scholarworks.rit.edu/theses/4004.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murray C. Analyzing deaf artists' artworks: a curriculum for middle school students. [Thesis]. Rochester Institute of Technology; 2005. Available from: https://scholarworks.rit.edu/theses/4004

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


AUT University

26. Cunnane, Abby. These Things Are Agents of the World and They Announce Themselves: The Sculptural Object in Artworks by Maddie Leach and Bianca Hester .

Degree: AUT University

 This thesis considers the sculptural object in artworks by Maddie Leach and Bianca Hester. Looking at the way the object is deployed in these practices… (more)

Subjects/Keywords: Agents; Things; Artworks; Maddie Leach; Bianca Hester

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APA (6th Edition):

Cunnane, A. (n.d.). These Things Are Agents of the World and They Announce Themselves: The Sculptural Object in Artworks by Maddie Leach and Bianca Hester . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/11888

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cunnane, Abby. “These Things Are Agents of the World and They Announce Themselves: The Sculptural Object in Artworks by Maddie Leach and Bianca Hester .” Thesis, AUT University. Accessed October 14, 2019. http://hdl.handle.net/10292/11888.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cunnane, Abby. “These Things Are Agents of the World and They Announce Themselves: The Sculptural Object in Artworks by Maddie Leach and Bianca Hester .” Web. 14 Oct 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Cunnane A. These Things Are Agents of the World and They Announce Themselves: The Sculptural Object in Artworks by Maddie Leach and Bianca Hester . [Internet] [Thesis]. AUT University; [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10292/11888.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Cunnane A. These Things Are Agents of the World and They Announce Themselves: The Sculptural Object in Artworks by Maddie Leach and Bianca Hester . [Thesis]. AUT University; Available from: http://hdl.handle.net/10292/11888

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

27. Caliri, Claudia. A mobile xrf scanner for a real-time elemental imaging of painted artworks.

Degree: 2017, Università degli Studi di Catania

 Painted artworks are complex multi-layered materials studied over the time with several sophisticated imaging techniques. Scanning MA-XRF technique provides information on pigment materials and their… (more)

Subjects/Keywords: Area 02 - Scienze fisiche; XRF Imaging technique, MA-XRF, Mobile macro-XRF scanner, Historical paintings, event-mode acquisition, painted artworks pigments, non-destructive analysis, real-time MA-XRF imaging

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APA (6th Edition):

Caliri, C. (2017). A mobile xrf scanner for a real-time elemental imaging of painted artworks. (Thesis). Università degli Studi di Catania. Retrieved from http://hdl.handle.net/10761/3771

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Caliri, Claudia. “A mobile xrf scanner for a real-time elemental imaging of painted artworks.” 2017. Thesis, Università degli Studi di Catania. Accessed October 14, 2019. http://hdl.handle.net/10761/3771.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Caliri, Claudia. “A mobile xrf scanner for a real-time elemental imaging of painted artworks.” 2017. Web. 14 Oct 2019.

Vancouver:

Caliri C. A mobile xrf scanner for a real-time elemental imaging of painted artworks. [Internet] [Thesis]. Università degli Studi di Catania; 2017. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10761/3771.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Caliri C. A mobile xrf scanner for a real-time elemental imaging of painted artworks. [Thesis]. Università degli Studi di Catania; 2017. Available from: http://hdl.handle.net/10761/3771

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Μέξη, Ευγενία. Οι καλλιτεχνικές μορφές ως θεμελιακά στοιχεία της επικοινωνίας και μαθησιακής διαδικασίας στο χώρο του νηπιαγωγείου.

Degree: 2013, University of Ioannina; Πανεπιστήμιο Ιωαννίνων

In kindergarten, considered in western societies as an important stage of child education, the teaching of language is a basic part of education and the… (more)

Subjects/Keywords: Έργα τέχνης; Οπτικός επιγραμματισμός; Οπτικός πολιτισμός; Γλωσσική ανάπτυξη; Λεξιλόγιο; Προφορικός λόγος; Συντακτικές γνώσεις; Σημασιολογικές γνώσεις; Artworks; Visual literacy; Visual culture; Language development; Vocabulary; Oral language; Syntactic knowledge; Semantic knowledge

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Μέξη, . . (2013). Οι καλλιτεχνικές μορφές ως θεμελιακά στοιχεία της επικοινωνίας και μαθησιακής διαδικασίας στο χώρο του νηπιαγωγείου. (Thesis). University of Ioannina; Πανεπιστήμιο Ιωαννίνων. Retrieved from http://hdl.handle.net/10442/hedi/29032

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Μέξη, Ευγενία. “Οι καλλιτεχνικές μορφές ως θεμελιακά στοιχεία της επικοινωνίας και μαθησιακής διαδικασίας στο χώρο του νηπιαγωγείου.” 2013. Thesis, University of Ioannina; Πανεπιστήμιο Ιωαννίνων. Accessed October 14, 2019. http://hdl.handle.net/10442/hedi/29032.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Μέξη, Ευγενία. “Οι καλλιτεχνικές μορφές ως θεμελιακά στοιχεία της επικοινωνίας και μαθησιακής διαδικασίας στο χώρο του νηπιαγωγείου.” 2013. Web. 14 Oct 2019.

Vancouver:

Μέξη . Οι καλλιτεχνικές μορφές ως θεμελιακά στοιχεία της επικοινωνίας και μαθησιακής διαδικασίας στο χώρο του νηπιαγωγείου. [Internet] [Thesis]. University of Ioannina; Πανεπιστήμιο Ιωαννίνων; 2013. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10442/hedi/29032.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Μέξη . Οι καλλιτεχνικές μορφές ως θεμελιακά στοιχεία της επικοινωνίας και μαθησιακής διαδικασίας στο χώρο του νηπιαγωγείου. [Thesis]. University of Ioannina; Πανεπιστήμιο Ιωαννίνων; 2013. Available from: http://hdl.handle.net/10442/hedi/29032

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Bessette, Anne. Du vandalisme d’œuvres d’art. Enjeux et réceptions. Destructions, dégradations et interventions dans les musées en Europe et en Amérique du Nord depuis 1970 : Art Vandalism ˸ stakes and Social Reactions. Destructions, Damages and Interventions in Museums in Europe and North America since 1970.

Degree: Docteur es, Sociologie, 2018, Sorbonne Paris Cité

La dégradation ou la destruction volontaire de biens symboliques est un phénomène omniprésent dans l'histoire humaine. Souvent, les œuvres ont été endommagées parce qu’elles incarnaient… (more)

Subjects/Keywords: Vandalisme; Œuvres d’art; Musées; Transgression; Sociologie de l'art; Sociologie de la déviance; Vandalism; Artworks; Museums; Transgression; Sociology of art; Sociology of deviance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bessette, A. (2018). Du vandalisme d’œuvres d’art. Enjeux et réceptions. Destructions, dégradations et interventions dans les musées en Europe et en Amérique du Nord depuis 1970 : Art Vandalism ˸ stakes and Social Reactions. Destructions, Damages and Interventions in Museums in Europe and North America since 1970. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2018USPCA120

Chicago Manual of Style (16th Edition):

Bessette, Anne. “Du vandalisme d’œuvres d’art. Enjeux et réceptions. Destructions, dégradations et interventions dans les musées en Europe et en Amérique du Nord depuis 1970 : Art Vandalism ˸ stakes and Social Reactions. Destructions, Damages and Interventions in Museums in Europe and North America since 1970.” 2018. Doctoral Dissertation, Sorbonne Paris Cité. Accessed October 14, 2019. http://www.theses.fr/2018USPCA120.

MLA Handbook (7th Edition):

Bessette, Anne. “Du vandalisme d’œuvres d’art. Enjeux et réceptions. Destructions, dégradations et interventions dans les musées en Europe et en Amérique du Nord depuis 1970 : Art Vandalism ˸ stakes and Social Reactions. Destructions, Damages and Interventions in Museums in Europe and North America since 1970.” 2018. Web. 14 Oct 2019.

Vancouver:

Bessette A. Du vandalisme d’œuvres d’art. Enjeux et réceptions. Destructions, dégradations et interventions dans les musées en Europe et en Amérique du Nord depuis 1970 : Art Vandalism ˸ stakes and Social Reactions. Destructions, Damages and Interventions in Museums in Europe and North America since 1970. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2018. [cited 2019 Oct 14]. Available from: http://www.theses.fr/2018USPCA120.

Council of Science Editors:

Bessette A. Du vandalisme d’œuvres d’art. Enjeux et réceptions. Destructions, dégradations et interventions dans les musées en Europe et en Amérique du Nord depuis 1970 : Art Vandalism ˸ stakes and Social Reactions. Destructions, Damages and Interventions in Museums in Europe and North America since 1970. [Doctoral Dissertation]. Sorbonne Paris Cité; 2018. Available from: http://www.theses.fr/2018USPCA120

30. Μπούνος, Ιωάννης. Εξέταση μηχανισμών κατά την UV φωτοαποδόμηση πολυμερών.

Degree: 2007, University of Crete (UOC); Πανεπιστήμιο Κρήτης

 Laser ablation of polymers constitutes the basis for a wide range of applications ranging of restoration of artworks to medical applications. There are several reasons… (more)

Subjects/Keywords: Φωτοαποδόμηση; Φωτοχημεία; Φωτοφυσική; Ζωγραφική, Έργα Τέχνης; Polymer ablation; Photochemistry; Photopshysics; Painting, Artworks

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Μπούνος, . . (2007). Εξέταση μηχανισμών κατά την UV φωτοαποδόμηση πολυμερών. (Thesis). University of Crete (UOC); Πανεπιστήμιο Κρήτης. Retrieved from http://hdl.handle.net/10442/hedi/15852

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Μπούνος, Ιωάννης. “Εξέταση μηχανισμών κατά την UV φωτοαποδόμηση πολυμερών.” 2007. Thesis, University of Crete (UOC); Πανεπιστήμιο Κρήτης. Accessed October 14, 2019. http://hdl.handle.net/10442/hedi/15852.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Μπούνος, Ιωάννης. “Εξέταση μηχανισμών κατά την UV φωτοαποδόμηση πολυμερών.” 2007. Web. 14 Oct 2019.

Vancouver:

Μπούνος . Εξέταση μηχανισμών κατά την UV φωτοαποδόμηση πολυμερών. [Internet] [Thesis]. University of Crete (UOC); Πανεπιστήμιο Κρήτης; 2007. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10442/hedi/15852.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Μπούνος . Εξέταση μηχανισμών κατά την UV φωτοαποδόμηση πολυμερών. [Thesis]. University of Crete (UOC); Πανεπιστήμιο Κρήτης; 2007. Available from: http://hdl.handle.net/10442/hedi/15852

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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