subject:(Arthur Conan Doyle)

1. Sequeira, Jorge Nuno Ribeiro Gonçalves. Sherlock Holmes: from paper to the screen.

Degree: 2015, Instituto Politécnico do Porto

URL: http://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/5998

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Dissertação de Mestrado apresentado ao Instituto de Contabilidade e Administração do Porto para a obtenção do grau de Mestre em Tradução e Interpretação Especializadas, sob… (more)

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Dissertação de Mestrado apresentado ao Instituto de Contabilidade e Administração do Porto para a obtenção do grau de Mestre em Tradução e Interpretação Especializadas, sob orientação da doutora Clara Sarmento Esta versão não contém as críticas e sugestões dos elementos do júri

A adaptação relaciona-se com as produções cinematográficas e televisivas quase desde o princípio da história destes meios. Os primeiros filmes exibidos eram frequentemente baseados em obras literárias históricas ou ficcionais, sendo um importante factor na evolução e desenvolvimento da produção cinematográfica como a conhecemos. Neste estudo, será analisada, segundo o ponto de vista dos estudos da tradução intersemiótica, a obra The Hound of The Baskervilles, de Sir Arthur Conan Doyle, sendo esta uma das obras mais populares do género literário criminal. Esta análise pretende servir de ―ponte‖ para estabelecer a relação entre o processo de tradução e o da adaptação, comparando as suas semelhanças e diferenças, além de exemplificar um processo para a análise crítica de adaptações que não se baseie meramente na perspectiva dos estudos literários acerca deste tipo de trabalhos.

Adaptation has been related to cinema and televisions productions almost from their very beginning. The first movies exhibited in these two mediums were frequently based on either historical or fictional literary works, being an important factor to the development and evolution of filmmaking as we know it, today. In this study, the novel The Hound of the Baskervilles, by Sir Arthur Conan Doyle, is analysed from the point of view of intersemiotic translation studies, being one of the most popular works of the crime literary genre. This analysis serves as a means of establishing a relation betwen the process of adaptation and the process of translation, comparing similarities and differences between them, as well as exemplifying a process for the critical analysis of adaptations that is not based merely in a literary studies perspective of these types of works.

Advisors/Committee Members: Sarmento, Clara.

Subjects/Keywords: Adaptação; Sir Arthur Conan Doyle; Tradução; Intersemiótica; Intersemiotic studies; Adaptation; Translation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Sequeira, J. N. R. G. (2015). Sherlock Holmes: from paper to the screen. (Thesis). Instituto Politécnico do Porto. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/5998

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Sequeira, Jorge Nuno Ribeiro Gonçalves. “Sherlock Holmes: from paper to the screen.” 2015. Thesis, Instituto Politécnico do Porto. Accessed March 07, 2021. http://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/5998.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Sequeira, Jorge Nuno Ribeiro Gonçalves. “Sherlock Holmes: from paper to the screen.” 2015. Web. 07 Mar 2021.

Vancouver:

Sequeira JNRG. Sherlock Holmes: from paper to the screen. [Internet] [Thesis]. Instituto Politécnico do Porto; 2015. [cited 2021 Mar 07]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/5998.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sequeira JNRG. Sherlock Holmes: from paper to the screen. [Thesis]. Instituto Politécnico do Porto; 2015. Available from: http://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/5998

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Toronto

2. Murray, Nathan. The Death of the Character in Modern Fiction and Criticism.

Degree: PhD, 2019, University of Toronto

URL: http://hdl.handle.net/1807/94057

► This study is a critical history of the conflict over literary character in the first half of the twentieth century. It explores the tension between… (more)

▼ This study is a critical history of the conflict over literary character in the first half of the twentieth century. It explores the tension between conceiving of character either as a linguistic construct or as a simulated person. Rejecting the teleological metanarrative that modernist characters represented the self more authentically than earlier writers, the study treats that metanarrative as a mythos and reveals the intellectual labour that modernist writers and critics put into constructing it. The first chapter deals with A.C. Bradley, F.R. Leavis, T.S. Eliot, G. Wilson Knight, and L.C. Knights and their debates over representation of character in Hamlet. Bradley emerges as a nuanced critic, who, far from seeing Hamlet as merely the imitation of a real person, recognizes the role of the reader in filling narrative gaps, smoothing over inconsistencies and errors, and, ultimately, accepting the incompleteness of the text. The second chapter deals with the disagreement between, on one side, E.M. Forster and Lytton Strachey, who both assert the power of text to communicate both fictional and historical people, and, on the other, Virginia Woolf, who in her criticism and experimental biographies challenges readers’ assumptions that we can ever know another individual – even a fictional one. The final two chapters explore grassroots organizations of readers who resisted modern trends in criticism because they viewed a character’s reality as an essential aspect of a great work of literature. First are the Holmesians, who circulated mock-essays with the conceit that Sherlock Holmes and Dr. Watson were real people. Second are the first Bloomsday celebrants, who followed the path of the protagonists of James Joyce’s Ulysses through the streets of Dublin, reading the work as a passionate national epic. This model of reading character emphasizes the vivid feeling of reality that simulated persons produce and rejects any attempt to reduce characters to a mere collection of words on a page. The legacy of this divergence between enthusiastic lay readers and academics can still be felt in the academy today and demonstrates the urgent need for a new understanding of how character is communicated, and how character is read. Advisors/Committee Members: Henderson, Greig, English.

Subjects/Keywords: Arthur Conan Doyle; Criticism; James Joyce; Modernism; Virginia Woolf; 0401

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Murray, N. (2019). The Death of the Character in Modern Fiction and Criticism. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/94057

Chicago Manual of Style (16^th Edition):

Murray, Nathan. “The Death of the Character in Modern Fiction and Criticism.” 2019. Doctoral Dissertation, University of Toronto. Accessed March 07, 2021. http://hdl.handle.net/1807/94057.

MLA Handbook (7^th Edition):

Murray, Nathan. “The Death of the Character in Modern Fiction and Criticism.” 2019. Web. 07 Mar 2021.

Vancouver:

Murray N. The Death of the Character in Modern Fiction and Criticism. [Internet] [Doctoral dissertation]. University of Toronto; 2019. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/1807/94057.

Council of Science Editors:

Murray N. The Death of the Character in Modern Fiction and Criticism. [Doctoral Dissertation]. University of Toronto; 2019. Available from: http://hdl.handle.net/1807/94057

Universiteit Utrecht

3. Hoeben, J.J.M. The Adventure of the Translation Student An Analysis and Translation of "The Adventure of the Retired Colourman" by Arthur Conan Doyle.

Degree: 2012, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/254823

► This master thesis is divided into three different parts. The first part discusses the contextual information about the author, the story and the Victorian era.… (more)

Subjects/Keywords: Translation; Sherlock Holmes; Arthur Conan Doyle; Analysis; Style; Victorian Era; "The Retired Colourman"; Translation Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hoeben, J. J. M. (2012). The Adventure of the Translation Student An Analysis and Translation of "The Adventure of the Retired Colourman" by Arthur Conan Doyle. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/254823

Chicago Manual of Style (16^th Edition):

Hoeben, J J M. “The Adventure of the Translation Student An Analysis and Translation of "The Adventure of the Retired Colourman" by Arthur Conan Doyle.” 2012. Masters Thesis, Universiteit Utrecht. Accessed March 07, 2021. http://dspace.library.uu.nl:8080/handle/1874/254823.

MLA Handbook (7^th Edition):

Hoeben, J J M. “The Adventure of the Translation Student An Analysis and Translation of "The Adventure of the Retired Colourman" by Arthur Conan Doyle.” 2012. Web. 07 Mar 2021.

Vancouver:

Hoeben JJM. The Adventure of the Translation Student An Analysis and Translation of "The Adventure of the Retired Colourman" by Arthur Conan Doyle. [Internet] [Masters thesis]. Universiteit Utrecht; 2012. [cited 2021 Mar 07]. Available from: http://dspace.library.uu.nl:8080/handle/1874/254823.

Council of Science Editors:

Hoeben JJM. The Adventure of the Translation Student An Analysis and Translation of "The Adventure of the Retired Colourman" by Arthur Conan Doyle. [Masters Thesis]. Universiteit Utrecht; 2012. Available from: http://dspace.library.uu.nl:8080/handle/1874/254823

4. Strosnider-Hollis, Stefanie Marie. And the showmen cried, “Spirit!”: Harry Houdini and Sir Arthur Conan Doyle’s search for the truth behind modern Spiritualism.

Degree: 2011, James Madison University

URL: https://commons.lib.jmu.edu/master201019/342

► This Master’s thesis is constructed around the Spiritualist lecture tours of Harry Houdini and Sir Arthur Conan Doyle. The famed British author was an ardent… (more)

Subjects/Keywords: Spiritualism; Harry Houdini; Sir Arthur Conan Doyle; lecture tour; magic; medium; History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Strosnider-Hollis, S. M. (2011). And the showmen cried, “Spirit!”: Harry Houdini and Sir Arthur Conan Doyle’s search for the truth behind modern Spiritualism. (Masters Thesis). James Madison University. Retrieved from https://commons.lib.jmu.edu/master201019/342

Chicago Manual of Style (16^th Edition):

Strosnider-Hollis, Stefanie Marie. “And the showmen cried, “Spirit!”: Harry Houdini and Sir Arthur Conan Doyle’s search for the truth behind modern Spiritualism.” 2011. Masters Thesis, James Madison University. Accessed March 07, 2021. https://commons.lib.jmu.edu/master201019/342.

MLA Handbook (7^th Edition):

Strosnider-Hollis, Stefanie Marie. “And the showmen cried, “Spirit!”: Harry Houdini and Sir Arthur Conan Doyle’s search for the truth behind modern Spiritualism.” 2011. Web. 07 Mar 2021.

Vancouver:

Strosnider-Hollis SM. And the showmen cried, “Spirit!”: Harry Houdini and Sir Arthur Conan Doyle’s search for the truth behind modern Spiritualism. [Internet] [Masters thesis]. James Madison University; 2011. [cited 2021 Mar 07]. Available from: https://commons.lib.jmu.edu/master201019/342.

Council of Science Editors:

Strosnider-Hollis SM. And the showmen cried, “Spirit!”: Harry Houdini and Sir Arthur Conan Doyle’s search for the truth behind modern Spiritualism. [Masters Thesis]. James Madison University; 2011. Available from: https://commons.lib.jmu.edu/master201019/342

UCLA

5. Wang, Fuson. The Immune Response: Romanticism and the Radical Literary History of Smallpox Inoculation.

Degree: English, 2014, UCLA

URL: http://www.escholarship.org/uc/item/76f6m3bt

► My dissertation untangles the oxymoron of Romantic medicine. The literary history of inoculation, I contend, reveals that smallpox eradication was as much a triumph of… (more)

▼ My dissertation untangles the oxymoron of Romantic medicine. The literary history of inoculation, I contend, reveals that smallpox eradication was as much a triumph of the literary imagination as it was an achievement of Enlightenment science. Underlying this argument is the larger disciplinary question: Who counts as a producer of scientific knowledge? My project uncovers a surprisingly literary history of medicine that includes poetry and imaginative fiction in the discovery, propagation, and implementation of Edward Jenner's controversial discovery of the smallpox vaccine in 1796. Our own anti-vaccination campaigns recapitulate many of these same controversies. Most famously, Dr. Andrew Wakefield's bogus 1998 study linking MMR to autism compelled thousands of parents to deny their children this important vaccine. These biopolitical issues have only intensified in the globalized twenty-first century, and the debates about the large-scale management of disease depend on our literary-historical memory of the first vaccine scares and our attention to the narratives of those who lived through the alternatives of disfigurement, disease, and death.My approach places metaphor and medical reality in the balance. I track the uses of inoculation from its botanical origins, to controversies about safety, to its potential to manage global plague, and finally to its nineteenth-century contraction into clinical propaganda. The first section handles inoculation's early history via John Milton's concept of virtuous trial in Comus, Areopagitica, and Paradise Lost. While John Dryden and Lady Mary Wortley Montagu's smallpox poems employ metaphor as mere euphemism and concealment, Erasmus Darwin and William Blake begin to imagine Milton's tested virtue more explicitly as a kind of salubrious inoculation against the corruptions of disease. In my second section on Romantic-era poetry and prose, I argue that, for Blake, John Keats, and Mary Shelley, the metaphor of inoculation models both a revolutionary politics and a cosmopolitan ethics, materializing abstract theories of reform into a medically reproducible practice. I close with a third section on the Victorian endpoint of this radical discourse of inoculation and the consolidation of medical authority into the figure of the all-seeing detective in Arthur Conan Doyle's Sherlock Holmes stories. Inoculation's long historical reach and unassailable record for saving lives demand that we continue to recover and to scrutinize these medical, literary, and political origins.

Subjects/Keywords: Literature; History of science; Immunology; Arthur Conan Doyle; Erasmus Darwin; John Keats; Mary Shelley; Romanticism; William Blake

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Wang, F. (2014). The Immune Response: Romanticism and the Radical Literary History of Smallpox Inoculation. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/76f6m3bt

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Wang, Fuson. “The Immune Response: Romanticism and the Radical Literary History of Smallpox Inoculation.” 2014. Thesis, UCLA. Accessed March 07, 2021. http://www.escholarship.org/uc/item/76f6m3bt.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Wang, Fuson. “The Immune Response: Romanticism and the Radical Literary History of Smallpox Inoculation.” 2014. Web. 07 Mar 2021.

Vancouver:

Wang F. The Immune Response: Romanticism and the Radical Literary History of Smallpox Inoculation. [Internet] [Thesis]. UCLA; 2014. [cited 2021 Mar 07]. Available from: http://www.escholarship.org/uc/item/76f6m3bt.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wang F. The Immune Response: Romanticism and the Radical Literary History of Smallpox Inoculation. [Thesis]. UCLA; 2014. Available from: http://www.escholarship.org/uc/item/76f6m3bt

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Waikato

6. Laven, Eleni. Detection, Desire and Contamination: The Strange Case of Sherlock Holmes .

Degree: 2013, University of Waikato

URL: http://hdl.handle.net/10289/8466

► Arthur Conan Doyle’s famous creation, Sherlock Holmes, is often viewed as a fictional embodiment of justice and order in nineteenth-century Britain, a fantasy of epistemological… (more)

Subjects/Keywords: Sherlock Holmes; Arthur Conan Doyle; detective fiction; Victorian studies; Jack the Ripper; Spanish Inquisition; Victorian doctors

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Laven, E. (2013). Detection, Desire and Contamination: The Strange Case of Sherlock Holmes . (Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/8466

Chicago Manual of Style (16^th Edition):

Laven, Eleni. “Detection, Desire and Contamination: The Strange Case of Sherlock Holmes .” 2013. Masters Thesis, University of Waikato. Accessed March 07, 2021. http://hdl.handle.net/10289/8466.

MLA Handbook (7^th Edition):

Laven, Eleni. “Detection, Desire and Contamination: The Strange Case of Sherlock Holmes .” 2013. Web. 07 Mar 2021.

Vancouver:

Laven E. Detection, Desire and Contamination: The Strange Case of Sherlock Holmes . [Internet] [Masters thesis]. University of Waikato; 2013. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/10289/8466.

Council of Science Editors:

Laven E. Detection, Desire and Contamination: The Strange Case of Sherlock Holmes . [Masters Thesis]. University of Waikato; 2013. Available from: http://hdl.handle.net/10289/8466

University of Debrecen

7. Gódor, Adrienn. Hidden in Plain Sight .

Degree: DE – Bölcsészettudományi Kar, University of Debrecen

URL: http://hdl.handle.net/2437/227547

► After the Whitechapel murders, Jack the Ripper had a threatening shadow over everyday life. However, Arthur Conan Doyle's Sherlock Holmes stories did not provide an… (more)

Subjects/Keywords: jack the ripper; sherlock holmes; arthur conan doyle

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Gódor, A. (n.d.). Hidden in Plain Sight . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/227547

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Gódor, Adrienn. “Hidden in Plain Sight .” Thesis, University of Debrecen. Accessed March 07, 2021. http://hdl.handle.net/2437/227547.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Gódor, Adrienn. “Hidden in Plain Sight .” Web. 07 Mar 2021.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Gódor A. Hidden in Plain Sight . [Internet] [Thesis]. University of Debrecen; [cited 2021 Mar 07]. Available from: http://hdl.handle.net/2437/227547.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Gódor A. Hidden in Plain Sight . [Thesis]. University of Debrecen; Available from: http://hdl.handle.net/2437/227547

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

8. LU SHENGLI MARK. Sherlock Holmes as a romantic detective: A stylistic analysis of Holmes's Use of Language.

Degree: 2009, National University of Singapore

URL: http://scholarbank.nus.edu.sg/handle/10635/16892

Subjects/Keywords: arthur conan doyle; sherlock holmes; detective fiction; literary stylistics

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APA (6^th Edition):

MARK, L. S. (2009). Sherlock Holmes as a romantic detective: A stylistic analysis of Holmes's Use of Language. (Thesis). National University of Singapore. Retrieved from http://scholarbank.nus.edu.sg/handle/10635/16892

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

MARK, LU SHENGLI. “Sherlock Holmes as a romantic detective: A stylistic analysis of Holmes's Use of Language.” 2009. Thesis, National University of Singapore. Accessed March 07, 2021. http://scholarbank.nus.edu.sg/handle/10635/16892.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

MARK, LU SHENGLI. “Sherlock Holmes as a romantic detective: A stylistic analysis of Holmes's Use of Language.” 2009. Web. 07 Mar 2021.

Vancouver:

MARK LS. Sherlock Holmes as a romantic detective: A stylistic analysis of Holmes's Use of Language. [Internet] [Thesis]. National University of Singapore; 2009. [cited 2021 Mar 07]. Available from: http://scholarbank.nus.edu.sg/handle/10635/16892.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

MARK LS. Sherlock Holmes as a romantic detective: A stylistic analysis of Holmes's Use of Language. [Thesis]. National University of Singapore; 2009. Available from: http://scholarbank.nus.edu.sg/handle/10635/16892

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

De Montfort University

9. Polasek, Ashley D. The evolution of Sherlock Holmes : adapting character across time and text.

Degree: PhD, 2014, De Montfort University

URL: http://hdl.handle.net/2086/11076

► The aim of this thesis is to introduce, justify, and apply a better framework for analysing Sherlock Holmes, one of the most adapted characters of… (more)

Subjects/Keywords: 791.43; Film Adaptations; literature; Film; television; Sherlock Holmes (Fictitious Character); John Watson (Fictitious Character); Arthur Conan Doyle; Fandom; Intertextuality

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Polasek, A. D. (2014). The evolution of Sherlock Holmes : adapting character across time and text. (Doctoral Dissertation). De Montfort University. Retrieved from http://hdl.handle.net/2086/11076

Chicago Manual of Style (16^th Edition):

Polasek, Ashley D. “The evolution of Sherlock Holmes : adapting character across time and text.” 2014. Doctoral Dissertation, De Montfort University. Accessed March 07, 2021. http://hdl.handle.net/2086/11076.

MLA Handbook (7^th Edition):

Polasek, Ashley D. “The evolution of Sherlock Holmes : adapting character across time and text.” 2014. Web. 07 Mar 2021.

Vancouver:

Polasek AD. The evolution of Sherlock Holmes : adapting character across time and text. [Internet] [Doctoral dissertation]. De Montfort University; 2014. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/2086/11076.

Council of Science Editors:

Polasek AD. The evolution of Sherlock Holmes : adapting character across time and text. [Doctoral Dissertation]. De Montfort University; 2014. Available from: http://hdl.handle.net/2086/11076

Leiden University

10. Meertens, Yvette. The Development of a Young Detective: The Adaptation of Sir Arthur Conan Doyle’s Sherlock Holmes into a Modern-Day Consulting Detective in BBC’s Sherlock.

Degree: 2020, Leiden University

URL: http://hdl.handle.net/1887/136286

► This thesis analyses how the character and stories written by Arthur Conan Doyle have been adapted in season three and four of the BBC’s Sherlock… (more)

Subjects/Keywords: Sherlock Holmes; Arthur Conan Doyle; Steven Moffat; Mark Gatiss; BBC Sherlock; Character Studies; Adaptation Theory; Character Development

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Meertens, Y. (2020). The Development of a Young Detective: The Adaptation of Sir Arthur Conan Doyle’s Sherlock Holmes into a Modern-Day Consulting Detective in BBC’s Sherlock. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/136286

Chicago Manual of Style (16^th Edition):

Meertens, Yvette. “The Development of a Young Detective: The Adaptation of Sir Arthur Conan Doyle’s Sherlock Holmes into a Modern-Day Consulting Detective in BBC’s Sherlock.” 2020. Masters Thesis, Leiden University. Accessed March 07, 2021. http://hdl.handle.net/1887/136286.

MLA Handbook (7^th Edition):

Meertens, Yvette. “The Development of a Young Detective: The Adaptation of Sir Arthur Conan Doyle’s Sherlock Holmes into a Modern-Day Consulting Detective in BBC’s Sherlock.” 2020. Web. 07 Mar 2021.

Vancouver:

Meertens Y. The Development of a Young Detective: The Adaptation of Sir Arthur Conan Doyle’s Sherlock Holmes into a Modern-Day Consulting Detective in BBC’s Sherlock. [Internet] [Masters thesis]. Leiden University; 2020. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/1887/136286.

Council of Science Editors:

Meertens Y. The Development of a Young Detective: The Adaptation of Sir Arthur Conan Doyle’s Sherlock Holmes into a Modern-Day Consulting Detective in BBC’s Sherlock. [Masters Thesis]. Leiden University; 2020. Available from: http://hdl.handle.net/1887/136286

11. Strahan, Jeremy. Marriage & scandal : Sherlock Holmes’s treatment of women in the Doyle Canon .

Degree: 2019, State University of New York at New Paltz

URL: https://suny.dspace-express.com/handle/1951/70966

► In both present-day media and criticism, the character of Irene Adler looms over any other female figures within the Doyle canon, continuing into modern adaptations.… (more)

Subjects/Keywords: Adler, Irene (Fictitious character) – Fiction; Doyle, Arthur Conan, – 1859-1930 – Characters – Sherlock Holmes; Doyle, Arthur Conan, – 1859-1930 – Criticism and interpretation; Detective and mystery stories, English – History and criticism; Women in literature; Sex role in literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Strahan, J. (2019). Marriage & scandal : Sherlock Holmes’s treatment of women in the Doyle Canon . (Thesis). State University of New York at New Paltz. Retrieved from https://suny.dspace-express.com/handle/1951/70966

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Strahan, Jeremy. “Marriage & scandal : Sherlock Holmes’s treatment of women in the Doyle Canon .” 2019. Thesis, State University of New York at New Paltz. Accessed March 07, 2021. https://suny.dspace-express.com/handle/1951/70966.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Strahan, Jeremy. “Marriage & scandal : Sherlock Holmes’s treatment of women in the Doyle Canon .” 2019. Web. 07 Mar 2021.

Vancouver:

Strahan J. Marriage & scandal : Sherlock Holmes’s treatment of women in the Doyle Canon . [Internet] [Thesis]. State University of New York at New Paltz; 2019. [cited 2021 Mar 07]. Available from: https://suny.dspace-express.com/handle/1951/70966.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Strahan J. Marriage & scandal : Sherlock Holmes’s treatment of women in the Doyle Canon . [Thesis]. State University of New York at New Paltz; 2019. Available from: https://suny.dspace-express.com/handle/1951/70966

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Texas Tech University

12. LaBorde, Charles Bernard. Sherlock Holmes on the Stage.

Degree: 1973, Texas Tech University

URL: http://hdl.handle.net/2346/15613

Subjects/Keywords: Doyle, Arthur Conan, Sir, 1859-1930 – Drama; Doyle, Arthur Conan, Sir, 1859-1930 – Characters – Sherlock Holmes; Crime in literature

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APA (6^th Edition):

LaBorde, C. B. (1973). Sherlock Holmes on the Stage. (Thesis). Texas Tech University. Retrieved from http://hdl.handle.net/2346/15613

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

LaBorde, Charles Bernard. “Sherlock Holmes on the Stage.” 1973. Thesis, Texas Tech University. Accessed March 07, 2021. http://hdl.handle.net/2346/15613.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

LaBorde, Charles Bernard. “Sherlock Holmes on the Stage.” 1973. Web. 07 Mar 2021.

Vancouver:

LaBorde CB. Sherlock Holmes on the Stage. [Internet] [Thesis]. Texas Tech University; 1973. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/2346/15613.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

LaBorde CB. Sherlock Holmes on the Stage. [Thesis]. Texas Tech University; 1973. Available from: http://hdl.handle.net/2346/15613

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of North Texas

13. Durrer, Rebecca A. (Rebecca Ann). Knightly Gentlemen: Sir Arthur Conan Doyle and His Historical Novels.

Degree: 1993, University of North Texas

URL: https://digital.library.unt.edu/ark:/67531/metadc500933/

► This thesis analyzes Sir Arthur Conan Doyle's contribution to the revival of chivalric ideals in late Victorian England. The primary sources of this study are… (more)

Subjects/Keywords: Sir Arthur Conan Doyle; chivalry in literature; historical novels; Doyle, Arthur Conan, Sir, 1859-1930 – Criticism and interpretation.; Chivalry in literature.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Durrer, R. A. (. A. (1993). Knightly Gentlemen: Sir Arthur Conan Doyle and His Historical Novels. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500933/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Durrer, Rebecca A (Rebecca Ann). “Knightly Gentlemen: Sir Arthur Conan Doyle and His Historical Novels.” 1993. Thesis, University of North Texas. Accessed March 07, 2021. https://digital.library.unt.edu/ark:/67531/metadc500933/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Durrer, Rebecca A (Rebecca Ann). “Knightly Gentlemen: Sir Arthur Conan Doyle and His Historical Novels.” 1993. Web. 07 Mar 2021.

Vancouver:

Durrer RA(A. Knightly Gentlemen: Sir Arthur Conan Doyle and His Historical Novels. [Internet] [Thesis]. University of North Texas; 1993. [cited 2021 Mar 07]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500933/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Durrer RA(A. Knightly Gentlemen: Sir Arthur Conan Doyle and His Historical Novels. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc500933/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Michigan State University

14. Baumgart, Emily Michelle. "What one man can invent, another can discover" : music and the transformation of Sherlock Holmes from literary gentleman detective to on-screen romantic genius.

Degree: 2015, Michigan State University

URL: http://etd.lib.msu.edu/islandora/object/etd:2641

►

Thesis M.A. Michigan State University. Musicology 2015

ABSTRACT“WHAT ONE MAN CAN INVENT, ANOTHER CAN DISCOVER”MUSIC AND THE TRANSFORMATION OF SHERLOCK HOLMES FROMLITERARY GENTLEMAN DETECTIVE TO… (more)

Subjects/Keywords: Holmes, Sherlock – In mass media; Doyle, Arthur Conan, 1859-1930 – Characters; Holmes, Sherlock; Doyle, Arthur Conan, 1859-1930 – Adaptations; Doyle, Arthur Conan, 1859-1930; Violinists – Fiction; Violin in literature; Sherlock Holmes films – History and criticism; Sherlock Holmes television programs – History and criticism; Characters and characteristics in mass media; Holmes, Sherlock in mass media; Sherlock Holmes films; Sherlock Holmes television programs; Violinists; Music; Film studies; Literature

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Baumgart, E. M. (2015). "What one man can invent, another can discover" : music and the transformation of Sherlock Holmes from literary gentleman detective to on-screen romantic genius. (Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:2641

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Baumgart, Emily Michelle. “"What one man can invent, another can discover" : music and the transformation of Sherlock Holmes from literary gentleman detective to on-screen romantic genius.” 2015. Thesis, Michigan State University. Accessed March 07, 2021. http://etd.lib.msu.edu/islandora/object/etd:2641.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Baumgart, Emily Michelle. “"What one man can invent, another can discover" : music and the transformation of Sherlock Holmes from literary gentleman detective to on-screen romantic genius.” 2015. Web. 07 Mar 2021.

Vancouver:

Baumgart EM. "What one man can invent, another can discover" : music and the transformation of Sherlock Holmes from literary gentleman detective to on-screen romantic genius. [Internet] [Thesis]. Michigan State University; 2015. [cited 2021 Mar 07]. Available from: http://etd.lib.msu.edu/islandora/object/etd:2641.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baumgart EM. "What one man can invent, another can discover" : music and the transformation of Sherlock Holmes from literary gentleman detective to on-screen romantic genius. [Thesis]. Michigan State University; 2015. Available from: http://etd.lib.msu.edu/islandora/object/etd:2641

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Université du Québec à Montréal

15. Grenier-Millette, Sarah. Sherlock (2010) et la renaissance contemporaine du mythe holmésien.

Degree: 2016, Université du Québec à Montréal

URL: http://www.archipel.uqam.ca/8886/1/M14396.pdf

► Depuis sa première apparition dans A Study in Scarlet, Sherlock Holmes, personnage créé par Arthur Conan Doyle en 1887, a fait sa place au sein… (more)

▼ Depuis sa première apparition dans A Study in Scarlet, Sherlock Holmes, personnage créé par Arthur Conan Doyle en 1887, a fait sa place au sein de la culture populaire en tant que figure mythique à travers les multiples adaptations libres dont il a fait l'objet, et ce, depuis la fin du XIXe siècle. On remarque pourtant, au XXIe siècle, certains cas isolés et très récents de transpositions contemporaines actualisées de la figure du détective de Baker Street, soit Elementary (Robert Doherty, 2012-) et Sherlock (Mark Gatiss et Steven Moffat, 2010-). C'est cette dernière actualisation qui nous intéresse ici. Ce que nous offrent Mark Gatiss et Steven Moffat, créateurs de Sherlock, c'est un Sherlock Holmes hypermoderne, une remise à zéro du personnage qui apparaît au XXIe siècle comme pour la première fois, mais chargé de tout un bagage intertextuel issu des variations précédentes. S'établit alors un formidable jeu de reconstruction du canon holmésien puisque le glissement temporel permet de bâtir une version neuve, à partir d'intertextes, d'un personnage et d'un univers peut-être un peu usés par un passé d'adaptations répétées. Ce mémoire a pour but d'étudier la série Sherlock en soulignant sa place au sein du mythe holmésien transmédiatique et la manière dont elle effectue une relecture de la figure de Sherlock Holmes à la lumière du XXIe siècle par la transposition temporelle et la présence d'une large communauté active de fans impliquée à divers degrés dans la persistance du mythe. Tout d'abord, le mythe holmésien sera inscrit dans l'évolution du mythe littéraire vers le mythe transmédiatique émancipé. Cette analyse permettra de démontrer comment Sherlock affirme le mythe holmésien et y participe à travers la relecture de certains personnages, tels que Sherlock Holmes, John Watson, Irène Adler et James Moriarty. Nous verrons comment cette adaptation se définit par la construction d'un monde hypermoderne, pendant néo-victorien de l'Angleterre de la reine Victoria, dans une logique très proche de celle du reboot et de l'uchronie. En effet, si Conan Doyle, à travers ses récits policiers, exposait un commentaire sur sa société, Moffat et Gatiss proposent, eux aussi, avec leur série, un miroir des questionnements sociaux du XXIe siècle, principalement en ce qui concerne notre rapport aux technologies de la communication, mais surtout à la figure du surhomme hypermoderne et à la question de l'amitié masculine, de la marginalité et de la sociopathie. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Sherlock Holmes, Conan Doyle, détective, série télévisée, intertextualité, adaptation, contemporain, mythe, transmédialité, sociopathie, marginalité, technologies numériques, communauté de fans, transposition temporelle, web 2.0.

Subjects/Keywords: Sherlock (Émission de télévision); Doyle; Arthur Conan; Sir; Sherlock Holmes; Adaptations télévisées; Intertextualité; Mythe dans la littérature; Fans; 21e siècle; 19e siècle

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Grenier-Millette, S. (2016). Sherlock (2010) et la renaissance contemporaine du mythe holmésien. (Thesis). Université du Québec à Montréal. Retrieved from http://www.archipel.uqam.ca/8886/1/M14396.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Grenier-Millette, Sarah. “Sherlock (2010) et la renaissance contemporaine du mythe holmésien.” 2016. Thesis, Université du Québec à Montréal. Accessed March 07, 2021. http://www.archipel.uqam.ca/8886/1/M14396.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Grenier-Millette, Sarah. “Sherlock (2010) et la renaissance contemporaine du mythe holmésien.” 2016. Web. 07 Mar 2021.

Vancouver:

Grenier-Millette S. Sherlock (2010) et la renaissance contemporaine du mythe holmésien. [Internet] [Thesis]. Université du Québec à Montréal; 2016. [cited 2021 Mar 07]. Available from: http://www.archipel.uqam.ca/8886/1/M14396.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grenier-Millette S. Sherlock (2010) et la renaissance contemporaine du mythe holmésien. [Thesis]. Université du Québec à Montréal; 2016. Available from: http://www.archipel.uqam.ca/8886/1/M14396.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Universidade do Rio Grande do Sul

16. Carli, Eduarda de. The role of adaptations in the reconfiguration of Dr. John Watson within the Sherlock Holmes canon.

Degree: 2017, Universidade do Rio Grande do Sul

URL: http://hdl.handle.net/10183/170417

►

As histórias de Sherlock Holmes cativam inúmeros leitores desde que o primeiro romance foi publicado em 1887 pelo autor escocês Sir Arthur Conan Doyle. As… (more)

▼

As histórias de Sherlock Holmes cativam inúmeros leitores desde que o primeiro romance foi publicado em 1887 pelo autor escocês Sir Arthur Conan Doyle. As aventuras vividas pelo grande detetive Sherlock Holmes e seu companheiro Dr. John Watson têm sido adaptadas para outras mídias desde 1890, e épocas diferentes apresentam diferentes interpretações das personagens. Duas das mais recentes adaptações televisivas, Sherlock (2010 –), da BBC, e Elementary (2012 –), da CBS, se passam na contemporaneidade, inspirando uma reconfiguração das personagens, principalmente a de John Watson, considerando o fato de que ele não é mais o principal narrador das histórias na mídia audiovisual – o narrador fílmico é quem cumpre esse papel –, abrindo novas possibilidades para os papéis da personagem. Tais possibilidades motivam esta dissertação, que propõe um estudo da caracterização da personagem literária nos romances Um estudo em vermelho (1887) e O cão dos Baskerville (1902), para então considerar sua nova caracterização nas duas séries televisivas mencionadas acima. O trabalho, portanto, está dividido em quatro capítulos. O primeiro apresenta uma introdução ao autor e a relação com sua própria obra, além de um panorama histórico das adaptações fílmicas e televisivas, enfatizando as caracterizações de Watson nelas. O segundo apresenta as teorias que alicerçam a análise, particularmente a narratologia literária de Mieke Bal (2009), a narratologia fílmica de Peter Verstraten (2009), e as considerações de Jason Mittell (2015) acerca da personagem televisiva. Os capítulos três e quatro trazem as análises dos romances e séries de televisão respectivamente, focando nas (re)configurações da personagem Watson. Ao final deste trabalho, esperamos ter contribuído para um aprofundamento e diversificação dos estudos de personagem a partir de referenciais narratológicos, linha de estudos pouco desenvolvida, especialmente no Brasil. Da mesma forma, pretendemos demonstrar como adaptações televisivas exploram e amplificam o papel de personagens-narradoras, dando a elas e a outras personagens mais autonomia na obra audiovisual.

The Sherlock Holmes stories have captivated innumerous readers since the first novel was published in 1887 by Scottish author Sir Arthur Conan Doyle. The adventures lived by the Great Detective Sherlock Holmes and his companion Dr. John Watson have been adapted to other media from as early as 1890, and different times present different portrayals of the characters. Two of the latest television adaptations, BBC’s Sherlock (2010 –) and CBS’s Elementary (2012 –), are set in contemporary times, inspiring a reconfiguration of the characters, especially John Watson, considering the fact that he is not the main narrator of the stories in the audiovisual medium – the filmic narrator fulfills that function –, opening new possibilities for the character’s roles. These possibilities motivate this thesis, and we propose a study of the characterization of the literary character in the novels A Study in Scarlet (1887) and The Hound of…

Advisors/Committee Members: Indrusiak, Elaine Barros.

Subjects/Keywords: Doyle, Arthur Conan, 1859-1930. Sherlock Holmes; English Literature; Sherlock Holmes (Personagem); Television; Character; Literatura inglesa; Televisão; Adaptation; Dr. Watson; Personagem; Adaptação

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Carli, E. d. (2017). The role of adaptations in the reconfiguration of Dr. John Watson within the Sherlock Holmes canon. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/170417

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Carli, Eduarda de. “The role of adaptations in the reconfiguration of Dr. John Watson within the Sherlock Holmes canon.” 2017. Thesis, Universidade do Rio Grande do Sul. Accessed March 07, 2021. http://hdl.handle.net/10183/170417.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Carli, Eduarda de. “The role of adaptations in the reconfiguration of Dr. John Watson within the Sherlock Holmes canon.” 2017. Web. 07 Mar 2021.

Vancouver:

Carli Ed. The role of adaptations in the reconfiguration of Dr. John Watson within the Sherlock Holmes canon. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2017. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/10183/170417.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carli Ed. The role of adaptations in the reconfiguration of Dr. John Watson within the Sherlock Holmes canon. [Thesis]. Universidade do Rio Grande do Sul; 2017. Available from: http://hdl.handle.net/10183/170417

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. van Stenis, Kirsten Alexandra. The Lion, the Lotus and the Detective.

Degree: 2019, Leiden University

URL: http://hdl.handle.net/1887/77542

The Lion, the Lotus, and the Detective: An Exploration of Buddhism and its Theory of Karmic Causation in Arthur Conan Doyle's Sherlock Holmes Stories Advisors/Committee Members: Newton, Michael (advisor).

Subjects/Keywords: Holmes; Buddhism; Victorian Age; Karma; Arthur Conan Doyle

…Lellenberg, Daniel Stashower, and Charles Foley quite rightly note: Arthur Conan Doyle was not just… …In Teller of Tales: Life of Arthur Conan Doyle (2008), Daniel Stashower even… …as Arthur Conan Doyle was born and to which Holmes alludes in A Study in Scarlet (… …clear from this paper, Arthur Conan Doyle. Both the law of Karma and detective fiction… …CHAPTER 1 THE MAN WHO CREATED SHERLOCK HOLMES In the eyes of many, Sir Arthur Ignatius Conan…

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

van Stenis, K. A. (2019). The Lion, the Lotus and the Detective. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/77542

Chicago Manual of Style (16^th Edition):

van Stenis, Kirsten Alexandra. “The Lion, the Lotus and the Detective.” 2019. Masters Thesis, Leiden University. Accessed March 07, 2021. http://hdl.handle.net/1887/77542.

MLA Handbook (7^th Edition):

van Stenis, Kirsten Alexandra. “The Lion, the Lotus and the Detective.” 2019. Web. 07 Mar 2021.

Vancouver:

van Stenis KA. The Lion, the Lotus and the Detective. [Internet] [Masters thesis]. Leiden University; 2019. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/1887/77542.

Council of Science Editors:

van Stenis KA. The Lion, the Lotus and the Detective. [Masters Thesis]. Leiden University; 2019. Available from: http://hdl.handle.net/1887/77542

18. Walrecht, Ginny. Brainy is the New Sexy: Masculinity in Sherlock Holmes.

Degree: 2017, Leiden University

URL: http://hdl.handle.net/1887/57104

► This thesis focuses on the representation of masculinity in the Sherlock Holmes character, both in the original stories written by Arthur Conan Doyle in the… (more)

Subjects/Keywords: Sherlock Holmes; Victorian literature; Arthur Conan Doyle; BBC Sherlock; masculinity

…author Sir Arthur Conan Doyle). Beynon has shown there are many realisations of… …Arthur Conan Doyle was born in the aftermath of the Industrial Revolution, which had led to a… …interested in him. Conan Doyle was paid hefty sums to continue the Sherlock Holmes Stories well… …characteristics from Holmes. This would suggest that Conan Doyle wished to educate boys and men with his… …novel, which would align with the hypothesis that Conan Doyle attempted to depict ideal…

1 more image…

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Walrecht, G. (2017). Brainy is the New Sexy: Masculinity in Sherlock Holmes. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/57104

Chicago Manual of Style (16^th Edition):

Walrecht, Ginny. “Brainy is the New Sexy: Masculinity in Sherlock Holmes.” 2017. Masters Thesis, Leiden University. Accessed March 07, 2021. http://hdl.handle.net/1887/57104.

MLA Handbook (7^th Edition):

Walrecht, Ginny. “Brainy is the New Sexy: Masculinity in Sherlock Holmes.” 2017. Web. 07 Mar 2021.

Vancouver:

Walrecht G. Brainy is the New Sexy: Masculinity in Sherlock Holmes. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/1887/57104.

Council of Science Editors:

Walrecht G. Brainy is the New Sexy: Masculinity in Sherlock Holmes. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/57104

Université du Québec à Montréal

19. Grenier-Millette, Sarah. Sherlock (2010) et la renaissance contemporaine du mythe holmésien.

Degree: 2016, Université du Québec à Montréal

URL: http://archipel.uqam.ca/8886/1/M14396.pdf

► Depuis sa première apparition dans A Study in Scarlet, Sherlock Holmes, personnage créé par Arthur Conan Doyle en 1887, a fait sa place au sein… (more)

▼ Depuis sa première apparition dans A Study in Scarlet, Sherlock Holmes, personnage créé par Arthur Conan Doyle en 1887, a fait sa place au sein de la culture populaire en tant que figure mythique à travers les multiples adaptations libres dont il a fait l'objet, et ce, depuis la fin du XIXe siècle. On remarque pourtant, au XXIe siècle, certains cas isolés et très récents de transpositions contemporaines actualisées de la figure du détective de Baker Street, soit Elementary (Robert Doherty, 2012-) et Sherlock (Mark Gatiss et Steven Moffat, 2010-). C'est cette dernière actualisation qui nous intéresse ici. Ce que nous offrent Mark Gatiss et Steven Moffat, créateurs de Sherlock, c'est un Sherlock Holmes hypermoderne, une remise à zéro du personnage qui apparaît au XXIe siècle comme pour la première fois, mais chargé de tout un bagage intertextuel issu des variations précédentes. S'établit alors un formidable jeu de reconstruction du canon holmésien puisque le glissement temporel permet de bâtir une version neuve, à partir d'intertextes, d'un personnage et d'un univers peut-être un peu usés par un passé d'adaptations répétées. Ce mémoire a pour but d'étudier la série Sherlock en soulignant sa place au sein du mythe holmésien transmédiatique et la manière dont elle effectue une relecture de la figure de Sherlock Holmes à la lumière du XXIe siècle par la transposition temporelle et la présence d'une large communauté active de fans impliquée à divers degrés dans la persistance du mythe. Tout d'abord, le mythe holmésien sera inscrit dans l'évolution du mythe littéraire vers le mythe transmédiatique émancipé. Cette analyse permettra de démontrer comment Sherlock affirme le mythe holmésien et y participe à travers la relecture de certains personnages, tels que Sherlock Holmes, John Watson, Irène Adler et James Moriarty. Nous verrons comment cette adaptation se définit par la construction d'un monde hypermoderne, pendant néo-victorien de l'Angleterre de la reine Victoria, dans une logique très proche de celle du reboot et de l'uchronie. En effet, si Conan Doyle, à travers ses récits policiers, exposait un commentaire sur sa société, Moffat et Gatiss proposent, eux aussi, avec leur série, un miroir des questionnements sociaux du XXIe siècle, principalement en ce qui concerne notre rapport aux technologies de la communication, mais surtout à la figure du surhomme hypermoderne et à la question de l'amitié masculine, de la marginalité et de la sociopathie. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Sherlock Holmes, Conan Doyle, détective, série télévisée, intertextualité, adaptation, contemporain, mythe, transmédialité, sociopathie, marginalité, technologies numériques, communauté de fans, transposition temporelle, web 2.0.

Subjects/Keywords: Sherlock (Émission de télévision); Doyle; Arthur Conan; Sir; Sherlock Holmes; Adaptations télévisées; Intertextualité; Mythe dans la littérature; Fans; 21e siècle; 19e siècle

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Grenier-Millette, S. (2016). Sherlock (2010) et la renaissance contemporaine du mythe holmésien. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/8886/1/M14396.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Grenier-Millette, Sarah. “Sherlock (2010) et la renaissance contemporaine du mythe holmésien.” 2016. Thesis, Université du Québec à Montréal. Accessed March 07, 2021. http://archipel.uqam.ca/8886/1/M14396.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Grenier-Millette, Sarah. “Sherlock (2010) et la renaissance contemporaine du mythe holmésien.” 2016. Web. 07 Mar 2021.

Vancouver:

Grenier-Millette S. Sherlock (2010) et la renaissance contemporaine du mythe holmésien. [Internet] [Thesis]. Université du Québec à Montréal; 2016. [cited 2021 Mar 07]. Available from: http://archipel.uqam.ca/8886/1/M14396.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grenier-Millette S. Sherlock (2010) et la renaissance contemporaine du mythe holmésien. [Thesis]. Université du Québec à Montréal; 2016. Available from: http://archipel.uqam.ca/8886/1/M14396.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Linnaeus University

20. Oxenhall, Johan. Three Hounds of the Baskervilles.

Degree: Film and Literature, 2018, Linnaeus University

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-75419

►

Sherlock Holmes har adapterats till film i över hundra år. Syftet med den här uppsatsen är att genomföra en studie om adaptioner av Sherlock… (more)

▼

Sherlock Holmes har adapterats till film i över hundra år. Syftet med den här uppsatsen är att genomföra en studie om adaptioner av Sherlock Holmes romanen The Hound of the Baskerville har anpassats för sin samtid mellan 1939 och 2012. Analysen utgår därmed ifrån Sidney Lanfields adaption ifrån 1939 med Basil Rathbone, Terence Fishers adaption ifrån 1959 med Peter Cushing. Slutligen TV-serien Sherlocks adaption ifrån 2012 med Benedict Cumberbatch i rollen som Holmes. Den grundläggande teorin för uppsatsen är adaptionsteori, för att få fram hur Sir Arthur Conan Doyles roman har ändrats och anpassats för att bli lämplig för sin samtida publik. Analysen är uppdelad i tre kapitel, i vilka olika delar av det som har adapterats analyseras. De olika kapitlen handlar om filmskaparna har omarbetat och tolkat Doyles roman för sin samtid? Har de tolkat och omarbetat de kvinnliga karaktärerna för sin samtids publik? Har Sherlock själv utvecklats mellan de tre adaptionerna? Slutsats omfattar sedan en diskussion om uppsatsens resultat, baserad på Linda Hutcheons teori om adaption.

Sherlock Holmes have been adapted to film for over a hundred years. The purpose with this essay is to conduct a study of how adaptations of the Sherlock Holmes novel The Hound of the Baskervilles have been adjusted between 1939 and 2012, to make the story more appropriate for their contemporary audience. The analysis is based on Sidney Lanfields 1939 adaptation with Basil Rathbone, the 1959 Terence Fisher adaptation with Peter Cushing and the 2012 adaptation for the TV series Sherlock. The Essay is based in adaption theory, to determine how Sir Arthur Conan Doyle’s novel has been changed and adjusted to make the story more appropriate for the contemporary audience of the adaptation in question. The analysis is divided into three chapters, which examines different aspects of what has been adapted. The different chapters analyze how the filmmakers have reworked and interpreted Doyle’s novel for their time, how they have interpreted and reworked the female characters and how Sherlock himself has evolved between the three adaptations.

Subjects/Keywords: Arthur Conan Doyle Baker Street Baskerville Beryl Cumberbetch Cushing Detective Terence Fisher Hammer Studios Sherlock Holmes Horror Hound Lanfield Production Code Rathbone Stapleton; Humanities and the Arts; Humaniora och konst

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APA (6^th Edition):

Oxenhall, J. (2018). Three Hounds of the Baskervilles. (Thesis). Linnaeus University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-75419

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Oxenhall, Johan. “Three Hounds of the Baskervilles.” 2018. Thesis, Linnaeus University. Accessed March 07, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-75419.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Oxenhall, Johan. “Three Hounds of the Baskervilles.” 2018. Web. 07 Mar 2021.

Vancouver:

Oxenhall J. Three Hounds of the Baskervilles. [Internet] [Thesis]. Linnaeus University; 2018. [cited 2021 Mar 07]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-75419.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oxenhall J. Three Hounds of the Baskervilles. [Thesis]. Linnaeus University; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-75419

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Andersen, Kaitlin S. Claiming Primordial Landscapes: Science and Imperialism in Turn-of-the-Century Science Fiction Novels.

Degree: MA, English, 2017, Northen Michigan University

URL: https://commons.nmu.edu/theses/146

► This thesis argues that the relationship between nineteenth-century geology and paleontology play a role in imperial ambitions of countries and characters in science fiction… (more)

Subjects/Keywords: science fiction; imperialism; post-colonial; scientific method; natural theology; Jules Verne; Arthur Conan Doyle; French and Francophone Literature; Literature in English, British Isles

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APA (6^th Edition):

Andersen, K. S. (2017). Claiming Primordial Landscapes: Science and Imperialism in Turn-of-the-Century Science Fiction Novels. (Thesis). Northen Michigan University. Retrieved from https://commons.nmu.edu/theses/146

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Andersen, Kaitlin S. “Claiming Primordial Landscapes: Science and Imperialism in Turn-of-the-Century Science Fiction Novels.” 2017. Thesis, Northen Michigan University. Accessed March 07, 2021. https://commons.nmu.edu/theses/146.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Andersen, Kaitlin S. “Claiming Primordial Landscapes: Science and Imperialism in Turn-of-the-Century Science Fiction Novels.” 2017. Web. 07 Mar 2021.

Vancouver:

Andersen KS. Claiming Primordial Landscapes: Science and Imperialism in Turn-of-the-Century Science Fiction Novels. [Internet] [Thesis]. Northen Michigan University; 2017. [cited 2021 Mar 07]. Available from: https://commons.nmu.edu/theses/146.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Andersen KS. Claiming Primordial Landscapes: Science and Imperialism in Turn-of-the-Century Science Fiction Novels. [Thesis]. Northen Michigan University; 2017. Available from: https://commons.nmu.edu/theses/146

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Diogo, Ana Cristina Antunes Serigado de Oliveira. A relação racionalismo vs sobrenatural nas obras de Sir Arthur Conan Doyle : The Hound of the Baskevilles e “The Sussex Vampire".

Degree: 2007, Universidade Aberta

URL: http://hdl.handle.net/10400.2/448

Subjects/Keywords: Literatura inglesa; Cultura inglesa; Arthur Conan Doyle; English literature; English culture; Gothics

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APA (6^th Edition):

Diogo, A. C. A. S. d. O. (2007). A relação racionalismo vs sobrenatural nas obras de Sir Arthur Conan Doyle : The Hound of the Baskevilles e “The Sussex Vampire". (Masters Thesis). Universidade Aberta. Retrieved from http://hdl.handle.net/10400.2/448

Chicago Manual of Style (16^th Edition):

Diogo, Ana Cristina Antunes Serigado de Oliveira. “A relação racionalismo vs sobrenatural nas obras de Sir Arthur Conan Doyle : The Hound of the Baskevilles e “The Sussex Vampire".” 2007. Masters Thesis, Universidade Aberta. Accessed March 07, 2021. http://hdl.handle.net/10400.2/448.

MLA Handbook (7^th Edition):

Diogo, Ana Cristina Antunes Serigado de Oliveira. “A relação racionalismo vs sobrenatural nas obras de Sir Arthur Conan Doyle : The Hound of the Baskevilles e “The Sussex Vampire".” 2007. Web. 07 Mar 2021.

Vancouver:

Diogo ACASdO. A relação racionalismo vs sobrenatural nas obras de Sir Arthur Conan Doyle : The Hound of the Baskevilles e “The Sussex Vampire". [Internet] [Masters thesis]. Universidade Aberta; 2007. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/10400.2/448.

Council of Science Editors:

Diogo ACASdO. A relação racionalismo vs sobrenatural nas obras de Sir Arthur Conan Doyle : The Hound of the Baskevilles e “The Sussex Vampire". [Masters Thesis]. Universidade Aberta; 2007. Available from: http://hdl.handle.net/10400.2/448

23. Forbes, Mary. The Many Disguises of Sir Arthur Conan Doyle and Charles Doyle (Sherlock Holmes, Fairies, and the Symbolist Movements in Art and Literature).

Degree: MA, Art History, 2015, University of Houston

URL: http://hdl.handle.net/10657/1133

► While fairies and Sherlock Holmes may not seem to have much in common, both were thought to be real by many Victorians. Most people are… (more)

Subjects/Keywords: Doyle, Sir Arthur Conan; Doyle, Charles; Holmes, Sherlock; Fairies; Symbolist; Literature

…next chapter on Arthur Conan and his belief system. Arthur Conan Doyle and his lesser known… …Luther; folklorist Andrew Lang; scientist Sir Edward Burnet Taylor; Arthur Conan Doyle; Robert… …Arthur Conan Doyle, Albion's Daughters, and the Politics of the Cottingley Fairies."… …uncle of Sir Arthur Conan Doyle, illustrated a new translation of The Fairy Ring by the Grimm… …Cowles.” See Arthur Conan Doyle,"John Barrington Cowles." Project Gutenberg. 1884…

11 more images…

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APA (6^th Edition):

Forbes, M. (2015). The Many Disguises of Sir Arthur Conan Doyle and Charles Doyle (Sherlock Holmes, Fairies, and the Symbolist Movements in Art and Literature). (Masters Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1133

Chicago Manual of Style (16^th Edition):

Forbes, Mary. “The Many Disguises of Sir Arthur Conan Doyle and Charles Doyle (Sherlock Holmes, Fairies, and the Symbolist Movements in Art and Literature).” 2015. Masters Thesis, University of Houston. Accessed March 07, 2021. http://hdl.handle.net/10657/1133.

MLA Handbook (7^th Edition):

Forbes, Mary. “The Many Disguises of Sir Arthur Conan Doyle and Charles Doyle (Sherlock Holmes, Fairies, and the Symbolist Movements in Art and Literature).” 2015. Web. 07 Mar 2021.

Vancouver:

Forbes M. The Many Disguises of Sir Arthur Conan Doyle and Charles Doyle (Sherlock Holmes, Fairies, and the Symbolist Movements in Art and Literature). [Internet] [Masters thesis]. University of Houston; 2015. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/10657/1133.

Council of Science Editors:

Forbes M. The Many Disguises of Sir Arthur Conan Doyle and Charles Doyle (Sherlock Holmes, Fairies, and the Symbolist Movements in Art and Literature). [Masters Thesis]. University of Houston; 2015. Available from: http://hdl.handle.net/10657/1133

University of Waikato

24. Nelson, Emma Ashley-Rose. The Darwin Continuum: The Influence of Charles Darwin on Victorian and Neo-Victorian Fiction .

Degree: 2015, University of Waikato

URL: http://hdl.handle.net/10289/9899

► Abstract In 1859 Charles Darwin challenged the Victorian worldview with his first controversial publication, On the Origin of Species by Means of Natural Selection. The… (more)

▼ Abstract In 1859 Charles Darwin challenged the Victorian worldview with his first controversial publication, On the Origin of Species by Means of Natural Selection. The Victorian understanding of species-relatedness had primarily rested on the biblical idea of species-specific design by God, in which animals are considered wholly separate, and unrelated to, the human species. The Origin outlines the conflicting theory of evolution by natural selection, whereby animal species descend from one another over time, in response to factors such as climate, resource availability, and competition. Darwin thus suggests the mutability and connectivity of species. The Origin does not explicitly address human evolution. It does, however, imply that humanity is not exempt from possessing animal ancestry. The apparent need for empathy, respect and equality across all species is emphasised. Human evolution was given greater attention in Darwin’s second work, The Descent of Man and, and Selection in Relation to Sex (1871). Herbert Spencer regarded natural selection as the ‘survival of the fittest’, a term which Darwin adopted in his fifth edition of The Origin in 1869. Described within The Origin as the survival of those better adapted for an immediate local environment, Darwin did not intend for the idea to transcend biology. Spencer, however, believed that survival of the fittest could be applied to sociology, and thus, as Social Darwinism, it became connected to ideas of racial superiority, eugenics, and justified genocide. This thesis aims to analyse the nature of Darwin’s influence on novelists from the nineteenth century to present day. Of particular focus is how his ideas are represented and, on occasion, altered in the work of creative writers. The first half of this thesis focuses on late nineteenth-century authors writing in the immediate wake of The Origin. These novelists were inevitably influenced by Darwin’s ideas. Their fiction reflects both the Victorian fascination with Darwin, and the cultural, social, and theological unease that his theories stirred. Chapter One examines H.G. Wells’ The Time Machine (1895), The Island of Dr. Moreau (1896), and War of the Worlds (1898), highlighting Wells’ intimate knowledge of Darwin’s theories, but also Wells’ anxieties about devolution and extinction. In Chapter Two attention turns to five late nineteenth and early twentieth-century novelists writing scientific romances and gothic fiction. Charles Kingsley’s Water Babies (1863), Samuel Butler’s Erewhon (1872), Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr Hyde (1886), Bram Stoker’s Dracula (1897), and Arthur Conan Doyle’s The Lost World (1912) all exhibit respect for Darwin as a scientist, whilst also echoing Wells’ anxieties for the possible degeneration and regression of humanity. Having established these nineteenth-century contexts, I then move forward more than a century to explore neo-Victorian re-imaginings of Darwin and his ideas. Chapter Three focuses on The French Lieutenant’s… Advisors/Committee Members: Moffat, Kirstine (advisor).

Subjects/Keywords: Charles Darwin; Neo-Victorian Literature; Victorian Literature; H.G. Wells; Charles Kingsley; Samuel Butler; Robert Louis Stevenson; Bram Stoker; Arthur Conan Doyle; John Fowles; A.S. Byatt; Harry Thompson; John Darnton; Thom Conroy; K.W. Jeter; Scott Westerfeld; Mark Hodder; Scientific Romance; Gothic; Steampunk

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APA (6^th Edition):

Nelson, E. A. (2015). The Darwin Continuum: The Influence of Charles Darwin on Victorian and Neo-Victorian Fiction . (Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/9899

Chicago Manual of Style (16^th Edition):

Nelson, Emma Ashley-Rose. “The Darwin Continuum: The Influence of Charles Darwin on Victorian and Neo-Victorian Fiction .” 2015. Masters Thesis, University of Waikato. Accessed March 07, 2021. http://hdl.handle.net/10289/9899.

MLA Handbook (7^th Edition):

Nelson, Emma Ashley-Rose. “The Darwin Continuum: The Influence of Charles Darwin on Victorian and Neo-Victorian Fiction .” 2015. Web. 07 Mar 2021.

Vancouver:

Nelson EA. The Darwin Continuum: The Influence of Charles Darwin on Victorian and Neo-Victorian Fiction . [Internet] [Masters thesis]. University of Waikato; 2015. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/10289/9899.

Council of Science Editors:

Nelson EA. The Darwin Continuum: The Influence of Charles Darwin on Victorian and Neo-Victorian Fiction . [Masters Thesis]. University of Waikato; 2015. Available from: http://hdl.handle.net/10289/9899

25. Housholder, Aaron J. The (re)mystification of London : revelations of contested space, concealed identity and moving menace in late-Victorian Gothic fiction.

Degree: PhD, 2012, Ball State University

URL: http://cardinalscholar.bsu.edu/handle/123456789/196978

► This project asserts that much of the cultural anxiety found in Gothic-infused late-Victorian fiction derives from literary revelations of the nested spaces, shifting identities, and… (more)

▼ This project asserts that much of the cultural anxiety found in Gothic-infused late-Victorian fiction derives from literary revelations of the nested spaces, shifting identities, and spontaneous connections inherent to the late-Victorian metropolis. The three literary texts studied here – The Hound of the Baskervilles by Arthur Conan Doyle, Raffles: The Amateur Cracksman by E.W. Hornung, and The Thirty-Nine Steps by John Buchan – all depict London as fundamentally suitable for those who seek to evade the disciplinary gaze and to pursue menacing schemes of criminality and invasion. Doyle’s text illustrates the interconnectedness of the spaces within London as well as the passable threshold between London and the English countryside; both the villain Stapleton and the hero Sherlock Holmes use these connections to attack and defend, respectively, the city and its inhabitants. Hornung’s stories depict the machinations employed by the gentleman-thief Raffles as he alters his identity and his codes of behaviour in order to free himself to pursue criminal ends and thus as he challenges cultural barriers. Buchan’s text, building on the others, explores the dissolution of cultural boundaries and identities incumbent upon the spontaneous connections made between those who attack English culture and those, like Richard Hannay, who defend it. There emerges in these texts a vision of London (and by extension Great Britain) as a swirling vortex of motion, an unknowable labyrinth perpetually threatened by menacing agents from without and within. I have employed Victor Turner’s theories of liminality and communitas to describe how criminal agents, and their equally menacing “good-guy” pursuers, separate themselves from structured society in order to move freely and to gain access to the contested thresholds they seek to infiltrate. I also invoke theories of the Gothic, surveillance, and travel, as well as Jeffrey Cohen’s monster theory, to characterize the anxiety embedded in such invasions. Advisors/Committee Members: Huff, Joyce L. (advisor).

Subjects/Keywords: London (England) – In literature; Liminality in literature; Gothic fiction (Literary genre), English – History and criticism; Doyle, Arthur Conan, 1859-1930. Hound of the Baskervilles; Hornung, E. W. (Ernest William), 1866-1921. Raffles, the amateur cracksman; Buchan, John, 1875-1940. Thirty-nine steps

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APA (6^th Edition):

Housholder, A. J. (2012). The (re)mystification of London : revelations of contested space, concealed identity and moving menace in late-Victorian Gothic fiction. (Doctoral Dissertation). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/196978

Chicago Manual of Style (16^th Edition):

Housholder, Aaron J. “The (re)mystification of London : revelations of contested space, concealed identity and moving menace in late-Victorian Gothic fiction.” 2012. Doctoral Dissertation, Ball State University. Accessed March 07, 2021. http://cardinalscholar.bsu.edu/handle/123456789/196978.

MLA Handbook (7^th Edition):

Housholder, Aaron J. “The (re)mystification of London : revelations of contested space, concealed identity and moving menace in late-Victorian Gothic fiction.” 2012. Web. 07 Mar 2021.

Vancouver:

Housholder AJ. The (re)mystification of London : revelations of contested space, concealed identity and moving menace in late-Victorian Gothic fiction. [Internet] [Doctoral dissertation]. Ball State University; 2012. [cited 2021 Mar 07]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/196978.

Council of Science Editors:

Housholder AJ. The (re)mystification of London : revelations of contested space, concealed identity and moving menace in late-Victorian Gothic fiction. [Doctoral Dissertation]. Ball State University; 2012. Available from: http://cardinalscholar.bsu.edu/handle/123456789/196978

26. Kapetangiorgi, Nathalie. "Det är skrämmande när en novell skriven för över 120 år sedan har bättre genuspolitik än sin moderna nytolkning" : En analys av kvinnorna i BBCs nytolkande serie "Sherlock", baserad på Sir Arthur Conan Doyles verk.

Degree: Humanities, 2014, University of Gävle

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-17034

► Syftet med denna uppsats är att undersöka hur kvinnorna i BBCs serie ”Sherlock” representeras och förhåller sig till traditionella könsroller. Då serien är en… (more)

▼ Syftet med denna uppsats är att undersöka hur kvinnorna i BBCs serie ”Sherlock” representeras och förhåller sig till traditionella könsroller. Då serien är en nytolkande version som utspelar sig på 2000-talet till skillnad från originalen som utspelar sig drygt 100 år tidigare blir det intressant att undersöka hur mycket som förändras från originalen av Sir Arthur Conan Doyle. Karaktärerna har genomgått stor förändring genom denna nytolkning, och även nya karaktärer har skapats för serien. I analysen kommer bland annat Connells teorier om genus att användas för att definiera genus och fastställa hur en man och kvinna bör vara enligt samhällets normer, detta kompletteras med D.H Meehans definierade stereotyper. Två avsnitt av serien kommer att användas i analysen, med fokus på tre kvinnliga karaktärer: En som återfinns i originalen, samt två nya. Dessa karaktärer kommer att analyseras genom att undersöka utvalda scener där de samspelar med Sherlock Holmes. Analysen sker genom en semiotisk analys, samt kvalitativ textanalys. Jag använder mig av Roland Barthes begrepp denotation och konnotation vid scenanalysen, detta för att undersöka vad som utmärker kvinnorna i serien. Egenskaperna dessa kvinnor besitter kommer sedan att ställas mot mina valda teorier, detta för att fastställa hur väl karaktärernas genusmönster överensstämmer med stereotypiska tolkningar, slutligen kommer de valda avsnitten att analyseras och jämföras bredvid originalen av Sir Arthur Conan Doyle. En kvalitativ textanalys kommer att göras av två utvalda texter om serien i fråga, en som anser att serien är sexistisk och mansdominerad och en som talar mot detta. Textanalysen görs för att undersöka publikens tolkningar och för att förstå varför serien väckt debatt. I mitt resultat har jag funnit vissa egenskaper för karaktärerna som stämmer överens med den teoretiska ramen, även om alla egenskaper inte kunde appliceras på karaktärerna i fråga. Kvinnorna framställs ofta som känslosamma, emotionellt splittrade och även beroende av männen omkring dem. De nya karaktärerna identifieras ofta som känslosamma och genom sitt förhållande till männen, medan Irene Adler som uppgraderats från originalen portträtteras som en emotionell och känslostyrd kvinna som behöver mannens beskydd. Jag har funnit gränsöverskridande i vissa karaktärer, där manliga och kvinnliga egenskaper blandats. Slutsatsen blir att det finns mönster för hur genus porträtteras i serien som återfinns i mediestereotyper. Även textanalysen bidrog till att stärka denna teori, då det varit viktigt att förstå vilka frågor serien väckt och varför. Nyckelord: BBC Sherlock, Sherlock Holmes, Sir Arthur Conan Doyle, Semiotisk analys, textanalys

Subjects/Keywords: Sherlock Holmes; BBC Sherlock. Sir Arthur Conan Doyle; semiotisk analys; textanalys

…Holmes enligt originalen: Sir Arthur Conan Doyle var, precis som hans fiktiva protagonist John… …sin assistent och levnadstecknare doktor John Watson. 4 5 Arthur Conan Doyle 2004, förord… …Moffat & Mark Gatiss skapat en helt ny tolkning av Sir Arthur Conan Doyle's verk om… …Med bakgrund av ”A scandal in Bohemia” - Sir Arthur Conan Doyle. Fokus kommer att ligga på… …Arthur Conan Doyle Sherlock Holmes och Irene Adlers första möte i novellen ”A scandal in…

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APA (6^th Edition):

Kapetangiorgi, N. (2014). "Det är skrämmande när en novell skriven för över 120 år sedan har bättre genuspolitik än sin moderna nytolkning" : En analys av kvinnorna i BBCs nytolkande serie "Sherlock", baserad på Sir Arthur Conan Doyles verk. (Thesis). University of Gävle. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-17034

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Kapetangiorgi, Nathalie. “"Det är skrämmande när en novell skriven för över 120 år sedan har bättre genuspolitik än sin moderna nytolkning" : En analys av kvinnorna i BBCs nytolkande serie "Sherlock", baserad på Sir Arthur Conan Doyles verk.” 2014. Thesis, University of Gävle. Accessed March 07, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-17034.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Kapetangiorgi, Nathalie. “"Det är skrämmande när en novell skriven för över 120 år sedan har bättre genuspolitik än sin moderna nytolkning" : En analys av kvinnorna i BBCs nytolkande serie "Sherlock", baserad på Sir Arthur Conan Doyles verk.” 2014. Web. 07 Mar 2021.

Vancouver:

Kapetangiorgi N. "Det är skrämmande när en novell skriven för över 120 år sedan har bättre genuspolitik än sin moderna nytolkning" : En analys av kvinnorna i BBCs nytolkande serie "Sherlock", baserad på Sir Arthur Conan Doyles verk. [Internet] [Thesis]. University of Gävle; 2014. [cited 2021 Mar 07]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-17034.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kapetangiorgi N. "Det är skrämmande när en novell skriven för över 120 år sedan har bättre genuspolitik än sin moderna nytolkning" : En analys av kvinnorna i BBCs nytolkande serie "Sherlock", baserad på Sir Arthur Conan Doyles verk. [Thesis]. University of Gävle; 2014. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-17034

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Luleå University of Technology

27. Stenberg, Ulf. Sherlock Holmes and Inspector Morse : two contrasting detectives.

Degree: 2006, Luleå University of Technology

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-43497

►

This essay considers differences and similarities betwen the two fiction detective characters Sherlock Holmes and Inspector Morse. These two crime investigators are two of… (more)

Subjects/Keywords: Humanities Theology; Classic literary detectives; Sherlock Holmes; Inspector; Morse; Arthur Conan Doyle; Colin Dexter; Humaniora; Teologi

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APA (6^th Edition):

Stenberg, U. (2006). Sherlock Holmes and Inspector Morse : two contrasting detectives. (Thesis). Luleå University of Technology. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-43497

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Stenberg, Ulf. “Sherlock Holmes and Inspector Morse : two contrasting detectives.” 2006. Thesis, Luleå University of Technology. Accessed March 07, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-43497.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Stenberg, Ulf. “Sherlock Holmes and Inspector Morse : two contrasting detectives.” 2006. Web. 07 Mar 2021.

Vancouver:

Stenberg U. Sherlock Holmes and Inspector Morse : two contrasting detectives. [Internet] [Thesis]. Luleå University of Technology; 2006. [cited 2021 Mar 07]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-43497.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stenberg U. Sherlock Holmes and Inspector Morse : two contrasting detectives. [Thesis]. Luleå University of Technology; 2006. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-43497

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University College Cork

28. Barrett, Eoin George. Aesthetic campaigns and counter-campaigns. Jorge Luis Borges and a century of the Argentine detective story (1877-1977).

Degree: 2013, University College Cork

URL: http://hdl.handle.net/10468/1959

► This cultural history of Argentine crime fiction involves a comprehensive analysis of the literary and critical traditions within the genre, paying particular attention to the… (more)

▼ This cultural history of Argentine crime fiction involves a comprehensive analysis of the literary and critical traditions within the genre, paying particular attention to the series of ‘aesthetic campaigns’ waged by Jorge Luis Borges and others during the period between 1933 and 1977. The methodological approach described in the introductory chapter builds upon the critical insight that in Argentina, generic discourse has consistently been the domain, not only of literary critics in the traditional mould, but also of prominent writers of fiction and specialists from other disciplines, effectively transcending the traditional tripartite ‘division of labour’ between writers, critics and readers. Chapter One charts the early development of crime fiction, and contextualises the evolution of the classical and hardboiled variants that were to provide a durable conceptual framework for discourse in the Argentine context. Chapter Two examines a number of pioneering early works by Argentine authors, before analysing Borges’ multi-faceted aesthetic campaign on behalf of the ‘classical’ detective story. Chapter Three examines a transitional period for the Argentine crime genre, book-ended by the three Vea y Lea magazine-sponsored detective story competitions that acted as a vital stimulus to innovation among Argentine writers. It includes a substantial treatment of the work of Rodolfo Walsh, documenting his transition from crime writer and anthologist to pioneer of the non-fiction novel and investigative journalism traditions. Chapter Four examines the period in which the novela negra came to achieve dominance in Argentina, in particular the aesthetic counter-campaigns conducted by Ricardo Piglia and others on behalf of the hard-boiled variant. The study concludes with a detailed analysis of Pablo Leonardo’s La mala guita (1976), which is considered as a paradigmatic example of crime fiction in Argentina in this period. The final chapter presents conclusions and a summary of the dissertation, and recommendations for further research. Advisors/Committee Members: Finnegan, Nuala.

Subjects/Keywords: Borges; Argentina; Rodolfo Walsh; Ricardo Piglia; Ernest Mandel; Jorge Lafforgue; Jorge B. Rivera; Amelia Simpson; Enrique Anderson Imbert; G. K. Chesterton; Arthur Conan Doyle; Raymond Chandler; Dashiell Hammett; Adolfo Pérez Zelaschi; Eustaquio Pellicer; Pablo Leonardo; La mala guita; Elena Braceras; Cristina Leytour; Susana Pittella

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Barrett, E. G. (2013). Aesthetic campaigns and counter-campaigns. Jorge Luis Borges and a century of the Argentine detective story (1877-1977). (Thesis). University College Cork. Retrieved from http://hdl.handle.net/10468/1959

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Barrett, Eoin George. “Aesthetic campaigns and counter-campaigns. Jorge Luis Borges and a century of the Argentine detective story (1877-1977).” 2013. Thesis, University College Cork. Accessed March 07, 2021. http://hdl.handle.net/10468/1959.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Barrett, Eoin George. “Aesthetic campaigns and counter-campaigns. Jorge Luis Borges and a century of the Argentine detective story (1877-1977).” 2013. Web. 07 Mar 2021.

Vancouver:

Barrett EG. Aesthetic campaigns and counter-campaigns. Jorge Luis Borges and a century of the Argentine detective story (1877-1977). [Internet] [Thesis]. University College Cork; 2013. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/10468/1959.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barrett EG. Aesthetic campaigns and counter-campaigns. Jorge Luis Borges and a century of the Argentine detective story (1877-1977). [Thesis]. University College Cork; 2013. Available from: http://hdl.handle.net/10468/1959

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Winterkvist, Frida. ”There is Nothing More Deceptive than an Obvious Fact” : A Feminist Study of the Detective Work by Miss Marple and Sherlock Holmes.

Degree: English, 2020, University of Gävle

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-32473

► This comparative study focuses on the detective genre and is conducted through literary analysis with a feminist critical perspective of two of its most… (more)

▼ This comparative study focuses on the detective genre and is conducted through literary analysis with a feminist critical perspective of two of its most iconic protagonists, Sherlock Holmes and Miss Marple, created by Sir Arthur Conan Doyle in 1887 and Agatha Christie in 1930 respectively. The purpose is to attempt to establish the effect of the gender differences on these two protagonists. Both Holmes and Miss Marple are deemed as iconic in the detective genre, but the protagonists do not have similar experiences and are created by authors of different genders. Thus, the focus is to explore how gender differences are represented in the literary texts A Study in Scarlet (1887), “A Scandal in Bohemia” (1891), and The Murder at the Vicarage (1930) when it comes to their work as detectives. By using a feminist critical perspective and with the help of previous research, the differences in three central issues, that is, work methods, attitudes and method of disguise, are established. The most prominent result from the analysis is that Miss Marple has to work independently from the police force and trust another character, Leonard Clement, with what she knows hoping that Clement will use her observations to make the case move forward. By contrast, Holmes is approached by clients and even assists the police force in investigations, while Miss Marple is dismissed because of gender discrimination and ageism when she reaches out to the police force. Miss Marple is clearly a victim of gender discrimination and ageism, while Holmes is seen as eccentric but fully competent as a detective. Holmes is even described as having “extraordinary powers” while Miss Marple is described as an “old pussy” in a derogatory manner. Therefore, the results are that there is a significant difference in attitude where Holmes as a man encounters more positive attitudes and Miss Marple as a woman encounters more negative attitudes, all because of gender discrimination and ageism. These results are of great importance as it reveals what gender differences Holmes and Miss Marple encounter in their literary texts. It opens up the opportunity for more research in gender differences and gender discrimination in comparisons between protagonists. That Miss Marple is successful in the end, however, functions as a feminist statement.

Subjects/Keywords: female detectives; detective genre; Agatha Christie; sir Arthur Conan Doyle; Sherlock Holmes; Miss Marple; women’s rights; gender studies; gender differences; feminist criticism; A Study in Scarlet; “A Scandal in Bohemia”; The Murder at the Vicarage; Specific Literatures; Litteraturstudier

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Winterkvist, F. (2020). ”There is Nothing More Deceptive than an Obvious Fact” : A Feminist Study of the Detective Work by Miss Marple and Sherlock Holmes. (Thesis). University of Gävle. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-32473

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Winterkvist, Frida. “”There is Nothing More Deceptive than an Obvious Fact” : A Feminist Study of the Detective Work by Miss Marple and Sherlock Holmes.” 2020. Thesis, University of Gävle. Accessed March 07, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-32473.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Winterkvist, Frida. “”There is Nothing More Deceptive than an Obvious Fact” : A Feminist Study of the Detective Work by Miss Marple and Sherlock Holmes.” 2020. Web. 07 Mar 2021.

Vancouver:

Winterkvist F. ”There is Nothing More Deceptive than an Obvious Fact” : A Feminist Study of the Detective Work by Miss Marple and Sherlock Holmes. [Internet] [Thesis]. University of Gävle; 2020. [cited 2021 Mar 07]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-32473.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Winterkvist F. ”There is Nothing More Deceptive than an Obvious Fact” : A Feminist Study of the Detective Work by Miss Marple and Sherlock Holmes. [Thesis]. University of Gävle; 2020. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-32473

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Bowling Green State University

30. Ghosh, Arundhati. From Holmes to Sherlock: Confession, Surveillance, and the Detective.

Degree: PhD, American Culture Studies, 2013, Bowling Green State University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1376495997

► This dissertation examines detective fiction through the prism of confession. It argues that a certain kind of secular confession remains at the heart of the… (more)

▼ This dissertation examines detective fiction through the prism of confession. It argues that a certain kind of secular confession remains at the heart of the main project of detective fiction, and that detectives like Sherlock Holmes and Hercule Poirot are literary embodiments of secular pastor figures who command and extract confessions from clients and criminals alike. Hard-boiled detectives like Philip Marlowe moreover, operate, at least ostensibly, as confessants of sorts, as characters who lay before us, in seeming detail, all manners of private information related to their professional and personal lives. Similarly post-modern detectives as well as contemporary television detectives challenge, revise, and reformat the way in which detectives engage with confession and its paradigms. Confession, in detective fiction, is something that both powers the detective and determines his powers. The dissertation chooses to study it, moreover, in detective fiction, in relation to a certain kind of intrusive surveillance that seeks to create the truth not only about those it purports to serve but also, by implication, about the confessor/confessant detectives themselves. The dissertation argues that the detective is one of the most useful literary figure through which to examine the dynamic relation between surveillance and confession, since the private detective has by turns operated both as the seemingly all-seeing eye which induces confession, as well as the seemingly all-divulging I of the narrator who is offering the confession. If, as Michel Foucault posits, man has become a confessing animal, then detective fiction provides an appropriate avenue to study the evolution of the subjectivity of this confessional animal through the ages, and the purpose of this dissertation is to trace the evolution of this confessional subjectivity through the changing figure of the literary detective and examine the socio-cultural implications of that evolving confessional subjectivity. Confession, in this dissertation, is seen as a disciplinary mechanism that creates rather than states an irrepressible truth about a subject. It is something intrinsically linked not only to the self, but also to expressions of power, authority, and surveillance. It studies the changing relationship between truth, self, and confession in detective fiction. Given the fetishistic relationship the genre has with the or at least a truth that reveals all, discloses all, dispels doubts, it becomes interesting to study its dependence and engagement with confession, which is at best, a deeply complex, complicated venue for truth creation and self revelation. This constant tension between, on the one hand, an obsessive and indeed generic need to ascertain a unique, authentic, undisputed, and singular truth, and yet, on the other hand, an inherently unreliable mode of self-expression is something that this dissertation purports to examine and explore.. Advisors/Committee Members: Berry, Ellen (Committee Chair).

Subjects/Keywords: British and Irish Literature; American Literature; Detective fiction; Confession; Sherlock Holmes; Sherlock; Hercule Poirot; Philip Marlowe; Arthur Conan Doyle; Agatha Christie; Raymond Chandler; Paul Auster; Orhan Pamuk; The Black Book; The Long Goodbye; The Adventures of Sherlock Holmes

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Ghosh, A. (2013). From Holmes to Sherlock: Confession, Surveillance, and the Detective. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1376495997

Chicago Manual of Style (16^th Edition):

Ghosh, Arundhati. “From Holmes to Sherlock: Confession, Surveillance, and the Detective.” 2013. Doctoral Dissertation, Bowling Green State University. Accessed March 07, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1376495997.

MLA Handbook (7^th Edition):

Ghosh, Arundhati. “From Holmes to Sherlock: Confession, Surveillance, and the Detective.” 2013. Web. 07 Mar 2021.

Vancouver:

Ghosh A. From Holmes to Sherlock: Confession, Surveillance, and the Detective. [Internet] [Doctoral dissertation]. Bowling Green State University; 2013. [cited 2021 Mar 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1376495997.

Council of Science Editors:

Ghosh A. From Holmes to Sherlock: Confession, Surveillance, and the Detective. [Doctoral Dissertation]. Bowling Green State University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1376495997

Open Access Theses and Dissertations