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You searched for subject:(Art music). Showing records 1 – 30 of 722 total matches.

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Columbia University

1. Hilewicz, Orit. Listening to Ekphrastic Musical Compositions.

Degree: 2017, Columbia University

 This dissertation offers an approach for analyzing ekphrastic musical works—compositions that take other artworks as their subject matter. It proposes two theoretical models for listener-observers’… (more)

Subjects/Keywords: Music; Art in music

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APA (6th Edition):

Hilewicz, O. (2017). Listening to Ekphrastic Musical Compositions. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D81V5S7H

Chicago Manual of Style (16th Edition):

Hilewicz, Orit. “Listening to Ekphrastic Musical Compositions.” 2017. Doctoral Dissertation, Columbia University. Accessed February 17, 2020. https://doi.org/10.7916/D81V5S7H.

MLA Handbook (7th Edition):

Hilewicz, Orit. “Listening to Ekphrastic Musical Compositions.” 2017. Web. 17 Feb 2020.

Vancouver:

Hilewicz O. Listening to Ekphrastic Musical Compositions. [Internet] [Doctoral dissertation]. Columbia University; 2017. [cited 2020 Feb 17]. Available from: https://doi.org/10.7916/D81V5S7H.

Council of Science Editors:

Hilewicz O. Listening to Ekphrastic Musical Compositions. [Doctoral Dissertation]. Columbia University; 2017. Available from: https://doi.org/10.7916/D81V5S7H

2. LaFleur, Brandon Kyle. Musical Colors| On Establishing a Methodology for Color Applications in Musical Analysis.

Degree: 2017, University of Louisiana at Lafayette

  This thesis explores the potential advantages of incorporating color into musical analysis and musical concepts into art analysis. Music and the visual arts are… (more)

Subjects/Keywords: Music theory; Art criticism; Music

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APA (6th Edition):

LaFleur, B. K. (2017). Musical Colors| On Establishing a Methodology for Color Applications in Musical Analysis. (Thesis). University of Louisiana at Lafayette. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10271870

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

LaFleur, Brandon Kyle. “Musical Colors| On Establishing a Methodology for Color Applications in Musical Analysis.” 2017. Thesis, University of Louisiana at Lafayette. Accessed February 17, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=10271870.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

LaFleur, Brandon Kyle. “Musical Colors| On Establishing a Methodology for Color Applications in Musical Analysis.” 2017. Web. 17 Feb 2020.

Vancouver:

LaFleur BK. Musical Colors| On Establishing a Methodology for Color Applications in Musical Analysis. [Internet] [Thesis]. University of Louisiana at Lafayette; 2017. [cited 2020 Feb 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10271870.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

LaFleur BK. Musical Colors| On Establishing a Methodology for Color Applications in Musical Analysis. [Thesis]. University of Louisiana at Lafayette; 2017. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10271870

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Kuljurgis, Carsten. Schubert's 1826 – 1827 strophic songs| Innovations in musical coherence within a folk setting.

Degree: 2011, California State University, Long Beach

  This thesis investigates the manner in which diverse musical elements are placed within balanced phrase structures to sustain a sophisticated, varied, continuous, and coherent… (more)

Subjects/Keywords: Art History; Music

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APA (6th Edition):

Kuljurgis, C. (2011). Schubert's 1826 – 1827 strophic songs| Innovations in musical coherence within a folk setting. (Thesis). California State University, Long Beach. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1490393

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kuljurgis, Carsten. “Schubert's 1826 – 1827 strophic songs| Innovations in musical coherence within a folk setting.” 2011. Thesis, California State University, Long Beach. Accessed February 17, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=1490393.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kuljurgis, Carsten. “Schubert's 1826 – 1827 strophic songs| Innovations in musical coherence within a folk setting.” 2011. Web. 17 Feb 2020.

Vancouver:

Kuljurgis C. Schubert's 1826 – 1827 strophic songs| Innovations in musical coherence within a folk setting. [Internet] [Thesis]. California State University, Long Beach; 2011. [cited 2020 Feb 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1490393.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kuljurgis C. Schubert's 1826 – 1827 strophic songs| Innovations in musical coherence within a folk setting. [Thesis]. California State University, Long Beach; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1490393

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The University of North Carolina at Chapel Hill

4. Rapaport, Aaron. An American encounter with polystylism| Schnittke's cadenzas to Beethoven.

Degree: 2013, The University of North Carolina at Chapel Hill

  This thesis explores the early reception of Alfred Schnittke in America. Writers on Schnittke's music have continually focused on the most distinct development of… (more)

Subjects/Keywords: Art Criticism; Music

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APA (6th Edition):

Rapaport, A. (2013). An American encounter with polystylism| Schnittke's cadenzas to Beethoven. (Thesis). The University of North Carolina at Chapel Hill. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1530277

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rapaport, Aaron. “An American encounter with polystylism| Schnittke's cadenzas to Beethoven.” 2013. Thesis, The University of North Carolina at Chapel Hill. Accessed February 17, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=1530277.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rapaport, Aaron. “An American encounter with polystylism| Schnittke's cadenzas to Beethoven.” 2013. Web. 17 Feb 2020.

Vancouver:

Rapaport A. An American encounter with polystylism| Schnittke's cadenzas to Beethoven. [Internet] [Thesis]. The University of North Carolina at Chapel Hill; 2013. [cited 2020 Feb 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1530277.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rapaport A. An American encounter with polystylism| Schnittke's cadenzas to Beethoven. [Thesis]. The University of North Carolina at Chapel Hill; 2013. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1530277

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida State University

5. Casamassina, Toni L. Music in the Paintbox: Art and Music in the Düsseldorf Malkasten Society.

Degree: PhD, College of Music, 2015, Florida State University

 Within the archives of the Künstlerverein Malkasten (Paintbox Artists' Union) in Düsseldorf, Germany, is a vast corpus of visual art, posters, programs, and books that… (more)

Subjects/Keywords: Music; Art; History

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APA (6th Edition):

Casamassina, T. L. (2015). Music in the Paintbox: Art and Music in the Düsseldorf Malkasten Society. (Doctoral Dissertation). Florida State University. Retrieved from http://purl.flvc.org/fsu/fd/FSU_2015fall_Casamassina_fsu_0071E_12925 ;

Chicago Manual of Style (16th Edition):

Casamassina, Toni L. “Music in the Paintbox: Art and Music in the Düsseldorf Malkasten Society.” 2015. Doctoral Dissertation, Florida State University. Accessed February 17, 2020. http://purl.flvc.org/fsu/fd/FSU_2015fall_Casamassina_fsu_0071E_12925 ;.

MLA Handbook (7th Edition):

Casamassina, Toni L. “Music in the Paintbox: Art and Music in the Düsseldorf Malkasten Society.” 2015. Web. 17 Feb 2020.

Vancouver:

Casamassina TL. Music in the Paintbox: Art and Music in the Düsseldorf Malkasten Society. [Internet] [Doctoral dissertation]. Florida State University; 2015. [cited 2020 Feb 17]. Available from: http://purl.flvc.org/fsu/fd/FSU_2015fall_Casamassina_fsu_0071E_12925 ;.

Council of Science Editors:

Casamassina TL. Music in the Paintbox: Art and Music in the Düsseldorf Malkasten Society. [Doctoral Dissertation]. Florida State University; 2015. Available from: http://purl.flvc.org/fsu/fd/FSU_2015fall_Casamassina_fsu_0071E_12925 ;


Case Western Reserve University

6. Corzatt, Adam David. NAÏVE ART AND ITS REFLECTION IN SWEDISH MUSIC.

Degree: MA, Music History, 2009, Case Western Reserve University

 There has long been a connection made between music and visual art movements of around the turn of the twentieth century. Naïve art, as exemplified… (more)

Subjects/Keywords: Art History; Music; Naive art; Sweden; music; 20th century music; art

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APA (6th Edition):

Corzatt, A. D. (2009). NAÏVE ART AND ITS REFLECTION IN SWEDISH MUSIC. (Masters Thesis). Case Western Reserve University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=case1238767722

Chicago Manual of Style (16th Edition):

Corzatt, Adam David. “NAÏVE ART AND ITS REFLECTION IN SWEDISH MUSIC.” 2009. Masters Thesis, Case Western Reserve University. Accessed February 17, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=case1238767722.

MLA Handbook (7th Edition):

Corzatt, Adam David. “NAÏVE ART AND ITS REFLECTION IN SWEDISH MUSIC.” 2009. Web. 17 Feb 2020.

Vancouver:

Corzatt AD. NAÏVE ART AND ITS REFLECTION IN SWEDISH MUSIC. [Internet] [Masters thesis]. Case Western Reserve University; 2009. [cited 2020 Feb 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1238767722.

Council of Science Editors:

Corzatt AD. NAÏVE ART AND ITS REFLECTION IN SWEDISH MUSIC. [Masters Thesis]. Case Western Reserve University; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1238767722


Duke University

7. Crawford, Benjamin Rudolf. SuperConductors: Handbook for a New Democratic Music .

Degree: 2011, Duke University

  I am interested, broadly, in the relationship of aesthetics to politics. More specifically, I am interested in the importance of aesthetics to leftist political… (more)

Subjects/Keywords: Music; democracy; interactive art; participatory art

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APA (6th Edition):

Crawford, B. R. (2011). SuperConductors: Handbook for a New Democratic Music . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/3946

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crawford, Benjamin Rudolf. “SuperConductors: Handbook for a New Democratic Music .” 2011. Thesis, Duke University. Accessed February 17, 2020. http://hdl.handle.net/10161/3946.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crawford, Benjamin Rudolf. “SuperConductors: Handbook for a New Democratic Music .” 2011. Web. 17 Feb 2020.

Vancouver:

Crawford BR. SuperConductors: Handbook for a New Democratic Music . [Internet] [Thesis]. Duke University; 2011. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10161/3946.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crawford BR. SuperConductors: Handbook for a New Democratic Music . [Thesis]. Duke University; 2011. Available from: http://hdl.handle.net/10161/3946

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Alberta

8. Smith, Patrick F. Composers of African Art Music in Contemporary Ghana: Locating Identities.

Degree: MA, Department of Music, 2012, University of Alberta

 African art music composers in Ghanaian universities negotiate a multiplicity of identities in a time characterized by frequent international communication and travel. This thesis explores… (more)

Subjects/Keywords: Ghana; music; identity; African art music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smith, P. F. (2012). Composers of African Art Music in Contemporary Ghana: Locating Identities. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/9306sz58h

Chicago Manual of Style (16th Edition):

Smith, Patrick F. “Composers of African Art Music in Contemporary Ghana: Locating Identities.” 2012. Masters Thesis, University of Alberta. Accessed February 17, 2020. https://era.library.ualberta.ca/files/9306sz58h.

MLA Handbook (7th Edition):

Smith, Patrick F. “Composers of African Art Music in Contemporary Ghana: Locating Identities.” 2012. Web. 17 Feb 2020.

Vancouver:

Smith PF. Composers of African Art Music in Contemporary Ghana: Locating Identities. [Internet] [Masters thesis]. University of Alberta; 2012. [cited 2020 Feb 17]. Available from: https://era.library.ualberta.ca/files/9306sz58h.

Council of Science Editors:

Smith PF. Composers of African Art Music in Contemporary Ghana: Locating Identities. [Masters Thesis]. University of Alberta; 2012. Available from: https://era.library.ualberta.ca/files/9306sz58h

9. Raught, Nathan D. Three Landscapes For Orchestra.

Degree: MM, Music, 2016, Missouri State University

 Three Landscapes for Orchestra is a three-movement orchestral suite, with music composed based on corresponding artworks. Each movement is inspired by an abstract painting by… (more)

Subjects/Keywords: music; orchestra; suite; instrumental; art; painting; Music

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APA (6th Edition):

Raught, N. D. (2016). Three Landscapes For Orchestra. (Masters Thesis). Missouri State University. Retrieved from https://bearworks.missouristate.edu/theses/2375

Chicago Manual of Style (16th Edition):

Raught, Nathan D. “Three Landscapes For Orchestra.” 2016. Masters Thesis, Missouri State University. Accessed February 17, 2020. https://bearworks.missouristate.edu/theses/2375.

MLA Handbook (7th Edition):

Raught, Nathan D. “Three Landscapes For Orchestra.” 2016. Web. 17 Feb 2020.

Vancouver:

Raught ND. Three Landscapes For Orchestra. [Internet] [Masters thesis]. Missouri State University; 2016. [cited 2020 Feb 17]. Available from: https://bearworks.missouristate.edu/theses/2375.

Council of Science Editors:

Raught ND. Three Landscapes For Orchestra. [Masters Thesis]. Missouri State University; 2016. Available from: https://bearworks.missouristate.edu/theses/2375


Rice University

10. Nelson, Matthew Phillip. Morton Feldman's clarinet works: A study through the words of the note man.

Degree: DMA, Music, 2010, Rice University

 Morton Feldman's writings, lectures, and interviews reveal a unified and consistent compositional drive towards a static musical rhetoric, or, to use his term, Time Undisturbed.… (more)

Subjects/Keywords: Fine arts; Art history; Music

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APA (6th Edition):

Nelson, M. P. (2010). Morton Feldman's clarinet works: A study through the words of the note man. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/62094

Chicago Manual of Style (16th Edition):

Nelson, Matthew Phillip. “Morton Feldman's clarinet works: A study through the words of the note man.” 2010. Doctoral Dissertation, Rice University. Accessed February 17, 2020. http://hdl.handle.net/1911/62094.

MLA Handbook (7th Edition):

Nelson, Matthew Phillip. “Morton Feldman's clarinet works: A study through the words of the note man.” 2010. Web. 17 Feb 2020.

Vancouver:

Nelson MP. Morton Feldman's clarinet works: A study through the words of the note man. [Internet] [Doctoral dissertation]. Rice University; 2010. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/1911/62094.

Council of Science Editors:

Nelson MP. Morton Feldman's clarinet works: A study through the words of the note man. [Doctoral Dissertation]. Rice University; 2010. Available from: http://hdl.handle.net/1911/62094


University of Cincinnati

11. Martin, Maria. In The Forest.

Degree: DMA, College-Conservatory of Music : Composition, 2007, University of Cincinnati

 <i>In The Forest</i> is a non-narrative, audio-visual work exploring fall foliage filmed in northwestern Pennsylvania. For me it is a meditation on natural color, motion… (more)

Subjects/Keywords: Music; multimedia; composer; video art

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APA (6th Edition):

Martin, M. (2007). In The Forest. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179930915

Chicago Manual of Style (16th Edition):

Martin, Maria. “In The Forest.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed February 17, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179930915.

MLA Handbook (7th Edition):

Martin, Maria. “In The Forest.” 2007. Web. 17 Feb 2020.

Vancouver:

Martin M. In The Forest. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2020 Feb 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179930915.

Council of Science Editors:

Martin M. In The Forest. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179930915


Kansas State University

12. Wakeley, Meghan A. An evolution of song: Opera, Oratorio, and Art Song.

Degree: MM, Department of Music, 2011, Kansas State University

 This master’s report is a discussion of the selections and composers presented on my graduate recital performed in All Faiths Chapel on Thursday, April 28,… (more)

Subjects/Keywords: Opera; Art Song; Music (0413)

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APA (6th Edition):

Wakeley, M. A. (2011). An evolution of song: Opera, Oratorio, and Art Song. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/8864

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wakeley, Meghan A. “An evolution of song: Opera, Oratorio, and Art Song.” 2011. Thesis, Kansas State University. Accessed February 17, 2020. http://hdl.handle.net/2097/8864.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wakeley, Meghan A. “An evolution of song: Opera, Oratorio, and Art Song.” 2011. Web. 17 Feb 2020.

Vancouver:

Wakeley MA. An evolution of song: Opera, Oratorio, and Art Song. [Internet] [Thesis]. Kansas State University; 2011. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/2097/8864.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wakeley MA. An evolution of song: Opera, Oratorio, and Art Song. [Thesis]. Kansas State University; 2011. Available from: http://hdl.handle.net/2097/8864

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

13. Siddons, Kyle. Utilizing North American Art Song Settings of Psalm Texts in Worship Services: an Annotated Guide for Singers, Voice Instructors, and Music Ministers.

Degree: 2014, University of North Texas

 This dissertation provides a guide for appropriate use of North American art song settings of biblical psalms for solo voice written after 1950 in the… (more)

Subjects/Keywords: Music; art song; Psalms; voice

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APA (6th Edition):

Siddons, K. (2014). Utilizing North American Art Song Settings of Psalm Texts in Worship Services: an Annotated Guide for Singers, Voice Instructors, and Music Ministers. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500200/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Siddons, Kyle. “Utilizing North American Art Song Settings of Psalm Texts in Worship Services: an Annotated Guide for Singers, Voice Instructors, and Music Ministers.” 2014. Thesis, University of North Texas. Accessed February 17, 2020. https://digital.library.unt.edu/ark:/67531/metadc500200/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Siddons, Kyle. “Utilizing North American Art Song Settings of Psalm Texts in Worship Services: an Annotated Guide for Singers, Voice Instructors, and Music Ministers.” 2014. Web. 17 Feb 2020.

Vancouver:

Siddons K. Utilizing North American Art Song Settings of Psalm Texts in Worship Services: an Annotated Guide for Singers, Voice Instructors, and Music Ministers. [Internet] [Thesis]. University of North Texas; 2014. [cited 2020 Feb 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500200/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Siddons K. Utilizing North American Art Song Settings of Psalm Texts in Worship Services: an Annotated Guide for Singers, Voice Instructors, and Music Ministers. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc500200/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

14. Hernandez, Brian. Nihilism and the Formulation of a Philosophy of Art.

Degree: 2011, University of North Texas

 Nihilism is often associated with feelings of despair, hopelessness and meaningless. It is certainly true that once the implications of this philosophy become apparent that… (more)

Subjects/Keywords: Nihilism; music; art; philosophy

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APA (6th Edition):

Hernandez, B. (2011). Nihilism and the Formulation of a Philosophy of Art. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc67991/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hernandez, Brian. “Nihilism and the Formulation of a Philosophy of Art.” 2011. Thesis, University of North Texas. Accessed February 17, 2020. https://digital.library.unt.edu/ark:/67531/metadc67991/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hernandez, Brian. “Nihilism and the Formulation of a Philosophy of Art.” 2011. Web. 17 Feb 2020.

Vancouver:

Hernandez B. Nihilism and the Formulation of a Philosophy of Art. [Internet] [Thesis]. University of North Texas; 2011. [cited 2020 Feb 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc67991/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hernandez B. Nihilism and the Formulation of a Philosophy of Art. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc67991/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

15. McGuiness, Andrew Peter. Musical works: scored, performed, and recorded .

Degree: 2018, University of Sydney

 In this thesis, I examine the problem of whether, and under what circumstances, a musical recording can be considered to be a work. Audio recordings… (more)

Subjects/Keywords: music; art; recordings; works; philosophy

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APA (6th Edition):

McGuiness, A. P. (2018). Musical works: scored, performed, and recorded . (Thesis). University of Sydney. Retrieved from https://ses.library.usyd.edu.au/handle/2123/21212

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McGuiness, Andrew Peter. “Musical works: scored, performed, and recorded .” 2018. Thesis, University of Sydney. Accessed February 17, 2020. https://ses.library.usyd.edu.au/handle/2123/21212.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McGuiness, Andrew Peter. “Musical works: scored, performed, and recorded .” 2018. Web. 17 Feb 2020.

Vancouver:

McGuiness AP. Musical works: scored, performed, and recorded . [Internet] [Thesis]. University of Sydney; 2018. [cited 2020 Feb 17]. Available from: https://ses.library.usyd.edu.au/handle/2123/21212.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McGuiness AP. Musical works: scored, performed, and recorded . [Thesis]. University of Sydney; 2018. Available from: https://ses.library.usyd.edu.au/handle/2123/21212

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

16. Anderson, Quiliano Niñeza. Kundiman love songs from the Philippines: their development from folksong to art song and an examination of representative repertoire.

Degree: DMA, Music, 2015, University of Iowa

  In the Philippines, a type of love song known as the Kundiman had existed since the early 19th century. But in the early 20th(more)

Subjects/Keywords: publicabstract; Art Song; Kundiman; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Anderson, Q. N. (2015). Kundiman love songs from the Philippines: their development from folksong to art song and an examination of representative repertoire. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/1821

Chicago Manual of Style (16th Edition):

Anderson, Quiliano Niñeza. “Kundiman love songs from the Philippines: their development from folksong to art song and an examination of representative repertoire.” 2015. Doctoral Dissertation, University of Iowa. Accessed February 17, 2020. https://ir.uiowa.edu/etd/1821.

MLA Handbook (7th Edition):

Anderson, Quiliano Niñeza. “Kundiman love songs from the Philippines: their development from folksong to art song and an examination of representative repertoire.” 2015. Web. 17 Feb 2020.

Vancouver:

Anderson QN. Kundiman love songs from the Philippines: their development from folksong to art song and an examination of representative repertoire. [Internet] [Doctoral dissertation]. University of Iowa; 2015. [cited 2020 Feb 17]. Available from: https://ir.uiowa.edu/etd/1821.

Council of Science Editors:

Anderson QN. Kundiman love songs from the Philippines: their development from folksong to art song and an examination of representative repertoire. [Doctoral Dissertation]. University of Iowa; 2015. Available from: https://ir.uiowa.edu/etd/1821

17. Gordon, David Eric. 1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions.

Degree: 2016, University of California – eScholarship, University of California

 Part 1:While paintings, drawings, and sculptures have inspired composers and musicians since ancient times, before the modern era, they were rarely used specifically to generate… (more)

Subjects/Keywords: Music; Electronic Music; Music Composition; New Music; Painting; Transdisciplinary; Visual Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gordon, D. E. (2016). 1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/9z72t979

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gordon, David Eric. “1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions.” 2016. Thesis, University of California – eScholarship, University of California. Accessed February 17, 2020. http://www.escholarship.org/uc/item/9z72t979.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gordon, David Eric. “1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions.” 2016. Web. 17 Feb 2020.

Vancouver:

Gordon DE. 1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions. [Internet] [Thesis]. University of California – eScholarship, University of California; 2016. [cited 2020 Feb 17]. Available from: http://www.escholarship.org/uc/item/9z72t979.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gordon DE. 1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions. [Thesis]. University of California – eScholarship, University of California; 2016. Available from: http://www.escholarship.org/uc/item/9z72t979

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

18. Cleveland, Chad L. The Music of art.

Degree: School of Art (CIAS), 2009, Rochester Institute of Technology

 Through the research of Jazz/Improvisational music I plan to investigate its' influence on my visual artwork. I also intend to demonstrate the interaction and relationship… (more)

Subjects/Keywords: Music in art; Art and music; Drawing; Painting; Found objects

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cleveland, C. L. (2009). The Music of art. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/3559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cleveland, Chad L. “The Music of art.” 2009. Thesis, Rochester Institute of Technology. Accessed February 17, 2020. https://scholarworks.rit.edu/theses/3559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cleveland, Chad L. “The Music of art.” 2009. Web. 17 Feb 2020.

Vancouver:

Cleveland CL. The Music of art. [Internet] [Thesis]. Rochester Institute of Technology; 2009. [cited 2020 Feb 17]. Available from: https://scholarworks.rit.edu/theses/3559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cleveland CL. The Music of art. [Thesis]. Rochester Institute of Technology; 2009. Available from: https://scholarworks.rit.edu/theses/3559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Marchesseau, Nicole Aimee. Thematic Interconnectivity as an Innate Musical Quality: An Investigation of Jandek's "European Jewel" Guitar Riffs.

Degree: PhD, Music, 2015, York University

 This dissertation is divided into two main areas. The first of these explores Jandek-related discourse and contextualizes the project. Also discussed is the interconnectivity that… (more)

Subjects/Keywords: Music; Art history; Fine arts; Popular music studies; Jandek; Outsider music; Outsider art; Popular music analysis; Popular music and disability

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Marchesseau, N. A. (2015). Thematic Interconnectivity as an Innate Musical Quality: An Investigation of Jandek's "European Jewel" Guitar Riffs. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/28169

Chicago Manual of Style (16th Edition):

Marchesseau, Nicole Aimee. “Thematic Interconnectivity as an Innate Musical Quality: An Investigation of Jandek's "European Jewel" Guitar Riffs.” 2015. Doctoral Dissertation, York University. Accessed February 17, 2020. http://hdl.handle.net/10315/28169.

MLA Handbook (7th Edition):

Marchesseau, Nicole Aimee. “Thematic Interconnectivity as an Innate Musical Quality: An Investigation of Jandek's "European Jewel" Guitar Riffs.” 2015. Web. 17 Feb 2020.

Vancouver:

Marchesseau NA. Thematic Interconnectivity as an Innate Musical Quality: An Investigation of Jandek's "European Jewel" Guitar Riffs. [Internet] [Doctoral dissertation]. York University; 2015. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10315/28169.

Council of Science Editors:

Marchesseau NA. Thematic Interconnectivity as an Innate Musical Quality: An Investigation of Jandek's "European Jewel" Guitar Riffs. [Doctoral Dissertation]. York University; 2015. Available from: http://hdl.handle.net/10315/28169


University of South Carolina

20. Guthrie, David C. SHAPE-NOTE HYMNODY AS SOURCE MATERIAL FOR MODERN AND POST-MODERN CHORAL ART MUSIC.

Degree: DMA, School of Music, 2014, University of South Carolina

  The musical repertoire known as shape-note hymns constitutes some of the oldest indigenous music still in use in America. This body of works has… (more)

Subjects/Keywords: Arts and Humanities; Music; Music; Shape-Note Hymnody; Choral Art Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Guthrie, D. C. (2014). SHAPE-NOTE HYMNODY AS SOURCE MATERIAL FOR MODERN AND POST-MODERN CHORAL ART MUSIC. (Doctoral Dissertation). University of South Carolina. Retrieved from https://scholarcommons.sc.edu/etd/2821

Chicago Manual of Style (16th Edition):

Guthrie, David C. “SHAPE-NOTE HYMNODY AS SOURCE MATERIAL FOR MODERN AND POST-MODERN CHORAL ART MUSIC.” 2014. Doctoral Dissertation, University of South Carolina. Accessed February 17, 2020. https://scholarcommons.sc.edu/etd/2821.

MLA Handbook (7th Edition):

Guthrie, David C. “SHAPE-NOTE HYMNODY AS SOURCE MATERIAL FOR MODERN AND POST-MODERN CHORAL ART MUSIC.” 2014. Web. 17 Feb 2020.

Vancouver:

Guthrie DC. SHAPE-NOTE HYMNODY AS SOURCE MATERIAL FOR MODERN AND POST-MODERN CHORAL ART MUSIC. [Internet] [Doctoral dissertation]. University of South Carolina; 2014. [cited 2020 Feb 17]. Available from: https://scholarcommons.sc.edu/etd/2821.

Council of Science Editors:

Guthrie DC. SHAPE-NOTE HYMNODY AS SOURCE MATERIAL FOR MODERN AND POST-MODERN CHORAL ART MUSIC. [Doctoral Dissertation]. University of South Carolina; 2014. Available from: https://scholarcommons.sc.edu/etd/2821


UCLA

21. Hutson, William Moran. Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance.

Degree: Theater and Performance Studies 09A2, 2015, UCLA

 The last decade has witnessed an increase in scholarly attention paid to experimental electronic music, especially the subgenres of sound art and noise music. Numerous… (more)

Subjects/Keywords: Performing arts; Music; Affect; Electronic Music; Experimental Music; Performance Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hutson, W. M. (2015). Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/8dj8t9dc

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hutson, William Moran. “Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance.” 2015. Thesis, UCLA. Accessed February 17, 2020. http://www.escholarship.org/uc/item/8dj8t9dc.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hutson, William Moran. “Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance.” 2015. Web. 17 Feb 2020.

Vancouver:

Hutson WM. Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance. [Internet] [Thesis]. UCLA; 2015. [cited 2020 Feb 17]. Available from: http://www.escholarship.org/uc/item/8dj8t9dc.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hutson WM. Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance. [Thesis]. UCLA; 2015. Available from: http://www.escholarship.org/uc/item/8dj8t9dc

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Duke University

22. Santos Rutschman, Kirsten. Concepts of <i>Folk</i> in Nineteenth-Century Swedish Art Music .

Degree: 2018, Duke University

Art music and folk music are all too often perceived as opposing concepts. The educated, elite practitioners of a notated art seem to have… (more)

Subjects/Keywords: Music history; art music; folk music; nationalism; nineteenth century; Scandinavia; Sweden

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Santos Rutschman, K. (2018). Concepts of <i>Folk</i> in Nineteenth-Century Swedish Art Music . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/16864

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Santos Rutschman, Kirsten. “Concepts of <i>Folk</i> in Nineteenth-Century Swedish Art Music .” 2018. Thesis, Duke University. Accessed February 17, 2020. http://hdl.handle.net/10161/16864.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Santos Rutschman, Kirsten. “Concepts of <i>Folk</i> in Nineteenth-Century Swedish Art Music .” 2018. Web. 17 Feb 2020.

Vancouver:

Santos Rutschman K. Concepts of <i>Folk</i> in Nineteenth-Century Swedish Art Music . [Internet] [Thesis]. Duke University; 2018. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10161/16864.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Santos Rutschman K. Concepts of <i>Folk</i> in Nineteenth-Century Swedish Art Music . [Thesis]. Duke University; 2018. Available from: http://hdl.handle.net/10161/16864

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oxford

23. Schwalbach, Burkhard Nikolaus. J.S. Bach at the coffee house : music as edifying practice.

Degree: PhD, 2012, University of Oxford

 This thesis proposes a new critical perspective on Bach's Collegium musicum and its performances at a Leipzig coffee house. Based on a range of fresh… (more)

Subjects/Keywords: 780.92; Music; Fine art; Music History; Early Music

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APA (6th Edition):

Schwalbach, B. N. (2012). J.S. Bach at the coffee house : music as edifying practice. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:ee4c28a8-f21e-4625-80bc-cc6ca5425a7c ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573677

Chicago Manual of Style (16th Edition):

Schwalbach, Burkhard Nikolaus. “J.S. Bach at the coffee house : music as edifying practice.” 2012. Doctoral Dissertation, University of Oxford. Accessed February 17, 2020. http://ora.ox.ac.uk/objects/uuid:ee4c28a8-f21e-4625-80bc-cc6ca5425a7c ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573677.

MLA Handbook (7th Edition):

Schwalbach, Burkhard Nikolaus. “J.S. Bach at the coffee house : music as edifying practice.” 2012. Web. 17 Feb 2020.

Vancouver:

Schwalbach BN. J.S. Bach at the coffee house : music as edifying practice. [Internet] [Doctoral dissertation]. University of Oxford; 2012. [cited 2020 Feb 17]. Available from: http://ora.ox.ac.uk/objects/uuid:ee4c28a8-f21e-4625-80bc-cc6ca5425a7c ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573677.

Council of Science Editors:

Schwalbach BN. J.S. Bach at the coffee house : music as edifying practice. [Doctoral Dissertation]. University of Oxford; 2012. Available from: http://ora.ox.ac.uk/objects/uuid:ee4c28a8-f21e-4625-80bc-cc6ca5425a7c ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573677


University of North Carolina – Greensboro

24. Fuchs, Lowell. Impermanence in For Decorative Purposes Only.

Degree: 2018, University of North Carolina – Greensboro

 The focus of this thesis is my work "for decorative purposes only" for antique objects, live and pre-recorded electronics, and improviser. The work presents an… (more)

Subjects/Keywords: Improvisation (Music); Percussion music; Aleatory music; Sound sculpture; Found objects (Art)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fuchs, L. (2018). Impermanence in For Decorative Purposes Only. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23144

Chicago Manual of Style (16th Edition):

Fuchs, Lowell. “Impermanence in For Decorative Purposes Only.” 2018. Masters Thesis, University of North Carolina – Greensboro. Accessed February 17, 2020. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23144.

MLA Handbook (7th Edition):

Fuchs, Lowell. “Impermanence in For Decorative Purposes Only.” 2018. Web. 17 Feb 2020.

Vancouver:

Fuchs L. Impermanence in For Decorative Purposes Only. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2018. [cited 2020 Feb 17]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23144.

Council of Science Editors:

Fuchs L. Impermanence in For Decorative Purposes Only. [Masters Thesis]. University of North Carolina – Greensboro; 2018. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23144

25. Fuchs, Lowell. Impermanence in For Decorative Purposes Only.

Degree: 2018, NC Docks

 The focus of this thesis is my work "for decorative purposes only" for antique objects, live and pre-recorded electronics, and improviser. The work presents an… (more)

Subjects/Keywords: Improvisation (Music); Percussion music; Aleatory music; Sound sculpture; Found objects (Art)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fuchs, L. (2018). Impermanence in For Decorative Purposes Only. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Fuchs_uncg_0154M_12487.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fuchs, Lowell. “Impermanence in For Decorative Purposes Only.” 2018. Thesis, NC Docks. Accessed February 17, 2020. http://libres.uncg.edu/ir/uncg/f/Fuchs_uncg_0154M_12487.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fuchs, Lowell. “Impermanence in For Decorative Purposes Only.” 2018. Web. 17 Feb 2020.

Vancouver:

Fuchs L. Impermanence in For Decorative Purposes Only. [Internet] [Thesis]. NC Docks; 2018. [cited 2020 Feb 17]. Available from: http://libres.uncg.edu/ir/uncg/f/Fuchs_uncg_0154M_12487.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fuchs L. Impermanence in For Decorative Purposes Only. [Thesis]. NC Docks; 2018. Available from: http://libres.uncg.edu/ir/uncg/f/Fuchs_uncg_0154M_12487.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

26. Taylor, Benjamin Francis. McLuhan.js: Live Net Art Performance with Remote Web Browsers.

Degree: PhD, Music, 2016, Louisiana State University

 McLuhan.js is a media art performance platform which engages with the web browser as a source of form and content. The platform enables a new… (more)

Subjects/Keywords: net art; media art; web audio; digital art; telematic; javascript; computer music; internet art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Taylor, B. F. (2016). McLuhan.js: Live Net Art Performance with Remote Web Browsers. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-05162016-133118 ; https://digitalcommons.lsu.edu/gradschool_dissertations/861

Chicago Manual of Style (16th Edition):

Taylor, Benjamin Francis. “McLuhan.js: Live Net Art Performance with Remote Web Browsers.” 2016. Doctoral Dissertation, Louisiana State University. Accessed February 17, 2020. etd-05162016-133118 ; https://digitalcommons.lsu.edu/gradschool_dissertations/861.

MLA Handbook (7th Edition):

Taylor, Benjamin Francis. “McLuhan.js: Live Net Art Performance with Remote Web Browsers.” 2016. Web. 17 Feb 2020.

Vancouver:

Taylor BF. McLuhan.js: Live Net Art Performance with Remote Web Browsers. [Internet] [Doctoral dissertation]. Louisiana State University; 2016. [cited 2020 Feb 17]. Available from: etd-05162016-133118 ; https://digitalcommons.lsu.edu/gradschool_dissertations/861.

Council of Science Editors:

Taylor BF. McLuhan.js: Live Net Art Performance with Remote Web Browsers. [Doctoral Dissertation]. Louisiana State University; 2016. Available from: etd-05162016-133118 ; https://digitalcommons.lsu.edu/gradschool_dissertations/861


Columbia University

27. D'Addio, Sophia. Painted Organ Shutters in Renaissance Italy.

Degree: 2020, Columbia University

 This dissertation offers the only comprehensive, in-depth study of early modern Italian organ shutters to date. Once a widespread element of church decoration across northern… (more)

Subjects/Keywords: Art; Organ (Musical instrument); Art and music; Art, Renaissance; Art and religion

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APA (6th Edition):

D'Addio, S. (2020). Painted Organ Shutters in Renaissance Italy. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/d8-ym57-tp81

Chicago Manual of Style (16th Edition):

D'Addio, Sophia. “Painted Organ Shutters in Renaissance Italy.” 2020. Doctoral Dissertation, Columbia University. Accessed February 17, 2020. https://doi.org/10.7916/d8-ym57-tp81.

MLA Handbook (7th Edition):

D'Addio, Sophia. “Painted Organ Shutters in Renaissance Italy.” 2020. Web. 17 Feb 2020.

Vancouver:

D'Addio S. Painted Organ Shutters in Renaissance Italy. [Internet] [Doctoral dissertation]. Columbia University; 2020. [cited 2020 Feb 17]. Available from: https://doi.org/10.7916/d8-ym57-tp81.

Council of Science Editors:

D'Addio S. Painted Organ Shutters in Renaissance Italy. [Doctoral Dissertation]. Columbia University; 2020. Available from: https://doi.org/10.7916/d8-ym57-tp81


Bowling Green State University

28. Cook, Mark. Telematic Music: History and Development of the Medium and Current Technologies Related to Performance.

Degree: DMA, Contemporary Music, 2015, Bowling Green State University

 Telematic music is a little-known sub-genre of telematic art and a new phenomenon in the world of music. This paper seeks to provide aspiring telematic… (more)

Subjects/Keywords: Music; Telematics; Telematic Music; Music; Auksalaq; Scott Deal; Internet; Telematic art; Music Technology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cook, M. (2015). Telematic Music: History and Development of the Medium and Current Technologies Related to Performance. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1447261468

Chicago Manual of Style (16th Edition):

Cook, Mark. “Telematic Music: History and Development of the Medium and Current Technologies Related to Performance.” 2015. Doctoral Dissertation, Bowling Green State University. Accessed February 17, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1447261468.

MLA Handbook (7th Edition):

Cook, Mark. “Telematic Music: History and Development of the Medium and Current Technologies Related to Performance.” 2015. Web. 17 Feb 2020.

Vancouver:

Cook M. Telematic Music: History and Development of the Medium and Current Technologies Related to Performance. [Internet] [Doctoral dissertation]. Bowling Green State University; 2015. [cited 2020 Feb 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1447261468.

Council of Science Editors:

Cook M. Telematic Music: History and Development of the Medium and Current Technologies Related to Performance. [Doctoral Dissertation]. Bowling Green State University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1447261468


Massey University

29. Black, Chris. Sound-as-art : the rise of the corporeal and noise in twentieth-century art practice .

Degree: 2012, Massey University

 This thesis explores the relationship between human corporeality, space, sound and noise in twentieth-century art. The thesis introduces some novel concepts, notably that corporeality, noise… (more)

Subjects/Keywords: Sound; Gesture in music; Performance practice (Music); Art and music; Electronic music; History and criticism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Black, C. (2012). Sound-as-art : the rise of the corporeal and noise in twentieth-century art practice . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/4523

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Black, Chris. “Sound-as-art : the rise of the corporeal and noise in twentieth-century art practice .” 2012. Thesis, Massey University. Accessed February 17, 2020. http://hdl.handle.net/10179/4523.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Black, Chris. “Sound-as-art : the rise of the corporeal and noise in twentieth-century art practice .” 2012. Web. 17 Feb 2020.

Vancouver:

Black C. Sound-as-art : the rise of the corporeal and noise in twentieth-century art practice . [Internet] [Thesis]. Massey University; 2012. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10179/4523.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Black C. Sound-as-art : the rise of the corporeal and noise in twentieth-century art practice . [Thesis]. Massey University; 2012. Available from: http://hdl.handle.net/10179/4523

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Southern Cross University

30. Brock, Robert Kenneth Richard. Looking back looking forward : a folio of contemporary original songs within the Australian bush ballad tradition, drawing on the analysis of selected songs.

Degree: 2009, Southern Cross University

 This thesis is a practice-based project that combines a creative folio (in the form of a complete album of original music - Moving Through the… (more)

Subjects/Keywords: origins; bush; music; contemporary; Art Practice; Arts and Humanities; Music; Music Performance; Music Practice

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APA (6th Edition):

Brock, R. K. R. (2009). Looking back looking forward : a folio of contemporary original songs within the Australian bush ballad tradition, drawing on the analysis of selected songs. (Thesis). Southern Cross University. Retrieved from http://epubs.scu.edu.au/theses/348

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brock, Robert Kenneth Richard. “Looking back looking forward : a folio of contemporary original songs within the Australian bush ballad tradition, drawing on the analysis of selected songs.” 2009. Thesis, Southern Cross University. Accessed February 17, 2020. http://epubs.scu.edu.au/theses/348.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brock, Robert Kenneth Richard. “Looking back looking forward : a folio of contemporary original songs within the Australian bush ballad tradition, drawing on the analysis of selected songs.” 2009. Web. 17 Feb 2020.

Vancouver:

Brock RKR. Looking back looking forward : a folio of contemporary original songs within the Australian bush ballad tradition, drawing on the analysis of selected songs. [Internet] [Thesis]. Southern Cross University; 2009. [cited 2020 Feb 17]. Available from: http://epubs.scu.edu.au/theses/348.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brock RKR. Looking back looking forward : a folio of contemporary original songs within the Australian bush ballad tradition, drawing on the analysis of selected songs. [Thesis]. Southern Cross University; 2009. Available from: http://epubs.scu.edu.au/theses/348

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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