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You searched for subject:(Art exhibitions). Showing records 1 – 30 of 351 total matches.

[1] [2] [3] [4] [5] … [12]

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Nelson Mandela Metropolitan University

1. Fuller, Michele. Reviewing medium: paint as flesh.

Degree: Faculty of Arts, 2011, Nelson Mandela Metropolitan University

 The research question explored in this exhibition and dissertation was to review the conventional notions of craftsmanship and the use of the specific medium of… (more)

Subjects/Keywords: Figure painting  – Exhibitions; Human figure in art  – Exhibitions; Anatomy, Artistic  – Exhibitions; Cadaver in art  – Exhibitions

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fuller, M. (2011). Reviewing medium: paint as flesh. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/d1008590

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fuller, Michele. “Reviewing medium: paint as flesh.” 2011. Thesis, Nelson Mandela Metropolitan University. Accessed March 04, 2021. http://hdl.handle.net/10948/d1008590.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fuller, Michele. “Reviewing medium: paint as flesh.” 2011. Web. 04 Mar 2021.

Vancouver:

Fuller M. Reviewing medium: paint as flesh. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2011. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10948/d1008590.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fuller M. Reviewing medium: paint as flesh. [Thesis]. Nelson Mandela Metropolitan University; 2011. Available from: http://hdl.handle.net/10948/d1008590

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

2. Monday, Zac. Easy Fire : You walking pyre! : Strung out, horny- hip for hire! : Please him 'till he'll never tire! : The broken, boring, selfish liar!.

Degree: Visual Arts, 2010, University of California – San Diego

 My thesis exhibition consists of four acts, with each act manifesting in a total of four locations and nine separate performances. Act One took place… (more)

Subjects/Keywords: Exhibitions Performance art 21st century

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APA (6th Edition):

Monday, Z. (2010). Easy Fire : You walking pyre! : Strung out, horny- hip for hire! : Please him 'till he'll never tire! : The broken, boring, selfish liar!. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/3tp6n74g

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Monday, Zac. “Easy Fire : You walking pyre! : Strung out, horny- hip for hire! : Please him 'till he'll never tire! : The broken, boring, selfish liar!.” 2010. Thesis, University of California – San Diego. Accessed March 04, 2021. http://www.escholarship.org/uc/item/3tp6n74g.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Monday, Zac. “Easy Fire : You walking pyre! : Strung out, horny- hip for hire! : Please him 'till he'll never tire! : The broken, boring, selfish liar!.” 2010. Web. 04 Mar 2021.

Vancouver:

Monday Z. Easy Fire : You walking pyre! : Strung out, horny- hip for hire! : Please him 'till he'll never tire! : The broken, boring, selfish liar!. [Internet] [Thesis]. University of California – San Diego; 2010. [cited 2021 Mar 04]. Available from: http://www.escholarship.org/uc/item/3tp6n74g.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Monday Z. Easy Fire : You walking pyre! : Strung out, horny- hip for hire! : Please him 'till he'll never tire! : The broken, boring, selfish liar!. [Thesis]. University of California – San Diego; 2010. Available from: http://www.escholarship.org/uc/item/3tp6n74g

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Johannesburg

3. Pahl, lIse. Once upon a time ... : an investigation of selected, domestic mass-produced objects and their display as source for an exhibition of drawings and sculptures.

Degree: 2014, University of Johannesburg

M.Tech. (Fine Art)

The research investigates the similarities and differences between the display of selected, mass-produced objects in museums, with special reference to the Victoria… (more)

Subjects/Keywords: Art collections; Museum techniques; Exhibitions

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pahl, l. (2014). Once upon a time ... : an investigation of selected, domestic mass-produced objects and their display as source for an exhibition of drawings and sculptures. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/8815

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pahl, lIse. “Once upon a time ... : an investigation of selected, domestic mass-produced objects and their display as source for an exhibition of drawings and sculptures.” 2014. Thesis, University of Johannesburg. Accessed March 04, 2021. http://hdl.handle.net/10210/8815.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pahl, lIse. “Once upon a time ... : an investigation of selected, domestic mass-produced objects and their display as source for an exhibition of drawings and sculptures.” 2014. Web. 04 Mar 2021.

Vancouver:

Pahl l. Once upon a time ... : an investigation of selected, domestic mass-produced objects and their display as source for an exhibition of drawings and sculptures. [Internet] [Thesis]. University of Johannesburg; 2014. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10210/8815.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pahl l. Once upon a time ... : an investigation of selected, domestic mass-produced objects and their display as source for an exhibition of drawings and sculptures. [Thesis]. University of Johannesburg; 2014. Available from: http://hdl.handle.net/10210/8815

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Victoria University of Wellington

4. Moore, Marcus T. G. Marcel Duchamp and New Zealand Art, 1965 – 2007 By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception.

Degree: 2012, Victoria University of Wellington

 This thesis examines the reception to Marcel Duchamp in New Zealand from 1965 to 2007. It takes as its subject two exceptional occasions when Duchamp’s… (more)

Subjects/Keywords: Readymade; Installation art; Exhibitions

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APA (6th Edition):

Moore, M. T. G. (2012). Marcel Duchamp and New Zealand Art, 1965 – 2007 By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception. (Doctoral Dissertation). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/4455

Chicago Manual of Style (16th Edition):

Moore, Marcus T G. “Marcel Duchamp and New Zealand Art, 1965 – 2007 By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception.” 2012. Doctoral Dissertation, Victoria University of Wellington. Accessed March 04, 2021. http://hdl.handle.net/10063/4455.

MLA Handbook (7th Edition):

Moore, Marcus T G. “Marcel Duchamp and New Zealand Art, 1965 – 2007 By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception.” 2012. Web. 04 Mar 2021.

Vancouver:

Moore MTG. Marcel Duchamp and New Zealand Art, 1965 – 2007 By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception. [Internet] [Doctoral dissertation]. Victoria University of Wellington; 2012. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10063/4455.

Council of Science Editors:

Moore MTG. Marcel Duchamp and New Zealand Art, 1965 – 2007 By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception. [Doctoral Dissertation]. Victoria University of Wellington; 2012. Available from: http://hdl.handle.net/10063/4455


University of Missouri – Columbia

5. Burton, Judith Penney. Fight or flight.

Degree: 2013, University of Missouri – Columbia

 Fight or Flight addresses the end result of recent environmental disturbances and catastrophic weather events brought on by climate change. Many humans throughout the planet… (more)

Subjects/Keywords: Installations (Art)  – Exhibitions; Art, Modern  – Exhibitions; Environment (Art)  – Exhibitions; Forced migration; Climatic changes  – Environmental aspects; Extinction (Biology); Nature in art  – Exhibitions

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Burton, J. P. (2013). Fight or flight. (Thesis). University of Missouri – Columbia. Retrieved from https://doi.org/10.32469/10355/40179

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Burton, Judith Penney. “Fight or flight.” 2013. Thesis, University of Missouri – Columbia. Accessed March 04, 2021. https://doi.org/10.32469/10355/40179.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Burton, Judith Penney. “Fight or flight.” 2013. Web. 04 Mar 2021.

Vancouver:

Burton JP. Fight or flight. [Internet] [Thesis]. University of Missouri – Columbia; 2013. [cited 2021 Mar 04]. Available from: https://doi.org/10.32469/10355/40179.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Burton JP. Fight or flight. [Thesis]. University of Missouri – Columbia; 2013. Available from: https://doi.org/10.32469/10355/40179

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Missouri – Columbia

6. Nosri, Norleen, 1978-. Gratitude vessels : ceramic composition and social cohesion.

Degree: 2013, University of Missouri – Columbia

 This body of work presents ceramic serving and drinking vessels in a series of arranged compositions. These vessels include teapots, ewers, decanters and cups presented… (more)

Subjects/Keywords: Art pottery  – Exhibitions; Drinking vessels  – Exhibitions; Gratitude in art  – Exhibitions; Art and society  – Exhibitions; Metaphor in art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nosri, Norleen, 1. (2013). Gratitude vessels : ceramic composition and social cohesion. (Thesis). University of Missouri – Columbia. Retrieved from https://doi.org/10.32469/10355/40196

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nosri, Norleen, 1978-. “Gratitude vessels : ceramic composition and social cohesion.” 2013. Thesis, University of Missouri – Columbia. Accessed March 04, 2021. https://doi.org/10.32469/10355/40196.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nosri, Norleen, 1978-. “Gratitude vessels : ceramic composition and social cohesion.” 2013. Web. 04 Mar 2021.

Vancouver:

Nosri, Norleen 1. Gratitude vessels : ceramic composition and social cohesion. [Internet] [Thesis]. University of Missouri – Columbia; 2013. [cited 2021 Mar 04]. Available from: https://doi.org/10.32469/10355/40196.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nosri, Norleen 1. Gratitude vessels : ceramic composition and social cohesion. [Thesis]. University of Missouri – Columbia; 2013. Available from: https://doi.org/10.32469/10355/40196

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

7. Cook, Shashi Chailey. Redress : debates informing exhibitions and acquisitions in selected South African public art galleries (1990-1994).

Degree: Faculty of Humanities, Fine Art, 2009, Rhodes University

 This thesis centres on the debates informing the progress of three public art galleries in South Africa between 1990 and 1994. This was a period… (more)

Subjects/Keywords: South African National Gallery Exhibitions; Durban Art Gallery Exhibitions; Joahnnesburg Art Gallery Exhibitions; Art  – South Africa  – Exhibitions; Art, South African Exhibitions; South Africa History Exhibitions

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cook, S. C. (2009). Redress : debates informing exhibitions and acquisitions in selected South African public art galleries (1990-1994). (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1002195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cook, Shashi Chailey. “Redress : debates informing exhibitions and acquisitions in selected South African public art galleries (1990-1994).” 2009. Thesis, Rhodes University. Accessed March 04, 2021. http://hdl.handle.net/10962/d1002195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cook, Shashi Chailey. “Redress : debates informing exhibitions and acquisitions in selected South African public art galleries (1990-1994).” 2009. Web. 04 Mar 2021.

Vancouver:

Cook SC. Redress : debates informing exhibitions and acquisitions in selected South African public art galleries (1990-1994). [Internet] [Thesis]. Rhodes University; 2009. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10962/d1002195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cook SC. Redress : debates informing exhibitions and acquisitions in selected South African public art galleries (1990-1994). [Thesis]. Rhodes University; 2009. Available from: http://hdl.handle.net/10962/d1002195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cambridge

8. Zhang, Linzhi. Contemporary Art and the Exhibitionary System: China as a Case Study.

Degree: PhD, 2019, University of Cambridge

 The challenge of contemporary art, unlike in art history, has only recently been identified in sociology. Furthermore, an overly philosophical orientation, has undermined sociological expla-… (more)

Subjects/Keywords: sociology of art; contemporary art; exhibitions; sociology of exhibitions

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zhang, L. (2019). Contemporary Art and the Exhibitionary System: China as a Case Study. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/289428

Chicago Manual of Style (16th Edition):

Zhang, Linzhi. “Contemporary Art and the Exhibitionary System: China as a Case Study.” 2019. Doctoral Dissertation, University of Cambridge. Accessed March 04, 2021. https://www.repository.cam.ac.uk/handle/1810/289428.

MLA Handbook (7th Edition):

Zhang, Linzhi. “Contemporary Art and the Exhibitionary System: China as a Case Study.” 2019. Web. 04 Mar 2021.

Vancouver:

Zhang L. Contemporary Art and the Exhibitionary System: China as a Case Study. [Internet] [Doctoral dissertation]. University of Cambridge; 2019. [cited 2021 Mar 04]. Available from: https://www.repository.cam.ac.uk/handle/1810/289428.

Council of Science Editors:

Zhang L. Contemporary Art and the Exhibitionary System: China as a Case Study. [Doctoral Dissertation]. University of Cambridge; 2019. Available from: https://www.repository.cam.ac.uk/handle/1810/289428


University of Cambridge

9. Zhang, Linzhi. Contemporary art and the exhibitionary system : China as a case study.

Degree: PhD, 2019, University of Cambridge

 The challenge of contemporary art, unlike in art history, has only recently been identified in sociology. Furthermore, an overly philosophical orientation, has undermined sociological expla-… (more)

Subjects/Keywords: 306.4; sociology of art; contemporary art; exhibitions; sociology of exhibitions

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zhang, L. (2019). Contemporary art and the exhibitionary system : China as a case study. (Doctoral Dissertation). University of Cambridge. Retrieved from https://doi.org/10.17863/CAM.36678 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767837

Chicago Manual of Style (16th Edition):

Zhang, Linzhi. “Contemporary art and the exhibitionary system : China as a case study.” 2019. Doctoral Dissertation, University of Cambridge. Accessed March 04, 2021. https://doi.org/10.17863/CAM.36678 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767837.

MLA Handbook (7th Edition):

Zhang, Linzhi. “Contemporary art and the exhibitionary system : China as a case study.” 2019. Web. 04 Mar 2021.

Vancouver:

Zhang L. Contemporary art and the exhibitionary system : China as a case study. [Internet] [Doctoral dissertation]. University of Cambridge; 2019. [cited 2021 Mar 04]. Available from: https://doi.org/10.17863/CAM.36678 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767837.

Council of Science Editors:

Zhang L. Contemporary art and the exhibitionary system : China as a case study. [Doctoral Dissertation]. University of Cambridge; 2019. Available from: https://doi.org/10.17863/CAM.36678 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767837


University of New South Wales

10. Fenner, Felicity. Your Place or Mine? Curatorial approaches to place through the prism of home.

Degree: Art, 2014, University of New South Wales

 The outward image of the place we call home – Australia – historically dominates and subsumes personal experiences of home in exhibitions of Australian art.… (more)

Subjects/Keywords: Visual Art; Curatorial Studies; Exhibitions; Art Theory

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APA (6th Edition):

Fenner, F. (2014). Your Place or Mine? Curatorial approaches to place through the prism of home. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/54464 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:35004/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Fenner, Felicity. “Your Place or Mine? Curatorial approaches to place through the prism of home.” 2014. Doctoral Dissertation, University of New South Wales. Accessed March 04, 2021. http://handle.unsw.edu.au/1959.4/54464 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:35004/SOURCE02?view=true.

MLA Handbook (7th Edition):

Fenner, Felicity. “Your Place or Mine? Curatorial approaches to place through the prism of home.” 2014. Web. 04 Mar 2021.

Vancouver:

Fenner F. Your Place or Mine? Curatorial approaches to place through the prism of home. [Internet] [Doctoral dissertation]. University of New South Wales; 2014. [cited 2021 Mar 04]. Available from: http://handle.unsw.edu.au/1959.4/54464 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:35004/SOURCE02?view=true.

Council of Science Editors:

Fenner F. Your Place or Mine? Curatorial approaches to place through the prism of home. [Doctoral Dissertation]. University of New South Wales; 2014. Available from: http://handle.unsw.edu.au/1959.4/54464 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:35004/SOURCE02?view=true


Ryerson University

11. Hayward, Laura E. Photographic Exhibition In The Anti-Cube Gallery : A Case Study Of Daniel Libeskind’s Roloff Beny Gallery.

Degree: 2012, Ryerson University

 This paper examines the installation of photography exhibitions within the unconventional gallery spaces that have been produced as a part of the relatively recent wave… (more)

Subjects/Keywords: Roloff Beny Gallery – Exhibitions; Photography; Artistic  – Exhibitions; Installations (Art)  – Exhibitions; Royal Ontario Museum. Institute for Contemporary Culture  – Exhibitions

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hayward, L. E. (2012). Photographic Exhibition In The Anti-Cube Gallery : A Case Study Of Daniel Libeskind’s Roloff Beny Gallery. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A1815

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hayward, Laura E. “Photographic Exhibition In The Anti-Cube Gallery : A Case Study Of Daniel Libeskind’s Roloff Beny Gallery.” 2012. Thesis, Ryerson University. Accessed March 04, 2021. https://digital.library.ryerson.ca/islandora/object/RULA%3A1815.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hayward, Laura E. “Photographic Exhibition In The Anti-Cube Gallery : A Case Study Of Daniel Libeskind’s Roloff Beny Gallery.” 2012. Web. 04 Mar 2021.

Vancouver:

Hayward LE. Photographic Exhibition In The Anti-Cube Gallery : A Case Study Of Daniel Libeskind’s Roloff Beny Gallery. [Internet] [Thesis]. Ryerson University; 2012. [cited 2021 Mar 04]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1815.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hayward LE. Photographic Exhibition In The Anti-Cube Gallery : A Case Study Of Daniel Libeskind’s Roloff Beny Gallery. [Thesis]. Ryerson University; 2012. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1815

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

12. Iliopoulou, Anastasia Maria. From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975].

Degree: 2015, Leiden University

 This research looks at two parallel theoretical approaches. The first deals with contemporary exhibitions and the curatorial procedures that are introduced in the 1960s, while… (more)

Subjects/Keywords: Conceptual Art; Exhibitions; Sculpture; Stedelijk Museum; MoMA

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Iliopoulou, A. M. (2015). From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975]. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/36446

Chicago Manual of Style (16th Edition):

Iliopoulou, Anastasia Maria. “From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975].” 2015. Masters Thesis, Leiden University. Accessed March 04, 2021. http://hdl.handle.net/1887/36446.

MLA Handbook (7th Edition):

Iliopoulou, Anastasia Maria. “From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975].” 2015. Web. 04 Mar 2021.

Vancouver:

Iliopoulou AM. From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975]. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/1887/36446.

Council of Science Editors:

Iliopoulou AM. From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975]. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/36446


Leiden University

13. Medne, Diana. Contemporary art in archaeology museums: interaction between art and archaeology. A case study of the National Museum of Antiquities (RMO).

Degree: 2015, Leiden University

 MA thesis is based on a research done in the National Museum of Antiquities (RMO).The aim of this study was to explore how RMO’s contemporary… (more)

Subjects/Keywords: archaeology; contemporary art; exhibitions; primitivism; historiographic turn

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Medne, D. (2015). Contemporary art in archaeology museums: interaction between art and archaeology. A case study of the National Museum of Antiquities (RMO). (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/35534

Chicago Manual of Style (16th Edition):

Medne, Diana. “Contemporary art in archaeology museums: interaction between art and archaeology. A case study of the National Museum of Antiquities (RMO).” 2015. Masters Thesis, Leiden University. Accessed March 04, 2021. http://hdl.handle.net/1887/35534.

MLA Handbook (7th Edition):

Medne, Diana. “Contemporary art in archaeology museums: interaction between art and archaeology. A case study of the National Museum of Antiquities (RMO).” 2015. Web. 04 Mar 2021.

Vancouver:

Medne D. Contemporary art in archaeology museums: interaction between art and archaeology. A case study of the National Museum of Antiquities (RMO). [Internet] [Masters thesis]. Leiden University; 2015. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/1887/35534.

Council of Science Editors:

Medne D. Contemporary art in archaeology museums: interaction between art and archaeology. A case study of the National Museum of Antiquities (RMO). [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/35534


Montana State University

14. Smith, Frances Fisher. Paper, fiber and string.

Degree: MFA, College of Arts & Architecture, 1978, Montana State University

 My current work is the result of a long term interest in paper; first as surface, next as image and, finally, as medium itself. Paper… (more)

Subjects/Keywords: Art Exhibitions.; Paper.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smith, F. F. (1978). Paper, fiber and string. (Thesis). Montana State University. Retrieved from https://scholarworks.montana.edu/xmlui/handle/1/6113

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Frances Fisher. “Paper, fiber and string.” 1978. Thesis, Montana State University. Accessed March 04, 2021. https://scholarworks.montana.edu/xmlui/handle/1/6113.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Frances Fisher. “Paper, fiber and string.” 1978. Web. 04 Mar 2021.

Vancouver:

Smith FF. Paper, fiber and string. [Internet] [Thesis]. Montana State University; 1978. [cited 2021 Mar 04]. Available from: https://scholarworks.montana.edu/xmlui/handle/1/6113.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith FF. Paper, fiber and string. [Thesis]. Montana State University; 1978. Available from: https://scholarworks.montana.edu/xmlui/handle/1/6113

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. SHORTALL, WILLIAM MARY. Art and the Irish Free State - visualizing nationhood (1922 - 1934).

Degree: School of Histories & Humanities. Discipline of History Of Art, 2020, Trinity College Dublin

 This thesis examines how the Irish Free State harnessed visual art for its political purposes in the 1922-34 period. The time frame chosen for this… (more)

Subjects/Keywords: Irish art politics history diplomacy exhibitions commissions

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APA (6th Edition):

SHORTALL, W. M. (2020). Art and the Irish Free State - visualizing nationhood (1922 - 1934). (Thesis). Trinity College Dublin. Retrieved from http://hdl.handle.net/2262/93963

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

SHORTALL, WILLIAM MARY. “Art and the Irish Free State - visualizing nationhood (1922 - 1934).” 2020. Thesis, Trinity College Dublin. Accessed March 04, 2021. http://hdl.handle.net/2262/93963.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

SHORTALL, WILLIAM MARY. “Art and the Irish Free State - visualizing nationhood (1922 - 1934).” 2020. Web. 04 Mar 2021.

Vancouver:

SHORTALL WM. Art and the Irish Free State - visualizing nationhood (1922 - 1934). [Internet] [Thesis]. Trinity College Dublin; 2020. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/2262/93963.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

SHORTALL WM. Art and the Irish Free State - visualizing nationhood (1922 - 1934). [Thesis]. Trinity College Dublin; 2020. Available from: http://hdl.handle.net/2262/93963

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

16. Hansen, Paul. The Immaculate Perception project : exhibition creation and reception in a New Zealand regional art museum : thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies, Massey University, Palmerston North, New Zealand .

Degree: 2003, Massey University

 Internationally, museums have increasingly come under review since Bourdieu's (1969) research focused on art gallery visiting patterns and cultural codes. Museums exist within a post-modern… (more)

Subjects/Keywords: Art museums; Exhibitions

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APA (6th Edition):

Hansen, P. (2003). The Immaculate Perception project : exhibition creation and reception in a New Zealand regional art museum : thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies, Massey University, Palmerston North, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/249

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hansen, Paul. “The Immaculate Perception project : exhibition creation and reception in a New Zealand regional art museum : thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies, Massey University, Palmerston North, New Zealand .” 2003. Thesis, Massey University. Accessed March 04, 2021. http://hdl.handle.net/10179/249.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hansen, Paul. “The Immaculate Perception project : exhibition creation and reception in a New Zealand regional art museum : thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies, Massey University, Palmerston North, New Zealand .” 2003. Web. 04 Mar 2021.

Vancouver:

Hansen P. The Immaculate Perception project : exhibition creation and reception in a New Zealand regional art museum : thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies, Massey University, Palmerston North, New Zealand . [Internet] [Thesis]. Massey University; 2003. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10179/249.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hansen P. The Immaculate Perception project : exhibition creation and reception in a New Zealand regional art museum : thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies, Massey University, Palmerston North, New Zealand . [Thesis]. Massey University; 2003. Available from: http://hdl.handle.net/10179/249

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rice University

17. Hooper, Rachel. American Art Histories: Framing Race in Exhibitions, 1842-1876.

Degree: PhD, American Art, 2018, Rice University

 In the mid to late nineteenth century, exhibitions in the United States presented histories of art by laying out sequences of objects. Paintings, sculptures, and… (more)

Subjects/Keywords: American Art; Art History; Historiography; Museums; Art Museums; Race; Exhibitions

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APA (6th Edition):

Hooper, R. (2018). American Art Histories: Framing Race in Exhibitions, 1842-1876. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/105636

Chicago Manual of Style (16th Edition):

Hooper, Rachel. “American Art Histories: Framing Race in Exhibitions, 1842-1876.” 2018. Doctoral Dissertation, Rice University. Accessed March 04, 2021. http://hdl.handle.net/1911/105636.

MLA Handbook (7th Edition):

Hooper, Rachel. “American Art Histories: Framing Race in Exhibitions, 1842-1876.” 2018. Web. 04 Mar 2021.

Vancouver:

Hooper R. American Art Histories: Framing Race in Exhibitions, 1842-1876. [Internet] [Doctoral dissertation]. Rice University; 2018. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/1911/105636.

Council of Science Editors:

Hooper R. American Art Histories: Framing Race in Exhibitions, 1842-1876. [Doctoral Dissertation]. Rice University; 2018. Available from: http://hdl.handle.net/1911/105636


Rice University

18. Hooper, Rachel. American Art Histories: Framing Race in Exhibitions, 1842-1876.

Degree: PhD, Humanities, 2018, Rice University

 In the mid to late nineteenth century, exhibitions in the United States presented histories of art by laying out sequences of objects. Paintings, sculptures, and… (more)

Subjects/Keywords: American Art; Art History; Historiography; Museums; Art Museums; Race; Exhibitions

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hooper, R. (2018). American Art Histories: Framing Race in Exhibitions, 1842-1876. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/105635

Chicago Manual of Style (16th Edition):

Hooper, Rachel. “American Art Histories: Framing Race in Exhibitions, 1842-1876.” 2018. Doctoral Dissertation, Rice University. Accessed March 04, 2021. http://hdl.handle.net/1911/105635.

MLA Handbook (7th Edition):

Hooper, Rachel. “American Art Histories: Framing Race in Exhibitions, 1842-1876.” 2018. Web. 04 Mar 2021.

Vancouver:

Hooper R. American Art Histories: Framing Race in Exhibitions, 1842-1876. [Internet] [Doctoral dissertation]. Rice University; 2018. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/1911/105635.

Council of Science Editors:

Hooper R. American Art Histories: Framing Race in Exhibitions, 1842-1876. [Doctoral Dissertation]. Rice University; 2018. Available from: http://hdl.handle.net/1911/105635

19. May, Cameron. The assembly of liquid : against an excess of order.

Degree: MFA, 2018, Massey University

 The Assembly of Liquid is a creative exploration of systems in a prolonged state of irresolution. Using sculpture, electronics and installation, I am creatively investigating… (more)

Subjects/Keywords: Art and computers; Art and electronics; Installations (Art); 21st century; Exhibitions

Page 1 Page 2 Page 3 Page 4 Page 5

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

May, C. (2018). The assembly of liquid : against an excess of order. (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/15039

Chicago Manual of Style (16th Edition):

May, Cameron. “The assembly of liquid : against an excess of order.” 2018. Masters Thesis, Massey University. Accessed March 04, 2021. http://hdl.handle.net/10179/15039.

MLA Handbook (7th Edition):

May, Cameron. “The assembly of liquid : against an excess of order.” 2018. Web. 04 Mar 2021.

Vancouver:

May C. The assembly of liquid : against an excess of order. [Internet] [Masters thesis]. Massey University; 2018. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10179/15039.

Council of Science Editors:

May C. The assembly of liquid : against an excess of order. [Masters Thesis]. Massey University; 2018. Available from: http://hdl.handle.net/10179/15039


Stockholm University

20. Högström-Schnee, Linn. Treading the Timeline : A Study of the Newly Renovated Permanent Art and Design Exhibition at Nationalmuseum, Stockholm.

Degree: Culture and Aesthetics, 2018, Stockholm University

  The present study is, to my knowledge, the first investigating the newly renovated and rearranged permanent art and design exhibition at Nationalmuseum, Stockholm: The… (more)

Subjects/Keywords: art history; art museums; history of art exhibitions; museology; Nationalmuseum; permanent exhibitions; public museums; ritual structure; Art History; Konstvetenskap

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Högström-Schnee, L. (2018). Treading the Timeline : A Study of the Newly Renovated Permanent Art and Design Exhibition at Nationalmuseum, Stockholm. (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-165547

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Högström-Schnee, Linn. “Treading the Timeline : A Study of the Newly Renovated Permanent Art and Design Exhibition at Nationalmuseum, Stockholm.” 2018. Thesis, Stockholm University. Accessed March 04, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-165547.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Högström-Schnee, Linn. “Treading the Timeline : A Study of the Newly Renovated Permanent Art and Design Exhibition at Nationalmuseum, Stockholm.” 2018. Web. 04 Mar 2021.

Vancouver:

Högström-Schnee L. Treading the Timeline : A Study of the Newly Renovated Permanent Art and Design Exhibition at Nationalmuseum, Stockholm. [Internet] [Thesis]. Stockholm University; 2018. [cited 2021 Mar 04]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-165547.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Högström-Schnee L. Treading the Timeline : A Study of the Newly Renovated Permanent Art and Design Exhibition at Nationalmuseum, Stockholm. [Thesis]. Stockholm University; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-165547

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

21. Bélanger, Camille. The status of fashion: towards an autonomous existence:.

Degree: 2013, Ryerson University

 The debate on if fashion can be considered art has been a topic of discussion for many years now. This MRP looks at reasons and… (more)

Subjects/Keywords: Fashion and art; Fashion and art – -; Postmodernism; Postmodernism – -; Art museums  – Exhibitions; Art museums  – Exhibitions – -; Viktor & Rolf (Firm); Viktor & Rolf (Firm) – -; Chalayan, Hussein, 1970-  – Exhibitions; Chalayan, Hussein, 1970-  – Exhibitions – -; McQueen, Alexander, 1969-2010  – Exhibitions; McQueen, Alexander, 1969-2010  – Exhibitions – -; Aesthetics; Aesthetics – -

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APA (6th Edition):

Bélanger, C. (2013). The status of fashion: towards an autonomous existence:. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A3226

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bélanger, Camille. “The status of fashion: towards an autonomous existence:.” 2013. Thesis, Ryerson University. Accessed March 04, 2021. https://digital.library.ryerson.ca/islandora/object/RULA%3A3226.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bélanger, Camille. “The status of fashion: towards an autonomous existence:.” 2013. Web. 04 Mar 2021.

Vancouver:

Bélanger C. The status of fashion: towards an autonomous existence:. [Internet] [Thesis]. Ryerson University; 2013. [cited 2021 Mar 04]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3226.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bélanger C. The status of fashion: towards an autonomous existence:. [Thesis]. Ryerson University; 2013. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3226

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

22. Kavanagh, Anne. Private collection & public exhibition: the Art Gallery of Ontario’s Responding to Photography:.

Degree: 2014, Ryerson University

 This paper is a detailed description and analysis of the Art Gallery of Ontario’s 1984 exhibition Responding to Photography: Selected Works from Private Toronto Collections.… (more)

Subjects/Keywords: Photography, Artistic  – Canada  – Exhibitions; Photography, Artistic  – Canada  – Exhibitions – -; Photographs  – Collectors and collecting; Photographs  – Collectors and collecting – -; Art Gallery of Ontario  – Exhibitions; Art Gallery of Ontario  – Exhibitions – -

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kavanagh, A. (2014). Private collection & public exhibition: the Art Gallery of Ontario’s Responding to Photography:. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A2676

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kavanagh, Anne. “Private collection & public exhibition: the Art Gallery of Ontario’s Responding to Photography:.” 2014. Thesis, Ryerson University. Accessed March 04, 2021. https://digital.library.ryerson.ca/islandora/object/RULA%3A2676.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kavanagh, Anne. “Private collection & public exhibition: the Art Gallery of Ontario’s Responding to Photography:.” 2014. Web. 04 Mar 2021.

Vancouver:

Kavanagh A. Private collection & public exhibition: the Art Gallery of Ontario’s Responding to Photography:. [Internet] [Thesis]. Ryerson University; 2014. [cited 2021 Mar 04]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A2676.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kavanagh A. Private collection & public exhibition: the Art Gallery of Ontario’s Responding to Photography:. [Thesis]. Ryerson University; 2014. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A2676

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Lethbridge

23. Espezel, Amanda. Working from the body : subjectivity and the artistic process .

Degree: 2011, University of Lethbridge

 This paper is about the subjectivity of the body, and what this means in terms of my artistic practice. Composed in two sections, the first… (more)

Subjects/Keywords: Human figure in art; Painting; Art, Modern; Art  – Exhibitions; Installations (Art); Dissertations, Academic

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Espezel, A. (2011). Working from the body : subjectivity and the artistic process . (Thesis). University of Lethbridge. Retrieved from http://hdl.handle.net/10133/3246

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Espezel, Amanda. “Working from the body : subjectivity and the artistic process .” 2011. Thesis, University of Lethbridge. Accessed March 04, 2021. http://hdl.handle.net/10133/3246.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Espezel, Amanda. “Working from the body : subjectivity and the artistic process .” 2011. Web. 04 Mar 2021.

Vancouver:

Espezel A. Working from the body : subjectivity and the artistic process . [Internet] [Thesis]. University of Lethbridge; 2011. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10133/3246.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Espezel A. Working from the body : subjectivity and the artistic process . [Thesis]. University of Lethbridge; 2011. Available from: http://hdl.handle.net/10133/3246

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Durban University of Technology

24. Baker, Siobhan. Interpretations of the garden in the work of selected artists.

Degree: 2015, Durban University of Technology

Submitted in partial fulfillment of the requirements of the degree of Master of Technology: Fine Art, Durban University of Technology, Durban, South Africa, 2015.

This… (more)

Subjects/Keywords: Gardens in art; Metaphor in art; Pottery – South Africa – Exhibitions

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Baker, S. (2015). Interpretations of the garden in the work of selected artists. (Thesis). Durban University of Technology. Retrieved from http://hdl.handle.net/10321/1695

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baker, Siobhan. “Interpretations of the garden in the work of selected artists.” 2015. Thesis, Durban University of Technology. Accessed March 04, 2021. http://hdl.handle.net/10321/1695.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baker, Siobhan. “Interpretations of the garden in the work of selected artists.” 2015. Web. 04 Mar 2021.

Vancouver:

Baker S. Interpretations of the garden in the work of selected artists. [Internet] [Thesis]. Durban University of Technology; 2015. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10321/1695.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baker S. Interpretations of the garden in the work of selected artists. [Thesis]. Durban University of Technology; 2015. Available from: http://hdl.handle.net/10321/1695

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Colorado State University

25. Benedict, James Michael. Exhibition of twenty-three original works of art, An.

Degree: Master of Fine Arts (M.F.A.), Art, 1980, Colorado State University

 The concern of this thesis is a personal translation of light and form into an interplay of forces that animate the objects or shapes beyond… (more)

Subjects/Keywords: Art  – Exhibitions; Light in art

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APA (6th Edition):

Benedict, J. M. (1980). Exhibition of twenty-three original works of art, An. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/86805

Chicago Manual of Style (16th Edition):

Benedict, James Michael. “Exhibition of twenty-three original works of art, An.” 1980. Masters Thesis, Colorado State University. Accessed March 04, 2021. http://hdl.handle.net/10217/86805.

MLA Handbook (7th Edition):

Benedict, James Michael. “Exhibition of twenty-three original works of art, An.” 1980. Web. 04 Mar 2021.

Vancouver:

Benedict JM. Exhibition of twenty-three original works of art, An. [Internet] [Masters thesis]. Colorado State University; 1980. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10217/86805.

Council of Science Editors:

Benedict JM. Exhibition of twenty-three original works of art, An. [Masters Thesis]. Colorado State University; 1980. Available from: http://hdl.handle.net/10217/86805


AUT University

26. McIntyre, Peter Gordon. K Girl Vacant: Ethnic Identity Manufactured .

Degree: AUT University

 K GIRL VACANT is an exploration of the nature of culture, identity, and ethnicity. The project sets out to create a virtual ethnic entity and… (more)

Subjects/Keywords: Art installations; Exhibitions; Ethnicity; Art

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APA (6th Edition):

McIntyre, P. G. (n.d.). K Girl Vacant: Ethnic Identity Manufactured . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/10899

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McIntyre, Peter Gordon. “K Girl Vacant: Ethnic Identity Manufactured .” Thesis, AUT University. Accessed March 04, 2021. http://hdl.handle.net/10292/10899.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McIntyre, Peter Gordon. “K Girl Vacant: Ethnic Identity Manufactured .” Web. 04 Mar 2021.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

McIntyre PG. K Girl Vacant: Ethnic Identity Manufactured . [Internet] [Thesis]. AUT University; [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10292/10899.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

McIntyre PG. K Girl Vacant: Ethnic Identity Manufactured . [Thesis]. AUT University; Available from: http://hdl.handle.net/10292/10899

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


Montana State University

27. Goetz, Anne Elizabeth. Firewall.

Degree: MFA, College of Arts & Architecture, 1994, Montana State University

 Plaster is the one material which is common to this group of sculptures. Outside of the art world, plaster is seen simply as a building… (more)

Subjects/Keywords: Art Exhibitions.; Sculpture.; Process art.

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APA (6th Edition):

Goetz, A. E. (1994). Firewall. (Thesis). Montana State University. Retrieved from https://scholarworks.montana.edu/xmlui/handle/1/7281

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Goetz, Anne Elizabeth. “Firewall.” 1994. Thesis, Montana State University. Accessed March 04, 2021. https://scholarworks.montana.edu/xmlui/handle/1/7281.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Goetz, Anne Elizabeth. “Firewall.” 1994. Web. 04 Mar 2021.

Vancouver:

Goetz AE. Firewall. [Internet] [Thesis]. Montana State University; 1994. [cited 2021 Mar 04]. Available from: https://scholarworks.montana.edu/xmlui/handle/1/7281.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Goetz AE. Firewall. [Thesis]. Montana State University; 1994. Available from: https://scholarworks.montana.edu/xmlui/handle/1/7281

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

28. Rigg, Heather. The Public Lives Of Private Family Albums : A Case Study In Collections And Exhibitions At The Art Gallery Of Ontario And Max Dean : Album.

Degree: 2012, Ryerson University

 This thesis uses Toronto artist Max Dean's performance Max Dean: Album, produced in conjunction with the Art Gallery of Ontario, as a case study to… (more)

Subjects/Keywords: Families  – Portraits  – Exhibitions  – Social aspects; Photography of families  – Exhibitions  – Social aspects; Dean; Max; 1949-  – Exhibitions; Art Gallery of Ontario  – Photograph collections  – Exhibitions

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rigg, H. (2012). The Public Lives Of Private Family Albums : A Case Study In Collections And Exhibitions At The Art Gallery Of Ontario And Max Dean : Album. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A1919

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rigg, Heather. “The Public Lives Of Private Family Albums : A Case Study In Collections And Exhibitions At The Art Gallery Of Ontario And Max Dean : Album.” 2012. Thesis, Ryerson University. Accessed March 04, 2021. https://digital.library.ryerson.ca/islandora/object/RULA%3A1919.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rigg, Heather. “The Public Lives Of Private Family Albums : A Case Study In Collections And Exhibitions At The Art Gallery Of Ontario And Max Dean : Album.” 2012. Web. 04 Mar 2021.

Vancouver:

Rigg H. The Public Lives Of Private Family Albums : A Case Study In Collections And Exhibitions At The Art Gallery Of Ontario And Max Dean : Album. [Internet] [Thesis]. Ryerson University; 2012. [cited 2021 Mar 04]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1919.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rigg H. The Public Lives Of Private Family Albums : A Case Study In Collections And Exhibitions At The Art Gallery Of Ontario And Max Dean : Album. [Thesis]. Ryerson University; 2012. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1919

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

29. Lee, Yoon Yung. The Joseon Fine Art Exhibition under Japanese colonial rule.

Degree: 2013, University of Hong Kong

 At the turn of the twentieth century, as Japan expanded its territory by colonizing other Asian nations, the Japan-Korea Annexation Treaty was signed in 1910… (more)

Subjects/Keywords: Art, Korean - 20th century - Exhibitions; Art, Japanese - 1868- - Exhibitions

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lee, Y. Y. (2013). The Joseon Fine Art Exhibition under Japanese colonial rule. (Thesis). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/196493

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, Yoon Yung. “The Joseon Fine Art Exhibition under Japanese colonial rule.” 2013. Thesis, University of Hong Kong. Accessed March 04, 2021. http://hdl.handle.net/10722/196493.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, Yoon Yung. “The Joseon Fine Art Exhibition under Japanese colonial rule.” 2013. Web. 04 Mar 2021.

Vancouver:

Lee YY. The Joseon Fine Art Exhibition under Japanese colonial rule. [Internet] [Thesis]. University of Hong Kong; 2013. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10722/196493.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee YY. The Joseon Fine Art Exhibition under Japanese colonial rule. [Thesis]. University of Hong Kong; 2013. Available from: http://hdl.handle.net/10722/196493

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Louzada, Heloisa Olivi. Contrastes na cena artística paulistana: MAC USP e MAM SP nos anos 1970.

Degree: Mestrado, Estética e História da Arte, 2013, University of São Paulo

A arte brasileira durante a década de 1970 se destacou pelo alto grau de experimentalismo e de contestação aos cânones tanto artísticos como museológicos. As… (more)

Subjects/Keywords: Art exhibitions; Art museums; Arte conceitual; Conceptual art; Exposições; Museus se arte

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Louzada, H. O. (2013). Contrastes na cena artística paulistana: MAC USP e MAM SP nos anos 1970. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/93/93131/tde-18112013-173923/ ;

Chicago Manual of Style (16th Edition):

Louzada, Heloisa Olivi. “Contrastes na cena artística paulistana: MAC USP e MAM SP nos anos 1970.” 2013. Masters Thesis, University of São Paulo. Accessed March 04, 2021. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-18112013-173923/ ;.

MLA Handbook (7th Edition):

Louzada, Heloisa Olivi. “Contrastes na cena artística paulistana: MAC USP e MAM SP nos anos 1970.” 2013. Web. 04 Mar 2021.

Vancouver:

Louzada HO. Contrastes na cena artística paulistana: MAC USP e MAM SP nos anos 1970. [Internet] [Masters thesis]. University of São Paulo; 2013. [cited 2021 Mar 04]. Available from: http://www.teses.usp.br/teses/disponiveis/93/93131/tde-18112013-173923/ ;.

Council of Science Editors:

Louzada HO. Contrastes na cena artística paulistana: MAC USP e MAM SP nos anos 1970. [Masters Thesis]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/93/93131/tde-18112013-173923/ ;

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