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You searched for subject:(Art exchanges). Showing records 1 – 10 of 10 total matches.

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University of Texas – Austin

1. Rivera-Negrón, Verónica. Crossings / Cruces / Cruzamentos : assessing the potential for twenty first century performing arts international exchanges between the Américas.

Degree: Theatre and Dance, 2017, University of Texas – Austin

 This thesis project assesses the potential for increased performing arts international exchanges between the Américas through a research and analysis of past efforts and current resources… (more)

Subjects/Keywords: Performing arts; International exchanges; Américas; Hemispheric; Latinx art; Latin America; Caribbean; Latinoamérica; Caribe

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rivera-Negrón, V. (2017). Crossings / Cruces / Cruzamentos : assessing the potential for twenty first century performing arts international exchanges between the Américas. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/62959

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rivera-Negrón, Verónica. “Crossings / Cruces / Cruzamentos : assessing the potential for twenty first century performing arts international exchanges between the Américas.” 2017. Thesis, University of Texas – Austin. Accessed March 25, 2019. http://hdl.handle.net/2152/62959.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rivera-Negrón, Verónica. “Crossings / Cruces / Cruzamentos : assessing the potential for twenty first century performing arts international exchanges between the Américas.” 2017. Web. 25 Mar 2019.

Vancouver:

Rivera-Negrón V. Crossings / Cruces / Cruzamentos : assessing the potential for twenty first century performing arts international exchanges between the Américas. [Internet] [Thesis]. University of Texas – Austin; 2017. [cited 2019 Mar 25]. Available from: http://hdl.handle.net/2152/62959.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rivera-Negrón V. Crossings / Cruces / Cruzamentos : assessing the potential for twenty first century performing arts international exchanges between the Américas. [Thesis]. University of Texas – Austin; 2017. Available from: http://hdl.handle.net/2152/62959

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Chaplain, Caroline. Commandes artistiques et mécénat des chevaliers de l'Ordre de Malte de la langue de Provence. XVIIe - XVIIIe siècles : Artistic commissions and patronage by the knights of the Order of Malta in the langue of Provence. 17th - 18th centuries.

Degree: Docteur es, Histoire de l’art moderne, 2012, Université Paul Valéry – Montpellier III

Le chevalier de l’Ordre de Malte est à la fois un religieux et un militaire, formé aux arts de la guerre sur terre comme en… (more)

Subjects/Keywords: Ordre de Malte; Malte; Mécénat; Commande artistique; Échanges artistiques; Artistic commission; Art exchanges; Malta; Order of Malta; Patronage

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APA (6th Edition):

Chaplain, C. (2012). Commandes artistiques et mécénat des chevaliers de l'Ordre de Malte de la langue de Provence. XVIIe - XVIIIe siècles : Artistic commissions and patronage by the knights of the Order of Malta in the langue of Provence. 17th - 18th centuries. (Doctoral Dissertation). Université Paul Valéry – Montpellier III. Retrieved from http://www.theses.fr/2012MON30083

Chicago Manual of Style (16th Edition):

Chaplain, Caroline. “Commandes artistiques et mécénat des chevaliers de l'Ordre de Malte de la langue de Provence. XVIIe - XVIIIe siècles : Artistic commissions and patronage by the knights of the Order of Malta in the langue of Provence. 17th - 18th centuries.” 2012. Doctoral Dissertation, Université Paul Valéry – Montpellier III. Accessed March 25, 2019. http://www.theses.fr/2012MON30083.

MLA Handbook (7th Edition):

Chaplain, Caroline. “Commandes artistiques et mécénat des chevaliers de l'Ordre de Malte de la langue de Provence. XVIIe - XVIIIe siècles : Artistic commissions and patronage by the knights of the Order of Malta in the langue of Provence. 17th - 18th centuries.” 2012. Web. 25 Mar 2019.

Vancouver:

Chaplain C. Commandes artistiques et mécénat des chevaliers de l'Ordre de Malte de la langue de Provence. XVIIe - XVIIIe siècles : Artistic commissions and patronage by the knights of the Order of Malta in the langue of Provence. 17th - 18th centuries. [Internet] [Doctoral dissertation]. Université Paul Valéry – Montpellier III; 2012. [cited 2019 Mar 25]. Available from: http://www.theses.fr/2012MON30083.

Council of Science Editors:

Chaplain C. Commandes artistiques et mécénat des chevaliers de l'Ordre de Malte de la langue de Provence. XVIIe - XVIIIe siècles : Artistic commissions and patronage by the knights of the Order of Malta in the langue of Provence. 17th - 18th centuries. [Doctoral Dissertation]. Université Paul Valéry – Montpellier III; 2012. Available from: http://www.theses.fr/2012MON30083


Université Paris-Sorbonne – Paris IV

3. Imbert, Isabelle. La peinture de fleurs persane et indienne de la période moderne (XVIe-XVIIIe siècles) : Persian and Indian Flower Paintings during the pre-modern Era (16th-18th centuries).

Degree: Docteur es, Histoire de l'art, 2015, Université Paris-Sorbonne – Paris IV

Le présent travail porte sur les peintures de fleurs produites en Iran et en Inde entre le XVIe et le XVIIIe siècles et destinées à… (more)

Subjects/Keywords: Iran; Inde; Safavide; Moghol; Muraqqa'; Arts islamiques; Botanique; Échanges artistiques; Persia; India; Safavid; Mughal; Muraqqa; Botanical science; Islamic art; Artistic exchanges

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APA (6th Edition):

Imbert, I. (2015). La peinture de fleurs persane et indienne de la période moderne (XVIe-XVIIIe siècles) : Persian and Indian Flower Paintings during the pre-modern Era (16th-18th centuries). (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2015PA040170

Chicago Manual of Style (16th Edition):

Imbert, Isabelle. “La peinture de fleurs persane et indienne de la période moderne (XVIe-XVIIIe siècles) : Persian and Indian Flower Paintings during the pre-modern Era (16th-18th centuries).” 2015. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed March 25, 2019. http://www.theses.fr/2015PA040170.

MLA Handbook (7th Edition):

Imbert, Isabelle. “La peinture de fleurs persane et indienne de la période moderne (XVIe-XVIIIe siècles) : Persian and Indian Flower Paintings during the pre-modern Era (16th-18th centuries).” 2015. Web. 25 Mar 2019.

Vancouver:

Imbert I. La peinture de fleurs persane et indienne de la période moderne (XVIe-XVIIIe siècles) : Persian and Indian Flower Paintings during the pre-modern Era (16th-18th centuries). [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2015. [cited 2019 Mar 25]. Available from: http://www.theses.fr/2015PA040170.

Council of Science Editors:

Imbert I. La peinture de fleurs persane et indienne de la période moderne (XVIe-XVIIIe siècles) : Persian and Indian Flower Paintings during the pre-modern Era (16th-18th centuries). [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2015. Available from: http://www.theses.fr/2015PA040170

4. Pellé, Anne-Sophie. Aemulatio Italorum, la réception des estampes de Mantegna par Dürer et ses contemporains germaniques : la gravure comme agent d'émulation culturelle à la Renaissance : Aemulatio Italorum, the reception of Mantegna's engravings by Dürer and the German-speaking world : the print as medium of cultural competition in the Renaissance.

Degree: Docteur es, Histoire de l'art, 2016, Tours; Ludwig-Maximilians Universität (Munich, Allemagne)

Au début du XVIè siècle, le territoire germanique apparaît comme le foyer de réception non seulement le plus important mais aussi le plus fécond des… (more)

Subjects/Keywords: Gravure; Art germanique de la Renaissance; Art italien de la Renaissance; Transferts culturels; Échanges artistiques; Andrea Mantegna; Albrecht Dürer; Engraving; Renaissance German art; Renaissance Italian art; Cultural transfers; Artistic exchanges; Andrea Mantegna; Albrecht Dürer

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pellé, A. (2016). Aemulatio Italorum, la réception des estampes de Mantegna par Dürer et ses contemporains germaniques : la gravure comme agent d'émulation culturelle à la Renaissance : Aemulatio Italorum, the reception of Mantegna's engravings by Dürer and the German-speaking world : the print as medium of cultural competition in the Renaissance. (Doctoral Dissertation). Tours; Ludwig-Maximilians Universität (Munich, Allemagne). Retrieved from http://www.theses.fr/2016TOUR2006

Chicago Manual of Style (16th Edition):

Pellé, Anne-Sophie. “Aemulatio Italorum, la réception des estampes de Mantegna par Dürer et ses contemporains germaniques : la gravure comme agent d'émulation culturelle à la Renaissance : Aemulatio Italorum, the reception of Mantegna's engravings by Dürer and the German-speaking world : the print as medium of cultural competition in the Renaissance.” 2016. Doctoral Dissertation, Tours; Ludwig-Maximilians Universität (Munich, Allemagne). Accessed March 25, 2019. http://www.theses.fr/2016TOUR2006.

MLA Handbook (7th Edition):

Pellé, Anne-Sophie. “Aemulatio Italorum, la réception des estampes de Mantegna par Dürer et ses contemporains germaniques : la gravure comme agent d'émulation culturelle à la Renaissance : Aemulatio Italorum, the reception of Mantegna's engravings by Dürer and the German-speaking world : the print as medium of cultural competition in the Renaissance.” 2016. Web. 25 Mar 2019.

Vancouver:

Pellé A. Aemulatio Italorum, la réception des estampes de Mantegna par Dürer et ses contemporains germaniques : la gravure comme agent d'émulation culturelle à la Renaissance : Aemulatio Italorum, the reception of Mantegna's engravings by Dürer and the German-speaking world : the print as medium of cultural competition in the Renaissance. [Internet] [Doctoral dissertation]. Tours; Ludwig-Maximilians Universität (Munich, Allemagne); 2016. [cited 2019 Mar 25]. Available from: http://www.theses.fr/2016TOUR2006.

Council of Science Editors:

Pellé A. Aemulatio Italorum, la réception des estampes de Mantegna par Dürer et ses contemporains germaniques : la gravure comme agent d'émulation culturelle à la Renaissance : Aemulatio Italorum, the reception of Mantegna's engravings by Dürer and the German-speaking world : the print as medium of cultural competition in the Renaissance. [Doctoral Dissertation]. Tours; Ludwig-Maximilians Universität (Munich, Allemagne); 2016. Available from: http://www.theses.fr/2016TOUR2006

5. Giorio, Maria-Beatrice. Gli scultori italiani e la Francia : influenze e modelli francesi nella prima metà del novecento : Italian sculptors in France : french influences and models in the first mid 20th Century.

Degree: Docteur es, Histoire de l'Art, 2012, Université Paris X – Nanterre

Cette étude a analysé la présence des sculpteurs italiens à Paris du début du XX siècle à la fin des années Trente, afin de reconstituer… (more)

Subjects/Keywords: Sculpture italienne contemporaine; Italie; Échanges culturels franco-italiens; Paris; Fascisme; Expositions d’art italien; Contemporary Italian sculpture; Italy; Franco-Italian cultural exchanges; Paris; Fascism; Italian art exhibitions; 700

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APA (6th Edition):

Giorio, M. (2012). Gli scultori italiani e la Francia : influenze e modelli francesi nella prima metà del novecento : Italian sculptors in France : french influences and models in the first mid 20th Century. (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2012PA100053

Chicago Manual of Style (16th Edition):

Giorio, Maria-Beatrice. “Gli scultori italiani e la Francia : influenze e modelli francesi nella prima metà del novecento : Italian sculptors in France : french influences and models in the first mid 20th Century.” 2012. Doctoral Dissertation, Université Paris X – Nanterre. Accessed March 25, 2019. http://www.theses.fr/2012PA100053.

MLA Handbook (7th Edition):

Giorio, Maria-Beatrice. “Gli scultori italiani e la Francia : influenze e modelli francesi nella prima metà del novecento : Italian sculptors in France : french influences and models in the first mid 20th Century.” 2012. Web. 25 Mar 2019.

Vancouver:

Giorio M. Gli scultori italiani e la Francia : influenze e modelli francesi nella prima metà del novecento : Italian sculptors in France : french influences and models in the first mid 20th Century. [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2012. [cited 2019 Mar 25]. Available from: http://www.theses.fr/2012PA100053.

Council of Science Editors:

Giorio M. Gli scultori italiani e la Francia : influenze e modelli francesi nella prima metà del novecento : Italian sculptors in France : french influences and models in the first mid 20th Century. [Doctoral Dissertation]. Université Paris X – Nanterre; 2012. Available from: http://www.theses.fr/2012PA100053


Australian National University

6. Salvestro, Denise Yvonne. Printmaking by Yolngu artists of Northeast Arnhem Land: 'Another way of telling our stories' .

Degree: 2016, Australian National University

Art plays a fundamental role in the lives of the Yolngu—the Indigenous people of Northeast Arnhem Land in the Northern Territory of Australia. Knowledge of… (more)

Subjects/Keywords: printmaking; Yolngu; Aboriginal; Indigenous; cross-cultural collaboration; remote communities; culture; Yirrkala; 'both ways' learning exchanges; miny'tji; innovation; art production; mechanical reproduction; intellectual property; intellectual property; traditional knowledge; identity

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APA (6th Edition):

Salvestro, D. Y. (2016). Printmaking by Yolngu artists of Northeast Arnhem Land: 'Another way of telling our stories' . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/110680

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Salvestro, Denise Yvonne. “Printmaking by Yolngu artists of Northeast Arnhem Land: 'Another way of telling our stories' .” 2016. Thesis, Australian National University. Accessed March 25, 2019. http://hdl.handle.net/1885/110680.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Salvestro, Denise Yvonne. “Printmaking by Yolngu artists of Northeast Arnhem Land: 'Another way of telling our stories' .” 2016. Web. 25 Mar 2019.

Vancouver:

Salvestro DY. Printmaking by Yolngu artists of Northeast Arnhem Land: 'Another way of telling our stories' . [Internet] [Thesis]. Australian National University; 2016. [cited 2019 Mar 25]. Available from: http://hdl.handle.net/1885/110680.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Salvestro DY. Printmaking by Yolngu artists of Northeast Arnhem Land: 'Another way of telling our stories' . [Thesis]. Australian National University; 2016. Available from: http://hdl.handle.net/1885/110680

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Rodrigues, Vanessa. Parures et échanges au premier âge du Fer, des Pyrénées à l'Atlantique (VIIIe-Ve siècles avant JC) : Personal ornaments and exchanges in the first Iron Age of the Pyrenees to the Atlantic (8th-5th centuries BC).

Degree: Docteur es, Histoire de l'Art et Archéologie, 2016, Pau

Mon doctorat porte sur les objets de parure de l'aire atlantique méridionale de l’Europe (Portugal, Nord de l'Espagne, Aquitaine méridionale) du premier âge du Fer… (more)

Subjects/Keywords: Objet de parure; Style; Echange d'art; Réseaux d'échanges; Identités individuelles et collectives; Premier Age du Fer; Protohistoire; Personal ornaments; Style; Art exchanges; Bartering networks; Individual and collective identity; First Iron Age; Protohistory; 930.16

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APA (6th Edition):

Rodrigues, V. (2016). Parures et échanges au premier âge du Fer, des Pyrénées à l'Atlantique (VIIIe-Ve siècles avant JC) : Personal ornaments and exchanges in the first Iron Age of the Pyrenees to the Atlantic (8th-5th centuries BC). (Doctoral Dissertation). Pau. Retrieved from http://www.theses.fr/2016PAUU2017

Chicago Manual of Style (16th Edition):

Rodrigues, Vanessa. “Parures et échanges au premier âge du Fer, des Pyrénées à l'Atlantique (VIIIe-Ve siècles avant JC) : Personal ornaments and exchanges in the first Iron Age of the Pyrenees to the Atlantic (8th-5th centuries BC).” 2016. Doctoral Dissertation, Pau. Accessed March 25, 2019. http://www.theses.fr/2016PAUU2017.

MLA Handbook (7th Edition):

Rodrigues, Vanessa. “Parures et échanges au premier âge du Fer, des Pyrénées à l'Atlantique (VIIIe-Ve siècles avant JC) : Personal ornaments and exchanges in the first Iron Age of the Pyrenees to the Atlantic (8th-5th centuries BC).” 2016. Web. 25 Mar 2019.

Vancouver:

Rodrigues V. Parures et échanges au premier âge du Fer, des Pyrénées à l'Atlantique (VIIIe-Ve siècles avant JC) : Personal ornaments and exchanges in the first Iron Age of the Pyrenees to the Atlantic (8th-5th centuries BC). [Internet] [Doctoral dissertation]. Pau; 2016. [cited 2019 Mar 25]. Available from: http://www.theses.fr/2016PAUU2017.

Council of Science Editors:

Rodrigues V. Parures et échanges au premier âge du Fer, des Pyrénées à l'Atlantique (VIIIe-Ve siècles avant JC) : Personal ornaments and exchanges in the first Iron Age of the Pyrenees to the Atlantic (8th-5th centuries BC). [Doctoral Dissertation]. Pau; 2016. Available from: http://www.theses.fr/2016PAUU2017

8. Lowry, Yana. From Massenlieder to Massovaia Pesnia: Musical Exchanges between Communists and Socialists of Weimar Germany and the Early Soviet Union .

Degree: 2014, Duke University

  Group songs with direct political messages rose to enormous popularity during the interwar period (1918-1939), particularly in recently-defeated Germany and in the newly-established Soviet… (more)

Subjects/Keywords: Music; History; mass song; musical exchanges; proletarian art; propaganda music; Soviet Union; Weimar Republic

…50 Figure 2.1: Musical Exchanges Between and Within the Weimar Republic and the USSR… …Weill, felt the need to justify the usefulness of their art for the public, even to bridge the… …art music). The proponents of either movement in music continuously engaged in debates… …Sachlichkeit (New Objectivity), a term, though born of art history, soon had a sonic… …be identified as true proletarian art, distinct from anything else that came before it… 

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APA (6th Edition):

Lowry, Y. (2014). From Massenlieder to Massovaia Pesnia: Musical Exchanges between Communists and Socialists of Weimar Germany and the Early Soviet Union . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/8695

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lowry, Yana. “From Massenlieder to Massovaia Pesnia: Musical Exchanges between Communists and Socialists of Weimar Germany and the Early Soviet Union .” 2014. Thesis, Duke University. Accessed March 25, 2019. http://hdl.handle.net/10161/8695.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lowry, Yana. “From Massenlieder to Massovaia Pesnia: Musical Exchanges between Communists and Socialists of Weimar Germany and the Early Soviet Union .” 2014. Web. 25 Mar 2019.

Vancouver:

Lowry Y. From Massenlieder to Massovaia Pesnia: Musical Exchanges between Communists and Socialists of Weimar Germany and the Early Soviet Union . [Internet] [Thesis]. Duke University; 2014. [cited 2019 Mar 25]. Available from: http://hdl.handle.net/10161/8695.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lowry Y. From Massenlieder to Massovaia Pesnia: Musical Exchanges between Communists and Socialists of Weimar Germany and the Early Soviet Union . [Thesis]. Duke University; 2014. Available from: http://hdl.handle.net/10161/8695

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

9. Pérez-Rementería, Dinorah. Osvaldo Sánchez's Art Criticism: An Aesthetics of Reconciliation.

Degree: MA, Latin American Studies (Arts and Sciences), 2010, University of Miami

 Aesthetic criticism very often has been overlooked and considered a lesser form. However, many interpretations, applications and discernments can be obtained from this kind of… (more)

Subjects/Keywords: Architecture With Words; Harmonization Of Colors; Detachment; Experiential Visions; Playful Interstices; Creative Act; Evaporating; Processes Of Interaction; Ordinary; Exchanges; Interchangeability Of Things; Ephemeral Condition; Formas Brutas; Spontaneous Art Criticism; Revelations; A Chance Reconciliation; Heuristic Force; Experiencing Subject; Freedom; Disinterested Journey

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APA (6th Edition):

Pérez-Rementería, D. (2010). Osvaldo Sánchez's Art Criticism: An Aesthetics of Reconciliation. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/16

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pérez-Rementería, Dinorah. “Osvaldo Sánchez's Art Criticism: An Aesthetics of Reconciliation.” 2010. Thesis, University of Miami. Accessed March 25, 2019. https://scholarlyrepository.miami.edu/oa_theses/16.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pérez-Rementería, Dinorah. “Osvaldo Sánchez's Art Criticism: An Aesthetics of Reconciliation.” 2010. Web. 25 Mar 2019.

Vancouver:

Pérez-Rementería D. Osvaldo Sánchez's Art Criticism: An Aesthetics of Reconciliation. [Internet] [Thesis]. University of Miami; 2010. [cited 2019 Mar 25]. Available from: https://scholarlyrepository.miami.edu/oa_theses/16.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pérez-Rementería D. Osvaldo Sánchez's Art Criticism: An Aesthetics of Reconciliation. [Thesis]. University of Miami; 2010. Available from: https://scholarlyrepository.miami.edu/oa_theses/16

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Maraszak, Emilie. Figures et motifs des croisades : étude des manuscrits de l'Histoire ancienne jusqu'à César, Saint-Jean-d'Acre, 1260-1291 : Illuminated Manuscripts of the Crusades : the Histoire Ancienne jusqu’à César, Saint Jean d’Acre, 1260-1291.

Degree: Docteur es, Histoire arts, 2013, Université de Bourgogne

Les États latins d’Orient ont vu la création d’une société en Terre sainte développant un art syncrétique au carrefour des mondes latin, byzantin et arabe.… (more)

Subjects/Keywords: Croisades; États latins d’Orient; Échanges culturels et artistiques Orient/Occident; Syncrétisme; Art croisé (architecture militaire et religieuse, manuscrits enluminés, mosaïques, icônes, peintures murales, sculpture); Historiographie de la croisade et de l’art croisé; Manuscrits croisés; Crusades; Crusader States; Cultural and artistic exchanges between the Orient and the West; Syncretism; Crusader Art (military and religious architecture, metalwork, illuminated manuscripts, mosaics, icons, panel paintings, frescoes, sculptures); Historiography of the crusades and crusader art; Crusader manuscripts; 750; 760

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APA (6th Edition):

Maraszak, E. (2013). Figures et motifs des croisades : étude des manuscrits de l'Histoire ancienne jusqu'à César, Saint-Jean-d'Acre, 1260-1291 : Illuminated Manuscripts of the Crusades : the Histoire Ancienne jusqu’à César, Saint Jean d’Acre, 1260-1291. (Doctoral Dissertation). Université de Bourgogne. Retrieved from http://www.theses.fr/2013DIJOL014

Chicago Manual of Style (16th Edition):

Maraszak, Emilie. “Figures et motifs des croisades : étude des manuscrits de l'Histoire ancienne jusqu'à César, Saint-Jean-d'Acre, 1260-1291 : Illuminated Manuscripts of the Crusades : the Histoire Ancienne jusqu’à César, Saint Jean d’Acre, 1260-1291.” 2013. Doctoral Dissertation, Université de Bourgogne. Accessed March 25, 2019. http://www.theses.fr/2013DIJOL014.

MLA Handbook (7th Edition):

Maraszak, Emilie. “Figures et motifs des croisades : étude des manuscrits de l'Histoire ancienne jusqu'à César, Saint-Jean-d'Acre, 1260-1291 : Illuminated Manuscripts of the Crusades : the Histoire Ancienne jusqu’à César, Saint Jean d’Acre, 1260-1291.” 2013. Web. 25 Mar 2019.

Vancouver:

Maraszak E. Figures et motifs des croisades : étude des manuscrits de l'Histoire ancienne jusqu'à César, Saint-Jean-d'Acre, 1260-1291 : Illuminated Manuscripts of the Crusades : the Histoire Ancienne jusqu’à César, Saint Jean d’Acre, 1260-1291. [Internet] [Doctoral dissertation]. Université de Bourgogne; 2013. [cited 2019 Mar 25]. Available from: http://www.theses.fr/2013DIJOL014.

Council of Science Editors:

Maraszak E. Figures et motifs des croisades : étude des manuscrits de l'Histoire ancienne jusqu'à César, Saint-Jean-d'Acre, 1260-1291 : Illuminated Manuscripts of the Crusades : the Histoire Ancienne jusqu’à César, Saint Jean d’Acre, 1260-1291. [Doctoral Dissertation]. Université de Bourgogne; 2013. Available from: http://www.theses.fr/2013DIJOL014

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