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You searched for subject:(Art AND Interpretation). Showing records 181 – 210 of 261 total matches.

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University of KwaZulu-Natal

181. [No author]. South African history painting : reinterpretation by women artists.

Degree: Fine art, 1996, University of KwaZulu-Natal

 The title of this thesis 'South African History Painting : Reinterpretation By Women Artists' indicated that the focus was to be on South African history… (more)

Subjects/Keywords: Printmakers – South Africa.; Women painters – South Africa.; Fine art.; Siopis, Penelope, 1953-  – Criticism and interpretation.; Skotnes, Pippa, 1957-  – Criticism and interpretation.; Women artists – South Africa.; San (African People) in art.; Art and history – South Africa.; Women and art – South Africa.; Art, Modern – 20Th Century – South Africa.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

author], [. (1996). South African history painting : reinterpretation by women artists. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/5723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “South African history painting : reinterpretation by women artists. ” 1996. Thesis, University of KwaZulu-Natal. Accessed October 14, 2019. http://hdl.handle.net/10413/5723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “South African history painting : reinterpretation by women artists. ” 1996. Web. 14 Oct 2019.

Vancouver:

author] [. South African history painting : reinterpretation by women artists. [Internet] [Thesis]. University of KwaZulu-Natal; 1996. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10413/5723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. South African history painting : reinterpretation by women artists. [Thesis]. University of KwaZulu-Natal; 1996. Available from: http://hdl.handle.net/10413/5723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

182. Cengel, Lauren Marie. Making Meaning and Connections: A Study of the Interpretation and Education Practices for the Medieval Collection at the Cleveland Museum of Art.

Degree: MA, College of Arts and Sciences / Department of History, 2014, Kent State University

 For nearly a century, Ohio's Cleveland Museum of Art has stood as a world-renowned collector of works of art from all corners of the earth,… (more)

Subjects/Keywords: Art History; Art Education; Education; Educational Technology; History; Information Science; Medieval History; Middle Ages; Museum Studies; Museums; Museum; museum education; interpretation; museum interpretation; Cleveland Museum of Art; resinstallation; museum reinstallation; Middle Ages; medieval; medieval art; art museums; museology

…5 University, and the Art Institute of Chicago are among the few that have had the… …musealia” (an object within a museum).11 This can be applied to the medieval art at the… …CMA also took the approach of refreshing interpretation to make the collections more… …2011): 171. 14 Internal documents, Cleveland Museum of Art. ArtLens and Gallery One are… …own. Further, definitions of the ideas of “interpretation” and “education” as they pertain… 

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APA (6th Edition):

Cengel, L. M. (2014). Making Meaning and Connections: A Study of the Interpretation and Education Practices for the Medieval Collection at the Cleveland Museum of Art. (Masters Thesis). Kent State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=kent1397568655

Chicago Manual of Style (16th Edition):

Cengel, Lauren Marie. “Making Meaning and Connections: A Study of the Interpretation and Education Practices for the Medieval Collection at the Cleveland Museum of Art.” 2014. Masters Thesis, Kent State University. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1397568655.

MLA Handbook (7th Edition):

Cengel, Lauren Marie. “Making Meaning and Connections: A Study of the Interpretation and Education Practices for the Medieval Collection at the Cleveland Museum of Art.” 2014. Web. 14 Oct 2019.

Vancouver:

Cengel LM. Making Meaning and Connections: A Study of the Interpretation and Education Practices for the Medieval Collection at the Cleveland Museum of Art. [Internet] [Masters thesis]. Kent State University; 2014. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1397568655.

Council of Science Editors:

Cengel LM. Making Meaning and Connections: A Study of the Interpretation and Education Practices for the Medieval Collection at the Cleveland Museum of Art. [Masters Thesis]. Kent State University; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1397568655


Rhodes University

183. Taggart, Emma. Corporeal identification in selected works by Berni Searle.

Degree: Faculty of Humanities, Fine Art, 2008, Rhodes University

Through a detailed analysis of a selection of works produced between 1999 and 2003 by the South African artist Berni Searle, this thesis explores the… (more)

Subjects/Keywords: Searle, Berni; Lacan, Jacques, 1901-1981  – Criticism and interpretation; Merleau-Ponty, Maurice, 1908-1961  – Criticism and interpretation; Women artists  – South Africa; Body art  – South Africa; Self-portraits

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APA (6th Edition):

Taggart, E. (2008). Corporeal identification in selected works by Berni Searle. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1004576

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Taggart, Emma. “Corporeal identification in selected works by Berni Searle.” 2008. Thesis, Rhodes University. Accessed October 14, 2019. http://hdl.handle.net/10962/d1004576.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Taggart, Emma. “Corporeal identification in selected works by Berni Searle.” 2008. Web. 14 Oct 2019.

Vancouver:

Taggart E. Corporeal identification in selected works by Berni Searle. [Internet] [Thesis]. Rhodes University; 2008. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10962/d1004576.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Taggart E. Corporeal identification in selected works by Berni Searle. [Thesis]. Rhodes University; 2008. Available from: http://hdl.handle.net/10962/d1004576

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Deakin University

184. Walker, Deborah. Giorgio de Chirico and the idea of enigmatic imagery : the innocence of becoming.

Degree: School of Contemporary Arts, 2002, Deakin University

 My paintings emerge from within a context best explained by reference to Nietzsche's perspectivism. That is an intellectual attitude that deprivileges rationalism and accommodates scepticism… (more)

Subjects/Keywords: De Chirico, Giorgio, 1888- - Criticism and interpretation; Nietzsche, Friedrich Wilhelm, 1844-1900 - Contributions in art and architecture; Walker, Deborah - Criticism and interpretation

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APA (6th Edition):

Walker, D. (2002). Giorgio de Chirico and the idea of enigmatic imagery : the innocence of becoming. (Thesis). Deakin University. Retrieved from http://hdl.handle.net/10536/DRO/DU:30023114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walker, Deborah. “Giorgio de Chirico and the idea of enigmatic imagery : the innocence of becoming.” 2002. Thesis, Deakin University. Accessed October 14, 2019. http://hdl.handle.net/10536/DRO/DU:30023114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walker, Deborah. “Giorgio de Chirico and the idea of enigmatic imagery : the innocence of becoming.” 2002. Web. 14 Oct 2019.

Vancouver:

Walker D. Giorgio de Chirico and the idea of enigmatic imagery : the innocence of becoming. [Internet] [Thesis]. Deakin University; 2002. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10536/DRO/DU:30023114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walker D. Giorgio de Chirico and the idea of enigmatic imagery : the innocence of becoming. [Thesis]. Deakin University; 2002. Available from: http://hdl.handle.net/10536/DRO/DU:30023114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

185. Miller, Clare. An analysis of "The Lost art of letter writing" by Brett Dean .

Degree: 2010, University of Sydney

Subjects/Keywords: Dean, Brett.; Dean, Brett. Lost art of letter writing.; Dean, Brett.  – Criticism and interpretation.; Concertos (Violin)  – Analysis, appreciation; Concertos (Violin)  – Criticism and interpretation

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APA (6th Edition):

Miller, C. (2010). An analysis of "The Lost art of letter writing" by Brett Dean . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/8598

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miller, Clare. “An analysis of "The Lost art of letter writing" by Brett Dean .” 2010. Thesis, University of Sydney. Accessed October 14, 2019. http://hdl.handle.net/2123/8598.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miller, Clare. “An analysis of "The Lost art of letter writing" by Brett Dean .” 2010. Web. 14 Oct 2019.

Vancouver:

Miller C. An analysis of "The Lost art of letter writing" by Brett Dean . [Internet] [Thesis]. University of Sydney; 2010. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/2123/8598.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miller C. An analysis of "The Lost art of letter writing" by Brett Dean . [Thesis]. University of Sydney; 2010. Available from: http://hdl.handle.net/2123/8598

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan State University

186. Broughton, Bonnie J. (Bonnie Jean). The Künstlerproblematik and the meaning and function of art in works by Hugo von Hofmannsthal and Thomas Mann.

Degree: MA, Department of Linguistics and Languages, 2001, Michigan State University

Subjects/Keywords: Hofmannsthal, Hugo von, 1874-1929 – Criticism and interpretation; Mann, Thomas, 1875-1955 – Criticism and interpretation; Art in literature; Language and culture; Modernism (Literature) – Austria; Modernism (Literature) – Germany

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APA (6th Edition):

Broughton, B. J. (. J. (2001). The Künstlerproblematik and the meaning and function of art in works by Hugo von Hofmannsthal and Thomas Mann. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:30943

Chicago Manual of Style (16th Edition):

Broughton, Bonnie J (Bonnie Jean). “The Künstlerproblematik and the meaning and function of art in works by Hugo von Hofmannsthal and Thomas Mann.” 2001. Masters Thesis, Michigan State University. Accessed October 14, 2019. http://etd.lib.msu.edu/islandora/object/etd:30943.

MLA Handbook (7th Edition):

Broughton, Bonnie J (Bonnie Jean). “The Künstlerproblematik and the meaning and function of art in works by Hugo von Hofmannsthal and Thomas Mann.” 2001. Web. 14 Oct 2019.

Vancouver:

Broughton BJ(J. The Künstlerproblematik and the meaning and function of art in works by Hugo von Hofmannsthal and Thomas Mann. [Internet] [Masters thesis]. Michigan State University; 2001. [cited 2019 Oct 14]. Available from: http://etd.lib.msu.edu/islandora/object/etd:30943.

Council of Science Editors:

Broughton BJ(J. The Künstlerproblematik and the meaning and function of art in works by Hugo von Hofmannsthal and Thomas Mann. [Masters Thesis]. Michigan State University; 2001. Available from: http://etd.lib.msu.edu/islandora/object/etd:30943


University of KwaZulu-Natal

187. [No author]. Inherent ecology : an examination of sculpture by Walter Oltmann, Andries Botha and Paul Edmunds.

Degree: Fine art, 1995, University of KwaZulu-Natal

 I begin by describing Western culture in the way proposed by Fritjof Capra whose ideas remain seminal to my argument throughout this examination. I argue… (more)

Subjects/Keywords: Oltmann, Walter, 1960-  – Criticism and Interpretation.; Botha, Andries Johannes, 1952-  – Criticism and Interpretation.; Edmunds, Paul Jonathan – Criticism and Interpretation.; Nature (Aesthetics).; Ecology.; Sculpture, Modern – 20Th Century.; Sculptors – South Africa.; Sculpture, South African.; Edmunds, Paul Jonathan.; Fine art.

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APA (6th Edition):

author], [. (1995). Inherent ecology : an examination of sculpture by Walter Oltmann, Andries Botha and Paul Edmunds. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/5990

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Inherent ecology : an examination of sculpture by Walter Oltmann, Andries Botha and Paul Edmunds. ” 1995. Thesis, University of KwaZulu-Natal. Accessed October 14, 2019. http://hdl.handle.net/10413/5990.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Inherent ecology : an examination of sculpture by Walter Oltmann, Andries Botha and Paul Edmunds. ” 1995. Web. 14 Oct 2019.

Vancouver:

author] [. Inherent ecology : an examination of sculpture by Walter Oltmann, Andries Botha and Paul Edmunds. [Internet] [Thesis]. University of KwaZulu-Natal; 1995. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10413/5990.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Inherent ecology : an examination of sculpture by Walter Oltmann, Andries Botha and Paul Edmunds. [Thesis]. University of KwaZulu-Natal; 1995. Available from: http://hdl.handle.net/10413/5990

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

188. Gage, Darren. Visual art made musical: issues of shape, proportion and large-scale form in Escher sketches.

Degree: PhD, Music, 2008, Rutgers University

This dissertation examines the relationship between the orchestral work, Escher Sketches, and the two graphic prints by M.C. Escher on which its music is based,… (more)

Subjects/Keywords: Escher, M. C. (Maurits Cornelis), 1898-1972. Regelmatige vlakverdeling. I – Criticism and interpretation; Escher, M. C. (Maurits Cornelis), 1898-1972. Regelmatige vlakverdeling. VI – Criticism and interpretation; Art and music; Music in art

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APA (6th Edition):

Gage, D. (2008). Visual art made musical: issues of shape, proportion and large-scale form in Escher sketches. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17312

Chicago Manual of Style (16th Edition):

Gage, Darren. “Visual art made musical: issues of shape, proportion and large-scale form in Escher sketches.” 2008. Doctoral Dissertation, Rutgers University. Accessed October 14, 2019. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17312.

MLA Handbook (7th Edition):

Gage, Darren. “Visual art made musical: issues of shape, proportion and large-scale form in Escher sketches.” 2008. Web. 14 Oct 2019.

Vancouver:

Gage D. Visual art made musical: issues of shape, proportion and large-scale form in Escher sketches. [Internet] [Doctoral dissertation]. Rutgers University; 2008. [cited 2019 Oct 14]. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17312.

Council of Science Editors:

Gage D. Visual art made musical: issues of shape, proportion and large-scale form in Escher sketches. [Doctoral Dissertation]. Rutgers University; 2008. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17312


University of Florida

189. Davies, Thomas James, 1958-. Negativity and mediation in Adorno's literary aesthetic.

Degree: University of Florida

Subjects/Keywords: Aesthetic judgment; Aesthetics; Art objects; Arts organizations; Dialectic; Empiricism; Hats; Modernist art; Musical aesthetics; Poetry; Adorno, Theodor W.  – Criticism and interpretation  – 1903-1969; Literature  – Aesthetics

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APA (6th Edition):

Davies, Thomas James, 1. (n.d.). Negativity and mediation in Adorno's literary aesthetic. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UF00102769

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Davies, Thomas James, 1958-. “Negativity and mediation in Adorno's literary aesthetic.” Thesis, University of Florida. Accessed October 14, 2019. http://ufdc.ufl.edu/UF00102769.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Davies, Thomas James, 1958-. “Negativity and mediation in Adorno's literary aesthetic.” Web. 14 Oct 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Davies, Thomas James 1. Negativity and mediation in Adorno's literary aesthetic. [Internet] [Thesis]. University of Florida; [cited 2019 Oct 14]. Available from: http://ufdc.ufl.edu/UF00102769.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Davies, Thomas James 1. Negativity and mediation in Adorno's literary aesthetic. [Thesis]. University of Florida; Available from: http://ufdc.ufl.edu/UF00102769

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


Montana Tech

190. Smith, Edgar W. Pieter Bruegel's The Beekeepers| Protestants, Catholics, birds, and bees| Beehive rustling on the low plains of Flanders.

Degree: MA, 2004, Montana Tech

Subjects/Keywords: Bruegel; Pieter; ca. 1525-1569. Bee keepers; Bruegel; Pieter; ca. 1525-1569 Criticism and interpretation; Art History; Peasants in art; Artists; Flemish 16th century

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APA (6th Edition):

Smith, E. W. (2004). Pieter Bruegel's The Beekeepers| Protestants, Catholics, birds, and bees| Beehive rustling on the low plains of Flanders. (Masters Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/3222

Chicago Manual of Style (16th Edition):

Smith, Edgar W. “Pieter Bruegel's The Beekeepers| Protestants, Catholics, birds, and bees| Beehive rustling on the low plains of Flanders.” 2004. Masters Thesis, Montana Tech. Accessed October 14, 2019. https://scholarworks.umt.edu/etd/3222.

MLA Handbook (7th Edition):

Smith, Edgar W. “Pieter Bruegel's The Beekeepers| Protestants, Catholics, birds, and bees| Beehive rustling on the low plains of Flanders.” 2004. Web. 14 Oct 2019.

Vancouver:

Smith EW. Pieter Bruegel's The Beekeepers| Protestants, Catholics, birds, and bees| Beehive rustling on the low plains of Flanders. [Internet] [Masters thesis]. Montana Tech; 2004. [cited 2019 Oct 14]. Available from: https://scholarworks.umt.edu/etd/3222.

Council of Science Editors:

Smith EW. Pieter Bruegel's The Beekeepers| Protestants, Catholics, birds, and bees| Beehive rustling on the low plains of Flanders. [Masters Thesis]. Montana Tech; 2004. Available from: https://scholarworks.umt.edu/etd/3222


McGill University

191. Mulley, Elizabeth. Women and children in context : Laura Muntz and representation of maternity.

Degree: PhD, Department of Art History., 2000, McGill University

 This thesis is concerned with several aspects of the life and work of the Canadian painter Laura Muntz (1860 – 1930). It examines in particular Muntz's… (more)

Subjects/Keywords: Muntz, Laura  – Criticism and interpretation.; Painting, Canadian  – 19th century.; Painting, Canadian  – 20th century.; Women in art.; Children in art.; Painters  – Canada  – Biography.

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APA (6th Edition):

Mulley, E. (2000). Women and children in context : Laura Muntz and representation of maternity. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile36781.pdf

Chicago Manual of Style (16th Edition):

Mulley, Elizabeth. “Women and children in context : Laura Muntz and representation of maternity.” 2000. Doctoral Dissertation, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile36781.pdf.

MLA Handbook (7th Edition):

Mulley, Elizabeth. “Women and children in context : Laura Muntz and representation of maternity.” 2000. Web. 14 Oct 2019.

Vancouver:

Mulley E. Women and children in context : Laura Muntz and representation of maternity. [Internet] [Doctoral dissertation]. McGill University; 2000. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile36781.pdf.

Council of Science Editors:

Mulley E. Women and children in context : Laura Muntz and representation of maternity. [Doctoral Dissertation]. McGill University; 2000. Available from: http://digitool.library.mcgill.ca/thesisfile36781.pdf


McGill University

192. Boetzkes, Amanda. Berlin in disorder : the representation of nature in the works of George Grosz.

Degree: MA, Department of Art History and Communication Studies., 2002, McGill University

 George Grosz's paintings and drawings of Berlin during the Weimar period demonstrate a complex matrix of tensions between nature and the urban experience. In his… (more)

Subjects/Keywords: Grosz, George, 1893-1959  – Criticism and interpretation; Berlin (Germany)  – In art; Germany  – History  – 1918-1933  – Caricatures and cartoons; Neue Sachlichkeit (Art)  – Germany

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APA (6th Edition):

Boetzkes, A. (2002). Berlin in disorder : the representation of nature in the works of George Grosz. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile79288.pdf

Chicago Manual of Style (16th Edition):

Boetzkes, Amanda. “Berlin in disorder : the representation of nature in the works of George Grosz.” 2002. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile79288.pdf.

MLA Handbook (7th Edition):

Boetzkes, Amanda. “Berlin in disorder : the representation of nature in the works of George Grosz.” 2002. Web. 14 Oct 2019.

Vancouver:

Boetzkes A. Berlin in disorder : the representation of nature in the works of George Grosz. [Internet] [Masters thesis]. McGill University; 2002. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile79288.pdf.

Council of Science Editors:

Boetzkes A. Berlin in disorder : the representation of nature in the works of George Grosz. [Masters Thesis]. McGill University; 2002. Available from: http://digitool.library.mcgill.ca/thesisfile79288.pdf


McGill University

193. Currie, Morgan. Signifying the supernatural : ineffable presence in Bernini's Altieri chapel.

Degree: MA, Department of Art History., 1999, McGill University

Gianlorenzo Bernini's Altieri Chapel possesses an aesthetic splendour that continues to captivate modern viewers. However, despite the recent publication of Shelly Karen Perlove and Giovanni… (more)

Subjects/Keywords: Bernini, Gian Lorenzo, 1598-1680  – Criticism and interpretation.; Altieri Chapel.; Ineffable, The, in art.; Christian art and symbolism  – Italy  – Rome  – Modern period, 1500-

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APA (6th Edition):

Currie, M. (1999). Signifying the supernatural : ineffable presence in Bernini's Altieri chapel. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile21204.pdf

Chicago Manual of Style (16th Edition):

Currie, Morgan. “Signifying the supernatural : ineffable presence in Bernini's Altieri chapel.” 1999. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile21204.pdf.

MLA Handbook (7th Edition):

Currie, Morgan. “Signifying the supernatural : ineffable presence in Bernini's Altieri chapel.” 1999. Web. 14 Oct 2019.

Vancouver:

Currie M. Signifying the supernatural : ineffable presence in Bernini's Altieri chapel. [Internet] [Masters thesis]. McGill University; 1999. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile21204.pdf.

Council of Science Editors:

Currie M. Signifying the supernatural : ineffable presence in Bernini's Altieri chapel. [Masters Thesis]. McGill University; 1999. Available from: http://digitool.library.mcgill.ca/thesisfile21204.pdf


Duquesne University

194. Pfahl, Courtney. [un]Defining Poetry: The Poetry of René Magritte and Art of Steve McCaffery.

Degree: MA, English, 2007, Duquesne University

 This thesis explores René Magritte's paintings that include words and Steve McCaffery's visual "poetry," both of which challenge the distinction between poetry and art, and… (more)

Subjects/Keywords: Abstract Art; Concrete Poetry; Empty Mask; Interpretation of Dreams; Modern Art; Semiotics; Surrealism; This is not a Pipe; Toronto Reading Group (TRG; Treachery of Images; Xeroxography

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APA (6th Edition):

Pfahl, C. (2007). [un]Defining Poetry: The Poetry of René Magritte and Art of Steve McCaffery. (Thesis). Duquesne University. Retrieved from https://dsc.duq.edu/etd/1559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pfahl, Courtney. “[un]Defining Poetry: The Poetry of René Magritte and Art of Steve McCaffery.” 2007. Thesis, Duquesne University. Accessed October 14, 2019. https://dsc.duq.edu/etd/1559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pfahl, Courtney. “[un]Defining Poetry: The Poetry of René Magritte and Art of Steve McCaffery.” 2007. Web. 14 Oct 2019.

Vancouver:

Pfahl C. [un]Defining Poetry: The Poetry of René Magritte and Art of Steve McCaffery. [Internet] [Thesis]. Duquesne University; 2007. [cited 2019 Oct 14]. Available from: https://dsc.duq.edu/etd/1559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pfahl C. [un]Defining Poetry: The Poetry of René Magritte and Art of Steve McCaffery. [Thesis]. Duquesne University; 2007. Available from: https://dsc.duq.edu/etd/1559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

195. Jerkic, Adrijana. Interpretation of Iconography and Iconography of Interpretation: Uncovering La Malinche.

Degree: MA -MA, Translation Studies, 2015, York University

 In historiography, the interpreters or translators who accompanied the principal actors in historic events have scarce presence in written or visual accounts. La Malinche, an… (more)

Subjects/Keywords: Language; Art history; Latin American history; La Malinche; Interpretation; History of Interpreting; Art History; Translation Studies; Critical Discourse Analysis

…coloniser and the colonised. Translation and interpretation have always been an indispensable… …register of Nahuatl used for diplomatic purposes.1 At first, she performed relay interpretation… …fidelity' in the interpretation process because, as Anthony Pym would put it, "… …subject through the lens of Art History and Translation Studies3. This would allow us to look at… …important to study La Malinche both from Art History and Translation Studies perspectives for… 

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APA (6th Edition):

Jerkic, A. (2015). Interpretation of Iconography and Iconography of Interpretation: Uncovering La Malinche. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/30067

Chicago Manual of Style (16th Edition):

Jerkic, Adrijana. “Interpretation of Iconography and Iconography of Interpretation: Uncovering La Malinche.” 2015. Masters Thesis, York University. Accessed October 14, 2019. http://hdl.handle.net/10315/30067.

MLA Handbook (7th Edition):

Jerkic, Adrijana. “Interpretation of Iconography and Iconography of Interpretation: Uncovering La Malinche.” 2015. Web. 14 Oct 2019.

Vancouver:

Jerkic A. Interpretation of Iconography and Iconography of Interpretation: Uncovering La Malinche. [Internet] [Masters thesis]. York University; 2015. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10315/30067.

Council of Science Editors:

Jerkic A. Interpretation of Iconography and Iconography of Interpretation: Uncovering La Malinche. [Masters Thesis]. York University; 2015. Available from: http://hdl.handle.net/10315/30067


University of North Texas

196. Mock, Melody. Hojas Volantes: José Guadalupe Posada, the Corrido, and the Mexican Revolution.

Degree: 1996, University of North Texas

 This thesis examines the imagery of Jose Guadalupe Posada in the context of the Mexican Revolution with particular reference to the corrido as a major… (more)

Subjects/Keywords: José Guadalupe Posada; Mexican Revolution; corrido; art; Posada, José Guadalupe, 1852-1913  – Criticism and interpretation.; Mexico  – History  – Revolution, 1910-1920  – Art and the revolution.; Corridos  – Mexico.

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APA (6th Edition):

Mock, M. (1996). Hojas Volantes: José Guadalupe Posada, the Corrido, and the Mexican Revolution. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277946/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mock, Melody. “Hojas Volantes: José Guadalupe Posada, the Corrido, and the Mexican Revolution.” 1996. Thesis, University of North Texas. Accessed October 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc277946/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mock, Melody. “Hojas Volantes: José Guadalupe Posada, the Corrido, and the Mexican Revolution.” 1996. Web. 14 Oct 2019.

Vancouver:

Mock M. Hojas Volantes: José Guadalupe Posada, the Corrido, and the Mexican Revolution. [Internet] [Thesis]. University of North Texas; 1996. [cited 2019 Oct 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277946/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mock M. Hojas Volantes: José Guadalupe Posada, the Corrido, and the Mexican Revolution. [Thesis]. University of North Texas; 1996. Available from: https://digital.library.unt.edu/ark:/67531/metadc277946/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Deakin University

197. Walker, Deborah. Giorgio de Chirico and the idea of enigmatic imagery: The innocence of becoming.

Degree: 2002, Deakin University

 My paintings emerge from within a context best explained by reference to Nietzsche's perspectivism. That is an intellectual attitude that deprivileges rationalism and accommodates scepticism… (more)

Subjects/Keywords: Giorgio De Chirico; Freidrich Wilhelm Nietzsche; criticism and interpretation; contributions in art and architecture

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APA (6th Edition):

Walker, D. (2002). Giorgio de Chirico and the idea of enigmatic imagery: The innocence of becoming. (Thesis). Deakin University. Retrieved from http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.104950

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walker, Deborah. “Giorgio de Chirico and the idea of enigmatic imagery: The innocence of becoming.” 2002. Thesis, Deakin University. Accessed October 14, 2019. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.104950.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walker, Deborah. “Giorgio de Chirico and the idea of enigmatic imagery: The innocence of becoming.” 2002. Web. 14 Oct 2019.

Vancouver:

Walker D. Giorgio de Chirico and the idea of enigmatic imagery: The innocence of becoming. [Internet] [Thesis]. Deakin University; 2002. [cited 2019 Oct 14]. Available from: http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.104950.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walker D. Giorgio de Chirico and the idea of enigmatic imagery: The innocence of becoming. [Thesis]. Deakin University; 2002. Available from: http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.104950

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Alberta

198. Deltcheva, Roumiana. The Russian cultural presence in the works of Woody Allen.

Degree: PhD, Department of Comparative Literature, Religion, and Film/Media Studies, 1999, University of Alberta

Subjects/Keywords: Comparative literature – Russian and American.; Allen, Woody, 1935-  – Criticism and interpretation.; Comparative literature – American and Russian.; Art, Russian – Influence.

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APA (6th Edition):

Deltcheva, R. (1999). The Russian cultural presence in the works of Woody Allen. (Doctoral Dissertation). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/mg74qn89t

Chicago Manual of Style (16th Edition):

Deltcheva, Roumiana. “The Russian cultural presence in the works of Woody Allen.” 1999. Doctoral Dissertation, University of Alberta. Accessed October 14, 2019. https://era.library.ualberta.ca/files/mg74qn89t.

MLA Handbook (7th Edition):

Deltcheva, Roumiana. “The Russian cultural presence in the works of Woody Allen.” 1999. Web. 14 Oct 2019.

Vancouver:

Deltcheva R. The Russian cultural presence in the works of Woody Allen. [Internet] [Doctoral dissertation]. University of Alberta; 1999. [cited 2019 Oct 14]. Available from: https://era.library.ualberta.ca/files/mg74qn89t.

Council of Science Editors:

Deltcheva R. The Russian cultural presence in the works of Woody Allen. [Doctoral Dissertation]. University of Alberta; 1999. Available from: https://era.library.ualberta.ca/files/mg74qn89t


University of KwaZulu-Natal

199. [No author]. The animal dimension : an investigation into the signification of animals in Homer and archaic Attic black figure vase painting.

Degree: Classics, 2000, University of KwaZulu-Natal

 The aim of this dissertation was to investigate the representation of specific types of animals as they occurred in Homer and archaic Attic black figure… (more)

Subjects/Keywords: Homer – Criticism and Interpretation.; Vase-Painting, Greek – Greece – Athens.; Animals in literature.; Animals in art.; Classics.

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APA (6th Edition):

author], [. (2000). The animal dimension : an investigation into the signification of animals in Homer and archaic Attic black figure vase painting. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/5799

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “The animal dimension : an investigation into the signification of animals in Homer and archaic Attic black figure vase painting. ” 2000. Thesis, University of KwaZulu-Natal. Accessed October 14, 2019. http://hdl.handle.net/10413/5799.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “The animal dimension : an investigation into the signification of animals in Homer and archaic Attic black figure vase painting. ” 2000. Web. 14 Oct 2019.

Vancouver:

author] [. The animal dimension : an investigation into the signification of animals in Homer and archaic Attic black figure vase painting. [Internet] [Thesis]. University of KwaZulu-Natal; 2000. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10413/5799.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. The animal dimension : an investigation into the signification of animals in Homer and archaic Attic black figure vase painting. [Thesis]. University of KwaZulu-Natal; 2000. Available from: http://hdl.handle.net/10413/5799

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Federal da Bahia

200. Rodrigo Ribeiro Barreto. A fabricação do ídolo pop: a análise textual de videoclipes e a construção da imagem de Madonna.

Degree: 2005, Universidade Federal da Bahia

A trajetória videográfica de Madonna, iniciada há mais de 20 anos, confunde-se com o próprio desenvolvimento do videoclipe, cuja consolidação aconteceu também a partir dos… (more)

Subjects/Keywords: COMUNICACAO; videoclipe; Madonna; crítica e interpretação; análise textual; vídeo; construção de imagem; música pop-rock; arte e comunicação; music videos; Madonna; criticism and interpretation; textual analysis; video; image fabrication; popular music; art and communication

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APA (6th Edition):

Barreto, R. R. (2005). A fabricação do ídolo pop: a análise textual de videoclipes e a construção da imagem de Madonna. (Thesis). Universidade Federal da Bahia. Retrieved from http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=2754

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barreto, Rodrigo Ribeiro. “A fabricação do ídolo pop: a análise textual de videoclipes e a construção da imagem de Madonna.” 2005. Thesis, Universidade Federal da Bahia. Accessed October 14, 2019. http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=2754.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barreto, Rodrigo Ribeiro. “A fabricação do ídolo pop: a análise textual de videoclipes e a construção da imagem de Madonna.” 2005. Web. 14 Oct 2019.

Vancouver:

Barreto RR. A fabricação do ídolo pop: a análise textual de videoclipes e a construção da imagem de Madonna. [Internet] [Thesis]. Universidade Federal da Bahia; 2005. [cited 2019 Oct 14]. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=2754.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barreto RR. A fabricação do ídolo pop: a análise textual de videoclipes e a construção da imagem de Madonna. [Thesis]. Universidade Federal da Bahia; 2005. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=2754

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Brasília

201. Giovanna Quaglia. A dimensão trágica da hilflosigkeit em Freud.

Degree: 2006, Universidade de Brasília

This dissertation consisted of an exercise: translating the word Hilflosigkeit in Freuds works. Beginning with the question: what meanings does Freud give to the word… (more)

Subjects/Keywords: ajuda alheia (Psicologia); trágico; arte poética (Psicologia); conflito (Psicologia); interpretação(Psicologia); angústia (Psicologia); cultura(Psicologia); mal-estar (Psicologia); depressão mental; interpretation; poetic art; PSICOLOGIA; Hilflosigkeit; Freud, Sigmund, 1856-1939; melancolia Angústia Cultura; Hilflosigkeit; tragic; conflict; foreign help; anguish; culture; uneasiness

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APA (6th Edition):

Quaglia, G. (2006). A dimensão trágica da hilflosigkeit em Freud. (Thesis). Universidade de Brasília. Retrieved from http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=1206

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Quaglia, Giovanna. “A dimensão trágica da hilflosigkeit em Freud.” 2006. Thesis, Universidade de Brasília. Accessed October 14, 2019. http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=1206.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Quaglia, Giovanna. “A dimensão trágica da hilflosigkeit em Freud.” 2006. Web. 14 Oct 2019.

Vancouver:

Quaglia G. A dimensão trágica da hilflosigkeit em Freud. [Internet] [Thesis]. Universidade de Brasília; 2006. [cited 2019 Oct 14]. Available from: http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=1206.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Quaglia G. A dimensão trágica da hilflosigkeit em Freud. [Thesis]. Universidade de Brasília; 2006. Available from: http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=1206

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Estado do Rio de Janeiro

202. Gilton Monteiro dos Santos Junior. Eduardo Sued: Minotauros.

Degree: Master, 2008, Universidade do Estado do Rio de Janeiro

A pintura de Eduardo Sued se caracteriza por uma variedade de soluções e um procedimento radicalmente assistemático. Observando o método de ação adotado pelo pintor,… (more)

Subjects/Keywords: Pintura brasileira contemporânea; História da arte brasileira; Eduardo Sued; Crítica e interpretação; Contemporaneous Brazilian painting; Brazilian art history; Eduardo Sued; Criticism and interpretation; ARTES; Sued, Eduardo, 1925- Crítica e interpretação; Arte moderna Séc. XX Brasil; Pintores brasileiros

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APA (6th Edition):

Junior, G. M. d. S. (2008). Eduardo Sued: Minotauros. (Masters Thesis). Universidade do Estado do Rio de Janeiro. Retrieved from http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1172 ;

Chicago Manual of Style (16th Edition):

Junior, Gilton Monteiro dos Santos. “Eduardo Sued: Minotauros.” 2008. Masters Thesis, Universidade do Estado do Rio de Janeiro. Accessed October 14, 2019. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1172 ;.

MLA Handbook (7th Edition):

Junior, Gilton Monteiro dos Santos. “Eduardo Sued: Minotauros.” 2008. Web. 14 Oct 2019.

Vancouver:

Junior GMdS. Eduardo Sued: Minotauros. [Internet] [Masters thesis]. Universidade do Estado do Rio de Janeiro; 2008. [cited 2019 Oct 14]. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1172 ;.

Council of Science Editors:

Junior GMdS. Eduardo Sued: Minotauros. [Masters Thesis]. Universidade do Estado do Rio de Janeiro; 2008. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1172 ;

203. Holmgren, Carl. Agogiska aspekter i Beethovens pianosonat nr 31 i Ass-dur, op. 110, sats I : egen interpretation samt analys av fonogram.

Degree: 2015, Luleå University of Technology

Validerat; 20150615 (global_studentproject_submitter)

Subjects/Keywords: Fine Art; Konstnärligt arbete; Beethoven; op. 110; pianosonat; interpretation; instudering; inspelningsanalys; agogik; tempo; interpretationsparameter; interpretationstradition

…Användning av andras inspelningar av samma verk vid utformandet av min interpretation… …inverkan på min syn på interpretation och på interpretens (kreativa) domän… …interpretationsresonemang Redogörelser för min interpretation markeras typografiskt med kursiv stil samt indrag… …förståelse för agogik i musikalisk interpretation höjer medvetenheten om de ställningstaganden som… …interpretation och tankar om interpretation oundvikligen kommer influeras av de tolkningar som man… 

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APA (6th Edition):

Holmgren, C. (2015). Agogiska aspekter i Beethovens pianosonat nr 31 i Ass-dur, op. 110, sats I : egen interpretation samt analys av fonogram. (Thesis). Luleå University of Technology. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-46413

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Holmgren, Carl. “Agogiska aspekter i Beethovens pianosonat nr 31 i Ass-dur, op. 110, sats I : egen interpretation samt analys av fonogram.” 2015. Thesis, Luleå University of Technology. Accessed October 14, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-46413.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Holmgren, Carl. “Agogiska aspekter i Beethovens pianosonat nr 31 i Ass-dur, op. 110, sats I : egen interpretation samt analys av fonogram.” 2015. Web. 14 Oct 2019.

Vancouver:

Holmgren C. Agogiska aspekter i Beethovens pianosonat nr 31 i Ass-dur, op. 110, sats I : egen interpretation samt analys av fonogram. [Internet] [Thesis]. Luleå University of Technology; 2015. [cited 2019 Oct 14]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-46413.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Holmgren C. Agogiska aspekter i Beethovens pianosonat nr 31 i Ass-dur, op. 110, sats I : egen interpretation samt analys av fonogram. [Thesis]. Luleå University of Technology; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-46413

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Otago

204. Rountree, Janet. A framework for virtual artifacts: Digital images as teaching tools in classical art .

Degree: 2011, University of Otago

 This thesis explores the problem of how to present digital images of ancient artifacts in a manner that supports the task of visual analysis. The… (more)

Subjects/Keywords: digital images; ancient artifacts; visual analysis; resolution; interpretation; mediation; Fidelio-Mediation framework; Classical archaeology; Fidelity-Mediation framework, real object; VR object; still digital images; digitised artifacts; mediated focus; Classical art; learning; task orientation-situations; performance orientation

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APA (6th Edition):

Rountree, J. (2011). A framework for virtual artifacts: Digital images as teaching tools in classical art . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/1473

Chicago Manual of Style (16th Edition):

Rountree, Janet. “A framework for virtual artifacts: Digital images as teaching tools in classical art .” 2011. Doctoral Dissertation, University of Otago. Accessed October 14, 2019. http://hdl.handle.net/10523/1473.

MLA Handbook (7th Edition):

Rountree, Janet. “A framework for virtual artifacts: Digital images as teaching tools in classical art .” 2011. Web. 14 Oct 2019.

Vancouver:

Rountree J. A framework for virtual artifacts: Digital images as teaching tools in classical art . [Internet] [Doctoral dissertation]. University of Otago; 2011. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10523/1473.

Council of Science Editors:

Rountree J. A framework for virtual artifacts: Digital images as teaching tools in classical art . [Doctoral Dissertation]. University of Otago; 2011. Available from: http://hdl.handle.net/10523/1473


University of Hawaii – Manoa

205. Ehrlich, Linda C. The artist's desire : eight films of Mizoguchi Kenji.

Degree: PhD, 2009, University of Hawaii – Manoa

Typescript.

Microfiche.

x, 247 leaves, bound ill. 29 cm

Subjects/Keywords: Mizoguchi, Kenji  – Criticism and interpretation; Art in motion pictures; Motion picture producers and directors  – Japan

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APA (6th Edition):

Ehrlich, L. C. (2009). The artist's desire : eight films of Mizoguchi Kenji. (Doctoral Dissertation). University of Hawaii – Manoa. Retrieved from http://hdl.handle.net/10125/9575

Chicago Manual of Style (16th Edition):

Ehrlich, Linda C. “The artist's desire : eight films of Mizoguchi Kenji.” 2009. Doctoral Dissertation, University of Hawaii – Manoa. Accessed October 14, 2019. http://hdl.handle.net/10125/9575.

MLA Handbook (7th Edition):

Ehrlich, Linda C. “The artist's desire : eight films of Mizoguchi Kenji.” 2009. Web. 14 Oct 2019.

Vancouver:

Ehrlich LC. The artist's desire : eight films of Mizoguchi Kenji. [Internet] [Doctoral dissertation]. University of Hawaii – Manoa; 2009. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10125/9575.

Council of Science Editors:

Ehrlich LC. The artist's desire : eight films of Mizoguchi Kenji. [Doctoral Dissertation]. University of Hawaii – Manoa; 2009. Available from: http://hdl.handle.net/10125/9575


Penn State University

206. Chuang, Chia-chi. A DESCRIPTIVE CASE STUDY OF THE IMPACT OF A PROFESSOR TEACHING STRATEGIES ON TAIWANESE COLLEGE STUDENTS' PHOTOGRAPHIC IMAGE INTERPRETATIONS.

Degree: PhD, Art Education, 2005, Penn State University

 In this descriptive case study, I investigated the impact of a Taiwanese college professor’s teaching strategies on Taiwanese students who were learning to interpret photographs… (more)

Subjects/Keywords: teaching strategy and impact; art education; effective teaching; photography interpretation; Photography education; teaching and learning photographic image interpret

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APA (6th Edition):

Chuang, C. (2005). A DESCRIPTIVE CASE STUDY OF THE IMPACT OF A PROFESSOR TEACHING STRATEGIES ON TAIWANESE COLLEGE STUDENTS' PHOTOGRAPHIC IMAGE INTERPRETATIONS. (Doctoral Dissertation). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/6717

Chicago Manual of Style (16th Edition):

Chuang, Chia-chi. “A DESCRIPTIVE CASE STUDY OF THE IMPACT OF A PROFESSOR TEACHING STRATEGIES ON TAIWANESE COLLEGE STUDENTS' PHOTOGRAPHIC IMAGE INTERPRETATIONS.” 2005. Doctoral Dissertation, Penn State University. Accessed October 14, 2019. https://etda.libraries.psu.edu/catalog/6717.

MLA Handbook (7th Edition):

Chuang, Chia-chi. “A DESCRIPTIVE CASE STUDY OF THE IMPACT OF A PROFESSOR TEACHING STRATEGIES ON TAIWANESE COLLEGE STUDENTS' PHOTOGRAPHIC IMAGE INTERPRETATIONS.” 2005. Web. 14 Oct 2019.

Vancouver:

Chuang C. A DESCRIPTIVE CASE STUDY OF THE IMPACT OF A PROFESSOR TEACHING STRATEGIES ON TAIWANESE COLLEGE STUDENTS' PHOTOGRAPHIC IMAGE INTERPRETATIONS. [Internet] [Doctoral dissertation]. Penn State University; 2005. [cited 2019 Oct 14]. Available from: https://etda.libraries.psu.edu/catalog/6717.

Council of Science Editors:

Chuang C. A DESCRIPTIVE CASE STUDY OF THE IMPACT OF A PROFESSOR TEACHING STRATEGIES ON TAIWANESE COLLEGE STUDENTS' PHOTOGRAPHIC IMAGE INTERPRETATIONS. [Doctoral Dissertation]. Penn State University; 2005. Available from: https://etda.libraries.psu.edu/catalog/6717


Portland State University

207. Speerstra, Jane Ellen. Landscape and change in three novels by Theodor Fontane.

Degree: MA, World Languages and Literatures, 1988, Portland State University

  This thesis traces and explicates the changes in Theodor Fontane's landscape depiction in the years 1887- 1892. I examine his novels Cecile (1887), Irrungen,… (more)

Subjects/Keywords: Theodor Fontane (1819-1898)  – Criticism and interpretation; Landscapes in literature; Classical Archaeology and Art History; German Literature

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APA (6th Edition):

Speerstra, J. E. (1988). Landscape and change in three novels by Theodor Fontane. (Masters Thesis). Portland State University. Retrieved from https://pdxscholar.library.pdx.edu/open_access_etds/3841

Chicago Manual of Style (16th Edition):

Speerstra, Jane Ellen. “Landscape and change in three novels by Theodor Fontane.” 1988. Masters Thesis, Portland State University. Accessed October 14, 2019. https://pdxscholar.library.pdx.edu/open_access_etds/3841.

MLA Handbook (7th Edition):

Speerstra, Jane Ellen. “Landscape and change in three novels by Theodor Fontane.” 1988. Web. 14 Oct 2019.

Vancouver:

Speerstra JE. Landscape and change in three novels by Theodor Fontane. [Internet] [Masters thesis]. Portland State University; 1988. [cited 2019 Oct 14]. Available from: https://pdxscholar.library.pdx.edu/open_access_etds/3841.

Council of Science Editors:

Speerstra JE. Landscape and change in three novels by Theodor Fontane. [Masters Thesis]. Portland State University; 1988. Available from: https://pdxscholar.library.pdx.edu/open_access_etds/3841


Pontifical Catholic University of Rio de Janeiro

208. GILTON MONTEIRO DOS SANTOS JUNIOR. [en] THE PLACES OF FORMS: CONSIDERATIONS ABOUT THE WALTÉRCIO CALDAS WORKS.

Degree: 2015, Pontifical Catholic University of Rio de Janeiro

[pt] O artista Waltercio Caldas iniciou sua carreira no fim dos anos de 1960, tendo uma atuação marcante para o debate artístico ocorrido na década… (more)

Subjects/Keywords: [pt] CRITICA; [en] CRITICISM; [pt] INTERPRETACAO; [en] INTERPRETATION; [pt] WALTERCIO CALDAS - HISTORIA; [en] WALTERCIO CALDAS - HISTORY; [pt] ARTE MODERNA BRASILEIRA - HISTORIA SOCIAL DA CULTURA; [en] BRAZILIAN MODERN ART - SOCIAL HISTORY OF CULTURE

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APA (6th Edition):

JUNIOR, G. M. D. S. (2015). [en] THE PLACES OF FORMS: CONSIDERATIONS ABOUT THE WALTÉRCIO CALDAS WORKS. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25189

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

JUNIOR, GILTON MONTEIRO DOS SANTOS. “[en] THE PLACES OF FORMS: CONSIDERATIONS ABOUT THE WALTÉRCIO CALDAS WORKS.” 2015. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed October 14, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25189.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

JUNIOR, GILTON MONTEIRO DOS SANTOS. “[en] THE PLACES OF FORMS: CONSIDERATIONS ABOUT THE WALTÉRCIO CALDAS WORKS.” 2015. Web. 14 Oct 2019.

Vancouver:

JUNIOR GMDS. [en] THE PLACES OF FORMS: CONSIDERATIONS ABOUT THE WALTÉRCIO CALDAS WORKS. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2015. [cited 2019 Oct 14]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25189.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

JUNIOR GMDS. [en] THE PLACES OF FORMS: CONSIDERATIONS ABOUT THE WALTÉRCIO CALDAS WORKS. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2015. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25189

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

209. Norris, Sophie. Furnishing a narrative : [an exegesis presented in partial fulfilment of the requirements for the degree of Master of Design at Massey University, Wellington, New Zealand] .

Degree: 2013, Massey University

 ‘Furnishing a Narrative’ is a contribution to the philosophy of furniture. The research employs a materially developed approach to philosophical exploration articulated in a particularly… (more)

Subjects/Keywords: Criticism and interpretation; Sophie Norris; Gaston Bachelard; Poétique de l'espace; Furniture in art; Furniture; Philosophy

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6

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APA (6th Edition):

Norris, S. (2013). Furnishing a narrative : [an exegesis presented in partial fulfilment of the requirements for the degree of Master of Design at Massey University, Wellington, New Zealand] . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/4823

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Norris, Sophie. “Furnishing a narrative : [an exegesis presented in partial fulfilment of the requirements for the degree of Master of Design at Massey University, Wellington, New Zealand] .” 2013. Thesis, Massey University. Accessed October 14, 2019. http://hdl.handle.net/10179/4823.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Norris, Sophie. “Furnishing a narrative : [an exegesis presented in partial fulfilment of the requirements for the degree of Master of Design at Massey University, Wellington, New Zealand] .” 2013. Web. 14 Oct 2019.

Vancouver:

Norris S. Furnishing a narrative : [an exegesis presented in partial fulfilment of the requirements for the degree of Master of Design at Massey University, Wellington, New Zealand] . [Internet] [Thesis]. Massey University; 2013. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10179/4823.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Norris S. Furnishing a narrative : [an exegesis presented in partial fulfilment of the requirements for the degree of Master of Design at Massey University, Wellington, New Zealand] . [Thesis]. Massey University; 2013. Available from: http://hdl.handle.net/10179/4823

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

210. Chadwick, Catherine Mary. Wassily Kandinsky and the Gesamtkunstwerk tradition : the role of south German baroque architecture in Kandinsky's move to abstraction.

Degree: MA, Department of Art History., 1986, McGill University

Subjects/Keywords: Kandinsky, Wassily, 1866-1944  – Criticism and interpretation.; Architecture, Baroque  – Germany  – Influence.; Church architecture  – Germany  – Influence.; Art, Baroque  – Germany  – Influence.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chadwick, C. M. (1986). Wassily Kandinsky and the Gesamtkunstwerk tradition : the role of south German baroque architecture in Kandinsky's move to abstraction. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile65454.pdf

Chicago Manual of Style (16th Edition):

Chadwick, Catherine Mary. “Wassily Kandinsky and the Gesamtkunstwerk tradition : the role of south German baroque architecture in Kandinsky's move to abstraction.” 1986. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile65454.pdf.

MLA Handbook (7th Edition):

Chadwick, Catherine Mary. “Wassily Kandinsky and the Gesamtkunstwerk tradition : the role of south German baroque architecture in Kandinsky's move to abstraction.” 1986. Web. 14 Oct 2019.

Vancouver:

Chadwick CM. Wassily Kandinsky and the Gesamtkunstwerk tradition : the role of south German baroque architecture in Kandinsky's move to abstraction. [Internet] [Masters thesis]. McGill University; 1986. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile65454.pdf.

Council of Science Editors:

Chadwick CM. Wassily Kandinsky and the Gesamtkunstwerk tradition : the role of south German baroque architecture in Kandinsky's move to abstraction. [Masters Thesis]. McGill University; 1986. Available from: http://digitool.library.mcgill.ca/thesisfile65454.pdf

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