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Dates: 1990 – 1994

You searched for subject:(Art AND Interpretation). Showing records 1 – 11 of 11 total matches.

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Michigan State University

1. Arnold, Julie Wegner. Art criticism as narrative : Diderot's Salon de 1767.

Degree: PhD, Department of Romance and Classical Languages, 1993, Michigan State University

Subjects/Keywords: Diderot, Denis, Art, 1713-1784 – Knowledge – Art; Diderot, Denis, 1713-1784 – Criticism and interpretation; Salon (Exhibition : Paris, France) (1767); Art criticism – France – Paris

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Arnold, J. W. (1993). Art criticism as narrative : Diderot's Salon de 1767. (Doctoral Dissertation). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:29372

Chicago Manual of Style (16th Edition):

Arnold, Julie Wegner. “Art criticism as narrative : Diderot's Salon de 1767.” 1993. Doctoral Dissertation, Michigan State University. Accessed December 16, 2019. http://etd.lib.msu.edu/islandora/object/etd:29372.

MLA Handbook (7th Edition):

Arnold, Julie Wegner. “Art criticism as narrative : Diderot's Salon de 1767.” 1993. Web. 16 Dec 2019.

Vancouver:

Arnold JW. Art criticism as narrative : Diderot's Salon de 1767. [Internet] [Doctoral dissertation]. Michigan State University; 1993. [cited 2019 Dec 16]. Available from: http://etd.lib.msu.edu/islandora/object/etd:29372.

Council of Science Editors:

Arnold JW. Art criticism as narrative : Diderot's Salon de 1767. [Doctoral Dissertation]. Michigan State University; 1993. Available from: http://etd.lib.msu.edu/islandora/object/etd:29372


Rhodes University

2. Cole, Collin. John N. Muafangejo, 1943-1987 : a perspective on his lino-cuts with special reference to the University of Bophuthatswana Print Collection.

Degree: Faculty of Humanities, Fine Art, 1994, Rhodes University

 By way of an analysis of the lino-cuts executed by Muafangejo, firstly elements and influences that are evident in terms associated with his works, will… (more)

Subjects/Keywords: Muafangejo, John N., 1943-1987  – Criticism and interpretation; Linoleum block-printing  – Art collections; Art, Namibian

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APA (6th Edition):

Cole, C. (1994). John N. Muafangejo, 1943-1987 : a perspective on his lino-cuts with special reference to the University of Bophuthatswana Print Collection. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1002194

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cole, Collin. “John N. Muafangejo, 1943-1987 : a perspective on his lino-cuts with special reference to the University of Bophuthatswana Print Collection.” 1994. Thesis, Rhodes University. Accessed December 16, 2019. http://hdl.handle.net/10962/d1002194.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cole, Collin. “John N. Muafangejo, 1943-1987 : a perspective on his lino-cuts with special reference to the University of Bophuthatswana Print Collection.” 1994. Web. 16 Dec 2019.

Vancouver:

Cole C. John N. Muafangejo, 1943-1987 : a perspective on his lino-cuts with special reference to the University of Bophuthatswana Print Collection. [Internet] [Thesis]. Rhodes University; 1994. [cited 2019 Dec 16]. Available from: http://hdl.handle.net/10962/d1002194.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cole C. John N. Muafangejo, 1943-1987 : a perspective on his lino-cuts with special reference to the University of Bophuthatswana Print Collection. [Thesis]. Rhodes University; 1994. Available from: http://hdl.handle.net/10962/d1002194

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

3. Howard, Jane. The Sublime and the Beautiful in the Works of Claude-Joseph Vernet.

Degree: 1994, University of North Texas

 This thesis examines the roles of the sublime and the beautiful in the works of eighteenth-century French landscape painter Claude-Joseph Vernet. An introduction to the… (more)

Subjects/Keywords: Claude-Joseph Vernet; the sublime theme; the beautiful theme; landscape paintings; Landscape painting  – 18th century  – France.; Vernet, Joseph, 1714-1789  – Criticism and interpretation.; Sublime, The, in art.; Landscape painting, French.

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APA (6th Edition):

Howard, J. (1994). The Sublime and the Beautiful in the Works of Claude-Joseph Vernet. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500913/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Howard, Jane. “The Sublime and the Beautiful in the Works of Claude-Joseph Vernet.” 1994. Thesis, University of North Texas. Accessed December 16, 2019. https://digital.library.unt.edu/ark:/67531/metadc500913/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Howard, Jane. “The Sublime and the Beautiful in the Works of Claude-Joseph Vernet.” 1994. Web. 16 Dec 2019.

Vancouver:

Howard J. The Sublime and the Beautiful in the Works of Claude-Joseph Vernet. [Internet] [Thesis]. University of North Texas; 1994. [cited 2019 Dec 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500913/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Howard J. The Sublime and the Beautiful in the Works of Claude-Joseph Vernet. [Thesis]. University of North Texas; 1994. Available from: https://digital.library.unt.edu/ark:/67531/metadc500913/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan State University

4. Judy, Carole Joyce. A universal spirituality in primitivism : an analysis of the art of Janice Gordon.

Degree: MA, Department of History of Art, 1993, Michigan State University

Subjects/Keywords: Gordon, Janice – Criticism and interpretation; Primitivism in art; Art, Modern

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APA (6th Edition):

Judy, C. J. (1993). A universal spirituality in primitivism : an analysis of the art of Janice Gordon. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:23880

Chicago Manual of Style (16th Edition):

Judy, Carole Joyce. “A universal spirituality in primitivism : an analysis of the art of Janice Gordon.” 1993. Masters Thesis, Michigan State University. Accessed December 16, 2019. http://etd.lib.msu.edu/islandora/object/etd:23880.

MLA Handbook (7th Edition):

Judy, Carole Joyce. “A universal spirituality in primitivism : an analysis of the art of Janice Gordon.” 1993. Web. 16 Dec 2019.

Vancouver:

Judy CJ. A universal spirituality in primitivism : an analysis of the art of Janice Gordon. [Internet] [Masters thesis]. Michigan State University; 1993. [cited 2019 Dec 16]. Available from: http://etd.lib.msu.edu/islandora/object/etd:23880.

Council of Science Editors:

Judy CJ. A universal spirituality in primitivism : an analysis of the art of Janice Gordon. [Masters Thesis]. Michigan State University; 1993. Available from: http://etd.lib.msu.edu/islandora/object/etd:23880


Stellenbosch University

5. Louw, Johann(Johannes). Antonin Artaud en Georg Baselitz : 'n psigo-analitiese perspektief as konteks vir my eie skilderwerk.

Degree: Visual Arts, 1991, Stellenbosch University

Werkstuk (M.A.)  – Universiteit van Stellenbosch, 1991.

ENGLISH SUMMARY: In this thesis I shall create a context for my own painting by discussing the works… (more)

Subjects/Keywords: Artaud, Antonin,  – 1896-1948  – Criticism and interpretation; Postmodernism; Art  – Philosophy; Dissertations  – Art; Baselitz, Georg,  – 1938-  – Criticism and interpretation

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APA (6th Edition):

Louw, J. (1991). Antonin Artaud en Georg Baselitz : 'n psigo-analitiese perspektief as konteks vir my eie skilderwerk. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/69101

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Louw, Johann(Johannes). “Antonin Artaud en Georg Baselitz : 'n psigo-analitiese perspektief as konteks vir my eie skilderwerk.” 1991. Thesis, Stellenbosch University. Accessed December 16, 2019. http://hdl.handle.net/10019.1/69101.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Louw, Johann(Johannes). “Antonin Artaud en Georg Baselitz : 'n psigo-analitiese perspektief as konteks vir my eie skilderwerk.” 1991. Web. 16 Dec 2019.

Vancouver:

Louw J. Antonin Artaud en Georg Baselitz : 'n psigo-analitiese perspektief as konteks vir my eie skilderwerk. [Internet] [Thesis]. Stellenbosch University; 1991. [cited 2019 Dec 16]. Available from: http://hdl.handle.net/10019.1/69101.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Louw J. Antonin Artaud en Georg Baselitz : 'n psigo-analitiese perspektief as konteks vir my eie skilderwerk. [Thesis]. Stellenbosch University; 1991. Available from: http://hdl.handle.net/10019.1/69101

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Africa

6. Lunga, Majahana John Chonsi. A critical analysis of Wole Soyinka as a dramatist, with special reference to his engagement in contemporary issues.

Degree: 1994, University of South Africa

 This dissertation is mainly on Wole Soyinka as a dramatist. It aims to show that Soyinka, far from being an irrelevant artist as some of… (more)

Subjects/Keywords: Wole Soyinka; Critical analysis; Interpretation,; Criticism,; Critique,; Drama; Dramatic; Dramatist;

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APA (6th Edition):

Lunga, M. J. C. (1994). A critical analysis of Wole Soyinka as a dramatist, with special reference to his engagement in contemporary issues. (Masters Thesis). University of South Africa. Retrieved from http://hdl.handle.net/10500/17262

Chicago Manual of Style (16th Edition):

Lunga, Majahana John Chonsi. “A critical analysis of Wole Soyinka as a dramatist, with special reference to his engagement in contemporary issues.” 1994. Masters Thesis, University of South Africa. Accessed December 16, 2019. http://hdl.handle.net/10500/17262.

MLA Handbook (7th Edition):

Lunga, Majahana John Chonsi. “A critical analysis of Wole Soyinka as a dramatist, with special reference to his engagement in contemporary issues.” 1994. Web. 16 Dec 2019.

Vancouver:

Lunga MJC. A critical analysis of Wole Soyinka as a dramatist, with special reference to his engagement in contemporary issues. [Internet] [Masters thesis]. University of South Africa; 1994. [cited 2019 Dec 16]. Available from: http://hdl.handle.net/10500/17262.

Council of Science Editors:

Lunga MJC. A critical analysis of Wole Soyinka as a dramatist, with special reference to his engagement in contemporary issues. [Masters Thesis]. University of South Africa; 1994. Available from: http://hdl.handle.net/10500/17262


Michigan State University

7. Magil, Joseph Alexander. Androgynous aspects of the self-portraits of Egon Schiele.

Degree: MA, Department of Art, 1992, Michigan State University

Subjects/Keywords: Schiele, Egon, 1890-1918 – Criticism and interpretation; Androgyny (Psychology) in art

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APA (6th Edition):

Magil, J. A. (1992). Androgynous aspects of the self-portraits of Egon Schiele. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:25084

Chicago Manual of Style (16th Edition):

Magil, Joseph Alexander. “Androgynous aspects of the self-portraits of Egon Schiele.” 1992. Masters Thesis, Michigan State University. Accessed December 16, 2019. http://etd.lib.msu.edu/islandora/object/etd:25084.

MLA Handbook (7th Edition):

Magil, Joseph Alexander. “Androgynous aspects of the self-portraits of Egon Schiele.” 1992. Web. 16 Dec 2019.

Vancouver:

Magil JA. Androgynous aspects of the self-portraits of Egon Schiele. [Internet] [Masters thesis]. Michigan State University; 1992. [cited 2019 Dec 16]. Available from: http://etd.lib.msu.edu/islandora/object/etd:25084.

Council of Science Editors:

Magil JA. Androgynous aspects of the self-portraits of Egon Schiele. [Masters Thesis]. Michigan State University; 1992. Available from: http://etd.lib.msu.edu/islandora/object/etd:25084


McGill University

8. Millard, Michèle. An analysis of the critical discourse on the work of Eva Hesse.

Degree: MA, Department of Art History., 1991, McGill University

This thesis is an analytical study of the various critical approaches taken to the work of Eva Hesse and their underlying methodologies and theoretical assumptions.… (more)

Subjects/Keywords: Hesse, Eva, 1936-1970  – Criticism and interpretation; Art criticism

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APA (6th Edition):

Millard, M. (1991). An analysis of the critical discourse on the work of Eva Hesse. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile61138.pdf

Chicago Manual of Style (16th Edition):

Millard, Michèle. “An analysis of the critical discourse on the work of Eva Hesse.” 1991. Masters Thesis, McGill University. Accessed December 16, 2019. http://digitool.library.mcgill.ca/thesisfile61138.pdf.

MLA Handbook (7th Edition):

Millard, Michèle. “An analysis of the critical discourse on the work of Eva Hesse.” 1991. Web. 16 Dec 2019.

Vancouver:

Millard M. An analysis of the critical discourse on the work of Eva Hesse. [Internet] [Masters thesis]. McGill University; 1991. [cited 2019 Dec 16]. Available from: http://digitool.library.mcgill.ca/thesisfile61138.pdf.

Council of Science Editors:

Millard M. An analysis of the critical discourse on the work of Eva Hesse. [Masters Thesis]. McGill University; 1991. Available from: http://digitool.library.mcgill.ca/thesisfile61138.pdf


Rhodes University

9. Mullins, Nigel Lorraine Griffin. A perspective on the question of the absence or presence of religious beliefs relating to elements of modern artistic endeavour, with special reference to the life and work of Francis Bacon.

Degree: Faculty of Humanities, Fine Art, 1994, Rhodes University

 Preface: An awareness of certain contradictory perceptions and assumptions regarding religious beliefs today and their relevance to art prompted a question which led to the… (more)

Subjects/Keywords: Bacon, Francis, 1909-1992  – Criticism and interpretation; Art and religion

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APA (6th Edition):

Mullins, N. L. G. (1994). A perspective on the question of the absence or presence of religious beliefs relating to elements of modern artistic endeavour, with special reference to the life and work of Francis Bacon. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1007710

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mullins, Nigel Lorraine Griffin. “A perspective on the question of the absence or presence of religious beliefs relating to elements of modern artistic endeavour, with special reference to the life and work of Francis Bacon.” 1994. Thesis, Rhodes University. Accessed December 16, 2019. http://hdl.handle.net/10962/d1007710.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mullins, Nigel Lorraine Griffin. “A perspective on the question of the absence or presence of religious beliefs relating to elements of modern artistic endeavour, with special reference to the life and work of Francis Bacon.” 1994. Web. 16 Dec 2019.

Vancouver:

Mullins NLG. A perspective on the question of the absence or presence of religious beliefs relating to elements of modern artistic endeavour, with special reference to the life and work of Francis Bacon. [Internet] [Thesis]. Rhodes University; 1994. [cited 2019 Dec 16]. Available from: http://hdl.handle.net/10962/d1007710.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mullins NLG. A perspective on the question of the absence or presence of religious beliefs relating to elements of modern artistic endeavour, with special reference to the life and work of Francis Bacon. [Thesis]. Rhodes University; 1994. Available from: http://hdl.handle.net/10962/d1007710

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

10. Pennings, Mark W. Charles Wheeler and the nude in Australia.

Degree: 1991, University of Melbourne

 The place for Charles Wheeler’s nudes in Australian art history has not been adequately gauged by art historians. He was one of Australia’s most notable… (more)

Subjects/Keywords: Criticism and interpretation of Charles Wheeler; 1880-1977; Nude in art

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APA (6th Edition):

Pennings, M. W. (1991). Charles Wheeler and the nude in Australia. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/38857

Chicago Manual of Style (16th Edition):

Pennings, Mark W. “Charles Wheeler and the nude in Australia.” 1991. Masters Thesis, University of Melbourne. Accessed December 16, 2019. http://hdl.handle.net/11343/38857.

MLA Handbook (7th Edition):

Pennings, Mark W. “Charles Wheeler and the nude in Australia.” 1991. Web. 16 Dec 2019.

Vancouver:

Pennings MW. Charles Wheeler and the nude in Australia. [Internet] [Masters thesis]. University of Melbourne; 1991. [cited 2019 Dec 16]. Available from: http://hdl.handle.net/11343/38857.

Council of Science Editors:

Pennings MW. Charles Wheeler and the nude in Australia. [Masters Thesis]. University of Melbourne; 1991. Available from: http://hdl.handle.net/11343/38857


University of North Texas

11. Upchurch, Diane M. (Diane Marie). Nineteenth Century Light and Color Theory: Rainbow Science in the Art of Frederic Edwin Church.

Degree: 1991, University of North Texas

 The purpose of this study was to investigate the depiction of rainbows in the art of Frederic Church in relation to mid-nineteenth century scientific developments… (more)

Subjects/Keywords: art history; science of art; church art; rainbows in art; Church, Frederic Edwin,1826-1900  – Criticism and interpretation.; Rainbows in art.; Art and science.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Upchurch, D. M. (. M. (1991). Nineteenth Century Light and Color Theory: Rainbow Science in the Art of Frederic Edwin Church. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500448/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Upchurch, Diane M (Diane Marie). “Nineteenth Century Light and Color Theory: Rainbow Science in the Art of Frederic Edwin Church.” 1991. Thesis, University of North Texas. Accessed December 16, 2019. https://digital.library.unt.edu/ark:/67531/metadc500448/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Upchurch, Diane M (Diane Marie). “Nineteenth Century Light and Color Theory: Rainbow Science in the Art of Frederic Edwin Church.” 1991. Web. 16 Dec 2019.

Vancouver:

Upchurch DM(M. Nineteenth Century Light and Color Theory: Rainbow Science in the Art of Frederic Edwin Church. [Internet] [Thesis]. University of North Texas; 1991. [cited 2019 Dec 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500448/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Upchurch DM(M. Nineteenth Century Light and Color Theory: Rainbow Science in the Art of Frederic Edwin Church. [Thesis]. University of North Texas; 1991. Available from: https://digital.library.unt.edu/ark:/67531/metadc500448/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.