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You searched for subject:(Art AND Interpretation). Showing records 1 – 27 of 27 total matches.

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Stellenbosch University

1. Coetsee, Yda Cornelia. Figuring from within : a study in history, painting and the work of Moses Tladi.

Degree: MA, Visual Arts, 2015, Stellenbosch University

ENGLISH ABSTRACT: This study explores the significance of landscape painting in my own work and in the work of Moses Tladi, one of the lesser-known… (more)

Subjects/Keywords: Tladi, Moses, 1903-1959  – Criticism and interpretation; Landscape painting; Romanticism in art; UCTD

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APA (6th Edition):

Coetsee, Y. C. (2015). Figuring from within : a study in history, painting and the work of Moses Tladi. (Masters Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/96974

Chicago Manual of Style (16th Edition):

Coetsee, Yda Cornelia. “Figuring from within : a study in history, painting and the work of Moses Tladi.” 2015. Masters Thesis, Stellenbosch University. Accessed December 15, 2019. http://hdl.handle.net/10019.1/96974.

MLA Handbook (7th Edition):

Coetsee, Yda Cornelia. “Figuring from within : a study in history, painting and the work of Moses Tladi.” 2015. Web. 15 Dec 2019.

Vancouver:

Coetsee YC. Figuring from within : a study in history, painting and the work of Moses Tladi. [Internet] [Masters thesis]. Stellenbosch University; 2015. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10019.1/96974.

Council of Science Editors:

Coetsee YC. Figuring from within : a study in history, painting and the work of Moses Tladi. [Masters Thesis]. Stellenbosch University; 2015. Available from: http://hdl.handle.net/10019.1/96974


Rhodes University

2. Cole, Collin. John N. Muafangejo, 1943-1987 : a perspective on his lino-cuts with special reference to the University of Bophuthatswana Print Collection.

Degree: Faculty of Humanities, Fine Art, 1994, Rhodes University

 By way of an analysis of the lino-cuts executed by Muafangejo, firstly elements and influences that are evident in terms associated with his works, will… (more)

Subjects/Keywords: Muafangejo, John N., 1943-1987  – Criticism and interpretation; Linoleum block-printing  – Art collections; Art, Namibian

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APA (6th Edition):

Cole, C. (1994). John N. Muafangejo, 1943-1987 : a perspective on his lino-cuts with special reference to the University of Bophuthatswana Print Collection. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1002194

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cole, Collin. “John N. Muafangejo, 1943-1987 : a perspective on his lino-cuts with special reference to the University of Bophuthatswana Print Collection.” 1994. Thesis, Rhodes University. Accessed December 15, 2019. http://hdl.handle.net/10962/d1002194.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cole, Collin. “John N. Muafangejo, 1943-1987 : a perspective on his lino-cuts with special reference to the University of Bophuthatswana Print Collection.” 1994. Web. 15 Dec 2019.

Vancouver:

Cole C. John N. Muafangejo, 1943-1987 : a perspective on his lino-cuts with special reference to the University of Bophuthatswana Print Collection. [Internet] [Thesis]. Rhodes University; 1994. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10962/d1002194.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cole C. John N. Muafangejo, 1943-1987 : a perspective on his lino-cuts with special reference to the University of Bophuthatswana Print Collection. [Thesis]. Rhodes University; 1994. Available from: http://hdl.handle.net/10962/d1002194

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

3. Collett, Rachel Joan. Turning back : continuity and difference in modernist and postmodernist reflexivity.

Degree: Visual Arts, 2010, Stellenbosch University

Thesis (MA VA (Visual Arts)) – University of Stellenbosch, 2010.

ENGLISH ABSTRACT: The primary function of paintings and novels in Western culture has historically been considered… (more)

Subjects/Keywords: Art; Postmodern art; Modern art; Modern literature; Postmodernism; Gogh, Vincent van, 1853-1890  – Criticism and interpretation; Woolf, Virginia, 1882-1941  – Criticism and interpretation; Kiefer, Anselm, 1945-  – Criticism and interpretation; Foer, Jonathan Safran, 1977-  – Criticism and interpretation; Modernism; Van Gogh, Vincent, 1853-1890

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APA (6th Edition):

Collett, R. J. (2010). Turning back : continuity and difference in modernist and postmodernist reflexivity. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/4256

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Collett, Rachel Joan. “Turning back : continuity and difference in modernist and postmodernist reflexivity.” 2010. Thesis, Stellenbosch University. Accessed December 15, 2019. http://hdl.handle.net/10019.1/4256.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Collett, Rachel Joan. “Turning back : continuity and difference in modernist and postmodernist reflexivity.” 2010. Web. 15 Dec 2019.

Vancouver:

Collett RJ. Turning back : continuity and difference in modernist and postmodernist reflexivity. [Internet] [Thesis]. Stellenbosch University; 2010. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10019.1/4256.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Collett RJ. Turning back : continuity and difference in modernist and postmodernist reflexivity. [Thesis]. Stellenbosch University; 2010. Available from: http://hdl.handle.net/10019.1/4256

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

4. Cupido, Cameron Amelia. Between colour lines : interrogating the category ‘coloured’ in depictions of District Six in the work of five South African artists.

Degree: Visual Arts, 2018, Stellenbosch University

Thesis (MA(VA)) – Stellenbosch University, 2018.

ENGLISH ABSTRACT: The Group Areas Act of 1950 radically affected coloured artists of the time, since it resulted in forced… (more)

Subjects/Keywords: Identity in art; Art, South African  – Apartheid; Group Areas Act  – South Africa; Colored people (South Africa)  – Race identity; Davis, Lionel, 1936-  – Criticism and interpretation; Adams, Albert  – Criticism and interpretation; Hallett, George  – Criticism and interpretation; Jantjes, Gavin  – Criticism and interpretation; Clarke, Peter  – Criticism and interpretation; UCTD

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APA (6th Edition):

Cupido, C. A. (2018). Between colour lines : interrogating the category ‘coloured’ in depictions of District Six in the work of five South African artists. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/103452

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cupido, Cameron Amelia. “Between colour lines : interrogating the category ‘coloured’ in depictions of District Six in the work of five South African artists.” 2018. Thesis, Stellenbosch University. Accessed December 15, 2019. http://hdl.handle.net/10019.1/103452.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cupido, Cameron Amelia. “Between colour lines : interrogating the category ‘coloured’ in depictions of District Six in the work of five South African artists.” 2018. Web. 15 Dec 2019.

Vancouver:

Cupido CA. Between colour lines : interrogating the category ‘coloured’ in depictions of District Six in the work of five South African artists. [Internet] [Thesis]. Stellenbosch University; 2018. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10019.1/103452.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cupido CA. Between colour lines : interrogating the category ‘coloured’ in depictions of District Six in the work of five South African artists. [Thesis]. Stellenbosch University; 2018. Available from: http://hdl.handle.net/10019.1/103452

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

5. De Beer, Marlene. A visual and textual re-storying of the diary of Susanna Catharina Smit (1799-1863).

Degree: PhD, Visual Arts, 2017, Stellenbosch University

ENGLISH ABSTRACT: This doctoral project, which involves a thesis and a body of artworks, is a re-storying of the muted voices of three of my… (more)

Subjects/Keywords: Smit, Susanna Catharina, 1799-1863  – Criticism and interpretation; Afrikaners  – South Africa  – History; Afrikaner women in art; Afrikaner women  – Biography; Afrikaner female subjectivity; Smit, Susanna Catharina, 1799-1863  – Diaries; Patriarchy  – South Africa; UCTD

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APA (6th Edition):

De Beer, M. (2017). A visual and textual re-storying of the diary of Susanna Catharina Smit (1799-1863). (Doctoral Dissertation). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/102618

Chicago Manual of Style (16th Edition):

De Beer, Marlene. “A visual and textual re-storying of the diary of Susanna Catharina Smit (1799-1863).” 2017. Doctoral Dissertation, Stellenbosch University. Accessed December 15, 2019. http://hdl.handle.net/10019.1/102618.

MLA Handbook (7th Edition):

De Beer, Marlene. “A visual and textual re-storying of the diary of Susanna Catharina Smit (1799-1863).” 2017. Web. 15 Dec 2019.

Vancouver:

De Beer M. A visual and textual re-storying of the diary of Susanna Catharina Smit (1799-1863). [Internet] [Doctoral dissertation]. Stellenbosch University; 2017. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10019.1/102618.

Council of Science Editors:

De Beer M. A visual and textual re-storying of the diary of Susanna Catharina Smit (1799-1863). [Doctoral Dissertation]. Stellenbosch University; 2017. Available from: http://hdl.handle.net/10019.1/102618


Rhodes University

6. Garisch, Margaret Isabel. Consuming pasts : imaging food as Identity and (post)memory in post-apartheid South Africa.

Degree: Faculty of Humanities, Fine Art, 2015, Rhodes University

 This mini-thesis interprets the convergence of food and memory and explores dialectical processes associating food, identity and (post)memory, particularly in the context of post-apartheid South… (more)

Subjects/Keywords: Searle, Berni  – Criticism and interpretation; Madikida, Churchill  – Criticism and interpretation; Food in art; Memory in art; Postcolonialism and the arts; Art  – Themes, motives; Art, Modern  – 21st century

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APA (6th Edition):

Garisch, M. I. (2015). Consuming pasts : imaging food as Identity and (post)memory in post-apartheid South Africa. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1018556

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Garisch, Margaret Isabel. “Consuming pasts : imaging food as Identity and (post)memory in post-apartheid South Africa.” 2015. Thesis, Rhodes University. Accessed December 15, 2019. http://hdl.handle.net/10962/d1018556.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Garisch, Margaret Isabel. “Consuming pasts : imaging food as Identity and (post)memory in post-apartheid South Africa.” 2015. Web. 15 Dec 2019.

Vancouver:

Garisch MI. Consuming pasts : imaging food as Identity and (post)memory in post-apartheid South Africa. [Internet] [Thesis]. Rhodes University; 2015. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10962/d1018556.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Garisch MI. Consuming pasts : imaging food as Identity and (post)memory in post-apartheid South Africa. [Thesis]. Rhodes University; 2015. Available from: http://hdl.handle.net/10962/d1018556

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Johannesburg

7. Janse van Rensburg, Wilhelm Alfred. Die vroulike beginsel in die kuns van Irma Stern.

Degree: 2015, University of Johannesburg

M.A. (Fine Arts)

The predominant artistic motif in the art of Irma Stern is the fecale figure. Stern prefers certain "types" of females in her… (more)

Subjects/Keywords: Women in art; Stern, Irma, 1894-1966 - Criticism and interpretation

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APA (6th Edition):

Janse van Rensburg, W. A. (2015). Die vroulike beginsel in die kuns van Irma Stern. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/14123

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Janse van Rensburg, Wilhelm Alfred. “Die vroulike beginsel in die kuns van Irma Stern.” 2015. Thesis, University of Johannesburg. Accessed December 15, 2019. http://hdl.handle.net/10210/14123.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Janse van Rensburg, Wilhelm Alfred. “Die vroulike beginsel in die kuns van Irma Stern.” 2015. Web. 15 Dec 2019.

Vancouver:

Janse van Rensburg WA. Die vroulike beginsel in die kuns van Irma Stern. [Internet] [Thesis]. University of Johannesburg; 2015. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10210/14123.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Janse van Rensburg WA. Die vroulike beginsel in die kuns van Irma Stern. [Thesis]. University of Johannesburg; 2015. Available from: http://hdl.handle.net/10210/14123

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

8. Kilian, Julie. Traditional and Christian elements in contemporary pictorial African art in South Africa with special reference to the works of John Muafangejo, Azariah Mbatha and Dan Rakgoathe.

Degree: Faculty of Humanities, Fine Art, 1987, Rhodes University

Art is the outward, visual manifestation of the undying soul of a people. The genius displayed in the day to day articles produced in traditional… (more)

Subjects/Keywords: Muafangejo, John N., 1943-1987  – Criticism and interpretation; Christian art and symbolism  – South Africa; Mbatha, Azariah  – Criticism and interpretation; Rakgoathe, Dan  – Criticism and interpretation; Art, Black  – South Africa

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APA (6th Edition):

Kilian, J. (1987). Traditional and Christian elements in contemporary pictorial African art in South Africa with special reference to the works of John Muafangejo, Azariah Mbatha and Dan Rakgoathe. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1012635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kilian, Julie. “Traditional and Christian elements in contemporary pictorial African art in South Africa with special reference to the works of John Muafangejo, Azariah Mbatha and Dan Rakgoathe.” 1987. Thesis, Rhodes University. Accessed December 15, 2019. http://hdl.handle.net/10962/d1012635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kilian, Julie. “Traditional and Christian elements in contemporary pictorial African art in South Africa with special reference to the works of John Muafangejo, Azariah Mbatha and Dan Rakgoathe.” 1987. Web. 15 Dec 2019.

Vancouver:

Kilian J. Traditional and Christian elements in contemporary pictorial African art in South Africa with special reference to the works of John Muafangejo, Azariah Mbatha and Dan Rakgoathe. [Internet] [Thesis]. Rhodes University; 1987. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10962/d1012635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kilian J. Traditional and Christian elements in contemporary pictorial African art in South Africa with special reference to the works of John Muafangejo, Azariah Mbatha and Dan Rakgoathe. [Thesis]. Rhodes University; 1987. Available from: http://hdl.handle.net/10962/d1012635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

9. Kruger, Marieke. Reflecting self : an exploration of drawing trace as reciprocity between self and life-world, with reference to my own drawing and selected works of Diane Victor.

Degree: MA, Visual Arts, 2015, Stellenbosch University

 ENGLISH ABSTRACT: The study postulates that drawing functions as a valuable vehicle that facilitates reciprocity between the drafter and her life-world. This relationship of exchange… (more)

Subjects/Keywords: Self-realization in art; Victor, Diane, 1964-  – Criticism and interpretation; Drawing  – Philosophy; Self-knowledge in art; UCTD

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APA (6th Edition):

Kruger, M. (2015). Reflecting self : an exploration of drawing trace as reciprocity between self and life-world, with reference to my own drawing and selected works of Diane Victor. (Masters Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/96943

Chicago Manual of Style (16th Edition):

Kruger, Marieke. “Reflecting self : an exploration of drawing trace as reciprocity between self and life-world, with reference to my own drawing and selected works of Diane Victor.” 2015. Masters Thesis, Stellenbosch University. Accessed December 15, 2019. http://hdl.handle.net/10019.1/96943.

MLA Handbook (7th Edition):

Kruger, Marieke. “Reflecting self : an exploration of drawing trace as reciprocity between self and life-world, with reference to my own drawing and selected works of Diane Victor.” 2015. Web. 15 Dec 2019.

Vancouver:

Kruger M. Reflecting self : an exploration of drawing trace as reciprocity between self and life-world, with reference to my own drawing and selected works of Diane Victor. [Internet] [Masters thesis]. Stellenbosch University; 2015. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10019.1/96943.

Council of Science Editors:

Kruger M. Reflecting self : an exploration of drawing trace as reciprocity between self and life-world, with reference to my own drawing and selected works of Diane Victor. [Masters Thesis]. Stellenbosch University; 2015. Available from: http://hdl.handle.net/10019.1/96943


Rhodes University

10. Lamprecht, Andrew Paul. Curating the reviled, beloved and quotidian a retrospective of Vladimir Tretchikoff.

Degree: MA, Faculty of Humanities, Fine Art, 2011, Rhodes University

 This thesis aims to contextualise my curation of 'Tretchikoff: The People's Painter' at the Iziko South African National Gallery by outlining the process by which… (more)

Subjects/Keywords: Tretchikoff, Vladimir Criticism and interpretation; Painters  – South Africa  – Criticism and interpretation; Curatorship  – South Africa  – Art; Kitsch

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APA (6th Edition):

Lamprecht, A. P. (2011). Curating the reviled, beloved and quotidian a retrospective of Vladimir Tretchikoff. (Masters Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1002203

Chicago Manual of Style (16th Edition):

Lamprecht, Andrew Paul. “Curating the reviled, beloved and quotidian a retrospective of Vladimir Tretchikoff.” 2011. Masters Thesis, Rhodes University. Accessed December 15, 2019. http://hdl.handle.net/10962/d1002203.

MLA Handbook (7th Edition):

Lamprecht, Andrew Paul. “Curating the reviled, beloved and quotidian a retrospective of Vladimir Tretchikoff.” 2011. Web. 15 Dec 2019.

Vancouver:

Lamprecht AP. Curating the reviled, beloved and quotidian a retrospective of Vladimir Tretchikoff. [Internet] [Masters thesis]. Rhodes University; 2011. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10962/d1002203.

Council of Science Editors:

Lamprecht AP. Curating the reviled, beloved and quotidian a retrospective of Vladimir Tretchikoff. [Masters Thesis]. Rhodes University; 2011. Available from: http://hdl.handle.net/10962/d1002203


Stellenbosch University

11. Louw, Johann(Johannes). Antonin Artaud en Georg Baselitz : 'n psigo-analitiese perspektief as konteks vir my eie skilderwerk.

Degree: Visual Arts, 1991, Stellenbosch University

Werkstuk (M.A.)  – Universiteit van Stellenbosch, 1991.

ENGLISH SUMMARY: In this thesis I shall create a context for my own painting by discussing the works… (more)

Subjects/Keywords: Artaud, Antonin,  – 1896-1948  – Criticism and interpretation; Postmodernism; Art  – Philosophy; Dissertations  – Art; Baselitz, Georg,  – 1938-  – Criticism and interpretation

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APA (6th Edition):

Louw, J. (1991). Antonin Artaud en Georg Baselitz : 'n psigo-analitiese perspektief as konteks vir my eie skilderwerk. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/69101

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Louw, Johann(Johannes). “Antonin Artaud en Georg Baselitz : 'n psigo-analitiese perspektief as konteks vir my eie skilderwerk.” 1991. Thesis, Stellenbosch University. Accessed December 15, 2019. http://hdl.handle.net/10019.1/69101.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Louw, Johann(Johannes). “Antonin Artaud en Georg Baselitz : 'n psigo-analitiese perspektief as konteks vir my eie skilderwerk.” 1991. Web. 15 Dec 2019.

Vancouver:

Louw J. Antonin Artaud en Georg Baselitz : 'n psigo-analitiese perspektief as konteks vir my eie skilderwerk. [Internet] [Thesis]. Stellenbosch University; 1991. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10019.1/69101.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Louw J. Antonin Artaud en Georg Baselitz : 'n psigo-analitiese perspektief as konteks vir my eie skilderwerk. [Thesis]. Stellenbosch University; 1991. Available from: http://hdl.handle.net/10019.1/69101

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Africa

12. Lunga, Majahana John Chonsi. A critical analysis of Wole Soyinka as a dramatist, with special reference to his engagement in contemporary issues.

Degree: 1994, University of South Africa

 This dissertation is mainly on Wole Soyinka as a dramatist. It aims to show that Soyinka, far from being an irrelevant artist as some of… (more)

Subjects/Keywords: Wole Soyinka; Critical analysis; Interpretation,; Criticism,; Critique,; Drama; Dramatic; Dramatist;

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APA (6th Edition):

Lunga, M. J. C. (1994). A critical analysis of Wole Soyinka as a dramatist, with special reference to his engagement in contemporary issues. (Masters Thesis). University of South Africa. Retrieved from http://hdl.handle.net/10500/17262

Chicago Manual of Style (16th Edition):

Lunga, Majahana John Chonsi. “A critical analysis of Wole Soyinka as a dramatist, with special reference to his engagement in contemporary issues.” 1994. Masters Thesis, University of South Africa. Accessed December 15, 2019. http://hdl.handle.net/10500/17262.

MLA Handbook (7th Edition):

Lunga, Majahana John Chonsi. “A critical analysis of Wole Soyinka as a dramatist, with special reference to his engagement in contemporary issues.” 1994. Web. 15 Dec 2019.

Vancouver:

Lunga MJC. A critical analysis of Wole Soyinka as a dramatist, with special reference to his engagement in contemporary issues. [Internet] [Masters thesis]. University of South Africa; 1994. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10500/17262.

Council of Science Editors:

Lunga MJC. A critical analysis of Wole Soyinka as a dramatist, with special reference to his engagement in contemporary issues. [Masters Thesis]. University of South Africa; 1994. Available from: http://hdl.handle.net/10500/17262


Rhodes University

13. Mullins, Nigel Lorraine Griffin. A perspective on the question of the absence or presence of religious beliefs relating to elements of modern artistic endeavour, with special reference to the life and work of Francis Bacon.

Degree: Faculty of Humanities, Fine Art, 1994, Rhodes University

 Preface: An awareness of certain contradictory perceptions and assumptions regarding religious beliefs today and their relevance to art prompted a question which led to the… (more)

Subjects/Keywords: Bacon, Francis, 1909-1992  – Criticism and interpretation; Art and religion

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APA (6th Edition):

Mullins, N. L. G. (1994). A perspective on the question of the absence or presence of religious beliefs relating to elements of modern artistic endeavour, with special reference to the life and work of Francis Bacon. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1007710

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mullins, Nigel Lorraine Griffin. “A perspective on the question of the absence or presence of religious beliefs relating to elements of modern artistic endeavour, with special reference to the life and work of Francis Bacon.” 1994. Thesis, Rhodes University. Accessed December 15, 2019. http://hdl.handle.net/10962/d1007710.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mullins, Nigel Lorraine Griffin. “A perspective on the question of the absence or presence of religious beliefs relating to elements of modern artistic endeavour, with special reference to the life and work of Francis Bacon.” 1994. Web. 15 Dec 2019.

Vancouver:

Mullins NLG. A perspective on the question of the absence or presence of religious beliefs relating to elements of modern artistic endeavour, with special reference to the life and work of Francis Bacon. [Internet] [Thesis]. Rhodes University; 1994. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10962/d1007710.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mullins NLG. A perspective on the question of the absence or presence of religious beliefs relating to elements of modern artistic endeavour, with special reference to the life and work of Francis Bacon. [Thesis]. Rhodes University; 1994. Available from: http://hdl.handle.net/10962/d1007710

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

14. [No author]. Inherent ecology : an examination of sculpture by Walter Oltmann, Andries Botha and Paul Edmunds.

Degree: Fine art, 1995, University of KwaZulu-Natal

 I begin by describing Western culture in the way proposed by Fritjof Capra whose ideas remain seminal to my argument throughout this examination. I argue… (more)

Subjects/Keywords: Oltmann, Walter, 1960-  – Criticism and Interpretation.; Botha, Andries Johannes, 1952-  – Criticism and Interpretation.; Edmunds, Paul Jonathan – Criticism and Interpretation.; Nature (Aesthetics).; Ecology.; Sculpture, Modern – 20Th Century.; Sculptors – South Africa.; Sculpture, South African.; Edmunds, Paul Jonathan.; Fine art.

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APA (6th Edition):

author], [. (1995). Inherent ecology : an examination of sculpture by Walter Oltmann, Andries Botha and Paul Edmunds. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/5990

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Inherent ecology : an examination of sculpture by Walter Oltmann, Andries Botha and Paul Edmunds. ” 1995. Thesis, University of KwaZulu-Natal. Accessed December 15, 2019. http://hdl.handle.net/10413/5990.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Inherent ecology : an examination of sculpture by Walter Oltmann, Andries Botha and Paul Edmunds. ” 1995. Web. 15 Dec 2019.

Vancouver:

author] [. Inherent ecology : an examination of sculpture by Walter Oltmann, Andries Botha and Paul Edmunds. [Internet] [Thesis]. University of KwaZulu-Natal; 1995. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10413/5990.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Inherent ecology : an examination of sculpture by Walter Oltmann, Andries Botha and Paul Edmunds. [Thesis]. University of KwaZulu-Natal; 1995. Available from: http://hdl.handle.net/10413/5990

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

15. [No author]. A particle in a wave : a self-study of an evolving consciousness and its concomitant art production, in the context of twentieth century contemporary spirituality.

Degree: Fine art, 2000, University of KwaZulu-Natal

 In this dissertation the tracing of a personal shift in consciousness is evidenced in my art production and through self-interrogation. Investigations into feminist theology proved… (more)

Subjects/Keywords: Olivier, Audrey, 1947 – Criticism and interpretation.; Women artists – South Africa.; Feminist spirituality.; Spirituality in art.; Mysticism in art.; Gender identity in art.; Consciousness in art.; Fine art.

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APA (6th Edition):

author], [. (2000). A particle in a wave : a self-study of an evolving consciousness and its concomitant art production, in the context of twentieth century contemporary spirituality. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/3518

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “A particle in a wave : a self-study of an evolving consciousness and its concomitant art production, in the context of twentieth century contemporary spirituality. ” 2000. Thesis, University of KwaZulu-Natal. Accessed December 15, 2019. http://hdl.handle.net/10413/3518.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “A particle in a wave : a self-study of an evolving consciousness and its concomitant art production, in the context of twentieth century contemporary spirituality. ” 2000. Web. 15 Dec 2019.

Vancouver:

author] [. A particle in a wave : a self-study of an evolving consciousness and its concomitant art production, in the context of twentieth century contemporary spirituality. [Internet] [Thesis]. University of KwaZulu-Natal; 2000. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10413/3518.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. A particle in a wave : a self-study of an evolving consciousness and its concomitant art production, in the context of twentieth century contemporary spirituality. [Thesis]. University of KwaZulu-Natal; 2000. Available from: http://hdl.handle.net/10413/3518

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

16. [No author]. The animal dimension : an investigation into the signification of animals in Homer and archaic Attic black figure vase painting.

Degree: Classics, 2000, University of KwaZulu-Natal

 The aim of this dissertation was to investigate the representation of specific types of animals as they occurred in Homer and archaic Attic black figure… (more)

Subjects/Keywords: Homer – Criticism and Interpretation.; Vase-Painting, Greek – Greece – Athens.; Animals in literature.; Animals in art.; Classics.

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APA (6th Edition):

author], [. (2000). The animal dimension : an investigation into the signification of animals in Homer and archaic Attic black figure vase painting. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/5799

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “The animal dimension : an investigation into the signification of animals in Homer and archaic Attic black figure vase painting. ” 2000. Thesis, University of KwaZulu-Natal. Accessed December 15, 2019. http://hdl.handle.net/10413/5799.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “The animal dimension : an investigation into the signification of animals in Homer and archaic Attic black figure vase painting. ” 2000. Web. 15 Dec 2019.

Vancouver:

author] [. The animal dimension : an investigation into the signification of animals in Homer and archaic Attic black figure vase painting. [Internet] [Thesis]. University of KwaZulu-Natal; 2000. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10413/5799.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. The animal dimension : an investigation into the signification of animals in Homer and archaic Attic black figure vase painting. [Thesis]. University of KwaZulu-Natal; 2000. Available from: http://hdl.handle.net/10413/5799

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

17. [No author]. South African history painting : reinterpretation by women artists.

Degree: Fine art, 1996, University of KwaZulu-Natal

 The title of this thesis 'South African History Painting : Reinterpretation By Women Artists' indicated that the focus was to be on South African history… (more)

Subjects/Keywords: Printmakers – South Africa.; Women painters – South Africa.; Fine art.; Siopis, Penelope, 1953-  – Criticism and interpretation.; Skotnes, Pippa, 1957-  – Criticism and interpretation.; Women artists – South Africa.; San (African People) in art.; Art and history – South Africa.; Women and art – South Africa.; Art, Modern – 20Th Century – South Africa.

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APA (6th Edition):

author], [. (1996). South African history painting : reinterpretation by women artists. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/5723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “South African history painting : reinterpretation by women artists. ” 1996. Thesis, University of KwaZulu-Natal. Accessed December 15, 2019. http://hdl.handle.net/10413/5723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “South African history painting : reinterpretation by women artists. ” 1996. Web. 15 Dec 2019.

Vancouver:

author] [. South African history painting : reinterpretation by women artists. [Internet] [Thesis]. University of KwaZulu-Natal; 1996. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10413/5723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. South African history painting : reinterpretation by women artists. [Thesis]. University of KwaZulu-Natal; 1996. Available from: http://hdl.handle.net/10413/5723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

18. [No author]. Water in visual art : an investigative study of selected paintings by Joseph Mallord William Turner, Oscar Claude Monet and Pat Steir.

Degree: Fine art, 2004, University of KwaZulu-Natal

 This research examines the significance of water as it has been used as a subject in the visual arts, with particular concentration on the use… (more)

Subjects/Keywords: Turner, Joseph Mallord William, 1775-1851 – Criticism and interpretation.; Monet, Claude, 1840-1926 – Criticism and interpretation.; Steir, Pat, 1940-  – Criticism and interpretation.; Fine art.; Water in art.

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APA (6th Edition):

author], [. (2004). Water in visual art : an investigative study of selected paintings by Joseph Mallord William Turner, Oscar Claude Monet and Pat Steir. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/2869

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Water in visual art : an investigative study of selected paintings by Joseph Mallord William Turner, Oscar Claude Monet and Pat Steir. ” 2004. Thesis, University of KwaZulu-Natal. Accessed December 15, 2019. http://hdl.handle.net/10413/2869.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Water in visual art : an investigative study of selected paintings by Joseph Mallord William Turner, Oscar Claude Monet and Pat Steir. ” 2004. Web. 15 Dec 2019.

Vancouver:

author] [. Water in visual art : an investigative study of selected paintings by Joseph Mallord William Turner, Oscar Claude Monet and Pat Steir. [Internet] [Thesis]. University of KwaZulu-Natal; 2004. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10413/2869.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Water in visual art : an investigative study of selected paintings by Joseph Mallord William Turner, Oscar Claude Monet and Pat Steir. [Thesis]. University of KwaZulu-Natal; 2004. Available from: http://hdl.handle.net/10413/2869

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

19. [No author]. Cross cultural influences in the work of Ian Garrett and Magdalene Odundo.

Degree: Fine art, 2001, University of KwaZulu-Natal

 This thesis explores the ceramic work ofIan Garrett and Magdalene Odundo, in order to examine the manner in which two artists of opposite identity in… (more)

Subjects/Keywords: Odundo, Magdalene, 1950-  – Criticism and interpretation.; Odundo, Magdalene, 1950-  – Interviews.; Garrett, Ian – Interviews.; Garrett, Ian – Criticism and interpretation.; Pottery – 20th century – Cross-cultural studies.; Pottery, African – Influence.; Fine art.

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APA (6th Edition):

author], [. (2001). Cross cultural influences in the work of Ian Garrett and Magdalene Odundo. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/3059

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Cross cultural influences in the work of Ian Garrett and Magdalene Odundo. ” 2001. Thesis, University of KwaZulu-Natal. Accessed December 15, 2019. http://hdl.handle.net/10413/3059.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Cross cultural influences in the work of Ian Garrett and Magdalene Odundo. ” 2001. Web. 15 Dec 2019.

Vancouver:

author] [. Cross cultural influences in the work of Ian Garrett and Magdalene Odundo. [Internet] [Thesis]. University of KwaZulu-Natal; 2001. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10413/3059.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Cross cultural influences in the work of Ian Garrett and Magdalene Odundo. [Thesis]. University of KwaZulu-Natal; 2001. Available from: http://hdl.handle.net/10413/3059

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

20. [No author]. Down to earth : changing attitudes towards nature as reflected in the work of Jenny Cullinan, Lynne Hull and the candidate.

Degree: Fine art, 2001, University of KwaZulu-Natal

 The central purpose of this dissertation is to discuss different ways in which land and the broader natural environment has been used as a vehicle… (more)

Subjects/Keywords: Cullinan, Jenny, 1969-  – Criticism and interpretation.; Hull, Lynne – Criticism and interpretation.; Miller, Diana Mary – Criticism and interpretation.; Nature (Aesthetics); Environment (Art); Women artists – South Africa.; Women artists.; Fine art.

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APA (6th Edition):

author], [. (2001). Down to earth : changing attitudes towards nature as reflected in the work of Jenny Cullinan, Lynne Hull and the candidate. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/3018

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Down to earth : changing attitudes towards nature as reflected in the work of Jenny Cullinan, Lynne Hull and the candidate. ” 2001. Thesis, University of KwaZulu-Natal. Accessed December 15, 2019. http://hdl.handle.net/10413/3018.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Down to earth : changing attitudes towards nature as reflected in the work of Jenny Cullinan, Lynne Hull and the candidate. ” 2001. Web. 15 Dec 2019.

Vancouver:

author] [. Down to earth : changing attitudes towards nature as reflected in the work of Jenny Cullinan, Lynne Hull and the candidate. [Internet] [Thesis]. University of KwaZulu-Natal; 2001. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10413/3018.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Down to earth : changing attitudes towards nature as reflected in the work of Jenny Cullinan, Lynne Hull and the candidate. [Thesis]. University of KwaZulu-Natal; 2001. Available from: http://hdl.handle.net/10413/3018

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

21. [No author]. The presence of metaphor in the work of selected contemporary artists.

Degree: Fine art, 2002, University of KwaZulu-Natal

 This study examines metaphoric expression as an innovative phenomenon in This study examines metaphoric expression as an innovative phenomenon in the creative process and explor.es… (more)

Subjects/Keywords: Metaphor.; Art, Modern – 20Th Century.; Cragg, Tony, 1949-  – Criticism and interpretation.; Quattrocchi, Isabella – Criticism and interpretation.; Ricoeur, Paul, 1913-  – Criticism and interpretation.; Creative ability.; Fine art.

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APA (6th Edition):

author], [. (2002). The presence of metaphor in the work of selected contemporary artists. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/4146

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “The presence of metaphor in the work of selected contemporary artists. ” 2002. Thesis, University of KwaZulu-Natal. Accessed December 15, 2019. http://hdl.handle.net/10413/4146.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “The presence of metaphor in the work of selected contemporary artists. ” 2002. Web. 15 Dec 2019.

Vancouver:

author] [. The presence of metaphor in the work of selected contemporary artists. [Internet] [Thesis]. University of KwaZulu-Natal; 2002. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10413/4146.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. The presence of metaphor in the work of selected contemporary artists. [Thesis]. University of KwaZulu-Natal; 2002. Available from: http://hdl.handle.net/10413/4146

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

22. Pycroft, Hayley. Beyond Afrocentricism and Orientalism contemporary representations of transnational identities in the works of Nontsikelelo "Lolo" Veleko and Tracy Payne.

Degree: Faculty of Humanities, Fine Art, 2010, Rhodes University

 South African photographer Nontsikelelo “Lolo” Veleko and South African painter Tracy Payne explore different ways of communicating African realities. The visual imagery of these two… (more)

Subjects/Keywords: Veleko, Nontsikelelo  – Criticism and interpretation; Payne, Tracy, 1965-  – Criticism and interpretation; Afrocentrism; Orientalism; Art and race; Art and society; Gender identity in art; Art  – Political aspects; Photographers  – South Africa; Painters  – South Africa

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APA (6th Edition):

Pycroft, H. (2010). Beyond Afrocentricism and Orientalism contemporary representations of transnational identities in the works of Nontsikelelo "Lolo" Veleko and Tracy Payne. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1002216

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pycroft, Hayley. “Beyond Afrocentricism and Orientalism contemporary representations of transnational identities in the works of Nontsikelelo "Lolo" Veleko and Tracy Payne.” 2010. Thesis, Rhodes University. Accessed December 15, 2019. http://hdl.handle.net/10962/d1002216.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pycroft, Hayley. “Beyond Afrocentricism and Orientalism contemporary representations of transnational identities in the works of Nontsikelelo "Lolo" Veleko and Tracy Payne.” 2010. Web. 15 Dec 2019.

Vancouver:

Pycroft H. Beyond Afrocentricism and Orientalism contemporary representations of transnational identities in the works of Nontsikelelo "Lolo" Veleko and Tracy Payne. [Internet] [Thesis]. Rhodes University; 2010. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10962/d1002216.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pycroft H. Beyond Afrocentricism and Orientalism contemporary representations of transnational identities in the works of Nontsikelelo "Lolo" Veleko and Tracy Payne. [Thesis]. Rhodes University; 2010. Available from: http://hdl.handle.net/10962/d1002216

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

23. Rheeder, Elle-Sandrah. Pathologies of vision : representations of deviant women and the cyborg body.

Degree: MA, Faculty of Humanities, Fine Art, 2015, Rhodes University

 This thesis investigates the figure of the cyborg as conceptualised by Donna Haraway in The Cyborg Manifesto (1991). The figure of the cyborg, as a… (more)

Subjects/Keywords: Haraway, Donna Jeanne  – Criticism and interpretation; Deviant behavior in art; Cyborgs in art; Cyborgs in motion pictures; Women in art; Socialist feminism; Hysteria in literature; Hysteria  – History; Science fiction  – History and criticism; Visual communication in art

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APA (6th Edition):

Rheeder, E. (2015). Pathologies of vision : representations of deviant women and the cyborg body. (Masters Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1020319

Chicago Manual of Style (16th Edition):

Rheeder, Elle-Sandrah. “Pathologies of vision : representations of deviant women and the cyborg body.” 2015. Masters Thesis, Rhodes University. Accessed December 15, 2019. http://hdl.handle.net/10962/d1020319.

MLA Handbook (7th Edition):

Rheeder, Elle-Sandrah. “Pathologies of vision : representations of deviant women and the cyborg body.” 2015. Web. 15 Dec 2019.

Vancouver:

Rheeder E. Pathologies of vision : representations of deviant women and the cyborg body. [Internet] [Masters thesis]. Rhodes University; 2015. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10962/d1020319.

Council of Science Editors:

Rheeder E. Pathologies of vision : representations of deviant women and the cyborg body. [Masters Thesis]. Rhodes University; 2015. Available from: http://hdl.handle.net/10962/d1020319


Rhodes University

24. Samwanda, Biggie. Postcolonial monuments and public sculpture in Zimbabwe.

Degree: Faculty of Humanities, Fine Art, 2013, Rhodes University

The study critically examines public art in postcolonial Zimbabwe‘s cities of Harare and Bulawayo. In a case by case approach, I analyse the National Heroes… (more)

Subjects/Keywords: Benhura, Dominic, 1968-  – Criticism and interpretation; Madebe, Adam  – Criticism and interpretation; Postcolonialism and the arts; Monuments  – Zimbabwe; Public sculpture  – Zimbabwe; Art  – Political aspects  – Zimbabwe; Collective memory in art  – Zimbabwe; Old Bulawayo (Zimbabwe); National Heroes Acre (Zimbabwe)

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APA (6th Edition):

Samwanda, B. (2013). Postcolonial monuments and public sculpture in Zimbabwe. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1006825

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Samwanda, Biggie. “Postcolonial monuments and public sculpture in Zimbabwe.” 2013. Thesis, Rhodes University. Accessed December 15, 2019. http://hdl.handle.net/10962/d1006825.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Samwanda, Biggie. “Postcolonial monuments and public sculpture in Zimbabwe.” 2013. Web. 15 Dec 2019.

Vancouver:

Samwanda B. Postcolonial monuments and public sculpture in Zimbabwe. [Internet] [Thesis]. Rhodes University; 2013. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10962/d1006825.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Samwanda B. Postcolonial monuments and public sculpture in Zimbabwe. [Thesis]. Rhodes University; 2013. Available from: http://hdl.handle.net/10962/d1006825

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

25. Taggart, Emma. Corporeal identification in selected works by Berni Searle.

Degree: Faculty of Humanities, Fine Art, 2008, Rhodes University

Through a detailed analysis of a selection of works produced between 1999 and 2003 by the South African artist Berni Searle, this thesis explores the… (more)

Subjects/Keywords: Searle, Berni; Lacan, Jacques, 1901-1981  – Criticism and interpretation; Merleau-Ponty, Maurice, 1908-1961  – Criticism and interpretation; Women artists  – South Africa; Body art  – South Africa; Self-portraits

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APA (6th Edition):

Taggart, E. (2008). Corporeal identification in selected works by Berni Searle. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1004576

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Taggart, Emma. “Corporeal identification in selected works by Berni Searle.” 2008. Thesis, Rhodes University. Accessed December 15, 2019. http://hdl.handle.net/10962/d1004576.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Taggart, Emma. “Corporeal identification in selected works by Berni Searle.” 2008. Web. 15 Dec 2019.

Vancouver:

Taggart E. Corporeal identification in selected works by Berni Searle. [Internet] [Thesis]. Rhodes University; 2008. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10962/d1004576.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Taggart E. Corporeal identification in selected works by Berni Searle. [Thesis]. Rhodes University; 2008. Available from: http://hdl.handle.net/10962/d1004576

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Durban University of Technology

26. Van der Merwe, Celeste. The relationship between script and image with specific reference to the work of Celeste van der Merwe, Willem Boshoff and Barbara Kruger.

Degree: 2012, Durban University of Technology

Thesis submitted in partial fulfillment of the requirements for the Degree of Master of Technology in Fine Art, Durban University of Technology, 2011.

The crux… (more)

Subjects/Keywords: Van der Merwe, Celeste; Boshoff, Willem, 1951-; Kruger, Barbara, 1945-; Artists – Criticism and interpretation; Words in art; Letters in art; Art and literature; Art and society; Art, Modern – 20th century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Van der Merwe, C. (2012). The relationship between script and image with specific reference to the work of Celeste van der Merwe, Willem Boshoff and Barbara Kruger. (Thesis). Durban University of Technology. Retrieved from http://hdl.handle.net/10321/764

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Van der Merwe, Celeste. “The relationship between script and image with specific reference to the work of Celeste van der Merwe, Willem Boshoff and Barbara Kruger.” 2012. Thesis, Durban University of Technology. Accessed December 15, 2019. http://hdl.handle.net/10321/764.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Van der Merwe, Celeste. “The relationship between script and image with specific reference to the work of Celeste van der Merwe, Willem Boshoff and Barbara Kruger.” 2012. Web. 15 Dec 2019.

Vancouver:

Van der Merwe C. The relationship between script and image with specific reference to the work of Celeste van der Merwe, Willem Boshoff and Barbara Kruger. [Internet] [Thesis]. Durban University of Technology; 2012. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10321/764.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Van der Merwe C. The relationship between script and image with specific reference to the work of Celeste van der Merwe, Willem Boshoff and Barbara Kruger. [Thesis]. Durban University of Technology; 2012. Available from: http://hdl.handle.net/10321/764

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Van Wyk, Sophia Albertina. Use of material and biomorphic form as a means to convey aspects of gendered and cultural identity constructs with emphasis on selected works by Nicholas Hlobo.

Degree: 2015, University of Johannesburg

M.Tech. (Fine Art)

In this study, I explore the way in which materials and biomorphic forms are used in selected artworks to convey aspects of… (more)

Subjects/Keywords: Hlobo, Nicholas, 1975- - Criticism and interpretation; Van Wyk, Sophia; Biomorphism (Art movement); Group identity in art; Gender identity in art; Sculpture, South African

…an openness of interpretation. Although their meaning might be open-ended, and although… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Van Wyk, S. A. (2015). Use of material and biomorphic form as a means to convey aspects of gendered and cultural identity constructs with emphasis on selected works by Nicholas Hlobo. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/14019

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Van Wyk, Sophia Albertina. “Use of material and biomorphic form as a means to convey aspects of gendered and cultural identity constructs with emphasis on selected works by Nicholas Hlobo.” 2015. Thesis, University of Johannesburg. Accessed December 15, 2019. http://hdl.handle.net/10210/14019.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Van Wyk, Sophia Albertina. “Use of material and biomorphic form as a means to convey aspects of gendered and cultural identity constructs with emphasis on selected works by Nicholas Hlobo.” 2015. Web. 15 Dec 2019.

Vancouver:

Van Wyk SA. Use of material and biomorphic form as a means to convey aspects of gendered and cultural identity constructs with emphasis on selected works by Nicholas Hlobo. [Internet] [Thesis]. University of Johannesburg; 2015. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10210/14019.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Van Wyk SA. Use of material and biomorphic form as a means to convey aspects of gendered and cultural identity constructs with emphasis on selected works by Nicholas Hlobo. [Thesis]. University of Johannesburg; 2015. Available from: http://hdl.handle.net/10210/14019

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.