Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

University: McGill University

You searched for subject:(Art AND Interpretation). Showing records 1 – 20 of 20 total matches.

Search Limiters

Last 2 Years | English Only

▼ Search Limiters


McGill University

1. Di Giorgio, Virginie. L'art comme reflet des relations amoureuses chez Yourcenar.

Degree: MA, Département de langue et littérature françaises., 1999, McGill University

In this thesis, we have attempted to bring to the fore the existence of a tacit or explicit link between the descriptions of works of… (more)

Subjects/Keywords: Yourcenar, Marguerite  – Criticism and interpretation.; Art in literature.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Di Giorgio, V. (1999). L'art comme reflet des relations amoureuses chez Yourcenar. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile30160.pdf

Chicago Manual of Style (16th Edition):

Di Giorgio, Virginie. “L'art comme reflet des relations amoureuses chez Yourcenar.” 1999. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile30160.pdf.

MLA Handbook (7th Edition):

Di Giorgio, Virginie. “L'art comme reflet des relations amoureuses chez Yourcenar.” 1999. Web. 14 Oct 2019.

Vancouver:

Di Giorgio V. L'art comme reflet des relations amoureuses chez Yourcenar. [Internet] [Masters thesis]. McGill University; 1999. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile30160.pdf.

Council of Science Editors:

Di Giorgio V. L'art comme reflet des relations amoureuses chez Yourcenar. [Masters Thesis]. McGill University; 1999. Available from: http://digitool.library.mcgill.ca/thesisfile30160.pdf


McGill University

2. Millard, Michèle. An analysis of the critical discourse on the work of Eva Hesse.

Degree: MA, Department of Art History., 1991, McGill University

This thesis is an analytical study of the various critical approaches taken to the work of Eva Hesse and their underlying methodologies and theoretical assumptions.… (more)

Subjects/Keywords: Hesse, Eva, 1936-1970  – Criticism and interpretation; Art criticism

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Millard, M. (1991). An analysis of the critical discourse on the work of Eva Hesse. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile61138.pdf

Chicago Manual of Style (16th Edition):

Millard, Michèle. “An analysis of the critical discourse on the work of Eva Hesse.” 1991. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile61138.pdf.

MLA Handbook (7th Edition):

Millard, Michèle. “An analysis of the critical discourse on the work of Eva Hesse.” 1991. Web. 14 Oct 2019.

Vancouver:

Millard M. An analysis of the critical discourse on the work of Eva Hesse. [Internet] [Masters thesis]. McGill University; 1991. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile61138.pdf.

Council of Science Editors:

Millard M. An analysis of the critical discourse on the work of Eva Hesse. [Masters Thesis]. McGill University; 1991. Available from: http://digitool.library.mcgill.ca/thesisfile61138.pdf


McGill University

3. Jemtrud, Michael. Work as process : Peter Greenaway's twisting of technology.

Degree: M. Arch., School of Architecture., 2000, McGill University

 An artwork does not obliterate the traces of its making. In the contemporary technological context such "untidiness" is effectively erased through instrumental methods of production.… (more)

Subjects/Keywords: Greenaway, Peter  – Criticism and interpretation; Space (Art)

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jemtrud, M. (2000). Work as process : Peter Greenaway's twisting of technology. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile30134.pdf

Chicago Manual of Style (16th Edition):

Jemtrud, Michael. “Work as process : Peter Greenaway's twisting of technology.” 2000. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile30134.pdf.

MLA Handbook (7th Edition):

Jemtrud, Michael. “Work as process : Peter Greenaway's twisting of technology.” 2000. Web. 14 Oct 2019.

Vancouver:

Jemtrud M. Work as process : Peter Greenaway's twisting of technology. [Internet] [Masters thesis]. McGill University; 2000. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile30134.pdf.

Council of Science Editors:

Jemtrud M. Work as process : Peter Greenaway's twisting of technology. [Masters Thesis]. McGill University; 2000. Available from: http://digitool.library.mcgill.ca/thesisfile30134.pdf


McGill University

4. Vigneault, Louise, 1965-. La question identitaire dans l'art moderne québécois.

Degree: PhD, Department of Art History., 2000, McGill University

 The following study traces modern Quebecois art from the beginning of the twentieth century with specific reference to the question of the redefinition of identity.… (more)

Subjects/Keywords: Art, French-Canadian  – Québec (Province)  – 20th century.; Sullivan, Françoise, 1925-  – Criticism and interpretation.; Borduas, Paul-Emile, 1905-1960  – Criticism and interpretation.; Riopelle, Jean Paul  – Criticism and interpretation.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vigneault, Louise, 1. (2000). La question identitaire dans l'art moderne québécois. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile36725.pdf

Chicago Manual of Style (16th Edition):

Vigneault, Louise, 1965-. “La question identitaire dans l'art moderne québécois.” 2000. Doctoral Dissertation, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile36725.pdf.

MLA Handbook (7th Edition):

Vigneault, Louise, 1965-. “La question identitaire dans l'art moderne québécois.” 2000. Web. 14 Oct 2019.

Vancouver:

Vigneault, Louise 1. La question identitaire dans l'art moderne québécois. [Internet] [Doctoral dissertation]. McGill University; 2000. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile36725.pdf.

Council of Science Editors:

Vigneault, Louise 1. La question identitaire dans l'art moderne québécois. [Doctoral Dissertation]. McGill University; 2000. Available from: http://digitool.library.mcgill.ca/thesisfile36725.pdf


McGill University

5. Meyer, Rüdiger. Peter Paul Rubens and colour theory : an assessment of the evidence.

Degree: PhD, Department of Art History., 1995, McGill University

Peter Paul Rubens' creative genius, as expressed with consummate mastery in his paintings, is but one of the many elements that have compounded to establish… (more)

Subjects/Keywords: Rubens, Peter Paul, Sir, 1577-1640  – Criticism and interpretation; Color in art

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Meyer, R. (1995). Peter Paul Rubens and colour theory : an assessment of the evidence. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile28850.pdf

Chicago Manual of Style (16th Edition):

Meyer, Rüdiger. “Peter Paul Rubens and colour theory : an assessment of the evidence.” 1995. Doctoral Dissertation, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile28850.pdf.

MLA Handbook (7th Edition):

Meyer, Rüdiger. “Peter Paul Rubens and colour theory : an assessment of the evidence.” 1995. Web. 14 Oct 2019.

Vancouver:

Meyer R. Peter Paul Rubens and colour theory : an assessment of the evidence. [Internet] [Doctoral dissertation]. McGill University; 1995. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile28850.pdf.

Council of Science Editors:

Meyer R. Peter Paul Rubens and colour theory : an assessment of the evidence. [Doctoral Dissertation]. McGill University; 1995. Available from: http://digitool.library.mcgill.ca/thesisfile28850.pdf


McGill University

6. Jones, Ariane. Giacomo Manzù as a religious artist.

Degree: MA, Faculty of Religious Studies., 1989, McGill University

Subjects/Keywords: Manzù, Giacomo, 1908-  – Criticism and interpretation.; Christian art and symbolism

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jones, A. (1989). Giacomo Manzù as a religious artist. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile55606.pdf

Chicago Manual of Style (16th Edition):

Jones, Ariane. “Giacomo Manzù as a religious artist.” 1989. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile55606.pdf.

MLA Handbook (7th Edition):

Jones, Ariane. “Giacomo Manzù as a religious artist.” 1989. Web. 14 Oct 2019.

Vancouver:

Jones A. Giacomo Manzù as a religious artist. [Internet] [Masters thesis]. McGill University; 1989. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile55606.pdf.

Council of Science Editors:

Jones A. Giacomo Manzù as a religious artist. [Masters Thesis]. McGill University; 1989. Available from: http://digitool.library.mcgill.ca/thesisfile55606.pdf


McGill University

7. Burton, Samantha. Re-mapping modernity : the sites and sights of Helen McNicoll (1879-1915).

Degree: MA, Department of Art History and Communication Studies., 2005, McGill University

 Canadian artist Helen McNicoll (1879-1915) has long been neglected in art historical scholarship. Although well-known and well-regarded during her lifetime, her work has since been… (more)

Subjects/Keywords: McNicoll, Helen, 1879-1915  – Criticism and interpretation; Women painters  – Canadian.; Tourism and art.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Burton, S. (2005). Re-mapping modernity : the sites and sights of Helen McNicoll (1879-1915). (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile83172.pdf

Chicago Manual of Style (16th Edition):

Burton, Samantha. “Re-mapping modernity : the sites and sights of Helen McNicoll (1879-1915).” 2005. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile83172.pdf.

MLA Handbook (7th Edition):

Burton, Samantha. “Re-mapping modernity : the sites and sights of Helen McNicoll (1879-1915).” 2005. Web. 14 Oct 2019.

Vancouver:

Burton S. Re-mapping modernity : the sites and sights of Helen McNicoll (1879-1915). [Internet] [Masters thesis]. McGill University; 2005. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile83172.pdf.

Council of Science Editors:

Burton S. Re-mapping modernity : the sites and sights of Helen McNicoll (1879-1915). [Masters Thesis]. McGill University; 2005. Available from: http://digitool.library.mcgill.ca/thesisfile83172.pdf


McGill University

8. Kiriloff, Vera. How does what's bred in the bone come out in the flesh? : Devora Neumark's interventions and the concept of flesh.

Degree: MA, Department of Art History and Communication Studies., 2005, McGill University

 This thesis examines seven of Devora Neumark's artistic interventions that activate an embodied transfer or continuity of knowledge. I am inspired by phenomenologist Maurice Merleau-Ponty's… (more)

Subjects/Keywords: Neumark, Devora, 1959-  – Criticism and interpretation.; Interactive art  – Québec (Province)  – Montréal.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kiriloff, V. (2005). How does what's bred in the bone come out in the flesh? : Devora Neumark's interventions and the concept of flesh. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile98543.pdf

Chicago Manual of Style (16th Edition):

Kiriloff, Vera. “How does what's bred in the bone come out in the flesh? : Devora Neumark's interventions and the concept of flesh.” 2005. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile98543.pdf.

MLA Handbook (7th Edition):

Kiriloff, Vera. “How does what's bred in the bone come out in the flesh? : Devora Neumark's interventions and the concept of flesh.” 2005. Web. 14 Oct 2019.

Vancouver:

Kiriloff V. How does what's bred in the bone come out in the flesh? : Devora Neumark's interventions and the concept of flesh. [Internet] [Masters thesis]. McGill University; 2005. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile98543.pdf.

Council of Science Editors:

Kiriloff V. How does what's bred in the bone come out in the flesh? : Devora Neumark's interventions and the concept of flesh. [Masters Thesis]. McGill University; 2005. Available from: http://digitool.library.mcgill.ca/thesisfile98543.pdf


McGill University

9. Boyle, Amy L. Marcel Broodthaers and Fred Wilson : contemporary strategies for institutional criticism.

Degree: MA, Department of Art History and Communication Studies., 2005, McGill University

 This thesis compares two contemporary artists who practice institutional criticism, Marcel Broodthaers and Fred Wilson. Looking specifically at Broodthaers's fictional museum project the Musee d… (more)

Subjects/Keywords: Broodthaers, Marcel  – Criticism and interpretation.; Wilson, Fred, 1954-  – Criticism and interpretation.; Art museums  – Exhibitions  – History  – 20th century.; Museum exhibits  – Political aspects.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Boyle, A. L. (2005). Marcel Broodthaers and Fred Wilson : contemporary strategies for institutional criticism. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile98914.pdf

Chicago Manual of Style (16th Edition):

Boyle, Amy L. “Marcel Broodthaers and Fred Wilson : contemporary strategies for institutional criticism.” 2005. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile98914.pdf.

MLA Handbook (7th Edition):

Boyle, Amy L. “Marcel Broodthaers and Fred Wilson : contemporary strategies for institutional criticism.” 2005. Web. 14 Oct 2019.

Vancouver:

Boyle AL. Marcel Broodthaers and Fred Wilson : contemporary strategies for institutional criticism. [Internet] [Masters thesis]. McGill University; 2005. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile98914.pdf.

Council of Science Editors:

Boyle AL. Marcel Broodthaers and Fred Wilson : contemporary strategies for institutional criticism. [Masters Thesis]. McGill University; 2005. Available from: http://digitool.library.mcgill.ca/thesisfile98914.pdf


McGill University

10. Mulley, Elizabeth. Women and children in context : Laura Muntz and representation of maternity.

Degree: PhD, Department of Art History., 2000, McGill University

 This thesis is concerned with several aspects of the life and work of the Canadian painter Laura Muntz (1860 – 1930). It examines in particular Muntz's… (more)

Subjects/Keywords: Muntz, Laura  – Criticism and interpretation.; Painting, Canadian  – 19th century.; Painting, Canadian  – 20th century.; Women in art.; Children in art.; Painters  – Canada  – Biography.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mulley, E. (2000). Women and children in context : Laura Muntz and representation of maternity. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile36781.pdf

Chicago Manual of Style (16th Edition):

Mulley, Elizabeth. “Women and children in context : Laura Muntz and representation of maternity.” 2000. Doctoral Dissertation, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile36781.pdf.

MLA Handbook (7th Edition):

Mulley, Elizabeth. “Women and children in context : Laura Muntz and representation of maternity.” 2000. Web. 14 Oct 2019.

Vancouver:

Mulley E. Women and children in context : Laura Muntz and representation of maternity. [Internet] [Doctoral dissertation]. McGill University; 2000. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile36781.pdf.

Council of Science Editors:

Mulley E. Women and children in context : Laura Muntz and representation of maternity. [Doctoral Dissertation]. McGill University; 2000. Available from: http://digitool.library.mcgill.ca/thesisfile36781.pdf


McGill University

11. Boetzkes, Amanda. Berlin in disorder : the representation of nature in the works of George Grosz.

Degree: MA, Department of Art History and Communication Studies., 2002, McGill University

 George Grosz's paintings and drawings of Berlin during the Weimar period demonstrate a complex matrix of tensions between nature and the urban experience. In his… (more)

Subjects/Keywords: Grosz, George, 1893-1959  – Criticism and interpretation; Berlin (Germany)  – In art; Germany  – History  – 1918-1933  – Caricatures and cartoons; Neue Sachlichkeit (Art)  – Germany

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Boetzkes, A. (2002). Berlin in disorder : the representation of nature in the works of George Grosz. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile79288.pdf

Chicago Manual of Style (16th Edition):

Boetzkes, Amanda. “Berlin in disorder : the representation of nature in the works of George Grosz.” 2002. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile79288.pdf.

MLA Handbook (7th Edition):

Boetzkes, Amanda. “Berlin in disorder : the representation of nature in the works of George Grosz.” 2002. Web. 14 Oct 2019.

Vancouver:

Boetzkes A. Berlin in disorder : the representation of nature in the works of George Grosz. [Internet] [Masters thesis]. McGill University; 2002. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile79288.pdf.

Council of Science Editors:

Boetzkes A. Berlin in disorder : the representation of nature in the works of George Grosz. [Masters Thesis]. McGill University; 2002. Available from: http://digitool.library.mcgill.ca/thesisfile79288.pdf


McGill University

12. Currie, Morgan. Signifying the supernatural : ineffable presence in Bernini's Altieri chapel.

Degree: MA, Department of Art History., 1999, McGill University

Gianlorenzo Bernini's Altieri Chapel possesses an aesthetic splendour that continues to captivate modern viewers. However, despite the recent publication of Shelly Karen Perlove and Giovanni… (more)

Subjects/Keywords: Bernini, Gian Lorenzo, 1598-1680  – Criticism and interpretation.; Altieri Chapel.; Ineffable, The, in art.; Christian art and symbolism  – Italy  – Rome  – Modern period, 1500-

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Currie, M. (1999). Signifying the supernatural : ineffable presence in Bernini's Altieri chapel. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile21204.pdf

Chicago Manual of Style (16th Edition):

Currie, Morgan. “Signifying the supernatural : ineffable presence in Bernini's Altieri chapel.” 1999. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile21204.pdf.

MLA Handbook (7th Edition):

Currie, Morgan. “Signifying the supernatural : ineffable presence in Bernini's Altieri chapel.” 1999. Web. 14 Oct 2019.

Vancouver:

Currie M. Signifying the supernatural : ineffable presence in Bernini's Altieri chapel. [Internet] [Masters thesis]. McGill University; 1999. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile21204.pdf.

Council of Science Editors:

Currie M. Signifying the supernatural : ineffable presence in Bernini's Altieri chapel. [Masters Thesis]. McGill University; 1999. Available from: http://digitool.library.mcgill.ca/thesisfile21204.pdf


McGill University

13. Chadwick, Catherine Mary. Wassily Kandinsky and the Gesamtkunstwerk tradition : the role of south German baroque architecture in Kandinsky's move to abstraction.

Degree: MA, Department of Art History., 1986, McGill University

Subjects/Keywords: Kandinsky, Wassily, 1866-1944  – Criticism and interpretation.; Architecture, Baroque  – Germany  – Influence.; Church architecture  – Germany  – Influence.; Art, Baroque  – Germany  – Influence.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chadwick, C. M. (1986). Wassily Kandinsky and the Gesamtkunstwerk tradition : the role of south German baroque architecture in Kandinsky's move to abstraction. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile65454.pdf

Chicago Manual of Style (16th Edition):

Chadwick, Catherine Mary. “Wassily Kandinsky and the Gesamtkunstwerk tradition : the role of south German baroque architecture in Kandinsky's move to abstraction.” 1986. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile65454.pdf.

MLA Handbook (7th Edition):

Chadwick, Catherine Mary. “Wassily Kandinsky and the Gesamtkunstwerk tradition : the role of south German baroque architecture in Kandinsky's move to abstraction.” 1986. Web. 14 Oct 2019.

Vancouver:

Chadwick CM. Wassily Kandinsky and the Gesamtkunstwerk tradition : the role of south German baroque architecture in Kandinsky's move to abstraction. [Internet] [Masters thesis]. McGill University; 1986. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile65454.pdf.

Council of Science Editors:

Chadwick CM. Wassily Kandinsky and the Gesamtkunstwerk tradition : the role of south German baroque architecture in Kandinsky's move to abstraction. [Masters Thesis]. McGill University; 1986. Available from: http://digitool.library.mcgill.ca/thesisfile65454.pdf


McGill University

14. Lacroix, Michel, 1969-. La beaute comme violence : la dimension esthetique du fascisme francais, 1919-1939.

Degree: PhD, Département de langue et littérature françaises., 2000, McGill University

Everything about fascism is aesthetic: this is what our thesis aims to demonstrate, based on the example of interwar French Fascism (1919 – 1939). It studies… (more)

Subjects/Keywords: Drieu La Rochelle, Pierre, 1893-1945  – Criticism and interpretation.; Fascism  – France.; Fascism and art  – France.; Aesthetics, French  – 20th century.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lacroix, Michel, 1. (2000). La beaute comme violence : la dimension esthetique du fascisme francais, 1919-1939. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile37754.pdf

Chicago Manual of Style (16th Edition):

Lacroix, Michel, 1969-. “La beaute comme violence : la dimension esthetique du fascisme francais, 1919-1939.” 2000. Doctoral Dissertation, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile37754.pdf.

MLA Handbook (7th Edition):

Lacroix, Michel, 1969-. “La beaute comme violence : la dimension esthetique du fascisme francais, 1919-1939.” 2000. Web. 14 Oct 2019.

Vancouver:

Lacroix, Michel 1. La beaute comme violence : la dimension esthetique du fascisme francais, 1919-1939. [Internet] [Doctoral dissertation]. McGill University; 2000. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile37754.pdf.

Council of Science Editors:

Lacroix, Michel 1. La beaute comme violence : la dimension esthetique du fascisme francais, 1919-1939. [Doctoral Dissertation]. McGill University; 2000. Available from: http://digitool.library.mcgill.ca/thesisfile37754.pdf


McGill University

15. Stiebeling, Detlef. Traditional iconographic themes in a Victorian context : paintings by Sir John Everett Millais between 1848 and 1860.

Degree: PhD, Department of Art History., 1986, McGill University

Subjects/Keywords: Millais, John Everett, Sir, 1829-1896  – Criticism and interpretation.; Symbolism in art; Oxford movement; Pre-Raphaelites.; Painting  – Themes, motives

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stiebeling, D. (1986). Traditional iconographic themes in a Victorian context : paintings by Sir John Everett Millais between 1848 and 1860. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile73982.pdf

Chicago Manual of Style (16th Edition):

Stiebeling, Detlef. “Traditional iconographic themes in a Victorian context : paintings by Sir John Everett Millais between 1848 and 1860.” 1986. Doctoral Dissertation, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile73982.pdf.

MLA Handbook (7th Edition):

Stiebeling, Detlef. “Traditional iconographic themes in a Victorian context : paintings by Sir John Everett Millais between 1848 and 1860.” 1986. Web. 14 Oct 2019.

Vancouver:

Stiebeling D. Traditional iconographic themes in a Victorian context : paintings by Sir John Everett Millais between 1848 and 1860. [Internet] [Doctoral dissertation]. McGill University; 1986. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile73982.pdf.

Council of Science Editors:

Stiebeling D. Traditional iconographic themes in a Victorian context : paintings by Sir John Everett Millais between 1848 and 1860. [Doctoral Dissertation]. McGill University; 1986. Available from: http://digitool.library.mcgill.ca/thesisfile73982.pdf


McGill University

16. Rosshandler, Michelle. A historiography of idealized portraits of women in Renaissance Italy : the idea of beauty in Titian's La Bella.

Degree: MA, Department of Art History and Communication Studies., 2004, McGill University

 Renaissance art historians concur that women were characteristically depicted as ideal types in Renaissance portraiture. Nonetheless, the historiography of portraits of women in Renaissance Italy… (more)

Subjects/Keywords: Titian, ca. 1488-1576  – Criticism and interpretation; Portrait painting, Renaissance  – Italy; Women in art

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rosshandler, M. (2004). A historiography of idealized portraits of women in Renaissance Italy : the idea of beauty in Titian's La Bella. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile83147.pdf

Chicago Manual of Style (16th Edition):

Rosshandler, Michelle. “A historiography of idealized portraits of women in Renaissance Italy : the idea of beauty in Titian's La Bella.” 2004. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile83147.pdf.

MLA Handbook (7th Edition):

Rosshandler, Michelle. “A historiography of idealized portraits of women in Renaissance Italy : the idea of beauty in Titian's La Bella.” 2004. Web. 14 Oct 2019.

Vancouver:

Rosshandler M. A historiography of idealized portraits of women in Renaissance Italy : the idea of beauty in Titian's La Bella. [Internet] [Masters thesis]. McGill University; 2004. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile83147.pdf.

Council of Science Editors:

Rosshandler M. A historiography of idealized portraits of women in Renaissance Italy : the idea of beauty in Titian's La Bella. [Masters Thesis]. McGill University; 2004. Available from: http://digitool.library.mcgill.ca/thesisfile83147.pdf


McGill University

17. Taylor, Chloë. The aesthetics of sadism and masochism in Italian renaissance painting.

Degree: MA, Department of Art History and Communication Studies., 2002, McGill University

 This thesis analyses selected paintings and aspects of life of the Italian Renaissance in terms of the aesthetic properties of sadistic and masochistic symptomatologies and… (more)

Subjects/Keywords: Titian, ca. 1488-1576  – Criticism and interpretation; Botticelli, Sandro, 1444 or 5-1510. Story of Nastaglio degli Onesti; Painting, Renaissance  – Italy  – Themes, motives.; Sex in art.; Sadism.; Masochism.; Rape in art.; Sex role  – Italy  – History  – 16th century.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Taylor, C. (2002). The aesthetics of sadism and masochism in Italian renaissance painting. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile79810.pdf

Chicago Manual of Style (16th Edition):

Taylor, Chloë. “The aesthetics of sadism and masochism in Italian renaissance painting.” 2002. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile79810.pdf.

MLA Handbook (7th Edition):

Taylor, Chloë. “The aesthetics of sadism and masochism in Italian renaissance painting.” 2002. Web. 14 Oct 2019.

Vancouver:

Taylor C. The aesthetics of sadism and masochism in Italian renaissance painting. [Internet] [Masters thesis]. McGill University; 2002. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile79810.pdf.

Council of Science Editors:

Taylor C. The aesthetics of sadism and masochism in Italian renaissance painting. [Masters Thesis]. McGill University; 2002. Available from: http://digitool.library.mcgill.ca/thesisfile79810.pdf


McGill University

18. Martin, Cécile. Embodiments of art, narratives of architecture : in the Sir John Soane Museum.

Degree: M. Arch., School of Architecture., 2000, McGill University

 Sir John Soane (1753 – 1837) is an intriguing character. This architect has transformed his London House into a Museum. The only thing we have left… (more)

Subjects/Keywords: Soane, John, Sir, 1753-1837  – Criticism and interpretation.; Soane, John, Sir, 1753-1837  – Art patronage.; Sir John Soane's Museum.; London (England)  – Buildings, structures, etc.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Martin, C. (2000). Embodiments of art, narratives of architecture : in the Sir John Soane Museum. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile30777.pdf

Chicago Manual of Style (16th Edition):

Martin, Cécile. “Embodiments of art, narratives of architecture : in the Sir John Soane Museum.” 2000. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile30777.pdf.

MLA Handbook (7th Edition):

Martin, Cécile. “Embodiments of art, narratives of architecture : in the Sir John Soane Museum.” 2000. Web. 14 Oct 2019.

Vancouver:

Martin C. Embodiments of art, narratives of architecture : in the Sir John Soane Museum. [Internet] [Masters thesis]. McGill University; 2000. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile30777.pdf.

Council of Science Editors:

Martin C. Embodiments of art, narratives of architecture : in the Sir John Soane Museum. [Masters Thesis]. McGill University; 2000. Available from: http://digitool.library.mcgill.ca/thesisfile30777.pdf


McGill University

19. McConomy, Erin Elizabeth. Renaissance humanism in Michelangelo's Sistine Chapel and Milton's Paradise Lost.

Degree: MA, Department of English., 1997, McGill University

 This thesis is a comparative study between Michelangelo Buonarroti's ceiling frescoes in the Sistine Chapel and John Milton's Paradise Lost. The parallels discussed arise out… (more)

Subjects/Keywords: Milton, John, 1608-1674. Paradise lost.; Michelangelo Buonarroti, 1475-1564  – Criticism and interpretation.; Cappella Sistina (Vatican Palace, Vatican City); Humanism in literature.; Humanism in art.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McConomy, E. E. (1997). Renaissance humanism in Michelangelo's Sistine Chapel and Milton's Paradise Lost. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile27958.pdf

Chicago Manual of Style (16th Edition):

McConomy, Erin Elizabeth. “Renaissance humanism in Michelangelo's Sistine Chapel and Milton's Paradise Lost.” 1997. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile27958.pdf.

MLA Handbook (7th Edition):

McConomy, Erin Elizabeth. “Renaissance humanism in Michelangelo's Sistine Chapel and Milton's Paradise Lost.” 1997. Web. 14 Oct 2019.

Vancouver:

McConomy EE. Renaissance humanism in Michelangelo's Sistine Chapel and Milton's Paradise Lost. [Internet] [Masters thesis]. McGill University; 1997. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile27958.pdf.

Council of Science Editors:

McConomy EE. Renaissance humanism in Michelangelo's Sistine Chapel and Milton's Paradise Lost. [Masters Thesis]. McGill University; 1997. Available from: http://digitool.library.mcgill.ca/thesisfile27958.pdf


McGill University

20. Garfinkle, Elisa Shari. The Barberini and the new Christian Empire : a study of the history of Constantine tapestries by Pietro Da Cortona.

Degree: MA, Department of Art History., 1999, McGill University

 This study traces the genesis and development of the History of Constantine tapestries designed by Pietro da Cortona and woven on the looms established by… (more)

Subjects/Keywords: Pietro, da Cortona, 1596-1669  – Criticism and interpretation.; Constantine I, Emperor of Rome, d. 337  – Art.; Palazzo Barberini (Rome, Italy); Tapestry, Flemish  – Italy  – Rome.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garfinkle, E. S. (1999). The Barberini and the new Christian Empire : a study of the history of Constantine tapestries by Pietro Da Cortona. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile30168.pdf

Chicago Manual of Style (16th Edition):

Garfinkle, Elisa Shari. “The Barberini and the new Christian Empire : a study of the history of Constantine tapestries by Pietro Da Cortona.” 1999. Masters Thesis, McGill University. Accessed October 14, 2019. http://digitool.library.mcgill.ca/thesisfile30168.pdf.

MLA Handbook (7th Edition):

Garfinkle, Elisa Shari. “The Barberini and the new Christian Empire : a study of the history of Constantine tapestries by Pietro Da Cortona.” 1999. Web. 14 Oct 2019.

Vancouver:

Garfinkle ES. The Barberini and the new Christian Empire : a study of the history of Constantine tapestries by Pietro Da Cortona. [Internet] [Masters thesis]. McGill University; 1999. [cited 2019 Oct 14]. Available from: http://digitool.library.mcgill.ca/thesisfile30168.pdf.

Council of Science Editors:

Garfinkle ES. The Barberini and the new Christian Empire : a study of the history of Constantine tapestries by Pietro Da Cortona. [Masters Thesis]. McGill University; 1999. Available from: http://digitool.library.mcgill.ca/thesisfile30168.pdf

.