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You searched for subject:(Art Modern 20th century). Showing records 1 – 30 of 45205 total matches.

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Montana State University

1. Cottingham, Katrin Eril. Redefining la ofrenda: evolving conceptual elements in public institutions.

Degree: College of Arts & Architecture, 2017, Montana State University

 La Ofrenda, or the offering, is deeply embedded in Latino-American culture and is closely associated with Dias de Muertos, the Days of the Dead, a… (more)

Subjects/Keywords: Art, Modern 20th century.; History.; Culture.; Museums.

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APA (6th Edition):

Cottingham, K. E. (2017). Redefining la ofrenda: evolving conceptual elements in public institutions. (Thesis). Montana State University. Retrieved from https://scholarworks.montana.edu/xmlui/handle/1/13471

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cottingham, Katrin Eril. “Redefining la ofrenda: evolving conceptual elements in public institutions.” 2017. Thesis, Montana State University. Accessed October 20, 2019. https://scholarworks.montana.edu/xmlui/handle/1/13471.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cottingham, Katrin Eril. “Redefining la ofrenda: evolving conceptual elements in public institutions.” 2017. Web. 20 Oct 2019.

Vancouver:

Cottingham KE. Redefining la ofrenda: evolving conceptual elements in public institutions. [Internet] [Thesis]. Montana State University; 2017. [cited 2019 Oct 20]. Available from: https://scholarworks.montana.edu/xmlui/handle/1/13471.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cottingham KE. Redefining la ofrenda: evolving conceptual elements in public institutions. [Thesis]. Montana State University; 2017. Available from: https://scholarworks.montana.edu/xmlui/handle/1/13471

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Utah Valley University

2. Todd, Brittany Jean . Avant-Garde Art of the 1960s and Buddhist Philosophy .

Degree: 2015, Utah Valley University

The esoteric, post-modern art of the 1960s exhibits conceptual subject matter that exemplifies the Buddhist philosophical concepts of emptiness, dependent origination, nondualism, meditation, and a call for refocusing one's perspective. One gains unique insights in comparison and a better understanding of each field separately

22 cm.; 41 p.

Subjects/Keywords: Buddhism and art; Buddhism; Art, Modern – 20th century; Postmodernism; Dissertations, Academic

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APA (6th Edition):

Todd, B. J. (2015). Avant-Garde Art of the 1960s and Buddhist Philosophy . (Thesis). Utah Valley University. Retrieved from http://contentdm.uvu.edu:81/u?/UVUTheses,668

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Todd, Brittany Jean. “Avant-Garde Art of the 1960s and Buddhist Philosophy .” 2015. Thesis, Utah Valley University. Accessed October 20, 2019. http://contentdm.uvu.edu:81/u?/UVUTheses,668.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Todd, Brittany Jean. “Avant-Garde Art of the 1960s and Buddhist Philosophy .” 2015. Web. 20 Oct 2019.

Vancouver:

Todd BJ. Avant-Garde Art of the 1960s and Buddhist Philosophy . [Internet] [Thesis]. Utah Valley University; 2015. [cited 2019 Oct 20]. Available from: http://contentdm.uvu.edu:81/u?/UVUTheses,668.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Todd BJ. Avant-Garde Art of the 1960s and Buddhist Philosophy . [Thesis]. Utah Valley University; 2015. Available from: http://contentdm.uvu.edu:81/u?/UVUTheses,668

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Durban University of Technology

3. Nixon, Karla. Re- an exploration of transience in the work of selected artists.

Degree: 2017, Durban University of Technology

Submitted in partial fulfilment of the requirements for the Masters of Technology in Fine Art Degree, Durban University of Technology, 2017.

The aim of this… (more)

Subjects/Keywords: Time in art; Art, Modern – 20th century – Themes, motives; Art, Modern – 21st century – Themes, motives; Paper art

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APA (6th Edition):

Nixon, K. (2017). Re- an exploration of transience in the work of selected artists. (Thesis). Durban University of Technology. Retrieved from http://hdl.handle.net/10321/2497

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nixon, Karla. “Re- an exploration of transience in the work of selected artists.” 2017. Thesis, Durban University of Technology. Accessed October 20, 2019. http://hdl.handle.net/10321/2497.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nixon, Karla. “Re- an exploration of transience in the work of selected artists.” 2017. Web. 20 Oct 2019.

Vancouver:

Nixon K. Re- an exploration of transience in the work of selected artists. [Internet] [Thesis]. Durban University of Technology; 2017. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/10321/2497.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nixon K. Re- an exploration of transience in the work of selected artists. [Thesis]. Durban University of Technology; 2017. Available from: http://hdl.handle.net/10321/2497

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Montana State University

4. McCall, Robert Clarke. Tribal/technological images separated by space and time.

Degree: College of Arts & Architecture, 1976, Montana State University

Subjects/Keywords: Art; Modern 20th century.

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APA (6th Edition):

McCall, R. C. (1976). Tribal/technological images separated by space and time. (Thesis). Montana State University. Retrieved from https://scholarworks.montana.edu/xmlui/handle/1/3804

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McCall, Robert Clarke. “Tribal/technological images separated by space and time.” 1976. Thesis, Montana State University. Accessed October 20, 2019. https://scholarworks.montana.edu/xmlui/handle/1/3804.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McCall, Robert Clarke. “Tribal/technological images separated by space and time.” 1976. Web. 20 Oct 2019.

Vancouver:

McCall RC. Tribal/technological images separated by space and time. [Internet] [Thesis]. Montana State University; 1976. [cited 2019 Oct 20]. Available from: https://scholarworks.montana.edu/xmlui/handle/1/3804.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McCall RC. Tribal/technological images separated by space and time. [Thesis]. Montana State University; 1976. Available from: https://scholarworks.montana.edu/xmlui/handle/1/3804

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Montana State University

5. Ferguson, Frank Wayne. Art as interaction.

Degree: College of Arts & Architecture, 1976, Montana State University

Subjects/Keywords: Art; Modern 20th century.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ferguson, F. W. (1976). Art as interaction. (Thesis). Montana State University. Retrieved from https://scholarworks.montana.edu/xmlui/handle/1/5141

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ferguson, Frank Wayne. “Art as interaction.” 1976. Thesis, Montana State University. Accessed October 20, 2019. https://scholarworks.montana.edu/xmlui/handle/1/5141.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ferguson, Frank Wayne. “Art as interaction.” 1976. Web. 20 Oct 2019.

Vancouver:

Ferguson FW. Art as interaction. [Internet] [Thesis]. Montana State University; 1976. [cited 2019 Oct 20]. Available from: https://scholarworks.montana.edu/xmlui/handle/1/5141.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ferguson FW. Art as interaction. [Thesis]. Montana State University; 1976. Available from: https://scholarworks.montana.edu/xmlui/handle/1/5141

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Montana State University

6. Burke, Michael Joseph. An investigation of differentiated and undifferentiated modes of making.

Degree: College of Arts & Architecture, 1978, Montana State University

Subjects/Keywords: Art; Modern 20th century.

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APA (6th Edition):

Burke, M. J. (1978). An investigation of differentiated and undifferentiated modes of making. (Thesis). Montana State University. Retrieved from https://scholarworks.montana.edu/xmlui/handle/1/4877

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Burke, Michael Joseph. “An investigation of differentiated and undifferentiated modes of making.” 1978. Thesis, Montana State University. Accessed October 20, 2019. https://scholarworks.montana.edu/xmlui/handle/1/4877.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Burke, Michael Joseph. “An investigation of differentiated and undifferentiated modes of making.” 1978. Web. 20 Oct 2019.

Vancouver:

Burke MJ. An investigation of differentiated and undifferentiated modes of making. [Internet] [Thesis]. Montana State University; 1978. [cited 2019 Oct 20]. Available from: https://scholarworks.montana.edu/xmlui/handle/1/4877.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Burke MJ. An investigation of differentiated and undifferentiated modes of making. [Thesis]. Montana State University; 1978. Available from: https://scholarworks.montana.edu/xmlui/handle/1/4877

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Montana State University

7. Call, Clinton Ross. Wooden it be nice.

Degree: College of Arts & Architecture, 1977, Montana State University

Subjects/Keywords: Art, Modern 20th century.; Sculpture.

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APA (6th Edition):

Call, C. R. (1977). Wooden it be nice. (Thesis). Montana State University. Retrieved from https://scholarworks.montana.edu/xmlui/handle/1/4608

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Call, Clinton Ross. “Wooden it be nice.” 1977. Thesis, Montana State University. Accessed October 20, 2019. https://scholarworks.montana.edu/xmlui/handle/1/4608.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Call, Clinton Ross. “Wooden it be nice.” 1977. Web. 20 Oct 2019.

Vancouver:

Call CR. Wooden it be nice. [Internet] [Thesis]. Montana State University; 1977. [cited 2019 Oct 20]. Available from: https://scholarworks.montana.edu/xmlui/handle/1/4608.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Call CR. Wooden it be nice. [Thesis]. Montana State University; 1977. Available from: https://scholarworks.montana.edu/xmlui/handle/1/4608

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

8. Ferguson, Bruce W. From sight to site : some considerations regarding contemporary theory in relation to contemporary art.

Degree: MA, Graduate Communications Program., 1988, McGill University

Subjects/Keywords: Aesthetics; Art, Modern  – 20th century.

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APA (6th Edition):

Ferguson, B. W. (1988). From sight to site : some considerations regarding contemporary theory in relation to contemporary art. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile61972.pdf

Chicago Manual of Style (16th Edition):

Ferguson, Bruce W. “From sight to site : some considerations regarding contemporary theory in relation to contemporary art.” 1988. Masters Thesis, McGill University. Accessed October 20, 2019. http://digitool.library.mcgill.ca/thesisfile61972.pdf.

MLA Handbook (7th Edition):

Ferguson, Bruce W. “From sight to site : some considerations regarding contemporary theory in relation to contemporary art.” 1988. Web. 20 Oct 2019.

Vancouver:

Ferguson BW. From sight to site : some considerations regarding contemporary theory in relation to contemporary art. [Internet] [Masters thesis]. McGill University; 1988. [cited 2019 Oct 20]. Available from: http://digitool.library.mcgill.ca/thesisfile61972.pdf.

Council of Science Editors:

Ferguson BW. From sight to site : some considerations regarding contemporary theory in relation to contemporary art. [Masters Thesis]. McGill University; 1988. Available from: http://digitool.library.mcgill.ca/thesisfile61972.pdf


Montana State University

9. Newton, Dorothy Ann. Gifts/Commemoratives.

Degree: College of Arts & Architecture, 1975, Montana State University

Subjects/Keywords: Art, Modern 20th century.; Sculpture.

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APA (6th Edition):

Newton, D. A. (1975). Gifts/Commemoratives. (Thesis). Montana State University. Retrieved from https://scholarworks.montana.edu/xmlui/handle/1/5812

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Newton, Dorothy Ann. “Gifts/Commemoratives.” 1975. Thesis, Montana State University. Accessed October 20, 2019. https://scholarworks.montana.edu/xmlui/handle/1/5812.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Newton, Dorothy Ann. “Gifts/Commemoratives.” 1975. Web. 20 Oct 2019.

Vancouver:

Newton DA. Gifts/Commemoratives. [Internet] [Thesis]. Montana State University; 1975. [cited 2019 Oct 20]. Available from: https://scholarworks.montana.edu/xmlui/handle/1/5812.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Newton DA. Gifts/Commemoratives. [Thesis]. Montana State University; 1975. Available from: https://scholarworks.montana.edu/xmlui/handle/1/5812

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

10. Mauchan, Fiona. The African Biennale : envisioning ‘authentic’ African contemporaneity.

Degree: Visual Arts, 2009, Stellenbosch University

Thesis (MA (VA)(Visual Arts)) – University of Stellenbosch, 2009.

This thesis aims to assess the extent to which the African curated exhibition, Dak’Art: Biennale de l’art(more)

Subjects/Keywords: Visual arts; Art, Modern  – 20th century; Art, African  – 20th century  – Appreciation; African diaspora; Dak'Art: Biennale de l'art africain contemporain

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APA (6th Edition):

Mauchan, F. (2009). The African Biennale : envisioning ‘authentic’ African contemporaneity. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/2596

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mauchan, Fiona. “The African Biennale : envisioning ‘authentic’ African contemporaneity.” 2009. Thesis, Stellenbosch University. Accessed October 20, 2019. http://hdl.handle.net/10019.1/2596.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mauchan, Fiona. “The African Biennale : envisioning ‘authentic’ African contemporaneity.” 2009. Web. 20 Oct 2019.

Vancouver:

Mauchan F. The African Biennale : envisioning ‘authentic’ African contemporaneity. [Internet] [Thesis]. Stellenbosch University; 2009. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/10019.1/2596.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mauchan F. The African Biennale : envisioning ‘authentic’ African contemporaneity. [Thesis]. Stellenbosch University; 2009. Available from: http://hdl.handle.net/10019.1/2596

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Edith Cowan University

11. Wang, Xuning. Realist painting and its relationship to my creative practice.

Degree: 2010, Edith Cowan University

 This thesis examines the realist art movement from its origins in France in the 1840s to its development in China in the 20th century and… (more)

Subjects/Keywords: Realism in art China; Realism in art France; Painting; Modern; 20th century; Fine Arts

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APA (6th Edition):

Wang, X. (2010). Realist painting and its relationship to my creative practice. (Thesis). Edith Cowan University. Retrieved from http://ro.ecu.edu.au/theses/122

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wang, Xuning. “Realist painting and its relationship to my creative practice.” 2010. Thesis, Edith Cowan University. Accessed October 20, 2019. http://ro.ecu.edu.au/theses/122.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wang, Xuning. “Realist painting and its relationship to my creative practice.” 2010. Web. 20 Oct 2019.

Vancouver:

Wang X. Realist painting and its relationship to my creative practice. [Internet] [Thesis]. Edith Cowan University; 2010. [cited 2019 Oct 20]. Available from: http://ro.ecu.edu.au/theses/122.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wang X. Realist painting and its relationship to my creative practice. [Thesis]. Edith Cowan University; 2010. Available from: http://ro.ecu.edu.au/theses/122

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Univerzitet u Beogradu

12. Kruljac, Vesna L. Београдски енформел у полемичком контексту српске културе педесетих и шездесетих година 20. века.

Degree: Filozofski fakultet, 2016, Univerzitet u Beogradu

Историја уметности - Историја модерне уметности / Art history - Modern art history

Детерминисан историјском, политичким, социокултурним и уметничким условностима шире (југословенске), али и уже… (more)

Subjects/Keywords: art informel; modern painting; art critique; cultural policy; polemics; Belgrade; Serbia; Yugoslavia; 20th century

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APA (6th Edition):

Kruljac, V. L. (2016). Београдски енформел у полемичком контексту српске културе педесетих и шездесетих година 20. века. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:10202/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kruljac, Vesna L. “Београдски енформел у полемичком контексту српске културе педесетих и шездесетих година 20. века.” 2016. Thesis, Univerzitet u Beogradu. Accessed October 20, 2019. https://fedorabg.bg.ac.rs/fedora/get/o:10202/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kruljac, Vesna L. “Београдски енформел у полемичком контексту српске културе педесетих и шездесетих година 20. века.” 2016. Web. 20 Oct 2019.

Vancouver:

Kruljac VL. Београдски енформел у полемичком контексту српске културе педесетих и шездесетих година 20. века. [Internet] [Thesis]. Univerzitet u Beogradu; 2016. [cited 2019 Oct 20]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:10202/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kruljac VL. Београдски енформел у полемичком контексту српске културе педесетих и шездесетих година 20. века. [Thesis]. Univerzitet u Beogradu; 2016. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:10202/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Montana State University

13. Molander, Richard Paul. A study on the indirect correlation between art historical commentary and object art.

Degree: College of Arts & Architecture, 1974, Montana State University

Subjects/Keywords: Art, Modern 20th century.; Art Historiography.

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APA (6th Edition):

Molander, R. P. (1974). A study on the indirect correlation between art historical commentary and object art. (Thesis). Montana State University. Retrieved from https://scholarworks.montana.edu/xmlui/handle/1/5757

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Molander, Richard Paul. “A study on the indirect correlation between art historical commentary and object art.” 1974. Thesis, Montana State University. Accessed October 20, 2019. https://scholarworks.montana.edu/xmlui/handle/1/5757.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Molander, Richard Paul. “A study on the indirect correlation between art historical commentary and object art.” 1974. Web. 20 Oct 2019.

Vancouver:

Molander RP. A study on the indirect correlation between art historical commentary and object art. [Internet] [Thesis]. Montana State University; 1974. [cited 2019 Oct 20]. Available from: https://scholarworks.montana.edu/xmlui/handle/1/5757.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Molander RP. A study on the indirect correlation between art historical commentary and object art. [Thesis]. Montana State University; 1974. Available from: https://scholarworks.montana.edu/xmlui/handle/1/5757

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

14. Nelson, Dain A. Implement modified version of Nestle oil test on flexible packaging film to evaluate migration of essential oils on films coated with layered nanoclay platelets.

Degree: Packaging Science (CAST), 2012, Rochester Institute of Technology

 Project followed a previous research method established by Nestle Purina for test of grease migration in Pet Food packaging using chicken fat and oleic acid.… (more)

Subjects/Keywords: Transcendence (Philosophy) in art; Art; Modern – 20th century – Themes; motives; Deconstruction; Existentialism; Metal working

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APA (6th Edition):

Nelson, D. A. (2012). Implement modified version of Nestle oil test on flexible packaging film to evaluate migration of essential oils on films coated with layered nanoclay platelets. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/7103

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nelson, Dain A. “Implement modified version of Nestle oil test on flexible packaging film to evaluate migration of essential oils on films coated with layered nanoclay platelets.” 2012. Thesis, Rochester Institute of Technology. Accessed October 20, 2019. https://scholarworks.rit.edu/theses/7103.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nelson, Dain A. “Implement modified version of Nestle oil test on flexible packaging film to evaluate migration of essential oils on films coated with layered nanoclay platelets.” 2012. Web. 20 Oct 2019.

Vancouver:

Nelson DA. Implement modified version of Nestle oil test on flexible packaging film to evaluate migration of essential oils on films coated with layered nanoclay platelets. [Internet] [Thesis]. Rochester Institute of Technology; 2012. [cited 2019 Oct 20]. Available from: https://scholarworks.rit.edu/theses/7103.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nelson DA. Implement modified version of Nestle oil test on flexible packaging film to evaluate migration of essential oils on films coated with layered nanoclay platelets. [Thesis]. Rochester Institute of Technology; 2012. Available from: https://scholarworks.rit.edu/theses/7103

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

15. Gaunt, Pamela Mary. The decorative in twentieth century art: a story of decline and resurgence.

Degree: Art History & Theory, 2005, University of New South Wales

 This thesis tracks the complex relationship between visual art and the decorative in the Twentieth Century. In doing so, it makes a claim for the… (more)

Subjects/Keywords: Decorative arts - 20th century; Art, Modern - 20th century

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APA (6th Edition):

Gaunt, P. M. (2005). The decorative in twentieth century art: a story of decline and resurgence. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/25983 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1092/SOURCE01?view=true

Chicago Manual of Style (16th Edition):

Gaunt, Pamela Mary. “The decorative in twentieth century art: a story of decline and resurgence.” 2005. Masters Thesis, University of New South Wales. Accessed October 20, 2019. http://handle.unsw.edu.au/1959.4/25983 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1092/SOURCE01?view=true.

MLA Handbook (7th Edition):

Gaunt, Pamela Mary. “The decorative in twentieth century art: a story of decline and resurgence.” 2005. Web. 20 Oct 2019.

Vancouver:

Gaunt PM. The decorative in twentieth century art: a story of decline and resurgence. [Internet] [Masters thesis]. University of New South Wales; 2005. [cited 2019 Oct 20]. Available from: http://handle.unsw.edu.au/1959.4/25983 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1092/SOURCE01?view=true.

Council of Science Editors:

Gaunt PM. The decorative in twentieth century art: a story of decline and resurgence. [Masters Thesis]. University of New South Wales; 2005. Available from: http://handle.unsw.edu.au/1959.4/25983 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1092/SOURCE01?view=true


University of Hong Kong

16. Pan, Lü. In-visible palimpsest: memory, space and modernity in Berlin and Shanghai.

Degree: PhD, 2011, University of Hong Kong

The Best PhD Thesis in the Faculties of Architecture, Arts, Business & Economics, Education, Law and Social Sciences (University of Hong Kong), Li Ka Shing Prize, 2009-2010.

published_or_final_version

Comparative Literature

Doctoral

Doctor of Philosophy

Advisors/Committee Members: Cheung, EMK.

Subjects/Keywords: Civilization; Modern - 20th century.

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APA (6th Edition):

Pan, L. (2011). In-visible palimpsest: memory, space and modernity in Berlin and Shanghai. (Doctoral Dissertation). University of Hong Kong. Retrieved from Pan, L. [潘律]. (2011). In-visible palimpsest : memory, space and modernity in Berlin and Shanghai. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4607603 ; http://dx.doi.org/10.5353/th_b4607603 ; http://hdl.handle.net/10722/134808

Chicago Manual of Style (16th Edition):

Pan, Lü. “In-visible palimpsest: memory, space and modernity in Berlin and Shanghai.” 2011. Doctoral Dissertation, University of Hong Kong. Accessed October 20, 2019. Pan, L. [潘律]. (2011). In-visible palimpsest : memory, space and modernity in Berlin and Shanghai. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4607603 ; http://dx.doi.org/10.5353/th_b4607603 ; http://hdl.handle.net/10722/134808.

MLA Handbook (7th Edition):

Pan, Lü. “In-visible palimpsest: memory, space and modernity in Berlin and Shanghai.” 2011. Web. 20 Oct 2019.

Vancouver:

Pan L. In-visible palimpsest: memory, space and modernity in Berlin and Shanghai. [Internet] [Doctoral dissertation]. University of Hong Kong; 2011. [cited 2019 Oct 20]. Available from: Pan, L. [潘律]. (2011). In-visible palimpsest : memory, space and modernity in Berlin and Shanghai. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4607603 ; http://dx.doi.org/10.5353/th_b4607603 ; http://hdl.handle.net/10722/134808.

Council of Science Editors:

Pan L. In-visible palimpsest: memory, space and modernity in Berlin and Shanghai. [Doctoral Dissertation]. University of Hong Kong; 2011. Available from: Pan, L. [潘律]. (2011). In-visible palimpsest : memory, space and modernity in Berlin and Shanghai. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4607603 ; http://dx.doi.org/10.5353/th_b4607603 ; http://hdl.handle.net/10722/134808

17. Horner, David L. Experimentations in constructions, light, shadow, and architectonics.

Degree: 1974, North Texas State University

The problem concerning this investigation is determining some of the possibilities of combining painting, architectonic constructions, and shadows produced by the controlled lighting of the structure.

Subjects/Keywords: shades and shadow; 20th century modern art; modern art

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APA (6th Edition):

Horner, D. L. (1974). Experimentations in constructions, light, shadow, and architectonics. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc798370/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Horner, David L. “Experimentations in constructions, light, shadow, and architectonics.” 1974. Thesis, North Texas State University. Accessed October 20, 2019. https://digital.library.unt.edu/ark:/67531/metadc798370/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Horner, David L. “Experimentations in constructions, light, shadow, and architectonics.” 1974. Web. 20 Oct 2019.

Vancouver:

Horner DL. Experimentations in constructions, light, shadow, and architectonics. [Internet] [Thesis]. North Texas State University; 1974. [cited 2019 Oct 20]. Available from: https://digital.library.unt.edu/ark:/67531/metadc798370/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Horner DL. Experimentations in constructions, light, shadow, and architectonics. [Thesis]. North Texas State University; 1974. Available from: https://digital.library.unt.edu/ark:/67531/metadc798370/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

18. Marais, Estelle. Certain aspects of eroticism in twentieth century western painting.

Degree: Faculty of Humanities, Fine Art, 1973, Rhodes University

 In this essay eroticism will be examined as it appears in some twentieth century representational styles. The decision to concentrate on the representational styles is… (more)

Subjects/Keywords: Erotic art; Painting, Modern  – 20th century

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APA (6th Edition):

Marais, E. (1973). Certain aspects of eroticism in twentieth century western painting. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1012833

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marais, Estelle. “Certain aspects of eroticism in twentieth century western painting.” 1973. Thesis, Rhodes University. Accessed October 20, 2019. http://hdl.handle.net/10962/d1012833.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marais, Estelle. “Certain aspects of eroticism in twentieth century western painting.” 1973. Web. 20 Oct 2019.

Vancouver:

Marais E. Certain aspects of eroticism in twentieth century western painting. [Internet] [Thesis]. Rhodes University; 1973. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/10962/d1012833.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marais E. Certain aspects of eroticism in twentieth century western painting. [Thesis]. Rhodes University; 1973. Available from: http://hdl.handle.net/10962/d1012833

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Montana State University

19. Miklos, Michael Wayne Coffee. Internal and external spatial relationships.

Degree: College of Arts & Architecture, 1981, Montana State University

Subjects/Keywords: Metal sculpture.; Art, Modern 20th century.

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APA (6th Edition):

Miklos, M. W. C. (1981). Internal and external spatial relationships. (Thesis). Montana State University. Retrieved from https://scholarworks.montana.edu/xmlui/handle/1/5730

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miklos, Michael Wayne Coffee. “Internal and external spatial relationships.” 1981. Thesis, Montana State University. Accessed October 20, 2019. https://scholarworks.montana.edu/xmlui/handle/1/5730.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miklos, Michael Wayne Coffee. “Internal and external spatial relationships.” 1981. Web. 20 Oct 2019.

Vancouver:

Miklos MWC. Internal and external spatial relationships. [Internet] [Thesis]. Montana State University; 1981. [cited 2019 Oct 20]. Available from: https://scholarworks.montana.edu/xmlui/handle/1/5730.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miklos MWC. Internal and external spatial relationships. [Thesis]. Montana State University; 1981. Available from: https://scholarworks.montana.edu/xmlui/handle/1/5730

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

20. Sluiter, Herman Jacobus. Aspects of art nouveau architecture.

Degree: Thesis, School of Architecture, Planning and Geomatics, 1976, University of Cape Town

Subjects/Keywords: Architecture; Art nouveau; Modern; 20th century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sluiter, H. J. (1976). Aspects of art nouveau architecture. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/23470

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sluiter, Herman Jacobus. “Aspects of art nouveau architecture.” 1976. Thesis, University of Cape Town. Accessed October 20, 2019. http://hdl.handle.net/11427/23470.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sluiter, Herman Jacobus. “Aspects of art nouveau architecture.” 1976. Web. 20 Oct 2019.

Vancouver:

Sluiter HJ. Aspects of art nouveau architecture. [Internet] [Thesis]. University of Cape Town; 1976. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/11427/23470.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sluiter HJ. Aspects of art nouveau architecture. [Thesis]. University of Cape Town; 1976. Available from: http://hdl.handle.net/11427/23470

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

21. [No author]. The violent brushstroke : contributions from the independent school of British psychoanalysis to the art of Willem de Kooning.

Degree: Fine art, 2005, University of KwaZulu-Natal

 This thesis begins with a consideration of the contributions of modem and contemporary ideas to the field of aesthetics. Out of these contributions, selected theorists… (more)

Subjects/Keywords: Psychoanalysis and art.; Art, Modern – 20th century.; Fine art.

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APA (6th Edition):

author], [. (2005). The violent brushstroke : contributions from the independent school of British psychoanalysis to the art of Willem de Kooning. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/3963

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “The violent brushstroke : contributions from the independent school of British psychoanalysis to the art of Willem de Kooning. ” 2005. Thesis, University of KwaZulu-Natal. Accessed October 20, 2019. http://hdl.handle.net/10413/3963.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “The violent brushstroke : contributions from the independent school of British psychoanalysis to the art of Willem de Kooning. ” 2005. Web. 20 Oct 2019.

Vancouver:

author] [. The violent brushstroke : contributions from the independent school of British psychoanalysis to the art of Willem de Kooning. [Internet] [Thesis]. University of KwaZulu-Natal; 2005. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/10413/3963.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. The violent brushstroke : contributions from the independent school of British psychoanalysis to the art of Willem de Kooning. [Thesis]. University of KwaZulu-Natal; 2005. Available from: http://hdl.handle.net/10413/3963

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

22. Sels, Kim Marika, 1982-. Assembling identity: the object-portrait in American art, 1917-1927.

Degree: Art History, 2012, Rutgers University

Subjects/Keywords: Portraits, American; Art, Modern – 20th century – Themes, motives; Art, American – 20th century

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APA (6th Edition):

Sels, Kim Marika, 1. (2012). Assembling identity: the object-portrait in American art, 1917-1927. (Thesis). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000066969

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sels, Kim Marika, 1982-. “Assembling identity: the object-portrait in American art, 1917-1927.” 2012. Thesis, Rutgers University. Accessed October 20, 2019. http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000066969.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sels, Kim Marika, 1982-. “Assembling identity: the object-portrait in American art, 1917-1927.” 2012. Web. 20 Oct 2019.

Vancouver:

Sels, Kim Marika 1. Assembling identity: the object-portrait in American art, 1917-1927. [Internet] [Thesis]. Rutgers University; 2012. [cited 2019 Oct 20]. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000066969.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sels, Kim Marika 1. Assembling identity: the object-portrait in American art, 1917-1927. [Thesis]. Rutgers University; 2012. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000066969

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – Northridge

23. Doctrow, Mollie. Marking time.

Degree: MA, Department of Art, 1984, California State University – Northridge

 In the November 5, 1983, issue of Artweek, Jeff Kelley wrote, ???To call something a 'mark' is to empty it of reference other than the… (more)

Subjects/Keywords: Art, Modern  – 20th century.; Dissertations, Academic  – CSUN  – Art.

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APA (6th Edition):

Doctrow, M. (1984). Marking time. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.3/129007

Chicago Manual of Style (16th Edition):

Doctrow, Mollie. “Marking time.” 1984. Masters Thesis, California State University – Northridge. Accessed October 20, 2019. http://hdl.handle.net/10211.3/129007.

MLA Handbook (7th Edition):

Doctrow, Mollie. “Marking time.” 1984. Web. 20 Oct 2019.

Vancouver:

Doctrow M. Marking time. [Internet] [Masters thesis]. California State University – Northridge; 1984. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/10211.3/129007.

Council of Science Editors:

Doctrow M. Marking time. [Masters Thesis]. California State University – Northridge; 1984. Available from: http://hdl.handle.net/10211.3/129007


Rhodes University

24. Matthews, Elaine Katherine Simone. Environmental art and its contribution to establishing an awareness of the sacred in nature.

Degree: Faculty of Humanities, Fine Art, 2000, Rhodes University

 The introduction establishes the goal of the research, which is to discover that art concerned with re-evaluating the relationship to the environment and spirituality can… (more)

Subjects/Keywords: Installations (Art); Art, Modern  – 20th century; Nature (Aesthetics)

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APA (6th Edition):

Matthews, E. K. S. (2000). Environmental art and its contribution to establishing an awareness of the sacred in nature. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1002209

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Matthews, Elaine Katherine Simone. “Environmental art and its contribution to establishing an awareness of the sacred in nature.” 2000. Thesis, Rhodes University. Accessed October 20, 2019. http://hdl.handle.net/10962/d1002209.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Matthews, Elaine Katherine Simone. “Environmental art and its contribution to establishing an awareness of the sacred in nature.” 2000. Web. 20 Oct 2019.

Vancouver:

Matthews EKS. Environmental art and its contribution to establishing an awareness of the sacred in nature. [Internet] [Thesis]. Rhodes University; 2000. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/10962/d1002209.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Matthews EKS. Environmental art and its contribution to establishing an awareness of the sacred in nature. [Thesis]. Rhodes University; 2000. Available from: http://hdl.handle.net/10962/d1002209

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Montana State University

25. Call, Janet Purdue. Considerations of form and function.

Degree: College of Arts & Architecture, 1977, Montana State University

Subjects/Keywords: Art, Modern 20th century.; Form (Aesthetics).; Line (Art).

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APA (6th Edition):

Call, J. P. (1977). Considerations of form and function. (Thesis). Montana State University. Retrieved from https://scholarworks.montana.edu/xmlui/handle/1/4896

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Call, Janet Purdue. “Considerations of form and function.” 1977. Thesis, Montana State University. Accessed October 20, 2019. https://scholarworks.montana.edu/xmlui/handle/1/4896.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Call, Janet Purdue. “Considerations of form and function.” 1977. Web. 20 Oct 2019.

Vancouver:

Call JP. Considerations of form and function. [Internet] [Thesis]. Montana State University; 1977. [cited 2019 Oct 20]. Available from: https://scholarworks.montana.edu/xmlui/handle/1/4896.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Call JP. Considerations of form and function. [Thesis]. Montana State University; 1977. Available from: https://scholarworks.montana.edu/xmlui/handle/1/4896

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

26. Rabinovitch, Celia. The surreal and the sacred : archaic, occult, and daemonic elements in modern art, 1914-1940.

Degree: PhD, Faculty of Religious Studies., 1984, McGill University

 Surrealism is examined through its history and phenomenology. The frame of reference is shifted from the history of art to the history of religions; the… (more)

Subjects/Keywords: Art and religion.; Art, Modern  – 20th century  – Themes, motives.

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APA (6th Edition):

Rabinovitch, C. (1984). The surreal and the sacred : archaic, occult, and daemonic elements in modern art, 1914-1940. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile70359.pdf

Chicago Manual of Style (16th Edition):

Rabinovitch, Celia. “The surreal and the sacred : archaic, occult, and daemonic elements in modern art, 1914-1940.” 1984. Doctoral Dissertation, McGill University. Accessed October 20, 2019. http://digitool.library.mcgill.ca/thesisfile70359.pdf.

MLA Handbook (7th Edition):

Rabinovitch, Celia. “The surreal and the sacred : archaic, occult, and daemonic elements in modern art, 1914-1940.” 1984. Web. 20 Oct 2019.

Vancouver:

Rabinovitch C. The surreal and the sacred : archaic, occult, and daemonic elements in modern art, 1914-1940. [Internet] [Doctoral dissertation]. McGill University; 1984. [cited 2019 Oct 20]. Available from: http://digitool.library.mcgill.ca/thesisfile70359.pdf.

Council of Science Editors:

Rabinovitch C. The surreal and the sacred : archaic, occult, and daemonic elements in modern art, 1914-1940. [Doctoral Dissertation]. McGill University; 1984. Available from: http://digitool.library.mcgill.ca/thesisfile70359.pdf


McGill University

27. Boetzkes, Amanda. Beyond perception : the ethics of contemporary earth art.

Degree: PhD, Department of Art History and Communication Studies., 2006, McGill University

 This dissertation considers the aesthetic strategies and ethical implications of contemporary earth art. Drawing from feminist and ecological critiques of phenomenology, it posits that an… (more)

Subjects/Keywords: Art, Modern  – 20th century.; Nature (Aesthetics); Art  – Philosophy.

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APA (6th Edition):

Boetzkes, A. (2006). Beyond perception : the ethics of contemporary earth art. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile102788.pdf

Chicago Manual of Style (16th Edition):

Boetzkes, Amanda. “Beyond perception : the ethics of contemporary earth art.” 2006. Doctoral Dissertation, McGill University. Accessed October 20, 2019. http://digitool.library.mcgill.ca/thesisfile102788.pdf.

MLA Handbook (7th Edition):

Boetzkes, Amanda. “Beyond perception : the ethics of contemporary earth art.” 2006. Web. 20 Oct 2019.

Vancouver:

Boetzkes A. Beyond perception : the ethics of contemporary earth art. [Internet] [Doctoral dissertation]. McGill University; 2006. [cited 2019 Oct 20]. Available from: http://digitool.library.mcgill.ca/thesisfile102788.pdf.

Council of Science Editors:

Boetzkes A. Beyond perception : the ethics of contemporary earth art. [Doctoral Dissertation]. McGill University; 2006. Available from: http://digitool.library.mcgill.ca/thesisfile102788.pdf


Rhodes University

28. Baker, Claerwen Glenys. The artist and the technological society: a survey of attitudes in the wake of scientific and industrial revolution.

Degree: Faculty of Humanities, Fine Art, 1976, Rhodes University

 One of the most frequently repeated questions of our time is what is art? Since we have become conditioned to the idea that ''significant art(more)

Subjects/Keywords: Art and technology; Art, Modern  – 20th century  – History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Baker, C. G. (1976). The artist and the technological society: a survey of attitudes in the wake of scientific and industrial revolution. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1009499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baker, Claerwen Glenys. “The artist and the technological society: a survey of attitudes in the wake of scientific and industrial revolution.” 1976. Thesis, Rhodes University. Accessed October 20, 2019. http://hdl.handle.net/10962/d1009499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baker, Claerwen Glenys. “The artist and the technological society: a survey of attitudes in the wake of scientific and industrial revolution.” 1976. Web. 20 Oct 2019.

Vancouver:

Baker CG. The artist and the technological society: a survey of attitudes in the wake of scientific and industrial revolution. [Internet] [Thesis]. Rhodes University; 1976. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/10962/d1009499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baker CG. The artist and the technological society: a survey of attitudes in the wake of scientific and industrial revolution. [Thesis]. Rhodes University; 1976. Available from: http://hdl.handle.net/10962/d1009499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

29. Hennig, Sybille. The machine and painting: an investigation into the interrelationship(s) between technology and painting since 1945.

Degree: Faculty of Humanities, Fine Art, 1986, Rhodes University

 Introduction: We, i.e. contemporary Western man, live in a society which has increasingly embraced Science and Technology as the ultimum bonum. The Machine, i.e. Science… (more)

Subjects/Keywords: Art and technology; Art, Modern  – 20th century  – History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hennig, S. (1986). The machine and painting: an investigation into the interrelationship(s) between technology and painting since 1945. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1009435

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hennig, Sybille. “The machine and painting: an investigation into the interrelationship(s) between technology and painting since 1945.” 1986. Thesis, Rhodes University. Accessed October 20, 2019. http://hdl.handle.net/10962/d1009435.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hennig, Sybille. “The machine and painting: an investigation into the interrelationship(s) between technology and painting since 1945.” 1986. Web. 20 Oct 2019.

Vancouver:

Hennig S. The machine and painting: an investigation into the interrelationship(s) between technology and painting since 1945. [Internet] [Thesis]. Rhodes University; 1986. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/10962/d1009435.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hennig S. The machine and painting: an investigation into the interrelationship(s) between technology and painting since 1945. [Thesis]. Rhodes University; 1986. Available from: http://hdl.handle.net/10962/d1009435

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


MIT

30. Kozak, Ellen. Information Space .

Degree: M.S.V.S., Architecture, 1979, MIT

Subjects/Keywords: Architecture.; Video art; Art, Modern 20th century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kozak, E. (1979). Information Space . (Masters Thesis). MIT. Retrieved from http://hdl.handle.net/1721.1/75478

Chicago Manual of Style (16th Edition):

Kozak, Ellen. “Information Space .” 1979. Masters Thesis, MIT. Accessed October 20, 2019. http://hdl.handle.net/1721.1/75478.

MLA Handbook (7th Edition):

Kozak, Ellen. “Information Space .” 1979. Web. 20 Oct 2019.

Vancouver:

Kozak E. Information Space . [Internet] [Masters thesis]. MIT; 1979. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/1721.1/75478.

Council of Science Editors:

Kozak E. Information Space . [Masters Thesis]. MIT; 1979. Available from: http://hdl.handle.net/1721.1/75478

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