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You searched for subject:(Art Political aspects). Showing records 1 – 30 of 83 total matches.

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Columbia University

1. Duong, Paloma. Amateur Citizens: Culture and Democracy in Contemporary Cuba.

Degree: 2014, Columbia University

 This dissertation studies the creative practices of citizens who use cultural resources to engage in political criticism in contemporary Cuba. I argue that, in order… (more)

Subjects/Keywords: Culture – Political aspects; Art – Political aspects; Performing arts – Political aspects; Political participation; Latin Americans

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APA (6th Edition):

Duong, P. (2014). Amateur Citizens: Culture and Democracy in Contemporary Cuba. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8J964WP

Chicago Manual of Style (16th Edition):

Duong, Paloma. “Amateur Citizens: Culture and Democracy in Contemporary Cuba.” 2014. Doctoral Dissertation, Columbia University. Accessed January 19, 2021. https://doi.org/10.7916/D8J964WP.

MLA Handbook (7th Edition):

Duong, Paloma. “Amateur Citizens: Culture and Democracy in Contemporary Cuba.” 2014. Web. 19 Jan 2021.

Vancouver:

Duong P. Amateur Citizens: Culture and Democracy in Contemporary Cuba. [Internet] [Doctoral dissertation]. Columbia University; 2014. [cited 2021 Jan 19]. Available from: https://doi.org/10.7916/D8J964WP.

Council of Science Editors:

Duong P. Amateur Citizens: Culture and Democracy in Contemporary Cuba. [Doctoral Dissertation]. Columbia University; 2014. Available from: https://doi.org/10.7916/D8J964WP


Columbia University

2. Zarrillo, Taryn Marie. Artistic Patrimony and Cultural Politics in Early Seicento Venice.

Degree: 2016, Columbia University

 In the period following the Cinquecento Renaissance, contemporary seventeenth century Venetian artists were presented with two enormous challenges. The first was to attempt to reinterpret… (more)

Subjects/Keywords: Painting, Renaissance – Italian influences; Art – Political aspects; Art, Italian; Art; History

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APA (6th Edition):

Zarrillo, T. M. (2016). Artistic Patrimony and Cultural Politics in Early Seicento Venice. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D81G0M69

Chicago Manual of Style (16th Edition):

Zarrillo, Taryn Marie. “Artistic Patrimony and Cultural Politics in Early Seicento Venice.” 2016. Doctoral Dissertation, Columbia University. Accessed January 19, 2021. https://doi.org/10.7916/D81G0M69.

MLA Handbook (7th Edition):

Zarrillo, Taryn Marie. “Artistic Patrimony and Cultural Politics in Early Seicento Venice.” 2016. Web. 19 Jan 2021.

Vancouver:

Zarrillo TM. Artistic Patrimony and Cultural Politics in Early Seicento Venice. [Internet] [Doctoral dissertation]. Columbia University; 2016. [cited 2021 Jan 19]. Available from: https://doi.org/10.7916/D81G0M69.

Council of Science Editors:

Zarrillo TM. Artistic Patrimony and Cultural Politics in Early Seicento Venice. [Doctoral Dissertation]. Columbia University; 2016. Available from: https://doi.org/10.7916/D81G0M69


Columbia University

3. Frobes-Cross, Nicholas. Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976.

Degree: 2016, Columbia University

 This dissertation presents the early work of Martha Rosler, Allan Sekula and Fred Lonidier as an attempt to intertwine political and aesthetic practice that was… (more)

Subjects/Keywords: Conceptual art; Art – Political aspects; Art; Sekula, Allan

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APA (6th Edition):

Frobes-Cross, N. (2016). Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D88K794J

Chicago Manual of Style (16th Edition):

Frobes-Cross, Nicholas. “Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976.” 2016. Doctoral Dissertation, Columbia University. Accessed January 19, 2021. https://doi.org/10.7916/D88K794J.

MLA Handbook (7th Edition):

Frobes-Cross, Nicholas. “Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976.” 2016. Web. 19 Jan 2021.

Vancouver:

Frobes-Cross N. Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976. [Internet] [Doctoral dissertation]. Columbia University; 2016. [cited 2021 Jan 19]. Available from: https://doi.org/10.7916/D88K794J.

Council of Science Editors:

Frobes-Cross N. Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976. [Doctoral Dissertation]. Columbia University; 2016. Available from: https://doi.org/10.7916/D88K794J


East Carolina University

4. Carter, Robin. The Art of Provisionalism.

Degree: Master of Fine Art, Art, 2020, East Carolina University

Art is in itself meaningless; the significant thing to consider is the social formation and how it is reproduced. If an artwork is assigned a… (more)

Subjects/Keywords: Art and society; Thoughtfulness – Art; Art – Political aspects

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APA (6th Edition):

Carter, R. (2020). The Art of Provisionalism. (Thesis). East Carolina University. Retrieved from http://hdl.handle.net/10342/8560

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carter, Robin. “The Art of Provisionalism.” 2020. Thesis, East Carolina University. Accessed January 19, 2021. http://hdl.handle.net/10342/8560.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carter, Robin. “The Art of Provisionalism.” 2020. Web. 19 Jan 2021.

Vancouver:

Carter R. The Art of Provisionalism. [Internet] [Thesis]. East Carolina University; 2020. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10342/8560.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carter R. The Art of Provisionalism. [Thesis]. East Carolina University; 2020. Available from: http://hdl.handle.net/10342/8560

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. NC DOCKS at Western Carolina University; Sawyer, Donald R. Lives matter.

Degree: 2017, NC Docks

 My studio practice investigates “Blackness”  – a term that provides both a positive and negative identity. “Blackness” is a reflection not only of the black… (more)

Subjects/Keywords: Arts  – Political aspects; Blacks in art; Silhouettes

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APA (6th Edition):

NC DOCKS at Western Carolina University; Sawyer, D. R. (2017). Lives matter. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/wcu/f/Sawyer2017.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

NC DOCKS at Western Carolina University; Sawyer, Donald R. “Lives matter.” 2017. Thesis, NC Docks. Accessed January 19, 2021. http://libres.uncg.edu/ir/wcu/f/Sawyer2017.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

NC DOCKS at Western Carolina University; Sawyer, Donald R. “Lives matter.” 2017. Web. 19 Jan 2021.

Vancouver:

NC DOCKS at Western Carolina University; Sawyer DR. Lives matter. [Internet] [Thesis]. NC Docks; 2017. [cited 2021 Jan 19]. Available from: http://libres.uncg.edu/ir/wcu/f/Sawyer2017.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

NC DOCKS at Western Carolina University; Sawyer DR. Lives matter. [Thesis]. NC Docks; 2017. Available from: http://libres.uncg.edu/ir/wcu/f/Sawyer2017.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

6. Seyal, Mira. Human Rights and Art Activism: The US-Mexico Border.

Degree: 2020, Columbia University

 At the US-Mexico border, migrants have been fleeing a world of increasing violence, only to arrive at another one. Art-activism addresses the human rights of… (more)

Subjects/Keywords: Human rights; Refugees; Art – Political aspects; Artists – Political activity

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APA (6th Edition):

Seyal, M. (2020). Human Rights and Art Activism: The US-Mexico Border. (Masters Thesis). Columbia University. Retrieved from https://doi.org/10.7916/d8-ry99-3j37

Chicago Manual of Style (16th Edition):

Seyal, Mira. “Human Rights and Art Activism: The US-Mexico Border.” 2020. Masters Thesis, Columbia University. Accessed January 19, 2021. https://doi.org/10.7916/d8-ry99-3j37.

MLA Handbook (7th Edition):

Seyal, Mira. “Human Rights and Art Activism: The US-Mexico Border.” 2020. Web. 19 Jan 2021.

Vancouver:

Seyal M. Human Rights and Art Activism: The US-Mexico Border. [Internet] [Masters thesis]. Columbia University; 2020. [cited 2021 Jan 19]. Available from: https://doi.org/10.7916/d8-ry99-3j37.

Council of Science Editors:

Seyal M. Human Rights and Art Activism: The US-Mexico Border. [Masters Thesis]. Columbia University; 2020. Available from: https://doi.org/10.7916/d8-ry99-3j37


University of Missouri – Kansas City

7. Lawder, Rebecca. Living Landscapes: John Dunkley and the Cultural Landscape of Colonial Jamaica.

Degree: 2019, University of Missouri – Kansas City

 To many Jamaicans nature itself was spiritual and alive, and while John Dunkley’s landscapes seek to mystify audiences, this thesis seeks to discern the complex… (more)

Subjects/Keywords: Art  – Political aspects; Sex symbolism  – Art; Art, Jamaican; Landscapes in art; Thesis  – University of Missouri – Kansas City  – Art and art history

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APA (6th Edition):

Lawder, R. (2019). Living Landscapes: John Dunkley and the Cultural Landscape of Colonial Jamaica. (Thesis). University of Missouri – Kansas City. Retrieved from http://hdl.handle.net/10355/68849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lawder, Rebecca. “Living Landscapes: John Dunkley and the Cultural Landscape of Colonial Jamaica.” 2019. Thesis, University of Missouri – Kansas City. Accessed January 19, 2021. http://hdl.handle.net/10355/68849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lawder, Rebecca. “Living Landscapes: John Dunkley and the Cultural Landscape of Colonial Jamaica.” 2019. Web. 19 Jan 2021.

Vancouver:

Lawder R. Living Landscapes: John Dunkley and the Cultural Landscape of Colonial Jamaica. [Internet] [Thesis]. University of Missouri – Kansas City; 2019. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10355/68849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lawder R. Living Landscapes: John Dunkley and the Cultural Landscape of Colonial Jamaica. [Thesis]. University of Missouri – Kansas City; 2019. Available from: http://hdl.handle.net/10355/68849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas State University – San Marcos

8. Weeks, Steven Douglas. Art Activism in Guatemala.

Degree: MS, Sustainability Studies, 2018, Texas State University – San Marcos

 Guatemala is a small Central American country with a long history of violence in the 20th century. In 1996 after 36 years of civil war,… (more)

Subjects/Keywords: Art Activism; Guatemala; Performance art – Political aspects – Guatemala; Art and social action – Guatemala

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APA (6th Edition):

Weeks, S. D. (2018). Art Activism in Guatemala. (Masters Thesis). Texas State University – San Marcos. Retrieved from https://digital.library.txstate.edu/handle/10877/7372

Chicago Manual of Style (16th Edition):

Weeks, Steven Douglas. “Art Activism in Guatemala.” 2018. Masters Thesis, Texas State University – San Marcos. Accessed January 19, 2021. https://digital.library.txstate.edu/handle/10877/7372.

MLA Handbook (7th Edition):

Weeks, Steven Douglas. “Art Activism in Guatemala.” 2018. Web. 19 Jan 2021.

Vancouver:

Weeks SD. Art Activism in Guatemala. [Internet] [Masters thesis]. Texas State University – San Marcos; 2018. [cited 2021 Jan 19]. Available from: https://digital.library.txstate.edu/handle/10877/7372.

Council of Science Editors:

Weeks SD. Art Activism in Guatemala. [Masters Thesis]. Texas State University – San Marcos; 2018. Available from: https://digital.library.txstate.edu/handle/10877/7372


East Carolina University

9. White, Margaret Claire. Is there a solution to climate change?.

Degree: M.F.A., MFA-Art, 2019, East Carolina University

 This document supports my Master of Fine Arts thesis exhibition consisting of two digital prints, ten lithographs, vinyl text corresponding to each print and 5… (more)

Subjects/Keywords: printmaking; midterms; Climatic changes in art; Environmentalism in art; Art – Political aspects

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APA (6th Edition):

White, M. C. (2019). Is there a solution to climate change?. (Masters Thesis). East Carolina University. Retrieved from http://hdl.handle.net/10342/7271

Chicago Manual of Style (16th Edition):

White, Margaret Claire. “Is there a solution to climate change?.” 2019. Masters Thesis, East Carolina University. Accessed January 19, 2021. http://hdl.handle.net/10342/7271.

MLA Handbook (7th Edition):

White, Margaret Claire. “Is there a solution to climate change?.” 2019. Web. 19 Jan 2021.

Vancouver:

White MC. Is there a solution to climate change?. [Internet] [Masters thesis]. East Carolina University; 2019. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10342/7271.

Council of Science Editors:

White MC. Is there a solution to climate change?. [Masters Thesis]. East Carolina University; 2019. Available from: http://hdl.handle.net/10342/7271


Western Carolina University

10. Richardson, Janet Marie. Brutal world.

Degree: 2016, Western Carolina University

 History repeats itself. My large scale paintings and small ceramic sculptures embrace historical and fictional characters from past and present, powerful/powerless, good/evil, humorous and satiric.… (more)

Subjects/Keywords: Culture in art; Art and society; Art  – Political aspects; Painting; Large-scale drawing; Ceramic sculpture

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APA (6th Edition):

Richardson, J. M. (2016). Brutal world. (Masters Thesis). Western Carolina University. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21203

Chicago Manual of Style (16th Edition):

Richardson, Janet Marie. “Brutal world.” 2016. Masters Thesis, Western Carolina University. Accessed January 19, 2021. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21203.

MLA Handbook (7th Edition):

Richardson, Janet Marie. “Brutal world.” 2016. Web. 19 Jan 2021.

Vancouver:

Richardson JM. Brutal world. [Internet] [Masters thesis]. Western Carolina University; 2016. [cited 2021 Jan 19]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21203.

Council of Science Editors:

Richardson JM. Brutal world. [Masters Thesis]. Western Carolina University; 2016. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21203

11. NC DOCKS at Western Carolina University; Richardson, Janet Marie. Brutal world.

Degree: 2016, NC Docks

 History repeats itself. My large scale paintings and small ceramic sculptures embrace historical and fictional characters from past and present, powerful/powerless, good/evil, humorous and satiric.… (more)

Subjects/Keywords: Culture in art; Art and society; Art  – Political aspects; Painting; Large-scale drawing; Ceramic sculpture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

NC DOCKS at Western Carolina University; Richardson, J. M. (2016). Brutal world. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/wcu/f/Richardson2016.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

NC DOCKS at Western Carolina University; Richardson, Janet Marie. “Brutal world.” 2016. Thesis, NC Docks. Accessed January 19, 2021. http://libres.uncg.edu/ir/wcu/f/Richardson2016.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

NC DOCKS at Western Carolina University; Richardson, Janet Marie. “Brutal world.” 2016. Web. 19 Jan 2021.

Vancouver:

NC DOCKS at Western Carolina University; Richardson JM. Brutal world. [Internet] [Thesis]. NC Docks; 2016. [cited 2021 Jan 19]. Available from: http://libres.uncg.edu/ir/wcu/f/Richardson2016.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

NC DOCKS at Western Carolina University; Richardson JM. Brutal world. [Thesis]. NC Docks; 2016. Available from: http://libres.uncg.edu/ir/wcu/f/Richardson2016.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

12. Bolton, Kylie Monique. Political fashioning : aesthetics, art and activism in South Africa 2013-2018.

Degree: MA, Sociology, 2020, Stellenbosch University

ENGLISH ABSTRACT: The thesis offers a reading of four contemporary South African artists as forms of intervention in society. I consider aesthetic practices that include… (more)

Subjects/Keywords: Aesthetics; Art  – Political aspects; UCTD; Political art  – South Africa  – 21st century; Social participation; Internet and activism; Artists  – Political activity  – South Africa

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bolton, K. M. (2020). Political fashioning : aesthetics, art and activism in South Africa 2013-2018. (Masters Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/107981

Chicago Manual of Style (16th Edition):

Bolton, Kylie Monique. “Political fashioning : aesthetics, art and activism in South Africa 2013-2018.” 2020. Masters Thesis, Stellenbosch University. Accessed January 19, 2021. http://hdl.handle.net/10019.1/107981.

MLA Handbook (7th Edition):

Bolton, Kylie Monique. “Political fashioning : aesthetics, art and activism in South Africa 2013-2018.” 2020. Web. 19 Jan 2021.

Vancouver:

Bolton KM. Political fashioning : aesthetics, art and activism in South Africa 2013-2018. [Internet] [Masters thesis]. Stellenbosch University; 2020. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10019.1/107981.

Council of Science Editors:

Bolton KM. Political fashioning : aesthetics, art and activism in South Africa 2013-2018. [Masters Thesis]. Stellenbosch University; 2020. Available from: http://hdl.handle.net/10019.1/107981


Rhodes University

13. Koekemoer, Carmen. Political grey : areas of ambiguity and contradiction.

Degree: Faculty of Humanities, Fine Art, 2014, Rhodes University

 This Master of Fine Arts submission, consisting of a thesis titled ‘Political Grey: Areas of Ambiguity and Contradiction’ accompanied by an exhibition titled ‘Positions’, encompasses… (more)

Subjects/Keywords: Politics in art; Art  – Political aspects  – South Africa; Leadership in art; Portraits, African; Portraits, European; Art and revolutions  – South Africa

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Koekemoer, C. (2014). Political grey : areas of ambiguity and contradiction. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1013136

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Koekemoer, Carmen. “Political grey : areas of ambiguity and contradiction.” 2014. Thesis, Rhodes University. Accessed January 19, 2021. http://hdl.handle.net/10962/d1013136.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Koekemoer, Carmen. “Political grey : areas of ambiguity and contradiction.” 2014. Web. 19 Jan 2021.

Vancouver:

Koekemoer C. Political grey : areas of ambiguity and contradiction. [Internet] [Thesis]. Rhodes University; 2014. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10962/d1013136.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Koekemoer C. Political grey : areas of ambiguity and contradiction. [Thesis]. Rhodes University; 2014. Available from: http://hdl.handle.net/10962/d1013136

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Drexel University

14. Wang, Chenyu. Chinese artists and contemporary art under the influence of Tiananmen Square event of June, 1989.

Degree: 2017, Drexel University

In the year of 1989, the appalling Tiananmen Square Event happened in China, becoming a large topic of social and political research. This period became… (more)

Subjects/Keywords: Arts – Management; Artists; Art – Political aspects; Art, Chinese; Tiananmen Square Incident (China : 1989)

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APA (6th Edition):

Wang, C. (2017). Chinese artists and contemporary art under the influence of Tiananmen Square event of June, 1989. (Thesis). Drexel University. Retrieved from http://hdl.handle.net/1860/idea:7693

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wang, Chenyu. “Chinese artists and contemporary art under the influence of Tiananmen Square event of June, 1989.” 2017. Thesis, Drexel University. Accessed January 19, 2021. http://hdl.handle.net/1860/idea:7693.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wang, Chenyu. “Chinese artists and contemporary art under the influence of Tiananmen Square event of June, 1989.” 2017. Web. 19 Jan 2021.

Vancouver:

Wang C. Chinese artists and contemporary art under the influence of Tiananmen Square event of June, 1989. [Internet] [Thesis]. Drexel University; 2017. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/1860/idea:7693.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wang C. Chinese artists and contemporary art under the influence of Tiananmen Square event of June, 1989. [Thesis]. Drexel University; 2017. Available from: http://hdl.handle.net/1860/idea:7693

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

15. Lei, Lei. The Invention of Revolutionary Cultural Workers in Wartime China, 1937-1945.

Degree: 2020, Columbia University

 My dissertation examines how literary and artistic experiments shaped the social relationships and the new culture of wartime China from 1937 to 1945. It investigates… (more)

Subjects/Keywords: Literature, Modern; Comparative literature; Sino-Japanese War (1937-1945); Art and war; Art – Political aspects

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lei, L. (2020). The Invention of Revolutionary Cultural Workers in Wartime China, 1937-1945. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/d8-b9gr-7m29

Chicago Manual of Style (16th Edition):

Lei, Lei. “The Invention of Revolutionary Cultural Workers in Wartime China, 1937-1945.” 2020. Doctoral Dissertation, Columbia University. Accessed January 19, 2021. https://doi.org/10.7916/d8-b9gr-7m29.

MLA Handbook (7th Edition):

Lei, Lei. “The Invention of Revolutionary Cultural Workers in Wartime China, 1937-1945.” 2020. Web. 19 Jan 2021.

Vancouver:

Lei L. The Invention of Revolutionary Cultural Workers in Wartime China, 1937-1945. [Internet] [Doctoral dissertation]. Columbia University; 2020. [cited 2021 Jan 19]. Available from: https://doi.org/10.7916/d8-b9gr-7m29.

Council of Science Editors:

Lei L. The Invention of Revolutionary Cultural Workers in Wartime China, 1937-1945. [Doctoral Dissertation]. Columbia University; 2020. Available from: https://doi.org/10.7916/d8-b9gr-7m29


Rutgers University

16. Chang, Boyoung. Reconstructing the nation: contemporary Korean photography since the 1990s.

Degree: PhD, Contemporary Korean photography, 2019, Rutgers University

This dissertation examines the photography made by South Korean photographers, focusing on the medium’s relationship to the political and societal changes that have been occurring… (more)

Subjects/Keywords: Art History; Photography  – South Korea  – Political aspects; Photography  – South Korea  – Social aspects

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APA (6th Edition):

Chang, B. (2019). Reconstructing the nation: contemporary Korean photography since the 1990s. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/60622/

Chicago Manual of Style (16th Edition):

Chang, Boyoung. “Reconstructing the nation: contemporary Korean photography since the 1990s.” 2019. Doctoral Dissertation, Rutgers University. Accessed January 19, 2021. https://rucore.libraries.rutgers.edu/rutgers-lib/60622/.

MLA Handbook (7th Edition):

Chang, Boyoung. “Reconstructing the nation: contemporary Korean photography since the 1990s.” 2019. Web. 19 Jan 2021.

Vancouver:

Chang B. Reconstructing the nation: contemporary Korean photography since the 1990s. [Internet] [Doctoral dissertation]. Rutgers University; 2019. [cited 2021 Jan 19]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/60622/.

Council of Science Editors:

Chang B. Reconstructing the nation: contemporary Korean photography since the 1990s. [Doctoral Dissertation]. Rutgers University; 2019. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/60622/


Ryerson University

17. Tavukciyan, Cassandra. Ethnic identity and cultural misattribution in early Ottoman photography.

Degree: 2017, Ryerson University

 When photography was first introduced in the Ottoman Empire, Islamic laws forbade the production of images of sentient beings and therefore the practice of photography… (more)

Subjects/Keywords: Orientalism in art  – Middle East; Photography  – Middle East  – History  – 19th century; Art  – Political aspects  – History; Photography  – Political aspects  – Middle East; Imperialism in art

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APA (6th Edition):

Tavukciyan, C. (2017). Ethnic identity and cultural misattribution in early Ottoman photography. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A7147

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tavukciyan, Cassandra. “Ethnic identity and cultural misattribution in early Ottoman photography.” 2017. Thesis, Ryerson University. Accessed January 19, 2021. https://digital.library.ryerson.ca/islandora/object/RULA%3A7147.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tavukciyan, Cassandra. “Ethnic identity and cultural misattribution in early Ottoman photography.” 2017. Web. 19 Jan 2021.

Vancouver:

Tavukciyan C. Ethnic identity and cultural misattribution in early Ottoman photography. [Internet] [Thesis]. Ryerson University; 2017. [cited 2021 Jan 19]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A7147.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tavukciyan C. Ethnic identity and cultural misattribution in early Ottoman photography. [Thesis]. Ryerson University; 2017. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A7147

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

18. Campbell, Thomas Ian. Picturing the System: Counter-Institutional Practices in British Art of the 1970s.

Degree: 2018, Columbia University

 This dissertation examines a range of politicized artistic practices in Great Britain during the 1970s, a decade marked by economic decline and social fragmentation. The… (more)

Subjects/Keywords: Art – Political aspects; Art, British; Art and society; Furlong, William, 1944-; Willats, Stephen, 1943-; Kelly, Mary, 1941-; Atkinson, Conrad, 1940-

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Campbell, T. I. (2018). Picturing the System: Counter-Institutional Practices in British Art of the 1970s. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8989QXS

Chicago Manual of Style (16th Edition):

Campbell, Thomas Ian. “Picturing the System: Counter-Institutional Practices in British Art of the 1970s.” 2018. Doctoral Dissertation, Columbia University. Accessed January 19, 2021. https://doi.org/10.7916/D8989QXS.

MLA Handbook (7th Edition):

Campbell, Thomas Ian. “Picturing the System: Counter-Institutional Practices in British Art of the 1970s.” 2018. Web. 19 Jan 2021.

Vancouver:

Campbell TI. Picturing the System: Counter-Institutional Practices in British Art of the 1970s. [Internet] [Doctoral dissertation]. Columbia University; 2018. [cited 2021 Jan 19]. Available from: https://doi.org/10.7916/D8989QXS.

Council of Science Editors:

Campbell TI. Picturing the System: Counter-Institutional Practices in British Art of the 1970s. [Doctoral Dissertation]. Columbia University; 2018. Available from: https://doi.org/10.7916/D8989QXS


Macquarie University

19. Hicks, Megan. Pavement graffiti: an exploration of roads and footways in words and pictures.

Degree: 2013, Macquarie University

"Thesis and accompanying website presented for the degree of Doctor of Philosophy"

Creative component of thesis: online gallery of images and interpretive text: http://pavementappreciation.com/

Bibliography:… (more)

Subjects/Keywords: Graffiti; Street art; Graffiti  – Australia; Street art  – Australia; Art  – Social aspects; Art  – Political aspects; Public spaces  – Social aspects; Public spaces  – Political aspects; Street poetry; Urban anthropology; City and town life; spray-paint; chalk art; engravings; inclusions; thermoplastic; tagging; wall art; stencilling; stencil art; pavement; cobblestones; sidewalks; footpaths; flagstones; tarmacadam; asphalt; concrete

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APA (6th Edition):

Hicks, M. (2013). Pavement graffiti: an exploration of roads and footways in words and pictures. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/1266111

Chicago Manual of Style (16th Edition):

Hicks, Megan. “Pavement graffiti: an exploration of roads and footways in words and pictures.” 2013. Doctoral Dissertation, Macquarie University. Accessed January 19, 2021. http://hdl.handle.net/1959.14/1266111.

MLA Handbook (7th Edition):

Hicks, Megan. “Pavement graffiti: an exploration of roads and footways in words and pictures.” 2013. Web. 19 Jan 2021.

Vancouver:

Hicks M. Pavement graffiti: an exploration of roads and footways in words and pictures. [Internet] [Doctoral dissertation]. Macquarie University; 2013. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/1959.14/1266111.

Council of Science Editors:

Hicks M. Pavement graffiti: an exploration of roads and footways in words and pictures. [Doctoral Dissertation]. Macquarie University; 2013. Available from: http://hdl.handle.net/1959.14/1266111


Macquarie University

20. Hicks, Megan. Pavement graffiti: an exploration of roads and footways in words and pictures.

Degree: 2013, Macquarie University

"Thesis and accompanying website presented for the degree of Doctor of Philosophy"

"April 2013"

Creative component of thesis: online gallery of images and interpretive text:… (more)

Subjects/Keywords: Graffiti; Street art; Graffiti  – Australia; Street art  – Australia; Art  – Social aspects; Art  – Political aspects; Public spaces  – Social aspects; Public spaces  – Political aspects; Street poetry; Urban anthropology; City and town life; spray-paint; chalk art; engravings; inclusions; thermoplastic; tagging; wall art; stencilling; stencil art; pavement; cobblestones; sidewalks; footpaths; flagstones; tarmacadam; asphalt; concrete

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hicks, M. (2013). Pavement graffiti: an exploration of roads and footways in words and pictures. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/1264684

Chicago Manual of Style (16th Edition):

Hicks, Megan. “Pavement graffiti: an exploration of roads and footways in words and pictures.” 2013. Doctoral Dissertation, Macquarie University. Accessed January 19, 2021. http://hdl.handle.net/1959.14/1264684.

MLA Handbook (7th Edition):

Hicks, Megan. “Pavement graffiti: an exploration of roads and footways in words and pictures.” 2013. Web. 19 Jan 2021.

Vancouver:

Hicks M. Pavement graffiti: an exploration of roads and footways in words and pictures. [Internet] [Doctoral dissertation]. Macquarie University; 2013. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/1959.14/1264684.

Council of Science Editors:

Hicks M. Pavement graffiti: an exploration of roads and footways in words and pictures. [Doctoral Dissertation]. Macquarie University; 2013. Available from: http://hdl.handle.net/1959.14/1264684


Hong Kong University of Science and Technology

21. Huang, Zhuojun SOSC. Revolutionary dramas : state hegemony, propagandist genre and divergent meanings.

Degree: 2019, Hong Kong University of Science and Technology

 In China, marketization has brought about changes in the cultural industry, resulting in some tensions between the state’s propaganda concern and the consumption imperative. Using… (more)

Subjects/Keywords: Politics in art ; Motion pictures and television ; Political aspects ; China ; Chinese drama ; History and criticism

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APA (6th Edition):

Huang, Z. S. (2019). Revolutionary dramas : state hegemony, propagandist genre and divergent meanings. (Thesis). Hong Kong University of Science and Technology. Retrieved from http://repository.ust.hk/ir/Record/1783.1-102262 ; https://doi.org/10.14711/thesis-991012766368803412 ; http://repository.ust.hk/ir/bitstream/1783.1-102262/1/th_redirect.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Huang, Zhuojun SOSC. “Revolutionary dramas : state hegemony, propagandist genre and divergent meanings.” 2019. Thesis, Hong Kong University of Science and Technology. Accessed January 19, 2021. http://repository.ust.hk/ir/Record/1783.1-102262 ; https://doi.org/10.14711/thesis-991012766368803412 ; http://repository.ust.hk/ir/bitstream/1783.1-102262/1/th_redirect.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Huang, Zhuojun SOSC. “Revolutionary dramas : state hegemony, propagandist genre and divergent meanings.” 2019. Web. 19 Jan 2021.

Vancouver:

Huang ZS. Revolutionary dramas : state hegemony, propagandist genre and divergent meanings. [Internet] [Thesis]. Hong Kong University of Science and Technology; 2019. [cited 2021 Jan 19]. Available from: http://repository.ust.hk/ir/Record/1783.1-102262 ; https://doi.org/10.14711/thesis-991012766368803412 ; http://repository.ust.hk/ir/bitstream/1783.1-102262/1/th_redirect.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Huang ZS. Revolutionary dramas : state hegemony, propagandist genre and divergent meanings. [Thesis]. Hong Kong University of Science and Technology; 2019. Available from: http://repository.ust.hk/ir/Record/1783.1-102262 ; https://doi.org/10.14711/thesis-991012766368803412 ; http://repository.ust.hk/ir/bitstream/1783.1-102262/1/th_redirect.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

22. Swanepoel, Cheree. Exploring matric art students’ interpretation of the art curriculum and the socio-political implications of the topic issue at three independent schools in Gauteng.

Degree: MA, Visual Arts, 2016, Stellenbosch University

ENGLISH SUMMARY: This research focused on the experiences and perceptions of 21 matric art students from three independent schools in Gauteng, and the socio-political implications… (more)

Subjects/Keywords: Art  – Study and teaching; Critical Citizenship; Topic Interpretation; Art  – Social aspects; Art  – Political aspects; Education  – Aims and objectives; Citizenship  – Study and teaching (Secondary)  – South Africa; UCTD

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APA (6th Edition):

Swanepoel, C. (2016). Exploring matric art students’ interpretation of the art curriculum and the socio-political implications of the topic issue at three independent schools in Gauteng. (Masters Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/98440

Chicago Manual of Style (16th Edition):

Swanepoel, Cheree. “Exploring matric art students’ interpretation of the art curriculum and the socio-political implications of the topic issue at three independent schools in Gauteng.” 2016. Masters Thesis, Stellenbosch University. Accessed January 19, 2021. http://hdl.handle.net/10019.1/98440.

MLA Handbook (7th Edition):

Swanepoel, Cheree. “Exploring matric art students’ interpretation of the art curriculum and the socio-political implications of the topic issue at three independent schools in Gauteng.” 2016. Web. 19 Jan 2021.

Vancouver:

Swanepoel C. Exploring matric art students’ interpretation of the art curriculum and the socio-political implications of the topic issue at three independent schools in Gauteng. [Internet] [Masters thesis]. Stellenbosch University; 2016. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10019.1/98440.

Council of Science Editors:

Swanepoel C. Exploring matric art students’ interpretation of the art curriculum and the socio-political implications of the topic issue at three independent schools in Gauteng. [Masters Thesis]. Stellenbosch University; 2016. Available from: http://hdl.handle.net/10019.1/98440


Colorado State University

23. Rockinger, Sara Pierce Rockwell. Unwearable war: a visual exploration of transversal politics.

Degree: Master of Fine Arts (M.F.A.), Art, 2008, Colorado State University

To view the abstract, please see the full text of the document. Advisors/Committee Members: Lundberg, Thomas R. (advisor), Kokoska, Mary-Ann (committee member), Faris, Suzanne (committee member), Aoki, Eric (committee member).

Subjects/Keywords: Art  – Political aspects; Textile fabrics in art

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APA (6th Edition):

Rockinger, S. P. R. (2008). Unwearable war: a visual exploration of transversal politics. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/86843

Chicago Manual of Style (16th Edition):

Rockinger, Sara Pierce Rockwell. “Unwearable war: a visual exploration of transversal politics.” 2008. Masters Thesis, Colorado State University. Accessed January 19, 2021. http://hdl.handle.net/10217/86843.

MLA Handbook (7th Edition):

Rockinger, Sara Pierce Rockwell. “Unwearable war: a visual exploration of transversal politics.” 2008. Web. 19 Jan 2021.

Vancouver:

Rockinger SPR. Unwearable war: a visual exploration of transversal politics. [Internet] [Masters thesis]. Colorado State University; 2008. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10217/86843.

Council of Science Editors:

Rockinger SPR. Unwearable war: a visual exploration of transversal politics. [Masters Thesis]. Colorado State University; 2008. Available from: http://hdl.handle.net/10217/86843


Rhodes University

24. Lochner, Eben. The democratisation of art CAP as an alternative art space in South Africa.

Degree: Faculty of Humanities, Fine Art, 2011, Rhodes University

 While formal arts education was inaccessible to many during Apartheid, community-based centres played a significant role in the training of previously disadvantaged artists. By engaging… (more)

Subjects/Keywords: Arts and society  – South Africa; Democracy and the arts  – South Africa; Art  – Political aspects  – South Africa; Apartheid and art  – South Africa

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lochner, E. (2011). The democratisation of art CAP as an alternative art space in South Africa. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1002205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lochner, Eben. “The democratisation of art CAP as an alternative art space in South Africa.” 2011. Thesis, Rhodes University. Accessed January 19, 2021. http://hdl.handle.net/10962/d1002205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lochner, Eben. “The democratisation of art CAP as an alternative art space in South Africa.” 2011. Web. 19 Jan 2021.

Vancouver:

Lochner E. The democratisation of art CAP as an alternative art space in South Africa. [Internet] [Thesis]. Rhodes University; 2011. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10962/d1002205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lochner E. The democratisation of art CAP as an alternative art space in South Africa. [Thesis]. Rhodes University; 2011. Available from: http://hdl.handle.net/10962/d1002205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

25. McBurney, Erin. Art and Power in the Reign of Catherine the Great: The State Portraits.

Degree: 2014, Columbia University

 This dissertation examines the relationship between art and power in the reign of Catherine II of Russia (1762-1796). It considers Catherine's state portraits as historical… (more)

Subjects/Keywords: Portrait painting, Russian; Power (Social sciences) in art; Art – Political aspects; History; Catherine II, Empress of Russia, 1729-1796

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McBurney, E. (2014). Art and Power in the Reign of Catherine the Great: The State Portraits. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8CC0XT5

Chicago Manual of Style (16th Edition):

McBurney, Erin. “Art and Power in the Reign of Catherine the Great: The State Portraits.” 2014. Doctoral Dissertation, Columbia University. Accessed January 19, 2021. https://doi.org/10.7916/D8CC0XT5.

MLA Handbook (7th Edition):

McBurney, Erin. “Art and Power in the Reign of Catherine the Great: The State Portraits.” 2014. Web. 19 Jan 2021.

Vancouver:

McBurney E. Art and Power in the Reign of Catherine the Great: The State Portraits. [Internet] [Doctoral dissertation]. Columbia University; 2014. [cited 2021 Jan 19]. Available from: https://doi.org/10.7916/D8CC0XT5.

Council of Science Editors:

McBurney E. Art and Power in the Reign of Catherine the Great: The State Portraits. [Doctoral Dissertation]. Columbia University; 2014. Available from: https://doi.org/10.7916/D8CC0XT5


University of Missouri – Kansas City

26. Nordholm, Hilary, 1976-. Diego Rivera: constructing a myth.

Degree: 2011, University of Missouri – Kansas City

 Diego Rivera was a master of creating visual languages to express his ideas and beliefs. Throughout his life, he actively sought to define Mexican culture… (more)

Subjects/Keywords: Art  – Political aspects  – Mexico; Art and society  – Mexico; Rivera, Diego, – 1886-1957; Thesis  – University of Missouri – Kansas City  – Art and art history

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APA (6th Edition):

Nordholm, Hilary, 1. (2011). Diego Rivera: constructing a myth. (Thesis). University of Missouri – Kansas City. Retrieved from http://hdl.handle.net/10355/11261

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nordholm, Hilary, 1976-. “Diego Rivera: constructing a myth.” 2011. Thesis, University of Missouri – Kansas City. Accessed January 19, 2021. http://hdl.handle.net/10355/11261.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nordholm, Hilary, 1976-. “Diego Rivera: constructing a myth.” 2011. Web. 19 Jan 2021.

Vancouver:

Nordholm, Hilary 1. Diego Rivera: constructing a myth. [Internet] [Thesis]. University of Missouri – Kansas City; 2011. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10355/11261.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nordholm, Hilary 1. Diego Rivera: constructing a myth. [Thesis]. University of Missouri – Kansas City; 2011. Available from: http://hdl.handle.net/10355/11261

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

27. Aoake, Hana Pera. No limit : imagining the boundaries of autonomy in a post-Fordist colonial settler state : thesis submission for a Master of Fine Arts (Fine Arts), Massey University, Wellington, New Zealand .

Degree: 2018, Massey University

 This exegesis will address the context of being a young, Māori artist living in a Post-Fordist colonial settler state. It will centre what these conditions… (more)

Subjects/Keywords: Aoake, Hana; Criticism and interpretation; Autonomy (Psychology); Art; Political aspects; New Zealand; Art and society; Performance art; Fresh and Fruity (Art collective); Tino rangatiratanga; Whanaungatanga; Wāhine; Whakaahua; Hunga mahi toi

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APA (6th Edition):

Aoake, H. P. (2018). No limit : imagining the boundaries of autonomy in a post-Fordist colonial settler state : thesis submission for a Master of Fine Arts (Fine Arts), Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/14412

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Aoake, Hana Pera. “No limit : imagining the boundaries of autonomy in a post-Fordist colonial settler state : thesis submission for a Master of Fine Arts (Fine Arts), Massey University, Wellington, New Zealand .” 2018. Thesis, Massey University. Accessed January 19, 2021. http://hdl.handle.net/10179/14412.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Aoake, Hana Pera. “No limit : imagining the boundaries of autonomy in a post-Fordist colonial settler state : thesis submission for a Master of Fine Arts (Fine Arts), Massey University, Wellington, New Zealand .” 2018. Web. 19 Jan 2021.

Vancouver:

Aoake HP. No limit : imagining the boundaries of autonomy in a post-Fordist colonial settler state : thesis submission for a Master of Fine Arts (Fine Arts), Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2018. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10179/14412.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Aoake HP. No limit : imagining the boundaries of autonomy in a post-Fordist colonial settler state : thesis submission for a Master of Fine Arts (Fine Arts), Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2018. Available from: http://hdl.handle.net/10179/14412

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

28. Finestone-Praeg, Juanita. The political promise of choreography in performance and/as research: First Physical Theatre Company’s manifesto and repertory, 1993-2015.

Degree: Faculty of Humanities, Drama, 2020, Rhodes University

 This study redefines the political in dance by drawing on the scholarly concept of the “choreopolitical” (André Lepecki) and extending it into analysing related concepts… (more)

Subjects/Keywords: Choreography  – Political aspects; Dance  – South Africa  – Makhanda; Dance  – Political aspects; Performance art  – South Africa  – Makhanda; Performance art  – History and criticism; Performance art  – Research; Performance art  – Study and teaching; Performance art  – Philosophy; Experimental theater  – South Africa  – Makhanda; Experimental theater  – History and criticism; Political art  – South Africa  – Makhanda; First Physical Theatre Company; First Physical Theatre Company  – History and criticism

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APA (6th Edition):

Finestone-Praeg, J. (2020). The political promise of choreography in performance and/as research: First Physical Theatre Company’s manifesto and repertory, 1993-2015. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/149373

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Finestone-Praeg, Juanita. “The political promise of choreography in performance and/as research: First Physical Theatre Company’s manifesto and repertory, 1993-2015.” 2020. Thesis, Rhodes University. Accessed January 19, 2021. http://hdl.handle.net/10962/149373.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Finestone-Praeg, Juanita. “The political promise of choreography in performance and/as research: First Physical Theatre Company’s manifesto and repertory, 1993-2015.” 2020. Web. 19 Jan 2021.

Vancouver:

Finestone-Praeg J. The political promise of choreography in performance and/as research: First Physical Theatre Company’s manifesto and repertory, 1993-2015. [Internet] [Thesis]. Rhodes University; 2020. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10962/149373.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Finestone-Praeg J. The political promise of choreography in performance and/as research: First Physical Theatre Company’s manifesto and repertory, 1993-2015. [Thesis]. Rhodes University; 2020. Available from: http://hdl.handle.net/10962/149373

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

29. Younge, James Gavin Forrest. The mirror and the square : a study of ideology within contemporary art systems with special reference to the American avant-garde in the period 1933-1953.

Degree: Image, Michaelis School of Fine Art, 1987, University of Cape Town

 This dissertation argues that abstract art is not ideologically neutral. In spite of many artists' anti-fascist stance early in their careers, the mantle of neutrality… (more)

Subjects/Keywords: Art - Political aspects; Art, Modern - 20th century - Political aspects; Abstract expressionism - United States - Political aspects

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APA (6th Edition):

Younge, J. G. F. (1987). The mirror and the square : a study of ideology within contemporary art systems with special reference to the American avant-garde in the period 1933-1953. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/16370

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Younge, James Gavin Forrest. “The mirror and the square : a study of ideology within contemporary art systems with special reference to the American avant-garde in the period 1933-1953.” 1987. Thesis, University of Cape Town. Accessed January 19, 2021. http://hdl.handle.net/11427/16370.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Younge, James Gavin Forrest. “The mirror and the square : a study of ideology within contemporary art systems with special reference to the American avant-garde in the period 1933-1953.” 1987. Web. 19 Jan 2021.

Vancouver:

Younge JGF. The mirror and the square : a study of ideology within contemporary art systems with special reference to the American avant-garde in the period 1933-1953. [Internet] [Thesis]. University of Cape Town; 1987. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/11427/16370.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Younge JGF. The mirror and the square : a study of ideology within contemporary art systems with special reference to the American avant-garde in the period 1933-1953. [Thesis]. University of Cape Town; 1987. Available from: http://hdl.handle.net/11427/16370

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

30. Steyn, Pieter Andrew. The relationship between the concept 'art' and its institutionalisation during the period 1850-1871 in South Africa.

Degree: Faculty of Humanities, Fine Art, 1985, Rhodes University

 This research evolved as part of a personal struggle to understand my role as 'art' student. As such the essay is concerned with both the… (more)

Subjects/Keywords: Art, South African  – 19th century; Art  – Political aspects; Art and society  – South Africa

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Steyn, P. A. (1985). The relationship between the concept 'art' and its institutionalisation during the period 1850-1871 in South Africa. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1005626

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Steyn, Pieter Andrew. “The relationship between the concept 'art' and its institutionalisation during the period 1850-1871 in South Africa.” 1985. Thesis, Rhodes University. Accessed January 19, 2021. http://hdl.handle.net/10962/d1005626.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Steyn, Pieter Andrew. “The relationship between the concept 'art' and its institutionalisation during the period 1850-1871 in South Africa.” 1985. Web. 19 Jan 2021.

Vancouver:

Steyn PA. The relationship between the concept 'art' and its institutionalisation during the period 1850-1871 in South Africa. [Internet] [Thesis]. Rhodes University; 1985. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10962/d1005626.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Steyn PA. The relationship between the concept 'art' and its institutionalisation during the period 1850-1871 in South Africa. [Thesis]. Rhodes University; 1985. Available from: http://hdl.handle.net/10962/d1005626

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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