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You searched for subject:(Appropriation Art ). Showing records 1 – 30 of 91 total matches.

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Université du Québec à Montréal

1. Théberge, Marie-Pier. Une pratique de l'autoreprésentation révélant les mécanismes de la construction identitaire de l'artiste dans le monde de l'art.

Degree: 2013, Université du Québec à Montréal

 La recherche qui suit a pour objectif de dévoiler les mécanismes de la construction identitaire d’un artiste par l'analyse des fondements de ma pratique artistique.… (more)

Subjects/Keywords: Appropriation (Art); Art interactif; Autoreprésentation (Littérature); Interdisciplinarité

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Théberge, M. (2013). Une pratique de l'autoreprésentation révélant les mécanismes de la construction identitaire de l'artiste dans le monde de l'art. (Thesis). Université du Québec à Montréal. Retrieved from http://www.archipel.uqam.ca/9478/1/M14725.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Théberge, Marie-Pier. “Une pratique de l'autoreprésentation révélant les mécanismes de la construction identitaire de l'artiste dans le monde de l'art.” 2013. Thesis, Université du Québec à Montréal. Accessed September 18, 2019. http://www.archipel.uqam.ca/9478/1/M14725.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Théberge, Marie-Pier. “Une pratique de l'autoreprésentation révélant les mécanismes de la construction identitaire de l'artiste dans le monde de l'art.” 2013. Web. 18 Sep 2019.

Vancouver:

Théberge M. Une pratique de l'autoreprésentation révélant les mécanismes de la construction identitaire de l'artiste dans le monde de l'art. [Internet] [Thesis]. Université du Québec à Montréal; 2013. [cited 2019 Sep 18]. Available from: http://www.archipel.uqam.ca/9478/1/M14725.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Théberge M. Une pratique de l'autoreprésentation révélant les mécanismes de la construction identitaire de l'artiste dans le monde de l'art. [Thesis]. Université du Québec à Montréal; 2013. Available from: http://www.archipel.uqam.ca/9478/1/M14725.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

2. Théberge, Marie-Pier. Une pratique de l'autoreprésentation révélant les mécanismes de la construction identitaire de l'artiste dans le monde de l'art.

Degree: 2013, Université du Québec à Montréal

 La recherche qui suit a pour objectif de dévoiler les mécanismes de la construction identitaire d’un artiste par l'analyse des fondements de ma pratique artistique.… (more)

Subjects/Keywords: Appropriation (Art); Art interactif; Autoreprésentation (Littérature); Interdisciplinarité

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Théberge, M. (2013). Une pratique de l'autoreprésentation révélant les mécanismes de la construction identitaire de l'artiste dans le monde de l'art. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/9478/1/M14725.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Théberge, Marie-Pier. “Une pratique de l'autoreprésentation révélant les mécanismes de la construction identitaire de l'artiste dans le monde de l'art.” 2013. Thesis, Université du Québec à Montréal. Accessed September 18, 2019. http://archipel.uqam.ca/9478/1/M14725.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Théberge, Marie-Pier. “Une pratique de l'autoreprésentation révélant les mécanismes de la construction identitaire de l'artiste dans le monde de l'art.” 2013. Web. 18 Sep 2019.

Vancouver:

Théberge M. Une pratique de l'autoreprésentation révélant les mécanismes de la construction identitaire de l'artiste dans le monde de l'art. [Internet] [Thesis]. Université du Québec à Montréal; 2013. [cited 2019 Sep 18]. Available from: http://archipel.uqam.ca/9478/1/M14725.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Théberge M. Une pratique de l'autoreprésentation révélant les mécanismes de la construction identitaire de l'artiste dans le monde de l'art. [Thesis]. Université du Québec à Montréal; 2013. Available from: http://archipel.uqam.ca/9478/1/M14725.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

3. Taner, Sabiha. Challenging the ideas of 'Thainess' in contemporary art. On the construction and deconstruction of cultural identity.

Degree: 2017, Leiden University

 Recently, a change has been noticeable in the artworks of Thai artists. Appropriations from Japanese, European and American cultures have become more common and Thai… (more)

Subjects/Keywords: Cultural Identity; Thainess; Appropriation; Thai art.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Taner, S. (2017). Challenging the ideas of 'Thainess' in contemporary art. On the construction and deconstruction of cultural identity. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/52377

Chicago Manual of Style (16th Edition):

Taner, Sabiha. “Challenging the ideas of 'Thainess' in contemporary art. On the construction and deconstruction of cultural identity.” 2017. Masters Thesis, Leiden University. Accessed September 18, 2019. http://hdl.handle.net/1887/52377.

MLA Handbook (7th Edition):

Taner, Sabiha. “Challenging the ideas of 'Thainess' in contemporary art. On the construction and deconstruction of cultural identity.” 2017. Web. 18 Sep 2019.

Vancouver:

Taner S. Challenging the ideas of 'Thainess' in contemporary art. On the construction and deconstruction of cultural identity. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/1887/52377.

Council of Science Editors:

Taner S. Challenging the ideas of 'Thainess' in contemporary art. On the construction and deconstruction of cultural identity. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/52377


Louisiana State University

4. Sims, Gillian David. The use of preexisting clothing in current high fashion(2000-2002).

Degree: MS, Human Ecology, 2002, Louisiana State University

 The fashion system has historically looked to art for inspiration. For the greater part of history, this inspiration has been purely visual. However, with the… (more)

Subjects/Keywords: appropriation; fashion; art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sims, G. D. (2002). The use of preexisting clothing in current high fashion(2000-2002). (Masters Thesis). Louisiana State University. Retrieved from etd-0708102-150553 ; https://digitalcommons.lsu.edu/gradschool_theses/477

Chicago Manual of Style (16th Edition):

Sims, Gillian David. “The use of preexisting clothing in current high fashion(2000-2002).” 2002. Masters Thesis, Louisiana State University. Accessed September 18, 2019. etd-0708102-150553 ; https://digitalcommons.lsu.edu/gradschool_theses/477.

MLA Handbook (7th Edition):

Sims, Gillian David. “The use of preexisting clothing in current high fashion(2000-2002).” 2002. Web. 18 Sep 2019.

Vancouver:

Sims GD. The use of preexisting clothing in current high fashion(2000-2002). [Internet] [Masters thesis]. Louisiana State University; 2002. [cited 2019 Sep 18]. Available from: etd-0708102-150553 ; https://digitalcommons.lsu.edu/gradschool_theses/477.

Council of Science Editors:

Sims GD. The use of preexisting clothing in current high fashion(2000-2002). [Masters Thesis]. Louisiana State University; 2002. Available from: etd-0708102-150553 ; https://digitalcommons.lsu.edu/gradschool_theses/477

5. Santa Cruz Bustamante, César-Octavio. La citation dans la peinture latino-américaine contemporaine : de la peinture coloniale au Pop Art péruvien : La cita en la pintura contemporánea latinoamericana : de la pintura colonial al Pop Arte peruano.

Degree: Docteur es, Arts (Histoire, Théorie, Pratique), 2013, Université Michel de Montaigne – Bordeaux III

Depuis toujours, les œuvres d’art ont joué un rôle fondamental dans la formation des artistes, servant de modèles iconiques pour l’apprentissage et la création de… (more)

Subjects/Keywords: Citation; Appropriation; Réinterprétation; Pop art; Derivatives; Appropriation; Reinterpretation; Pop art; Cita; Apropiación; Reinterpretación; Pop arte

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Santa Cruz Bustamante, C. (2013). La citation dans la peinture latino-américaine contemporaine : de la peinture coloniale au Pop Art péruvien : La cita en la pintura contemporánea latinoamericana : de la pintura colonial al Pop Arte peruano. (Doctoral Dissertation). Université Michel de Montaigne – Bordeaux III. Retrieved from http://www.theses.fr/2013BOR30013

Chicago Manual of Style (16th Edition):

Santa Cruz Bustamante, César-Octavio. “La citation dans la peinture latino-américaine contemporaine : de la peinture coloniale au Pop Art péruvien : La cita en la pintura contemporánea latinoamericana : de la pintura colonial al Pop Arte peruano.” 2013. Doctoral Dissertation, Université Michel de Montaigne – Bordeaux III. Accessed September 18, 2019. http://www.theses.fr/2013BOR30013.

MLA Handbook (7th Edition):

Santa Cruz Bustamante, César-Octavio. “La citation dans la peinture latino-américaine contemporaine : de la peinture coloniale au Pop Art péruvien : La cita en la pintura contemporánea latinoamericana : de la pintura colonial al Pop Arte peruano.” 2013. Web. 18 Sep 2019.

Vancouver:

Santa Cruz Bustamante C. La citation dans la peinture latino-américaine contemporaine : de la peinture coloniale au Pop Art péruvien : La cita en la pintura contemporánea latinoamericana : de la pintura colonial al Pop Arte peruano. [Internet] [Doctoral dissertation]. Université Michel de Montaigne – Bordeaux III; 2013. [cited 2019 Sep 18]. Available from: http://www.theses.fr/2013BOR30013.

Council of Science Editors:

Santa Cruz Bustamante C. La citation dans la peinture latino-américaine contemporaine : de la peinture coloniale au Pop Art péruvien : La cita en la pintura contemporánea latinoamericana : de la pintura colonial al Pop Arte peruano. [Doctoral Dissertation]. Université Michel de Montaigne – Bordeaux III; 2013. Available from: http://www.theses.fr/2013BOR30013


Université Toulouse II – Le Mirail

6. Détré, Natacha. Les "relecteurs d'images" : une pratique artistique contemporaine de collecte, d'association et de rediffusion d'images photographiques : The "rereaders of pictures" : a contemporary art pratice of collecting, associating and redistributing photographs.

Degree: Docteur es, Arts et Sciences des Arts, 2014, Université Toulouse II – Le Mirail

Cette thèse propose de définir une génération d’artistes dont la spécificité consiste à collecter, associer et rediffuser des images existantes, sans en transformer le contenu… (more)

Subjects/Keywords: Image photographique; Reproductibilité; Interprétation; Appropriation; Iconographe; Art contemporain; Picture; Reproductibility; Interpretation; Appropriation; Iconograph; Contemporary art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Détré, N. (2014). Les "relecteurs d'images" : une pratique artistique contemporaine de collecte, d'association et de rediffusion d'images photographiques : The "rereaders of pictures" : a contemporary art pratice of collecting, associating and redistributing photographs. (Doctoral Dissertation). Université Toulouse II – Le Mirail. Retrieved from http://www.theses.fr/2014TOU20050

Chicago Manual of Style (16th Edition):

Détré, Natacha. “Les "relecteurs d'images" : une pratique artistique contemporaine de collecte, d'association et de rediffusion d'images photographiques : The "rereaders of pictures" : a contemporary art pratice of collecting, associating and redistributing photographs.” 2014. Doctoral Dissertation, Université Toulouse II – Le Mirail. Accessed September 18, 2019. http://www.theses.fr/2014TOU20050.

MLA Handbook (7th Edition):

Détré, Natacha. “Les "relecteurs d'images" : une pratique artistique contemporaine de collecte, d'association et de rediffusion d'images photographiques : The "rereaders of pictures" : a contemporary art pratice of collecting, associating and redistributing photographs.” 2014. Web. 18 Sep 2019.

Vancouver:

Détré N. Les "relecteurs d'images" : une pratique artistique contemporaine de collecte, d'association et de rediffusion d'images photographiques : The "rereaders of pictures" : a contemporary art pratice of collecting, associating and redistributing photographs. [Internet] [Doctoral dissertation]. Université Toulouse II – Le Mirail; 2014. [cited 2019 Sep 18]. Available from: http://www.theses.fr/2014TOU20050.

Council of Science Editors:

Détré N. Les "relecteurs d'images" : une pratique artistique contemporaine de collecte, d'association et de rediffusion d'images photographiques : The "rereaders of pictures" : a contemporary art pratice of collecting, associating and redistributing photographs. [Doctoral Dissertation]. Université Toulouse II – Le Mirail; 2014. Available from: http://www.theses.fr/2014TOU20050


University of Louisville

7. Stumbo, Slade, 1971-. Seeking Bob Thompson : dialogue/object.

Degree: MA, 2013, University of Louisville

 This thesis documents the research, development, and implementation of the exhibition Seeking Bob Thompson. The exhibition portion of this curatorial project was completed in the… (more)

Subjects/Keywords: Figurative art; Signifying; Appropriation; Figurative expressionism; Black art; Hite Art Institute

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stumbo, Slade, 1. (2013). Seeking Bob Thompson : dialogue/object. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/1399 ; https://ir.library.louisville.edu/etd/1399

Chicago Manual of Style (16th Edition):

Stumbo, Slade, 1971-. “Seeking Bob Thompson : dialogue/object.” 2013. Masters Thesis, University of Louisville. Accessed September 18, 2019. 10.18297/etd/1399 ; https://ir.library.louisville.edu/etd/1399.

MLA Handbook (7th Edition):

Stumbo, Slade, 1971-. “Seeking Bob Thompson : dialogue/object.” 2013. Web. 18 Sep 2019.

Vancouver:

Stumbo, Slade 1. Seeking Bob Thompson : dialogue/object. [Internet] [Masters thesis]. University of Louisville; 2013. [cited 2019 Sep 18]. Available from: 10.18297/etd/1399 ; https://ir.library.louisville.edu/etd/1399.

Council of Science Editors:

Stumbo, Slade 1. Seeking Bob Thompson : dialogue/object. [Masters Thesis]. University of Louisville; 2013. Available from: 10.18297/etd/1399 ; https://ir.library.louisville.edu/etd/1399


Duke University

8. Devine, Katherine de Vos. A Dangerous Undertaking: Appropriation Art, Intellectual Property, and Fair Use Since the 1990s .

Degree: 2017, Duke University

  This dissertation is a historical examination of the broad and multifaceted role of appropriation in twentieth and twenty-first century American art. It argues for… (more)

Subjects/Keywords: Art history; Intellectual property; Appropriation Art; Contemporary Art; Copyright; Intellectual Property

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Devine, K. d. V. (2017). A Dangerous Undertaking: Appropriation Art, Intellectual Property, and Fair Use Since the 1990s . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/14449

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Devine, Katherine de Vos. “A Dangerous Undertaking: Appropriation Art, Intellectual Property, and Fair Use Since the 1990s .” 2017. Thesis, Duke University. Accessed September 18, 2019. http://hdl.handle.net/10161/14449.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Devine, Katherine de Vos. “A Dangerous Undertaking: Appropriation Art, Intellectual Property, and Fair Use Since the 1990s .” 2017. Web. 18 Sep 2019.

Vancouver:

Devine KdV. A Dangerous Undertaking: Appropriation Art, Intellectual Property, and Fair Use Since the 1990s . [Internet] [Thesis]. Duke University; 2017. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/10161/14449.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Devine KdV. A Dangerous Undertaking: Appropriation Art, Intellectual Property, and Fair Use Since the 1990s . [Thesis]. Duke University; 2017. Available from: http://hdl.handle.net/10161/14449

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tasmania

9. Cotterell, S. The urge to Appropriate: Internalising appropriation through hybrid studio practice.

Degree: 2011, University of Tasmania

 This project aims to engage the strategic concealment of appropriation strategies within a responsive cross-media based art practice. Its purpose is to investigate the use… (more)

Subjects/Keywords: Contemporary art; installation; appropriation; studio practice; media art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cotterell, S. (2011). The urge to Appropriate: Internalising appropriation through hybrid studio practice. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/18570/1/Whole-Cotterell-thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cotterell, S. “The urge to Appropriate: Internalising appropriation through hybrid studio practice.” 2011. Thesis, University of Tasmania. Accessed September 18, 2019. https://eprints.utas.edu.au/18570/1/Whole-Cotterell-thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cotterell, S. “The urge to Appropriate: Internalising appropriation through hybrid studio practice.” 2011. Web. 18 Sep 2019.

Vancouver:

Cotterell S. The urge to Appropriate: Internalising appropriation through hybrid studio practice. [Internet] [Thesis]. University of Tasmania; 2011. [cited 2019 Sep 18]. Available from: https://eprints.utas.edu.au/18570/1/Whole-Cotterell-thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cotterell S. The urge to Appropriate: Internalising appropriation through hybrid studio practice. [Thesis]. University of Tasmania; 2011. Available from: https://eprints.utas.edu.au/18570/1/Whole-Cotterell-thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Missouri – Columbia

10. Reed, Savannah. Felicia the Goat : use of racialized characters in advertisements.

Degree: 2017, University of Missouri – Columbia

 [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] For decades, advertisers have attempted to reach black audiences with ads wrought with racialized characters.… (more)

Subjects/Keywords: Commercial art; Appropriation (Art); Blacks – Race identity; Racism in mass media

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Reed, S. (2017). Felicia the Goat : use of racialized characters in advertisements. (Thesis). University of Missouri – Columbia. Retrieved from http://hdl.handle.net/10355/62380

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Reed, Savannah. “Felicia the Goat : use of racialized characters in advertisements.” 2017. Thesis, University of Missouri – Columbia. Accessed September 18, 2019. http://hdl.handle.net/10355/62380.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Reed, Savannah. “Felicia the Goat : use of racialized characters in advertisements.” 2017. Web. 18 Sep 2019.

Vancouver:

Reed S. Felicia the Goat : use of racialized characters in advertisements. [Internet] [Thesis]. University of Missouri – Columbia; 2017. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/10355/62380.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Reed S. Felicia the Goat : use of racialized characters in advertisements. [Thesis]. University of Missouri – Columbia; 2017. Available from: http://hdl.handle.net/10355/62380

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Sul

11. Borges, Camila Bettim. Por entre os dedos : arte e crianças contemporâneas.

Degree: 2013, Universidade do Rio Grande do Sul

 O presente estudo buscou compreender as relações que as crianças estabelecem com a arte contemporânea quando a mesma é apresentada, discutida e explorada no contexto… (more)

Subjects/Keywords: Contemporary art; Criança; Arte contemporânea; Research with children; Appropriation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Borges, C. B. (2013). Por entre os dedos : arte e crianças contemporâneas. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/83299

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Borges, Camila Bettim. “Por entre os dedos : arte e crianças contemporâneas.” 2013. Thesis, Universidade do Rio Grande do Sul. Accessed September 18, 2019. http://hdl.handle.net/10183/83299.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Borges, Camila Bettim. “Por entre os dedos : arte e crianças contemporâneas.” 2013. Web. 18 Sep 2019.

Vancouver:

Borges CB. Por entre os dedos : arte e crianças contemporâneas. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2013. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/10183/83299.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Borges CB. Por entre os dedos : arte e crianças contemporâneas. [Thesis]. Universidade do Rio Grande do Sul; 2013. Available from: http://hdl.handle.net/10183/83299

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

12. Harrison, Nathanael Karl. Appropriation Art and U.S. Intellectual Property Law Since 1976.

Degree: Theory and Criticism, 2014, University of California – San Diego

 This dissertation examines the notion of "appropriation" in contemporary art since the mid-1970s in relation to simultaneous developments in United States intellectual property law. The… (more)

Subjects/Keywords: United States Appropriation (Art); United States Intellectual property

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APA (6th Edition):

Harrison, N. K. (2014). Appropriation Art and U.S. Intellectual Property Law Since 1976. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/3b52j1cv

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harrison, Nathanael Karl. “Appropriation Art and U.S. Intellectual Property Law Since 1976.” 2014. Thesis, University of California – San Diego. Accessed September 18, 2019. http://www.escholarship.org/uc/item/3b52j1cv.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harrison, Nathanael Karl. “Appropriation Art and U.S. Intellectual Property Law Since 1976.” 2014. Web. 18 Sep 2019.

Vancouver:

Harrison NK. Appropriation Art and U.S. Intellectual Property Law Since 1976. [Internet] [Thesis]. University of California – San Diego; 2014. [cited 2019 Sep 18]. Available from: http://www.escholarship.org/uc/item/3b52j1cv.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harrison NK. Appropriation Art and U.S. Intellectual Property Law Since 1976. [Thesis]. University of California – San Diego; 2014. Available from: http://www.escholarship.org/uc/item/3b52j1cv

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Victoria

13. Lefroy, Isabelle. Seeking justice beyond legalism: cultural appropriation of totem poles on the Pacific Northwest Coast.

Degree: Interdisciplinary Graduate Program, 2018, University of Victoria

 This thesis attempts to illuminate and problematize the marriage of capitalism and colonialism that results in the widespread appropriation of Indigenous expressions of culture, and… (more)

Subjects/Keywords: Cultural appropriation; Indigenous art; Indigenous law; Intellectual property rights

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APA (6th Edition):

Lefroy, I. (2018). Seeking justice beyond legalism: cultural appropriation of totem poles on the Pacific Northwest Coast. (Masters Thesis). University of Victoria. Retrieved from https://dspace.library.uvic.ca//handle/1828/9211

Chicago Manual of Style (16th Edition):

Lefroy, Isabelle. “Seeking justice beyond legalism: cultural appropriation of totem poles on the Pacific Northwest Coast.” 2018. Masters Thesis, University of Victoria. Accessed September 18, 2019. https://dspace.library.uvic.ca//handle/1828/9211.

MLA Handbook (7th Edition):

Lefroy, Isabelle. “Seeking justice beyond legalism: cultural appropriation of totem poles on the Pacific Northwest Coast.” 2018. Web. 18 Sep 2019.

Vancouver:

Lefroy I. Seeking justice beyond legalism: cultural appropriation of totem poles on the Pacific Northwest Coast. [Internet] [Masters thesis]. University of Victoria; 2018. [cited 2019 Sep 18]. Available from: https://dspace.library.uvic.ca//handle/1828/9211.

Council of Science Editors:

Lefroy I. Seeking justice beyond legalism: cultural appropriation of totem poles on the Pacific Northwest Coast. [Masters Thesis]. University of Victoria; 2018. Available from: https://dspace.library.uvic.ca//handle/1828/9211


Duke University

14. Beauchamp-Byrd, Mora J. Hogarth's Progress: "Modern Moral Subjects" in the Work of David Hockney, Lubaina Himid and Paula Rego .

Degree: 2011, Duke University

  HOGARTH'S PROGRESS: `MODERN MORAL SUBJECTS' IN THE ART OF DAVID HOCKNEY, LUBAINA HIMID AND PAULA REGO An Abstract by Mora J. Beauchamp-Byrd Hogarth's Progress:… (more)

Subjects/Keywords: Art History; appropriation; Himid; Hockney; Hogarth; Rego; subversion

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APA (6th Edition):

Beauchamp-Byrd, M. J. (2011). Hogarth's Progress: "Modern Moral Subjects" in the Work of David Hockney, Lubaina Himid and Paula Rego . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/3957

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beauchamp-Byrd, Mora J. “Hogarth's Progress: "Modern Moral Subjects" in the Work of David Hockney, Lubaina Himid and Paula Rego .” 2011. Thesis, Duke University. Accessed September 18, 2019. http://hdl.handle.net/10161/3957.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beauchamp-Byrd, Mora J. “Hogarth's Progress: "Modern Moral Subjects" in the Work of David Hockney, Lubaina Himid and Paula Rego .” 2011. Web. 18 Sep 2019.

Vancouver:

Beauchamp-Byrd MJ. Hogarth's Progress: "Modern Moral Subjects" in the Work of David Hockney, Lubaina Himid and Paula Rego . [Internet] [Thesis]. Duke University; 2011. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/10161/3957.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beauchamp-Byrd MJ. Hogarth's Progress: "Modern Moral Subjects" in the Work of David Hockney, Lubaina Himid and Paula Rego . [Thesis]. Duke University; 2011. Available from: http://hdl.handle.net/10161/3957

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

15. Shah, Siddhartha V. Ornamenting the Raj: Opulence and Spectacle in Victorian India.

Degree: 2019, Columbia University

 This dissertation examines symbolic representations of British imperial power through the appropriation and display of Indian “things.” The objects and spectacles examined here—the Koh-i-Noor diamond,… (more)

Subjects/Keywords: Imperialism – British colonies; Cultural property; Cultural appropriation; Art and history

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APA (6th Edition):

Shah, S. V. (2019). Ornamenting the Raj: Opulence and Spectacle in Victorian India. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/d8-fdcx-f478

Chicago Manual of Style (16th Edition):

Shah, Siddhartha V. “Ornamenting the Raj: Opulence and Spectacle in Victorian India.” 2019. Doctoral Dissertation, Columbia University. Accessed September 18, 2019. https://doi.org/10.7916/d8-fdcx-f478.

MLA Handbook (7th Edition):

Shah, Siddhartha V. “Ornamenting the Raj: Opulence and Spectacle in Victorian India.” 2019. Web. 18 Sep 2019.

Vancouver:

Shah SV. Ornamenting the Raj: Opulence and Spectacle in Victorian India. [Internet] [Doctoral dissertation]. Columbia University; 2019. [cited 2019 Sep 18]. Available from: https://doi.org/10.7916/d8-fdcx-f478.

Council of Science Editors:

Shah SV. Ornamenting the Raj: Opulence and Spectacle in Victorian India. [Doctoral Dissertation]. Columbia University; 2019. Available from: https://doi.org/10.7916/d8-fdcx-f478

16. Carmignac, Ariane-Esther. Passer le temps. Vies d'une archive photographique contemporaine : l'archivio Graziano Arici : "Passer le temps". The Graziano Arici’s archive of photography.

Degree: Docteur es, Esthétique et sciences de l'art, 2018, Lyon

L’Archivio Graziano Arici est une archive photographique d’un genre résolument singulier ; elle réunit des enjeux et ou assemble des finalités qui ne se rejoignent… (more)

Subjects/Keywords: Photographie d'art; Photography; Portrait; Art; Appropriation; Archives; Venice

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APA (6th Edition):

Carmignac, A. (2018). Passer le temps. Vies d'une archive photographique contemporaine : l'archivio Graziano Arici : "Passer le temps". The Graziano Arici’s archive of photography. (Doctoral Dissertation). Lyon. Retrieved from http://www.theses.fr/2018LYSES044

Chicago Manual of Style (16th Edition):

Carmignac, Ariane-Esther. “Passer le temps. Vies d'une archive photographique contemporaine : l'archivio Graziano Arici : "Passer le temps". The Graziano Arici’s archive of photography.” 2018. Doctoral Dissertation, Lyon. Accessed September 18, 2019. http://www.theses.fr/2018LYSES044.

MLA Handbook (7th Edition):

Carmignac, Ariane-Esther. “Passer le temps. Vies d'une archive photographique contemporaine : l'archivio Graziano Arici : "Passer le temps". The Graziano Arici’s archive of photography.” 2018. Web. 18 Sep 2019.

Vancouver:

Carmignac A. Passer le temps. Vies d'une archive photographique contemporaine : l'archivio Graziano Arici : "Passer le temps". The Graziano Arici’s archive of photography. [Internet] [Doctoral dissertation]. Lyon; 2018. [cited 2019 Sep 18]. Available from: http://www.theses.fr/2018LYSES044.

Council of Science Editors:

Carmignac A. Passer le temps. Vies d'une archive photographique contemporaine : l'archivio Graziano Arici : "Passer le temps". The Graziano Arici’s archive of photography. [Doctoral Dissertation]. Lyon; 2018. Available from: http://www.theses.fr/2018LYSES044


University of California – Irvine

17. Nguyen, Jenny Hong Mai. Exhibiting Cultural Objects from Asia in the Norton Simon Museum: The Orientalization of the Asian Art Galleries.

Degree: Visual Studies, 2017, University of California – Irvine

 ABSTRACT OF THE THESISExhibiting Asian Objects in the Norton Simon Museum:The Orientalization of the Asian Art GalleriesByJenny Hong Mai NguyenMaster of Arts in Art History… (more)

Subjects/Keywords: Art history; Cultural Appropriation; Museum; Norton Simon Museum; Orientalism; Panethnicity; Repatriation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nguyen, J. H. M. (2017). Exhibiting Cultural Objects from Asia in the Norton Simon Museum: The Orientalization of the Asian Art Galleries. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/1kk859nm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nguyen, Jenny Hong Mai. “Exhibiting Cultural Objects from Asia in the Norton Simon Museum: The Orientalization of the Asian Art Galleries.” 2017. Thesis, University of California – Irvine. Accessed September 18, 2019. http://www.escholarship.org/uc/item/1kk859nm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nguyen, Jenny Hong Mai. “Exhibiting Cultural Objects from Asia in the Norton Simon Museum: The Orientalization of the Asian Art Galleries.” 2017. Web. 18 Sep 2019.

Vancouver:

Nguyen JHM. Exhibiting Cultural Objects from Asia in the Norton Simon Museum: The Orientalization of the Asian Art Galleries. [Internet] [Thesis]. University of California – Irvine; 2017. [cited 2019 Sep 18]. Available from: http://www.escholarship.org/uc/item/1kk859nm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nguyen JHM. Exhibiting Cultural Objects from Asia in the Norton Simon Museum: The Orientalization of the Asian Art Galleries. [Thesis]. University of California – Irvine; 2017. Available from: http://www.escholarship.org/uc/item/1kk859nm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Univerzitet u Beogradu

18. Lemkul, Ivana M., 1982-. Апропријација и христијанизација мотива зодијака у уметности средњег века.

Degree: Filozofski fakultet, 2018, Univerzitet u Beogradu

Историја уметности - Историја средњовековне уметности / History of Art - History of Medieval Art

Концепт зодијака је своју стандардизовану визуелну форму стекао у римској… (more)

Subjects/Keywords: Zodiac; appropriation; Christianization; astrology; art of the Middle Ages; cosmology

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APA (6th Edition):

Lemkul, Ivana M., 1. (2018). Апропријација и христијанизација мотива зодијака у уметности средњег века. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:18250/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lemkul, Ivana M., 1982-. “Апропријација и христијанизација мотива зодијака у уметности средњег века.” 2018. Thesis, Univerzitet u Beogradu. Accessed September 18, 2019. https://fedorabg.bg.ac.rs/fedora/get/o:18250/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lemkul, Ivana M., 1982-. “Апропријација и христијанизација мотива зодијака у уметности средњег века.” 2018. Web. 18 Sep 2019.

Vancouver:

Lemkul, Ivana M. 1. Апропријација и христијанизација мотива зодијака у уметности средњег века. [Internet] [Thesis]. Univerzitet u Beogradu; 2018. [cited 2019 Sep 18]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:18250/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lemkul, Ivana M. 1. Апропријација и христијанизација мотива зодијака у уметности средњег века. [Thesis]. Univerzitet u Beogradu; 2018. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:18250/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oxford

19. Noonan-Ganley, Joseph. The contagion of desire : two case studies of appropriation art.

Degree: PhD, 2017, University of Oxford

 My doctoral thesis is comprised of two bodies of research: two artworks taking the form of installations (videos, audio recordings, textiles, texts), which will be… (more)

Subjects/Keywords: Appropriation Art; Zipper; Art Writing; Charles James; Video Art; Fiction; Couture; Installation Art; Clothes; Sexuality; Voice; Rose; Joseph Cornell; Desire

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APA (6th Edition):

Noonan-Ganley, J. (2017). The contagion of desire : two case studies of appropriation art. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:d86430f7-41dd-4b85-b094-2e256b899d9c ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.757775

Chicago Manual of Style (16th Edition):

Noonan-Ganley, Joseph. “The contagion of desire : two case studies of appropriation art.” 2017. Doctoral Dissertation, University of Oxford. Accessed September 18, 2019. http://ora.ox.ac.uk/objects/uuid:d86430f7-41dd-4b85-b094-2e256b899d9c ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.757775.

MLA Handbook (7th Edition):

Noonan-Ganley, Joseph. “The contagion of desire : two case studies of appropriation art.” 2017. Web. 18 Sep 2019.

Vancouver:

Noonan-Ganley J. The contagion of desire : two case studies of appropriation art. [Internet] [Doctoral dissertation]. University of Oxford; 2017. [cited 2019 Sep 18]. Available from: http://ora.ox.ac.uk/objects/uuid:d86430f7-41dd-4b85-b094-2e256b899d9c ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.757775.

Council of Science Editors:

Noonan-Ganley J. The contagion of desire : two case studies of appropriation art. [Doctoral Dissertation]. University of Oxford; 2017. Available from: http://ora.ox.ac.uk/objects/uuid:d86430f7-41dd-4b85-b094-2e256b899d9c ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.757775


Université de Montréal

20. Lacombe, Anne-Marie. Les archives dans l'art de Robert Rauschenberg .

Degree: 2013, Université de Montréal

 Ce mémoire adopte une perspective archivistique afin d'examiner l'art de Robert Rauschenberg, un artiste américain ayant fait ses débuts sur la scène artistique new-yorkaise des… (more)

Subjects/Keywords: Archives; Robert Rauschenberg; Art; Art d'appropriation; Années soixante; Photographie; Diffusion des archives; Archivistique; Appropriation art; Sixties; Photography; Archival dissemination; Archival science

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APA (6th Edition):

Lacombe, A. (2013). Les archives dans l'art de Robert Rauschenberg . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/9939

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lacombe, Anne-Marie. “Les archives dans l'art de Robert Rauschenberg .” 2013. Thesis, Université de Montréal. Accessed September 18, 2019. http://hdl.handle.net/1866/9939.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lacombe, Anne-Marie. “Les archives dans l'art de Robert Rauschenberg .” 2013. Web. 18 Sep 2019.

Vancouver:

Lacombe A. Les archives dans l'art de Robert Rauschenberg . [Internet] [Thesis]. Université de Montréal; 2013. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/1866/9939.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lacombe A. Les archives dans l'art de Robert Rauschenberg . [Thesis]. Université de Montréal; 2013. Available from: http://hdl.handle.net/1866/9939

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. F. DE SANTIS. APPROPRIATION ART E DIRITTO D'AUTORE.

Degree: 2015, Università degli Studi di Milano

Appropriation Art is generally defined as a form of contemporary art which borrows images from popular culture, advertising, the mass media, other artists and elsewhere,… (more)

Subjects/Keywords: appropriation art; contemporary art; conceptual art; copyright; diritto d'autore; marchio; opere derivate; parodia; fair use; Settore IUS/04 - Diritto Commerciale

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APA (6th Edition):

SANTIS, F. D. (2015). APPROPRIATION ART E DIRITTO D'AUTORE. (Thesis). Università degli Studi di Milano. Retrieved from http://hdl.handle.net/2434/253310

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

SANTIS, F. DE. “APPROPRIATION ART E DIRITTO D'AUTORE.” 2015. Thesis, Università degli Studi di Milano. Accessed September 18, 2019. http://hdl.handle.net/2434/253310.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

SANTIS, F. DE. “APPROPRIATION ART E DIRITTO D'AUTORE.” 2015. Web. 18 Sep 2019.

Vancouver:

SANTIS FD. APPROPRIATION ART E DIRITTO D'AUTORE. [Internet] [Thesis]. Università degli Studi di Milano; 2015. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/2434/253310.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

SANTIS FD. APPROPRIATION ART E DIRITTO D'AUTORE. [Thesis]. Università degli Studi di Milano; 2015. Available from: http://hdl.handle.net/2434/253310

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

22. Nunes, Alexandre. Appropriation et altération de l'objet usuel dans une pratique sculpturale comprenant des œuvres activables par le public.

Degree: 2018, Université du Québec à Montréal

 Après des incursions dans différents champs de création, dont celui de la musique et de la conception de sites web, j’explore aujourd’hui le domaine de… (more)

Subjects/Keywords: Sculpture; Objets usuels dans l'art; Objets trouvés (Art); Appropriation (Art); Art interactif; Mémoires et thèses de création

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APA (6th Edition):

Nunes, A. (2018). Appropriation et altération de l'objet usuel dans une pratique sculpturale comprenant des œuvres activables par le public. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/12360/1/M15917.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nunes, Alexandre. “Appropriation et altération de l'objet usuel dans une pratique sculpturale comprenant des œuvres activables par le public.” 2018. Thesis, Université du Québec à Montréal. Accessed September 18, 2019. http://archipel.uqam.ca/12360/1/M15917.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nunes, Alexandre. “Appropriation et altération de l'objet usuel dans une pratique sculpturale comprenant des œuvres activables par le public.” 2018. Web. 18 Sep 2019.

Vancouver:

Nunes A. Appropriation et altération de l'objet usuel dans une pratique sculpturale comprenant des œuvres activables par le public. [Internet] [Thesis]. Université du Québec à Montréal; 2018. [cited 2019 Sep 18]. Available from: http://archipel.uqam.ca/12360/1/M15917.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nunes A. Appropriation et altération de l'objet usuel dans une pratique sculpturale comprenant des œuvres activables par le public. [Thesis]. Université du Québec à Montréal; 2018. Available from: http://archipel.uqam.ca/12360/1/M15917.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Zorzal, Bruno. Esthétique de l'exploitation photographique de photos déjà existantes. : Aesthetics of the photographic use of pre-existing photos.

Degree: Docteur es, Esthétique, Science et Technologie des Arts, 2016, Paris 8

Au moment où les artistes revendiquent la totalité des objets composant la réalité comme source matérielle pour l’art, on se voit dans la nécessité de… (more)

Subjects/Keywords: Esthétique; Poïétique; Photographie; Art contemporain; Image; Réutilisation; Appropriation; Exploitation; Photo-matériau; Aesthetic; Poiesis; Photography; Contemporary art; Image; Use; Reuse; Appropriation; Photo-material.

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APA (6th Edition):

Zorzal, B. (2016). Esthétique de l'exploitation photographique de photos déjà existantes. : Aesthetics of the photographic use of pre-existing photos. (Doctoral Dissertation). Paris 8. Retrieved from http://www.theses.fr/2016PA080105

Chicago Manual of Style (16th Edition):

Zorzal, Bruno. “Esthétique de l'exploitation photographique de photos déjà existantes. : Aesthetics of the photographic use of pre-existing photos.” 2016. Doctoral Dissertation, Paris 8. Accessed September 18, 2019. http://www.theses.fr/2016PA080105.

MLA Handbook (7th Edition):

Zorzal, Bruno. “Esthétique de l'exploitation photographique de photos déjà existantes. : Aesthetics of the photographic use of pre-existing photos.” 2016. Web. 18 Sep 2019.

Vancouver:

Zorzal B. Esthétique de l'exploitation photographique de photos déjà existantes. : Aesthetics of the photographic use of pre-existing photos. [Internet] [Doctoral dissertation]. Paris 8; 2016. [cited 2019 Sep 18]. Available from: http://www.theses.fr/2016PA080105.

Council of Science Editors:

Zorzal B. Esthétique de l'exploitation photographique de photos déjà existantes. : Aesthetics of the photographic use of pre-existing photos. [Doctoral Dissertation]. Paris 8; 2016. Available from: http://www.theses.fr/2016PA080105

24. Arruda, Lina Alves. Estratégias desconstrutivas: a crítica feminista da representação.

Degree: Mestrado, Teoria, Ensino e Aprendizagem, 2013, University of São Paulo

A pesquisa propõe uma revisitação da crítica feminista das políticas de representação considerando a intersecção de seus principais debates e premissas com as críticas contemporâneas… (more)

Subjects/Keywords: appropriation; apropriação; arte feminista; feminist art; identidade; identity; images of women; representação de mulheres

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APA (6th Edition):

Arruda, L. A. (2013). Estratégias desconstrutivas: a crítica feminista da representação. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27160/tde-07022014-162537/ ;

Chicago Manual of Style (16th Edition):

Arruda, Lina Alves. “Estratégias desconstrutivas: a crítica feminista da representação.” 2013. Masters Thesis, University of São Paulo. Accessed September 18, 2019. http://www.teses.usp.br/teses/disponiveis/27/27160/tde-07022014-162537/ ;.

MLA Handbook (7th Edition):

Arruda, Lina Alves. “Estratégias desconstrutivas: a crítica feminista da representação.” 2013. Web. 18 Sep 2019.

Vancouver:

Arruda LA. Estratégias desconstrutivas: a crítica feminista da representação. [Internet] [Masters thesis]. University of São Paulo; 2013. [cited 2019 Sep 18]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27160/tde-07022014-162537/ ;.

Council of Science Editors:

Arruda LA. Estratégias desconstrutivas: a crítica feminista da representação. [Masters Thesis]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/27/27160/tde-07022014-162537/ ;

25. Pedroso, Diego Castro. A transposição da imagem para o espaço tridimensional.

Degree: Mestrado, Poéticas Visuais, 2012, University of São Paulo

Esta dissertação é uma reflexão do artista sobre sua produção, os procedimentos e relações visuais das peças instaladas que materializam sua arte. Por meio da… (more)

Subjects/Keywords: appropriation; apropriação; arte contemporânea; color; contemporary art; cor; espaço; image; imagem; repetição; repetition; space

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pedroso, D. C. (2012). A transposição da imagem para o espaço tridimensional. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27159/tde-28022013-161640/ ;

Chicago Manual of Style (16th Edition):

Pedroso, Diego Castro. “A transposição da imagem para o espaço tridimensional.” 2012. Masters Thesis, University of São Paulo. Accessed September 18, 2019. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-28022013-161640/ ;.

MLA Handbook (7th Edition):

Pedroso, Diego Castro. “A transposição da imagem para o espaço tridimensional.” 2012. Web. 18 Sep 2019.

Vancouver:

Pedroso DC. A transposição da imagem para o espaço tridimensional. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2019 Sep 18]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-28022013-161640/ ;.

Council of Science Editors:

Pedroso DC. A transposição da imagem para o espaço tridimensional. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-28022013-161640/ ;


Leiden University

26. Floothuis, Lodewijk. Inhibited by Media Narcissism: Magibon and the Other.

Degree: 2014, Leiden University

 The shy and mysterious YouTube-star Magibon provides unsettling perspectives on the social- and visual impact of reality television. Being subjected to the gaze of the… (more)

Subjects/Keywords: narcissism; voyeurism; appropriation; YouTube; vernacular media; video art; gaze; Magibon; reality tv; online

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Floothuis, L. (2014). Inhibited by Media Narcissism: Magibon and the Other. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/35892

Chicago Manual of Style (16th Edition):

Floothuis, Lodewijk. “Inhibited by Media Narcissism: Magibon and the Other.” 2014. Masters Thesis, Leiden University. Accessed September 18, 2019. http://hdl.handle.net/1887/35892.

MLA Handbook (7th Edition):

Floothuis, Lodewijk. “Inhibited by Media Narcissism: Magibon and the Other.” 2014. Web. 18 Sep 2019.

Vancouver:

Floothuis L. Inhibited by Media Narcissism: Magibon and the Other. [Internet] [Masters thesis]. Leiden University; 2014. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/1887/35892.

Council of Science Editors:

Floothuis L. Inhibited by Media Narcissism: Magibon and the Other. [Masters Thesis]. Leiden University; 2014. Available from: http://hdl.handle.net/1887/35892


Université du Québec à Montréal

27. Wallace, Kendra. Sujets de vision : résister à la transparence photographique.

Degree: 2012, Université du Québec à Montréal

 Mon mémoire-création et l'exposition qui y est associée s'articulent principalement autour d'une notion que j'appelle la perte photographique. Il s'agit d'une réaction à la perception… (more)

Subjects/Keywords: Abstraction; Appropriation (Art); Démarche artistique; Fragment; Paradoxe; Photographie (Image); Vie quotidienne; Opacité

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wallace, K. (2012). Sujets de vision : résister à la transparence photographique. (Thesis). Université du Québec à Montréal. Retrieved from http://www.archipel.uqam.ca/9461/1/M14730.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wallace, Kendra. “Sujets de vision : résister à la transparence photographique.” 2012. Thesis, Université du Québec à Montréal. Accessed September 18, 2019. http://www.archipel.uqam.ca/9461/1/M14730.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wallace, Kendra. “Sujets de vision : résister à la transparence photographique.” 2012. Web. 18 Sep 2019.

Vancouver:

Wallace K. Sujets de vision : résister à la transparence photographique. [Internet] [Thesis]. Université du Québec à Montréal; 2012. [cited 2019 Sep 18]. Available from: http://www.archipel.uqam.ca/9461/1/M14730.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wallace K. Sujets de vision : résister à la transparence photographique. [Thesis]. Université du Québec à Montréal; 2012. Available from: http://www.archipel.uqam.ca/9461/1/M14730.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

28. Snels, David. Imaging the Internet. Exploring characteristics and functions of online photographic images through the works of Post-Internet artists.

Degree: 2015, Leiden University

 This thesis considers the manners photographic images act and function online, and the processes that govern them through analyses of the artworks of four Post-Internet… (more)

Subjects/Keywords: post-photography; post-Internet Art; online images; photography; appropriation; iconology; Internet; digital photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Snels, D. (2015). Imaging the Internet. Exploring characteristics and functions of online photographic images through the works of Post-Internet artists. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/32766

Chicago Manual of Style (16th Edition):

Snels, David. “Imaging the Internet. Exploring characteristics and functions of online photographic images through the works of Post-Internet artists.” 2015. Masters Thesis, Leiden University. Accessed September 18, 2019. http://hdl.handle.net/1887/32766.

MLA Handbook (7th Edition):

Snels, David. “Imaging the Internet. Exploring characteristics and functions of online photographic images through the works of Post-Internet artists.” 2015. Web. 18 Sep 2019.

Vancouver:

Snels D. Imaging the Internet. Exploring characteristics and functions of online photographic images through the works of Post-Internet artists. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/1887/32766.

Council of Science Editors:

Snels D. Imaging the Internet. Exploring characteristics and functions of online photographic images through the works of Post-Internet artists. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/32766


Université du Québec à Montréal

29. Brunette, Edith. Caméraroman : tactiques de réappropriation des images, textes et lieux de la communication de masse par une intervention extramuséale.

Degree: 2012, Université du Québec à Montréal

 Ce texte accompagne le projet Caméraroman, présenté à la Galerie de l'UQAM en septembre 2011. Il en expose le cadre théorique, les références historiques et… (more)

Subjects/Keywords: Appropriation; Art de performance; Aspect politique; Espace public; Spectateur; Vidéoprotection; Mémoires et thèses de création

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brunette, E. (2012). Caméraroman : tactiques de réappropriation des images, textes et lieux de la communication de masse par une intervention extramuséale. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/12439/1/M14658.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brunette, Edith. “Caméraroman : tactiques de réappropriation des images, textes et lieux de la communication de masse par une intervention extramuséale.” 2012. Thesis, Université du Québec à Montréal. Accessed September 18, 2019. http://archipel.uqam.ca/12439/1/M14658.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brunette, Edith. “Caméraroman : tactiques de réappropriation des images, textes et lieux de la communication de masse par une intervention extramuséale.” 2012. Web. 18 Sep 2019.

Vancouver:

Brunette E. Caméraroman : tactiques de réappropriation des images, textes et lieux de la communication de masse par une intervention extramuséale. [Internet] [Thesis]. Université du Québec à Montréal; 2012. [cited 2019 Sep 18]. Available from: http://archipel.uqam.ca/12439/1/M14658.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brunette E. Caméraroman : tactiques de réappropriation des images, textes et lieux de la communication de masse par une intervention extramuséale. [Thesis]. Université du Québec à Montréal; 2012. Available from: http://archipel.uqam.ca/12439/1/M14658.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Africa

30. Zhou, Grace. Missionaries' impact on the formation of modern art in Zimbabwe : a case study of Cyrene and Serima art works.

Degree: 2017, University of South Africa

 Focusing on Cyrene and Serima art workshops under the tutelage of Paterson and Groeber, respectively, the study acknowledges the foundational importance of Christian art (from… (more)

Subjects/Keywords: Missionaries; Colonialism; Art workshops; African modernism; Appropriation; Hybridisation; Artistic expression; Homogeneity; Heterogeneity; Tradition and culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zhou, G. (2017). Missionaries' impact on the formation of modern art in Zimbabwe : a case study of Cyrene and Serima art works. (Masters Thesis). University of South Africa. Retrieved from http://hdl.handle.net/10500/24543

Chicago Manual of Style (16th Edition):

Zhou, Grace. “Missionaries' impact on the formation of modern art in Zimbabwe : a case study of Cyrene and Serima art works.” 2017. Masters Thesis, University of South Africa. Accessed September 18, 2019. http://hdl.handle.net/10500/24543.

MLA Handbook (7th Edition):

Zhou, Grace. “Missionaries' impact on the formation of modern art in Zimbabwe : a case study of Cyrene and Serima art works.” 2017. Web. 18 Sep 2019.

Vancouver:

Zhou G. Missionaries' impact on the formation of modern art in Zimbabwe : a case study of Cyrene and Serima art works. [Internet] [Masters thesis]. University of South Africa; 2017. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/10500/24543.

Council of Science Editors:

Zhou G. Missionaries' impact on the formation of modern art in Zimbabwe : a case study of Cyrene and Serima art works. [Masters Thesis]. University of South Africa; 2017. Available from: http://hdl.handle.net/10500/24543

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