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University of Cincinnati

1. Leverenz, Anna. The Debated Authenticity of Franz Joseph Haydn’s Concertos for Horn: An Historical and Theoretical Approach to Attribution.

Degree: DMA, College-Conservatory of Music: Horn, 2011, University of Cincinnati

Of the three horn concertos attributed to Franz Joseph Haydn only one, the concerto Hob. VIId: 3, can be proven as an authentic composition. The concertos published as Hob. VIId: 2 and Hob. VIId: 4 are thought by musicologists to be spurious attributions. Current scholarship suggests that the concerto Hob. VIId: 2 would be better attributed to Antonio Rosetti, and that the concerto Hob. VIId: 4 may be a work of Michael Haydn. This document considers these possible misattributions and compares the concertos to known works of Joseph Haydn, Michael Haydn, and Antonio Rosetti. A survey of the historical background of these composers and their individual compositional styles is examined and compared with the circumstances of the concertos in question in order to understand the causes of, and correct, the misattributions. Advisors/Committee Members: Gardner, Randy (Committee Chair).

Subjects/Keywords: Music; MichaelHaydn; Antonio Rosetti; Franz Joseph Haydn; Horn Concerto; Horn

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APA (6th Edition):

Leverenz, A. (2011). The Debated Authenticity of Franz Joseph Haydn’s Concertos for Horn: An Historical and Theoretical Approach to Attribution. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1319487744

Chicago Manual of Style (16th Edition):

Leverenz, Anna. “The Debated Authenticity of Franz Joseph Haydn’s Concertos for Horn: An Historical and Theoretical Approach to Attribution.” 2011. Doctoral Dissertation, University of Cincinnati. Accessed February 17, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1319487744.

MLA Handbook (7th Edition):

Leverenz, Anna. “The Debated Authenticity of Franz Joseph Haydn’s Concertos for Horn: An Historical and Theoretical Approach to Attribution.” 2011. Web. 17 Feb 2020.

Vancouver:

Leverenz A. The Debated Authenticity of Franz Joseph Haydn’s Concertos for Horn: An Historical and Theoretical Approach to Attribution. [Internet] [Doctoral dissertation]. University of Cincinnati; 2011. [cited 2020 Feb 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1319487744.

Council of Science Editors:

Leverenz A. The Debated Authenticity of Franz Joseph Haydn’s Concertos for Horn: An Historical and Theoretical Approach to Attribution. [Doctoral Dissertation]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1319487744

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