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You searched for subject:(Andrei Tarkovsky). Showing records 1 – 17 of 17 total matches.

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Penn State University

1. Guzman, Maria Jimena. Spatial Perception and Imagination through Andrei Tarkovsky's Nostalghia.

Degree: 2013, Penn State University

 Taking the uncanny tone of Maurice Merleau-Ponty’s concept of the “flesh of the world” as its point of departure, this thesis bridges film and architecture… (more)

Subjects/Keywords: Space; Film; Architecture; Andrei Tarkovsky; Nostalghia; phenomenology; kino-eye

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Guzman, M. J. (2013). Spatial Perception and Imagination through Andrei Tarkovsky's Nostalghia. (Thesis). Penn State University. Retrieved from https://submit-etda.libraries.psu.edu/catalog/19853

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Guzman, Maria Jimena. “Spatial Perception and Imagination through Andrei Tarkovsky's Nostalghia.” 2013. Thesis, Penn State University. Accessed April 18, 2021. https://submit-etda.libraries.psu.edu/catalog/19853.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Guzman, Maria Jimena. “Spatial Perception and Imagination through Andrei Tarkovsky's Nostalghia.” 2013. Web. 18 Apr 2021.

Vancouver:

Guzman MJ. Spatial Perception and Imagination through Andrei Tarkovsky's Nostalghia. [Internet] [Thesis]. Penn State University; 2013. [cited 2021 Apr 18]. Available from: https://submit-etda.libraries.psu.edu/catalog/19853.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Guzman MJ. Spatial Perception and Imagination through Andrei Tarkovsky's Nostalghia. [Thesis]. Penn State University; 2013. Available from: https://submit-etda.libraries.psu.edu/catalog/19853

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Lanzoni, Pablo Alberto. Efeitos atmosféricos : o silêncio na filmografia de Andrei Tarkovski.

Degree: 2016, Brazil

Esta tese concentra-se sobre o silêncio e o modo como ele catalisa atmosferas em um conjunto de filmes específicos, a partir do conceito de Stimmung,… (more)

Subjects/Keywords: Tarkovski, Andrei, 1932-1986 : Crítica e interpretação; Silêncio no cinema; Cinema : Técnica; Silence; Atmosphere; Stimmung; Tarkovsky

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APA (6th Edition):

Lanzoni, P. A. (2016). Efeitos atmosféricos : o silêncio na filmografia de Andrei Tarkovski. (Doctoral Dissertation). Brazil. Retrieved from http://hdl.handle.net/10183/151316

Chicago Manual of Style (16th Edition):

Lanzoni, Pablo Alberto. “Efeitos atmosféricos : o silêncio na filmografia de Andrei Tarkovski.” 2016. Doctoral Dissertation, Brazil. Accessed April 18, 2021. http://hdl.handle.net/10183/151316.

MLA Handbook (7th Edition):

Lanzoni, Pablo Alberto. “Efeitos atmosféricos : o silêncio na filmografia de Andrei Tarkovski.” 2016. Web. 18 Apr 2021.

Vancouver:

Lanzoni PA. Efeitos atmosféricos : o silêncio na filmografia de Andrei Tarkovski. [Internet] [Doctoral dissertation]. Brazil; 2016. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10183/151316.

Council of Science Editors:

Lanzoni PA. Efeitos atmosféricos : o silêncio na filmografia de Andrei Tarkovski. [Doctoral Dissertation]. Brazil; 2016. Available from: http://hdl.handle.net/10183/151316

3. Milanezi, Daniel Tabarani Santos. Espelhos do tempo: política no cinema de Tarkovsky.

Degree: 2015, Pontifical Catholic University of São Paulo

Made available in DSpace on 2016-04-25T20:21:23Z (GMT). No. of bitstreams: 1 Daniel Tabarani Santos Milanezi.pdf: 1513450 bytes, checksum: 8f5c6a283c49366c7ebbe72654295667 (MD5) Previous issue date: 2015-04-01

Coordenação… (more)

Subjects/Keywords: Cinema e política; Andrei Tarkovsky; Cinema russo; Imagem-tempo; Cinema and politics; Russian cinema; Time-image; CNPQ::CIENCIAS SOCIAIS APLICADAS

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APA (6th Edition):

Milanezi, D. T. S. (2015). Espelhos do tempo: política no cinema de Tarkovsky. (Masters Thesis). Pontifical Catholic University of São Paulo. Retrieved from http://tede2.pucsp.br/handle/handle/2532

Chicago Manual of Style (16th Edition):

Milanezi, Daniel Tabarani Santos. “Espelhos do tempo: política no cinema de Tarkovsky.” 2015. Masters Thesis, Pontifical Catholic University of São Paulo. Accessed April 18, 2021. http://tede2.pucsp.br/handle/handle/2532.

MLA Handbook (7th Edition):

Milanezi, Daniel Tabarani Santos. “Espelhos do tempo: política no cinema de Tarkovsky.” 2015. Web. 18 Apr 2021.

Vancouver:

Milanezi DTS. Espelhos do tempo: política no cinema de Tarkovsky. [Internet] [Masters thesis]. Pontifical Catholic University of São Paulo; 2015. [cited 2021 Apr 18]. Available from: http://tede2.pucsp.br/handle/handle/2532.

Council of Science Editors:

Milanezi DTS. Espelhos do tempo: política no cinema de Tarkovsky. [Masters Thesis]. Pontifical Catholic University of São Paulo; 2015. Available from: http://tede2.pucsp.br/handle/handle/2532

4. Milanezi, Daniel Tabarani Santos. Espelhos do tempo: política no cinema de Tarkovsky.

Degree: 2015, Pontifical Catholic University of São Paulo

Made available in DSpace on 2016-04-26T14:55:18Z (GMT). No. of bitstreams: 1 Daniel Tabarani Santos Milanezi.pdf: 1513450 bytes, checksum: 8f5c6a283c49366c7ebbe72654295667 (MD5) Previous issue date: 2015-04-01

Coordenação… (more)

Subjects/Keywords: Cinema e política; Andrei Tarkovsky; Cinema russo; Imagem-tempo; Cinema and politics; Russian cinema; Time-image; CNPQ::CIENCIAS SOCIAIS APLICADAS

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Milanezi, D. T. S. (2015). Espelhos do tempo: política no cinema de Tarkovsky. (Masters Thesis). Pontifical Catholic University of São Paulo. Retrieved from https://tede2.pucsp.br/handle/handle/3636

Chicago Manual of Style (16th Edition):

Milanezi, Daniel Tabarani Santos. “Espelhos do tempo: política no cinema de Tarkovsky.” 2015. Masters Thesis, Pontifical Catholic University of São Paulo. Accessed April 18, 2021. https://tede2.pucsp.br/handle/handle/3636.

MLA Handbook (7th Edition):

Milanezi, Daniel Tabarani Santos. “Espelhos do tempo: política no cinema de Tarkovsky.” 2015. Web. 18 Apr 2021.

Vancouver:

Milanezi DTS. Espelhos do tempo: política no cinema de Tarkovsky. [Internet] [Masters thesis]. Pontifical Catholic University of São Paulo; 2015. [cited 2021 Apr 18]. Available from: https://tede2.pucsp.br/handle/handle/3636.

Council of Science Editors:

Milanezi DTS. Espelhos do tempo: política no cinema de Tarkovsky. [Masters Thesis]. Pontifical Catholic University of São Paulo; 2015. Available from: https://tede2.pucsp.br/handle/handle/3636


Universidade de Lisboa

5. Serra, Rui Alexandre Rosa Grincho, 1970-. Vox Dei:metáfora(s) da espiritualidade.

Degree: 2014, Universidade de Lisboa

Tese de doutoramento, Belas-Artes (Pintura), Universidade de Lisboa, Faculdade de Belas-Artes, 2014

Esta tese de Doutoramento em Belas-Artes, especialidade de Pintura, consiste na articulação de… (more)

Subjects/Keywords: Teses de doutoramento - 2014; Pintura; Espiritualidade; Metáfora; Deus; Alquimia; Chafes, Rui, 1966-; Rothko, Mark, 1903-1970; Tarkovsky, Andrei, 1932-1986; Jung, Carl Gustav, 1875-1961

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APA (6th Edition):

Serra, Rui Alexandre Rosa Grincho, 1. (2014). Vox Dei:metáfora(s) da espiritualidade. (Thesis). Universidade de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/10543

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Serra, Rui Alexandre Rosa Grincho, 1970-. “Vox Dei:metáfora(s) da espiritualidade.” 2014. Thesis, Universidade de Lisboa. Accessed April 18, 2021. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/10543.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Serra, Rui Alexandre Rosa Grincho, 1970-. “Vox Dei:metáfora(s) da espiritualidade.” 2014. Web. 18 Apr 2021.

Vancouver:

Serra, Rui Alexandre Rosa Grincho 1. Vox Dei:metáfora(s) da espiritualidade. [Internet] [Thesis]. Universidade de Lisboa; 2014. [cited 2021 Apr 18]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/10543.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Serra, Rui Alexandre Rosa Grincho 1. Vox Dei:metáfora(s) da espiritualidade. [Thesis]. Universidade de Lisboa; 2014. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/10543

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

6. Rieger, Maja Luisa Escher, 1990-. Monte, um primeiro habitar : a construção de um lugar.

Degree: 2014, Universidade de Lisboa

Tese de mestrado, Arte multimédia - Especialização em Audiovisuais, Universidade de Lisboa, Faculdade de Belas Artes, 2014

A Tese possui um filme - Monte, um… (more)

Subjects/Keywords: Augé, Marc, 1935-; Bachelard, Gaston, 1884-1962; Heidegger, Martin, 1889-1976; Carneiro, Alberto, 1937-; Tarkovsky, Andrei, 1932-1986; Imagem; Lugares; Habitar; Tempo

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APA (6th Edition):

Rieger, Maja Luisa Escher, 1. (2014). Monte, um primeiro habitar : a construção de um lugar. (Thesis). Universidade de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11665

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rieger, Maja Luisa Escher, 1990-. “Monte, um primeiro habitar : a construção de um lugar.” 2014. Thesis, Universidade de Lisboa. Accessed April 18, 2021. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11665.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rieger, Maja Luisa Escher, 1990-. “Monte, um primeiro habitar : a construção de um lugar.” 2014. Web. 18 Apr 2021.

Vancouver:

Rieger, Maja Luisa Escher 1. Monte, um primeiro habitar : a construção de um lugar. [Internet] [Thesis]. Universidade de Lisboa; 2014. [cited 2021 Apr 18]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11665.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rieger, Maja Luisa Escher 1. Monte, um primeiro habitar : a construção de um lugar. [Thesis]. Universidade de Lisboa; 2014. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11665

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Gothenburg / Göteborgs Universitet

7. Eriksson, Patrik. Melankoliska fragment: om essäfilm och tänkande.

Degree: 2019, University of Gothenburg / Göteborgs Universitet

This artistic doctoral dissertation comprises the essay film Melancholy Fragments (73 min.) and the book Melancholy Fragments: On Essay Film and Thinking. In making the… (more)

Subjects/Keywords: artistic research; essay film; filmmaking; artistic filmmaking practice; cinematic way of thinking; film as thinking; work story; reflection; melancholy; Robert Burton; Magnus Bärtås; Andrei Tarkovsky; E.M. Cioran; Hannah Arendt

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APA (6th Edition):

Eriksson, P. (2019). Melankoliska fragment: om essäfilm och tänkande. (Thesis). University of Gothenburg / Göteborgs Universitet. Retrieved from http://hdl.handle.net/2077/61696

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Eriksson, Patrik. “Melankoliska fragment: om essäfilm och tänkande.” 2019. Thesis, University of Gothenburg / Göteborgs Universitet. Accessed April 18, 2021. http://hdl.handle.net/2077/61696.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Eriksson, Patrik. “Melankoliska fragment: om essäfilm och tänkande.” 2019. Web. 18 Apr 2021.

Vancouver:

Eriksson P. Melankoliska fragment: om essäfilm och tänkande. [Internet] [Thesis]. University of Gothenburg / Göteborgs Universitet; 2019. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/2077/61696.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Eriksson P. Melankoliska fragment: om essäfilm och tänkande. [Thesis]. University of Gothenburg / Göteborgs Universitet; 2019. Available from: http://hdl.handle.net/2077/61696

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifícia Universidade Católica de São Paulo

8. Neide Jallageas. Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento.

Degree: 2007, Pontifícia Universidade Católica de São Paulo

Essa tese propõe estudar estratégias de construção no cinema do cineasta russo (soviético) Andriêi Arsiénievitch Tarkóvski, estabelecendo o campo de análise nos sete longas-metragens realizados… (more)

Subjects/Keywords: Comunicação; Arts; Cronotopia; Socialist (Soviet) Realism; Arte; Andrei Tarkovsky; Cinema - Semiotica; Realismo socialista na arte; Andriêi Tarkóvski; Reverse Perspective; Tarkovski, Andrei  – 1932-1986  – Critica e interpretacao; Russian Cinema; Cinema russo; Great Time; COMUNICACAO; Communication; Realismo Socialista (Soviético); Perspectiva Inversa; Cinema russo; Chronotopy; Grande Tempo

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APA (6th Edition):

Jallageas, N. (2007). Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4369

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jallageas, Neide. “Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento.” 2007. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed April 18, 2021. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4369.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jallageas, Neide. “Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento.” 2007. Web. 18 Apr 2021.

Vancouver:

Jallageas N. Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2007. [cited 2021 Apr 18]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4369.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jallageas N. Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2007. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4369

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

9. Gonçalves, David Paulo Martins, 1990-. Paulo Nozolino : a fotografia em ruína.

Degree: 2017, Universidade de Lisboa

 The practice of photography creates a dialogue as an object of social analysis, beyond that of it's technical and formal specificities. An image holds a… (more)

Subjects/Keywords: Nozolino, Paulo, 1955-; Benjamin, Walter, 1892-1940; Nietzsche, Friedrich, 1844-1900; Heidegger, Martin, 1889-1976; Tarkovsky, Andrei, 1932-1986; Tarr, Béla, 1955-; Al Berto, pseud., 1948-1997; Nunes, Rui; Baião, Rui; Fotografia; Ruínas; Fragmentos; Morte; Preto e branco; Crítica, curadoria e teorias da arte

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APA (6th Edition):

Gonçalves, David Paulo Martins, 1. (2017). Paulo Nozolino : a fotografia em ruína. (Thesis). Universidade de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/28559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gonçalves, David Paulo Martins, 1990-. “Paulo Nozolino : a fotografia em ruína.” 2017. Thesis, Universidade de Lisboa. Accessed April 18, 2021. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/28559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gonçalves, David Paulo Martins, 1990-. “Paulo Nozolino : a fotografia em ruína.” 2017. Web. 18 Apr 2021.

Vancouver:

Gonçalves, David Paulo Martins 1. Paulo Nozolino : a fotografia em ruína. [Internet] [Thesis]. Universidade de Lisboa; 2017. [cited 2021 Apr 18]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/28559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gonçalves, David Paulo Martins 1. Paulo Nozolino : a fotografia em ruína. [Thesis]. Universidade de Lisboa; 2017. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/28559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

10. Tavares, Rita Costa, 1990-. Uma raposa no jardim : da fotografia e do onírico.

Degree: 2014, Universidade de Lisboa

Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2014

Going through three distinct paths, Visual Arts/Photography, the invention of the Essay and… (more)

Subjects/Keywords: Warburg, Aby, 1866-1929; Lynch, David, 1946-; Tarkovsky, Andrei, 1932-1986; Marker, Chris, 1921-; Blaufuks, Daniel, 1963-; Mekas, Jonas; Principe, André, 1976-; Benjamin, Walter, 1892-1940; Lispector, Clarice, 1925-1977; Fotografia; Arquivo; Memória; Onirismo

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tavares, Rita Costa, 1. (2014). Uma raposa no jardim : da fotografia e do onírico. (Thesis). Universidade de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11533

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tavares, Rita Costa, 1990-. “Uma raposa no jardim : da fotografia e do onírico.” 2014. Thesis, Universidade de Lisboa. Accessed April 18, 2021. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11533.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tavares, Rita Costa, 1990-. “Uma raposa no jardim : da fotografia e do onírico.” 2014. Web. 18 Apr 2021.

Vancouver:

Tavares, Rita Costa 1. Uma raposa no jardim : da fotografia e do onírico. [Internet] [Thesis]. Universidade de Lisboa; 2014. [cited 2021 Apr 18]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11533.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tavares, Rita Costa 1. Uma raposa no jardim : da fotografia e do onírico. [Thesis]. Universidade de Lisboa; 2014. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11533

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

11. SUPARKA, KRISHNAMURTI. The future, today: notes on a changing world.

Degree: 2012, University of Melbourne

 We live in a time where everything, everywhere seems to be happening simultaneously, and indeterminately. Worldwide events expose themselves to us 24/7, from the major… (more)

Subjects/Keywords: modern art 21st century; modern civilization 21st century; drawing; writing; writing in art; words in art; distraction; noise; stillness; the sublime; metamodernism; culture and globalization; information society; speed social aspects; time sociological aspects; spirituality in art; Robert Bresson; Michael Haneke; Andrei Tarkovsky; Agnes Martin; Robert Walser

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

SUPARKA, K. (2012). The future, today: notes on a changing world. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/37351

Chicago Manual of Style (16th Edition):

SUPARKA, KRISHNAMURTI. “The future, today: notes on a changing world.” 2012. Masters Thesis, University of Melbourne. Accessed April 18, 2021. http://hdl.handle.net/11343/37351.

MLA Handbook (7th Edition):

SUPARKA, KRISHNAMURTI. “The future, today: notes on a changing world.” 2012. Web. 18 Apr 2021.

Vancouver:

SUPARKA K. The future, today: notes on a changing world. [Internet] [Masters thesis]. University of Melbourne; 2012. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/11343/37351.

Council of Science Editors:

SUPARKA K. The future, today: notes on a changing world. [Masters Thesis]. University of Melbourne; 2012. Available from: http://hdl.handle.net/11343/37351

12. Usas, James Anthony. ANIMA ÜRBEM.

Degree: 2014, University of Waterloo

 In 1916 the macrocosmic tensions of global conflict became focused on the microcosm of Berlin, Ontario. The nationalistic turmoil of the First World War incited… (more)

Subjects/Keywords: Kitchener; Berlin; Fire; Schneider's Creek; Psychogeography; House of the Gathering; Andrei Tarkovsky

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APA (6th Edition):

Usas, J. A. (2014). ANIMA ÜRBEM. (Thesis). University of Waterloo. Retrieved from http://hdl.handle.net/10012/8648

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Usas, James Anthony. “ANIMA ÜRBEM.” 2014. Thesis, University of Waterloo. Accessed April 18, 2021. http://hdl.handle.net/10012/8648.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Usas, James Anthony. “ANIMA ÜRBEM.” 2014. Web. 18 Apr 2021.

Vancouver:

Usas JA. ANIMA ÜRBEM. [Internet] [Thesis]. University of Waterloo; 2014. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10012/8648.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Usas JA. ANIMA ÜRBEM. [Thesis]. University of Waterloo; 2014. Available from: http://hdl.handle.net/10012/8648

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

13. Soares, Stela Maria dos Santos, 1970-. O espaço pictural em Heidegger.

Degree: 2009, Universidade de Lisboa

Tese de Mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2009

The present essay tries to put forward a pictorial space perception in Heidegger’s… (more)

Subjects/Keywords: Pintura; Criação artística; Heidegger, Martin, 1889-1976; Brunelleschi, Filippo, 1377-1446; Velazquez, Diego, 1599-1660; Friedrich, Caspar David, 1774-1840; Manet, Edouard, 1832-1883; Cézanne, Paul, 1839-1906; Soulages, Pierre, 1919-; Rothko, Mark, 1903-1970; Sousa, Ângelo de, 1938-; Michaux, Henri, 1899-1984; Twombly, Cy, 1928-; Tarkovsky, Andrei, 1932-1986

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Soares, Stela Maria dos Santos, 1. (2009). O espaço pictural em Heidegger. (Thesis). Universidade de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/1979

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Soares, Stela Maria dos Santos, 1970-. “O espaço pictural em Heidegger.” 2009. Thesis, Universidade de Lisboa. Accessed April 18, 2021. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/1979.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Soares, Stela Maria dos Santos, 1970-. “O espaço pictural em Heidegger.” 2009. Web. 18 Apr 2021.

Vancouver:

Soares, Stela Maria dos Santos 1. O espaço pictural em Heidegger. [Internet] [Thesis]. Universidade de Lisboa; 2009. [cited 2021 Apr 18]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/1979.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Soares, Stela Maria dos Santos 1. O espaço pictural em Heidegger. [Thesis]. Universidade de Lisboa; 2009. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/1979

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stockholm University

14. Klöfver, Christian. Dikterna i Andrej Tarkovskijs Spegeln.

Degree: Slavic Languages, 2016, Stockholm University

Subjects/Keywords: Mirror; Zerkalo; Tarkovsky; Andrei; Arseny; poems; Solaris; poetry; film; Spegeln; Zerkalo; Tarkovskij; Andrej; Arsenij; dikter; Solaris; poesi; film; Specific Languages; Studier av enskilda språk

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Klöfver, C. (2016). Dikterna i Andrej Tarkovskijs Spegeln. (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-125586

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Klöfver, Christian. “Dikterna i Andrej Tarkovskijs Spegeln.” 2016. Thesis, Stockholm University. Accessed April 18, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-125586.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Klöfver, Christian. “Dikterna i Andrej Tarkovskijs Spegeln.” 2016. Web. 18 Apr 2021.

Vancouver:

Klöfver C. Dikterna i Andrej Tarkovskijs Spegeln. [Internet] [Thesis]. Stockholm University; 2016. [cited 2021 Apr 18]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-125586.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Klöfver C. Dikterna i Andrej Tarkovskijs Spegeln. [Thesis]. Stockholm University; 2016. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-125586

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Jallageas, Neide. Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento.

Degree: 2007, Pontifical Catholic University of São Paulo

Made available in DSpace on 2016-04-26T18:16:07Z (GMT). No. of bitstreams: 1 TESE_JALLAGEAS_N_03_2007.pdf: 18626663 bytes, checksum: a452b4a7a6bcac319bef2614c7d9770e (MD5) Previous issue date: 2007-05-07

Conselho Nacional de Desenvolvimento… (more)

Subjects/Keywords: Andriêi Tarkóvski; Cinema russo; Comunicação; Arte; Realismo Socialista (Soviético); Cronotopia; Perspectiva Inversa; Grande Tempo; Tarkovski, Andrei  – 1932-1986  – Critica e interpretacao; Cinema russo; Cinema - Semiotica; Realismo socialista na arte; Andrei Tarkovsky; Russian Cinema; Communication; Arts; Socialist (Soviet) Realism; Chronotopy; Reverse Perspective; Great Time; CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jallageas, N. (2007). Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento. (Doctoral Dissertation). Pontifical Catholic University of São Paulo. Retrieved from https://tede2.pucsp.br/handle/handle/4880

Chicago Manual of Style (16th Edition):

Jallageas, Neide. “Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento.” 2007. Doctoral Dissertation, Pontifical Catholic University of São Paulo. Accessed April 18, 2021. https://tede2.pucsp.br/handle/handle/4880.

MLA Handbook (7th Edition):

Jallageas, Neide. “Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento.” 2007. Web. 18 Apr 2021.

Vancouver:

Jallageas N. Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento. [Internet] [Doctoral dissertation]. Pontifical Catholic University of São Paulo; 2007. [cited 2021 Apr 18]. Available from: https://tede2.pucsp.br/handle/handle/4880.

Council of Science Editors:

Jallageas N. Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento. [Doctoral Dissertation]. Pontifical Catholic University of São Paulo; 2007. Available from: https://tede2.pucsp.br/handle/handle/4880

16. Pua, Phoebe. Compositions of crisis: Sound and silence in the films of Bergman and Tarkovsky .

Degree: 2013, Australian National University

 This thesis examines seven films from the cinemas of Ingmar Bergman and Andrei Tarkovsky—Bergman’s The Seventh Seal (1957), Through a Glass Darkly (1961), Winter Light… (more)

Subjects/Keywords: film studies; film sound; silence; existentialism; religion; silence of God; death of God; Ingmar Bergman; Andrei Tarkovsky; The Seventh Seal; Through a Glass Darkly; Winter Light; The Silence; Stalker; Nostalghia; The Sacrifice

…Bergman and Tarkovsky essentially hear the same silence but decipher it in different ways. What… …x29;. In Part Two, I argue that Tarkovsky was equally concerned with the silence of God… …belonging to a particular religion. Since Tarkovsky regarded spirituality as immanent, his films… …Andrei Rublev suffers crippling religious doubt before he is able to fully embrace the higher… …Tarkovsky interpreted this metaphysical silence in a positive way. For him, silence does not… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pua, P. (2013). Compositions of crisis: Sound and silence in the films of Bergman and Tarkovsky . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/11794

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pua, Phoebe. “Compositions of crisis: Sound and silence in the films of Bergman and Tarkovsky .” 2013. Thesis, Australian National University. Accessed April 18, 2021. http://hdl.handle.net/1885/11794.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pua, Phoebe. “Compositions of crisis: Sound and silence in the films of Bergman and Tarkovsky .” 2013. Web. 18 Apr 2021.

Vancouver:

Pua P. Compositions of crisis: Sound and silence in the films of Bergman and Tarkovsky . [Internet] [Thesis]. Australian National University; 2013. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/1885/11794.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pua P. Compositions of crisis: Sound and silence in the films of Bergman and Tarkovsky . [Thesis]. Australian National University; 2013. Available from: http://hdl.handle.net/1885/11794

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Ghazi Asadollahi, Sara. Concrete Poetry.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2019, Washington University in St. Louis

  This text addresses my work as an artist and defines it in the context of the following subjects: The concept of ruins, which highlights… (more)

Subjects/Keywords: Brutalism; Stalker; Since-Fiction; Andrei Tarkovsky; Architectural History and Criticism; Art and Design; Film and Media Studies; Landscape Architecture; Modern Art and Architecture; Philosophy; Urban, Community and Regional Planning

…fiction genre in cinema, with particular reference to the 1979 film Stalker by Andrei Tarkovsky… …16 As a director, Tarkovsky is recognized for “the illusion of reality” in his films.17… …switches to color. When watching Stalker, we cannot merely rely on our senses. Tarkovsky… …focuses on the cinematic aspects of my work with an emphasis on the Andrei Tarkovsky’s film… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ghazi Asadollahi, S. (2019). Concrete Poetry. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/120

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ghazi Asadollahi, Sara. “Concrete Poetry.” 2019. Thesis, Washington University in St. Louis. Accessed April 18, 2021. https://openscholarship.wustl.edu/samfox_art_etds/120.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ghazi Asadollahi, Sara. “Concrete Poetry.” 2019. Web. 18 Apr 2021.

Vancouver:

Ghazi Asadollahi S. Concrete Poetry. [Internet] [Thesis]. Washington University in St. Louis; 2019. [cited 2021 Apr 18]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/120.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ghazi Asadollahi S. Concrete Poetry. [Thesis]. Washington University in St. Louis; 2019. Available from: https://openscholarship.wustl.edu/samfox_art_etds/120

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.