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You searched for subject:(Andrea Fraser). Showing records 1 – 6 of 6 total matches.

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Universiteit Utrecht

1. Tiemersma, Suzanne. New Art in the 80s and 90s. Redefining Neoconceptualism.

Degree: 2008, Universiteit Utrecht

 In deze thesis wordt de term neoconceptualisme, die in veel hedendaagse kunstkritiek en literatuur wordt genoemd, onderzocht. Want wat is dit neoconceptualisme? Een korte feitelijke… (more)

Subjects/Keywords: Letteren; neoconceptualisme; hedendaagse kunst; Douglas Gordon; Andrea Fraser; Felix Gonzalez-Torres

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tiemersma, S. (2008). New Art in the 80s and 90s. Redefining Neoconceptualism. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/30028

Chicago Manual of Style (16th Edition):

Tiemersma, Suzanne. “New Art in the 80s and 90s. Redefining Neoconceptualism.” 2008. Masters Thesis, Universiteit Utrecht. Accessed February 17, 2020. http://dspace.library.uu.nl:8080/handle/1874/30028.

MLA Handbook (7th Edition):

Tiemersma, Suzanne. “New Art in the 80s and 90s. Redefining Neoconceptualism.” 2008. Web. 17 Feb 2020.

Vancouver:

Tiemersma S. New Art in the 80s and 90s. Redefining Neoconceptualism. [Internet] [Masters thesis]. Universiteit Utrecht; 2008. [cited 2020 Feb 17]. Available from: http://dspace.library.uu.nl:8080/handle/1874/30028.

Council of Science Editors:

Tiemersma S. New Art in the 80s and 90s. Redefining Neoconceptualism. [Masters Thesis]. Universiteit Utrecht; 2008. Available from: http://dspace.library.uu.nl:8080/handle/1874/30028


University of Vienna

2. Karobath, Nikola Maria. Vermittlungskunst als ambivalenter Grenzraum.

Degree: 2010, University of Vienna

Die vorliegende Diplomarbeit beschäftigt sich mit Kunstpraktiken, die sich an der Grenze verschiedener Disziplinen verorten, insbesondere die Vermengung von künstlerischen und vermittelnden Tätigkeiten forcieren und… (more)

Subjects/Keywords: 20.05 Kunst in Beziehung zu anderen Wissenschaftsgebieten; 20.10 Kunst und Gesellschaft; 20.31 Bildende Künstler; Kunst / Vermittlung / Kunstvermittlung / Politik / Gesellschaft / Sozialarbeit / Partizipation / Kunstcoop / The Art of Change / Inigo Manglano-Ovalle / Adrian Piper / Andrea Fraser; art / gallery education / politics / society / social work / participation / Kunstcoop / The Art of Change / Inigo Manglano-Ovalle / Adrian Piper / Andrea Fraser

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APA (6th Edition):

Karobath, N. M. (2010). Vermittlungskunst als ambivalenter Grenzraum. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/9699/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Karobath, Nikola Maria. “Vermittlungskunst als ambivalenter Grenzraum.” 2010. Thesis, University of Vienna. Accessed February 17, 2020. http://othes.univie.ac.at/9699/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Karobath, Nikola Maria. “Vermittlungskunst als ambivalenter Grenzraum.” 2010. Web. 17 Feb 2020.

Vancouver:

Karobath NM. Vermittlungskunst als ambivalenter Grenzraum. [Internet] [Thesis]. University of Vienna; 2010. [cited 2020 Feb 17]. Available from: http://othes.univie.ac.at/9699/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Karobath NM. Vermittlungskunst als ambivalenter Grenzraum. [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/9699/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Bélair Clément, Sophie. Rendre compte de soi au seuil de l'exposition : entre l'impératif promotionnel et le projet éthique .

Degree: 2019, Université de Montréal

Subjects/Keywords: critique institutionnelle; institutional critique; ephemera; éthique; ethics; ethos; exposition; exhibition; performativité; performativity; récit de soi; self-narrative; réflexivité; reflexivity; Marcel Broodthaers; Christopher D'Arcangelo; Andrea Fraser; Louise Lawler

…10. Andrea Fraser, vue de l’exposition, Galerie Christian Nagel, 15 novembre –15 décembre… …165 183 Andrea Fraser, November 15 – December 15 1990, Galerie Christian Nagel, Cologne… …l’exposition Andrea Fraser. Wolfgang Hahn Prize 2013, commissaire Barabara Engelbach, Museum Ludwig… …12. Andrea Fraser, November 15 – December 15 1990, Galerie Christian Nagel, Cologne, 1990… …x29;. Andrea Fraser. Wolfgang Hahn Prize 2013, commissaire Barabara Engelbach, Museum Ludwig… 

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APA (6th Edition):

Bélair Clément, S. (2019). Rendre compte de soi au seuil de l'exposition : entre l'impératif promotionnel et le projet éthique . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/21708

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bélair Clément, Sophie. “Rendre compte de soi au seuil de l'exposition : entre l'impératif promotionnel et le projet éthique .” 2019. Thesis, Université de Montréal. Accessed February 17, 2020. http://hdl.handle.net/1866/21708.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bélair Clément, Sophie. “Rendre compte de soi au seuil de l'exposition : entre l'impératif promotionnel et le projet éthique .” 2019. Web. 17 Feb 2020.

Vancouver:

Bélair Clément S. Rendre compte de soi au seuil de l'exposition : entre l'impératif promotionnel et le projet éthique . [Internet] [Thesis]. Université de Montréal; 2019. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/1866/21708.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bélair Clément S. Rendre compte de soi au seuil de l'exposition : entre l'impératif promotionnel et le projet éthique . [Thesis]. Université de Montréal; 2019. Available from: http://hdl.handle.net/1866/21708

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

4. Matalon, Rebecca. Parasite 1997-1998: "It's always while looking at the part that the whole is seen to be moving".

Degree: MA, Art and Curatorial Practices in the Public Sphere, 2013, University of Southern California

 This essay examines the activities of the New-York-based artist-run organization Parasite (1997-1998). Dedicated to proposing alternate economies for project work—a mode of contemporary artistic practice… (more)

Subjects/Keywords: Parasite; Parasite 1997-1998; project work; project art; artist-run; collective; post-studio; site-specificity; institutional critique; conceptualism; conceptual art; art activism; self-organized; analytic intervention; alternative economy; performative discourse; re-presentation; re-performance; critical art practice; counter practice; archive; archives; activist archiving; Parasite archive; document collection; Parasite Document Collection; Art Workers' Coalition; AWC; Clocktower Gallery; Drawing Room; Drawing Center; art history; Julie Ault; Martin Beck; Tom Burr; Michael Clegg; Mark Dion; Andrea Fraser; Renée Green; Ben Kinmont; Silvia Kolbowski; Simon Leung; Christian Marclay; Nils Norman; Christian Philipp Müller; Fred Wilson; Mel Bochner; Working drawings and other visible things on paper not necessarily meant to be viewed as art; 1966

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Matalon, R. (2013). Parasite 1997-1998: "It's always while looking at the part that the whole is seen to be moving". (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/311588/rec/4915

Chicago Manual of Style (16th Edition):

Matalon, Rebecca. “Parasite 1997-1998: "It's always while looking at the part that the whole is seen to be moving".” 2013. Masters Thesis, University of Southern California. Accessed February 17, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/311588/rec/4915.

MLA Handbook (7th Edition):

Matalon, Rebecca. “Parasite 1997-1998: "It's always while looking at the part that the whole is seen to be moving".” 2013. Web. 17 Feb 2020.

Vancouver:

Matalon R. Parasite 1997-1998: "It's always while looking at the part that the whole is seen to be moving". [Internet] [Masters thesis]. University of Southern California; 2013. [cited 2020 Feb 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/311588/rec/4915.

Council of Science Editors:

Matalon R. Parasite 1997-1998: "It's always while looking at the part that the whole is seen to be moving". [Masters Thesis]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/311588/rec/4915

5. de Boer, R.S. Kunst in bedrijfsopdracht: Bedrijfspublicaties, kunstprofessionals en tegenstrijdige belangen.

Degree: Faculty of Humanities, 2019, NARCIS

Subjects/Keywords: corporate art; corporations; companies; art history; contemporary art; instrumentalization; art historical canonization; art historical narratives; discourse analyses; close reading; EA-Generali; Generali; DG BANK; DZ BANK; Trussardi; Andrea Fraser; Clegg & Guttmann; Maurizio Cattelan; corporate communication; corporate art publications; art publications; corporate texts; bedrijfscollecties; bedrijfsopdrachten; bedrijfskunst; kunsthistorisch discours; kunstprofessionals; kunst in bedrijf; bedrijven en kunst; bedrijven en kunstopdrachten; kunstopdrachten; art commissions; commissioned art; kunstgeschiedenis; moderne kunstgeschiedenis; hedendaagse kunstgeschiedenis; kunstpublicaties; art professionals; kunst in bedrijven; kunst in corporations; bedrijfsgeschiedenis; corporate context; Vienna; Milan; Frankfurt am Main

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

de Boer, R. S. (2019). Kunst in bedrijfsopdracht: Bedrijfspublicaties, kunstprofessionals en tegenstrijdige belangen. (Doctoral Dissertation). NARCIS. Retrieved from https://research.vu.nl/en/publications/60490690-cd49-444d-b670-8ef0d39cb706 ; urn:nbn:nl:ui:31-1871/55979 ; 60490690-cd49-444d-b670-8ef0d39cb706 ; 1871/55979 ; urn:nbn:nl:ui:31-1871/55979 ; https://research.vu.nl/en/publications/60490690-cd49-444d-b670-8ef0d39cb706

Chicago Manual of Style (16th Edition):

de Boer, R S. “Kunst in bedrijfsopdracht: Bedrijfspublicaties, kunstprofessionals en tegenstrijdige belangen.” 2019. Doctoral Dissertation, NARCIS. Accessed February 17, 2020. https://research.vu.nl/en/publications/60490690-cd49-444d-b670-8ef0d39cb706 ; urn:nbn:nl:ui:31-1871/55979 ; 60490690-cd49-444d-b670-8ef0d39cb706 ; 1871/55979 ; urn:nbn:nl:ui:31-1871/55979 ; https://research.vu.nl/en/publications/60490690-cd49-444d-b670-8ef0d39cb706.

MLA Handbook (7th Edition):

de Boer, R S. “Kunst in bedrijfsopdracht: Bedrijfspublicaties, kunstprofessionals en tegenstrijdige belangen.” 2019. Web. 17 Feb 2020.

Vancouver:

de Boer RS. Kunst in bedrijfsopdracht: Bedrijfspublicaties, kunstprofessionals en tegenstrijdige belangen. [Internet] [Doctoral dissertation]. NARCIS; 2019. [cited 2020 Feb 17]. Available from: https://research.vu.nl/en/publications/60490690-cd49-444d-b670-8ef0d39cb706 ; urn:nbn:nl:ui:31-1871/55979 ; 60490690-cd49-444d-b670-8ef0d39cb706 ; 1871/55979 ; urn:nbn:nl:ui:31-1871/55979 ; https://research.vu.nl/en/publications/60490690-cd49-444d-b670-8ef0d39cb706.

Council of Science Editors:

de Boer RS. Kunst in bedrijfsopdracht: Bedrijfspublicaties, kunstprofessionals en tegenstrijdige belangen. [Doctoral Dissertation]. NARCIS; 2019. Available from: https://research.vu.nl/en/publications/60490690-cd49-444d-b670-8ef0d39cb706 ; urn:nbn:nl:ui:31-1871/55979 ; 60490690-cd49-444d-b670-8ef0d39cb706 ; 1871/55979 ; urn:nbn:nl:ui:31-1871/55979 ; https://research.vu.nl/en/publications/60490690-cd49-444d-b670-8ef0d39cb706

6. Boer, R.S. de. Kunst in bedrijfsopdracht: Bedrijfspublicaties, kunstprofessionals en tegenstrijdige belangen .

Degree: 2019, Vrije Universiteit Amsterdam

Subjects/Keywords: corporate art; corporations; companies; art history; contemporary art; instrumentalization; art historical canonization; art historical narratives; discourse analyses; close reading; EA-Generali; Generali; DG BANK; DZ BANK; Trussardi; Andrea Fraser; Clegg & Guttmann; Maurizio Cattelan; corporate communication; corporate art publications; art publications; corporate texts; bedrijfscollecties; bedrijfsopdrachten; bedrijfskunst; kunsthistorisch discours; kunstprofessionals; kunst in bedrijf; bedrijven en kunst; bedrijven en kunstopdrachten; kunstopdrachten; art commissions; commissioned art; kunstgeschiedenis; moderne kunstgeschiedenis; hedendaagse kunstgeschiedenis; kunstpublicaties; art professionals; art publications; kunst in bedrijven; kunst in corporations; bedrijfsgeschiedenis; corporate context; Vienna; Milan; Frankfurt am Main

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Boer, R. S. d. (2019). Kunst in bedrijfsopdracht: Bedrijfspublicaties, kunstprofessionals en tegenstrijdige belangen . (Doctoral Dissertation). Vrije Universiteit Amsterdam. Retrieved from http://hdl.handle.net/1871/55979

Chicago Manual of Style (16th Edition):

Boer, R S de. “Kunst in bedrijfsopdracht: Bedrijfspublicaties, kunstprofessionals en tegenstrijdige belangen .” 2019. Doctoral Dissertation, Vrije Universiteit Amsterdam. Accessed February 17, 2020. http://hdl.handle.net/1871/55979.

MLA Handbook (7th Edition):

Boer, R S de. “Kunst in bedrijfsopdracht: Bedrijfspublicaties, kunstprofessionals en tegenstrijdige belangen .” 2019. Web. 17 Feb 2020.

Vancouver:

Boer RSd. Kunst in bedrijfsopdracht: Bedrijfspublicaties, kunstprofessionals en tegenstrijdige belangen . [Internet] [Doctoral dissertation]. Vrije Universiteit Amsterdam; 2019. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/1871/55979.

Council of Science Editors:

Boer RSd. Kunst in bedrijfsopdracht: Bedrijfspublicaties, kunstprofessionals en tegenstrijdige belangen . [Doctoral Dissertation]. Vrije Universiteit Amsterdam; 2019. Available from: http://hdl.handle.net/1871/55979

.