subject:(Ancient Greek Poetry)

University of Oxford

1. Holt, Timothy. Fighting in the shadow of epic : the motivations of soldiers in early Greek lyric poetry.

Degree: PhD, 2017, University of Oxford

URL: https://ora.ox.ac.uk/objects/uuid:0e705e39-2ba1-4ac0-9833-f4f6afb04af2 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.729872

► This thesis explores the theme of the motivation of soldiers in Greek lyric poetry while holding it up against the backdrop of epic. The motivation… (more)

Subjects/Keywords: 884; Ancient Greek literature; Greek Epic Poetry; Greek Lyric Poetry; Warfare; Lyric Poetry; Motivation; Epic Poetry

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APA (6^th Edition):

Holt, T. (2017). Fighting in the shadow of epic : the motivations of soldiers in early Greek lyric poetry. (Doctoral Dissertation). University of Oxford. Retrieved from https://ora.ox.ac.uk/objects/uuid:0e705e39-2ba1-4ac0-9833-f4f6afb04af2 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.729872

Chicago Manual of Style (16^th Edition):

Holt, Timothy. “Fighting in the shadow of epic : the motivations of soldiers in early Greek lyric poetry.” 2017. Doctoral Dissertation, University of Oxford. Accessed March 05, 2021. https://ora.ox.ac.uk/objects/uuid:0e705e39-2ba1-4ac0-9833-f4f6afb04af2 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.729872.

MLA Handbook (7^th Edition):

Holt, Timothy. “Fighting in the shadow of epic : the motivations of soldiers in early Greek lyric poetry.” 2017. Web. 05 Mar 2021.

Vancouver:

Holt T. Fighting in the shadow of epic : the motivations of soldiers in early Greek lyric poetry. [Internet] [Doctoral dissertation]. University of Oxford; 2017. [cited 2021 Mar 05]. Available from: https://ora.ox.ac.uk/objects/uuid:0e705e39-2ba1-4ac0-9833-f4f6afb04af2 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.729872.

Council of Science Editors:

Holt T. Fighting in the shadow of epic : the motivations of soldiers in early Greek lyric poetry. [Doctoral Dissertation]. University of Oxford; 2017. Available from: https://ora.ox.ac.uk/objects/uuid:0e705e39-2ba1-4ac0-9833-f4f6afb04af2 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.729872

University of Texas – Austin

2. Lather, Amy Kathleen. Sense and sensibility: the experience of poikilia in archaic and classical greek thought.

Degree: PhD, Classics, 2016, University of Texas – Austin

URL: http://hdl.handle.net/2152/40322

► This dissertation comprises a study of ancient aesthetics and sensory experience by focusing on the concept of poikilia in archaic and classical Greek literature. As… (more)

Subjects/Keywords: Ancient aesthetics; Greek poetry; Aesthetics, Ancient – History and criticism.; Greek literature – History and criticism.; Greek language – Style.; Rhetoric, Ancient.

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APA (6^th Edition):

Lather, A. K. (2016). Sense and sensibility: the experience of poikilia in archaic and classical greek thought. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/40322

Chicago Manual of Style (16^th Edition):

Lather, Amy Kathleen. “Sense and sensibility: the experience of poikilia in archaic and classical greek thought.” 2016. Doctoral Dissertation, University of Texas – Austin. Accessed March 05, 2021. http://hdl.handle.net/2152/40322.

MLA Handbook (7^th Edition):

Lather, Amy Kathleen. “Sense and sensibility: the experience of poikilia in archaic and classical greek thought.” 2016. Web. 05 Mar 2021.

Vancouver:

Lather AK. Sense and sensibility: the experience of poikilia in archaic and classical greek thought. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2016. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/2152/40322.

Council of Science Editors:

Lather AK. Sense and sensibility: the experience of poikilia in archaic and classical greek thought. [Doctoral Dissertation]. University of Texas – Austin; 2016. Available from: http://hdl.handle.net/2152/40322

3. ALMQVIST, OLAF HUGO. The Cosmos in the Making: Humans, Gods and Animals in Early Greek Theogonies.

Degree: School of Histories & Humanities. Discipline of Classics, 2018, Trinity College Dublin

URL: http://hdl.handle.net/2262/85146

► This thesis focuses on three early Greek cosmological poems, Hesiod's Theogony, the Orphic Derveni Theogony, and Protagoras' myth from Plato's homonymous dialogue. All three are… (more)

Subjects/Keywords: Greek poetry; Ancient Cosmologies; Kinship; Sacrifice; Descola; Hesiod; Orpheus; Protagoras

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APA (6^th Edition):

ALMQVIST, O. H. (2018). The Cosmos in the Making: Humans, Gods and Animals in Early Greek Theogonies. (Thesis). Trinity College Dublin. Retrieved from http://hdl.handle.net/2262/85146

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

ALMQVIST, OLAF HUGO. “The Cosmos in the Making: Humans, Gods and Animals in Early Greek Theogonies.” 2018. Thesis, Trinity College Dublin. Accessed March 05, 2021. http://hdl.handle.net/2262/85146.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

ALMQVIST, OLAF HUGO. “The Cosmos in the Making: Humans, Gods and Animals in Early Greek Theogonies.” 2018. Web. 05 Mar 2021.

Vancouver:

ALMQVIST OH. The Cosmos in the Making: Humans, Gods and Animals in Early Greek Theogonies. [Internet] [Thesis]. Trinity College Dublin; 2018. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/2262/85146.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

ALMQVIST OH. The Cosmos in the Making: Humans, Gods and Animals in Early Greek Theogonies. [Thesis]. Trinity College Dublin; 2018. Available from: http://hdl.handle.net/2262/85146

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

York University

4. Hoult, Jason Andrew. The Art of Ethics and the Ethics of Art: Between Kant and Wallace Stevens.

Degree: PhD, Social & Political Thought, 2019, York University

URL: http://hdl.handle.net/10315/35854

► In my dissertation I undertake to examine the relationship between ethics and art (aesthetics) through an analysis of the relationship between the philosophy of Kant… (more)

Subjects/Keywords: Religion; art; ethics; history; modernity; European thought; Kant; Wallace Stevens; philosophy; poetry; morality; metaphysics; metaphor; aesthetics; Bible; religion; ancient Greek philosophy; ancient Greek poetry; mythology

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APA (6^th Edition):

Hoult, J. A. (2019). The Art of Ethics and the Ethics of Art: Between Kant and Wallace Stevens. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/35854

Chicago Manual of Style (16^th Edition):

Hoult, Jason Andrew. “The Art of Ethics and the Ethics of Art: Between Kant and Wallace Stevens.” 2019. Doctoral Dissertation, York University. Accessed March 05, 2021. http://hdl.handle.net/10315/35854.

MLA Handbook (7^th Edition):

Hoult, Jason Andrew. “The Art of Ethics and the Ethics of Art: Between Kant and Wallace Stevens.” 2019. Web. 05 Mar 2021.

Vancouver:

Hoult JA. The Art of Ethics and the Ethics of Art: Between Kant and Wallace Stevens. [Internet] [Doctoral dissertation]. York University; 2019. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10315/35854.

Council of Science Editors:

Hoult JA. The Art of Ethics and the Ethics of Art: Between Kant and Wallace Stevens. [Doctoral Dissertation]. York University; 2019. Available from: http://hdl.handle.net/10315/35854

5. Ribeiro Junior, Wilson Alves. Enganos, enganadores e enganados no mito e na tragédia da Eurípides.

Degree: PhD, Letras Clássicas, 2011, University of São Paulo

URL: http://www.teses.usp.br/teses/disponiveis/8/8143/tde-16012012-141138/ ;

►

O engano, enquanto reflexo da realidade, está representado em diversos gêneros literários e na literatura de várias épocas. Este trabalho analisa, primariamente, os antecedentes míticos,… (more)

Subjects/Keywords: Ancient greek; Deception; Engano; Euripides; Eurípides; Fragmentos; Fragments; Greek literature; Grego antigo; Literatura grega; Poesia; Poetry; Tragédia; Tragedy

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APA (6^th Edition):

Ribeiro Junior, W. A. (2011). Enganos, enganadores e enganados no mito e na tragédia da Eurípides. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8143/tde-16012012-141138/ ;

Chicago Manual of Style (16^th Edition):

Ribeiro Junior, Wilson Alves. “Enganos, enganadores e enganados no mito e na tragédia da Eurípides.” 2011. Doctoral Dissertation, University of São Paulo. Accessed March 05, 2021. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-16012012-141138/ ;.

MLA Handbook (7^th Edition):

Ribeiro Junior, Wilson Alves. “Enganos, enganadores e enganados no mito e na tragédia da Eurípides.” 2011. Web. 05 Mar 2021.

Vancouver:

Ribeiro Junior WA. Enganos, enganadores e enganados no mito e na tragédia da Eurípides. [Internet] [Doctoral dissertation]. University of São Paulo; 2011. [cited 2021 Mar 05]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8143/tde-16012012-141138/ ;.

Council of Science Editors:

Ribeiro Junior WA. Enganos, enganadores e enganados no mito e na tragédia da Eurípides. [Doctoral Dissertation]. University of São Paulo; 2011. Available from: http://www.teses.usp.br/teses/disponiveis/8/8143/tde-16012012-141138/ ;

University of Georgia

6. Yates, Anthony David. Homeric Bh d'i(m)en(ai).

Degree: 2014, University of Georgia

URL: http://hdl.handle.net/10724/27646

► The Homeric collocation βῆ δ’ἴμεναι and its related variants βῆ δ’ἴμεν and βῆ δ’ἴμεναι present a syntactic problem, failing to respond to standard treatments of… (more)

Subjects/Keywords: Ancient Greek; Oral poetry; Homeric poetry; Homeric linguistics; Indo-European linguistics; Serial Verb Constructions; Deixis; Prototype Theory; Diachronic syntax; Diachronic semantics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Yates, A. D. (2014). Homeric Bh d'i(m)en(ai). (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/27646

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Yates, Anthony David. “Homeric Bh d'i(m)en(ai).” 2014. Thesis, University of Georgia. Accessed March 05, 2021. http://hdl.handle.net/10724/27646.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Yates, Anthony David. “Homeric Bh d'i(m)en(ai).” 2014. Web. 05 Mar 2021.

Vancouver:

Yates AD. Homeric Bh d'i(m)en(ai). [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10724/27646.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yates AD. Homeric Bh d'i(m)en(ai). [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/27646

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Rowland, Jonathan Milton. Footnotes to Sappho: An Examination of the Female Poets of Greece.

Degree: PhD, Classical Studies, 2012, University of Michigan

URL: http://hdl.handle.net/2027.42/93985

► In Footnotes to Sappho I explore the poetry of three of the most influential poets of the Hellenistic period: Erinna, Anyte, and Nossis. Very little… (more)

▼ In Footnotes to Sappho I explore the poetry of three of the most influential poets of the Hellenistic period: Erinna, Anyte, and Nossis. Very little of their works survived to the present day; consequently these poets are largely ignored by the scholarly community. Those scholars who do study the female poets tend to understand them as women first and poets second, assuming that their works can inform our understanding of the lives of women in the ancient world. In this dissertation I argue that this understanding impedes our ability to interpret their poetry and attempt to correct this by reading their poems as poems rather than as biographical evidence. Each chapter provides an examination of one author's life and works, beginning with a discussion of ancient testimonia. In the first chapter, "Erinna," I examine the poetry of the fourth-century BCE poet Erinna, whose life, homeland, and date are shrouded in mystery, and even the number of her works is disputed. In both sections, one on her epigrams and one on her famous yet fragmentary work, the Distaff, I examine the ways in which Erinna establishes two oppositions: movement/stasis and performance/text. The next chapter, "Anyte," examines the ways in which Anyte takes advantage of new developments in poetry in order to expand the possibilities for epigrammatic poetry. Anyte exploits the separation of epigram from its inscriptional beginnings by composing poems that never would have been inscribed, such as epitaphs for insects. I argue that many of her epigrams are interrelated and share themes and motifs and that this is evidence of an author (perhaps the first) who wrote poems specifically for a collection. The final chapter, "Nossis," explores the twelve epigrams of the poet Nossis, focusing on her use of polemic to reject men from her potential readership. This rejection is tongue-in-cheek, as an author cannot control who reads a text. Nossis' poetry also illustrates the lack of performance in epigram by configuring a series of poems as a partheneion. Like Erinna and Anyte before her, Nossis is her own poet and deserves to be read as such. Advisors/Committee Members: Scodel, Ruth S. (committee member), Prins, Yopie (committee member), Seo, Joanne Mira (committee member), Acosta-Hughes, Benjamin (committee member).

Subjects/Keywords: Ancient Greek Poetry; Classical Studies; Humanities

…over the work of other female poets, especially other Greek female poets. The poetry composed… …x27;s Influence on the Female Poets Men in the ancient world seem to have equated all poetry… …πολύμυθος ἀοιδαῖς. 39 This ancient assessment of Erinna's poetry as simultaneously Sapphic… …List of Abbreviations AP = Anthologia Palatina FGE = D.L. Page, ed. Further Greek… …Epigrams. Cambridge, 1981. GP = A.S.F. Gow and D.L. Page. The Greek Anthology: Hellenistic…

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Rowland, J. M. (2012). Footnotes to Sappho: An Examination of the Female Poets of Greece. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/93985

Chicago Manual of Style (16^th Edition):

Rowland, Jonathan Milton. “Footnotes to Sappho: An Examination of the Female Poets of Greece.” 2012. Doctoral Dissertation, University of Michigan. Accessed March 05, 2021. http://hdl.handle.net/2027.42/93985.

MLA Handbook (7^th Edition):

Rowland, Jonathan Milton. “Footnotes to Sappho: An Examination of the Female Poets of Greece.” 2012. Web. 05 Mar 2021.

Vancouver:

Rowland JM. Footnotes to Sappho: An Examination of the Female Poets of Greece. [Internet] [Doctoral dissertation]. University of Michigan; 2012. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/2027.42/93985.

Council of Science Editors:

Rowland JM. Footnotes to Sappho: An Examination of the Female Poets of Greece. [Doctoral Dissertation]. University of Michigan; 2012. Available from: http://hdl.handle.net/2027.42/93985

8. Bracke, Evelien. Of Metis and Magic: The Conceptual Transformations of Circe and Medea in Ancient Greek Poetry.

Degree: 2009, RIAN

URL: http://eprints.maynoothuniversity.ie/2255/

Included in text

Subjects/Keywords: Ancient Classics; Conceptual Transformations; Circe and Medea; Ancient Greek Poetry

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APA (6^th Edition):

Bracke, E. (2009). Of Metis and Magic: The Conceptual Transformations of Circe and Medea in Ancient Greek Poetry. (Thesis). RIAN. Retrieved from http://eprints.maynoothuniversity.ie/2255/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bracke, Evelien. “Of Metis and Magic: The Conceptual Transformations of Circe and Medea in Ancient Greek Poetry.” 2009. Thesis, RIAN. Accessed March 05, 2021. http://eprints.maynoothuniversity.ie/2255/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bracke, Evelien. “Of Metis and Magic: The Conceptual Transformations of Circe and Medea in Ancient Greek Poetry.” 2009. Web. 05 Mar 2021.

Vancouver:

Bracke E. Of Metis and Magic: The Conceptual Transformations of Circe and Medea in Ancient Greek Poetry. [Internet] [Thesis]. RIAN; 2009. [cited 2021 Mar 05]. Available from: http://eprints.maynoothuniversity.ie/2255/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bracke E. Of Metis and Magic: The Conceptual Transformations of Circe and Medea in Ancient Greek Poetry. [Thesis]. RIAN; 2009. Available from: http://eprints.maynoothuniversity.ie/2255/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Bracke, Evelien. Of Metis and Magic: The Conceptual Transformations of Circe and Medea in Ancient Greek Poetry.

Degree: 2009, RIAN

URL: http://mural.maynoothuniversity.ie/2255/

Included in text

Subjects/Keywords: Ancient Classics; Conceptual Transformations; Circe and Medea; Ancient Greek Poetry

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bracke, E. (2009). Of Metis and Magic: The Conceptual Transformations of Circe and Medea in Ancient Greek Poetry. (Thesis). RIAN. Retrieved from http://mural.maynoothuniversity.ie/2255/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bracke, Evelien. “Of Metis and Magic: The Conceptual Transformations of Circe and Medea in Ancient Greek Poetry.” 2009. Thesis, RIAN. Accessed March 05, 2021. http://mural.maynoothuniversity.ie/2255/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bracke, Evelien. “Of Metis and Magic: The Conceptual Transformations of Circe and Medea in Ancient Greek Poetry.” 2009. Web. 05 Mar 2021.

Vancouver:

Bracke E. Of Metis and Magic: The Conceptual Transformations of Circe and Medea in Ancient Greek Poetry. [Internet] [Thesis]. RIAN; 2009. [cited 2021 Mar 05]. Available from: http://mural.maynoothuniversity.ie/2255/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bracke E. Of Metis and Magic: The Conceptual Transformations of Circe and Medea in Ancient Greek Poetry. [Thesis]. RIAN; 2009. Available from: http://mural.maynoothuniversity.ie/2255/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Oxford

10. Geisz, Camille H. Storytelling in late antique epic : a study of the narrator in Nonnus of Panopolis' Dionysiaca.

Degree: PhD, 2013, University of Oxford

URL: http://ora.ox.ac.uk/objects/uuid:7b323af8-0512-407e-8aed-a0a7970a49ef ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627808

► This thesis is a narratological study of Nonnus of Panopolis' Dionysiaca, focussing on the figure of the narrator whose interventions reveal much about his relationship… (more)

Subjects/Keywords: 880.09; Hellenic (Classical Greek) literature; Late antiquity and the Middle Ages; Languages (Medieval and Modern) and non-English literature; Classical Greek; Hellenic languages; Nonnus; Nonnus of Panopolis; narratology; ancient greek literature; epic poetry; literary devices; Dionysiaca; storytelling; reception of Homeric literature

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APA (6^th Edition):

Geisz, C. H. (2013). Storytelling in late antique epic : a study of the narrator in Nonnus of Panopolis' Dionysiaca. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:7b323af8-0512-407e-8aed-a0a7970a49ef ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627808

Chicago Manual of Style (16^th Edition):

Geisz, Camille H. “Storytelling in late antique epic : a study of the narrator in Nonnus of Panopolis' Dionysiaca.” 2013. Doctoral Dissertation, University of Oxford. Accessed March 05, 2021. http://ora.ox.ac.uk/objects/uuid:7b323af8-0512-407e-8aed-a0a7970a49ef ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627808.

MLA Handbook (7^th Edition):

Geisz, Camille H. “Storytelling in late antique epic : a study of the narrator in Nonnus of Panopolis' Dionysiaca.” 2013. Web. 05 Mar 2021.

Vancouver:

Geisz CH. Storytelling in late antique epic : a study of the narrator in Nonnus of Panopolis' Dionysiaca. [Internet] [Doctoral dissertation]. University of Oxford; 2013. [cited 2021 Mar 05]. Available from: http://ora.ox.ac.uk/objects/uuid:7b323af8-0512-407e-8aed-a0a7970a49ef ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627808.

Council of Science Editors:

Geisz CH. Storytelling in late antique epic : a study of the narrator in Nonnus of Panopolis' Dionysiaca. [Doctoral Dissertation]. University of Oxford; 2013. Available from: http://ora.ox.ac.uk/objects/uuid:7b323af8-0512-407e-8aed-a0a7970a49ef ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627808

University of Georgia

11. Lewis, Virginia Mason. The healing effect of song in the poetry of Pindar and Theocritus.

Degree: 2014, University of Georgia

URL: http://hdl.handle.net/10724/24203

► This thesis is a study of medical metaphors which compare song to medicine and poet to physician in the poetry of Pindar and Theocritus. The… (more)

Subjects/Keywords: Homer; Hesiod; Pindar; Theocritus; Pythian 1; Iliad; Odyssey; Theogony; Pythian 3; Nemean 4; Idyll 11; Greek poetry; Memory; Healing; Soothing; Medical metaphor; Ancient medicine

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APA (6^th Edition):

Lewis, V. M. (2014). The healing effect of song in the poetry of Pindar and Theocritus. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/24203

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lewis, Virginia Mason. “The healing effect of song in the poetry of Pindar and Theocritus.” 2014. Thesis, University of Georgia. Accessed March 05, 2021. http://hdl.handle.net/10724/24203.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lewis, Virginia Mason. “The healing effect of song in the poetry of Pindar and Theocritus.” 2014. Web. 05 Mar 2021.

Vancouver:

Lewis VM. The healing effect of song in the poetry of Pindar and Theocritus. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10724/24203.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lewis VM. The healing effect of song in the poetry of Pindar and Theocritus. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/24203

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Oxford

12. Kampakoglou, Alexandros. Studies in the reception of Pindar in Hellenistic poetry.

Degree: PhD, 2011, University of Oxford

URL: http://ora.ox.ac.uk/objects/uuid:f97a0403-6f42-41c5-bff2-f7b3991fc48b ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547769

► This thesis examines the reception of Pindar in Hellenistic poetry. More specifically it examines texts of three major Hellenistic poets: Theocritus of Syracuse, Callimachus of… (more)

Subjects/Keywords: 881; Hellenic (Classical Greek) literature; Pindar; Pindar's reception; Hellenistic poetry; Callimachus; Theocritus; Posidippus; P. Horak 4; intertextuality; Reception theory; Genre theory; ancient readers

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APA (6^th Edition):

Kampakoglou, A. (2011). Studies in the reception of Pindar in Hellenistic poetry. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:f97a0403-6f42-41c5-bff2-f7b3991fc48b ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547769

Chicago Manual of Style (16^th Edition):

Kampakoglou, Alexandros. “Studies in the reception of Pindar in Hellenistic poetry.” 2011. Doctoral Dissertation, University of Oxford. Accessed March 05, 2021. http://ora.ox.ac.uk/objects/uuid:f97a0403-6f42-41c5-bff2-f7b3991fc48b ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547769.

MLA Handbook (7^th Edition):

Kampakoglou, Alexandros. “Studies in the reception of Pindar in Hellenistic poetry.” 2011. Web. 05 Mar 2021.

Vancouver:

Kampakoglou A. Studies in the reception of Pindar in Hellenistic poetry. [Internet] [Doctoral dissertation]. University of Oxford; 2011. [cited 2021 Mar 05]. Available from: http://ora.ox.ac.uk/objects/uuid:f97a0403-6f42-41c5-bff2-f7b3991fc48b ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547769.

Council of Science Editors:

Kampakoglou A. Studies in the reception of Pindar in Hellenistic poetry. [Doctoral Dissertation]. University of Oxford; 2011. Available from: http://ora.ox.ac.uk/objects/uuid:f97a0403-6f42-41c5-bff2-f7b3991fc48b ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547769

Université Paris-Sorbonne – Paris IV

13. Assan Libé, Nathalie. Mendiants et mendicité dans la littérature grecque archaïque et classique : Beggars and beggary in archaic and classical Greek literature.

Degree: Docteur es, Études grecques, 2017, Université Paris-Sorbonne – Paris IV

URL: http://www.theses.fr/2017PA040113

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Cette thèse de doctorat porte sur la mendicité et la figure du mendiant dans la littérature grecque, d’Homère jusqu’au philosophes cyniques. Quatre familles de mots… (more)

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Cette thèse de doctorat porte sur la mendicité et la figure du mendiant dans la littérature grecque, d’Homère jusqu’au philosophes cyniques. Quatre familles de mots servent de point de départ à cette étude : πτωχός « le mendiant », ἀγύρτης « le prêtre mendiant », ἀλήτης « vagabond », πλάνης « le rôdeur » et la triade ἐπαίτης, προσαίτης, μεταίτης « le quémandeur ». Le hasard de la conservation veut que les attestations de la mendicité dans la littérature grecque se cantonnent au corpus poétique. Or, par sa dimension pragmatique, la poésie grecque reste liée à son contexte d’origine, en traitant toujours de problématiques sociales qui lui sont contemporaines. Notre travail se propose d’étudier dans quelle mesure les représentations littéraires et esthétiques de la mendicité sont investies d’une fonction sociale. Notre thèse adopte trois perspectives méthodologiques : une étude lexicale de la mendicité examinant les jeux de synonymie et les connotations, un examen des fonctions littéraires et dramatiques du personnage, tantôt catalyseur de l'action, tantôt vecteur d'émotions, et une analyse sur son rôle argumentatif dans les réflexions politiques et morales sur la pauvreté au IVème siècle. Le motif de la mendicité permet aux Grecs d’envisager un certain type d’exclusion civique, et en contre-point, d’appréhender la nature du lien social. Une étude chronologique montre que ce personnage, initialement contre-modèle du parfait citoyen, devient aux moments de grands bouleversements économiques un personnage attachant, permettant à la cité de réintégrer symboliquement les pauvres et de prôner indirectement la solidarité collective.

This study/PhD thesis is focused on the beggary and the beggar in Greek literature, from Homer to the cynicism. At the beggining, I am dealing with the study of four word groups : πτωχός ‟beggar”, ἀγύρτης ‟begging priest”, ἀλήτης ‟vagabond”, πλάνης ‟wanderer” and ἐπαίτης, προσαίτης, μεταίτης ‟almsman”. The preserved corpus of Greek literature with mention of the beggary is fortuitously restricted to poetry. By her pragmatic function, ancient Greek poetry remains connected with contemporary social problems. My work's aim is to investigate how literary and aesthetic representations of the beggary have a social function. I adopted three methodological perspectives: a semantic study of the beggary (synonyms and connotations), an study of the literary and dramatic functions of that character (sometimes action accelerator, sometimes factor of emotions), and an analysis of his argumentative role in political and moral reflexions about poverty during the fourth century B.C. The motive of the beggary enabled Greek people to consider a type of civic exclusion, and in parallel, to apprehend the nature of the social cohesion. A chronological approach shows that this character, previously a counter-model of the perfect citizen, becomes - when big economical changes arrive - an endearing character, who symbolically reinstates excluded people in the city and indirectly promote public solidarity.

Advisors/Committee Members: Demont, Paul (thesis director).

Subjects/Keywords: Mendicité; Épopée homérique; Élégie grecque; Poésie iambique; Tragédie grecque; Comédie ancienne; Platon; Poétique; Études culturelles; Beggary; Epic; Elegy; Iambic poetry; Greek tragedy; Ancient comedy; Plato; Poetic; Cultural studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Assan Libé, N. (2017). Mendiants et mendicité dans la littérature grecque archaïque et classique : Beggars and beggary in archaic and classical Greek literature. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2017PA040113

Chicago Manual of Style (16^th Edition):

Assan Libé, Nathalie. “Mendiants et mendicité dans la littérature grecque archaïque et classique : Beggars and beggary in archaic and classical Greek literature.” 2017. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed March 05, 2021. http://www.theses.fr/2017PA040113.

MLA Handbook (7^th Edition):

Assan Libé, Nathalie. “Mendiants et mendicité dans la littérature grecque archaïque et classique : Beggars and beggary in archaic and classical Greek literature.” 2017. Web. 05 Mar 2021.

Vancouver:

Assan Libé N. Mendiants et mendicité dans la littérature grecque archaïque et classique : Beggars and beggary in archaic and classical Greek literature. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2017. [cited 2021 Mar 05]. Available from: http://www.theses.fr/2017PA040113.

Council of Science Editors:

Assan Libé N. Mendiants et mendicité dans la littérature grecque archaïque et classique : Beggars and beggary in archaic and classical Greek literature. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2017. Available from: http://www.theses.fr/2017PA040113

University of Pennsylvania

14. Beck, William Robert. The Narrative Of The Iliad: Time, Space, And Story.

Degree: 2019, University of Pennsylvania

URL: https://repository.upenn.edu/edissertations/3381

► Like its principal hero, the Iliad has a reputation for straightforwardness that it does not deserve and (unlike Achilles) does not pretend to. Contrary to… (more)

▼ Like its principal hero, the Iliad has a reputation for straightforwardness that it does not deserve and (unlike Achilles) does not pretend to. Contrary to Auerbach’s thesis that Homeric narrative “leave[s] nothing in obscurity” (1953: 4), this dissertation emphasizes how the Iliad’s narrative modulates the story that it represents—in ways that both helpfully guide and deceptively mislead the audience. In this dissertation, I offer a narratologically-informed study of how the narrator’s representation of the Iliad’s story in time and space meaningfully shapes the audience’s experience of it. Disentangling the time and space of the story from their representation in narrative, I argue that the narrator calls attention to the imperfect correspondence between the narrative and the story, and that the tension between the two—and the failure to recognize the distinction between them—lies at the heart of prominent Homeric problems, from antiquity to today. As I argue, the audience’s experience, as conditioned by the narrative, belies the narrator’s remarkably synoptic sense of both the story and the narrative that represents it. Though readers have long ascribed the difficulty of reading the Iliad to shortcomings of the narrator, I demonstrate that the narrator can see the forest for the trees, even when the audience is stuck in the weeds. Telling a story that is neither wholly new nor wholly inherited, the narrator captivates the audience and generates suspense by shaping, distributing, and revealing the story in ways that put the audience’s familiarity with the story in tension with its ignorance of how it will unfold in the narrative. In four chapters, I examine the timeline of the plot (Chapter One), the representation of time prior to the plot (Chapter Two), the distribution of story time over the course of the narrative (Chapter Three), and the link between spatial boundaries and narrative endpoints (Chapter Four). My narratological approach to the Iliad moves beyond previous applications of narratology to Homeric narrative, resolves perceived problems about the poem’s spatial and temporal representation, and offers an alternative to other current approaches to Homeric poetry, especially neoanalysis and oral-formulaic theory.

Subjects/Keywords: ancient Greek epic; Homeric poetry; Iliad; narratology; space in narrative; time in narrative; Classical Literature and Philology; Classics; Indo-European Linguistics and Philology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Beck, W. R. (2019). The Narrative Of The Iliad: Time, Space, And Story. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/3381

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Beck, William Robert. “The Narrative Of The Iliad: Time, Space, And Story.” 2019. Thesis, University of Pennsylvania. Accessed March 05, 2021. https://repository.upenn.edu/edissertations/3381.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Beck, William Robert. “The Narrative Of The Iliad: Time, Space, And Story.” 2019. Web. 05 Mar 2021.

Vancouver:

Beck WR. The Narrative Of The Iliad: Time, Space, And Story. [Internet] [Thesis]. University of Pennsylvania; 2019. [cited 2021 Mar 05]. Available from: https://repository.upenn.edu/edissertations/3381.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beck WR. The Narrative Of The Iliad: Time, Space, And Story. [Thesis]. University of Pennsylvania; 2019. Available from: https://repository.upenn.edu/edissertations/3381

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Milan, Johan. Vers une grammaire du désir : dire l’union et la chair en grec préclassique (étymologie, lexicologie et sémantique) : Building desire a grammar : expressing sexual congress and flesh in pre-classic Greek (etymology, lexicology and semantics).

Degree: Docteur es, Études grecques, 2020, Sorbonne université

URL: http://www.theses.fr/2020SORUL086

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Comment dire le désir érotique et ses concrétisations ? Des épopées homériques aux odes de Pindare, de la cosmogonie hésiodique à l’invective moraliste et à… (more)

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Comment dire le désir érotique et ses concrétisations ? Des épopées homériques aux odes de Pindare, de la cosmogonie hésiodique à l’invective moraliste et à la passion des lyriques, la présente étude passe au crible l’ensemble des textes grecs de la période archaïque pour éclairer ce phénomène linguistique. Le désir et la sexualité sont traités comme une langue à part, au sein du grec, convoquant un lexique, une syntaxe et une stylistique spécifiques. Le lexique détoure les mots de la langue commune et bâtit les concepts du désir dans une chronologie particulière, détaillant ce que le français construit souvent comme synonymes. Le désir se fait force implacable et artefact magique redoutable. La syntaxe de l’union et de la procréation – au cœur de l’élaboration des généalogies, notamment – se déploie sous de fortes contraintes. Elle oscille entre le frein de la bienséance – érotisme perçu comme inconvenant, alors qu’il joue un rôle incontournable dans la construction des personnages et la structuration de l’univers – et l’excès obscène qui le change en arme morale. Difficile à dire, l’érotisme s’énonce à demi-mot, ou mots grossis, dans un système complexe de conventions. Sa stylistique, enfin, lui donne corps : elle le dessine comme un objet palpable, proche des parures travaillées et des amulettes, lui donnant matière et éclat ; elle le met en scène, surtout dans la nature, qui reflète en profondeur ses ambivalences, entre fascination et danger. Les métaphores érotiques et sexuelles convoquent paysages, plantes et animaux pour ancrer l’homme et son désir dans le monde. La grammaire du désir est un mécanisme complexe qui joue de connivence et questionne la nature humaine.

How to express erotic desire and its success? From Homeric epics to Pindar’s odes, from Hesiod’s cosmogony to the harsh moral invective, and the passion of lyrics poets, this study examines all the linguistic material from the archaic period to show that process. Desire and sexuality are considered an idiom of their own, within ancient Greek, using their own words, syntax and stylistics. Their words dwell in those of the common tongue and build concepts of desire inside a specific timeline. French is often blind to such a differentiation. Desire turns into an overpowering force and a formidable magical artefact. The syntax of sexual congress and procreation – at the heart of genealogies – thrives through strong constraints, such as decency – and, although eroticism is fundamental in building characters or structuring the world, it is seen as inappropriate – and obscene excess, while fighting for morality. Eroticism is hard to express: it uses the implicit or the caricature, and follows complex conventions. Its stylistics, at last, words its embodiment: desire becomes an object one can touch, wear like an amulet or an ornament, and see, thanks to its glow and material. It is staged, especially in nature, because it reflects its inner ambivalence, between fascination and danger. Erotic and sexual metaphors call out landscapes, plants, and animals,…

Advisors/Committee Members: Egetmeyer, Markus (thesis director).

Subjects/Keywords: Érotisme; Linguistique; Grec ancien; Poésie lyrique; Sémantique; Littérature archaïque; Homère; Hésiode; Eroticism; Linguistics; Ancient Greek; Lyric poetry; Semantics; Archaic literature; Homer; Hesiod; 485

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Milan, J. (2020). Vers une grammaire du désir : dire l’union et la chair en grec préclassique (étymologie, lexicologie et sémantique) : Building desire a grammar : expressing sexual congress and flesh in pre-classic Greek (etymology, lexicology and semantics). (Doctoral Dissertation). Sorbonne université. Retrieved from http://www.theses.fr/2020SORUL086

Chicago Manual of Style (16^th Edition):

Milan, Johan. “Vers une grammaire du désir : dire l’union et la chair en grec préclassique (étymologie, lexicologie et sémantique) : Building desire a grammar : expressing sexual congress and flesh in pre-classic Greek (etymology, lexicology and semantics).” 2020. Doctoral Dissertation, Sorbonne université. Accessed March 05, 2021. http://www.theses.fr/2020SORUL086.

MLA Handbook (7^th Edition):

Milan, Johan. “Vers une grammaire du désir : dire l’union et la chair en grec préclassique (étymologie, lexicologie et sémantique) : Building desire a grammar : expressing sexual congress and flesh in pre-classic Greek (etymology, lexicology and semantics).” 2020. Web. 05 Mar 2021.

Vancouver:

Milan J. Vers une grammaire du désir : dire l’union et la chair en grec préclassique (étymologie, lexicologie et sémantique) : Building desire a grammar : expressing sexual congress and flesh in pre-classic Greek (etymology, lexicology and semantics). [Internet] [Doctoral dissertation]. Sorbonne université; 2020. [cited 2021 Mar 05]. Available from: http://www.theses.fr/2020SORUL086.

Council of Science Editors:

Milan J. Vers une grammaire du désir : dire l’union et la chair en grec préclassique (étymologie, lexicologie et sémantique) : Building desire a grammar : expressing sexual congress and flesh in pre-classic Greek (etymology, lexicology and semantics). [Doctoral Dissertation]. Sorbonne université; 2020. Available from: http://www.theses.fr/2020SORUL086

Université Paris-Sorbonne – Paris IV

16. Allen-Hornblower, Emily. La poétique de la douleur : images de la souffrance dans la poésie grecque archaïque et classique : The Poetics of Pain : images of Suffering in Archaic and Classical Greek Poetry.

Degree: Docteur es, Lettres classiques, 2010, Université Paris-Sorbonne – Paris IV

URL: http://www.theses.fr/2010PA040002

►

Ce travail propose une étude de la poétique de la douleur, tant physique et morale, dans certaines œuvres choisies de la poésie grecque archaïque et… (more)

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Ce travail propose une étude de la poétique de la douleur, tant physique et morale, dans certaines œuvres choisies de la poésie grecque archaïque et classique. Il démontre comment la douleur remplit une fonction essentielle dans les œuvres étudiées, en tant que moteur de l’action et mode de caractérisation des personnages, ainsi que par les liens qu’elle établit avec les thèmes centraux plus larges. L’étude de la poétique à proprement parler permet par ailleurs d’examiner en arrière-plan la question historico-culturelle de la valeur éthique et sociale de la douleur. Trois œuvres servent de cas d’étude: l’Iliade d’Homère (le livre V en particulier), l’Orestie d’Eschyle (principalement l’Agamemnon), et le Philoctète de Sophocle. Le premier chapitre traite de la douleur divine dans l’Iliade, en contraste avec celle des simples mortels. Le deuxième chapitre propose de réexaminer la question de la douleur et du chagrin de la perte dans l’Orestie d’Eschyle, en portant une attention particulière à la nature perverse de la souffrance maternelle de Clytemnestre. Le troisième et dernier chapitre examine la représentation de la douleur dans le Philoctète de Sophocle, et le caractère ambigu de la souffrance du héros, en analysant comment celle-ci sert à la fois de menace et de catalyseur de l’humanité de la victime souffrante elle-même et de ses témoins.

The present study offers an exploration of selected representations of physical and moral pain in archaic and classical Greek poetry, with a focus on the poetics. The analysis centers on the extent to which depictions of pain fulfill a central role in the works selected, as motor of the plot, instrumental mode of characterization, and link to key overarching themes. In the course of the examination of its poetic function, the cultural-historical question of pain’s ethical and social value emerges as a dominant background axis of investigation. Three works serve as case studies: the Homeric Iliad (book V in particular), Aeschylus’ Oresteia (mainly the Agamemnon), and Sophocles’ Philoctetes. The first chapter deals with the portrayal of divine pain in the Iliad, by contrasting it with that of mortals. The second chapter seeks to offer a better understanding of the portrayals of pain and loss in Aeschylus’ Oresteia, with particular focus on the perverse nature of Clytemnestra’s maternal suffering. The third and final chapter turns to the representation of pain in Sophocles’ Philoctetes and the ambivalence of the eponymous hero’s suffering, analyzing how it serves both as a threat and a catalyst to the humanity of the sufferer himself and that of his witnesses.

Advisors/Committee Members: Trédé-Boulmer, Monique (thesis director), Nagy, Gregory (thesis director).

Subjects/Keywords: Douleur; Poésie grecque antique; Homère; Éthique; Tragédie grecque; Souffrance; Poétique; Histoire culturelle; Pain; Ancient greek poetry; Greek tragedy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Allen-Hornblower, E. (2010). La poétique de la douleur : images de la souffrance dans la poésie grecque archaïque et classique : The Poetics of Pain : images of Suffering in Archaic and Classical Greek Poetry. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2010PA040002

Chicago Manual of Style (16^th Edition):

Allen-Hornblower, Emily. “La poétique de la douleur : images de la souffrance dans la poésie grecque archaïque et classique : The Poetics of Pain : images of Suffering in Archaic and Classical Greek Poetry.” 2010. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed March 05, 2021. http://www.theses.fr/2010PA040002.

MLA Handbook (7^th Edition):

Allen-Hornblower, Emily. “La poétique de la douleur : images de la souffrance dans la poésie grecque archaïque et classique : The Poetics of Pain : images of Suffering in Archaic and Classical Greek Poetry.” 2010. Web. 05 Mar 2021.

Vancouver:

Allen-Hornblower E. La poétique de la douleur : images de la souffrance dans la poésie grecque archaïque et classique : The Poetics of Pain : images of Suffering in Archaic and Classical Greek Poetry. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2010. [cited 2021 Mar 05]. Available from: http://www.theses.fr/2010PA040002.

Council of Science Editors:

Allen-Hornblower E. La poétique de la douleur : images de la souffrance dans la poésie grecque archaïque et classique : The Poetics of Pain : images of Suffering in Archaic and Classical Greek Poetry. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2010. Available from: http://www.theses.fr/2010PA040002

Université Paris-Sorbonne – Paris IV

17. Mathys, Audrey. Le neutre adverbial en grec ancien : morphologie, syntaxe et sémantique : Neuter Adjectives used as Adverbs in Ancient Greek : Morphology, Syntax and Semantics.

Degree: Docteur es, Études grecques, 2013, Université Paris-Sorbonne – Paris IV

URL: http://www.theses.fr/2013PA040126

►

Cette étude porte sur l'emploi d'adjectifs neutres en fonction adverbiale en grec ancien, sur un corpus constitué de l'ensemble de la poésie archaïque, d'Homère à… (more)

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Cette étude porte sur l'emploi d'adjectifs neutres en fonction adverbiale en grec ancien, sur un corpus constitué de l'ensemble de la poésie archaïque, d'Homère à Pindare. Les données recueillies ont été, autant que possible, confrontées aux données des auteurs classiques et des poètes alexandrins, et replacées dans la perspective de la linguistique indo-européenne. Une étude morphologique montre le caractère récent des adverbes en ως en grec homérique, alors que le neutre adverbial semble constituer un procédé d'adverbialisation ancien et courant. Un examen sémantique des neutres adverbiaux et des adverbes en ως fait apparaître que ces derniers présentent des traits sémantiques typiques d'une catégorie d'adverbes en cours de développement, puisqu'il s'agit presque exclusivement d'adverbes de manière, alors que les neutres adverbiaux apparaissent, chez Homère, dans presque toutes les catégories d'adverbes, ce qui est le propre d'un procédé d'adverbialisation qui a déjà connu une forte productivité. Enfin, une étude syntaxique souligne les limites de la thèse traditionnelle qui voit dans nombre d'adjectifs neutres employés comme adverbes des accusatifs d'objet interne : cette hypothèse ne tient pas compte de l'existence de nombreux neutres adverbiaux qui ne sauraient s'expliquer ainsi, et elle suppose que l'on ait pu substantiver sans restriction des adjectifs au neutre singulier, ce qui n'est pas le cas chez Homère. Cette étude syntaxique met enfin en lumière les étapes du développement des adverbes en ως : ceux-ci sont d'abord apparus dans des contextes où le sujet avait un contrôle sur l'action, ainsi que dans des contextes où l'adverbe est orienté vers le sujet.

The object of this work is to describe and explain the use of neuter adjectives as adverbs in Ancient Greek. It is based on a corpus comprising all archaic Greek poetry, from Homer to Pindar. Whenever possible, this data is compared with the data of the Classical and Hellenistic periods, and put into an Indo-European perspective. The examination of the morphology of adverbs in archaic Greek shows that the adverbs in ως are a recent development in Homer, whereas adverbial neuters seem to have been the default way of deriving an adverb from an adjective shortly before the archaic period. The semantics of the adverbs in ως displays typical features of a relatively new adverbial formation: in Homer, the suffix ως is only found in adverbs expressing manner. On the other hand, neuter adjectives used as adverbs are found in almost every adverbial function, which is the expected behaviour of a very productive adverbial formation. Finally, a syntaxic study of the adjectives in archaic Greek shows that the use of neuter adjectives as adverbs cannot be explained as a special case of internal accusative: this hypothesis is unable to account for numerous neuter adjectives used as adverbs, and implies that neuter adjectives could be used as substantives in singular without any restriction, which is not the case in Homer. This syntaxic study also sheds light on the…

Advisors/Committee Members: Lamberterie, Charles de (thesis director).

Subjects/Keywords: Grec ancien; Linguistique indo-européenne; Linguistique générale et typologique; Homère; Syntaxe historique et comparée; Adjectifs; Adverbes; Substantivation accusatif; Ancient Greek; Indo-European linguistics; General linguistics; Typology; Homer; Archaic Greek poetry; Diachronic syntax; Adjectives; Adverbs; Accusative; 480

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Mathys, A. (2013). Le neutre adverbial en grec ancien : morphologie, syntaxe et sémantique : Neuter Adjectives used as Adverbs in Ancient Greek : Morphology, Syntax and Semantics. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2013PA040126

Chicago Manual of Style (16^th Edition):

Mathys, Audrey. “Le neutre adverbial en grec ancien : morphologie, syntaxe et sémantique : Neuter Adjectives used as Adverbs in Ancient Greek : Morphology, Syntax and Semantics.” 2013. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed March 05, 2021. http://www.theses.fr/2013PA040126.

MLA Handbook (7^th Edition):

Mathys, Audrey. “Le neutre adverbial en grec ancien : morphologie, syntaxe et sémantique : Neuter Adjectives used as Adverbs in Ancient Greek : Morphology, Syntax and Semantics.” 2013. Web. 05 Mar 2021.

Vancouver:

Mathys A. Le neutre adverbial en grec ancien : morphologie, syntaxe et sémantique : Neuter Adjectives used as Adverbs in Ancient Greek : Morphology, Syntax and Semantics. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2013. [cited 2021 Mar 05]. Available from: http://www.theses.fr/2013PA040126.

Council of Science Editors:

Mathys A. Le neutre adverbial en grec ancien : morphologie, syntaxe et sémantique : Neuter Adjectives used as Adverbs in Ancient Greek : Morphology, Syntax and Semantics. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2013. Available from: http://www.theses.fr/2013PA040126

18. Luijn, Nathasja van. The figurability of theory. The philosophical significance of circularity in Parmenides.

Degree: 2018, Leiden University

URL: http://hdl.handle.net/1887/58492

► The main question answered in this thesis 'The figurability of theory. The philosophical significance of circularity in Parmenides’ is how circularity figures Parmenides’ doctrine and… (more)

Subjects/Keywords: Parmenides; Presocratic philosophy; Circularity; Figurability; Ancient Philosophy; Ancient Greek poetry; Philosophical significance

…cult-initiate. Since ancient times the proem has been seen as an allegory for a journey… …poetry, is clearly invoked in the mind of the audience in the description of the gates. Because…

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Luijn, N. v. (2018). The figurability of theory. The philosophical significance of circularity in Parmenides. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/58492

Chicago Manual of Style (16^th Edition):

Luijn, Nathasja van. “The figurability of theory. The philosophical significance of circularity in Parmenides.” 2018. Masters Thesis, Leiden University. Accessed March 05, 2021. http://hdl.handle.net/1887/58492.

MLA Handbook (7^th Edition):

Luijn, Nathasja van. “The figurability of theory. The philosophical significance of circularity in Parmenides.” 2018. Web. 05 Mar 2021.

Vancouver:

Luijn Nv. The figurability of theory. The philosophical significance of circularity in Parmenides. [Internet] [Masters thesis]. Leiden University; 2018. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/1887/58492.

Council of Science Editors:

Luijn Nv. The figurability of theory. The philosophical significance of circularity in Parmenides. [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/58492

19. Βράκας, Αντώνιος. Η μορφή του Νεοπτολέμου στην Αρχαία Ελληνική Ποίηση ως τα τέλη του 5ου αι. π.Χ., με έμφαση στον Πίνδαρο και στην Τραγωδία.

Degree: 2002, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

URL: http://hdl.handle.net/10442/hedi/13409

Subjects/Keywords: Νεοπτόλεμος; Πίνδαρος; Τραγωδία; Ευριπίδης; Σοφοκλής; Ελληνική ποίηση; Αρχαία ποίηση; Neoptolemus; Pindaros; Tragedy; Euripides; Sophocles; Greek poetry; Ancient poetry

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APA (6^th Edition):

Βράκας, . �. (2002). Η μορφή του Νεοπτολέμου στην Αρχαία Ελληνική Ποίηση ως τα τέλη του 5ου αι. π.Χ., με έμφαση στον Πίνδαρο και στην Τραγωδία. (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/13409

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Βράκας, Αντώνιος. “Η μορφή του Νεοπτολέμου στην Αρχαία Ελληνική Ποίηση ως τα τέλη του 5ου αι. π.Χ., με έμφαση στον Πίνδαρο και στην Τραγωδία.” 2002. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed March 05, 2021. http://hdl.handle.net/10442/hedi/13409.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Βράκας, Αντώνιος. “Η μορφή του Νεοπτολέμου στην Αρχαία Ελληνική Ποίηση ως τα τέλη του 5ου αι. π.Χ., με έμφαση στον Πίνδαρο και στην Τραγωδία.” 2002. Web. 05 Mar 2021.

Vancouver:

Βράκας �. Η μορφή του Νεοπτολέμου στην Αρχαία Ελληνική Ποίηση ως τα τέλη του 5ου αι. π.Χ., με έμφαση στον Πίνδαρο και στην Τραγωδία. [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2002. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10442/hedi/13409.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Βράκας �. Η μορφή του Νεοπτολέμου στην Αρχαία Ελληνική Ποίηση ως τα τέλη του 5ου αι. π.Χ., με έμφαση στον Πίνδαρο και στην Τραγωδία. [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2002. Available from: http://hdl.handle.net/10442/hedi/13409

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Mérot, Guillemette. Le « canon » des poètes grecs et latins de l’Institution oratoire. : Discours critique, traditions doctrinales, contexte culturel : The "canon" of the Greek and Latin poets in the Institutio Oratoria : Critical discourse, doctrinal traditions and cultural context.

Degree: Docteur es, Études latines, 2020, Sorbonne université

URL: http://www.theses.fr/2020SORUL084

►

La thèse porte sur le « canon » (au sens de « liste des auteurs considérés comme les meilleurs au sein d’un genre donné »)… (more)

▼

La thèse porte sur le « canon » (au sens de « liste des auteurs considérés comme les meilleurs au sein d’un genre donné ») des poètes grecs et latins du chapitre 10.1 de l’Institution oratoire. Dans ce traité de rhétorique de l’époque flavienne, la liste-canon est issue d’une tradition littéraire et doctrinale qui sélectionne certains auteurs à inclure et les évalue les uns par rapport aux autres pour en faire des supports de lecture et des modèles d’éloquence. Le présent travail envisage la liste d’auteurs du chapitre 10.1 à la fois comme le point d’aboutissement d’un processus de constitution de « canons » effectué en diachronie et, en synchronie, comme une émanation du contexte culturel propre à la Rome flavienne. Il interroge sa dynamique de constitution en expliquant les motivations qui sous-tendent différentes opérations de « mise en liste » (sélection – ou exclusion – des auteurs, établissement entre eux de relations de hiérarchisation, et évaluation critique de leurs qualités). Il montre que les principales influences critiques qui s’exercent sur les différentes notices de la liste sont celles de Cicéron, d’Horace et de Denys d’Halicarnasse. Nous montrons notamment que cette dynamique de constitution de la liste est propre à chaque genre poétique. Notre travail entend s’inscrire ainsi au confluent de l’histoire de la rhétorique et de ses doctrines, de l’histoire de la philologie, de l’histoire littéraire et de l’histoire de la critique littéraire ancienne.

This thesis deals with the "canon" (in the sense of "list of authors considered the best within a given genre") of Greek and Latin poets in chapter 10.1 of the Institutio oratoria. In this treatise on rhetoric from the Flavian period, the canon-list derives from a literary and doctrinal tradition that selects certain authors for inclusion and evaluates them in relation to each other as reading material and models of eloquence. The present work describes the list of authors in chapter 10.1 both as the culmination of a diachronous process of establishing "canons", and, in synchrony, as an emanation of the cultural context specific to Flavian Rome. It questions the dynamic of how the list was established by explaining the motivations behind different operations of "listing" (selection - or exclusion - of authors, establishment of hierarchical relations between them, and critical evaluation of their qualities). It shows that the main critical influences on the different entries in the list are those of Cicero, Horace and Denys of Halicarnassus. In particular, its show that the dynamics of how the list was established is specific to each poetic genre. Accordingly, the present work is located at the confluence of the history of rhetoric and its doctrines, the history of philology, literary history, and the history of ancient literary criticism.

Advisors/Committee Members: Franchet d'Espèrey, Sylvie (thesis director).

Subjects/Keywords: Quintilien; Critique littéraire antique; Listes; Genres littéraires; Rhétorique latine; Canons littéraires; Poésie latine; Poésie grecque; Quintilian; Ancient literary criticism; Lists; Literary genres; Latin rhetoric; Literary canons; Latin poetry; Greek poetry; 808.51

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Mérot, G. (2020). Le « canon » des poètes grecs et latins de l’Institution oratoire. : Discours critique, traditions doctrinales, contexte culturel : The "canon" of the Greek and Latin poets in the Institutio Oratoria : Critical discourse, doctrinal traditions and cultural context. (Doctoral Dissertation). Sorbonne université. Retrieved from http://www.theses.fr/2020SORUL084

Chicago Manual of Style (16^th Edition):

Mérot, Guillemette. “Le « canon » des poètes grecs et latins de l’Institution oratoire. : Discours critique, traditions doctrinales, contexte culturel : The "canon" of the Greek and Latin poets in the Institutio Oratoria : Critical discourse, doctrinal traditions and cultural context.” 2020. Doctoral Dissertation, Sorbonne université. Accessed March 05, 2021. http://www.theses.fr/2020SORUL084.

MLA Handbook (7^th Edition):

Mérot, Guillemette. “Le « canon » des poètes grecs et latins de l’Institution oratoire. : Discours critique, traditions doctrinales, contexte culturel : The "canon" of the Greek and Latin poets in the Institutio Oratoria : Critical discourse, doctrinal traditions and cultural context.” 2020. Web. 05 Mar 2021.

Vancouver:

Mérot G. Le « canon » des poètes grecs et latins de l’Institution oratoire. : Discours critique, traditions doctrinales, contexte culturel : The "canon" of the Greek and Latin poets in the Institutio Oratoria : Critical discourse, doctrinal traditions and cultural context. [Internet] [Doctoral dissertation]. Sorbonne université; 2020. [cited 2021 Mar 05]. Available from: http://www.theses.fr/2020SORUL084.

Council of Science Editors:

Mérot G. Le « canon » des poètes grecs et latins de l’Institution oratoire. : Discours critique, traditions doctrinales, contexte culturel : The "canon" of the Greek and Latin poets in the Institutio Oratoria : Critical discourse, doctrinal traditions and cultural context. [Doctoral Dissertation]. Sorbonne université; 2020. Available from: http://www.theses.fr/2020SORUL084

University of Cambridge

21. Fraser, Bruce L. Word Order, Focus, and Clause Linking in Greek Tragic Poetry.

Degree: PhD, 1999, University of Cambridge

URL: http://www.dspace.cam.ac.uk/handle/1810/219499https://www.repository.cam.ac.uk/bitstream/1810/219499/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219499/5/WO-F-CL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219499/3/WO-F-CL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219499/6/WO-F-CL.pdf.jpg

► The thesis comprises an investigation of three aspects of sentence structure in Classical Greek (henceforth CG) dramatic poetry: order of the main sentence elements (subject,… (more)

Subjects/Keywords: historical linguistics; Ancient Greek literature; word order; syntax; Greek tragedy; complementation; focalisation; clausal subordination; comparing poetry and prose; enclitics; topic and focus

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Fraser, B. L. (1999). Word Order, Focus, and Clause Linking in Greek Tragic Poetry. (Doctoral Dissertation). University of Cambridge. Retrieved from http://www.dspace.cam.ac.uk/handle/1810/219499https://www.repository.cam.ac.uk/bitstream/1810/219499/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219499/5/WO-F-CL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219499/3/WO-F-CL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219499/6/WO-F-CL.pdf.jpg

Chicago Manual of Style (16^th Edition):

Fraser, Bruce L. “Word Order, Focus, and Clause Linking in Greek Tragic Poetry.” 1999. Doctoral Dissertation, University of Cambridge. Accessed March 05, 2021. http://www.dspace.cam.ac.uk/handle/1810/219499https://www.repository.cam.ac.uk/bitstream/1810/219499/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219499/5/WO-F-CL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219499/3/WO-F-CL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219499/6/WO-F-CL.pdf.jpg.

MLA Handbook (7^th Edition):

Fraser, Bruce L. “Word Order, Focus, and Clause Linking in Greek Tragic Poetry.” 1999. Web. 05 Mar 2021.

Vancouver:

Fraser BL. Word Order, Focus, and Clause Linking in Greek Tragic Poetry. [Internet] [Doctoral dissertation]. University of Cambridge; 1999. [cited 2021 Mar 05]. Available from: http://www.dspace.cam.ac.uk/handle/1810/219499https://www.repository.cam.ac.uk/bitstream/1810/219499/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219499/5/WO-F-CL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219499/3/WO-F-CL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219499/6/WO-F-CL.pdf.jpg.

Council of Science Editors:

Fraser BL. Word Order, Focus, and Clause Linking in Greek Tragic Poetry. [Doctoral Dissertation]. University of Cambridge; 1999. Available from: http://www.dspace.cam.ac.uk/handle/1810/219499https://www.repository.cam.ac.uk/bitstream/1810/219499/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219499/5/WO-F-CL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219499/3/WO-F-CL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219499/6/WO-F-CL.pdf.jpg

University of Cambridge

22. Fraser, Bruce L. Word order, focus, and clause linking in Greek tragic poetry.

Degree: PhD, 1999, University of Cambridge

URL: https://doi.org/10.17863/CAM.16536 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431175

► The thesis comprises an investigation of three aspects of sentence structure in Classical Greek (henceforth CG) dramatic poetry: order of the main sentence elements (subject,… (more)

Subjects/Keywords: 884.01; historical linguistics; Ancient Greek literature; word order; syntax; Greek tragedy; complementation; focalisation; clausal subordination; comparing poetry and prose; enclitics; topic and focus

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Fraser, B. L. (1999). Word order, focus, and clause linking in Greek tragic poetry. (Doctoral Dissertation). University of Cambridge. Retrieved from https://doi.org/10.17863/CAM.16536 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431175

Chicago Manual of Style (16^th Edition):

Fraser, Bruce L. “Word order, focus, and clause linking in Greek tragic poetry.” 1999. Doctoral Dissertation, University of Cambridge. Accessed March 05, 2021. https://doi.org/10.17863/CAM.16536 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431175.

MLA Handbook (7^th Edition):

Fraser, Bruce L. “Word order, focus, and clause linking in Greek tragic poetry.” 1999. Web. 05 Mar 2021.

Vancouver:

Fraser BL. Word order, focus, and clause linking in Greek tragic poetry. [Internet] [Doctoral dissertation]. University of Cambridge; 1999. [cited 2021 Mar 05]. Available from: https://doi.org/10.17863/CAM.16536 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431175.

Council of Science Editors:

Fraser BL. Word order, focus, and clause linking in Greek tragic poetry. [Doctoral Dissertation]. University of Cambridge; 1999. Available from: https://doi.org/10.17863/CAM.16536 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431175

23. Filos, Claudia. Steadfast in a Multiform Tradition: émpedos and asphalḗs in Homer and Beyond.

Degree: 2013, Brandeis University

URL: http://hdl.handle.net/10192/24534

► This Homeric word study of émpedos and asphalḗs offers the first comprehensive investigation of steadfastness in the ancient Greek mytho-poetic system. Prompted by the idea… (more)

▼ This Homeric word study of émpedos and asphalḗs offers the first comprehensive investigation of steadfastness in the ancient Greek mytho-poetic system. Prompted by the idea expressed in the name Empedokles, this work attempts to describe the potential relationship between steadfastness and kléos, ‘poetic fame’. Using formulaic and contextual analysis to consider every occurrence of émpedos in Homer and drawing generously upon supplemental evidence from other authors and traditions, this work seeks to rebuild the social, mythical, and poetic concepts of steadfastness from an internal perspective. We find that the use of émpedos and asphalḗs reflects traditional Indo-European concepts of stability that are highly appropriate to a system based on multiformity and composition-in-performance. Evidence also shows that these words are appropriate to metapoetic and metapragmatic discussions of stability. Thus, the name Empedokles offers a highly relevant perspective on the nature of poetic glory, and concepts of steadfastness become crucial to our understanding of this multiform tradition. The foundation of this study is an understanding of the metaphors associated with these terms and close readings of the contexts in which they occur. This analysis leads to refined definitions. Specifically, this work argues that émpedos and asphalḗs denote a steady, continual, and even ritually appropriate state, and that these terms are equally appropriate to describe subjects that are steadfastly fixed in place or steadfastly kinetic. Further, émpedos and asphalḗs are explicitly associated with subjects that switch from one steadfast state to another. These findings develop through analysis focused on several topics: the idea of perishable fame, the stability of Zeus' divine authority vs. the instability of human prosperity, the steadfastness of scepter bearers, the value of steadfast strength and intelligence, descriptions of charioteering and homecoming, and the pairing of steadfastness in epic couples such as Odysseus and Penelope. Uniting the esthetics of rigidity and fluidity with the careful balance of incitement and restraint, the study of émpedos and asphalḗs reveals a single aesthetic principle stabilizing the Homeric cosmos, from the progression of individual lines of poetry, to the fixed path and endless motion of the stars and moon above.

Subjects/Keywords: émpedos; asphalḗs; steadfastness in literature; epic poetry; Homer; Iliad; Odyssey; Herodotus; ancient Greek

…Homeric epic and the ancient Greek corpus. Forms of émpedos occur 58 times in Homer, while forms… …analysis shows that Homeric poetry idealizes itself as perfectly rigid, yet simultaneously sees… …sense captures both views of poetry. Scholars have rightfully given attention to this… …Greek word for truth, denotes a specialized form of memory, one that utilizes forgetting in… …review of the use of émpedos as attested in the corpus of Greek literature shows that a vast…

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Filos, C. (2013). Steadfast in a Multiform Tradition: émpedos and asphalḗs in Homer and Beyond. (Thesis). Brandeis University. Retrieved from http://hdl.handle.net/10192/24534

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Filos, Claudia. “Steadfast in a Multiform Tradition: émpedos and asphalḗs in Homer and Beyond.” 2013. Thesis, Brandeis University. Accessed March 05, 2021. http://hdl.handle.net/10192/24534.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Filos, Claudia. “Steadfast in a Multiform Tradition: émpedos and asphalḗs in Homer and Beyond.” 2013. Web. 05 Mar 2021.

Vancouver:

Filos C. Steadfast in a Multiform Tradition: émpedos and asphalḗs in Homer and Beyond. [Internet] [Thesis]. Brandeis University; 2013. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10192/24534.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Filos C. Steadfast in a Multiform Tradition: émpedos and asphalḗs in Homer and Beyond. [Thesis]. Brandeis University; 2013. Available from: http://hdl.handle.net/10192/24534

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Florida

24. Arns, Jay S. Inventio Pindarica The Altered Myths of Olympian 7, Pythian 1, Pythian 2, and Isthmian 8.

Degree: MA, Classical Studies - Classics, 2008, University of Florida

URL: https://ufdc.ufl.edu/UFE0022193

► This thesis examines alterations made to mythological stories in four of Pindar's odes: Olympian 7, Pythian 1, Pythian 2, and Isthmian 8. In each, Pindar… (more)

▼ This thesis examines alterations made to mythological stories in four of Pindar's odes: Olympian 7, Pythian 1, Pythian 2, and Isthmian 8. In each, Pindar presents his reader with a new version of a well-known tale from Greek mythology, yet remains silent about his source by employing such expressions as 'they say that . . .' or 'it is said that . . . .' These changes provide a view into Pindar's editorial mind, and identifying and analyzing them is crucial to illustrating an aspect of each ode's unity. In the case of Olympian 7, the myth about the apportionment of the earth among the immortals is changed in that Pindar has Helios absent from the casting of the lots. It is my view that, given the ode's focus on giving objects of great value, Pindar has made this change in order to emphasize the glory of Rhodes, his patron's homeland. In Pythian 1, Pindar alters the story concerning Tuphos, the final threat to Zeus' new reign. Pindar, differing from the tradition he inherits from earlier literature, describes how Tuphos was imprisoned beneath Aitna, yet still rages and sends lava and fire rushing out of the mountain. Since this mountain is the source of the name of Hieron's new colony, I see in this change an admonition to Hieron's son, Deinomenes, whom the former had just placed in charge of that new colony called Aitna, to persevere through adversity in order to establish peace and harmony in a kingdom. In Pythian 2, Pindar inverts the myth of Ixion. In the Homeric tradition he inherits, it is Zeus who seduces the wife of Ixion. Pindar makes Ixion, who had been granted a residence on Olympos, the transgressor. I think that this change is intended to demonstrate to Hieron how important it is for a ruler to be cautious when selecting advisors. In Isthmian 8, Pindar relates the myth about Thetis' marriage to Peleus. In his version, contrary to the previous tradition, he describes a quarrel between Zeus and Poseidon over who gets to marry the Nereid. Elsewhere he refers to the united Greek effort to expel the Persians and to Akhilleus' martial accomplishments in the effort against Troy. In all three of these elements, there is an outside threat which is vanquished by the banding together of previously divided Greek elements. Zeus and Poseidon set aside their quarrel in order to avoid the disastrous fate portended by the shadowy figure of Thetis' son, who is destined to be greater than his father. In reference to the Persian invasion, we see the banding together in the face of potential destruction of city-states that had not been previously unified. Finally, in the story of Akhilleus, one sees the success of the joint Greek effort to restore Helen to the Greek world. ( en ) Advisors/Committee Members: Young, David C. (committee chair), Kapparis, Konstantin (committee member), Wagman, Robert S. (committee member).

Subjects/Keywords: Apes; Fate; Homeland; Ixion; Marriage; Myths; Odes; Poetry; Shame; Sons; ancient, games, greek, isthmian, literature, lyric, mythology, ode, olympian, pindar, poetry, pythian, unity

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APA (6^th Edition):

Arns, J. S. (2008). Inventio Pindarica The Altered Myths of Olympian 7, Pythian 1, Pythian 2, and Isthmian 8. (Masters Thesis). University of Florida. Retrieved from https://ufdc.ufl.edu/UFE0022193

Chicago Manual of Style (16^th Edition):

Arns, Jay S. “Inventio Pindarica The Altered Myths of Olympian 7, Pythian 1, Pythian 2, and Isthmian 8.” 2008. Masters Thesis, University of Florida. Accessed March 05, 2021. https://ufdc.ufl.edu/UFE0022193.

MLA Handbook (7^th Edition):

Arns, Jay S. “Inventio Pindarica The Altered Myths of Olympian 7, Pythian 1, Pythian 2, and Isthmian 8.” 2008. Web. 05 Mar 2021.

Vancouver:

Arns JS. Inventio Pindarica The Altered Myths of Olympian 7, Pythian 1, Pythian 2, and Isthmian 8. [Internet] [Masters thesis]. University of Florida; 2008. [cited 2021 Mar 05]. Available from: https://ufdc.ufl.edu/UFE0022193.

Council of Science Editors:

Arns JS. Inventio Pindarica The Altered Myths of Olympian 7, Pythian 1, Pythian 2, and Isthmian 8. [Masters Thesis]. University of Florida; 2008. Available from: https://ufdc.ufl.edu/UFE0022193

McMaster University

25. Bolton, Catherine Mary. The Characterization of Medea, Dido, Ariadne and Deianira in Ovid's "Heroides" and "Metamorphoses".

Degree: PhD, 1989, McMaster University

URL: http://hdl.handle.net/11375/14259

►

Ovid's characterization of women has long been recognized as revealing an understanding of the female psyche. This is shown not only in his love… (more)

Subjects/Keywords: Ovid; characterization of women; female psyche; poetry; crisis; anxieties; conflicts; Ancient History, Greek and Roman through Late Antiquity; Arts and Humanities; Classics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bolton, C. M. (1989). The Characterization of Medea, Dido, Ariadne and Deianira in Ovid's "Heroides" and "Metamorphoses". (Doctoral Dissertation). McMaster University. Retrieved from http://hdl.handle.net/11375/14259

Chicago Manual of Style (16^th Edition):

Bolton, Catherine Mary. “The Characterization of Medea, Dido, Ariadne and Deianira in Ovid's "Heroides" and "Metamorphoses".” 1989. Doctoral Dissertation, McMaster University. Accessed March 05, 2021. http://hdl.handle.net/11375/14259.

MLA Handbook (7^th Edition):

Bolton, Catherine Mary. “The Characterization of Medea, Dido, Ariadne and Deianira in Ovid's "Heroides" and "Metamorphoses".” 1989. Web. 05 Mar 2021.

Vancouver:

Bolton CM. The Characterization of Medea, Dido, Ariadne and Deianira in Ovid's "Heroides" and "Metamorphoses". [Internet] [Doctoral dissertation]. McMaster University; 1989. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/11375/14259.

Council of Science Editors:

Bolton CM. The Characterization of Medea, Dido, Ariadne and Deianira in Ovid's "Heroides" and "Metamorphoses". [Doctoral Dissertation]. McMaster University; 1989. Available from: http://hdl.handle.net/11375/14259

26. Demerliac, Oriane. Le locus de la mer chez les poètes augustéens : miroir et creuset des mutations poétiques, politiques et morales du début du Principat : The locus of the sea among Augustan poets : mirror and medium of poetic, political and moral mutations at the beginning of the Principate.

Degree: Docteur es, Langues et littératures anciennes, 2019, Lyon

URL: http://www.theses.fr/2019LYSEN066

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Pour montrer la richesse des représentations poétiques de la mer, l’époque augustéenne constitue un moment clef. Avec la bataille d’Actium, la mer occupe une place… (more)

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Pour montrer la richesse des représentations poétiques de la mer, l’époque augustéenne constitue un moment clef. Avec la bataille d’Actium, la mer occupe une place nouvelle à Rome et devient un enjeu majeur, lieu de victoires et de pouvoir dans le discours d’Auguste et dans l’imaginaire romain, à un moment de refondation aussi bien politique que morale de la cité après les guerres civiles. C’est la manière dont cet objet s’est constitué en tant que catalyseur de toutes les grandes mutations de l’époque augustéenne qui retient notre attention. Nous étudions la mer comme locus, c’est-à-dire comme un objet poétique susceptible de refléter ou de modifier le lieu réel où l’activité humaine se déploie durant l’histoire grecque et romaine, mais aussi les représentations socioculturelles. Dans notre première partie, nous entreprenons une comparaison des rapports à la mer chez les Grecs et les Romains, dans leur histoire, leurs mentalités et leur littérature. Il apparaît que d’un point de vue axiologique, si la mer des poètes augustéens reçoit un traitement négatif en grande partie influencé par la poésie grecque, ce motif est enrichi d’un élément inédit : la condamnation de la navigation. Reliée aux guerres et à la luxuria, elle s’inspire chez les poètes augustéens d’une synthèse entre les influences de la philosophie grecque et de la morale traditionnelle : elle devient le lieu d’expression des passions humaines, depuis la cupidité jusqu’à la colère du Prince. Mais les poètes augustéens ont aussi été sensibles à l’héritage grec du motif épique de la mer : Virgile, dans l’Énéide, élabore à partir des modèles grecs un héroïsme nouveau, adapté à l’arrière-plan culturel romain, où prime la pietas, dans des errances où les épreuves maritimes sont systématiquement désamorcées. Ovide, dans ses Métamorphoses, relit Virgile pour déconstruire cette mer de la fabrique des héros et proposer une nouvelle représentation de la mer, miroir de la Pax Augusta. Pourtant, c’est l’élégie qui, en transférant toute ses ambiguïtés au locus marin, en fait le mieux le miroir troublant des changements politiques et des mutations morales que connaît Rome au début du Principat : la réélaboration élégiaque du motif épique de la mer est l’occasion du questionnement et de la réaffirmation des valeurs du mos maiorum, d’expérimentations génériques et surtout de la construction d’un nouvel héroïsme en mer, celui d’Auguste à Actium.

To show the richness of the poetic representations of the sea, the Augustan epoch is considered a key period. With the battle of Actium, the sea holds a new place in Rome and becomes a major stake, place of victories and power in the speech of Augustus and in the Roman imagination, during a political and moral city rebuilding after the civil wars. It is the way this object was established as a catalyst of all the great changes of the Augustan period that holds our attention. We study the sea as locus, that is to say as a poetic object likely to reflect or modify the real place where the human activity spreads out during the…

Advisors/Committee Members: Delignon, Bénédicte (thesis director), Arnaud, Pascal (thesis director).

Subjects/Keywords: Rome – 30 av. J.-C.-14 (Auguste) – Dans la littérature; Man-sea relations; Latin Poetry - Greek Influence; Cultural landscapes; Literary genres; Ancient epics; Latin elegies; Heroes (literature); Heroes (mythology); Gender studies; Rome - 30 BC J.-C.-14 (Augustus) - In literature; Politics and government - Rome - 1st century BC AD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Demerliac, O. (2019). Le locus de la mer chez les poètes augustéens : miroir et creuset des mutations poétiques, politiques et morales du début du Principat : The locus of the sea among Augustan poets : mirror and medium of poetic, political and moral mutations at the beginning of the Principate. (Doctoral Dissertation). Lyon. Retrieved from http://www.theses.fr/2019LYSEN066

Chicago Manual of Style (16^th Edition):

Demerliac, Oriane. “Le locus de la mer chez les poètes augustéens : miroir et creuset des mutations poétiques, politiques et morales du début du Principat : The locus of the sea among Augustan poets : mirror and medium of poetic, political and moral mutations at the beginning of the Principate.” 2019. Doctoral Dissertation, Lyon. Accessed March 05, 2021. http://www.theses.fr/2019LYSEN066.

MLA Handbook (7^th Edition):

Demerliac, Oriane. “Le locus de la mer chez les poètes augustéens : miroir et creuset des mutations poétiques, politiques et morales du début du Principat : The locus of the sea among Augustan poets : mirror and medium of poetic, political and moral mutations at the beginning of the Principate.” 2019. Web. 05 Mar 2021.

Vancouver:

Demerliac O. Le locus de la mer chez les poètes augustéens : miroir et creuset des mutations poétiques, politiques et morales du début du Principat : The locus of the sea among Augustan poets : mirror and medium of poetic, political and moral mutations at the beginning of the Principate. [Internet] [Doctoral dissertation]. Lyon; 2019. [cited 2021 Mar 05]. Available from: http://www.theses.fr/2019LYSEN066.

Council of Science Editors:

Demerliac O. Le locus de la mer chez les poètes augustéens : miroir et creuset des mutations poétiques, politiques et morales du début du Principat : The locus of the sea among Augustan poets : mirror and medium of poetic, political and moral mutations at the beginning of the Principate. [Doctoral Dissertation]. Lyon; 2019. Available from: http://www.theses.fr/2019LYSEN066

27. ΦΥΛΑΚΤΟΣ, ΑΝΤΡΕΑΣ. Ο ΑΡΧΑΙΟΕΛΛΗΝΙΚΟΣ ΜΥΘΟΣ ΣΤΟ ΛΥΡΙΚΟ ΒΙΟ: ΣΥΜΒΟΛΗ ΣΤΗ ΜΕΛΕΤΗ ΤΩΝ ΠΗΓΩΝ ΚΑΙ ΤΗΣ ΠΟΙΗΤΙΚΗΣ ΤΟΥ ΑΓΓΕΛΟΥ ΣΙΚΕΛΙΑΝΟΥ.

Degree: 1986, Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH)

URL: http://hdl.handle.net/10442/hedi/0749

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THE STUDY FOCUSES IN THE ANCIENT GREEK MYTHOLOGICAL THEMES AND ELEMENTS OF THE LYRICAL WORK OF SIKELIANOS AND DEALS WITH THE ORIGIN OR THEIR SOURCES,… (more)

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THE STUDY FOCUSES IN THE ANCIENT GREEK MYTHOLOGICAL THEMES AND ELEMENTS OF THE LYRICAL WORK OF SIKELIANOS AND DEALS WITH THE ORIGIN OR THEIR SOURCES, DESCRIBES THE CONSTRUCTION OF THEIR POETIC FUNCTION AND COMMENTS ON THE PROCESS OF THEIR APPEARANCE, FORMATION AND DEVELOPMENT IN THE WORK OF SIKELIANOS. THE USE OF THE ANCIENT GREEK MYTH IN LYRICAL LIFE REFLECTS OR IS RELATED TO THE CHARACTERISTICS OF THE TIME WHEN THE WORK WAS CONCEIVED AND MATERIALIZED: THE FICTIONAL EVENTS, THE DOMINATING IDEAS, THE TRENDS AND THE CONFLICTS OF THE SOCIAL LIFE. THE SITUATION WHICH PREVAILED IN EUROPE AT THE END OF THE 19TH AND THE BEGINNING OF THE 20TH CENTURY IS EXAMINED BRIEFLY WITH RELEVANCE TO THE ANCIENT GREEK MYTHOLOGICAL THEMES. THIS CLIMATE IS ALSO LINKED TO THE SITUATION OF THE SAME PERIOD IN GREECE, WITH ITS OWN INDIVIDUAL CHARACTERISTICS. SOME WAYS IN WHICH SIKELIANOS WAS ACQUAINTED WITH THE ANCIENT GREEK MYTH ARE ALSO DEALT WITH. IN THE MAJOR PART OF THE DISSERTATION BOTH THE EXTENSIVE AND THE SPORADIC PRESENCE OF THE ANCIENT GREEK MYTHOLOGICAL THEMES AND ELEMENTS IN THE POEMS OF LYRICAL LIFE IS EXAMINED. THE ANCIENT GREEK MYTHOLOGICAL THEMES ARE, ALSO CLASSIFIED IN CHRONOLOGICAL ORDER AS THEY APPEAR IN LYRICAL LIFE, ACCORDING TO THEIR QUANTITIVE ORQUALITIVE DISTRIBUTION, USE AND FUNCTION.

Η ΕΡΕΥΝΑ ΕΝΤΟΠΙΖΕΙ ΤΑ ΑΡΧΑΙΟΕΛΛΗΝΙΚΑ ΜΥΘΟΛΟΓΙΚΑ ΘΕΜΑΤΑ ΚΑΙ ΣΤΟΙΧΕΙΑ ΠΟΥ ΑΠΑΝΤΟΥΝ ΣΤΟ ΛΥΡΙΚΟ ΕΡΓΟ ΤΟΥ ΣΙΚΕΛΙΑΝΟΥ ΚΑΙ ΔΙΕΡΕΥΝΑ ΤΗΝ ΠΡΟΕΛΕΥΣΗ 'Η ΤΙΣ ΠΗΓΕΣ ΤΟΥΣ, ΠΕΡΙΓΡΑΦΕΙ ΤΗΝ ΕΚΦΟΡΑ ΚΑΙ ΤΗΝ ΠΟΙΗΤΙΚΗ ΛΕΙΤΟΥΡΓΙΑ ΤΟΥΣ ΚΑΙ ΣΧΟΛΙΑΖΕΙ ΤΗΝ ΠΟΡΕΙΑΤΗΣ ΕΜΦΑΝΙΣΗΣ, ΔΙΑΜΟΡΦΩΣΗΣ ΚΑΙ ΕΞΕΛΙΞΗΣ ΤΟΥΣ ΜΕΣΑ ΣΤΟ ΕΡΓΟ ΤΟΥ ΣΙΚΕΛΙΑΝΟΥ. Η ΧΡΗΣΗ ΤΟΥ ΑΡΧΑΙΟΕΛΛΗΝΙΚΟΥ ΜΥΘΟΥ ΣΤΟ ΛΥΡΙΚΟ ΒΙΟ ΑΝΤΑΝΑΚΛΑ 'Η ΣΥΣΧΕΤΙΖΕΤΑΙ ΚΑΙ ΜΕ ΤΗΝ ΕΠΟΧΗ ΣΤΗΝ ΟΠΟΙΑ ΚΥΟΦΟΡΗΘΗΚΕ ΚΑΙ ΠΡΑΓΜΑΤΟΠΟΙΗΘΗΚΕ ΤΟ ΕΡΓΟ: ΤΑ ΙΣΤΟΡΙΚΑ ΓΕΓΟΝΟΤΑ, ΤΙΣ ΚΥΡΙΑΡΧΕΣ ΙΔΕΕΣ, ΤΙΣ ΤΑΣΕΙΣ ΚΑΙ ΤΙΣ ΣΥΓΚΡΟΥΣΕΙΣ ΤΗΣ ΚΟΙΝΩΝΙΚΗΣ ΖΩΗΣ. ΕΞΕΤΑΖΕΤΑΙ ΣΕ ΣΥΝΤΟΜΙΑ ΤΟ ΚΛΙΜΑ ΠΟΥ ΕΠΙΚΡΑΤΕΙ ΣΤΗΝ ΕΥΡΩΠΗ ΣΤΟ ΤΕΛΟΣ ΤΟΥ 19ΟΥ ΚΑΙ ΤΩΝ ΑΡΧΩΝ ΤΟΥ 20ΟΥ ΑΙ. ΑΝΑΦΟΡΙΚΑ ΜΕ ΤΟΝ ΑΡΧΑΙΟ ΜΥΘΟ, ΚΛΙΜΑ ΠΟΥ ΣΥΝΔΕΕΤΑΙ ΜΕ ΤΗΝ ΚΑΤΑΣΤΑΣΗ ΠΟΥ ΕΠΙΚΡΑΤΕΙ ΣΤΗΝ ΕΛΛΑΔΑ ΤΗΝ ΙΔΙΑ ΠΕΡΙΠΟΥ ΠΕΡΙΟΔΟ, ΑΛΛΑ ΕΧΕΙ ΚΑΙ ΤΙΣ ΙΔΙΑΙΤΕΡΕΣ ΟΡΙΖΟΥΣΕΣ ΤΟΥ. ΕΞΕΤΑΖΟΝΤΑΙ ΕΠΙΣΗΣ, ΟΡΙΣΜΕΝΟΙ ΔΡΟΜΟΙ ΚΑΙ ΤΡΟΠΟΙ ΓΝΩΡΙΜΙΑΣ ΤΟΥ ΣΙΚΕΛΙΑΝΟΥ ΜΕ ΤΟΝ ΑΡΧΑΙΟΕΛΛΗΝΙΚΟ ΜΥΘΟ, ΚΑΘΩΣ ΚΑΙ ΟΙ ΘΕΩΡΗΤΙΚΕΣ ΑΠΟΨΕΙΣ ΤΟΥ ΠΟΙΗΤΗ ΓΙΑ ΤΟ ΜΥΘΟ. ΣΤΟ ΜΕΓΑΛΥΤΕΡΟ ΜΕΡΟΣ ΤΗΣ ΕΡΓΑΣΙΑΣ ΕΞΕΤΑΖΕΤΑΙ ΣΥΣΤΗΜΑΤΙΚΑ ΤΟΣΟ Η ΕΚΤΕΝΗΣ, ΟΣΟ ΚΑΙ Η ΣΠΟΡΑΔΙΚΗ ΠΑΡΟΥΣΙΑ ΤΩΝ ΑΡΧΑΙΟΕΛΛΗΝΙΚΩΝ ΜΥΘΟΛΟΓΙΚΩΝ ΘΕΜΑΤΩΝ ΚΑΙ ΣΤΟΙΧΕΙΩΝ, ΠΟΥ ΑΠΑΝΤΟΥΝ ΣΤΑ ΠΟΙΗΜΑΤΑ ΤΟΥ ΛΥΡΙΚΟΥ ΒΙΟΥ. ΤΑ ΑΡΧΑΙΟΕΛΛΗΝΙΚΑ ΜΥΘΟΛΟΓΙΚΑ ΘΕΜΑΤΑ ΚΑΤΑΤΑΣΣΟΝΤΑΙ, ΕΠΙΣΗΣ, ΣΕ ΧΡΟΝΙΚΕΣ ΠΕΡΙΟΔΟΥΣ ΤΟΥ ΛΥΡΙΚΟΥ ΒΙΟΥ ΑΝΑΛΟΓΑ ΜΕ ΤΗΝ ΠΟΣΟΤΙΚΗ ΤΟΥΣ ΚΑΙ ΠΟΙΟΤΙΚΗ ΤΟΥΣ ΚΑΤΑΝΟΜΗ, ΤΗ ΧΡΗΣΗ ΚΑΙ ΤΗ ΛΕΙΤΟΥΡΓΙΑ ΤΟΥΣ.

Subjects/Keywords: ANCIENT GREEK MYTH; LITERARY MYTH; LYRICAL WORK; MODERN GREEK POETRY; MYTHOLOGICAL THEMES; POETIC EXPRESSION; POETICAL FUNCTION OF THE MYTH; Sources; ΑΡΧΑΙΟΕΛΛΗΝΙΚΟΣ ΜΥΘΟΣ; ΛΟΓΟΤΕΧΝΗΜΕΝΟΣ ΜΥΘΟΣ; ΛΥΡΙΚΟ ΕΡΓΟ; ΜΥΘΟΛΟΓΙΚΑ ΘΕΜΑΤΑ; ΝΕΟΕΛΛΗΝΙΚΗ ΠΟΙΗΣΗ; Πηγές; ΠΟΙΗΤΙKΗ ΛΕΙΤΟΥΡΓΙΑ ΤΟΥ ΜΥΘΟΥ; ΠΟΙΗΤΙΚΗ ΕΚΦΡΑΣΗ

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

ΦΥΛΑΚΤΟΣ, �. (1986). Ο ΑΡΧΑΙΟΕΛΛΗΝΙΚΟΣ ΜΥΘΟΣ ΣΤΟ ΛΥΡΙΚΟ ΒΙΟ: ΣΥΜΒΟΛΗ ΣΤΗ ΜΕΛΕΤΗ ΤΩΝ ΠΗΓΩΝ ΚΑΙ ΤΗΣ ΠΟΙΗΤΙΚΗΣ ΤΟΥ ΑΓΓΕΛΟΥ ΣΙΚΕΛΙΑΝΟΥ. (Thesis). Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH). Retrieved from http://hdl.handle.net/10442/hedi/0749

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

ΦΥΛΑΚΤΟΣ, ΑΝΤΡΕΑΣ. “Ο ΑΡΧΑΙΟΕΛΛΗΝΙΚΟΣ ΜΥΘΟΣ ΣΤΟ ΛΥΡΙΚΟ ΒΙΟ: ΣΥΜΒΟΛΗ ΣΤΗ ΜΕΛΕΤΗ ΤΩΝ ΠΗΓΩΝ ΚΑΙ ΤΗΣ ΠΟΙΗΤΙΚΗΣ ΤΟΥ ΑΓΓΕΛΟΥ ΣΙΚΕΛΙΑΝΟΥ.” 1986. Thesis, Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH). Accessed March 05, 2021. http://hdl.handle.net/10442/hedi/0749.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

ΦΥΛΑΚΤΟΣ, ΑΝΤΡΕΑΣ. “Ο ΑΡΧΑΙΟΕΛΛΗΝΙΚΟΣ ΜΥΘΟΣ ΣΤΟ ΛΥΡΙΚΟ ΒΙΟ: ΣΥΜΒΟΛΗ ΣΤΗ ΜΕΛΕΤΗ ΤΩΝ ΠΗΓΩΝ ΚΑΙ ΤΗΣ ΠΟΙΗΤΙΚΗΣ ΤΟΥ ΑΓΓΕΛΟΥ ΣΙΚΕΛΙΑΝΟΥ.” 1986. Web. 05 Mar 2021.

Vancouver:

ΦΥΛΑΚΤΟΣ �. Ο ΑΡΧΑΙΟΕΛΛΗΝΙΚΟΣ ΜΥΘΟΣ ΣΤΟ ΛΥΡΙΚΟ ΒΙΟ: ΣΥΜΒΟΛΗ ΣΤΗ ΜΕΛΕΤΗ ΤΩΝ ΠΗΓΩΝ ΚΑΙ ΤΗΣ ΠΟΙΗΤΙΚΗΣ ΤΟΥ ΑΓΓΕΛΟΥ ΣΙΚΕΛΙΑΝΟΥ. [Internet] [Thesis]. Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH); 1986. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10442/hedi/0749.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

ΦΥΛΑΚΤΟΣ �. Ο ΑΡΧΑΙΟΕΛΛΗΝΙΚΟΣ ΜΥΘΟΣ ΣΤΟ ΛΥΡΙΚΟ ΒΙΟ: ΣΥΜΒΟΛΗ ΣΤΗ ΜΕΛΕΤΗ ΤΩΝ ΠΗΓΩΝ ΚΑΙ ΤΗΣ ΠΟΙΗΤΙΚΗΣ ΤΟΥ ΑΓΓΕΛΟΥ ΣΙΚΕΛΙΑΝΟΥ. [Thesis]. Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH); 1986. Available from: http://hdl.handle.net/10442/hedi/0749

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

28. Polychroniadis, Anastasios. Πράγματα του νου ή πράγματα του φωτός: σπουδή στα κριτήρια πρόσληψης του θύραθεν και του εκκλησιαστικού υλικού στα λογοτεχνήματα του Ν.Γ. Πεντζίκη.

Degree: 2004, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

URL: http://hdl.handle.net/10442/hedi/34228

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In this Phd thesis we tried to find out the way of N.G. Pentzikes (Greek famous author) integrated texts of other writers in his literary… (more)

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In this Phd thesis we tried to find out the way of N.G. Pentzikes (Greek famous author) integrated texts of other writers in his literary works. In order to achieve that, we made an effort of “decοnstructing” Pentzikes works to find these texts. For that purpose, we created a plan which is compiled by fifth chapters [a. Ancient Greek Literature and Poetry, Mythologie, Philosophy, History and “Psifarithmesses”, b. Western Intellectual (Poetry, Literature and general opinions about western view of life), c. New Greek Poetry and Literature, d. Magazines, Newspapers and thoughts of various thinkers, e. Byzantine Tradition (The Ηoly Bible – New & Old Testament, Orthodox Liturgical and Hymnological texts, Texts of Fathers of Church until Hesychasm, Texts of Hesychasm, Synaxaristis and others Hagiologicals texts, Texts of Byzantine Tradition from the fifteen century onwards, texts of Alexandros Papadiamantes, Byzantine Chronographie and History)]. Mentioning all the above, became understandable from the reader that, Pentzikes focused (paid attention) on the way from Crucifixion to Resurrection of Christ. Because of that, Pentzikes, as a member of an Orthodox Christian Church, admires Byzantine tradition not as an ideology, but as a way of life for repentance and holiness. Given these points, it is obvious that the chapter (about Byzantine Tradition) is the most significant or emphatic of the other chapters of this Phd thesis.

Σε αυτή τη διατριβή προσπαθούμε να βρούμε τον τρόπο του Ν.Γ.Πεντζίκη, ενός γνωστού νεοέλληνα συγγραφέα να ενσωματώνει κείμενα άλλων συγγραφέων στα δικά του λογοτεχνικά έργα. Για να πετύχουμε αυτό, κάνουμε μια προσπάθεια “αποδόμησης” των Πεντζικικών έργων, προκειμένου να βρούμε αυτά τα κείμενα. Για το σκοπό αυτό, δημιουργούμε ένα σχεδιάγραμμα το οποίο αποτελείται από πέντε κεφάλαια (α. Αρχαία Ελληνική Λογοτεχνία και Ποίηση, Μυθολογία, Φιλοσοφία, Ιστορία και Ψηφαρίθμηση, β. Δυτική Διανόηση (Ποίηση, Λογοτεχνία και γενικά γνώμες σχετικά με το δυτικό τρόπο ζωής), γ. Νεοελληνική Ποίηση και Πεζογραφία, δ. Περιοδικά, Εφημερίδες και απόψεις διαφόρων στοχαστών, ε. Βυζαντινή Παράδοση (Η Αγία Γραφή – Καινή και Παλαιά Διαθήκη, Ορθόδοξα Λειτουργικά και Υμνολογικά Κείμενα, Κείμενα των Πατέρων της Εκκλησίας μέχρι τον Ησυχασμό, Ησυχαστικά Κείμενα, Συναξαριστής και άλλα Αγιολογικά Κείμενα, Κείμενα της Βυζαντινής Παράδοσης από τον 15ο αιώνα και εξής, Κείμενα του Αλέξανδρου Παπαδιαμάντη, Βυζαντινή Χρονογραφία και Ιστορία).Μνημονεύοντας όλα τα παραπάνω, καθίσταται κατανοητό από τον αναγνώστη ότι ο Πεντζίκης στοχεύει στο δρόμο από τη Σταύρωση στην Ανάσταση του Χριστού. Εξαιτίας αυτού, ο Πεντζίκης, ως μέλος της Ορθόδοξης Εκκλησίας, θαυμάζει τη Βυζαντινή Παράδοση όχι σα μια ιδεολογία, αλλά ως τρόπο ζωής για μετάνοια και αγιότητα. Δίνοντας αυτά τα σημεία, είναι προφανές ότι το κεφάλαιο (σχετικά με τη Βυζαντινή Παράδοση) είναι το πιο σημαντικό ή εμφατικό έναντι των άλλων κεφαλαίων αυτής της διατριβής.

Subjects/Keywords: Αρχαία Γραμματεία; Ομηρικά έπη; Αρχαία ποίηση - πεζογραφία; Μυθολογία; Αρχαία Φιλοσοφία και Ιστορία; Ψηφαρίθμηση; Δυτική διανόηση; Νεοελληνική Γραμματεία; Βυζαντινή παράδοση; Πατερικά κείμενα μέχρι τον Ησυχασμό; Ancient Greek Literature and Poetry; Homer’s Epics; Mythologie; Ancient Greek philosophy and history; Psifarithmesses; Western Intellectual; New Greek Poetry and Literature; Byzantine Tradition; Texts of Fathers of Church until Hesychasm; Texts of Hesychasm

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Polychroniadis, A. (2004). Πράγματα του νου ή πράγματα του φωτός: σπουδή στα κριτήρια πρόσληψης του θύραθεν και του εκκλησιαστικού υλικού στα λογοτεχνήματα του Ν.Γ. Πεντζίκη. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/34228

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Polychroniadis, Anastasios. “Πράγματα του νου ή πράγματα του φωτός: σπουδή στα κριτήρια πρόσληψης του θύραθεν και του εκκλησιαστικού υλικού στα λογοτεχνήματα του Ν.Γ. Πεντζίκη.” 2004. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed March 05, 2021. http://hdl.handle.net/10442/hedi/34228.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Polychroniadis, Anastasios. “Πράγματα του νου ή πράγματα του φωτός: σπουδή στα κριτήρια πρόσληψης του θύραθεν και του εκκλησιαστικού υλικού στα λογοτεχνήματα του Ν.Γ. Πεντζίκη.” 2004. Web. 05 Mar 2021.

Vancouver:

Polychroniadis A. Πράγματα του νου ή πράγματα του φωτός: σπουδή στα κριτήρια πρόσληψης του θύραθεν και του εκκλησιαστικού υλικού στα λογοτεχνήματα του Ν.Γ. Πεντζίκη. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2004. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10442/hedi/34228.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Polychroniadis A. Πράγματα του νου ή πράγματα του φωτός: σπουδή στα κριτήρια πρόσληψης του θύραθεν και του εκκλησιαστικού υλικού στα λογοτεχνήματα του Ν.Γ. Πεντζίκη. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2004. Available from: http://hdl.handle.net/10442/hedi/34228

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Université de Montréal

29. Sze, Gillian. The erring archive in Anne Carson.

Degree: 2015, Université de Montréal

URL: http://hdl.handle.net/1866/12451

Subjects/Keywords: Anne Carson; poésie contemporaine; critique féministe; archive; réception classique; Grèce antique; traduction; saphisme; psychanalyse; déconstruction; contemporary poetry; feminist criticism; classical reception; Ancient Greek; translation; Sappho; psychoanalysis; deconstruction; Literature - English / Littérature - Anglaise (UMI : 0593)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Sze, G. (2015). The erring archive in Anne Carson. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/12451

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Sze, Gillian. “The erring archive in Anne Carson.” 2015. Thesis, Université de Montréal. Accessed March 05, 2021. http://hdl.handle.net/1866/12451.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Sze, Gillian. “The erring archive in Anne Carson.” 2015. Web. 05 Mar 2021.

Vancouver:

Sze G. The erring archive in Anne Carson. [Internet] [Thesis]. Université de Montréal; 2015. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/1866/12451.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sze G. The erring archive in Anne Carson. [Thesis]. Université de Montréal; 2015. Available from: http://hdl.handle.net/1866/12451

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Panayiotou, Eftychia. Ιστορικό βίωμα και ποιητικές ταυτότητες στη νεοελληνική ποίηση: 1970-1990: Τζένη Μαστοράκη και Κατερίνα Γώγου.

Degree: 2017, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

URL: http://hdl.handle.net/10442/hedi/40750

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This Ph.D. thesis examines the poems of Jenny Mastoraki and Katerina Gogou as historical narratives of "eccentric subjects" during the period between 1970 and 1990… (more)

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This Ph.D. thesis examines the poems of Jenny Mastoraki and Katerina Gogou as historical narratives of "eccentric subjects" during the period between 1970 and 1990 in Greece. These two poets were selected not only because their work was published during this period, but also because it can be seen as a modernist example of binary oppositions: Mastoraki, a poet included in the Greek literary canon, was read as a poet of form, language, art, personal engagement, while Gogou, excluded from the Greek literary canon, was considered to be a poet of content, experience, life, political engagement, belonging to a “subculture”.The parallel reading of these poets’ work problematizes established and hegemonic binary analytical categories, such as form/content, spirit/body, art/life, private/public, as well as the related analytic category of "female poetry", which emerged in the ’70s. The Ph.D. thesis is nevertheless not about the identity of engendered subjects nor about the poetry written by women during that period, but about presenting the historical, political, ontological, and engendered construction of hegemonic aesthetic categories, by men. By doing so, it illustrates the historical challenges related to the emergence of diverse and new poetic identities.The poems of Mastoraki and Gogou follow a “grey” genealogy, which does not identify the collective with the national. Despite aesthetic differences, both poets’ poetic subjects narrate the legacy of the decentralization of the political engendered subject (both as a notion and existence) and its resistance until death.The Ph.D. thesis demonstrates how poetic discourses can be read as performative and agonistic narrations of human beings that resist their unjust and political death. The thesis discusses a kind of poetry that can historicize, but also a certain history that can see the light through poetic discourses. It is about “eccentric subjects” on the verge of the postmodern era that can become dialogical, only by experiencing the tragic.

Στη διατριβή εξετάζονται τα ποιήματα της Τζένης Μαστοράκη και της Κατερίνας Γώγου ως προς τη δυνατότητά τους να αποτελέσουν ιστορικές αφηγήσεις «έκκεντρων υποκειμένων» την εικοσαετία 1970-1990 στην Ελλάδα. Οι συγκεκριμένες ποιήτριες επελέγησαν γιατί το έργο τους άρχισε και ολοκληρώθηκε μέσα στην εικοσαετία αυτή αλλά και γιατί η πρόσληψή του από την κριτική αλλά και τα έντυπα της εποχής, που εξετάζεται εδώ, μαρτυρεί ότι συνιστούν νεωτερικό παράδειγμα διπολικής αντίθεσης (binary opposition): η Μαστοράκη διαβάστηκε ως ποιήτρια της μορφής, της γλώσσας, της τέχνης, της προσωπικής γραφής και του ποιητικού κανόνα, και η Γώγου ως ποιήτρια του περιεχομένου, του βιώματος, της ζωής, της πολιτικής κατάθεσης και του «περιθωρίου». Η διατριβή αυτή παρακολουθεί γενεαλογικά τις κειμενικές και διακειμενικές πρακτικές που επιστρατεύουν οι ποιήτριες για την επιτελεστική συγκρότηση και παραγωγή ενός «αισθητικού εαυτού» (ποιητική ταυτότητα), τόσο έμφυλου όσο και πολιτικού, απέναντι σε μια δυϊστική και πατρογραμμική παράδοση που τον αποκλείει.…

Subjects/Keywords: Ποιητικές ταυτότητες; Νεοελληνική ποίηση; Μαστοράκη, Τζένη (1949-); Γώγου, Κατερίνα (1940-1993); Μεταδομισμός; Μεταφεμινισμός; Αντιγόνη Σοφοκλή; Έκκεντρα υποκείμενα; Ελληνική μεταπολίτευση; Αρχαίο δράμα; Μπάτλερ, Τζούντιθ (1956-); Φουκώ, Μισέλ (1926-1984); Θεωρία πρόσληψης; Σολωμός, Διονύσιος (1798-1857); Poetic identities; Modern greek poetry; Metapolitefsi; Poststructuralism; Postfeminism; Butler, Judith (1956-); Foucault, Michel (1926-1984); Revival of ancient drama; Solomos, Dionysios (1798-1857); Eccentric subjects; Poetic discourse; Drama - Tragedy - Antigone; Reception theory

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Panayiotou, E. (2017). Ιστορικό βίωμα και ποιητικές ταυτότητες στη νεοελληνική ποίηση: 1970-1990: Τζένη Μαστοράκη και Κατερίνα Γώγου. (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/40750

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Panayiotou, Eftychia. “Ιστορικό βίωμα και ποιητικές ταυτότητες στη νεοελληνική ποίηση: 1970-1990: Τζένη Μαστοράκη και Κατερίνα Γώγου.” 2017. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed March 05, 2021. http://hdl.handle.net/10442/hedi/40750.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Panayiotou, Eftychia. “Ιστορικό βίωμα και ποιητικές ταυτότητες στη νεοελληνική ποίηση: 1970-1990: Τζένη Μαστοράκη και Κατερίνα Γώγου.” 2017. Web. 05 Mar 2021.

Vancouver:

Panayiotou E. Ιστορικό βίωμα και ποιητικές ταυτότητες στη νεοελληνική ποίηση: 1970-1990: Τζένη Μαστοράκη και Κατερίνα Γώγου. [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2017. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10442/hedi/40750.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Panayiotou E. Ιστορικό βίωμα και ποιητικές ταυτότητες στη νεοελληνική ποίηση: 1970-1990: Τζένη Μαστοράκη και Κατερίνα Γώγου. [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2017. Available from: http://hdl.handle.net/10442/hedi/40750

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Open Access Theses and Dissertations