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You searched for subject:(American music). Showing records 1 – 30 of 647 total matches.

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1. Hoyler, Emily C. The governess in Benjamin Britten's and Henry James' "The Turn of the Screw".

Degree: 2009, Tufts University

  The governess' marginal social positioning and inconsistent reputation in Victorian England renders her the perfect narrative figure to deliver the ambiguous story of <i>The… (more)

Subjects/Keywords: Music; Literature, American

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APA (6th Edition):

Hoyler, E. C. (2009). The governess in Benjamin Britten's and Henry James' "The Turn of the Screw". (Thesis). Tufts University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1463929

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hoyler, Emily C. “The governess in Benjamin Britten's and Henry James' "The Turn of the Screw".” 2009. Thesis, Tufts University. Accessed July 20, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=1463929.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hoyler, Emily C. “The governess in Benjamin Britten's and Henry James' "The Turn of the Screw".” 2009. Web. 20 Jul 2018.

Vancouver:

Hoyler EC. The governess in Benjamin Britten's and Henry James' "The Turn of the Screw". [Internet] [Thesis]. Tufts University; 2009. [cited 2018 Jul 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1463929.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hoyler EC. The governess in Benjamin Britten's and Henry James' "The Turn of the Screw". [Thesis]. Tufts University; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1463929

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

2. Mack, Kimberly. The Fictional Black Blues Figure: Blues Music and the Art of Narrative Self-Invention.

Degree: English, 2015, UCLA

 The Fictional Black Blues Figure: Blues Music and the Art of Narrative Self-Invention, Kimberly MackMy dissertation examines representations of black American blues musicians in contemporary… (more)

Subjects/Keywords: American literature; Music

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APA (6th Edition):

Mack, K. (2015). The Fictional Black Blues Figure: Blues Music and the Art of Narrative Self-Invention. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/4x21869h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mack, Kimberly. “The Fictional Black Blues Figure: Blues Music and the Art of Narrative Self-Invention.” 2015. Thesis, UCLA. Accessed July 20, 2018. http://www.escholarship.org/uc/item/4x21869h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mack, Kimberly. “The Fictional Black Blues Figure: Blues Music and the Art of Narrative Self-Invention.” 2015. Web. 20 Jul 2018.

Vancouver:

Mack K. The Fictional Black Blues Figure: Blues Music and the Art of Narrative Self-Invention. [Internet] [Thesis]. UCLA; 2015. [cited 2018 Jul 20]. Available from: http://www.escholarship.org/uc/item/4x21869h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mack K. The Fictional Black Blues Figure: Blues Music and the Art of Narrative Self-Invention. [Thesis]. UCLA; 2015. Available from: http://www.escholarship.org/uc/item/4x21869h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

3. Wickham, Anna. That Old Time Religion: The Influence of West and Central African Religious Culture on the Music of the Azusa Street Revival .

Degree: 2014, University of Arizona

 The Azusa Street Revival was a movement started in 1906 by a small group of black individuals at a prayer meeting in Los Angeles, California.… (more)

Subjects/Keywords: American Revival Music; Azusa Street Revival; Pentecostal Music; Revival; Revival Music; Music; African American Music

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APA (6th Edition):

Wickham, A. (2014). That Old Time Religion: The Influence of West and Central African Religious Culture on the Music of the Azusa Street Revival . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/323242

Chicago Manual of Style (16th Edition):

Wickham, Anna. “That Old Time Religion: The Influence of West and Central African Religious Culture on the Music of the Azusa Street Revival .” 2014. Masters Thesis, University of Arizona. Accessed July 20, 2018. http://hdl.handle.net/10150/323242.

MLA Handbook (7th Edition):

Wickham, Anna. “That Old Time Religion: The Influence of West and Central African Religious Culture on the Music of the Azusa Street Revival .” 2014. Web. 20 Jul 2018.

Vancouver:

Wickham A. That Old Time Religion: The Influence of West and Central African Religious Culture on the Music of the Azusa Street Revival . [Internet] [Masters thesis]. University of Arizona; 2014. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10150/323242.

Council of Science Editors:

Wickham A. That Old Time Religion: The Influence of West and Central African Religious Culture on the Music of the Azusa Street Revival . [Masters Thesis]. University of Arizona; 2014. Available from: http://hdl.handle.net/10150/323242


Temple University

4. Erickson, Clipper. The Six Piano Suites of Nathaniel Dett.

Degree: 2014, Temple University

Music Performance

D.M.A.

The six piano suites of R. Nathaniel Dett (1882-1943) constitute a substantial body of piano music that illustrates the musical development of… (more)

Subjects/Keywords: Music; African American studies;

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APA (6th Edition):

Erickson, C. (2014). The Six Piano Suites of Nathaniel Dett. (Thesis). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,261021

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Erickson, Clipper. “The Six Piano Suites of Nathaniel Dett.” 2014. Thesis, Temple University. Accessed July 20, 2018. http://digital.library.temple.edu/u?/p245801coll10,261021.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Erickson, Clipper. “The Six Piano Suites of Nathaniel Dett.” 2014. Web. 20 Jul 2018.

Vancouver:

Erickson C. The Six Piano Suites of Nathaniel Dett. [Internet] [Thesis]. Temple University; 2014. [cited 2018 Jul 20]. Available from: http://digital.library.temple.edu/u?/p245801coll10,261021.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Erickson C. The Six Piano Suites of Nathaniel Dett. [Thesis]. Temple University; 2014. Available from: http://digital.library.temple.edu/u?/p245801coll10,261021

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

5. Más-Arocas, Octavio. Fearless Programming: Invigorating the American Orchestral Tradition through New Music.

Degree: DMA, Contemporary Music, 2016, Bowling Green State University

 Despite great efforts by American composers, their prodigious musical output has beenmostly ignored by American orchestras. Works by living American composers account for anannual average… (more)

Subjects/Keywords: Music; new music; American orchestras; American composers; orchestral new music

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APA (6th Edition):

Más-Arocas, O. (2016). Fearless Programming: Invigorating the American Orchestral Tradition through New Music. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1467125862

Chicago Manual of Style (16th Edition):

Más-Arocas, Octavio. “Fearless Programming: Invigorating the American Orchestral Tradition through New Music.” 2016. Doctoral Dissertation, Bowling Green State University. Accessed July 20, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1467125862.

MLA Handbook (7th Edition):

Más-Arocas, Octavio. “Fearless Programming: Invigorating the American Orchestral Tradition through New Music.” 2016. Web. 20 Jul 2018.

Vancouver:

Más-Arocas O. Fearless Programming: Invigorating the American Orchestral Tradition through New Music. [Internet] [Doctoral dissertation]. Bowling Green State University; 2016. [cited 2018 Jul 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1467125862.

Council of Science Editors:

Más-Arocas O. Fearless Programming: Invigorating the American Orchestral Tradition through New Music. [Doctoral Dissertation]. Bowling Green State University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1467125862


The Florida State University

6. Villaverde, Christina Diane. "Cinco canciones con versos de Juana de Ibarbourou"| The art song style of Ernesto Lecuona.

Degree: 2012, The Florida State University

  Ernesto Lecuona (1895–1963) is regarded as one of the most important Cuban musicians of the twentieth century, and one of the most prolific composers… (more)

Subjects/Keywords: Literature, Latin American; History, Latin American; Music

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APA (6th Edition):

Villaverde, C. D. (2012). "Cinco canciones con versos de Juana de Ibarbourou"| The art song style of Ernesto Lecuona. (Thesis). The Florida State University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3498115

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Villaverde, Christina Diane. “"Cinco canciones con versos de Juana de Ibarbourou"| The art song style of Ernesto Lecuona.” 2012. Thesis, The Florida State University. Accessed July 20, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=3498115.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Villaverde, Christina Diane. “"Cinco canciones con versos de Juana de Ibarbourou"| The art song style of Ernesto Lecuona.” 2012. Web. 20 Jul 2018.

Vancouver:

Villaverde CD. "Cinco canciones con versos de Juana de Ibarbourou"| The art song style of Ernesto Lecuona. [Internet] [Thesis]. The Florida State University; 2012. [cited 2018 Jul 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3498115.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Villaverde CD. "Cinco canciones con versos de Juana de Ibarbourou"| The art song style of Ernesto Lecuona. [Thesis]. The Florida State University; 2012. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3498115

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

7. Waugh, Carline. A Performer's Guide to Richard Danielpour's A Woman's Life.

Degree: DMA, Music, 2015, Louisiana State University

 This document serves as a guide to the song cycle A Woman’s Life composed by Richard Danielpour in 2007. The document presents relevant biographical information… (more)

Subjects/Keywords: Living Composer; American Music; American Poetry

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APA (6th Edition):

Waugh, C. (2015). A Performer's Guide to Richard Danielpour's A Woman's Life. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-06102015-162057 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2542

Chicago Manual of Style (16th Edition):

Waugh, Carline. “A Performer's Guide to Richard Danielpour's A Woman's Life.” 2015. Doctoral Dissertation, Louisiana State University. Accessed July 20, 2018. etd-06102015-162057 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2542.

MLA Handbook (7th Edition):

Waugh, Carline. “A Performer's Guide to Richard Danielpour's A Woman's Life.” 2015. Web. 20 Jul 2018.

Vancouver:

Waugh C. A Performer's Guide to Richard Danielpour's A Woman's Life. [Internet] [Doctoral dissertation]. Louisiana State University; 2015. [cited 2018 Jul 20]. Available from: etd-06102015-162057 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2542.

Council of Science Editors:

Waugh C. A Performer's Guide to Richard Danielpour's A Woman's Life. [Doctoral Dissertation]. Louisiana State University; 2015. Available from: etd-06102015-162057 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2542

8. Saez, Diana V. Cantemos a coro| An anthology of choral music from Latin America.

Degree: 2011, University of Maryland, College Park

  This project presents an anthology of choral music, with examples from periods from the colonial time to the present. It includes notes about each… (more)

Subjects/Keywords: Music; Education, Music; Latin American Studies

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APA (6th Edition):

Saez, D. V. (2011). Cantemos a coro| An anthology of choral music from Latin America. (Thesis). University of Maryland, College Park. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3461580

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Saez, Diana V. “Cantemos a coro| An anthology of choral music from Latin America.” 2011. Thesis, University of Maryland, College Park. Accessed July 20, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=3461580.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Saez, Diana V. “Cantemos a coro| An anthology of choral music from Latin America.” 2011. Web. 20 Jul 2018.

Vancouver:

Saez DV. Cantemos a coro| An anthology of choral music from Latin America. [Internet] [Thesis]. University of Maryland, College Park; 2011. [cited 2018 Jul 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3461580.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Saez DV. Cantemos a coro| An anthology of choral music from Latin America. [Thesis]. University of Maryland, College Park; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3461580

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

9. Cronin, Molly K. American Fuging Tunes in The Sacred Harp.

Degree: MM, College-Conservatory of Music : Music History, 2010, University of Cincinnati

 Although originally from Great Britain, the fuging tune gained such popularity in eighteenth-century America that scholars now associate it with the First New England School… (more)

Subjects/Keywords: Music; sacred harp; fuging tune; american music

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APA (6th Edition):

Cronin, M. K. (2010). American Fuging Tunes in The Sacred Harp. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1267719283

Chicago Manual of Style (16th Edition):

Cronin, Molly K. “American Fuging Tunes in The Sacred Harp.” 2010. Masters Thesis, University of Cincinnati. Accessed July 20, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1267719283.

MLA Handbook (7th Edition):

Cronin, Molly K. “American Fuging Tunes in The Sacred Harp.” 2010. Web. 20 Jul 2018.

Vancouver:

Cronin MK. American Fuging Tunes in The Sacred Harp. [Internet] [Masters thesis]. University of Cincinnati; 2010. [cited 2018 Jul 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1267719283.

Council of Science Editors:

Cronin MK. American Fuging Tunes in The Sacred Harp. [Masters Thesis]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1267719283


Bowling Green State University

10. Patterson, DeAnna Rose. A History of Three African-American Women Who Made Important Contributions to Music Education Between 1903 and 1960.

Degree: MM, Music Education, 2007, Bowling Green State University

 The purpose of this study was to write a history of three African-American women who made important contributions to music education between 1903 and 1960.… (more)

Subjects/Keywords: Education, Music; African-American; Women; Music Education

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APA (6th Edition):

Patterson, D. R. (2007). A History of Three African-American Women Who Made Important Contributions to Music Education Between 1903 and 1960. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1182182858

Chicago Manual of Style (16th Edition):

Patterson, DeAnna Rose. “A History of Three African-American Women Who Made Important Contributions to Music Education Between 1903 and 1960.” 2007. Masters Thesis, Bowling Green State University. Accessed July 20, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1182182858.

MLA Handbook (7th Edition):

Patterson, DeAnna Rose. “A History of Three African-American Women Who Made Important Contributions to Music Education Between 1903 and 1960.” 2007. Web. 20 Jul 2018.

Vancouver:

Patterson DR. A History of Three African-American Women Who Made Important Contributions to Music Education Between 1903 and 1960. [Internet] [Masters thesis]. Bowling Green State University; 2007. [cited 2018 Jul 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1182182858.

Council of Science Editors:

Patterson DR. A History of Three African-American Women Who Made Important Contributions to Music Education Between 1903 and 1960. [Masters Thesis]. Bowling Green State University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1182182858


Louisiana State University

11. Zivkovic, Jovan. A performer's guide to John Corigliano's Mr Tambourine Man - Seven Poems to text by Bob Dylan.

Degree: DMA, Music, 2013, Louisiana State University

 The purpose of this monograph is to provide a documented score study analysis of John Corigliano’s Mr. Tambourine Man – Seven Songs to text by… (more)

Subjects/Keywords: Score Studying; American Music; Music; Conducting

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APA (6th Edition):

Zivkovic, J. (2013). A performer's guide to John Corigliano's Mr Tambourine Man - Seven Poems to text by Bob Dylan. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-04142013-173949 ; https://digitalcommons.lsu.edu/gradschool_dissertations/15

Chicago Manual of Style (16th Edition):

Zivkovic, Jovan. “A performer's guide to John Corigliano's Mr Tambourine Man - Seven Poems to text by Bob Dylan.” 2013. Doctoral Dissertation, Louisiana State University. Accessed July 20, 2018. etd-04142013-173949 ; https://digitalcommons.lsu.edu/gradschool_dissertations/15.

MLA Handbook (7th Edition):

Zivkovic, Jovan. “A performer's guide to John Corigliano's Mr Tambourine Man - Seven Poems to text by Bob Dylan.” 2013. Web. 20 Jul 2018.

Vancouver:

Zivkovic J. A performer's guide to John Corigliano's Mr Tambourine Man - Seven Poems to text by Bob Dylan. [Internet] [Doctoral dissertation]. Louisiana State University; 2013. [cited 2018 Jul 20]. Available from: etd-04142013-173949 ; https://digitalcommons.lsu.edu/gradschool_dissertations/15.

Council of Science Editors:

Zivkovic J. A performer's guide to John Corigliano's Mr Tambourine Man - Seven Poems to text by Bob Dylan. [Doctoral Dissertation]. Louisiana State University; 2013. Available from: etd-04142013-173949 ; https://digitalcommons.lsu.edu/gradschool_dissertations/15


Cornell University

12. Athens, Niccolo. The Music Of Alan Hovhaness .

Degree: 2016, Cornell University

 This dissertation is an attempt to redress the dearth of serious scholarship on the music of the American composer Alan Hovhaness (1911-2000). As Hovhaness's catalogue… (more)

Subjects/Keywords: Hovhaness, Alan; American Music; Armenian Music

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APA (6th Edition):

Athens, N. (2016). The Music Of Alan Hovhaness . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/44355

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Athens, Niccolo. “The Music Of Alan Hovhaness .” 2016. Thesis, Cornell University. Accessed July 20, 2018. http://hdl.handle.net/1813/44355.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Athens, Niccolo. “The Music Of Alan Hovhaness .” 2016. Web. 20 Jul 2018.

Vancouver:

Athens N. The Music Of Alan Hovhaness . [Internet] [Thesis]. Cornell University; 2016. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/1813/44355.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Athens N. The Music Of Alan Hovhaness . [Thesis]. Cornell University; 2016. Available from: http://hdl.handle.net/1813/44355

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Liberty University

13. Long, Christopher. Saving Jazz: Applied Ethnomusicology and America's Classical Music.

Degree: 2014, Liberty University

 In his 2009 article, Can Jazz Be Saved?, Wall Street Journal columnist Terry Teachout asserted that the American audience for jazz music performances was both… (more)

Subjects/Keywords: Jazz; American Studies; Ethnomusicology; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Long, C. (2014). Saving Jazz: Applied Ethnomusicology and America's Classical Music. (Masters Thesis). Liberty University. Retrieved from http://digitalcommons.liberty.edu/masters/317

Chicago Manual of Style (16th Edition):

Long, Christopher. “Saving Jazz: Applied Ethnomusicology and America's Classical Music.” 2014. Masters Thesis, Liberty University. Accessed July 20, 2018. http://digitalcommons.liberty.edu/masters/317.

MLA Handbook (7th Edition):

Long, Christopher. “Saving Jazz: Applied Ethnomusicology and America's Classical Music.” 2014. Web. 20 Jul 2018.

Vancouver:

Long C. Saving Jazz: Applied Ethnomusicology and America's Classical Music. [Internet] [Masters thesis]. Liberty University; 2014. [cited 2018 Jul 20]. Available from: http://digitalcommons.liberty.edu/masters/317.

Council of Science Editors:

Long C. Saving Jazz: Applied Ethnomusicology and America's Classical Music. [Masters Thesis]. Liberty University; 2014. Available from: http://digitalcommons.liberty.edu/masters/317

14. Frigillana, Damion Edan. William Kraft's "Concerto for Timpani and Orchestra"| The history, creation, and performance.

Degree: 2011, California State University, Long Beach

  Timpani are not often featured as solo instruments. Although there are frequent solo passages for timpani in many orchestral works, the use of timpani… (more)

Subjects/Keywords: American Studies; Music; Performing Arts

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APA (6th Edition):

Frigillana, D. E. (2011). William Kraft's "Concerto for Timpani and Orchestra"| The history, creation, and performance. (Thesis). California State University, Long Beach. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1493021

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Frigillana, Damion Edan. “William Kraft's "Concerto for Timpani and Orchestra"| The history, creation, and performance.” 2011. Thesis, California State University, Long Beach. Accessed July 20, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=1493021.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Frigillana, Damion Edan. “William Kraft's "Concerto for Timpani and Orchestra"| The history, creation, and performance.” 2011. Web. 20 Jul 2018.

Vancouver:

Frigillana DE. William Kraft's "Concerto for Timpani and Orchestra"| The history, creation, and performance. [Internet] [Thesis]. California State University, Long Beach; 2011. [cited 2018 Jul 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1493021.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Frigillana DE. William Kraft's "Concerto for Timpani and Orchestra"| The history, creation, and performance. [Thesis]. California State University, Long Beach; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1493021

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Smith, Mandy Jo. "Spirit of America"| Socio-cultural and gender issues in early Beach Boys songs.

Degree: 2011, California State University, Long Beach

  The music of the Beach Boys is an integral part of American culture. In this thesis, ways in which early Beach Boys songs (1962-1965)… (more)

Subjects/Keywords: American Studies; Music; Gender Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smith, M. J. (2011). "Spirit of America"| Socio-cultural and gender issues in early Beach Boys songs. (Thesis). California State University, Long Beach. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1504535

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Mandy Jo. “"Spirit of America"| Socio-cultural and gender issues in early Beach Boys songs.” 2011. Thesis, California State University, Long Beach. Accessed July 20, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=1504535.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Mandy Jo. “"Spirit of America"| Socio-cultural and gender issues in early Beach Boys songs.” 2011. Web. 20 Jul 2018.

Vancouver:

Smith MJ. "Spirit of America"| Socio-cultural and gender issues in early Beach Boys songs. [Internet] [Thesis]. California State University, Long Beach; 2011. [cited 2018 Jul 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1504535.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith MJ. "Spirit of America"| Socio-cultural and gender issues in early Beach Boys songs. [Thesis]. California State University, Long Beach; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1504535

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The University of Oklahoma

16. Crappell, Courtney J. Native American influence in the piano music of Louis W. Ballard.

Degree: 2009, The University of Oklahoma

  Louis Wayne Ballard (1931-2007) combined his experiences in Native American music with his knowledge of Western art music to form a unique compositional style.… (more)

Subjects/Keywords: Biography; Music; Native American Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Crappell, C. J. (2009). Native American influence in the piano music of Louis W. Ballard. (Thesis). The University of Oklahoma. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3355760

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crappell, Courtney J. “Native American influence in the piano music of Louis W. Ballard.” 2009. Thesis, The University of Oklahoma. Accessed July 20, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=3355760.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crappell, Courtney J. “Native American influence in the piano music of Louis W. Ballard.” 2009. Web. 20 Jul 2018.

Vancouver:

Crappell CJ. Native American influence in the piano music of Louis W. Ballard. [Internet] [Thesis]. The University of Oklahoma; 2009. [cited 2018 Jul 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3355760.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crappell CJ. Native American influence in the piano music of Louis W. Ballard. [Thesis]. The University of Oklahoma; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3355760

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Indiana University

17. Krieger, Janet Meryl. Rough to the board| Creating performance in American recording studios.

Degree: 2010, Indiana University

  This dissertation examines the dynamics between performers in the process of creating popular music recordings as they emerge in recording studios, using the synergy… (more)

Subjects/Keywords: American Studies; Anthropology, Cultural; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Krieger, J. M. (2010). Rough to the board| Creating performance in American recording studios. (Thesis). Indiana University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3390320

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Krieger, Janet Meryl. “Rough to the board| Creating performance in American recording studios.” 2010. Thesis, Indiana University. Accessed July 20, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=3390320.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Krieger, Janet Meryl. “Rough to the board| Creating performance in American recording studios.” 2010. Web. 20 Jul 2018.

Vancouver:

Krieger JM. Rough to the board| Creating performance in American recording studios. [Internet] [Thesis]. Indiana University; 2010. [cited 2018 Jul 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3390320.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Krieger JM. Rough to the board| Creating performance in American recording studios. [Thesis]. Indiana University; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3390320

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California, San Diego

18. Ponti, Carla M. The musical representation of Asian characters in the musicals of Richard Rodgers.

Degree: 2010, University of California, San Diego

  The study of the American musical is emerging in two different research streams. The first treats the musical as an aesthetic object and applies… (more)

Subjects/Keywords: American Studies; Music; Theater

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ponti, C. M. (2010). The musical representation of Asian characters in the musicals of Richard Rodgers. (Thesis). University of California, San Diego. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3408871

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ponti, Carla M. “The musical representation of Asian characters in the musicals of Richard Rodgers.” 2010. Thesis, University of California, San Diego. Accessed July 20, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=3408871.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ponti, Carla M. “The musical representation of Asian characters in the musicals of Richard Rodgers.” 2010. Web. 20 Jul 2018.

Vancouver:

Ponti CM. The musical representation of Asian characters in the musicals of Richard Rodgers. [Internet] [Thesis]. University of California, San Diego; 2010. [cited 2018 Jul 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3408871.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ponti CM. The musical representation of Asian characters in the musicals of Richard Rodgers. [Thesis]. University of California, San Diego; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3408871

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Florida State University

19. Brown, Sara. "Every word is a song, every step is a dance"| Participation, agency, and the expression of communal bliss in Hare Krishna festival kirtan.

Degree: 2013, The Florida State University

  The International Society for Krishna Consciousness, commonly known as the Hare Krishna movement, offers a highly accessible approach to Indian spirituality in contemporary American(more)

Subjects/Keywords: Religion, General; American Studies; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brown, S. (2013). "Every word is a song, every step is a dance"| Participation, agency, and the expression of communal bliss in Hare Krishna festival kirtan. (Thesis). The Florida State University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3551113

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brown, Sara. “"Every word is a song, every step is a dance"| Participation, agency, and the expression of communal bliss in Hare Krishna festival kirtan.” 2013. Thesis, The Florida State University. Accessed July 20, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=3551113.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brown, Sara. “"Every word is a song, every step is a dance"| Participation, agency, and the expression of communal bliss in Hare Krishna festival kirtan.” 2013. Web. 20 Jul 2018.

Vancouver:

Brown S. "Every word is a song, every step is a dance"| Participation, agency, and the expression of communal bliss in Hare Krishna festival kirtan. [Internet] [Thesis]. The Florida State University; 2013. [cited 2018 Jul 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3551113.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brown S. "Every word is a song, every step is a dance"| Participation, agency, and the expression of communal bliss in Hare Krishna festival kirtan. [Thesis]. The Florida State University; 2013. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3551113

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Florida State University

20. Lee, Albert Rudolph, Jr. The poetic voice of Langston Hughes in American art song.

Degree: 2012, The Florida State University

  The preeminence of Langston Hughes as a seminal figure in twentieth century literature is a well-chronicled phenomenon in academic circles. What has not been… (more)

Subjects/Keywords: Music; Literature, American; Performing Arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lee, Albert Rudolph, J. (2012). The poetic voice of Langston Hughes in American art song. (Thesis). The Florida State University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3519343

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, Albert Rudolph, Jr. “The poetic voice of Langston Hughes in American art song.” 2012. Thesis, The Florida State University. Accessed July 20, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=3519343.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, Albert Rudolph, Jr. “The poetic voice of Langston Hughes in American art song.” 2012. Web. 20 Jul 2018.

Vancouver:

Lee, Albert Rudolph J. The poetic voice of Langston Hughes in American art song. [Internet] [Thesis]. The Florida State University; 2012. [cited 2018 Jul 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3519343.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee, Albert Rudolph J. The poetic voice of Langston Hughes in American art song. [Thesis]. The Florida State University; 2012. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3519343

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Campinho, Miguel Audaciano. Oscar da Silva (1870 – 1958) Life and Solo Piano Works.

Degree: 2015, University of Hartford

  This essay presents the life and works for solo piano of Portuguese composer and pianist Óscar da Silva (1870–1958). It is the first publication… (more)

Subjects/Keywords: Music; Latin American studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Campinho, M. A. (2015). Oscar da Silva (1870 – 1958) Life and Solo Piano Works. (Thesis). University of Hartford. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3701473

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Campinho, Miguel Audaciano. “Oscar da Silva (1870 – 1958) Life and Solo Piano Works.” 2015. Thesis, University of Hartford. Accessed July 20, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=3701473.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Campinho, Miguel Audaciano. “Oscar da Silva (1870 – 1958) Life and Solo Piano Works.” 2015. Web. 20 Jul 2018.

Vancouver:

Campinho MA. Oscar da Silva (1870 – 1958) Life and Solo Piano Works. [Internet] [Thesis]. University of Hartford; 2015. [cited 2018 Jul 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3701473.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Campinho MA. Oscar da Silva (1870 – 1958) Life and Solo Piano Works. [Thesis]. University of Hartford; 2015. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3701473

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Feather, Andrew. The Emergence of Hip Hop in West Virginia| One Man's Reflection on Personal Music Taste vs. Regional Identity.

Degree: 2016, Dartmouth College

  In my thesis I set out to investigate and understand my personal relationship with hip-hop music and the part it played in my development.… (more)

Subjects/Keywords: American studies; Cultural anthropology; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Feather, A. (2016). The Emergence of Hip Hop in West Virginia| One Man's Reflection on Personal Music Taste vs. Regional Identity. (Thesis). Dartmouth College. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10145502

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Feather, Andrew. “The Emergence of Hip Hop in West Virginia| One Man's Reflection on Personal Music Taste vs. Regional Identity.” 2016. Thesis, Dartmouth College. Accessed July 20, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10145502.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Feather, Andrew. “The Emergence of Hip Hop in West Virginia| One Man's Reflection on Personal Music Taste vs. Regional Identity.” 2016. Web. 20 Jul 2018.

Vancouver:

Feather A. The Emergence of Hip Hop in West Virginia| One Man's Reflection on Personal Music Taste vs. Regional Identity. [Internet] [Thesis]. Dartmouth College; 2016. [cited 2018 Jul 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10145502.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Feather A. The Emergence of Hip Hop in West Virginia| One Man's Reflection on Personal Music Taste vs. Regional Identity. [Thesis]. Dartmouth College; 2016. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10145502

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Longoria, Edna A. Carlos Chavez, Gabriela Ortiz, and Edna A. Longoria| Evolving methods of incorporating indigenous and popular Mexican music.

Degree: 2015, California State University, Long Beach

  This paper examines the evolving methods of incorporating indigenous and popular Mexican music since the Nationalistic period in México. This project report also shows… (more)

Subjects/Keywords: Music; Latin American Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Longoria, E. A. (2015). Carlos Chavez, Gabriela Ortiz, and Edna A. Longoria| Evolving methods of incorporating indigenous and popular Mexican music. (Thesis). California State University, Long Beach. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1571461

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Longoria, Edna A. “Carlos Chavez, Gabriela Ortiz, and Edna A. Longoria| Evolving methods of incorporating indigenous and popular Mexican music.” 2015. Thesis, California State University, Long Beach. Accessed July 20, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=1571461.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Longoria, Edna A. “Carlos Chavez, Gabriela Ortiz, and Edna A. Longoria| Evolving methods of incorporating indigenous and popular Mexican music.” 2015. Web. 20 Jul 2018.

Vancouver:

Longoria EA. Carlos Chavez, Gabriela Ortiz, and Edna A. Longoria| Evolving methods of incorporating indigenous and popular Mexican music. [Internet] [Thesis]. California State University, Long Beach; 2015. [cited 2018 Jul 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1571461.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Longoria EA. Carlos Chavez, Gabriela Ortiz, and Edna A. Longoria| Evolving methods of incorporating indigenous and popular Mexican music. [Thesis]. California State University, Long Beach; 2015. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1571461

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Rochester

24. Morry, Emily C. “I too sing America” : the sense of place in African American music, 1920-1992.

Degree: PhD, 2013, University of Rochester

 The sense of place has been a recurring theme in African American popular music. From the country blues of the 1920s to contemporary urban rap,… (more)

Subjects/Keywords: African American; Music; Place

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Morry, E. C. (2013). “I too sing America” : the sense of place in African American music, 1920-1992. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/26651

Chicago Manual of Style (16th Edition):

Morry, Emily C. ““I too sing America” : the sense of place in African American music, 1920-1992.” 2013. Doctoral Dissertation, University of Rochester. Accessed July 20, 2018. http://hdl.handle.net/1802/26651.

MLA Handbook (7th Edition):

Morry, Emily C. ““I too sing America” : the sense of place in African American music, 1920-1992.” 2013. Web. 20 Jul 2018.

Vancouver:

Morry EC. “I too sing America” : the sense of place in African American music, 1920-1992. [Internet] [Doctoral dissertation]. University of Rochester; 2013. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/1802/26651.

Council of Science Editors:

Morry EC. “I too sing America” : the sense of place in African American music, 1920-1992. [Doctoral Dissertation]. University of Rochester; 2013. Available from: http://hdl.handle.net/1802/26651


University of Virginia

25. Hsu, Wendy Fang-Yu. Redefining Asian America: Politics, Aesthetics, and Social Networks of Independent Rock Musicians.

Degree: PhD, Music, 2014, University of Virginia

American rock musicians ofAsian descent are finding powerful ways to express their cultural identities, despite their practical invisibility in mainstream media. This ethnographic dissertation explores… (more)

Subjects/Keywords: music; cultural identity; Asian American

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hsu, W. F. (2014). Redefining Asian America: Politics, Aesthetics, and Social Networks of Independent Rock Musicians. (Doctoral Dissertation). University of Virginia. Retrieved from http://libra.virginia.edu/catalog/libra-oa:4790

Chicago Manual of Style (16th Edition):

Hsu, Wendy Fang-Yu. “Redefining Asian America: Politics, Aesthetics, and Social Networks of Independent Rock Musicians.” 2014. Doctoral Dissertation, University of Virginia. Accessed July 20, 2018. http://libra.virginia.edu/catalog/libra-oa:4790.

MLA Handbook (7th Edition):

Hsu, Wendy Fang-Yu. “Redefining Asian America: Politics, Aesthetics, and Social Networks of Independent Rock Musicians.” 2014. Web. 20 Jul 2018.

Vancouver:

Hsu WF. Redefining Asian America: Politics, Aesthetics, and Social Networks of Independent Rock Musicians. [Internet] [Doctoral dissertation]. University of Virginia; 2014. [cited 2018 Jul 20]. Available from: http://libra.virginia.edu/catalog/libra-oa:4790.

Council of Science Editors:

Hsu WF. Redefining Asian America: Politics, Aesthetics, and Social Networks of Independent Rock Musicians. [Doctoral Dissertation]. University of Virginia; 2014. Available from: http://libra.virginia.edu/catalog/libra-oa:4790


The George Washington University

26. Summers, Epiphany. Black Women as Listeners of Hip-Hop Music.

Degree: 2016, The George Washington University

  This thesis investigates what Black undergraduate women understand and take away from Hip-Hop music. Highlighting their matrix of domination and recognizing their intersecting identities,… (more)

Subjects/Keywords: African American studies; Music; Sociology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Summers, E. (2016). Black Women as Listeners of Hip-Hop Music. (Thesis). The George Washington University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10149611

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Summers, Epiphany. “Black Women as Listeners of Hip-Hop Music.” 2016. Thesis, The George Washington University. Accessed July 20, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10149611.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Summers, Epiphany. “Black Women as Listeners of Hip-Hop Music.” 2016. Web. 20 Jul 2018.

Vancouver:

Summers E. Black Women as Listeners of Hip-Hop Music. [Internet] [Thesis]. The George Washington University; 2016. [cited 2018 Jul 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10149611.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Summers E. Black Women as Listeners of Hip-Hop Music. [Thesis]. The George Washington University; 2016. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10149611

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Carpenter, Heath J. T bone burnett, the American South, and the ethic of a contemporary cultural renaissance.

Degree: 2016, Arkansas State University

  With the success of the <i>O Brother, Where Art Thou?</i> soundtrack, T Bone Burnett spent his cultural capital on repurposing traditional American music in… (more)

Subjects/Keywords: Comparative literature; American studies; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carpenter, H. J. (2016). T bone burnett, the American South, and the ethic of a contemporary cultural renaissance. (Thesis). Arkansas State University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10138520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carpenter, Heath J. “T bone burnett, the American South, and the ethic of a contemporary cultural renaissance.” 2016. Thesis, Arkansas State University. Accessed July 20, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10138520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carpenter, Heath J. “T bone burnett, the American South, and the ethic of a contemporary cultural renaissance.” 2016. Web. 20 Jul 2018.

Vancouver:

Carpenter HJ. T bone burnett, the American South, and the ethic of a contemporary cultural renaissance. [Internet] [Thesis]. Arkansas State University; 2016. [cited 2018 Jul 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10138520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carpenter HJ. T bone burnett, the American South, and the ethic of a contemporary cultural renaissance. [Thesis]. Arkansas State University; 2016. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10138520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Brunson, Kerry. Mass classical| America, accessibility, and the Atlanta school of composers.

Degree: 2016, California State University, Long Beach

  When Robert Spano joined the Atlanta Symphony Orchestra as music director in 2001, he brought with him a mission to change the soundscape of… (more)

Subjects/Keywords: American studies; Music; Arts management

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brunson, K. (2016). Mass classical| America, accessibility, and the Atlanta school of composers. (Thesis). California State University, Long Beach. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10137432

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brunson, Kerry. “Mass classical| America, accessibility, and the Atlanta school of composers.” 2016. Thesis, California State University, Long Beach. Accessed July 20, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10137432.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brunson, Kerry. “Mass classical| America, accessibility, and the Atlanta school of composers.” 2016. Web. 20 Jul 2018.

Vancouver:

Brunson K. Mass classical| America, accessibility, and the Atlanta school of composers. [Internet] [Thesis]. California State University, Long Beach; 2016. [cited 2018 Jul 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10137432.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brunson K. Mass classical| America, accessibility, and the Atlanta school of composers. [Thesis]. California State University, Long Beach; 2016. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10137432

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Riverside

29. Proulx, Angela Yuki. Decolonizing the Stage: An Analysis of Edward Sakamoto’s Pilgrimage and Jay Kuo, Lorenzo Thione, and Marc Acito’s Allegiance.

Degree: Music, 2017, University of California – Riverside

 My thesis examines the use of music and theater as methods of corporeal decolonization through an analysis of two theatrical productions that address Japanese American(more)

Subjects/Keywords: Theater; Music; Asian American studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Proulx, A. Y. (2017). Decolonizing the Stage: An Analysis of Edward Sakamoto’s Pilgrimage and Jay Kuo, Lorenzo Thione, and Marc Acito’s Allegiance. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/0m25v8r9

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Proulx, Angela Yuki. “Decolonizing the Stage: An Analysis of Edward Sakamoto’s Pilgrimage and Jay Kuo, Lorenzo Thione, and Marc Acito’s Allegiance.” 2017. Thesis, University of California – Riverside. Accessed July 20, 2018. http://www.escholarship.org/uc/item/0m25v8r9.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Proulx, Angela Yuki. “Decolonizing the Stage: An Analysis of Edward Sakamoto’s Pilgrimage and Jay Kuo, Lorenzo Thione, and Marc Acito’s Allegiance.” 2017. Web. 20 Jul 2018.

Vancouver:

Proulx AY. Decolonizing the Stage: An Analysis of Edward Sakamoto’s Pilgrimage and Jay Kuo, Lorenzo Thione, and Marc Acito’s Allegiance. [Internet] [Thesis]. University of California – Riverside; 2017. [cited 2018 Jul 20]. Available from: http://www.escholarship.org/uc/item/0m25v8r9.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Proulx AY. Decolonizing the Stage: An Analysis of Edward Sakamoto’s Pilgrimage and Jay Kuo, Lorenzo Thione, and Marc Acito’s Allegiance. [Thesis]. University of California – Riverside; 2017. Available from: http://www.escholarship.org/uc/item/0m25v8r9

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

30. Bechtold, Rebeccah. Composing the body: narrative in the age of improvisation, 1770-1867.

Degree: PhD, 0311, 2012, University of Illinois – Urbana-Champaign

 This dissertation analyzes how antebellum authors appropriated music—as bodily sentiment, scientific theory, and performative practice—to negotiate the social tensions that afflicted nineteenth century American culture.… (more)

Subjects/Keywords: American literature; Sentimentality; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bechtold, R. (2012). Composing the body: narrative in the age of improvisation, 1770-1867. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/34575

Chicago Manual of Style (16th Edition):

Bechtold, Rebeccah. “Composing the body: narrative in the age of improvisation, 1770-1867.” 2012. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed July 20, 2018. http://hdl.handle.net/2142/34575.

MLA Handbook (7th Edition):

Bechtold, Rebeccah. “Composing the body: narrative in the age of improvisation, 1770-1867.” 2012. Web. 20 Jul 2018.

Vancouver:

Bechtold R. Composing the body: narrative in the age of improvisation, 1770-1867. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2012. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/2142/34575.

Council of Science Editors:

Bechtold R. Composing the body: narrative in the age of improvisation, 1770-1867. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2012. Available from: http://hdl.handle.net/2142/34575

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