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You searched for subject:(American Popular Culture). Showing records 1 – 30 of 375 total matches.

[1] [2] [3] [4] [5] … [13]

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1. Chellino, Joe. “The Day Everything Became Nothing”: Finding Meaning in the Postapocalyptic.

Degree: MA, English, 2011, Governors State University

  Explored in this work are three texts: Cormac McCarthy’s novel, The Road; Douglas Coupland’s novel, Girlfriend in a Coma; and Robert Kirkman’s ongoing serialized… (more)

Subjects/Keywords: American Popular Culture; Modern Literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chellino, J. (2011). “The Day Everything Became Nothing”: Finding Meaning in the Postapocalyptic. (Thesis). Governors State University. Retrieved from https://opus.govst.edu/theses/13

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chellino, Joe. ““The Day Everything Became Nothing”: Finding Meaning in the Postapocalyptic.” 2011. Thesis, Governors State University. Accessed October 19, 2020. https://opus.govst.edu/theses/13.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chellino, Joe. ““The Day Everything Became Nothing”: Finding Meaning in the Postapocalyptic.” 2011. Web. 19 Oct 2020.

Vancouver:

Chellino J. “The Day Everything Became Nothing”: Finding Meaning in the Postapocalyptic. [Internet] [Thesis]. Governors State University; 2011. [cited 2020 Oct 19]. Available from: https://opus.govst.edu/theses/13.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chellino J. “The Day Everything Became Nothing”: Finding Meaning in the Postapocalyptic. [Thesis]. Governors State University; 2011. Available from: https://opus.govst.edu/theses/13

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Brenden, Mark. Death of the Cowboys: George W. Bush, 21st Century Westerns, and the Failure of Masculine Performance.

Degree: MA, English, 2015, South Dakota State University

  Throughout his presidency, George W. Bush—via his apparently straightforward rhetoric, Western attire, and myriad staged media events—sold the public a “cowboy” image. He was… (more)

Subjects/Keywords: American Film Studies; American Popular Culture

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APA (6th Edition):

Brenden, M. (2015). Death of the Cowboys: George W. Bush, 21st Century Westerns, and the Failure of Masculine Performance. (Masters Thesis). South Dakota State University. Retrieved from https://openprairie.sdstate.edu/etd/1765

Chicago Manual of Style (16th Edition):

Brenden, Mark. “Death of the Cowboys: George W. Bush, 21st Century Westerns, and the Failure of Masculine Performance.” 2015. Masters Thesis, South Dakota State University. Accessed October 19, 2020. https://openprairie.sdstate.edu/etd/1765.

MLA Handbook (7th Edition):

Brenden, Mark. “Death of the Cowboys: George W. Bush, 21st Century Westerns, and the Failure of Masculine Performance.” 2015. Web. 19 Oct 2020.

Vancouver:

Brenden M. Death of the Cowboys: George W. Bush, 21st Century Westerns, and the Failure of Masculine Performance. [Internet] [Masters thesis]. South Dakota State University; 2015. [cited 2020 Oct 19]. Available from: https://openprairie.sdstate.edu/etd/1765.

Council of Science Editors:

Brenden M. Death of the Cowboys: George W. Bush, 21st Century Westerns, and the Failure of Masculine Performance. [Masters Thesis]. South Dakota State University; 2015. Available from: https://openprairie.sdstate.edu/etd/1765

3. Bausch, Katharine Lizabeth. He Thinks He's Down: White Appropriations of Black Masculinities in the Civil Rights Era, 1945-1979.

Degree: PhD, History, 2015, York University

 “He Thinks He’s Down” examines the ways in which a significant and influential collection of white artists and activists in the 1940s, 1950s, 1960s, and… (more)

Subjects/Keywords: History; Masculinity; Popular culture; African American history

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APA (6th Edition):

Bausch, K. L. (2015). He Thinks He's Down: White Appropriations of Black Masculinities in the Civil Rights Era, 1945-1979. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/29936

Chicago Manual of Style (16th Edition):

Bausch, Katharine Lizabeth. “He Thinks He's Down: White Appropriations of Black Masculinities in the Civil Rights Era, 1945-1979.” 2015. Doctoral Dissertation, York University. Accessed October 19, 2020. http://hdl.handle.net/10315/29936.

MLA Handbook (7th Edition):

Bausch, Katharine Lizabeth. “He Thinks He's Down: White Appropriations of Black Masculinities in the Civil Rights Era, 1945-1979.” 2015. Web. 19 Oct 2020.

Vancouver:

Bausch KL. He Thinks He's Down: White Appropriations of Black Masculinities in the Civil Rights Era, 1945-1979. [Internet] [Doctoral dissertation]. York University; 2015. [cited 2020 Oct 19]. Available from: http://hdl.handle.net/10315/29936.

Council of Science Editors:

Bausch KL. He Thinks He's Down: White Appropriations of Black Masculinities in the Civil Rights Era, 1945-1979. [Doctoral Dissertation]. York University; 2015. Available from: http://hdl.handle.net/10315/29936


University of New Mexico

4. Parker, Erik. Neal Ambrose-Smith: The Artistic Modernity of Indianness.

Degree: UNM Department of Art and Art History, 2015, University of New Mexico

 Neal Ambrose-Smith is an artist of Cree, Metis, and Salish heritage who is at the forefront of contemporary Native American art. A thorough examination of… (more)

Subjects/Keywords: Native American art; Contemporary art; popular culture

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APA (6th Edition):

Parker, E. (2015). Neal Ambrose-Smith: The Artistic Modernity of Indianness. (Masters Thesis). University of New Mexico. Retrieved from http://hdl.handle.net/1928/31687

Chicago Manual of Style (16th Edition):

Parker, Erik. “Neal Ambrose-Smith: The Artistic Modernity of Indianness.” 2015. Masters Thesis, University of New Mexico. Accessed October 19, 2020. http://hdl.handle.net/1928/31687.

MLA Handbook (7th Edition):

Parker, Erik. “Neal Ambrose-Smith: The Artistic Modernity of Indianness.” 2015. Web. 19 Oct 2020.

Vancouver:

Parker E. Neal Ambrose-Smith: The Artistic Modernity of Indianness. [Internet] [Masters thesis]. University of New Mexico; 2015. [cited 2020 Oct 19]. Available from: http://hdl.handle.net/1928/31687.

Council of Science Editors:

Parker E. Neal Ambrose-Smith: The Artistic Modernity of Indianness. [Masters Thesis]. University of New Mexico; 2015. Available from: http://hdl.handle.net/1928/31687


Kennesaw State University

5. Schmitt, Kaci. Exploring Dress and Behavior of the Emo Subculture.

Degree: MAST, American Studies, 2011, Kennesaw State University

The thesis analyzes the dress, behavior, and subcultural characteristics of "emo kids." Interviews, observations, and secondary text analyses are used to determine findings. Advisors/Committee Members: Dr. Rebecca Hill, Dr. Reta Ugena Whitlock.

Subjects/Keywords: youth culture; emo; self-expression; identity; sub-culture; American Popular Culture

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APA (6th Edition):

Schmitt, K. (2011). Exploring Dress and Behavior of the Emo Subculture. (Thesis). Kennesaw State University. Retrieved from https://digitalcommons.kennesaw.edu/etd/465

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schmitt, Kaci. “Exploring Dress and Behavior of the Emo Subculture.” 2011. Thesis, Kennesaw State University. Accessed October 19, 2020. https://digitalcommons.kennesaw.edu/etd/465.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schmitt, Kaci. “Exploring Dress and Behavior of the Emo Subculture.” 2011. Web. 19 Oct 2020.

Vancouver:

Schmitt K. Exploring Dress and Behavior of the Emo Subculture. [Internet] [Thesis]. Kennesaw State University; 2011. [cited 2020 Oct 19]. Available from: https://digitalcommons.kennesaw.edu/etd/465.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schmitt K. Exploring Dress and Behavior of the Emo Subculture. [Thesis]. Kennesaw State University; 2011. Available from: https://digitalcommons.kennesaw.edu/etd/465

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

6. Roibal, Franca. Un saludo cordial: teatro musical popular intelectual y la voz política de la murga Uruguaya.

Degree: PhD, Hispanic Language & Literatures, 2018, Boston University

 This dissertation is a literary analysis of the popular culture phenomenon of a component of Uruguayan Carnival – the murga. Murga is a musical theater… (more)

Subjects/Keywords: Latin American studies; Carnaval; Carnival; Cultura popular; Murga; Popular culture; Uruguay

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Roibal, F. (2018). Un saludo cordial: teatro musical popular intelectual y la voz política de la murga Uruguaya. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/34401

Chicago Manual of Style (16th Edition):

Roibal, Franca. “Un saludo cordial: teatro musical popular intelectual y la voz política de la murga Uruguaya.” 2018. Doctoral Dissertation, Boston University. Accessed October 19, 2020. http://hdl.handle.net/2144/34401.

MLA Handbook (7th Edition):

Roibal, Franca. “Un saludo cordial: teatro musical popular intelectual y la voz política de la murga Uruguaya.” 2018. Web. 19 Oct 2020.

Vancouver:

Roibal F. Un saludo cordial: teatro musical popular intelectual y la voz política de la murga Uruguaya. [Internet] [Doctoral dissertation]. Boston University; 2018. [cited 2020 Oct 19]. Available from: http://hdl.handle.net/2144/34401.

Council of Science Editors:

Roibal F. Un saludo cordial: teatro musical popular intelectual y la voz política de la murga Uruguaya. [Doctoral Dissertation]. Boston University; 2018. Available from: http://hdl.handle.net/2144/34401


Georgia State University

7. Collerton, Amy. The Aluminum Age: Postmodern Themes in American Comics Circa 2001-2018.

Degree: MA, History, 2020, Georgia State University

  This thesis seeks to update the fan-made system of organization for comic book history. Because academia ignored comics for much of their history, fans… (more)

Subjects/Keywords: Comic books; American culture; American history; Popular culture; Cultural studies; Material culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Collerton, A. (2020). The Aluminum Age: Postmodern Themes in American Comics Circa 2001-2018. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/history_theses/126

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Collerton, Amy. “The Aluminum Age: Postmodern Themes in American Comics Circa 2001-2018.” 2020. Thesis, Georgia State University. Accessed October 19, 2020. https://scholarworks.gsu.edu/history_theses/126.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Collerton, Amy. “The Aluminum Age: Postmodern Themes in American Comics Circa 2001-2018.” 2020. Web. 19 Oct 2020.

Vancouver:

Collerton A. The Aluminum Age: Postmodern Themes in American Comics Circa 2001-2018. [Internet] [Thesis]. Georgia State University; 2020. [cited 2020 Oct 19]. Available from: https://scholarworks.gsu.edu/history_theses/126.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Collerton A. The Aluminum Age: Postmodern Themes in American Comics Circa 2001-2018. [Thesis]. Georgia State University; 2020. Available from: https://scholarworks.gsu.edu/history_theses/126

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Western Kentucky University

8. Basham, Cortney S. Hal Lindsey's <i>The Late, Great Planet Earth</i> and the Rise of Popular Premillennialism in the 1970s.

Degree: MA, Department of History, 2012, Western Kentucky University

  How people think about the end of the world greatly affects how they live in the present. This thesis examines how popular American thought… (more)

Subjects/Keywords: American history; prophecy; eschatology; popular culture; Christianity; American Popular Culture; American Studies; Christianity; Cultural History; United States History

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APA (6th Edition):

Basham, C. S. (2012). Hal Lindsey's <i>The Late, Great Planet Earth</i> and the Rise of Popular Premillennialism in the 1970s. (Masters Thesis). Western Kentucky University. Retrieved from https://digitalcommons.wku.edu/theses/1205

Chicago Manual of Style (16th Edition):

Basham, Cortney S. “Hal Lindsey's <i>The Late, Great Planet Earth</i> and the Rise of Popular Premillennialism in the 1970s.” 2012. Masters Thesis, Western Kentucky University. Accessed October 19, 2020. https://digitalcommons.wku.edu/theses/1205.

MLA Handbook (7th Edition):

Basham, Cortney S. “Hal Lindsey's <i>The Late, Great Planet Earth</i> and the Rise of Popular Premillennialism in the 1970s.” 2012. Web. 19 Oct 2020.

Vancouver:

Basham CS. Hal Lindsey's <i>The Late, Great Planet Earth</i> and the Rise of Popular Premillennialism in the 1970s. [Internet] [Masters thesis]. Western Kentucky University; 2012. [cited 2020 Oct 19]. Available from: https://digitalcommons.wku.edu/theses/1205.

Council of Science Editors:

Basham CS. Hal Lindsey's <i>The Late, Great Planet Earth</i> and the Rise of Popular Premillennialism in the 1970s. [Masters Thesis]. Western Kentucky University; 2012. Available from: https://digitalcommons.wku.edu/theses/1205

9. Flynn, Thomas P. Moments of Grace: Bridging Noir Fiction with Rural-regional LIterature.

Degree: MS, English, 2012, South Dakota State University

  In this project, I utilize fiction craft and theory to illustrate the link between ruralregional fiction in the tradition of Flannery O'Connor and the… (more)

Subjects/Keywords: American Literature; American Popular Culture; Literature in English, North America

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APA (6th Edition):

Flynn, T. P. (2012). Moments of Grace: Bridging Noir Fiction with Rural-regional LIterature. (Masters Thesis). South Dakota State University. Retrieved from https://openprairie.sdstate.edu/etd/1333

Chicago Manual of Style (16th Edition):

Flynn, Thomas P. “Moments of Grace: Bridging Noir Fiction with Rural-regional LIterature.” 2012. Masters Thesis, South Dakota State University. Accessed October 19, 2020. https://openprairie.sdstate.edu/etd/1333.

MLA Handbook (7th Edition):

Flynn, Thomas P. “Moments of Grace: Bridging Noir Fiction with Rural-regional LIterature.” 2012. Web. 19 Oct 2020.

Vancouver:

Flynn TP. Moments of Grace: Bridging Noir Fiction with Rural-regional LIterature. [Internet] [Masters thesis]. South Dakota State University; 2012. [cited 2020 Oct 19]. Available from: https://openprairie.sdstate.edu/etd/1333.

Council of Science Editors:

Flynn TP. Moments of Grace: Bridging Noir Fiction with Rural-regional LIterature. [Masters Thesis]. South Dakota State University; 2012. Available from: https://openprairie.sdstate.edu/etd/1333


Georgia Southern University

10. Bauer, Samantha. Whitewashing Who We Worship: Amelioration and Cultural Imperatives in Neil Gaiman’s American Gods.

Degree: MA, Department of Literature, 2020, Georgia Southern University

  Neil Gaiman’s novel American Gods creates a penetrating and sharp commentary on the state of essentially, every aspect of contemporary American society by populating… (more)

Subjects/Keywords: American Gods; Neil Gaiman; American Literature; American Popular Culture; American Studies; Arts and Humanities

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APA (6th Edition):

Bauer, S. (2020). Whitewashing Who We Worship: Amelioration and Cultural Imperatives in Neil Gaiman’s American Gods. (Masters Thesis). Georgia Southern University. Retrieved from https://digitalcommons.georgiasouthern.edu/etd/2121

Chicago Manual of Style (16th Edition):

Bauer, Samantha. “Whitewashing Who We Worship: Amelioration and Cultural Imperatives in Neil Gaiman’s American Gods.” 2020. Masters Thesis, Georgia Southern University. Accessed October 19, 2020. https://digitalcommons.georgiasouthern.edu/etd/2121.

MLA Handbook (7th Edition):

Bauer, Samantha. “Whitewashing Who We Worship: Amelioration and Cultural Imperatives in Neil Gaiman’s American Gods.” 2020. Web. 19 Oct 2020.

Vancouver:

Bauer S. Whitewashing Who We Worship: Amelioration and Cultural Imperatives in Neil Gaiman’s American Gods. [Internet] [Masters thesis]. Georgia Southern University; 2020. [cited 2020 Oct 19]. Available from: https://digitalcommons.georgiasouthern.edu/etd/2121.

Council of Science Editors:

Bauer S. Whitewashing Who We Worship: Amelioration and Cultural Imperatives in Neil Gaiman’s American Gods. [Masters Thesis]. Georgia Southern University; 2020. Available from: https://digitalcommons.georgiasouthern.edu/etd/2121


University of Louisville

11. Wagner, Katherine Ashley. Dead places : American horror, placelessness, and globalization.

Degree: PhD, 2017, University of Louisville

  This dissertation investigates particular American anxieties concerning cultural identity and place, particularly fears about America’s place (or lack thereof) within the global world, that… (more)

Subjects/Keywords: horror genre; American culture; placelessness; globalization; literary and cinematic studies; humanist geography; American Popular Culture

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APA (6th Edition):

Wagner, K. A. (2017). Dead places : American horror, placelessness, and globalization. (Doctoral Dissertation). University of Louisville. Retrieved from 10.18297/etd/2704 ; https://ir.library.louisville.edu/etd/2704

Chicago Manual of Style (16th Edition):

Wagner, Katherine Ashley. “Dead places : American horror, placelessness, and globalization.” 2017. Doctoral Dissertation, University of Louisville. Accessed October 19, 2020. 10.18297/etd/2704 ; https://ir.library.louisville.edu/etd/2704.

MLA Handbook (7th Edition):

Wagner, Katherine Ashley. “Dead places : American horror, placelessness, and globalization.” 2017. Web. 19 Oct 2020.

Vancouver:

Wagner KA. Dead places : American horror, placelessness, and globalization. [Internet] [Doctoral dissertation]. University of Louisville; 2017. [cited 2020 Oct 19]. Available from: 10.18297/etd/2704 ; https://ir.library.louisville.edu/etd/2704.

Council of Science Editors:

Wagner KA. Dead places : American horror, placelessness, and globalization. [Doctoral Dissertation]. University of Louisville; 2017. Available from: 10.18297/etd/2704 ; https://ir.library.louisville.edu/etd/2704


Boise State University

12. Poteet, Kinzi Anne. “It Was All A Dream”: A Close Textual Analysis of Notorious B.I.G.’s “Juicy” as an Alternate American Dream Narrative.

Degree: 2015, Boise State University

 Music provides a platform for personal expression while also containing the ability to persuade and influence. Hip-hop music has a growing reputation of being both… (more)

Subjects/Keywords: hip-hop; culture; American Dream; success; narratives; rhetoric; American Popular Culture; Music Pedagogy; Rhetoric

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APA (6th Edition):

Poteet, K. A. (2015). “It Was All A Dream”: A Close Textual Analysis of Notorious B.I.G.’s “Juicy” as an Alternate American Dream Narrative. (Thesis). Boise State University. Retrieved from https://scholarworks.boisestate.edu/td/940

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Poteet, Kinzi Anne. ““It Was All A Dream”: A Close Textual Analysis of Notorious B.I.G.’s “Juicy” as an Alternate American Dream Narrative.” 2015. Thesis, Boise State University. Accessed October 19, 2020. https://scholarworks.boisestate.edu/td/940.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Poteet, Kinzi Anne. ““It Was All A Dream”: A Close Textual Analysis of Notorious B.I.G.’s “Juicy” as an Alternate American Dream Narrative.” 2015. Web. 19 Oct 2020.

Vancouver:

Poteet KA. “It Was All A Dream”: A Close Textual Analysis of Notorious B.I.G.’s “Juicy” as an Alternate American Dream Narrative. [Internet] [Thesis]. Boise State University; 2015. [cited 2020 Oct 19]. Available from: https://scholarworks.boisestate.edu/td/940.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Poteet KA. “It Was All A Dream”: A Close Textual Analysis of Notorious B.I.G.’s “Juicy” as an Alternate American Dream Narrative. [Thesis]. Boise State University; 2015. Available from: https://scholarworks.boisestate.edu/td/940

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Elkins, Jaron. The Misery of Popularity: Stephen King in the Literature Classroom.

Degree: 2011, IPFW

  Stephen King has often been overlooked as a writer in the field of academics. King has often argued that the gap between popular and… (more)

Subjects/Keywords: Stephen King; literature classroom; popular literature; popularity; American Literature; American Popular Culture; American Studies; Arts and Humanities

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APA (6th Edition):

Elkins, J. (2011). The Misery of Popularity: Stephen King in the Literature Classroom. (Masters Thesis). IPFW. Retrieved from http://opus.ipfw.edu/masters_theses/4

Chicago Manual of Style (16th Edition):

Elkins, Jaron. “The Misery of Popularity: Stephen King in the Literature Classroom.” 2011. Masters Thesis, IPFW. Accessed October 19, 2020. http://opus.ipfw.edu/masters_theses/4.

MLA Handbook (7th Edition):

Elkins, Jaron. “The Misery of Popularity: Stephen King in the Literature Classroom.” 2011. Web. 19 Oct 2020.

Vancouver:

Elkins J. The Misery of Popularity: Stephen King in the Literature Classroom. [Internet] [Masters thesis]. IPFW; 2011. [cited 2020 Oct 19]. Available from: http://opus.ipfw.edu/masters_theses/4.

Council of Science Editors:

Elkins J. The Misery of Popularity: Stephen King in the Literature Classroom. [Masters Thesis]. IPFW; 2011. Available from: http://opus.ipfw.edu/masters_theses/4


University of New Mexico

14. Matjaka, Webster, Mr. FROM SAND CREEK TO SOMALIA: BLACK BODIES IN DENVER’S POST-INDUSTRIAL URBAN CULTURAL RE-IMAGINATION.

Degree: American Studies, 2017, University of New Mexico

  In this research project I situate black experience in the mid-sized post-industrial city of Denver, Colorado within the city’s colonial history in order to… (more)

Subjects/Keywords: colonial present; post-industrial; globalized social space; American Material Culture; American Popular Culture; American Studies; Arts and Humanities; Other American Studies

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APA (6th Edition):

Matjaka, Webster, M. (2017). FROM SAND CREEK TO SOMALIA: BLACK BODIES IN DENVER’S POST-INDUSTRIAL URBAN CULTURAL RE-IMAGINATION. (Doctoral Dissertation). University of New Mexico. Retrieved from https://digitalrepository.unm.edu/amst_etds/53

Chicago Manual of Style (16th Edition):

Matjaka, Webster, Mr. “FROM SAND CREEK TO SOMALIA: BLACK BODIES IN DENVER’S POST-INDUSTRIAL URBAN CULTURAL RE-IMAGINATION.” 2017. Doctoral Dissertation, University of New Mexico. Accessed October 19, 2020. https://digitalrepository.unm.edu/amst_etds/53.

MLA Handbook (7th Edition):

Matjaka, Webster, Mr. “FROM SAND CREEK TO SOMALIA: BLACK BODIES IN DENVER’S POST-INDUSTRIAL URBAN CULTURAL RE-IMAGINATION.” 2017. Web. 19 Oct 2020.

Vancouver:

Matjaka, Webster M. FROM SAND CREEK TO SOMALIA: BLACK BODIES IN DENVER’S POST-INDUSTRIAL URBAN CULTURAL RE-IMAGINATION. [Internet] [Doctoral dissertation]. University of New Mexico; 2017. [cited 2020 Oct 19]. Available from: https://digitalrepository.unm.edu/amst_etds/53.

Council of Science Editors:

Matjaka, Webster M. FROM SAND CREEK TO SOMALIA: BLACK BODIES IN DENVER’S POST-INDUSTRIAL URBAN CULTURAL RE-IMAGINATION. [Doctoral Dissertation]. University of New Mexico; 2017. Available from: https://digitalrepository.unm.edu/amst_etds/53


Temple University

15. Strednak Singer, Scott Donald. The Word was made flesh: The male body in sports evangelism.

Degree: PhD, 2016, Temple University

Religion

This dissertation explores the functions of athletic male bodies within sports evangelism. I argue that the production of the male body within sports evangelism… (more)

Subjects/Keywords: Religion; Gender studies; American studies;

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APA (6th Edition):

Strednak Singer, S. D. (2016). The Word was made flesh: The male body in sports evangelism. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,420132

Chicago Manual of Style (16th Edition):

Strednak Singer, Scott Donald. “The Word was made flesh: The male body in sports evangelism.” 2016. Doctoral Dissertation, Temple University. Accessed October 19, 2020. http://digital.library.temple.edu/u?/p245801coll10,420132.

MLA Handbook (7th Edition):

Strednak Singer, Scott Donald. “The Word was made flesh: The male body in sports evangelism.” 2016. Web. 19 Oct 2020.

Vancouver:

Strednak Singer SD. The Word was made flesh: The male body in sports evangelism. [Internet] [Doctoral dissertation]. Temple University; 2016. [cited 2020 Oct 19]. Available from: http://digital.library.temple.edu/u?/p245801coll10,420132.

Council of Science Editors:

Strednak Singer SD. The Word was made flesh: The male body in sports evangelism. [Doctoral Dissertation]. Temple University; 2016. Available from: http://digital.library.temple.edu/u?/p245801coll10,420132

16. Gold McBride, Sarah Erina. Whiskerology: Hair and the Legible Body in Nineteenth-Century America.

Degree: History, 2017, University of California – Berkeley

 This dissertation argues that in the United States during the nineteenth century, men and women from different regions, class backgrounds, racial groups, and religious traditions… (more)

Subjects/Keywords: American history; bodies; gender; hair; popular culture; race; science

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APA (6th Edition):

Gold McBride, S. E. (2017). Whiskerology: Hair and the Legible Body in Nineteenth-Century America. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/55d2c2vt

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gold McBride, Sarah Erina. “Whiskerology: Hair and the Legible Body in Nineteenth-Century America.” 2017. Thesis, University of California – Berkeley. Accessed October 19, 2020. http://www.escholarship.org/uc/item/55d2c2vt.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gold McBride, Sarah Erina. “Whiskerology: Hair and the Legible Body in Nineteenth-Century America.” 2017. Web. 19 Oct 2020.

Vancouver:

Gold McBride SE. Whiskerology: Hair and the Legible Body in Nineteenth-Century America. [Internet] [Thesis]. University of California – Berkeley; 2017. [cited 2020 Oct 19]. Available from: http://www.escholarship.org/uc/item/55d2c2vt.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gold McBride SE. Whiskerology: Hair and the Legible Body in Nineteenth-Century America. [Thesis]. University of California – Berkeley; 2017. Available from: http://www.escholarship.org/uc/item/55d2c2vt

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Debrecen

17. Csontos, Anita. The Idea of the Female American President .

Degree: DE – Bölcsészettudományi Kar, University of Debrecen

 The aim of my thesis is to investigate the probable similarities and differences of how female politicians are represented in a product of popular culture(more)

Subjects/Keywords: politics; american; election; popular culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Csontos, A. (n.d.). The Idea of the Female American President . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/268155

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Csontos, Anita. “The Idea of the Female American President .” Thesis, University of Debrecen. Accessed October 19, 2020. http://hdl.handle.net/2437/268155.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Csontos, Anita. “The Idea of the Female American President .” Web. 19 Oct 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Csontos A. The Idea of the Female American President . [Internet] [Thesis]. University of Debrecen; [cited 2020 Oct 19]. Available from: http://hdl.handle.net/2437/268155.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Csontos A. The Idea of the Female American President . [Thesis]. University of Debrecen; Available from: http://hdl.handle.net/2437/268155

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

18. Dempsey-Richardson, Caleb Randall. "It's Like We Were Being Watched ... Like There Were Only 3 Walls, And Not a Fourth Wall": Manifestations of Metafiction in Buffy the Vampire Slayer.

Degree: MA, English and Theatre, 2013, Encompass Digital Archive, Eastern Kentucky University

  Despite the extensive collection of works related to both Joss Whedon and Buffy the Vampire Slayer, relatively little critical attention has so far dealt… (more)

Subjects/Keywords: Buffy; Genette; metafiction; paratext; postmodernism; Whedon; American Popular Culture; Television

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dempsey-Richardson, C. R. (2013). "It's Like We Were Being Watched ... Like There Were Only 3 Walls, And Not a Fourth Wall": Manifestations of Metafiction in Buffy the Vampire Slayer. (Masters Thesis). Encompass Digital Archive, Eastern Kentucky University. Retrieved from https://encompass.eku.edu/etd/161

Chicago Manual of Style (16th Edition):

Dempsey-Richardson, Caleb Randall. “"It's Like We Were Being Watched ... Like There Were Only 3 Walls, And Not a Fourth Wall": Manifestations of Metafiction in Buffy the Vampire Slayer.” 2013. Masters Thesis, Encompass Digital Archive, Eastern Kentucky University. Accessed October 19, 2020. https://encompass.eku.edu/etd/161.

MLA Handbook (7th Edition):

Dempsey-Richardson, Caleb Randall. “"It's Like We Were Being Watched ... Like There Were Only 3 Walls, And Not a Fourth Wall": Manifestations of Metafiction in Buffy the Vampire Slayer.” 2013. Web. 19 Oct 2020.

Vancouver:

Dempsey-Richardson CR. "It's Like We Were Being Watched ... Like There Were Only 3 Walls, And Not a Fourth Wall": Manifestations of Metafiction in Buffy the Vampire Slayer. [Internet] [Masters thesis]. Encompass Digital Archive, Eastern Kentucky University; 2013. [cited 2020 Oct 19]. Available from: https://encompass.eku.edu/etd/161.

Council of Science Editors:

Dempsey-Richardson CR. "It's Like We Were Being Watched ... Like There Were Only 3 Walls, And Not a Fourth Wall": Manifestations of Metafiction in Buffy the Vampire Slayer. [Masters Thesis]. Encompass Digital Archive, Eastern Kentucky University; 2013. Available from: https://encompass.eku.edu/etd/161


Columbia University

19. Goldberg, Sarah Bess. Entertaining Culture: Mass Culture and Consumer Society in Argentina, 1898-1946.

Degree: 2016, Columbia University

 “Entertaining Culture: Mass Culture and Consumer Society in Argentina, 1898-1946” is a study of Argentine mass culture in a new consumer society: a new cultural… (more)

Subjects/Keywords: Consumption (Economics); Popular culture; Latin Americans; Latin American literature

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APA (6th Edition):

Goldberg, S. B. (2016). Entertaining Culture: Mass Culture and Consumer Society in Argentina, 1898-1946. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8XP74XQ

Chicago Manual of Style (16th Edition):

Goldberg, Sarah Bess. “Entertaining Culture: Mass Culture and Consumer Society in Argentina, 1898-1946.” 2016. Doctoral Dissertation, Columbia University. Accessed October 19, 2020. https://doi.org/10.7916/D8XP74XQ.

MLA Handbook (7th Edition):

Goldberg, Sarah Bess. “Entertaining Culture: Mass Culture and Consumer Society in Argentina, 1898-1946.” 2016. Web. 19 Oct 2020.

Vancouver:

Goldberg SB. Entertaining Culture: Mass Culture and Consumer Society in Argentina, 1898-1946. [Internet] [Doctoral dissertation]. Columbia University; 2016. [cited 2020 Oct 19]. Available from: https://doi.org/10.7916/D8XP74XQ.

Council of Science Editors:

Goldberg SB. Entertaining Culture: Mass Culture and Consumer Society in Argentina, 1898-1946. [Doctoral Dissertation]. Columbia University; 2016. Available from: https://doi.org/10.7916/D8XP74XQ


University of Southern California

20. Williamson, Terrion L. Marks of the fetish: twenty-first century (mis)performances of the black female body.

Degree: PhD, American Studies and Ethnicity, 2011, University of Southern California

 Marks of the Fetish: Twenty-First Century (Mis)Performances of the Black Female Body considers the discursive formulations and cultural histories of contemporary narratives of black women… (more)

Subjects/Keywords: African American women; black feminism; cultural studies; fetishism; popular culture; stereotypes

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Williamson, T. L. (2011). Marks of the fetish: twenty-first century (mis)performances of the black female body. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/614267/rec/3966

Chicago Manual of Style (16th Edition):

Williamson, Terrion L. “Marks of the fetish: twenty-first century (mis)performances of the black female body.” 2011. Doctoral Dissertation, University of Southern California. Accessed October 19, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/614267/rec/3966.

MLA Handbook (7th Edition):

Williamson, Terrion L. “Marks of the fetish: twenty-first century (mis)performances of the black female body.” 2011. Web. 19 Oct 2020.

Vancouver:

Williamson TL. Marks of the fetish: twenty-first century (mis)performances of the black female body. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2020 Oct 19]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/614267/rec/3966.

Council of Science Editors:

Williamson TL. Marks of the fetish: twenty-first century (mis)performances of the black female body. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/614267/rec/3966


Eastern Illinois University

21. Ojha, Ajay Kumar. Does "Gangsta Rap" Music Cross Good Judgment Lines and Decency Values?.

Degree: MA, 2000, Eastern Illinois University

  There has been much controversy associated with "gangsta rap" music over the 1990's decade. This manuscript takes a closer look at "gangsta rap" music… (more)

Subjects/Keywords: American Popular Culture; Other Music

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APA (6th Edition):

Ojha, A. K. (2000). Does "Gangsta Rap" Music Cross Good Judgment Lines and Decency Values?. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/1466

Chicago Manual of Style (16th Edition):

Ojha, Ajay Kumar. “Does "Gangsta Rap" Music Cross Good Judgment Lines and Decency Values?.” 2000. Masters Thesis, Eastern Illinois University. Accessed October 19, 2020. https://thekeep.eiu.edu/theses/1466.

MLA Handbook (7th Edition):

Ojha, Ajay Kumar. “Does "Gangsta Rap" Music Cross Good Judgment Lines and Decency Values?.” 2000. Web. 19 Oct 2020.

Vancouver:

Ojha AK. Does "Gangsta Rap" Music Cross Good Judgment Lines and Decency Values?. [Internet] [Masters thesis]. Eastern Illinois University; 2000. [cited 2020 Oct 19]. Available from: https://thekeep.eiu.edu/theses/1466.

Council of Science Editors:

Ojha AK. Does "Gangsta Rap" Music Cross Good Judgment Lines and Decency Values?. [Masters Thesis]. Eastern Illinois University; 2000. Available from: https://thekeep.eiu.edu/theses/1466


Lehigh University

22. Leon, Alexis J. The Good, The Geek, and the Ugly: A Critical Examination of the Portrayal of Geek Women in Popular Media.

Degree: MA, American Studies, 2014, Lehigh University

 This thesis performs a critical examination of the misrepresentation of geek women in popular media. Part one describes the evolution of the geek through television… (more)

Subjects/Keywords: culture; geek; popular; television; American Studies; Arts and Humanities

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APA (6th Edition):

Leon, A. J. (2014). The Good, The Geek, and the Ugly: A Critical Examination of the Portrayal of Geek Women in Popular Media. (Thesis). Lehigh University. Retrieved from https://preserve.lehigh.edu/etd/1538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leon, Alexis J. “The Good, The Geek, and the Ugly: A Critical Examination of the Portrayal of Geek Women in Popular Media.” 2014. Thesis, Lehigh University. Accessed October 19, 2020. https://preserve.lehigh.edu/etd/1538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leon, Alexis J. “The Good, The Geek, and the Ugly: A Critical Examination of the Portrayal of Geek Women in Popular Media.” 2014. Web. 19 Oct 2020.

Vancouver:

Leon AJ. The Good, The Geek, and the Ugly: A Critical Examination of the Portrayal of Geek Women in Popular Media. [Internet] [Thesis]. Lehigh University; 2014. [cited 2020 Oct 19]. Available from: https://preserve.lehigh.edu/etd/1538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leon AJ. The Good, The Geek, and the Ugly: A Critical Examination of the Portrayal of Geek Women in Popular Media. [Thesis]. Lehigh University; 2014. Available from: https://preserve.lehigh.edu/etd/1538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

23. Ng, Laura Ellen. Feminist hard-boiled detective fiction as political protest in the tradition of women proletarian writers of the 1930s.

Degree: PhD, English Language and Literature, 2005, Louisiana State University

 Contemporary feminist hard-boiled detective fiction has been studied as an adaptation of the traditional masculine hard-boiled detective genre. Writers such as Sara Paretsky, Sue Grafton,… (more)

Subjects/Keywords: feminist; American literature; popular culture

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APA (6th Edition):

Ng, L. E. (2005). Feminist hard-boiled detective fiction as political protest in the tradition of women proletarian writers of the 1930s. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-04112005-105420 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3858

Chicago Manual of Style (16th Edition):

Ng, Laura Ellen. “Feminist hard-boiled detective fiction as political protest in the tradition of women proletarian writers of the 1930s.” 2005. Doctoral Dissertation, Louisiana State University. Accessed October 19, 2020. etd-04112005-105420 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3858.

MLA Handbook (7th Edition):

Ng, Laura Ellen. “Feminist hard-boiled detective fiction as political protest in the tradition of women proletarian writers of the 1930s.” 2005. Web. 19 Oct 2020.

Vancouver:

Ng LE. Feminist hard-boiled detective fiction as political protest in the tradition of women proletarian writers of the 1930s. [Internet] [Doctoral dissertation]. Louisiana State University; 2005. [cited 2020 Oct 19]. Available from: etd-04112005-105420 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3858.

Council of Science Editors:

Ng LE. Feminist hard-boiled detective fiction as political protest in the tradition of women proletarian writers of the 1930s. [Doctoral Dissertation]. Louisiana State University; 2005. Available from: etd-04112005-105420 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3858


University of Maryland

24. Muller, Christine. The World Is Old and New Again: Cultural Trauma and September 11, 2001.

Degree: American Studies, 2011, University of Maryland

 This dissertation explores the emergent cultural aftereffects of September 11, 2001. I consider how popular US narratives from the decade following that day's events evidence… (more)

Subjects/Keywords: American Studies; Literature; cultural trauma; popular culture; September 11; 2001

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APA (6th Edition):

Muller, C. (2011). The World Is Old and New Again: Cultural Trauma and September 11, 2001. (Thesis). University of Maryland. Retrieved from http://hdl.handle.net/1903/11797

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Muller, Christine. “The World Is Old and New Again: Cultural Trauma and September 11, 2001.” 2011. Thesis, University of Maryland. Accessed October 19, 2020. http://hdl.handle.net/1903/11797.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Muller, Christine. “The World Is Old and New Again: Cultural Trauma and September 11, 2001.” 2011. Web. 19 Oct 2020.

Vancouver:

Muller C. The World Is Old and New Again: Cultural Trauma and September 11, 2001. [Internet] [Thesis]. University of Maryland; 2011. [cited 2020 Oct 19]. Available from: http://hdl.handle.net/1903/11797.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Muller C. The World Is Old and New Again: Cultural Trauma and September 11, 2001. [Thesis]. University of Maryland; 2011. Available from: http://hdl.handle.net/1903/11797

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Georgia

25. Marcec, Daniel. The modern postmodern condition.

Degree: 2014, University of Georgia

 Modern American Christians that adhere to the Biblical invocation to be "in the world, but not of the world", are faced with a unique dilemma… (more)

Subjects/Keywords: Postmodernism; American Christianity; Popular Culture; Contemporary Christian Music; Religious Identity

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APA (6th Edition):

Marcec, D. (2014). The modern postmodern condition. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/24688

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marcec, Daniel. “The modern postmodern condition.” 2014. Thesis, University of Georgia. Accessed October 19, 2020. http://hdl.handle.net/10724/24688.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marcec, Daniel. “The modern postmodern condition.” 2014. Web. 19 Oct 2020.

Vancouver:

Marcec D. The modern postmodern condition. [Internet] [Thesis]. University of Georgia; 2014. [cited 2020 Oct 19]. Available from: http://hdl.handle.net/10724/24688.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marcec D. The modern postmodern condition. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/24688

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

26. Sanchez, Katherine Elizabeth. Heroes wear dupattas : Muslim representation in American comic books.

Degree: MA, Religious Studies, 2016, University of Texas – Austin

 In this report, I argue that comic books are a cultural site for the construction of Muslim religious identity in the United States. Comic book… (more)

Subjects/Keywords: Islam; Popular culture; American religion; Islam in the United States

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APA (6th Edition):

Sanchez, K. E. (2016). Heroes wear dupattas : Muslim representation in American comic books. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/68063

Chicago Manual of Style (16th Edition):

Sanchez, Katherine Elizabeth. “Heroes wear dupattas : Muslim representation in American comic books.” 2016. Masters Thesis, University of Texas – Austin. Accessed October 19, 2020. http://hdl.handle.net/2152/68063.

MLA Handbook (7th Edition):

Sanchez, Katherine Elizabeth. “Heroes wear dupattas : Muslim representation in American comic books.” 2016. Web. 19 Oct 2020.

Vancouver:

Sanchez KE. Heroes wear dupattas : Muslim representation in American comic books. [Internet] [Masters thesis]. University of Texas – Austin; 2016. [cited 2020 Oct 19]. Available from: http://hdl.handle.net/2152/68063.

Council of Science Editors:

Sanchez KE. Heroes wear dupattas : Muslim representation in American comic books. [Masters Thesis]. University of Texas – Austin; 2016. Available from: http://hdl.handle.net/2152/68063


Bowling Green State University

27. Garner, Alexandra. The Erotics of Fanfiction: Queering Fans, Works, and Communities in Modern Internet Fandom.

Degree: MA, Popular Culture, 2016, Bowling Green State University

 Inspired by Janice Radway’s Reading the Romance, this thesis utilizes a survey and set of interviews conducted with 100 participants to engage with a variety… (more)

Subjects/Keywords: American Studies; Gender Studies; Literature; fanfiction; fandom; sexuality; gender; popular culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garner, A. (2016). The Erotics of Fanfiction: Queering Fans, Works, and Communities in Modern Internet Fandom. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1460129118

Chicago Manual of Style (16th Edition):

Garner, Alexandra. “The Erotics of Fanfiction: Queering Fans, Works, and Communities in Modern Internet Fandom.” 2016. Masters Thesis, Bowling Green State University. Accessed October 19, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1460129118.

MLA Handbook (7th Edition):

Garner, Alexandra. “The Erotics of Fanfiction: Queering Fans, Works, and Communities in Modern Internet Fandom.” 2016. Web. 19 Oct 2020.

Vancouver:

Garner A. The Erotics of Fanfiction: Queering Fans, Works, and Communities in Modern Internet Fandom. [Internet] [Masters thesis]. Bowling Green State University; 2016. [cited 2020 Oct 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1460129118.

Council of Science Editors:

Garner A. The Erotics of Fanfiction: Queering Fans, Works, and Communities in Modern Internet Fandom. [Masters Thesis]. Bowling Green State University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1460129118


Ohio University

28. Harry , Shannon A. Whose Fantasy Is This: Postfeminist America.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2013, Ohio University

 Throughout this dissertation, I argue that postfeminism is a universalized approach to the representation of gender and sexuality that most often assumes whiteness, Judeo-Christian backgrounds,… (more)

Subjects/Keywords: Film Studies; American Studies; Womens Studies; postfeminism; popular culture; feminism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Harry , S. A. (2013). Whose Fantasy Is This: Postfeminist America. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1385983884

Chicago Manual of Style (16th Edition):

Harry , Shannon A. “Whose Fantasy Is This: Postfeminist America.” 2013. Doctoral Dissertation, Ohio University. Accessed October 19, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1385983884.

MLA Handbook (7th Edition):

Harry , Shannon A. “Whose Fantasy Is This: Postfeminist America.” 2013. Web. 19 Oct 2020.

Vancouver:

Harry SA. Whose Fantasy Is This: Postfeminist America. [Internet] [Doctoral dissertation]. Ohio University; 2013. [cited 2020 Oct 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1385983884.

Council of Science Editors:

Harry SA. Whose Fantasy Is This: Postfeminist America. [Doctoral Dissertation]. Ohio University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1385983884


University of Cincinnati

29. de los Reyes, Vanessa. From Conformity to Protest: The Evolution of Latinos in American Popular Culture, 1930s-1980s.

Degree: PhD, Arts and Sciences: History, 2017, University of Cincinnati

 “From Conformity to Protest” examines the visual representations of Latinos in American popular culture—specifically in film, television, and advertising—from the 1930s through the early 1980s.… (more)

Subjects/Keywords: American History; Latinos; Popular Culture; Civil Rights; Film; Television; Advertising

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

de los Reyes, V. (2017). From Conformity to Protest: The Evolution of Latinos in American Popular Culture, 1930s-1980s. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1505205872234436

Chicago Manual of Style (16th Edition):

de los Reyes, Vanessa. “From Conformity to Protest: The Evolution of Latinos in American Popular Culture, 1930s-1980s.” 2017. Doctoral Dissertation, University of Cincinnati. Accessed October 19, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1505205872234436.

MLA Handbook (7th Edition):

de los Reyes, Vanessa. “From Conformity to Protest: The Evolution of Latinos in American Popular Culture, 1930s-1980s.” 2017. Web. 19 Oct 2020.

Vancouver:

de los Reyes V. From Conformity to Protest: The Evolution of Latinos in American Popular Culture, 1930s-1980s. [Internet] [Doctoral dissertation]. University of Cincinnati; 2017. [cited 2020 Oct 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1505205872234436.

Council of Science Editors:

de los Reyes V. From Conformity to Protest: The Evolution of Latinos in American Popular Culture, 1930s-1980s. [Doctoral Dissertation]. University of Cincinnati; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1505205872234436

30. Gallamore, Monica. Introducing the Incomparable Hildegarde: The Sexuality, Style, and Image of a Forgotten Cultural Icon.

Degree: 2012, Marquette University

 This study is an historical biography of the popular American entertainer from the nineteen-forties and fifties named Hildegarde. Known by her first name long before… (more)

Subjects/Keywords: Popular culture; Hildegarde 1906-2005; History  – Dissertations 20th Century American History; Biography; Popular Culture; Women's History; History

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APA (6th Edition):

Gallamore, M. (2012). Introducing the Incomparable Hildegarde: The Sexuality, Style, and Image of a Forgotten Cultural Icon. (Thesis). Marquette University. Retrieved from https://epublications.marquette.edu/dissertations_mu/196

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gallamore, Monica. “Introducing the Incomparable Hildegarde: The Sexuality, Style, and Image of a Forgotten Cultural Icon.” 2012. Thesis, Marquette University. Accessed October 19, 2020. https://epublications.marquette.edu/dissertations_mu/196.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gallamore, Monica. “Introducing the Incomparable Hildegarde: The Sexuality, Style, and Image of a Forgotten Cultural Icon.” 2012. Web. 19 Oct 2020.

Vancouver:

Gallamore M. Introducing the Incomparable Hildegarde: The Sexuality, Style, and Image of a Forgotten Cultural Icon. [Internet] [Thesis]. Marquette University; 2012. [cited 2020 Oct 19]. Available from: https://epublications.marquette.edu/dissertations_mu/196.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gallamore M. Introducing the Incomparable Hildegarde: The Sexuality, Style, and Image of a Forgotten Cultural Icon. [Thesis]. Marquette University; 2012. Available from: https://epublications.marquette.edu/dissertations_mu/196

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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