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You searched for subject:(American Material Culture). Showing records 1 – 30 of 145 total matches.

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Iowa State University

1. Hwang, Chanmi. Design requirements for female boomer activewear: A sequential exploratory mixed methods study.

Degree: 2017, Iowa State University

 The emerging phenomena of active aging brought new challenges for professionals to respond to female boomers’ demands on special needs for fit and styling of… (more)

Subjects/Keywords: American Material Culture; Fashion Design

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APA (6th Edition):

Hwang, C. (2017). Design requirements for female boomer activewear: A sequential exploratory mixed methods study. (Thesis). Iowa State University. Retrieved from https://lib.dr.iastate.edu/etd/16926

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hwang, Chanmi. “Design requirements for female boomer activewear: A sequential exploratory mixed methods study.” 2017. Thesis, Iowa State University. Accessed January 16, 2021. https://lib.dr.iastate.edu/etd/16926.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hwang, Chanmi. “Design requirements for female boomer activewear: A sequential exploratory mixed methods study.” 2017. Web. 16 Jan 2021.

Vancouver:

Hwang C. Design requirements for female boomer activewear: A sequential exploratory mixed methods study. [Internet] [Thesis]. Iowa State University; 2017. [cited 2021 Jan 16]. Available from: https://lib.dr.iastate.edu/etd/16926.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hwang C. Design requirements for female boomer activewear: A sequential exploratory mixed methods study. [Thesis]. Iowa State University; 2017. Available from: https://lib.dr.iastate.edu/etd/16926

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rice University

2. Matthews, Aundrea L. Quilting Faith: African American Quilts as Source Material for Study of African American Religion.

Degree: PhD, Humanities, 2015, Rice University

 Scholars of African American religion have done well to note the poignant role of cultural productions in the making, doing, and theorizing of religion and… (more)

Subjects/Keywords: material culture; African American religion

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APA (6th Edition):

Matthews, A. L. (2015). Quilting Faith: African American Quilts as Source Material for Study of African American Religion. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/88197

Chicago Manual of Style (16th Edition):

Matthews, Aundrea L. “Quilting Faith: African American Quilts as Source Material for Study of African American Religion.” 2015. Doctoral Dissertation, Rice University. Accessed January 16, 2021. http://hdl.handle.net/1911/88197.

MLA Handbook (7th Edition):

Matthews, Aundrea L. “Quilting Faith: African American Quilts as Source Material for Study of African American Religion.” 2015. Web. 16 Jan 2021.

Vancouver:

Matthews AL. Quilting Faith: African American Quilts as Source Material for Study of African American Religion. [Internet] [Doctoral dissertation]. Rice University; 2015. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/1911/88197.

Council of Science Editors:

Matthews AL. Quilting Faith: African American Quilts as Source Material for Study of African American Religion. [Doctoral Dissertation]. Rice University; 2015. Available from: http://hdl.handle.net/1911/88197


Georgia State University

3. Collerton, Amy. The Aluminum Age: Postmodern Themes in American Comics Circa 2001-2018.

Degree: MA, History, 2020, Georgia State University

  This thesis seeks to update the fan-made system of organization for comic book history. Because academia ignored comics for much of their history, fans… (more)

Subjects/Keywords: Comic books; American culture; American history; Popular culture; Cultural studies; Material culture

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APA (6th Edition):

Collerton, A. (2020). The Aluminum Age: Postmodern Themes in American Comics Circa 2001-2018. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/history_theses/126

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Collerton, Amy. “The Aluminum Age: Postmodern Themes in American Comics Circa 2001-2018.” 2020. Thesis, Georgia State University. Accessed January 16, 2021. https://scholarworks.gsu.edu/history_theses/126.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Collerton, Amy. “The Aluminum Age: Postmodern Themes in American Comics Circa 2001-2018.” 2020. Web. 16 Jan 2021.

Vancouver:

Collerton A. The Aluminum Age: Postmodern Themes in American Comics Circa 2001-2018. [Internet] [Thesis]. Georgia State University; 2020. [cited 2021 Jan 16]. Available from: https://scholarworks.gsu.edu/history_theses/126.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Collerton A. The Aluminum Age: Postmodern Themes in American Comics Circa 2001-2018. [Thesis]. Georgia State University; 2020. Available from: https://scholarworks.gsu.edu/history_theses/126

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Rochester

4. Marr, Alexander Brier. Sites of belonging and renewal: architectural themes in Native American art, 1904–1945.

Degree: PhD, 2018, University of Rochester

 In this dissertation, I examine some of the ways Native American artists represented the built environment in the first half of the twentieth century. I… (more)

Subjects/Keywords: Agency; Dwellings; Material culture; Native American art; Twentieth century; Visual culture

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APA (6th Edition):

Marr, A. B. (2018). Sites of belonging and renewal: architectural themes in Native American art, 1904–1945. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/33604

Chicago Manual of Style (16th Edition):

Marr, Alexander Brier. “Sites of belonging and renewal: architectural themes in Native American art, 1904–1945.” 2018. Doctoral Dissertation, University of Rochester. Accessed January 16, 2021. http://hdl.handle.net/1802/33604.

MLA Handbook (7th Edition):

Marr, Alexander Brier. “Sites of belonging and renewal: architectural themes in Native American art, 1904–1945.” 2018. Web. 16 Jan 2021.

Vancouver:

Marr AB. Sites of belonging and renewal: architectural themes in Native American art, 1904–1945. [Internet] [Doctoral dissertation]. University of Rochester; 2018. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/1802/33604.

Council of Science Editors:

Marr AB. Sites of belonging and renewal: architectural themes in Native American art, 1904–1945. [Doctoral Dissertation]. University of Rochester; 2018. Available from: http://hdl.handle.net/1802/33604

5. Bender, Kara Leigh. Standard deviations.

Degree: 2013, NC Docks

 The show Standard Deviations is composed of fifty-six relief prints based off of the combination and reorganization of two hundred and fifty linocuts. Within my… (more)

Subjects/Keywords: Narrative art, American; Material culture in art; Linoleum block-printing, American

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APA (6th Edition):

Bender, K. L. (2013). Standard deviations. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/wcu/f/Bender2013.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bender, Kara Leigh. “Standard deviations.” 2013. Thesis, NC Docks. Accessed January 16, 2021. http://libres.uncg.edu/ir/wcu/f/Bender2013.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bender, Kara Leigh. “Standard deviations.” 2013. Web. 16 Jan 2021.

Vancouver:

Bender KL. Standard deviations. [Internet] [Thesis]. NC Docks; 2013. [cited 2021 Jan 16]. Available from: http://libres.uncg.edu/ir/wcu/f/Bender2013.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bender KL. Standard deviations. [Thesis]. NC Docks; 2013. Available from: http://libres.uncg.edu/ir/wcu/f/Bender2013.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Nevada – Las Vegas

6. Martinez, Juan. Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009.

Degree: PhD, English, 2011, University of Nevada – Las Vegas

  The dissertation examines allusions to the Russian-American novelist Vladimir Nabokov in the work of 147 contemporary cultural producers and – through this filter –… (more)

Subjects/Keywords: American Literature; American Material Culture; American Studies; Literature in English, British Isles

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APA (6th Edition):

Martinez, J. (2011). Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009. (Doctoral Dissertation). University of Nevada – Las Vegas. Retrieved from https://digitalscholarship.unlv.edu/thesesdissertations/1459

Chicago Manual of Style (16th Edition):

Martinez, Juan. “Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009.” 2011. Doctoral Dissertation, University of Nevada – Las Vegas. Accessed January 16, 2021. https://digitalscholarship.unlv.edu/thesesdissertations/1459.

MLA Handbook (7th Edition):

Martinez, Juan. “Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009.” 2011. Web. 16 Jan 2021.

Vancouver:

Martinez J. Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009. [Internet] [Doctoral dissertation]. University of Nevada – Las Vegas; 2011. [cited 2021 Jan 16]. Available from: https://digitalscholarship.unlv.edu/thesesdissertations/1459.

Council of Science Editors:

Martinez J. Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009. [Doctoral Dissertation]. University of Nevada – Las Vegas; 2011. Available from: https://digitalscholarship.unlv.edu/thesesdissertations/1459

7. Boorn, Alida S. Interpreting the transnational material culture of the 19th-Century North American Plains Indians: creators, collectors, and collections.

Degree: PhD, Department of History, 2016, Kansas State University

American Indian material culture collections are protected in tribal archives and transnational museums. This dissertation argues that the Plains Indian people and Euroamerican people cross… (more)

Subjects/Keywords: Native American studies; American history; Museum studies; Material culture; North American Plains Indains; Art history

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APA (6th Edition):

Boorn, A. S. (2016). Interpreting the transnational material culture of the 19th-Century North American Plains Indians: creators, collectors, and collections. (Doctoral Dissertation). Kansas State University. Retrieved from http://hdl.handle.net/2097/34472

Chicago Manual of Style (16th Edition):

Boorn, Alida S. “Interpreting the transnational material culture of the 19th-Century North American Plains Indians: creators, collectors, and collections.” 2016. Doctoral Dissertation, Kansas State University. Accessed January 16, 2021. http://hdl.handle.net/2097/34472.

MLA Handbook (7th Edition):

Boorn, Alida S. “Interpreting the transnational material culture of the 19th-Century North American Plains Indians: creators, collectors, and collections.” 2016. Web. 16 Jan 2021.

Vancouver:

Boorn AS. Interpreting the transnational material culture of the 19th-Century North American Plains Indians: creators, collectors, and collections. [Internet] [Doctoral dissertation]. Kansas State University; 2016. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/2097/34472.

Council of Science Editors:

Boorn AS. Interpreting the transnational material culture of the 19th-Century North American Plains Indians: creators, collectors, and collections. [Doctoral Dissertation]. Kansas State University; 2016. Available from: http://hdl.handle.net/2097/34472


Boston University

8. Harvey, Melanee C. “Upon this Rock”: architectural, material, and visual histories of two Black Protestant churches, 1881-1969.

Degree: PhD, History of Art & Architecture, 2017, Boston University

 This dissertation comparatively analyzes the architectural and visual histories of two black churches as examples of the material contribution of African Americans to the nation’s… (more)

Subjects/Keywords: Art history; African American architecture; African American religious material culture; American sacred architecture; Black church visual culture; African American art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Harvey, M. C. (2017). “Upon this Rock”: architectural, material, and visual histories of two Black Protestant churches, 1881-1969. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/27076

Chicago Manual of Style (16th Edition):

Harvey, Melanee C. ““Upon this Rock”: architectural, material, and visual histories of two Black Protestant churches, 1881-1969.” 2017. Doctoral Dissertation, Boston University. Accessed January 16, 2021. http://hdl.handle.net/2144/27076.

MLA Handbook (7th Edition):

Harvey, Melanee C. ““Upon this Rock”: architectural, material, and visual histories of two Black Protestant churches, 1881-1969.” 2017. Web. 16 Jan 2021.

Vancouver:

Harvey MC. “Upon this Rock”: architectural, material, and visual histories of two Black Protestant churches, 1881-1969. [Internet] [Doctoral dissertation]. Boston University; 2017. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/2144/27076.

Council of Science Editors:

Harvey MC. “Upon this Rock”: architectural, material, and visual histories of two Black Protestant churches, 1881-1969. [Doctoral Dissertation]. Boston University; 2017. Available from: http://hdl.handle.net/2144/27076


University of New Mexico

9. Matjaka, Webster, Mr. FROM SAND CREEK TO SOMALIA: BLACK BODIES IN DENVER’S POST-INDUSTRIAL URBAN CULTURAL RE-IMAGINATION.

Degree: American Studies, 2017, University of New Mexico

  In this research project I situate black experience in the mid-sized post-industrial city of Denver, Colorado within the city’s colonial history in order to… (more)

Subjects/Keywords: colonial present; post-industrial; globalized social space; American Material Culture; American Popular Culture; American Studies; Arts and Humanities; Other American Studies

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APA (6th Edition):

Matjaka, Webster, M. (2017). FROM SAND CREEK TO SOMALIA: BLACK BODIES IN DENVER’S POST-INDUSTRIAL URBAN CULTURAL RE-IMAGINATION. (Doctoral Dissertation). University of New Mexico. Retrieved from https://digitalrepository.unm.edu/amst_etds/53

Chicago Manual of Style (16th Edition):

Matjaka, Webster, Mr. “FROM SAND CREEK TO SOMALIA: BLACK BODIES IN DENVER’S POST-INDUSTRIAL URBAN CULTURAL RE-IMAGINATION.” 2017. Doctoral Dissertation, University of New Mexico. Accessed January 16, 2021. https://digitalrepository.unm.edu/amst_etds/53.

MLA Handbook (7th Edition):

Matjaka, Webster, Mr. “FROM SAND CREEK TO SOMALIA: BLACK BODIES IN DENVER’S POST-INDUSTRIAL URBAN CULTURAL RE-IMAGINATION.” 2017. Web. 16 Jan 2021.

Vancouver:

Matjaka, Webster M. FROM SAND CREEK TO SOMALIA: BLACK BODIES IN DENVER’S POST-INDUSTRIAL URBAN CULTURAL RE-IMAGINATION. [Internet] [Doctoral dissertation]. University of New Mexico; 2017. [cited 2021 Jan 16]. Available from: https://digitalrepository.unm.edu/amst_etds/53.

Council of Science Editors:

Matjaka, Webster M. FROM SAND CREEK TO SOMALIA: BLACK BODIES IN DENVER’S POST-INDUSTRIAL URBAN CULTURAL RE-IMAGINATION. [Doctoral Dissertation]. University of New Mexico; 2017. Available from: https://digitalrepository.unm.edu/amst_etds/53


University of Rochester

10. Leary, Erin. Decorating for discrimination : nativism and eugenics in American decorative arts and design, 1893-1924.

Degree: PhD, 2016, University of Rochester

 At the turn of the twentieth century, women antisuffragists argued not only against the right to vote, but against the very need. Reconfiguring the concept… (more)

Subjects/Keywords: American Wing; Immigration restriction; Impressionism; Material culture; Museum studies; Wild garden.

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APA (6th Edition):

Leary, E. (2016). Decorating for discrimination : nativism and eugenics in American decorative arts and design, 1893-1924. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/30618

Chicago Manual of Style (16th Edition):

Leary, Erin. “Decorating for discrimination : nativism and eugenics in American decorative arts and design, 1893-1924.” 2016. Doctoral Dissertation, University of Rochester. Accessed January 16, 2021. http://hdl.handle.net/1802/30618.

MLA Handbook (7th Edition):

Leary, Erin. “Decorating for discrimination : nativism and eugenics in American decorative arts and design, 1893-1924.” 2016. Web. 16 Jan 2021.

Vancouver:

Leary E. Decorating for discrimination : nativism and eugenics in American decorative arts and design, 1893-1924. [Internet] [Doctoral dissertation]. University of Rochester; 2016. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/1802/30618.

Council of Science Editors:

Leary E. Decorating for discrimination : nativism and eugenics in American decorative arts and design, 1893-1924. [Doctoral Dissertation]. University of Rochester; 2016. Available from: http://hdl.handle.net/1802/30618


University of Edinburgh

11. Lederer, Robert Clarke. Rise of the curator : archiving the self in contemporary American fiction.

Degree: PhD, 2015, University of Edinburgh

 Concurrent with a bloom of interest in the archive within academic discourse, an intense cultural fascination with museums, archives, and memorials to the past has… (more)

Subjects/Keywords: 813.009; contemporary American literature; archive; curation; subjectivity; digital and material culture

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APA (6th Edition):

Lederer, R. C. (2015). Rise of the curator : archiving the self in contemporary American fiction. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/10667

Chicago Manual of Style (16th Edition):

Lederer, Robert Clarke. “Rise of the curator : archiving the self in contemporary American fiction.” 2015. Doctoral Dissertation, University of Edinburgh. Accessed January 16, 2021. http://hdl.handle.net/1842/10667.

MLA Handbook (7th Edition):

Lederer, Robert Clarke. “Rise of the curator : archiving the self in contemporary American fiction.” 2015. Web. 16 Jan 2021.

Vancouver:

Lederer RC. Rise of the curator : archiving the self in contemporary American fiction. [Internet] [Doctoral dissertation]. University of Edinburgh; 2015. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/1842/10667.

Council of Science Editors:

Lederer RC. Rise of the curator : archiving the self in contemporary American fiction. [Doctoral Dissertation]. University of Edinburgh; 2015. Available from: http://hdl.handle.net/1842/10667


Iowa State University

12. Johnson, Courtney Danielle. Swagger like us: Black millennials’ perceptions of 1990s urban brands.

Degree: 2018, Iowa State University

 Hip-hop is a significant cultural and artistic phenomenon that was created in the Black community and has since spread around the world (Aldridge & Stewart,… (more)

Subjects/Keywords: 1990s; Millennials; Urban; Urbanwear; American Material Culture; Fashion Design

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APA (6th Edition):

Johnson, C. D. (2018). Swagger like us: Black millennials’ perceptions of 1990s urban brands. (Thesis). Iowa State University. Retrieved from https://lib.dr.iastate.edu/etd/16600

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johnson, Courtney Danielle. “Swagger like us: Black millennials’ perceptions of 1990s urban brands.” 2018. Thesis, Iowa State University. Accessed January 16, 2021. https://lib.dr.iastate.edu/etd/16600.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johnson, Courtney Danielle. “Swagger like us: Black millennials’ perceptions of 1990s urban brands.” 2018. Web. 16 Jan 2021.

Vancouver:

Johnson CD. Swagger like us: Black millennials’ perceptions of 1990s urban brands. [Internet] [Thesis]. Iowa State University; 2018. [cited 2021 Jan 16]. Available from: https://lib.dr.iastate.edu/etd/16600.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johnson CD. Swagger like us: Black millennials’ perceptions of 1990s urban brands. [Thesis]. Iowa State University; 2018. Available from: https://lib.dr.iastate.edu/etd/16600

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Swader, Paul. An Analysis of Modified Material Culture from Amache: Investigating the Landscape of Japanese American Internment.

Degree: MA, Anthropology, 2015, U of Denver

  Modified material culture is a class of objects that indicates a transformation of material function. Archaeological research at the Japanese American internment camp in… (more)

Subjects/Keywords: Amache; Internment; Japanese American; Material culture; Modification; Relocation; Anthropology; Archaeological Anthropology

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APA (6th Edition):

Swader, P. (2015). An Analysis of Modified Material Culture from Amache: Investigating the Landscape of Japanese American Internment. (Thesis). U of Denver. Retrieved from https://digitalcommons.du.edu/etd/634

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Swader, Paul. “An Analysis of Modified Material Culture from Amache: Investigating the Landscape of Japanese American Internment.” 2015. Thesis, U of Denver. Accessed January 16, 2021. https://digitalcommons.du.edu/etd/634.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Swader, Paul. “An Analysis of Modified Material Culture from Amache: Investigating the Landscape of Japanese American Internment.” 2015. Web. 16 Jan 2021.

Vancouver:

Swader P. An Analysis of Modified Material Culture from Amache: Investigating the Landscape of Japanese American Internment. [Internet] [Thesis]. U of Denver; 2015. [cited 2021 Jan 16]. Available from: https://digitalcommons.du.edu/etd/634.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Swader P. An Analysis of Modified Material Culture from Amache: Investigating the Landscape of Japanese American Internment. [Thesis]. U of Denver; 2015. Available from: https://digitalcommons.du.edu/etd/634

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Princeton University

14. Maldonado-Estrada, Alyssa. Lifeblood of the Parish: Men and Catholic Practice in Williamsburg, Brooklyn .

Degree: PhD, 2018, Princeton University

 This dissertation is an ethnographic study of a contemporary Italian-American Catholic parish in a rapidly developing, post-gentrification neighborhood in Brooklyn. I examine how Catholic lay… (more)

Subjects/Keywords: Catholic; Devotion; Ethnography; Italian-American; Masculinity; Material Culture

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APA (6th Edition):

Maldonado-Estrada, A. (2018). Lifeblood of the Parish: Men and Catholic Practice in Williamsburg, Brooklyn . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp017p88ck25r

Chicago Manual of Style (16th Edition):

Maldonado-Estrada, Alyssa. “Lifeblood of the Parish: Men and Catholic Practice in Williamsburg, Brooklyn .” 2018. Doctoral Dissertation, Princeton University. Accessed January 16, 2021. http://arks.princeton.edu/ark:/88435/dsp017p88ck25r.

MLA Handbook (7th Edition):

Maldonado-Estrada, Alyssa. “Lifeblood of the Parish: Men and Catholic Practice in Williamsburg, Brooklyn .” 2018. Web. 16 Jan 2021.

Vancouver:

Maldonado-Estrada A. Lifeblood of the Parish: Men and Catholic Practice in Williamsburg, Brooklyn . [Internet] [Doctoral dissertation]. Princeton University; 2018. [cited 2021 Jan 16]. Available from: http://arks.princeton.edu/ark:/88435/dsp017p88ck25r.

Council of Science Editors:

Maldonado-Estrada A. Lifeblood of the Parish: Men and Catholic Practice in Williamsburg, Brooklyn . [Doctoral Dissertation]. Princeton University; 2018. Available from: http://arks.princeton.edu/ark:/88435/dsp017p88ck25r


Princeton University

15. Lindsey, Rachel McBride. A Communion of Shadows: Vernacular Photography and the Material Archives of Nineteenth-Century American Religion .

Degree: PhD, 2012, Princeton University

 This dissertation is a material culture analysis of vernacular photographic artifacts that were incorporated into the devotional culture of nineteenth-century religious Americans. Rather than focusing… (more)

Subjects/Keywords: American religious history; material culture; quotidian practice; religious experience; vernacular photography

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APA (6th Edition):

Lindsey, R. M. (2012). A Communion of Shadows: Vernacular Photography and the Material Archives of Nineteenth-Century American Religion . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp015m60qr942

Chicago Manual of Style (16th Edition):

Lindsey, Rachel McBride. “A Communion of Shadows: Vernacular Photography and the Material Archives of Nineteenth-Century American Religion .” 2012. Doctoral Dissertation, Princeton University. Accessed January 16, 2021. http://arks.princeton.edu/ark:/88435/dsp015m60qr942.

MLA Handbook (7th Edition):

Lindsey, Rachel McBride. “A Communion of Shadows: Vernacular Photography and the Material Archives of Nineteenth-Century American Religion .” 2012. Web. 16 Jan 2021.

Vancouver:

Lindsey RM. A Communion of Shadows: Vernacular Photography and the Material Archives of Nineteenth-Century American Religion . [Internet] [Doctoral dissertation]. Princeton University; 2012. [cited 2021 Jan 16]. Available from: http://arks.princeton.edu/ark:/88435/dsp015m60qr942.

Council of Science Editors:

Lindsey RM. A Communion of Shadows: Vernacular Photography and the Material Archives of Nineteenth-Century American Religion . [Doctoral Dissertation]. Princeton University; 2012. Available from: http://arks.princeton.edu/ark:/88435/dsp015m60qr942


University of Cincinnati

16. Wright, Kelly F. Coloring Their World: Americans and Decorative Color in the Nineteenth Century.

Degree: PhD, Arts and Sciences: History, 2014, University of Cincinnati

 Certain events in recent history have called into question some long-held assumptions about the colors of our material history. The controversy over the cleaning of… (more)

Subjects/Keywords: American History; color; Market Revolution; industrialization; material culture; photography; textiles

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APA (6th Edition):

Wright, K. F. (2014). Coloring Their World: Americans and Decorative Color in the Nineteenth Century. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1407404477

Chicago Manual of Style (16th Edition):

Wright, Kelly F. “Coloring Their World: Americans and Decorative Color in the Nineteenth Century.” 2014. Doctoral Dissertation, University of Cincinnati. Accessed January 16, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1407404477.

MLA Handbook (7th Edition):

Wright, Kelly F. “Coloring Their World: Americans and Decorative Color in the Nineteenth Century.” 2014. Web. 16 Jan 2021.

Vancouver:

Wright KF. Coloring Their World: Americans and Decorative Color in the Nineteenth Century. [Internet] [Doctoral dissertation]. University of Cincinnati; 2014. [cited 2021 Jan 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1407404477.

Council of Science Editors:

Wright KF. Coloring Their World: Americans and Decorative Color in the Nineteenth Century. [Doctoral Dissertation]. University of Cincinnati; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1407404477


University of Cincinnati

17. Coleman, Feay Shellman. "The Palmy Days of Trade": Anglo-American Culture in Savannah, 1735-1835.

Degree: PhD, Arts and Sciences: History, 2013, University of Cincinnati

 This dissertation is a transnational study that traces the religious, economic, and cultural factors that kept the bonds between Savannah, Georgia and Great Britain strong… (more)

Subjects/Keywords: American History; class; race; slavery; material culture; religion; transnational

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APA (6th Edition):

Coleman, F. S. (2013). "The Palmy Days of Trade": Anglo-American Culture in Savannah, 1735-1835. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367936128

Chicago Manual of Style (16th Edition):

Coleman, Feay Shellman. “"The Palmy Days of Trade": Anglo-American Culture in Savannah, 1735-1835.” 2013. Doctoral Dissertation, University of Cincinnati. Accessed January 16, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367936128.

MLA Handbook (7th Edition):

Coleman, Feay Shellman. “"The Palmy Days of Trade": Anglo-American Culture in Savannah, 1735-1835.” 2013. Web. 16 Jan 2021.

Vancouver:

Coleman FS. "The Palmy Days of Trade": Anglo-American Culture in Savannah, 1735-1835. [Internet] [Doctoral dissertation]. University of Cincinnati; 2013. [cited 2021 Jan 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367936128.

Council of Science Editors:

Coleman FS. "The Palmy Days of Trade": Anglo-American Culture in Savannah, 1735-1835. [Doctoral Dissertation]. University of Cincinnati; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367936128


Utah State University

18. Mathews-Pett, Amelia. "Full On Toy Story": Exploring the Belief in Object Sentience in Western Culture.

Degree: MS, English, 2018, Utah State University

  This thesis considers, from a folklorist’s perspective, the people in Western society who believe that everyday objects have feelings. It establishes these people as… (more)

Subjects/Keywords: Object sentience; folk belief; material culture; children's folklore; American Studies

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APA (6th Edition):

Mathews-Pett, A. (2018). "Full On Toy Story": Exploring the Belief in Object Sentience in Western Culture. (Masters Thesis). Utah State University. Retrieved from https://digitalcommons.usu.edu/etd/7085

Chicago Manual of Style (16th Edition):

Mathews-Pett, Amelia. “"Full On Toy Story": Exploring the Belief in Object Sentience in Western Culture.” 2018. Masters Thesis, Utah State University. Accessed January 16, 2021. https://digitalcommons.usu.edu/etd/7085.

MLA Handbook (7th Edition):

Mathews-Pett, Amelia. “"Full On Toy Story": Exploring the Belief in Object Sentience in Western Culture.” 2018. Web. 16 Jan 2021.

Vancouver:

Mathews-Pett A. "Full On Toy Story": Exploring the Belief in Object Sentience in Western Culture. [Internet] [Masters thesis]. Utah State University; 2018. [cited 2021 Jan 16]. Available from: https://digitalcommons.usu.edu/etd/7085.

Council of Science Editors:

Mathews-Pett A. "Full On Toy Story": Exploring the Belief in Object Sentience in Western Culture. [Masters Thesis]. Utah State University; 2018. Available from: https://digitalcommons.usu.edu/etd/7085


Boston University

19. Lampros, Dean George. Like a real home: the residential funeral home and America's changing vernacular landscape, 1910 - 1960.

Degree: PhD, American & New England Studies, 2013, Boston University

American undertakers first began relocating from downtown parlors to mansions in residential neighborhoods around the First World War, and by midcentury virtually every city and… (more)

Subjects/Keywords: American studies; Consumer culture; Cultural landscape; Deathcare industry; Funeral Homes; Material culture; Vernacular architecture

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APA (6th Edition):

Lampros, D. G. (2013). Like a real home: the residential funeral home and America's changing vernacular landscape, 1910 - 1960. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/13159

Chicago Manual of Style (16th Edition):

Lampros, Dean George. “Like a real home: the residential funeral home and America's changing vernacular landscape, 1910 - 1960.” 2013. Doctoral Dissertation, Boston University. Accessed January 16, 2021. http://hdl.handle.net/2144/13159.

MLA Handbook (7th Edition):

Lampros, Dean George. “Like a real home: the residential funeral home and America's changing vernacular landscape, 1910 - 1960.” 2013. Web. 16 Jan 2021.

Vancouver:

Lampros DG. Like a real home: the residential funeral home and America's changing vernacular landscape, 1910 - 1960. [Internet] [Doctoral dissertation]. Boston University; 2013. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/2144/13159.

Council of Science Editors:

Lampros DG. Like a real home: the residential funeral home and America's changing vernacular landscape, 1910 - 1960. [Doctoral Dissertation]. Boston University; 2013. Available from: http://hdl.handle.net/2144/13159


George Mason University

20. Reeder, Jennifer. "'To do something extraordinary:' Mormon Women and the Creation of a Usable Past" .

Degree: 2013, George Mason University

 On 17 March 1842, twenty-two women of the Church of Jesus Christ of Latter-day Saints gathered in Nauvoo, Illinois, under the direction of their prophet,… (more)

Subjects/Keywords: American history; Religious history; Women's studies; American Victorian; hair art; material culture; memory; Mormon; quilt

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APA (6th Edition):

Reeder, J. (2013). "'To do something extraordinary:' Mormon Women and the Creation of a Usable Past" . (Thesis). George Mason University. Retrieved from http://hdl.handle.net/1920/8236

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Reeder, Jennifer. “"'To do something extraordinary:' Mormon Women and the Creation of a Usable Past" .” 2013. Thesis, George Mason University. Accessed January 16, 2021. http://hdl.handle.net/1920/8236.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Reeder, Jennifer. “"'To do something extraordinary:' Mormon Women and the Creation of a Usable Past" .” 2013. Web. 16 Jan 2021.

Vancouver:

Reeder J. "'To do something extraordinary:' Mormon Women and the Creation of a Usable Past" . [Internet] [Thesis]. George Mason University; 2013. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/1920/8236.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Reeder J. "'To do something extraordinary:' Mormon Women and the Creation of a Usable Past" . [Thesis]. George Mason University; 2013. Available from: http://hdl.handle.net/1920/8236

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

21. Barnes, Thomas J. Residues of the Cold War: Emergent Waste Consciousness in Postwar American Culture and Fiction.

Degree: 2011, University of Western Ontario

 Residues of the Cold War: Emergent Waste Consciousness in Postwar American Culture and Fiction argues that garbage of the post-World War II period can be… (more)

Subjects/Keywords: Garbage Studies; American Studies; Cold War Studies; Ecocriticism; Nuclear Criticism; Archive Theory; American Material Culture

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APA (6th Edition):

Barnes, T. J. (2011). Residues of the Cold War: Emergent Waste Consciousness in Postwar American Culture and Fiction. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/156

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barnes, Thomas J. “Residues of the Cold War: Emergent Waste Consciousness in Postwar American Culture and Fiction.” 2011. Thesis, University of Western Ontario. Accessed January 16, 2021. https://ir.lib.uwo.ca/etd/156.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barnes, Thomas J. “Residues of the Cold War: Emergent Waste Consciousness in Postwar American Culture and Fiction.” 2011. Web. 16 Jan 2021.

Vancouver:

Barnes TJ. Residues of the Cold War: Emergent Waste Consciousness in Postwar American Culture and Fiction. [Internet] [Thesis]. University of Western Ontario; 2011. [cited 2021 Jan 16]. Available from: https://ir.lib.uwo.ca/etd/156.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barnes TJ. Residues of the Cold War: Emergent Waste Consciousness in Postwar American Culture and Fiction. [Thesis]. University of Western Ontario; 2011. Available from: https://ir.lib.uwo.ca/etd/156

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Arizona State University

22. Bilinsky, Stephanie Stephens. The Voodoo Spiritual Temple: A Case Study of New Orleans' Spiritual Churches.

Degree: Religious Studies, 2016, Arizona State University

 This dissertation takes the material culture of New Orleans’ Spiritual Churches as its point of the construction and application of academic categories in studies of… (more)

Subjects/Keywords: Religion; African American studies; African American religion; African diaspora; material culture; transnationalism

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APA (6th Edition):

Bilinsky, S. S. (2016). The Voodoo Spiritual Temple: A Case Study of New Orleans' Spiritual Churches. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/38636

Chicago Manual of Style (16th Edition):

Bilinsky, Stephanie Stephens. “The Voodoo Spiritual Temple: A Case Study of New Orleans' Spiritual Churches.” 2016. Doctoral Dissertation, Arizona State University. Accessed January 16, 2021. http://repository.asu.edu/items/38636.

MLA Handbook (7th Edition):

Bilinsky, Stephanie Stephens. “The Voodoo Spiritual Temple: A Case Study of New Orleans' Spiritual Churches.” 2016. Web. 16 Jan 2021.

Vancouver:

Bilinsky SS. The Voodoo Spiritual Temple: A Case Study of New Orleans' Spiritual Churches. [Internet] [Doctoral dissertation]. Arizona State University; 2016. [cited 2021 Jan 16]. Available from: http://repository.asu.edu/items/38636.

Council of Science Editors:

Bilinsky SS. The Voodoo Spiritual Temple: A Case Study of New Orleans' Spiritual Churches. [Doctoral Dissertation]. Arizona State University; 2016. Available from: http://repository.asu.edu/items/38636


University of Maryland

23. Deeley, Kathryn Hubsch. Double "Double Consciousness": An Archaeology of African American Class and Identity in Annapolis, Maryland, 1850 to 1930.

Degree: Anthropology, 2015, University of Maryland

 This dissertation explores the intersections of race and class within African American communities of the 19th and early 20th centuries in order to expand our… (more)

Subjects/Keywords: Archaeology; African American studies; History; African American; Anthropology; Archaeology; Class; Material Culture

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APA (6th Edition):

Deeley, K. H. (2015). Double "Double Consciousness": An Archaeology of African American Class and Identity in Annapolis, Maryland, 1850 to 1930. (Thesis). University of Maryland. Retrieved from http://hdl.handle.net/1903/16657

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Deeley, Kathryn Hubsch. “Double "Double Consciousness": An Archaeology of African American Class and Identity in Annapolis, Maryland, 1850 to 1930.” 2015. Thesis, University of Maryland. Accessed January 16, 2021. http://hdl.handle.net/1903/16657.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Deeley, Kathryn Hubsch. “Double "Double Consciousness": An Archaeology of African American Class and Identity in Annapolis, Maryland, 1850 to 1930.” 2015. Web. 16 Jan 2021.

Vancouver:

Deeley KH. Double "Double Consciousness": An Archaeology of African American Class and Identity in Annapolis, Maryland, 1850 to 1930. [Internet] [Thesis]. University of Maryland; 2015. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/1903/16657.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Deeley KH. Double "Double Consciousness": An Archaeology of African American Class and Identity in Annapolis, Maryland, 1850 to 1930. [Thesis]. University of Maryland; 2015. Available from: http://hdl.handle.net/1903/16657

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Maryland

24. Walker, Jessica. Nervous Kitchens: Critical Readings of Black Women's Food Practices in The Soul Food Imaginary.

Degree: American Studies, 2016, University of Maryland

 Nervous Kitchens intervenes in the story of soul food by treating the kitchen as a central site of instability. These kitchens reveal and critique their… (more)

Subjects/Keywords: American studies; Women's studies; African American Material Culture; Black Womanhood; Popular Representation; Soul Food

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APA (6th Edition):

Walker, J. (2016). Nervous Kitchens: Critical Readings of Black Women's Food Practices in The Soul Food Imaginary. (Thesis). University of Maryland. Retrieved from http://hdl.handle.net/1903/18772

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walker, Jessica. “Nervous Kitchens: Critical Readings of Black Women's Food Practices in The Soul Food Imaginary.” 2016. Thesis, University of Maryland. Accessed January 16, 2021. http://hdl.handle.net/1903/18772.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walker, Jessica. “Nervous Kitchens: Critical Readings of Black Women's Food Practices in The Soul Food Imaginary.” 2016. Web. 16 Jan 2021.

Vancouver:

Walker J. Nervous Kitchens: Critical Readings of Black Women's Food Practices in The Soul Food Imaginary. [Internet] [Thesis]. University of Maryland; 2016. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/1903/18772.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walker J. Nervous Kitchens: Critical Readings of Black Women's Food Practices in The Soul Food Imaginary. [Thesis]. University of Maryland; 2016. Available from: http://hdl.handle.net/1903/18772

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Duke University

25. Brummitt, Jamie L. Protestant Relics: Religion, Objects, and the Art of Mourning in the American Republic .

Degree: 2018, Duke University

  This dissertation turns attention to the neglected history of relic practices among Protestants from late colonial America to the 1860s. It explores why Protestants… (more)

Subjects/Keywords: Religious history; American history; American religion; gender; material culture; memory; mourning; Protestant relics

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APA (6th Edition):

Brummitt, J. L. (2018). Protestant Relics: Religion, Objects, and the Art of Mourning in the American Republic . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/16930

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brummitt, Jamie L. “Protestant Relics: Religion, Objects, and the Art of Mourning in the American Republic .” 2018. Thesis, Duke University. Accessed January 16, 2021. http://hdl.handle.net/10161/16930.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brummitt, Jamie L. “Protestant Relics: Religion, Objects, and the Art of Mourning in the American Republic .” 2018. Web. 16 Jan 2021.

Vancouver:

Brummitt JL. Protestant Relics: Religion, Objects, and the Art of Mourning in the American Republic . [Internet] [Thesis]. Duke University; 2018. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/10161/16930.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brummitt JL. Protestant Relics: Religion, Objects, and the Art of Mourning in the American Republic . [Thesis]. Duke University; 2018. Available from: http://hdl.handle.net/10161/16930

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Michigan

26. Ronan, Kristine K. Buffalo Dancer: The Biography of an Image.

Degree: PhD, History of Art, 2016, University of Michigan

 This dissertation is the first book-length study to bridge American and Native American art histories and Native studies. To do so, it develops methods of… (more)

Subjects/Keywords: Nineteenth Century; Twentieth Century; Native American Visual and Material Culture; North American Print Culture; Biography; Cultural Studies; Art History; Arts

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APA (6th Edition):

Ronan, K. K. (2016). Buffalo Dancer: The Biography of an Image. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/133439

Chicago Manual of Style (16th Edition):

Ronan, Kristine K. “Buffalo Dancer: The Biography of an Image.” 2016. Doctoral Dissertation, University of Michigan. Accessed January 16, 2021. http://hdl.handle.net/2027.42/133439.

MLA Handbook (7th Edition):

Ronan, Kristine K. “Buffalo Dancer: The Biography of an Image.” 2016. Web. 16 Jan 2021.

Vancouver:

Ronan KK. Buffalo Dancer: The Biography of an Image. [Internet] [Doctoral dissertation]. University of Michigan; 2016. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/2027.42/133439.

Council of Science Editors:

Ronan KK. Buffalo Dancer: The Biography of an Image. [Doctoral Dissertation]. University of Michigan; 2016. Available from: http://hdl.handle.net/2027.42/133439


Eastern Illinois University

27. Richardson, Anna. A Long Strange Trip through the Evolution of Fan Production, Fan-Branding, and Historical Representation in the Grateful Dead Online Archive.

Degree: MA, 2017, Eastern Illinois University

  This study explores how a digital music archive tells the story and contributes to the public memory of cult bands. Utilizing the Grateful Dead… (more)

Subjects/Keywords: American Material Culture; American Popular Culture; Archival Science; Cultural History; Other Music; Public History; Public Relations and Advertising

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APA (6th Edition):

Richardson, A. (2017). A Long Strange Trip through the Evolution of Fan Production, Fan-Branding, and Historical Representation in the Grateful Dead Online Archive. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/2694

Chicago Manual of Style (16th Edition):

Richardson, Anna. “A Long Strange Trip through the Evolution of Fan Production, Fan-Branding, and Historical Representation in the Grateful Dead Online Archive.” 2017. Masters Thesis, Eastern Illinois University. Accessed January 16, 2021. https://thekeep.eiu.edu/theses/2694.

MLA Handbook (7th Edition):

Richardson, Anna. “A Long Strange Trip through the Evolution of Fan Production, Fan-Branding, and Historical Representation in the Grateful Dead Online Archive.” 2017. Web. 16 Jan 2021.

Vancouver:

Richardson A. A Long Strange Trip through the Evolution of Fan Production, Fan-Branding, and Historical Representation in the Grateful Dead Online Archive. [Internet] [Masters thesis]. Eastern Illinois University; 2017. [cited 2021 Jan 16]. Available from: https://thekeep.eiu.edu/theses/2694.

Council of Science Editors:

Richardson A. A Long Strange Trip through the Evolution of Fan Production, Fan-Branding, and Historical Representation in the Grateful Dead Online Archive. [Masters Thesis]. Eastern Illinois University; 2017. Available from: https://thekeep.eiu.edu/theses/2694


University of Maryland

28. Peoples, Gabriel. Viral Bodies: Uncontrollable Blackness in Popular Culture and Everyday Life.

Degree: American Studies, 2016, University of Maryland

 Viral Bodies: Uncontrollable Blackness in Popular Culture and Everyday Life maps rapidly circulated performances of Blackness across visual media that collapse Black bodies into ubiquitous… (more)

Subjects/Keywords: American studies; Gender studies; African American studies; Critical Race/Ethnic; Digital Humanities; Material Culture; Netnography; Performance; Visual Culture

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APA (6th Edition):

Peoples, G. (2016). Viral Bodies: Uncontrollable Blackness in Popular Culture and Everyday Life. (Thesis). University of Maryland. Retrieved from http://hdl.handle.net/1903/18249

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Peoples, Gabriel. “Viral Bodies: Uncontrollable Blackness in Popular Culture and Everyday Life.” 2016. Thesis, University of Maryland. Accessed January 16, 2021. http://hdl.handle.net/1903/18249.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Peoples, Gabriel. “Viral Bodies: Uncontrollable Blackness in Popular Culture and Everyday Life.” 2016. Web. 16 Jan 2021.

Vancouver:

Peoples G. Viral Bodies: Uncontrollable Blackness in Popular Culture and Everyday Life. [Internet] [Thesis]. University of Maryland; 2016. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/1903/18249.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Peoples G. Viral Bodies: Uncontrollable Blackness in Popular Culture and Everyday Life. [Thesis]. University of Maryland; 2016. Available from: http://hdl.handle.net/1903/18249

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Iowa State University

29. Gatterson, Beverly Ann Kemp. Church dress: Oral narratives of African American women.

Degree: 2016, Iowa State University

 ABSTRACT Abstract: This study explored church dress of African American women. The purpose of this study was to explore the reasons why African American women… (more)

Subjects/Keywords: African American; Christian beliefs; church dress; modesty; self-concept; African American Studies; American Material Culture; Fashion Design

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APA (6th Edition):

Gatterson, B. A. K. (2016). Church dress: Oral narratives of African American women. (Thesis). Iowa State University. Retrieved from https://lib.dr.iastate.edu/etd/15916

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gatterson, Beverly Ann Kemp. “Church dress: Oral narratives of African American women.” 2016. Thesis, Iowa State University. Accessed January 16, 2021. https://lib.dr.iastate.edu/etd/15916.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gatterson, Beverly Ann Kemp. “Church dress: Oral narratives of African American women.” 2016. Web. 16 Jan 2021.

Vancouver:

Gatterson BAK. Church dress: Oral narratives of African American women. [Internet] [Thesis]. Iowa State University; 2016. [cited 2021 Jan 16]. Available from: https://lib.dr.iastate.edu/etd/15916.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gatterson BAK. Church dress: Oral narratives of African American women. [Thesis]. Iowa State University; 2016. Available from: https://lib.dr.iastate.edu/etd/15916

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Maryland

30. Chaplin, Jennie. “WELCUM, OONA. TIME FA WE LAAN BOUT GULLAH” (WELCOME, EVERYONE. TIME FOR US TO LEARN ABOUT GULLAH): PENN CENTER’S ROLE IN THE PRESERVATION OF GULLAH GEECHEE’S CULTURAL HERITAGE.

Degree: American Studies, 2016, University of Maryland

 “Welcum, Oona. Time Fa We Laan Bout Gullah” (Welcome, Everyone. Time for us to learn about Gullah): Penn Center’s Role in the Preservation of Gullah… (more)

Subjects/Keywords: African American studies; American studies; History; African American; Gullah; Material Culture; Oral History; Penn Center; York W. Bailey

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APA (6th Edition):

Chaplin, J. (2016). “WELCUM, OONA. TIME FA WE LAAN BOUT GULLAH” (WELCOME, EVERYONE. TIME FOR US TO LEARN ABOUT GULLAH): PENN CENTER’S ROLE IN THE PRESERVATION OF GULLAH GEECHEE’S CULTURAL HERITAGE. (Thesis). University of Maryland. Retrieved from http://hdl.handle.net/1903/18955

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chaplin, Jennie. ““WELCUM, OONA. TIME FA WE LAAN BOUT GULLAH” (WELCOME, EVERYONE. TIME FOR US TO LEARN ABOUT GULLAH): PENN CENTER’S ROLE IN THE PRESERVATION OF GULLAH GEECHEE’S CULTURAL HERITAGE.” 2016. Thesis, University of Maryland. Accessed January 16, 2021. http://hdl.handle.net/1903/18955.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chaplin, Jennie. ““WELCUM, OONA. TIME FA WE LAAN BOUT GULLAH” (WELCOME, EVERYONE. TIME FOR US TO LEARN ABOUT GULLAH): PENN CENTER’S ROLE IN THE PRESERVATION OF GULLAH GEECHEE’S CULTURAL HERITAGE.” 2016. Web. 16 Jan 2021.

Vancouver:

Chaplin J. “WELCUM, OONA. TIME FA WE LAAN BOUT GULLAH” (WELCOME, EVERYONE. TIME FOR US TO LEARN ABOUT GULLAH): PENN CENTER’S ROLE IN THE PRESERVATION OF GULLAH GEECHEE’S CULTURAL HERITAGE. [Internet] [Thesis]. University of Maryland; 2016. [cited 2021 Jan 16]. Available from: http://hdl.handle.net/1903/18955.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chaplin J. “WELCUM, OONA. TIME FA WE LAAN BOUT GULLAH” (WELCOME, EVERYONE. TIME FOR US TO LEARN ABOUT GULLAH): PENN CENTER’S ROLE IN THE PRESERVATION OF GULLAH GEECHEE’S CULTURAL HERITAGE. [Thesis]. University of Maryland; 2016. Available from: http://hdl.handle.net/1903/18955

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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