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You searched for subject:(American Art AND Architecture). Showing records 61 – 90 of 2371 total matches.

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Utah State University

61. Lockette, Philip M. Sex in the Kitchen: The Re-interpretation of Gendered Space Within the Post-World War II Suburban Home in the West.

Degree: MA, History, 2010, Utah State University

 In the decades following 1945, Americans moved increasingly out of cities into suburbs. The migration illustrated the emergence of a new, broader middle class as… (more)

Subjects/Keywords: American West; Domestic Space; Feminization; Kitchen; Masculization; Suburbs; American Art and Architecture; Feminist, Gender, and Sexuality Studies; History; United States History

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APA (6th Edition):

Lockette, P. M. (2010). Sex in the Kitchen: The Re-interpretation of Gendered Space Within the Post-World War II Suburban Home in the West. (Masters Thesis). Utah State University. Retrieved from https://digitalcommons.usu.edu/etd/668

Chicago Manual of Style (16th Edition):

Lockette, Philip M. “Sex in the Kitchen: The Re-interpretation of Gendered Space Within the Post-World War II Suburban Home in the West.” 2010. Masters Thesis, Utah State University. Accessed October 18, 2019. https://digitalcommons.usu.edu/etd/668.

MLA Handbook (7th Edition):

Lockette, Philip M. “Sex in the Kitchen: The Re-interpretation of Gendered Space Within the Post-World War II Suburban Home in the West.” 2010. Web. 18 Oct 2019.

Vancouver:

Lockette PM. Sex in the Kitchen: The Re-interpretation of Gendered Space Within the Post-World War II Suburban Home in the West. [Internet] [Masters thesis]. Utah State University; 2010. [cited 2019 Oct 18]. Available from: https://digitalcommons.usu.edu/etd/668.

Council of Science Editors:

Lockette PM. Sex in the Kitchen: The Re-interpretation of Gendered Space Within the Post-World War II Suburban Home in the West. [Masters Thesis]. Utah State University; 2010. Available from: https://digitalcommons.usu.edu/etd/668


University of Cincinnati

62. DIRKS, STEFANIE. An Appalachian Arts Project: A New Model to Promote Communal Art Interaction.

Degree: M. Arch., Design, Architecture, Art and Planning : Architecture (Master of), 2008, University of Cincinnati

 By allowing all members of a community to participate in and interact with art, this project will benefit the whole of a region and move… (more)

Subjects/Keywords: Adult Education; American Studies; Architecture; Art Education; Continuing Education; Design; Education; Educational Theory; Elementary Education; Fine Arts; Folklore; Museums; Personal Relationships; appalachian art; community art space; art interaction; art education; regional art instruction; mobile art studio; mobile museum; public art space; public art; craft

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APA (6th Edition):

DIRKS, S. (2008). An Appalachian Arts Project: A New Model to Promote Communal Art Interaction. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211923981

Chicago Manual of Style (16th Edition):

DIRKS, STEFANIE. “An Appalachian Arts Project: A New Model to Promote Communal Art Interaction.” 2008. Masters Thesis, University of Cincinnati. Accessed October 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211923981.

MLA Handbook (7th Edition):

DIRKS, STEFANIE. “An Appalachian Arts Project: A New Model to Promote Communal Art Interaction.” 2008. Web. 18 Oct 2019.

Vancouver:

DIRKS S. An Appalachian Arts Project: A New Model to Promote Communal Art Interaction. [Internet] [Masters thesis]. University of Cincinnati; 2008. [cited 2019 Oct 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211923981.

Council of Science Editors:

DIRKS S. An Appalachian Arts Project: A New Model to Promote Communal Art Interaction. [Masters Thesis]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211923981

63. Wan, Simon Hinman. The Perceptual-Cognitive Body and the Consumption of Material Space: A Critical Proposal for the Danish Pavilion.

Degree: 2013, University of Washington

Architecture is inhabited by bodies. Yet, it is not always a concern for architects to study body-space dynamics as an integral part of the design… (more)

Subjects/Keywords: Architecture; Design; Art history; architecture

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APA (6th Edition):

Wan, S. H. (2013). The Perceptual-Cognitive Body and the Consumption of Material Space: A Critical Proposal for the Danish Pavilion. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/22672

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wan, Simon Hinman. “The Perceptual-Cognitive Body and the Consumption of Material Space: A Critical Proposal for the Danish Pavilion.” 2013. Thesis, University of Washington. Accessed October 18, 2019. http://hdl.handle.net/1773/22672.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wan, Simon Hinman. “The Perceptual-Cognitive Body and the Consumption of Material Space: A Critical Proposal for the Danish Pavilion.” 2013. Web. 18 Oct 2019.

Vancouver:

Wan SH. The Perceptual-Cognitive Body and the Consumption of Material Space: A Critical Proposal for the Danish Pavilion. [Internet] [Thesis]. University of Washington; 2013. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1773/22672.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wan SH. The Perceptual-Cognitive Body and the Consumption of Material Space: A Critical Proposal for the Danish Pavilion. [Thesis]. University of Washington; 2013. Available from: http://hdl.handle.net/1773/22672

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Louisville

64. Darland, Joel. The disjointed moment : marking, mapping, and making the real in William Eggleston's election eve (1976).

Degree: MA, 2018, University of Louisville

  This thesis analyzes the photographic book Election Eve (1976) produced by photographer William Eggleston. Eggleston’s photographs represent a complex network of connections between material… (more)

Subjects/Keywords: William Eggleston; election eve; photography; history of photography; sumter county, GA; American Art and Architecture; Modern Art and Architecture; Photography; Theory and Criticism

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APA (6th Edition):

Darland, J. (2018). The disjointed moment : marking, mapping, and making the real in William Eggleston's election eve (1976). (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/2931 ; https://ir.library.louisville.edu/etd/2931

Chicago Manual of Style (16th Edition):

Darland, Joel. “The disjointed moment : marking, mapping, and making the real in William Eggleston's election eve (1976).” 2018. Masters Thesis, University of Louisville. Accessed October 18, 2019. 10.18297/etd/2931 ; https://ir.library.louisville.edu/etd/2931.

MLA Handbook (7th Edition):

Darland, Joel. “The disjointed moment : marking, mapping, and making the real in William Eggleston's election eve (1976).” 2018. Web. 18 Oct 2019.

Vancouver:

Darland J. The disjointed moment : marking, mapping, and making the real in William Eggleston's election eve (1976). [Internet] [Masters thesis]. University of Louisville; 2018. [cited 2019 Oct 18]. Available from: 10.18297/etd/2931 ; https://ir.library.louisville.edu/etd/2931.

Council of Science Editors:

Darland J. The disjointed moment : marking, mapping, and making the real in William Eggleston's election eve (1976). [Masters Thesis]. University of Louisville; 2018. Available from: 10.18297/etd/2931 ; https://ir.library.louisville.edu/etd/2931


University of New Mexico

65. Ortega, Emmanuel. TESTIMONIES OF VIOLENCE: IMAGES OF FRANCISCAN MARTYRS IN THE PROVINCES OF NEW SPAIN.

Degree: UNM Department of Art and Art History, 2017, University of New Mexico

  In the middle of the eighteenth century, Franciscan martyr portraits became popular in monastic spaces of the Spanish viceroyalties of central Mexico. To visually… (more)

Subjects/Keywords: Franciscan; Martyrs; Hagiographies; Pueblo Revolt; New Spain; New Mexico; Ancient, Medieval, Renaissance and Baroque Art and Architecture; History of Art, Architecture, and Archaeology; Latin American History; Painting

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APA (6th Edition):

Ortega, E. (2017). TESTIMONIES OF VIOLENCE: IMAGES OF FRANCISCAN MARTYRS IN THE PROVINCES OF NEW SPAIN. (Doctoral Dissertation). University of New Mexico. Retrieved from https://digitalrepository.unm.edu/arth_etds/62

Chicago Manual of Style (16th Edition):

Ortega, Emmanuel. “TESTIMONIES OF VIOLENCE: IMAGES OF FRANCISCAN MARTYRS IN THE PROVINCES OF NEW SPAIN.” 2017. Doctoral Dissertation, University of New Mexico. Accessed October 18, 2019. https://digitalrepository.unm.edu/arth_etds/62.

MLA Handbook (7th Edition):

Ortega, Emmanuel. “TESTIMONIES OF VIOLENCE: IMAGES OF FRANCISCAN MARTYRS IN THE PROVINCES OF NEW SPAIN.” 2017. Web. 18 Oct 2019.

Vancouver:

Ortega E. TESTIMONIES OF VIOLENCE: IMAGES OF FRANCISCAN MARTYRS IN THE PROVINCES OF NEW SPAIN. [Internet] [Doctoral dissertation]. University of New Mexico; 2017. [cited 2019 Oct 18]. Available from: https://digitalrepository.unm.edu/arth_etds/62.

Council of Science Editors:

Ortega E. TESTIMONIES OF VIOLENCE: IMAGES OF FRANCISCAN MARTYRS IN THE PROVINCES OF NEW SPAIN. [Doctoral Dissertation]. University of New Mexico; 2017. Available from: https://digitalrepository.unm.edu/arth_etds/62


Eastern Illinois University

66. Stokes, Christopher. The Photograph and Superrealism.

Degree: MA, Art, 1982, Eastern Illinois University

  In 1968 an exhibition entitled "Realism Now" was held at Vassar College under the direction of Linda Nochlin, a noted art historian and professor… (more)

Subjects/Keywords: American Art and Architecture; Modern Art and Architecture; Painting; Theory and Criticism

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APA (6th Edition):

Stokes, C. (1982). The Photograph and Superrealism. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/2900

Chicago Manual of Style (16th Edition):

Stokes, Christopher. “The Photograph and Superrealism.” 1982. Masters Thesis, Eastern Illinois University. Accessed October 18, 2019. https://thekeep.eiu.edu/theses/2900.

MLA Handbook (7th Edition):

Stokes, Christopher. “The Photograph and Superrealism.” 1982. Web. 18 Oct 2019.

Vancouver:

Stokes C. The Photograph and Superrealism. [Internet] [Masters thesis]. Eastern Illinois University; 1982. [cited 2019 Oct 18]. Available from: https://thekeep.eiu.edu/theses/2900.

Council of Science Editors:

Stokes C. The Photograph and Superrealism. [Masters Thesis]. Eastern Illinois University; 1982. Available from: https://thekeep.eiu.edu/theses/2900

67. Gillen, Carolyn. New Entropy| Exposing Architectural Disorder in Contemporary Spaces.

Degree: 2016, Southern Illinois University at Edwardsville

  In an effort to unveil the underlying potency of architecture I take banal structures and give them a dynamic intervention. Basic architectural forms are… (more)

Subjects/Keywords: Art criticism; Architecture

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APA (6th Edition):

Gillen, C. (2016). New Entropy| Exposing Architectural Disorder in Contemporary Spaces. (Thesis). Southern Illinois University at Edwardsville. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10129571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gillen, Carolyn. “New Entropy| Exposing Architectural Disorder in Contemporary Spaces.” 2016. Thesis, Southern Illinois University at Edwardsville. Accessed October 18, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10129571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gillen, Carolyn. “New Entropy| Exposing Architectural Disorder in Contemporary Spaces.” 2016. Web. 18 Oct 2019.

Vancouver:

Gillen C. New Entropy| Exposing Architectural Disorder in Contemporary Spaces. [Internet] [Thesis]. Southern Illinois University at Edwardsville; 2016. [cited 2019 Oct 18]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10129571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gillen C. New Entropy| Exposing Architectural Disorder in Contemporary Spaces. [Thesis]. Southern Illinois University at Edwardsville; 2016. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10129571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Victoria University of Wellington

68. Aui, Jansen. Rothko on Speed-Dial: Explorations of the Metaphysical Spatiality, Aura, and Mechanical Reproduction of Architecture.

Degree: 2010, Victoria University of Wellington

 This research explores the relationship between architectural space and the abstract expressionist art of Mark Rothko. Rothko’s large format, post-1950’s paintings employing his signature ‘color-field’… (more)

Subjects/Keywords: Architecture; Art; Abstraction

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APA (6th Edition):

Aui, J. (2010). Rothko on Speed-Dial: Explorations of the Metaphysical Spatiality, Aura, and Mechanical Reproduction of Architecture. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/1614

Chicago Manual of Style (16th Edition):

Aui, Jansen. “Rothko on Speed-Dial: Explorations of the Metaphysical Spatiality, Aura, and Mechanical Reproduction of Architecture.” 2010. Masters Thesis, Victoria University of Wellington. Accessed October 18, 2019. http://hdl.handle.net/10063/1614.

MLA Handbook (7th Edition):

Aui, Jansen. “Rothko on Speed-Dial: Explorations of the Metaphysical Spatiality, Aura, and Mechanical Reproduction of Architecture.” 2010. Web. 18 Oct 2019.

Vancouver:

Aui J. Rothko on Speed-Dial: Explorations of the Metaphysical Spatiality, Aura, and Mechanical Reproduction of Architecture. [Internet] [Masters thesis]. Victoria University of Wellington; 2010. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/10063/1614.

Council of Science Editors:

Aui J. Rothko on Speed-Dial: Explorations of the Metaphysical Spatiality, Aura, and Mechanical Reproduction of Architecture. [Masters Thesis]. Victoria University of Wellington; 2010. Available from: http://hdl.handle.net/10063/1614


University of Cincinnati

69. KRAKOVICH, LINA M. Art · Culture · Experience:.

Degree: M. Arch., Design, Architecture, Art and Planning : Architecture (Master of), 2008, University of Cincinnati

 The thesis proposes a design of a fine arts center for the Jackson Square community, located 5.5 miles southwest of downtown Boston. The area demographics… (more)

Subjects/Keywords: Architecture; Art Education

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APA (6th Edition):

KRAKOVICH, L. M. (2008). Art · Culture · Experience:. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212147757

Chicago Manual of Style (16th Edition):

KRAKOVICH, LINA M. “Art · Culture · Experience:.” 2008. Masters Thesis, University of Cincinnati. Accessed October 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212147757.

MLA Handbook (7th Edition):

KRAKOVICH, LINA M. “Art · Culture · Experience:.” 2008. Web. 18 Oct 2019.

Vancouver:

KRAKOVICH LM. Art · Culture · Experience:. [Internet] [Masters thesis]. University of Cincinnati; 2008. [cited 2019 Oct 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212147757.

Council of Science Editors:

KRAKOVICH LM. Art · Culture · Experience:. [Masters Thesis]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212147757

70. Williamson, Daniel. Modern Architecture and Capitalist Patronage in Ahmedabad, India 1947-1969.

Degree: 2016, New York University

  This dissertation examines the architectural patronage of a small cadre of industrialists, textile millowners, who controlled the city of Ahmedabad, India economically and politically… (more)

Subjects/Keywords: Art history; Architecture

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APA (6th Edition):

Williamson, D. (2016). Modern Architecture and Capitalist Patronage in Ahmedabad, India 1947-1969. (Thesis). New York University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10025620

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Williamson, Daniel. “Modern Architecture and Capitalist Patronage in Ahmedabad, India 1947-1969.” 2016. Thesis, New York University. Accessed October 18, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10025620.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Williamson, Daniel. “Modern Architecture and Capitalist Patronage in Ahmedabad, India 1947-1969.” 2016. Web. 18 Oct 2019.

Vancouver:

Williamson D. Modern Architecture and Capitalist Patronage in Ahmedabad, India 1947-1969. [Internet] [Thesis]. New York University; 2016. [cited 2019 Oct 18]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10025620.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Williamson D. Modern Architecture and Capitalist Patronage in Ahmedabad, India 1947-1969. [Thesis]. New York University; 2016. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10025620

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


West Virginia University

71. Vehse, Elizabeth Stoloff. Classicism as Foundation in Architecture: Ludwig Mies van der Rohe's Richard King Mellon Hall of Science and Michael Graves's Erickson Alumni Center.

Degree: MA, Art History, 2011, West Virginia University

 The French Cubist painter and writer Amedee Ozenfant suggested that "Deep in every revolution, discreetly hidden, resides a classicism which is a form of constant."… (more)

Subjects/Keywords: Art history; Architecture

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APA (6th Edition):

Vehse, E. S. (2011). Classicism as Foundation in Architecture: Ludwig Mies van der Rohe's Richard King Mellon Hall of Science and Michael Graves's Erickson Alumni Center. (Thesis). West Virginia University. Retrieved from https://researchrepository.wvu.edu/etd/848

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vehse, Elizabeth Stoloff. “Classicism as Foundation in Architecture: Ludwig Mies van der Rohe's Richard King Mellon Hall of Science and Michael Graves's Erickson Alumni Center.” 2011. Thesis, West Virginia University. Accessed October 18, 2019. https://researchrepository.wvu.edu/etd/848.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vehse, Elizabeth Stoloff. “Classicism as Foundation in Architecture: Ludwig Mies van der Rohe's Richard King Mellon Hall of Science and Michael Graves's Erickson Alumni Center.” 2011. Web. 18 Oct 2019.

Vancouver:

Vehse ES. Classicism as Foundation in Architecture: Ludwig Mies van der Rohe's Richard King Mellon Hall of Science and Michael Graves's Erickson Alumni Center. [Internet] [Thesis]. West Virginia University; 2011. [cited 2019 Oct 18]. Available from: https://researchrepository.wvu.edu/etd/848.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vehse ES. Classicism as Foundation in Architecture: Ludwig Mies van der Rohe's Richard King Mellon Hall of Science and Michael Graves's Erickson Alumni Center. [Thesis]. West Virginia University; 2011. Available from: https://researchrepository.wvu.edu/etd/848

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

72. Manson, Andrew John. Rationalism and Ruins in Roma Mussoliniana: The 1934 Palazzo del Littorio Competition.

Degree: 2015, Columbia University

 This dissertation examines the intersection of architecture, urban planning and archaeology in Mussolini’s Rome; in particular, it focuses on the first competition to build the… (more)

Subjects/Keywords: Art; Architecture; Archaeology

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APA (6th Edition):

Manson, A. J. (2015). Rationalism and Ruins in Roma Mussoliniana: The 1934 Palazzo del Littorio Competition. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8T43SMK

Chicago Manual of Style (16th Edition):

Manson, Andrew John. “Rationalism and Ruins in Roma Mussoliniana: The 1934 Palazzo del Littorio Competition.” 2015. Doctoral Dissertation, Columbia University. Accessed October 18, 2019. https://doi.org/10.7916/D8T43SMK.

MLA Handbook (7th Edition):

Manson, Andrew John. “Rationalism and Ruins in Roma Mussoliniana: The 1934 Palazzo del Littorio Competition.” 2015. Web. 18 Oct 2019.

Vancouver:

Manson AJ. Rationalism and Ruins in Roma Mussoliniana: The 1934 Palazzo del Littorio Competition. [Internet] [Doctoral dissertation]. Columbia University; 2015. [cited 2019 Oct 18]. Available from: https://doi.org/10.7916/D8T43SMK.

Council of Science Editors:

Manson AJ. Rationalism and Ruins in Roma Mussoliniana: The 1934 Palazzo del Littorio Competition. [Doctoral Dissertation]. Columbia University; 2015. Available from: https://doi.org/10.7916/D8T43SMK


Columbia University

73. O'Neill, Rory Owen. Gothic on the Edge: Light, Levitation and Seismic Culture in the Evolution of Medieval Religious Architecture of the Eastern Mediterranean.

Degree: 2015, Columbia University

 The works of Latin ecclesiastical architecture of the 13th and 14th centuries at the periphery of Gothic geography in the eastern Mediterranean have been thought… (more)

Subjects/Keywords: Art; Architecture; Geography

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APA (6th Edition):

O'Neill, R. O. (2015). Gothic on the Edge: Light, Levitation and Seismic Culture in the Evolution of Medieval Religious Architecture of the Eastern Mediterranean. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D82Z14P9

Chicago Manual of Style (16th Edition):

O'Neill, Rory Owen. “Gothic on the Edge: Light, Levitation and Seismic Culture in the Evolution of Medieval Religious Architecture of the Eastern Mediterranean.” 2015. Doctoral Dissertation, Columbia University. Accessed October 18, 2019. https://doi.org/10.7916/D82Z14P9.

MLA Handbook (7th Edition):

O'Neill, Rory Owen. “Gothic on the Edge: Light, Levitation and Seismic Culture in the Evolution of Medieval Religious Architecture of the Eastern Mediterranean.” 2015. Web. 18 Oct 2019.

Vancouver:

O'Neill RO. Gothic on the Edge: Light, Levitation and Seismic Culture in the Evolution of Medieval Religious Architecture of the Eastern Mediterranean. [Internet] [Doctoral dissertation]. Columbia University; 2015. [cited 2019 Oct 18]. Available from: https://doi.org/10.7916/D82Z14P9.

Council of Science Editors:

O'Neill RO. Gothic on the Edge: Light, Levitation and Seismic Culture in the Evolution of Medieval Religious Architecture of the Eastern Mediterranean. [Doctoral Dissertation]. Columbia University; 2015. Available from: https://doi.org/10.7916/D82Z14P9

74. Ryder, Alana. By My Side: Charles E. Burchfield's Letters to Bertha K. Burchfield from 1923 to 1963.

Degree: 2012, Buffalo State College

 Over the past 80 years, research on American artist Charles E. Burchfield (1893-1967) has often placed little emphasis on the people and events that were… (more)

Subjects/Keywords: Charles Burchfield; American art; Western New York; public and personal life; women's studies; 20th century; American Art and Architecture; Cultural History; Women's Studies

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APA (6th Edition):

Ryder, A. (2012). By My Side: Charles E. Burchfield's Letters to Bertha K. Burchfield from 1923 to 1963. (Thesis). Buffalo State College. Retrieved from http://digitalcommons.buffalostate.edu/history_theses/7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ryder, Alana. “By My Side: Charles E. Burchfield's Letters to Bertha K. Burchfield from 1923 to 1963.” 2012. Thesis, Buffalo State College. Accessed October 18, 2019. http://digitalcommons.buffalostate.edu/history_theses/7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ryder, Alana. “By My Side: Charles E. Burchfield's Letters to Bertha K. Burchfield from 1923 to 1963.” 2012. Web. 18 Oct 2019.

Vancouver:

Ryder A. By My Side: Charles E. Burchfield's Letters to Bertha K. Burchfield from 1923 to 1963. [Internet] [Thesis]. Buffalo State College; 2012. [cited 2019 Oct 18]. Available from: http://digitalcommons.buffalostate.edu/history_theses/7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ryder A. By My Side: Charles E. Burchfield's Letters to Bertha K. Burchfield from 1923 to 1963. [Thesis]. Buffalo State College; 2012. Available from: http://digitalcommons.buffalostate.edu/history_theses/7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tennessee – Knoxville

75. Pohl, Jared Thomas. BLOCK 271, Reviving an Industrial Artifact.

Degree: M. Arch., Architecture, 2014, University of Tennessee – Knoxville

  Vacant industrial sites are scattered throughout our cities all across the country. These sites, these remnants of industry, are occupied by a very interesting… (more)

Subjects/Keywords: Architecture; Adaptive; Reuse; Reclaim; Sustainable; Design; American Art and Architecture; Environmental Design; Historic Preservation and Conservation; Other Architecture; Physical and Environmental Geography; Place and Environment; Urban, Community and Regional Planning

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pohl, J. T. (2014). BLOCK 271, Reviving an Industrial Artifact. (Thesis). University of Tennessee – Knoxville. Retrieved from https://trace.tennessee.edu/utk_gradthes/2840

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pohl, Jared Thomas. “BLOCK 271, Reviving an Industrial Artifact.” 2014. Thesis, University of Tennessee – Knoxville. Accessed October 18, 2019. https://trace.tennessee.edu/utk_gradthes/2840.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pohl, Jared Thomas. “BLOCK 271, Reviving an Industrial Artifact.” 2014. Web. 18 Oct 2019.

Vancouver:

Pohl JT. BLOCK 271, Reviving an Industrial Artifact. [Internet] [Thesis]. University of Tennessee – Knoxville; 2014. [cited 2019 Oct 18]. Available from: https://trace.tennessee.edu/utk_gradthes/2840.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pohl JT. BLOCK 271, Reviving an Industrial Artifact. [Thesis]. University of Tennessee – Knoxville; 2014. Available from: https://trace.tennessee.edu/utk_gradthes/2840

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

76. Watts, Chelsea Anne. Painting Parisian Identity: Place and Subjectivity in Fin-de-siecle art.

Degree: 2011, University of South Florida

 In this thesis I provide analysis of several nineteenth-century artworks in order to elucidate the connections between place and identity as expressed in visual representations… (more)

Subjects/Keywords: Carnivalesque; French Painting; Gender; Nineteenth-century Art; Place; Subjectivity; American Studies; Art and Design; Arts and Humanities; History of Art, Architecture, and Archaeology; Theory and Criticism

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APA (6th Edition):

Watts, C. A. (2011). Painting Parisian Identity: Place and Subjectivity in Fin-de-siecle art. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/3403

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Watts, Chelsea Anne. “Painting Parisian Identity: Place and Subjectivity in Fin-de-siecle art.” 2011. Thesis, University of South Florida. Accessed October 18, 2019. https://scholarcommons.usf.edu/etd/3403.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Watts, Chelsea Anne. “Painting Parisian Identity: Place and Subjectivity in Fin-de-siecle art.” 2011. Web. 18 Oct 2019.

Vancouver:

Watts CA. Painting Parisian Identity: Place and Subjectivity in Fin-de-siecle art. [Internet] [Thesis]. University of South Florida; 2011. [cited 2019 Oct 18]. Available from: https://scholarcommons.usf.edu/etd/3403.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Watts CA. Painting Parisian Identity: Place and Subjectivity in Fin-de-siecle art. [Thesis]. University of South Florida; 2011. Available from: https://scholarcommons.usf.edu/etd/3403

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Eastern Illinois University

77. Daugherty, Bob. Eight Teacher-Potters.

Degree: MA, Art, 1974, Eastern Illinois University

  This paper presents a survey of statements and the works of eight teacher-potters in Illinois. The works range from simple functional ware to funk… (more)

Subjects/Keywords: American Art and Architecture; Art Practice; Ceramic Arts; Contemporary Art

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APA (6th Edition):

Daugherty, B. (1974). Eight Teacher-Potters. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/3593

Chicago Manual of Style (16th Edition):

Daugherty, Bob. “Eight Teacher-Potters.” 1974. Masters Thesis, Eastern Illinois University. Accessed October 18, 2019. https://thekeep.eiu.edu/theses/3593.

MLA Handbook (7th Edition):

Daugherty, Bob. “Eight Teacher-Potters.” 1974. Web. 18 Oct 2019.

Vancouver:

Daugherty B. Eight Teacher-Potters. [Internet] [Masters thesis]. Eastern Illinois University; 1974. [cited 2019 Oct 18]. Available from: https://thekeep.eiu.edu/theses/3593.

Council of Science Editors:

Daugherty B. Eight Teacher-Potters. [Masters Thesis]. Eastern Illinois University; 1974. Available from: https://thekeep.eiu.edu/theses/3593


Columbia University

78. Ghoche, Ralph. The Symbolic, the Lithic and the Legible: Simon-Claude Constant-Dufeux and Mid-Nineteenth-Century Architectural Eclecticism.

Degree: 2015, Columbia University

 This dissertation traces the career of Simon-Claude Constant-Dufeux (1801-1871), an important, yet little-studied, architect and educator who played a central role in mid- nineteenth-century architectural… (more)

Subjects/Keywords: Architecture; Architecture, French; Eclecticism in architecture; Art

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APA (6th Edition):

Ghoche, R. (2015). The Symbolic, the Lithic and the Legible: Simon-Claude Constant-Dufeux and Mid-Nineteenth-Century Architectural Eclecticism. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8PR7V18

Chicago Manual of Style (16th Edition):

Ghoche, Ralph. “The Symbolic, the Lithic and the Legible: Simon-Claude Constant-Dufeux and Mid-Nineteenth-Century Architectural Eclecticism.” 2015. Doctoral Dissertation, Columbia University. Accessed October 18, 2019. https://doi.org/10.7916/D8PR7V18.

MLA Handbook (7th Edition):

Ghoche, Ralph. “The Symbolic, the Lithic and the Legible: Simon-Claude Constant-Dufeux and Mid-Nineteenth-Century Architectural Eclecticism.” 2015. Web. 18 Oct 2019.

Vancouver:

Ghoche R. The Symbolic, the Lithic and the Legible: Simon-Claude Constant-Dufeux and Mid-Nineteenth-Century Architectural Eclecticism. [Internet] [Doctoral dissertation]. Columbia University; 2015. [cited 2019 Oct 18]. Available from: https://doi.org/10.7916/D8PR7V18.

Council of Science Editors:

Ghoche R. The Symbolic, the Lithic and the Legible: Simon-Claude Constant-Dufeux and Mid-Nineteenth-Century Architectural Eclecticism. [Doctoral Dissertation]. Columbia University; 2015. Available from: https://doi.org/10.7916/D8PR7V18


Columbia University

79. Vigotti, Lorenzo. The Origin of the Renaissance Palace: Domestic Architecture during the Florentine Oligarchy, 1378-1432.

Degree: 2019, Columbia University

 This dissertation investigates the origin of the architectural typology of the Renaissance palace as it emerged in Florence between the end of the fourteenth and… (more)

Subjects/Keywords: Architecture; Art; Architecture, Renaissance; Palaces; Architecture, Domestic

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APA (6th Edition):

Vigotti, L. (2019). The Origin of the Renaissance Palace: Domestic Architecture during the Florentine Oligarchy, 1378-1432. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/d8-jcyp-y210

Chicago Manual of Style (16th Edition):

Vigotti, Lorenzo. “The Origin of the Renaissance Palace: Domestic Architecture during the Florentine Oligarchy, 1378-1432.” 2019. Doctoral Dissertation, Columbia University. Accessed October 18, 2019. https://doi.org/10.7916/d8-jcyp-y210.

MLA Handbook (7th Edition):

Vigotti, Lorenzo. “The Origin of the Renaissance Palace: Domestic Architecture during the Florentine Oligarchy, 1378-1432.” 2019. Web. 18 Oct 2019.

Vancouver:

Vigotti L. The Origin of the Renaissance Palace: Domestic Architecture during the Florentine Oligarchy, 1378-1432. [Internet] [Doctoral dissertation]. Columbia University; 2019. [cited 2019 Oct 18]. Available from: https://doi.org/10.7916/d8-jcyp-y210.

Council of Science Editors:

Vigotti L. The Origin of the Renaissance Palace: Domestic Architecture during the Florentine Oligarchy, 1378-1432. [Doctoral Dissertation]. Columbia University; 2019. Available from: https://doi.org/10.7916/d8-jcyp-y210


Universidad Nacional de Colombia

80. Hincapié Sánchez, Andrés Felipe. Disrupción digital: diálogos entre arquitectura - Téchne - prácticas artísticas.

Degree: http://www.bdigital.unal.edu.co/54641/, 2016, Universidad Nacional de Colombia

 Al establecer estos diálogos pretendo generar laboratorios de enfrentamiento y ejercicio transdisciplinar en el campo de las prácticas artísticas, haciendo uso de técnicas y tecnologías… (more)

Subjects/Keywords: 72 Arquitectura / Architecture; 77 Fotografía y fotografias / Photography & computer art

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APA (6th Edition):

Hincapié Sánchez, A. F. (2016). Disrupción digital: diálogos entre arquitectura - Téchne - prácticas artísticas. (Thesis). Universidad Nacional de Colombia. Retrieved from http://www.bdigital.unal.edu.co/54641/1/1036931897.2016.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hincapié Sánchez, Andrés Felipe. “Disrupción digital: diálogos entre arquitectura - Téchne - prácticas artísticas.” 2016. Thesis, Universidad Nacional de Colombia. Accessed October 18, 2019. http://www.bdigital.unal.edu.co/54641/1/1036931897.2016.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hincapié Sánchez, Andrés Felipe. “Disrupción digital: diálogos entre arquitectura - Téchne - prácticas artísticas.” 2016. Web. 18 Oct 2019.

Vancouver:

Hincapié Sánchez AF. Disrupción digital: diálogos entre arquitectura - Téchne - prácticas artísticas. [Internet] [Thesis]. Universidad Nacional de Colombia; 2016. [cited 2019 Oct 18]. Available from: http://www.bdigital.unal.edu.co/54641/1/1036931897.2016.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hincapié Sánchez AF. Disrupción digital: diálogos entre arquitectura - Téchne - prácticas artísticas. [Thesis]. Universidad Nacional de Colombia; 2016. Available from: http://www.bdigital.unal.edu.co/54641/1/1036931897.2016.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kentucky

81. Hensley, Charlsa Anne. IN BLACK AND WHITE: RICHMOND’S MONUMENT AVENUE RECONTEXTUALIZED THROUGH THE PHOTOGRAPHIC ARCHIVE.

Degree: 2019, University of Kentucky

 The release of the Monument Avenue Commission Report in July, 2018 was the culmination of over one year of research and collaboration with community members… (more)

Subjects/Keywords: Confederate Monuments; Monument Avenue; Virginia History; African American History; Photography Archives; Richmond Virginia; African American Studies; American Art and Architecture; Photography; Social History; Visual Studies

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APA (6th Edition):

Hensley, C. A. (2019). IN BLACK AND WHITE: RICHMOND’S MONUMENT AVENUE RECONTEXTUALIZED THROUGH THE PHOTOGRAPHIC ARCHIVE. (Masters Thesis). University of Kentucky. Retrieved from https://uknowledge.uky.edu/art_etds/18

Chicago Manual of Style (16th Edition):

Hensley, Charlsa Anne. “IN BLACK AND WHITE: RICHMOND’S MONUMENT AVENUE RECONTEXTUALIZED THROUGH THE PHOTOGRAPHIC ARCHIVE.” 2019. Masters Thesis, University of Kentucky. Accessed October 18, 2019. https://uknowledge.uky.edu/art_etds/18.

MLA Handbook (7th Edition):

Hensley, Charlsa Anne. “IN BLACK AND WHITE: RICHMOND’S MONUMENT AVENUE RECONTEXTUALIZED THROUGH THE PHOTOGRAPHIC ARCHIVE.” 2019. Web. 18 Oct 2019.

Vancouver:

Hensley CA. IN BLACK AND WHITE: RICHMOND’S MONUMENT AVENUE RECONTEXTUALIZED THROUGH THE PHOTOGRAPHIC ARCHIVE. [Internet] [Masters thesis]. University of Kentucky; 2019. [cited 2019 Oct 18]. Available from: https://uknowledge.uky.edu/art_etds/18.

Council of Science Editors:

Hensley CA. IN BLACK AND WHITE: RICHMOND’S MONUMENT AVENUE RECONTEXTUALIZED THROUGH THE PHOTOGRAPHIC ARCHIVE. [Masters Thesis]. University of Kentucky; 2019. Available from: https://uknowledge.uky.edu/art_etds/18


University of Pennsylvania

82. Fellows, Kristen R. African Americans from "Back Yonder": The Historical Archaeology of the Formation, Maintenance, and Dissolution of the American Enclave in Samaná, Dominican Republic.

Degree: 2013, University of Pennsylvania

 By the end of 1825, 6,000 African Americans had left the United States to settle in the free black Republic of Haiti. After arriving on… (more)

Subjects/Keywords: African Diaspora; Anthropology; Caribbean; Ethnohistory; Haitian Emigration; Samana; African American Studies; History of Art, Architecture, and Archaeology; Latin American Languages and Societies; Latin American Studies

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APA (6th Edition):

Fellows, K. R. (2013). African Americans from "Back Yonder": The Historical Archaeology of the Formation, Maintenance, and Dissolution of the American Enclave in Samaná, Dominican Republic. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/752

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fellows, Kristen R. “African Americans from "Back Yonder": The Historical Archaeology of the Formation, Maintenance, and Dissolution of the American Enclave in Samaná, Dominican Republic.” 2013. Thesis, University of Pennsylvania. Accessed October 18, 2019. https://repository.upenn.edu/edissertations/752.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fellows, Kristen R. “African Americans from "Back Yonder": The Historical Archaeology of the Formation, Maintenance, and Dissolution of the American Enclave in Samaná, Dominican Republic.” 2013. Web. 18 Oct 2019.

Vancouver:

Fellows KR. African Americans from "Back Yonder": The Historical Archaeology of the Formation, Maintenance, and Dissolution of the American Enclave in Samaná, Dominican Republic. [Internet] [Thesis]. University of Pennsylvania; 2013. [cited 2019 Oct 18]. Available from: https://repository.upenn.edu/edissertations/752.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fellows KR. African Americans from "Back Yonder": The Historical Archaeology of the Formation, Maintenance, and Dissolution of the American Enclave in Samaná, Dominican Republic. [Thesis]. University of Pennsylvania; 2013. Available from: https://repository.upenn.edu/edissertations/752

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Claremont Graduate University

83. Le Veque, Mollie S. Dirty Pictures—Not for Sale: Re-reading Bellocq’s Storyville Portraits.

Degree: MA (Cultural Studies), School of Arts and Humanities, 2013, Claremont Graduate University

  In this paper, I examine E.J. Bellocq's "Storyville Portraits" within art historical and feminist historiographies. One of the most infamously alluring parts of New… (more)

Subjects/Keywords: E. J. Bellocq; Storyville; New Orleans; Prostitution; Urban Studies; African American Studies; American Art and Architecture; American Studies; History of Art, Architecture, and Archaeology; History of Gender; Other Feminist, Gender, and Sexuality Studies; Women's Studies

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APA (6th Edition):

Le Veque, M. S. (2013). Dirty Pictures—Not for Sale: Re-reading Bellocq’s Storyville Portraits. (Masters Thesis). Claremont Graduate University. Retrieved from https://scholarship.claremont.edu/cgu_etd/94

Chicago Manual of Style (16th Edition):

Le Veque, Mollie S. “Dirty Pictures—Not for Sale: Re-reading Bellocq’s Storyville Portraits.” 2013. Masters Thesis, Claremont Graduate University. Accessed October 18, 2019. https://scholarship.claremont.edu/cgu_etd/94.

MLA Handbook (7th Edition):

Le Veque, Mollie S. “Dirty Pictures—Not for Sale: Re-reading Bellocq’s Storyville Portraits.” 2013. Web. 18 Oct 2019.

Vancouver:

Le Veque MS. Dirty Pictures—Not for Sale: Re-reading Bellocq’s Storyville Portraits. [Internet] [Masters thesis]. Claremont Graduate University; 2013. [cited 2019 Oct 18]. Available from: https://scholarship.claremont.edu/cgu_etd/94.

Council of Science Editors:

Le Veque MS. Dirty Pictures—Not for Sale: Re-reading Bellocq’s Storyville Portraits. [Masters Thesis]. Claremont Graduate University; 2013. Available from: https://scholarship.claremont.edu/cgu_etd/94


Università Cattolica del Sacro Cuore

84. BARBIERI, ALESSANDRO. LE TERRECOTTE DECORATIVE DEL MUSEO D'ARTE ANTICA DEL CASTELLO SFORZESCO DI MILANO: PRODUZIONE FITTILE E ARCHITETTURA NELL'ETA' SFORZESCA.

Degree: 2015, Università Cattolica del Sacro Cuore

Le attività di ricerca e catalogazione effettuate durante lo stage condotto tra il 2010 e il 2011 sui materiali fittili conservati nel deposito del Museo… (more)

Subjects/Keywords: L-ART/02: STORIA DELL'ARTE MODERNA; Terrecotte decorative, produzione fittile, Museo d’Arte Antica, Castello Sforzesco, architettura, età sforzesca, Milano, Cremona.

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APA (6th Edition):

BARBIERI, A. (2015). LE TERRECOTTE DECORATIVE DEL MUSEO D'ARTE ANTICA DEL CASTELLO SFORZESCO DI MILANO: PRODUZIONE FITTILE E ARCHITETTURA NELL'ETA' SFORZESCA. (Doctoral Dissertation). Università Cattolica del Sacro Cuore. Retrieved from http://hdl.handle.net/10280/6605

Chicago Manual of Style (16th Edition):

BARBIERI, ALESSANDRO. “LE TERRECOTTE DECORATIVE DEL MUSEO D'ARTE ANTICA DEL CASTELLO SFORZESCO DI MILANO: PRODUZIONE FITTILE E ARCHITETTURA NELL'ETA' SFORZESCA.” 2015. Doctoral Dissertation, Università Cattolica del Sacro Cuore. Accessed October 18, 2019. http://hdl.handle.net/10280/6605.

MLA Handbook (7th Edition):

BARBIERI, ALESSANDRO. “LE TERRECOTTE DECORATIVE DEL MUSEO D'ARTE ANTICA DEL CASTELLO SFORZESCO DI MILANO: PRODUZIONE FITTILE E ARCHITETTURA NELL'ETA' SFORZESCA.” 2015. Web. 18 Oct 2019.

Vancouver:

BARBIERI A. LE TERRECOTTE DECORATIVE DEL MUSEO D'ARTE ANTICA DEL CASTELLO SFORZESCO DI MILANO: PRODUZIONE FITTILE E ARCHITETTURA NELL'ETA' SFORZESCA. [Internet] [Doctoral dissertation]. Università Cattolica del Sacro Cuore; 2015. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/10280/6605.

Council of Science Editors:

BARBIERI A. LE TERRECOTTE DECORATIVE DEL MUSEO D'ARTE ANTICA DEL CASTELLO SFORZESCO DI MILANO: PRODUZIONE FITTILE E ARCHITETTURA NELL'ETA' SFORZESCA. [Doctoral Dissertation]. Università Cattolica del Sacro Cuore; 2015. Available from: http://hdl.handle.net/10280/6605


University of Colorado

85. Flecha Vega, Raquel. A Decolonial Analysis of La Catedral de Santo Domingo Primada de América.

Degree: MA, Art & Art History, 2015, University of Colorado

  This study examines the participation of historically erased Taínos and West Africans in the construction and meaning of La Catedral Primada de América, not… (more)

Subjects/Keywords: Historical Erasure; Taíno; West African; Yoruba; Ancient, Medieval, Renaissance and Baroque Art and Architecture; Ethnic Studies; Latin American Studies

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APA (6th Edition):

Flecha Vega, R. (2015). A Decolonial Analysis of La Catedral de Santo Domingo Primada de América. (Masters Thesis). University of Colorado. Retrieved from http://scholar.colorado.edu/arth_gradetds/27

Chicago Manual of Style (16th Edition):

Flecha Vega, Raquel. “A Decolonial Analysis of La Catedral de Santo Domingo Primada de América.” 2015. Masters Thesis, University of Colorado. Accessed October 18, 2019. http://scholar.colorado.edu/arth_gradetds/27.

MLA Handbook (7th Edition):

Flecha Vega, Raquel. “A Decolonial Analysis of La Catedral de Santo Domingo Primada de América.” 2015. Web. 18 Oct 2019.

Vancouver:

Flecha Vega R. A Decolonial Analysis of La Catedral de Santo Domingo Primada de América. [Internet] [Masters thesis]. University of Colorado; 2015. [cited 2019 Oct 18]. Available from: http://scholar.colorado.edu/arth_gradetds/27.

Council of Science Editors:

Flecha Vega R. A Decolonial Analysis of La Catedral de Santo Domingo Primada de América. [Masters Thesis]. University of Colorado; 2015. Available from: http://scholar.colorado.edu/arth_gradetds/27


University of South Florida

86. Darley, Zaida. The Dirt on Prehispanic Water Management at Palmarejo, Honduras.

Degree: 2011, University of South Florida

 Water is an essential resource for human life. Even in the tropical environment of the Maya Lowlands, water scarcity is a concern, because the region… (more)

Subjects/Keywords: archaeology; environmental anthropology; GIS; political economy; soil analysis; American Studies; Arts and Humanities; History of Art, Architecture, and Archaeology

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APA (6th Edition):

Darley, Z. (2011). The Dirt on Prehispanic Water Management at Palmarejo, Honduras. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/3062

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Darley, Zaida. “The Dirt on Prehispanic Water Management at Palmarejo, Honduras.” 2011. Thesis, University of South Florida. Accessed October 18, 2019. https://scholarcommons.usf.edu/etd/3062.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Darley, Zaida. “The Dirt on Prehispanic Water Management at Palmarejo, Honduras.” 2011. Web. 18 Oct 2019.

Vancouver:

Darley Z. The Dirt on Prehispanic Water Management at Palmarejo, Honduras. [Internet] [Thesis]. University of South Florida; 2011. [cited 2019 Oct 18]. Available from: https://scholarcommons.usf.edu/etd/3062.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Darley Z. The Dirt on Prehispanic Water Management at Palmarejo, Honduras. [Thesis]. University of South Florida; 2011. Available from: https://scholarcommons.usf.edu/etd/3062

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

87. Du Vernay, Jeffrey Patrick. The Archaeology of Yon Mound and Village, Middle Apalachicola River Valley, Northwest Florida.

Degree: 2011, University of South Florida

 A growing trend in Mississippian research in the archaeology of the southeastern United States stresses the need to shift away from categorizing generalizations (e.g., the… (more)

Subjects/Keywords: Fort Walton; Lamar; Mississippi Period; Platform Mound; Southeastern United States; American Studies; Arts and Humanities; History of Art, Architecture, and Archaeology

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APA (6th Edition):

Du Vernay, J. P. (2011). The Archaeology of Yon Mound and Village, Middle Apalachicola River Valley, Northwest Florida. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/3082

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Du Vernay, Jeffrey Patrick. “The Archaeology of Yon Mound and Village, Middle Apalachicola River Valley, Northwest Florida.” 2011. Thesis, University of South Florida. Accessed October 18, 2019. https://scholarcommons.usf.edu/etd/3082.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Du Vernay, Jeffrey Patrick. “The Archaeology of Yon Mound and Village, Middle Apalachicola River Valley, Northwest Florida.” 2011. Web. 18 Oct 2019.

Vancouver:

Du Vernay JP. The Archaeology of Yon Mound and Village, Middle Apalachicola River Valley, Northwest Florida. [Internet] [Thesis]. University of South Florida; 2011. [cited 2019 Oct 18]. Available from: https://scholarcommons.usf.edu/etd/3082.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Du Vernay JP. The Archaeology of Yon Mound and Village, Middle Apalachicola River Valley, Northwest Florida. [Thesis]. University of South Florida; 2011. Available from: https://scholarcommons.usf.edu/etd/3082

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

88. Figueroa, Alejandro J. The Clash of Heritage and Development on the Island of Roatán, Honduras.

Degree: 2011, University of South Florida

 The present study examines the spatial relationship between archaeological sites on the island of Roatán, Honduras and their topographical and biophysical location, as well as… (more)

Subjects/Keywords: Central America; Cultural heritage management; GIS; Mesoamerica; Settlement patterns; American Studies; Arts and Humanities; History of Art, Architecture, and Archaeology

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APA (6th Edition):

Figueroa, A. J. (2011). The Clash of Heritage and Development on the Island of Roatán, Honduras. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/3104

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Figueroa, Alejandro J. “The Clash of Heritage and Development on the Island of Roatán, Honduras.” 2011. Thesis, University of South Florida. Accessed October 18, 2019. https://scholarcommons.usf.edu/etd/3104.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Figueroa, Alejandro J. “The Clash of Heritage and Development on the Island of Roatán, Honduras.” 2011. Web. 18 Oct 2019.

Vancouver:

Figueroa AJ. The Clash of Heritage and Development on the Island of Roatán, Honduras. [Internet] [Thesis]. University of South Florida; 2011. [cited 2019 Oct 18]. Available from: https://scholarcommons.usf.edu/etd/3104.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Figueroa AJ. The Clash of Heritage and Development on the Island of Roatán, Honduras. [Thesis]. University of South Florida; 2011. Available from: https://scholarcommons.usf.edu/etd/3104

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

89. Goodwin, Whitney Annette. Archaeology and Indigeneity, Past and Present: A View from the Island of Roatán, Honduras.

Degree: 2011, University of South Florida

 Project Roatán was initiated in 2008 as a collaboration between the University of South Florida (USF) and the Honduran Institute of Anthropology and History (IHAH)… (more)

Subjects/Keywords: Affiliation; Archaeology; Central America; Heritage Tourism; Mesoamerica; American Studies; Arts and Humanities; History of Art, Architecture, and Archaeology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Goodwin, W. A. (2011). Archaeology and Indigeneity, Past and Present: A View from the Island of Roatán, Honduras. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/3123

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Goodwin, Whitney Annette. “Archaeology and Indigeneity, Past and Present: A View from the Island of Roatán, Honduras.” 2011. Thesis, University of South Florida. Accessed October 18, 2019. https://scholarcommons.usf.edu/etd/3123.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Goodwin, Whitney Annette. “Archaeology and Indigeneity, Past and Present: A View from the Island of Roatán, Honduras.” 2011. Web. 18 Oct 2019.

Vancouver:

Goodwin WA. Archaeology and Indigeneity, Past and Present: A View from the Island of Roatán, Honduras. [Internet] [Thesis]. University of South Florida; 2011. [cited 2019 Oct 18]. Available from: https://scholarcommons.usf.edu/etd/3123.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Goodwin WA. Archaeology and Indigeneity, Past and Present: A View from the Island of Roatán, Honduras. [Thesis]. University of South Florida; 2011. Available from: https://scholarcommons.usf.edu/etd/3123

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

90. O'Brien, Matthew Andrew. Nearer, My Farm, to Thee: A Spatial Analysis of African American Settlement Patterns in Hillsborough County, Florida.

Degree: 2011, University of South Florida

 Geographic Information Systems (GIS) have demonstrated their utility in predictively modeling the location of archaeological sites, and providing a framework for cataloging sites eligible for… (more)

Subjects/Keywords: ANT; Archaeology; Geohistorical; GIS; Southeastern U.S.; American Studies; Arts and Humanities; History of Art, Architecture, and Archaeology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

O'Brien, M. A. (2011). Nearer, My Farm, to Thee: A Spatial Analysis of African American Settlement Patterns in Hillsborough County, Florida. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/3267

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

O'Brien, Matthew Andrew. “Nearer, My Farm, to Thee: A Spatial Analysis of African American Settlement Patterns in Hillsborough County, Florida.” 2011. Thesis, University of South Florida. Accessed October 18, 2019. https://scholarcommons.usf.edu/etd/3267.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

O'Brien, Matthew Andrew. “Nearer, My Farm, to Thee: A Spatial Analysis of African American Settlement Patterns in Hillsborough County, Florida.” 2011. Web. 18 Oct 2019.

Vancouver:

O'Brien MA. Nearer, My Farm, to Thee: A Spatial Analysis of African American Settlement Patterns in Hillsborough County, Florida. [Internet] [Thesis]. University of South Florida; 2011. [cited 2019 Oct 18]. Available from: https://scholarcommons.usf.edu/etd/3267.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

O'Brien MA. Nearer, My Farm, to Thee: A Spatial Analysis of African American Settlement Patterns in Hillsborough County, Florida. [Thesis]. University of South Florida; 2011. Available from: https://scholarcommons.usf.edu/etd/3267

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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