▼ 

The current thesis aims to analyze the novel A Paixão segundo G.H. (1964) by Clarice Lispector. From the hypothesis that the narrator-character, identified only by GH, in reporting her via crucis of existence also reports, through a plurissignificative speech, her experience as a writer-sculptor. In her kind of writing, she uses metaphors that can be read and compared with the investigative act of writing and effects produced by ephiphanic writing. The G.H. character, after becoming conscious of her existence, is able to report it and give it the form of ephiphanic experience. She needs the writing form to understand, arrest and formalize the reality. Writing, for her, is an attempt to give shape to what she had experienced (the cockroach) and by writing (form), to revive and give it the illusion of poetic sense. G.H. talks about the passion in her own point of view, the reason for why we analyzed the narrators speech as a loving writing of I(s), loaded from a pathos of an I who writes. The alterity experience can be seen in contrast of G.H. to the other, represented in the figure of Janair, the cockroach, the imaginary interlocutor, whom she calls to work together in her sculpture-writing. The exotopic experience and the contact with the others view provided the ephiphanic moment lived by the authorheroin, therefore, the alterity and epiphany are functionally interlinked and interdependent. But only the experience of writing can promote ethical and aesthetic completion to the experience. The subject approached in A Paixão segundo G.H. was borned in the tension between the saying and the how to write, materializing the drama of language into act sculpture, the writing experienced by GH into an act of waiting for a final form. The first chapter approaches the narrative as a writing in its formal specificity. The second chapter deals with the experience by Clarice Lispectors alteritys writing in discordance with the content, transformed by the sculptural form, in which the whole heroin-author-reader narrative process is coparticipated by her. This chapter still approaches the issue of aesthetics epiphany of form-content, generated by ephiphanic time that wins the form-content desired by heroin-author and by the author-sculpture of the alterity reported artistic form. The narrator-character emerge on the meaning and limits of the poetic word, therefore, the G.Hs report is a pure concrete manifestation of form of an aesthetic consciousness. We stress that, for analyzing the effects produced by the loving speech, we passed over the works of Roland Barthes and ideas raised by the critical word and translator of Leyla Perrone-Moises

A presente dissertação tem por objetivo analisar o romance A Paixão segundo G.H. (1964) de Clarice Lispector. Partimos da hipótese de que a narradora personagem, identificada apenas pelas iniciais G.H., ao relatar sua via crucis existencial relata também, através de um discurso plurissignificativo, sua experiência como escritora-escultora. Nesse modo de escrever, trabalha metáforas que podem…

Advisors/Committee Members: Maria José Pereira Gordo Palo.

▼ 

O velado e o revelado: imagens da Festa da Congada é resultado da investigação de processos de percepção atribuídos ao olhar que se reportam ao mundo visível, mas também ao mundo invisível, cuja apreensão e compreensão abarcam códigos, modulação e educação dos sentidos de ordem diversa e específica. A partir da pesquisa de campo com imagens, a Festa de Congada de São Sebastião do Paraíso, MG, foi pensada por meio da sincrônica descrição etnográfica cotejada aos recortes conceituais diacrônicos que ofereceram elementos importantes à compreensão desta festa em sua especificidade de imbricar heranças africanas de religiosidade às práticas católicas. Esse foi o caminho para pensar a Congada e sua dinâmica conceitual nativa sobre imagens, formas, e tudo aquilo que é visível e invisível na festa.

Guarded and revealed: images of the Feast of Congada is a result of the research on processes of perception attributed to the look that report to the visible world, but also to the invisible world, which apprehension and understanding includes codes, modulation and education of senses diverse and specific. Based on fieldwork with images, the Feast of Congada of São Sebastião do Paraíso, MG has been thought through synchronic ethnographic description compared with diachronic conceptual elements that offered important insights in order to understand this festivity in its specificity of implicating African religious heritage to Catholic practices. This was the way to render the Congada and its conceptual dynamics of native images, shapes, and all that is visible and invisible at the party.

Advisors/Committee Members: Novaes, Sylvia Maria Caiuby.

▼ 

Esta tese tem como objetivo discutir as variadas manifestações de mobilidades culturais e suas consequentes relações de alteridades no romance Relato de um certo oriente de Milton Hatoum, partindo do suposto de que a alteridade é parte constituinte da subjetividade e da relação humana de diferença e identidade com o Outro; e, ao mesmo tempo, analisar o processo intercultural da pré-tradução para a língua árabe de quatro capítulos do Relato de um certo oriente. Nesse sentido, este trabalho está focado em dois lócus das mobilidades culturais das alteridades: a narrativa de memória da imigração e a tradução literária.

This thesis aims to discuss the various manifestations of cultural mobilities and its consequent relations of alterities in the novel Tale of Certain Orient of Milton Hatoum, assuming that otherness is a constituent part of human subjectivity and its relationship of difference and identity with the Other; and at the same time we intend also to analyze the processo of intercultural pretranslation into Arabic of four chapters of the novel. In this sense, this work is focused on two locals of cultural mobilities of alterities: the narrative memory of immigration and literary translation.

Advisors/Committee Members: Abdala Junior, Benjamin, Jarouche, Mamede Mustafa.

▼ 

A presente dissertação visa à leitura do romance As mulheres de Tijucopapo (2004), de Marilene Felinto, com ênfase na leitura das relações entre as alteridades polifônicas e a protagonista Rísia em três etapas do relato a infantil, a adulta e a mítica , em seu emaranhado discursivo. Conduzindo as análises, elegemos como principais hipóteses de comprovação: o não lugar do passado (real ou mítico) ganha o presente durativo pela via da memória; a memória estabelece uma relação construtiva do presente, colocando a experiência em causa com o sujeito enunciativo em sua singularidade; emerge na escritura um jogo temporal ficcional de alteridades articuladas pelo relato da tríade pronominal eu-ela-elas. Fundamentamos este trabalho dissertativo em três capítulos a partir das reflexões de Mikhail Bakhtin e o conceito de dialogismo aplicado ao tratamento da polissemia dos diálogos poéticos da narradora em primeira pessoa; Henri Bergson dá suporte ao relato memorialista ao ultrapassar o histórico, enquanto produção de linguagem ficcional ou inventada; Giorgio Agamben defende as temáticas da infância e da contemporaneidade, eixos basilares da enunciação transgressora presente na forma do romance contemporâneo. Os resultados alcançados ressaltam que, por meio da experiência da linguagem em relato memorialista, no limiar do autobiográfico, as identidades discursivas ou sujeitos dissonantes e desdobrados do eu feminino que narra constroem um movimento temporal de reconstrução da narrativa entre presente, passado e futuro. Na movência da escritura, espacialidades ganham novos tempos poéticos pela via do narrar épico, marcando o gênero do romance na origem da imagem relembrada pelo eu e colocada em dialogia por suas alteridades femininas unívocas: ela/ elas

This thesis regards the reading of the novel The Women of Tijucopapo (2004), by Marilene Felinto, with emphasis on the reading of the relationships between the polyphonic othernesses and the protagonist -Risia- in three stages of the narrative (the child, the adult, and the mythical) in a discursive tangle. During the analysis process, the following primary hypotheses were elected: the non-place of the past (real or mythical) takes the durative present via memory; the memories provides a present constructive relationship placing the experience concerned with the enunciative subject in its singularity; a fictional temporal game of othernesses, which is articulated by the account of the pronominal triad I-SHE-THEY, emerges in the narrative. This paper was founded through three chapters starting from Mikhail Bakhtins reflections and his concept of dialogism applied to the treatment of polysemy of the first-person narrators poetic dialogs; Henri Bergsons supports the memorialist narrative in trancending history, as invented or fictional language production; and Giorgio Agambens arguments childhood and contemporaneity themes, fundamental axis of transgressive enunciation in contemporary novels. The achieved results highlight that: by language experience of memorialist narratives, on…

Advisors/Committee Members: Maria José Pereira Gordo Palo.

▼ This thesis is entitled: "Toward a Science of absences. Conceptual review and discussion about the absences, otherness and contemporary social mobility". Overall, the paper presents a conceptual systematization qualitative interested in a research line on which you are working since 2005 to date. It is made from an interest in the social construction of otherness, contemporary social mobilities and absences. It has been done in the form of collection of articles published in arbitration. Conceptually choosing this format it is based on three aspects that are critical in nature and involve definitions relating to the establishment and continuity of its thematic research, institutional learning itineraries and referred to the publication in scientific journals. The location, design and articulation of objectives are made taking into account a set of fundamental dimensions. First, they are academically located within the Doctoral Program in Social Psychology, tune into the program referred to in interest in the conditions in which knowledge is produced, in their modes of circulation, in ways that are legitimate in the discursive practices that construct. Second, in its conception it prevails an interest in theoretical developments. It has chosen to pursue a conceptual and analytical systematization. This choice of methodological nature is based on the need to bring proven expertise with regard to the conceptualization of the categories, perspectives and disciplinary approaches drawn from that research practices are made and speeches generated socially accepted. This dimension is expected to achieve the goals that are flattering thesis raises a critical and dialogic context. Context in which the concepts, budgets and research techniques commonly used to acquire a comprehensive sense and therefore our societies transformer. We assume that Social Psychology Review should consider as a constant challenge social transformation and that their task is not reduced to mere recognition management problems or situations with a purely descriptive or explanatory imprint. Third, the field - theme of our general objective is structured according to three lines of conceptual work. Each has its specificity but are undoubtedly connected and interrelated. The following are synthetically. Your order will not respond to any hierarchy, the three are constitutive of a semantic grammar territoriality and places them horizontally in a continuum of multiple addresses. In this sense, the overall objective is geared towards: a) The ways to create a kind of research practice including an updating of the senses that takes the notion of epistemological vigilance. b) Recognize the ways and budgets from which contemporary social otherness defined. Specifically those meanings which saved otherness in relation to population mobility, migration processes, gender perspectives and feminist social movements are analyzed. c) The senses that absences have in social practices, memory and their place in contemporary social theory. Advisors/Committee Members: [email protected] (authoremail), true (authoremailshow), Martínez Martínez, Luz María (director), true (authorsendemail).

▼ 

Esta pesquisa traz uma abordagem etnográfica da construção de alteridade de um grupo de agentes sociais na relação que estabelecem com as agências que a eles se vinculam. Abordando esta construção numa perspectiva relacional da identidade e dinâmica territorial, procuro entender a partir de um mapeamento das agências, as relações de forças ou de poder presentes em suas intervenções e as formas criativas que os agentes têm encontrado para uma representação de seus interesses e posicionamento dentro deste campo social. Faço uma apropriação do conceito de agenciamento de Deleuze e Guattari para analisar esta construção de alteridades, que teria na exterioridade o seu meio de atuação, tendo em vista que para este autor não existem origens e nem fins, mas devires. Faço uma reflexão sobre minha trajetória como pastor e em seguida como pesquisador, e como estas posições se articulam. Abordo os sujeitos e a região onde estão inseridos, as agências, suas intervenções e os agenciamentos e por fim apresento uma reflexão conceitual com base no material empírico.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

Advisors/Committee Members: Rodrigues, José Exequiel Basini, CPF:80954880030, http://lattes.cnpq.br/8521382192383104.