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You searched for subject:(Alkan Charles Valentin 1813 1888 Piano music ). Showing records 1 – 30 of 32595 total matches.

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University of North Texas

1. Ahn, Joel, 1957-. A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos.

Degree: 1988, University of North Texas

Charles Valentin Alkan (1813-1888), one of the great genii in music history, was widely misunderstood by his contemporaries because of his highly idiosyncratic ideas. From… (more)

Subjects/Keywords: piano music; piano performance; Charles Valentin Alkan; Alkan, Charles-Valentin, 1813-1888.  – Piano music.; Piano music  – Analysis, appreciation.

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APA (6th Edition):

Ahn, Joel, 1. (1988). A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc332384/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ahn, Joel, 1957-. “A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos.” 1988. Thesis, University of North Texas. Accessed October 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc332384/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ahn, Joel, 1957-. “A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos.” 1988. Web. 28 Oct 2020.

Vancouver:

Ahn, Joel 1. A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos. [Internet] [Thesis]. University of North Texas; 1988. [cited 2020 Oct 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc332384/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ahn, Joel 1. A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos. [Thesis]. University of North Texas; 1988. Available from: https://digital.library.unt.edu/ark:/67531/metadc332384/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Radford, Wanda J. Jewish Elements in Representative Published Piano Works of Charles Valentine Morhange (Alkan).

Degree: 1971, North Texas State University

 The purpose of this study is to show interrelationships between the thematic contents of those piano works by Alkan that are considered to be representative… (more)

Subjects/Keywords: Jewish music history; Charles Valentine Morhange Alkan; musical analysis; Alkan, Charles Henri Valentin, 1813-1888.  – Works, piano.; Jews  – Music  – History and criticism.

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APA (6th Edition):

Radford, W. J. (1971). Jewish Elements in Representative Published Piano Works of Charles Valentine Morhange (Alkan). (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935806/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Radford, Wanda J. “Jewish Elements in Representative Published Piano Works of Charles Valentine Morhange (Alkan).” 1971. Thesis, North Texas State University. Accessed October 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc935806/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Radford, Wanda J. “Jewish Elements in Representative Published Piano Works of Charles Valentine Morhange (Alkan).” 1971. Web. 28 Oct 2020.

Vancouver:

Radford WJ. Jewish Elements in Representative Published Piano Works of Charles Valentine Morhange (Alkan). [Internet] [Thesis]. North Texas State University; 1971. [cited 2020 Oct 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935806/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Radford WJ. Jewish Elements in Representative Published Piano Works of Charles Valentine Morhange (Alkan). [Thesis]. North Texas State University; 1971. Available from: https://digital.library.unt.edu/ark:/67531/metadc935806/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Holden, Edward. Charles Valentin Alkan: Interpreting the Composer’s use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium.

Degree: 2014, RIAN

There is no abstract for this thesis.

Subjects/Keywords: Music; Charles Valentin Alkan; Rhythm; Music for Organ; Pedal-piano; Harmonium

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APA (6th Edition):

Holden, E. (2014). Charles Valentin Alkan: Interpreting the Composer’s use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium. (Thesis). RIAN. Retrieved from http://mural.maynoothuniversity.ie/5443/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Holden, Edward. “Charles Valentin Alkan: Interpreting the Composer’s use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium.” 2014. Thesis, RIAN. Accessed October 28, 2020. http://mural.maynoothuniversity.ie/5443/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Holden, Edward. “Charles Valentin Alkan: Interpreting the Composer’s use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium.” 2014. Web. 28 Oct 2020.

Vancouver:

Holden E. Charles Valentin Alkan: Interpreting the Composer’s use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium. [Internet] [Thesis]. RIAN; 2014. [cited 2020 Oct 28]. Available from: http://mural.maynoothuniversity.ie/5443/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Holden E. Charles Valentin Alkan: Interpreting the Composer’s use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium. [Thesis]. RIAN; 2014. Available from: http://mural.maynoothuniversity.ie/5443/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

4. Yang, Ming-ming. The Historical Significant of Alkanâs Concerti da Camera, Op.10.

Degree: Master, Music, 2012, NSYSU

Charles-Valentin Alkan ( 1813-1888 ), French composer and pianist at early nineteenth century, devoted himself to write piano music only as Chopin during his entire… (more)

Subjects/Keywords: musical environment in Paris; Concerto da Camera; No. 10.; piano concerto; early nineteenth century; Charles-Valentin Alkan

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APA (6th Edition):

Yang, M. (2012). The Historical Significant of Alkanâs Concerti da Camera, Op.10. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0206112-211817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yang, Ming-ming. “The Historical Significant of Alkanâs Concerti da Camera, Op.10.” 2012. Thesis, NSYSU. Accessed October 28, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0206112-211817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yang, Ming-ming. “The Historical Significant of Alkanâs Concerti da Camera, Op.10.” 2012. Web. 28 Oct 2020.

Vancouver:

Yang M. The Historical Significant of Alkanâs Concerti da Camera, Op.10. [Internet] [Thesis]. NSYSU; 2012. [cited 2020 Oct 28]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0206112-211817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yang M. The Historical Significant of Alkanâs Concerti da Camera, Op.10. [Thesis]. NSYSU; 2012. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0206112-211817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Holden, Edward. Charles Valentin Alkan: Interpreting the Composer’s use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium.

Degree: 2014, RIAN

There is no abstract for this thesis.

Subjects/Keywords: Music; Charles Valentin Alkan; Rhythm; Music for Organ; Pedal-piano; Harmonium

…Holden 31st October 1948 – 21st June 2010 xii Preface The music of Charles Valentin Alkan… …making the music of Charles Valentin Alkan the subject of a musicological or an analytical… …life. Charles Valentin Alkan was born on November 30th 1813, the second of six children born… …William Alexander Eddie: Charles Valentin Alkan: His Life and His Music, (Aldershot… …Charles Valentin Alkan: His Life and His Music, (Aldershot: Ashgate 2007), p. 2. 10… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Holden, E. (2014). Charles Valentin Alkan: Interpreting the Composer’s use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium. (Thesis). RIAN. Retrieved from http://eprints.maynoothuniversity.ie/5443/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Holden, Edward. “Charles Valentin Alkan: Interpreting the Composer’s use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium.” 2014. Thesis, RIAN. Accessed October 28, 2020. http://eprints.maynoothuniversity.ie/5443/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Holden, Edward. “Charles Valentin Alkan: Interpreting the Composer’s use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium.” 2014. Web. 28 Oct 2020.

Vancouver:

Holden E. Charles Valentin Alkan: Interpreting the Composer’s use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium. [Internet] [Thesis]. RIAN; 2014. [cited 2020 Oct 28]. Available from: http://eprints.maynoothuniversity.ie/5443/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Holden E. Charles Valentin Alkan: Interpreting the Composer’s use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium. [Thesis]. RIAN; 2014. Available from: http://eprints.maynoothuniversity.ie/5443/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Arizona State University

6. Hillmann, Joshua Lester. Solving the Riddle of Alkan's Grande Sonate Op. 33 ‘Les quatre âges’: A Performance Guide and Programmatic Overview.

Degree: Music, 2018, Arizona State University

Subjects/Keywords: Music; Charles-Valentin Alkan; Grande Sonate Op. 33; Performance Guide; Program Music; Quasi-Faust; Sonata

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APA (6th Edition):

Hillmann, J. L. (2018). Solving the Riddle of Alkan's Grande Sonate Op. 33 ‘Les quatre âges’: A Performance Guide and Programmatic Overview. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/49212

Chicago Manual of Style (16th Edition):

Hillmann, Joshua Lester. “Solving the Riddle of Alkan's Grande Sonate Op. 33 ‘Les quatre âges’: A Performance Guide and Programmatic Overview.” 2018. Doctoral Dissertation, Arizona State University. Accessed October 28, 2020. http://repository.asu.edu/items/49212.

MLA Handbook (7th Edition):

Hillmann, Joshua Lester. “Solving the Riddle of Alkan's Grande Sonate Op. 33 ‘Les quatre âges’: A Performance Guide and Programmatic Overview.” 2018. Web. 28 Oct 2020.

Vancouver:

Hillmann JL. Solving the Riddle of Alkan's Grande Sonate Op. 33 ‘Les quatre âges’: A Performance Guide and Programmatic Overview. [Internet] [Doctoral dissertation]. Arizona State University; 2018. [cited 2020 Oct 28]. Available from: http://repository.asu.edu/items/49212.

Council of Science Editors:

Hillmann JL. Solving the Riddle of Alkan's Grande Sonate Op. 33 ‘Les quatre âges’: A Performance Guide and Programmatic Overview. [Doctoral Dissertation]. Arizona State University; 2018. Available from: http://repository.asu.edu/items/49212


University of Oklahoma

7. Kiefer, Larissa Marie. A pedagogical guide to the 25 Etudes melodiques Opus 45 of Stephen Heller.

Degree: DMA, School of Music, 2001, University of Oklahoma

 Chapter V contains a summary and conclusions. References are provided in the bibliography according to topic. The six appendices include a chronological listing of Heller's… (more)

Subjects/Keywords: Music.; Heller, Stephen, 1813-1888. Etudes faciles.; Piano music Analysis, appreciation.

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APA (6th Edition):

Kiefer, L. M. (2001). A pedagogical guide to the 25 Etudes melodiques Opus 45 of Stephen Heller. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/324

Chicago Manual of Style (16th Edition):

Kiefer, Larissa Marie. “A pedagogical guide to the 25 Etudes melodiques Opus 45 of Stephen Heller.” 2001. Doctoral Dissertation, University of Oklahoma. Accessed October 28, 2020. http://hdl.handle.net/11244/324.

MLA Handbook (7th Edition):

Kiefer, Larissa Marie. “A pedagogical guide to the 25 Etudes melodiques Opus 45 of Stephen Heller.” 2001. Web. 28 Oct 2020.

Vancouver:

Kiefer LM. A pedagogical guide to the 25 Etudes melodiques Opus 45 of Stephen Heller. [Internet] [Doctoral dissertation]. University of Oklahoma; 2001. [cited 2020 Oct 28]. Available from: http://hdl.handle.net/11244/324.

Council of Science Editors:

Kiefer LM. A pedagogical guide to the 25 Etudes melodiques Opus 45 of Stephen Heller. [Doctoral Dissertation]. University of Oklahoma; 2001. Available from: http://hdl.handle.net/11244/324


The Ohio State University

8. MacDonald, Laurence Eben. The piano music of Charles-Valentin Alkan.

Degree: MA, Music, 1966, The Ohio State University

Subjects/Keywords: ALKAN; PIANO; MUSIC; etudes; Bertha; composer

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APA (6th Edition):

MacDonald, L. E. (1966). The piano music of Charles-Valentin Alkan. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1133976012

Chicago Manual of Style (16th Edition):

MacDonald, Laurence Eben. “The piano music of Charles-Valentin Alkan.” 1966. Masters Thesis, The Ohio State University. Accessed October 28, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1133976012.

MLA Handbook (7th Edition):

MacDonald, Laurence Eben. “The piano music of Charles-Valentin Alkan.” 1966. Web. 28 Oct 2020.

Vancouver:

MacDonald LE. The piano music of Charles-Valentin Alkan. [Internet] [Masters thesis]. The Ohio State University; 1966. [cited 2020 Oct 28]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1133976012.

Council of Science Editors:

MacDonald LE. The piano music of Charles-Valentin Alkan. [Masters Thesis]. The Ohio State University; 1966. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1133976012


University of North Texas

9. Ding, Yang. First Movement of the Beethoven Third Piano Concerto: An Argument for the Alkan Cadenza.

Degree: 2015, University of North Texas

 The goal of this dissertation is not only to introduce the unique cadenza by Alkan but also to offer an argument from the performer’s point… (more)

Subjects/Keywords: Alkan; cadenza; Beethoven; music history

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APA (6th Edition):

Ding, Y. (2015). First Movement of the Beethoven Third Piano Concerto: An Argument for the Alkan Cadenza. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc799505/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ding, Yang. “First Movement of the Beethoven Third Piano Concerto: An Argument for the Alkan Cadenza.” 2015. Thesis, University of North Texas. Accessed October 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc799505/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ding, Yang. “First Movement of the Beethoven Third Piano Concerto: An Argument for the Alkan Cadenza.” 2015. Web. 28 Oct 2020.

Vancouver:

Ding Y. First Movement of the Beethoven Third Piano Concerto: An Argument for the Alkan Cadenza. [Internet] [Thesis]. University of North Texas; 2015. [cited 2020 Oct 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc799505/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ding Y. First Movement of the Beethoven Third Piano Concerto: An Argument for the Alkan Cadenza. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc799505/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Lee, Patricia Ho. Doctoral thesis recital (lecture) piano.

Degree: DMA, Piano performance, 2014, University of Texas – Austin

Lecture: Improvisation in Poulenc's improvisations  – 15 improvisations / Francis Poulenc. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Piano music

Page 1

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APA (6th Edition):

Lee, P. H. (2014). Doctoral thesis recital (lecture) piano. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24465

Chicago Manual of Style (16th Edition):

Lee, Patricia Ho. “Doctoral thesis recital (lecture) piano.” 2014. Doctoral Dissertation, University of Texas – Austin. Accessed October 28, 2020. http://hdl.handle.net/2152/24465.

MLA Handbook (7th Edition):

Lee, Patricia Ho. “Doctoral thesis recital (lecture) piano.” 2014. Web. 28 Oct 2020.

Vancouver:

Lee PH. Doctoral thesis recital (lecture) piano. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2014. [cited 2020 Oct 28]. Available from: http://hdl.handle.net/2152/24465.

Council of Science Editors:

Lee PH. Doctoral thesis recital (lecture) piano. [Doctoral Dissertation]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/24465

11. Magnone, Charles. Doctoral thesis recital (piano).

Degree: DMA, Piano performance, 2014, University of Texas – Austin

Lyric pieces / Edvard Grieg  – Memory pieces / David Lang  – March of progress / Stephen Freigenbaum  – Night visions / Andrew Davis  – Bagatelles, op.126 / Ludwig van Beethoven. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Piano music

Page 1

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APA (6th Edition):

Magnone, C. (2014). Doctoral thesis recital (piano). (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24500

Chicago Manual of Style (16th Edition):

Magnone, Charles. “Doctoral thesis recital (piano).” 2014. Doctoral Dissertation, University of Texas – Austin. Accessed October 28, 2020. http://hdl.handle.net/2152/24500.

MLA Handbook (7th Edition):

Magnone, Charles. “Doctoral thesis recital (piano).” 2014. Web. 28 Oct 2020.

Vancouver:

Magnone C. Doctoral thesis recital (piano). [Internet] [Doctoral dissertation]. University of Texas – Austin; 2014. [cited 2020 Oct 28]. Available from: http://hdl.handle.net/2152/24500.

Council of Science Editors:

Magnone C. Doctoral thesis recital (piano). [Doctoral Dissertation]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/24500

12. Moon, Chaekyung. Doctoral thesis recital (lecture) piano.

Degree: DMA, Piano performance, 2014, University of Texas – Austin

Lecture: "Isang Yun's piano music: Fusion of east and west in twelve-tone and atonal contexts."  – 5 Stucke fur Klavier / Isang Yun  – Interludium A / Isang Yun. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Piano music

Page 1

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APA (6th Edition):

Moon, C. (2014). Doctoral thesis recital (lecture) piano. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24509

Chicago Manual of Style (16th Edition):

Moon, Chaekyung. “Doctoral thesis recital (lecture) piano.” 2014. Doctoral Dissertation, University of Texas – Austin. Accessed October 28, 2020. http://hdl.handle.net/2152/24509.

MLA Handbook (7th Edition):

Moon, Chaekyung. “Doctoral thesis recital (lecture) piano.” 2014. Web. 28 Oct 2020.

Vancouver:

Moon C. Doctoral thesis recital (lecture) piano. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2014. [cited 2020 Oct 28]. Available from: http://hdl.handle.net/2152/24509.

Council of Science Editors:

Moon C. Doctoral thesis recital (lecture) piano. [Doctoral Dissertation]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/24509


University of Texas – Austin

13. Huang, Chu-Han. Doctoral thesis recital (piano).

Degree: DMA, Piano performance, 2011, University of Texas – Austin

Variations and fugue in E-flat major, op. 35 / L. v. Beethoven  – Sonata no. 5, op. 53 / A. Scriabin  – Le soirees de Nazelles / F. Poulenc  – Totentanz (solo version) / F. Liszt. Advisors/Committee Members: Not available (advisor).

Subjects/Keywords: Piano music

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APA (6th Edition):

Huang, C. (2011). Doctoral thesis recital (piano). (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/16317

Chicago Manual of Style (16th Edition):

Huang, Chu-Han. “Doctoral thesis recital (piano).” 2011. Doctoral Dissertation, University of Texas – Austin. Accessed October 28, 2020. http://hdl.handle.net/2152/16317.

MLA Handbook (7th Edition):

Huang, Chu-Han. “Doctoral thesis recital (piano).” 2011. Web. 28 Oct 2020.

Vancouver:

Huang C. Doctoral thesis recital (piano). [Internet] [Doctoral dissertation]. University of Texas – Austin; 2011. [cited 2020 Oct 28]. Available from: http://hdl.handle.net/2152/16317.

Council of Science Editors:

Huang C. Doctoral thesis recital (piano). [Doctoral Dissertation]. University of Texas – Austin; 2011. Available from: http://hdl.handle.net/2152/16317

14. Severin, Steven. Master's thesis recital (piano).

Degree: MM, Piano performance, 2014, University of Texas – Austin

French suite no.2 in C minor, BWV 813 / Johann Sebastian Bach  – Songs without words, op.19b / Felix Mendelssohn  – Preludes, op.38 / Dmitry Kabalevsky  – Sonata in D minor, op.31, no.2 / Ludwig van Beethoven. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Piano music

Page 1

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APA (6th Edition):

Severin, S. (2014). Master's thesis recital (piano). (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24591

Chicago Manual of Style (16th Edition):

Severin, Steven. “Master's thesis recital (piano).” 2014. Masters Thesis, University of Texas – Austin. Accessed October 28, 2020. http://hdl.handle.net/2152/24591.

MLA Handbook (7th Edition):

Severin, Steven. “Master's thesis recital (piano).” 2014. Web. 28 Oct 2020.

Vancouver:

Severin S. Master's thesis recital (piano). [Internet] [Masters thesis]. University of Texas – Austin; 2014. [cited 2020 Oct 28]. Available from: http://hdl.handle.net/2152/24591.

Council of Science Editors:

Severin S. Master's thesis recital (piano). [Masters Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/24591

15. Wang, Kuo-Chuan. Master's thesis recital (piano).

Degree: MM, Piano performance, 2014, University of Texas – Austin

Variations, K.455 / Wolfgang Amadeus Mozart  – Selections / Frederic Chopin  – Miroirs / Maurice Ravel  – Caprice espagnol / Moszkowski. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Piano music

Page 1

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APA (6th Edition):

Wang, K. (2014). Master's thesis recital (piano). (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24424

Chicago Manual of Style (16th Edition):

Wang, Kuo-Chuan. “Master's thesis recital (piano).” 2014. Masters Thesis, University of Texas – Austin. Accessed October 28, 2020. http://hdl.handle.net/2152/24424.

MLA Handbook (7th Edition):

Wang, Kuo-Chuan. “Master's thesis recital (piano).” 2014. Web. 28 Oct 2020.

Vancouver:

Wang K. Master's thesis recital (piano). [Internet] [Masters thesis]. University of Texas – Austin; 2014. [cited 2020 Oct 28]. Available from: http://hdl.handle.net/2152/24424.

Council of Science Editors:

Wang K. Master's thesis recital (piano). [Masters Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/24424


University of Oklahoma

16. Worcester, Lynn. Allison Nelson: Pianist, Teacher and Editor.

Degree: DMA, 2015, University of Oklahoma

 This study documents the varied and significant contributions of Allison Nelson (b. 1927) to the field of piano through her work as a solo and… (more)

Subjects/Keywords: Music; Piano

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APA (6th Edition):

Worcester, L. (2015). Allison Nelson: Pianist, Teacher and Editor. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/15477

Chicago Manual of Style (16th Edition):

Worcester, Lynn. “Allison Nelson: Pianist, Teacher and Editor.” 2015. Doctoral Dissertation, University of Oklahoma. Accessed October 28, 2020. http://hdl.handle.net/11244/15477.

MLA Handbook (7th Edition):

Worcester, Lynn. “Allison Nelson: Pianist, Teacher and Editor.” 2015. Web. 28 Oct 2020.

Vancouver:

Worcester L. Allison Nelson: Pianist, Teacher and Editor. [Internet] [Doctoral dissertation]. University of Oklahoma; 2015. [cited 2020 Oct 28]. Available from: http://hdl.handle.net/11244/15477.

Council of Science Editors:

Worcester L. Allison Nelson: Pianist, Teacher and Editor. [Doctoral Dissertation]. University of Oklahoma; 2015. Available from: http://hdl.handle.net/11244/15477


University of Pretoria

17. [No author]. Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans) .

Degree: 2006, University of Pretoria

No abstract available. Advisors/Committee Members: Prof H J Stanford (advisor).

Subjects/Keywords: Piano music analysis appreciation; Camilleri charles; UCTD

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APA (6th Edition):

author], [. (2006). Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans) . (Masters Thesis). University of Pretoria. Retrieved from http://upetd.up.ac.za/thesis/available/etd-09302005-151334/

Chicago Manual of Style (16th Edition):

author], [No. “Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans) .” 2006. Masters Thesis, University of Pretoria. Accessed October 28, 2020. http://upetd.up.ac.za/thesis/available/etd-09302005-151334/.

MLA Handbook (7th Edition):

author], [No. “Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans) .” 2006. Web. 28 Oct 2020.

Vancouver:

author] [. Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans) . [Internet] [Masters thesis]. University of Pretoria; 2006. [cited 2020 Oct 28]. Available from: http://upetd.up.ac.za/thesis/available/etd-09302005-151334/.

Council of Science Editors:

author] [. Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans) . [Masters Thesis]. University of Pretoria; 2006. Available from: http://upetd.up.ac.za/thesis/available/etd-09302005-151334/


University of Pretoria

18. Du Plessis, Charl Petrus. Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans).

Degree: Music, 2006, University of Pretoria

No abstract available. Advisors/Committee Members: Prof H J Stanford (advisor).

Subjects/Keywords: Piano music analysis appreciation; Camilleri charles; UCTD

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APA (6th Edition):

Du Plessis, C. (2006). Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans). (Masters Thesis). University of Pretoria. Retrieved from http://hdl.handle.net/2263/28305

Chicago Manual of Style (16th Edition):

Du Plessis, Charl. “Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans).” 2006. Masters Thesis, University of Pretoria. Accessed October 28, 2020. http://hdl.handle.net/2263/28305.

MLA Handbook (7th Edition):

Du Plessis, Charl. “Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans).” 2006. Web. 28 Oct 2020.

Vancouver:

Du Plessis C. Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans). [Internet] [Masters thesis]. University of Pretoria; 2006. [cited 2020 Oct 28]. Available from: http://hdl.handle.net/2263/28305.

Council of Science Editors:

Du Plessis C. Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans). [Masters Thesis]. University of Pretoria; 2006. Available from: http://hdl.handle.net/2263/28305


University of Georgia

19. Robson, Katherine Wells. Romantic liturgists.

Degree: 2014, University of Georgia

 In 1859, Franz Liszt and Charles Valentin Alkan both composed settings of Psalm 137, “By the rivers of Babylon.” Though they were composed in the… (more)

Subjects/Keywords: Liszt; Alkan; Der 137 Psalm; Super flumina Babylonis; Psalm 137; Romantic sacred music; programmatic music

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APA (6th Edition):

Robson, K. W. (2014). Romantic liturgists. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/28404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Robson, Katherine Wells. “Romantic liturgists.” 2014. Thesis, University of Georgia. Accessed October 28, 2020. http://hdl.handle.net/10724/28404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Robson, Katherine Wells. “Romantic liturgists.” 2014. Web. 28 Oct 2020.

Vancouver:

Robson KW. Romantic liturgists. [Internet] [Thesis]. University of Georgia; 2014. [cited 2020 Oct 28]. Available from: http://hdl.handle.net/10724/28404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Robson KW. Romantic liturgists. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/28404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Chen, Ruoxu. Doctoral thesis recital (piano).

Degree: DMA, Piano performance, 2012, University of Texas – Austin

Piano sonata in G major XVI 40 / Franz Joseph Haydn  – Venezia e Napoli / Franz Liszt  – Piano sonata no.3 in B minor / Frederic Chopin. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Piano music; Piano sonatas

Page 1

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APA (6th Edition):

Chen, R. (2012). Doctoral thesis recital (piano). (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23969

Chicago Manual of Style (16th Edition):

Chen, Ruoxu. “Doctoral thesis recital (piano).” 2012. Doctoral Dissertation, University of Texas – Austin. Accessed October 28, 2020. http://hdl.handle.net/2152/23969.

MLA Handbook (7th Edition):

Chen, Ruoxu. “Doctoral thesis recital (piano).” 2012. Web. 28 Oct 2020.

Vancouver:

Chen R. Doctoral thesis recital (piano). [Internet] [Doctoral dissertation]. University of Texas – Austin; 2012. [cited 2020 Oct 28]. Available from: http://hdl.handle.net/2152/23969.

Council of Science Editors:

Chen R. Doctoral thesis recital (piano). [Doctoral Dissertation]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/23969


University of Texas – Austin

21. Pieper, Jestin. Master's thesis recital (piano).

Degree: MM, Piano performance, 2011, University of Texas – Austin

Davidsbundlertanze, op. 6 / Robert Schumann  – Processional / George Crumb  – Sonata in Ab major, op. 110 / L. v. Beethoven. Advisors/Committee Members: Not available (advisor).

Subjects/Keywords: Piano music; Piano sonatas

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APA (6th Edition):

Pieper, J. (2011). Master's thesis recital (piano). (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/17025

Chicago Manual of Style (16th Edition):

Pieper, Jestin. “Master's thesis recital (piano).” 2011. Masters Thesis, University of Texas – Austin. Accessed October 28, 2020. http://hdl.handle.net/2152/17025.

MLA Handbook (7th Edition):

Pieper, Jestin. “Master's thesis recital (piano).” 2011. Web. 28 Oct 2020.

Vancouver:

Pieper J. Master's thesis recital (piano). [Internet] [Masters thesis]. University of Texas – Austin; 2011. [cited 2020 Oct 28]. Available from: http://hdl.handle.net/2152/17025.

Council of Science Editors:

Pieper J. Master's thesis recital (piano). [Masters Thesis]. University of Texas – Austin; 2011. Available from: http://hdl.handle.net/2152/17025


University of Oklahoma

22. Van Kekerix, Todd. The Contributions of Elvina Truman Pearce to Piano Pedagogy.

Degree: DMA, 2020, University of Oklahoma

 Elvina Truman Pearce (b. 1931) was a leading piano pedagogue in the twentieth and twenty-first century. This document presents perspectives on her wide-ranging work as… (more)

Subjects/Keywords: Piano Pedagogy; Piano; Music Education

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APA (6th Edition):

Van Kekerix, T. (2020). The Contributions of Elvina Truman Pearce to Piano Pedagogy. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/324297

Chicago Manual of Style (16th Edition):

Van Kekerix, Todd. “The Contributions of Elvina Truman Pearce to Piano Pedagogy.” 2020. Doctoral Dissertation, University of Oklahoma. Accessed October 28, 2020. http://hdl.handle.net/11244/324297.

MLA Handbook (7th Edition):

Van Kekerix, Todd. “The Contributions of Elvina Truman Pearce to Piano Pedagogy.” 2020. Web. 28 Oct 2020.

Vancouver:

Van Kekerix T. The Contributions of Elvina Truman Pearce to Piano Pedagogy. [Internet] [Doctoral dissertation]. University of Oklahoma; 2020. [cited 2020 Oct 28]. Available from: http://hdl.handle.net/11244/324297.

Council of Science Editors:

Van Kekerix T. The Contributions of Elvina Truman Pearce to Piano Pedagogy. [Doctoral Dissertation]. University of Oklahoma; 2020. Available from: http://hdl.handle.net/11244/324297


Boston University

23. Modaff, Jessica Lynne. Libby Larsen's The Birth Project: a sociological contextualization, analysis, and approach to performance interpretation.

Degree: DMA, Music Performance, 2019, Boston University

 Libby Larsen’s The Birth Project (2015) is a groundbreaking song cycle which centers around pregnancy and childbirth. Until this song cycle, no art song had… (more)

Subjects/Keywords: Music; Collaborative piano

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APA (6th Edition):

Modaff, J. L. (2019). Libby Larsen's The Birth Project: a sociological contextualization, analysis, and approach to performance interpretation. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/36042

Chicago Manual of Style (16th Edition):

Modaff, Jessica Lynne. “Libby Larsen's The Birth Project: a sociological contextualization, analysis, and approach to performance interpretation.” 2019. Doctoral Dissertation, Boston University. Accessed October 28, 2020. http://hdl.handle.net/2144/36042.

MLA Handbook (7th Edition):

Modaff, Jessica Lynne. “Libby Larsen's The Birth Project: a sociological contextualization, analysis, and approach to performance interpretation.” 2019. Web. 28 Oct 2020.

Vancouver:

Modaff JL. Libby Larsen's The Birth Project: a sociological contextualization, analysis, and approach to performance interpretation. [Internet] [Doctoral dissertation]. Boston University; 2019. [cited 2020 Oct 28]. Available from: http://hdl.handle.net/2144/36042.

Council of Science Editors:

Modaff JL. Libby Larsen's The Birth Project: a sociological contextualization, analysis, and approach to performance interpretation. [Doctoral Dissertation]. Boston University; 2019. Available from: http://hdl.handle.net/2144/36042


Louisiana State University

24. Zholondz, Vera. Ghost Rags by William Bolcom: A Descriptive Analysis and Performance Guide.

Degree: DMA, Music, 2017, Louisiana State University

 This document is intended to contribute to the ongoing study of William Bolcom’s work by focusing on the Three Ghost Rags. The main purposes of… (more)

Subjects/Keywords: ragtime; piano; music

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APA (6th Edition):

Zholondz, V. (2017). Ghost Rags by William Bolcom: A Descriptive Analysis and Performance Guide. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-06302017-083939 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4387

Chicago Manual of Style (16th Edition):

Zholondz, Vera. “Ghost Rags by William Bolcom: A Descriptive Analysis and Performance Guide.” 2017. Doctoral Dissertation, Louisiana State University. Accessed October 28, 2020. etd-06302017-083939 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4387.

MLA Handbook (7th Edition):

Zholondz, Vera. “Ghost Rags by William Bolcom: A Descriptive Analysis and Performance Guide.” 2017. Web. 28 Oct 2020.

Vancouver:

Zholondz V. Ghost Rags by William Bolcom: A Descriptive Analysis and Performance Guide. [Internet] [Doctoral dissertation]. Louisiana State University; 2017. [cited 2020 Oct 28]. Available from: etd-06302017-083939 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4387.

Council of Science Editors:

Zholondz V. Ghost Rags by William Bolcom: A Descriptive Analysis and Performance Guide. [Doctoral Dissertation]. Louisiana State University; 2017. Available from: etd-06302017-083939 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4387


University of Kansas

25. Wen, Yanan. Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought".

Degree: DMA, Music, 2015, University of Kansas

 Abstract This paper will analyze two contrasting Chinese pieces written in the late twentieth century. The researcher will address related aspects of Chinese folk music(more)

Subjects/Keywords: Music; Chinese; contemporary; music; piano

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APA (6th Edition):

Wen, Y. (2015). Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought". (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21599

Chicago Manual of Style (16th Edition):

Wen, Yanan. “Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought".” 2015. Doctoral Dissertation, University of Kansas. Accessed October 28, 2020. http://hdl.handle.net/1808/21599.

MLA Handbook (7th Edition):

Wen, Yanan. “Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought".” 2015. Web. 28 Oct 2020.

Vancouver:

Wen Y. Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought". [Internet] [Doctoral dissertation]. University of Kansas; 2015. [cited 2020 Oct 28]. Available from: http://hdl.handle.net/1808/21599.

Council of Science Editors:

Wen Y. Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought". [Doctoral Dissertation]. University of Kansas; 2015. Available from: http://hdl.handle.net/1808/21599

26. Hwang, Hyunyoung. A musical discussion and analysis of romance sans paroles by three French composers : Charles-Francois Gounod, Camille Saint-Saens and Gabriel Faure.

Degree: Thesis (D.A.), 2013, Ball State University

 Contained in this study is a musical discussion and analysis of seven Romance Sans Paroles (song without words), written by three French composers, Charles-François Gounod,… (more)

Subjects/Keywords: Songs without words (Instrumental music)  – History and criticism; Piano music  – 19th century  – History and criticism; Fauré, Gabriel, 1845-1924. Romances sans paroles; Gounod, Charles, 1818-1893. Piano music. Selections; Saint-Saëns, Camille, 1835-1921. Romance sans paroles

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APA (6th Edition):

Hwang, H. (2013). A musical discussion and analysis of romance sans paroles by three French composers : Charles-Francois Gounod, Camille Saint-Saens and Gabriel Faure. (Doctoral Dissertation). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/197785

Chicago Manual of Style (16th Edition):

Hwang, Hyunyoung. “A musical discussion and analysis of romance sans paroles by three French composers : Charles-Francois Gounod, Camille Saint-Saens and Gabriel Faure.” 2013. Doctoral Dissertation, Ball State University. Accessed October 28, 2020. http://cardinalscholar.bsu.edu/handle/123456789/197785.

MLA Handbook (7th Edition):

Hwang, Hyunyoung. “A musical discussion and analysis of romance sans paroles by three French composers : Charles-Francois Gounod, Camille Saint-Saens and Gabriel Faure.” 2013. Web. 28 Oct 2020.

Vancouver:

Hwang H. A musical discussion and analysis of romance sans paroles by three French composers : Charles-Francois Gounod, Camille Saint-Saens and Gabriel Faure. [Internet] [Doctoral dissertation]. Ball State University; 2013. [cited 2020 Oct 28]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/197785.

Council of Science Editors:

Hwang H. A musical discussion and analysis of romance sans paroles by three French composers : Charles-Francois Gounod, Camille Saint-Saens and Gabriel Faure. [Doctoral Dissertation]. Ball State University; 2013. Available from: http://cardinalscholar.bsu.edu/handle/123456789/197785


University of North Texas

27. Goodall, John W. (John Williams). A Stylistic Analysis of Charles Martin Loeffler's Deux Rapsodies for Oboe, Viola and Piano, L'étang and La cornemuse, After Poems by Maurice Rollinat: A Lecture Recital, Together with Three Recitals of Selected Works by E. Rubbra, D. Beaty, B. Britten, W.A. Mozart, and Others.

Degree: 1988, University of North Texas

 At the turn of this century, Charles Martin Loeffler (1861-1935) was considered to be among the finest of the handful of well-known American composers of… (more)

Subjects/Keywords: rapsodies; piano music; oboe music; viola music; Loeffler, Charles Martin, 1861-1935.  – Rapsodies,  – piano, oboe, viola.

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APA (6th Edition):

Goodall, J. W. (. W. (1988). A Stylistic Analysis of Charles Martin Loeffler's Deux Rapsodies for Oboe, Viola and Piano, L'étang and La cornemuse, After Poems by Maurice Rollinat: A Lecture Recital, Together with Three Recitals of Selected Works by E. Rubbra, D. Beaty, B. Britten, W.A. Mozart, and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc332159/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Goodall, John W (John Williams). “A Stylistic Analysis of Charles Martin Loeffler's Deux Rapsodies for Oboe, Viola and Piano, L'étang and La cornemuse, After Poems by Maurice Rollinat: A Lecture Recital, Together with Three Recitals of Selected Works by E. Rubbra, D. Beaty, B. Britten, W.A. Mozart, and Others.” 1988. Thesis, University of North Texas. Accessed October 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc332159/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Goodall, John W (John Williams). “A Stylistic Analysis of Charles Martin Loeffler's Deux Rapsodies for Oboe, Viola and Piano, L'étang and La cornemuse, After Poems by Maurice Rollinat: A Lecture Recital, Together with Three Recitals of Selected Works by E. Rubbra, D. Beaty, B. Britten, W.A. Mozart, and Others.” 1988. Web. 28 Oct 2020.

Vancouver:

Goodall JW(W. A Stylistic Analysis of Charles Martin Loeffler's Deux Rapsodies for Oboe, Viola and Piano, L'étang and La cornemuse, After Poems by Maurice Rollinat: A Lecture Recital, Together with Three Recitals of Selected Works by E. Rubbra, D. Beaty, B. Britten, W.A. Mozart, and Others. [Internet] [Thesis]. University of North Texas; 1988. [cited 2020 Oct 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc332159/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Goodall JW(W. A Stylistic Analysis of Charles Martin Loeffler's Deux Rapsodies for Oboe, Viola and Piano, L'étang and La cornemuse, After Poems by Maurice Rollinat: A Lecture Recital, Together with Three Recitals of Selected Works by E. Rubbra, D. Beaty, B. Britten, W.A. Mozart, and Others. [Thesis]. University of North Texas; 1988. Available from: https://digital.library.unt.edu/ark:/67531/metadc332159/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

28. Moellenberg, Todd Michael. Already There: Implicit and Explicit Treatments of Movement in Music and Art.

Degree: Music, 2013, University of California – San Diego

 This brief essay acted as program notes to a recital, entitled "Posing Nothing," given April 12, 2013. The recital juxtaposed performances of scored contemporary music(more)

Subjects/Keywords: Music; gesture; intermediality; piano

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APA (6th Edition):

Moellenberg, T. M. (2013). Already There: Implicit and Explicit Treatments of Movement in Music and Art. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/2mc1g8j8

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moellenberg, Todd Michael. “Already There: Implicit and Explicit Treatments of Movement in Music and Art.” 2013. Thesis, University of California – San Diego. Accessed October 28, 2020. http://www.escholarship.org/uc/item/2mc1g8j8.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moellenberg, Todd Michael. “Already There: Implicit and Explicit Treatments of Movement in Music and Art.” 2013. Web. 28 Oct 2020.

Vancouver:

Moellenberg TM. Already There: Implicit and Explicit Treatments of Movement in Music and Art. [Internet] [Thesis]. University of California – San Diego; 2013. [cited 2020 Oct 28]. Available from: http://www.escholarship.org/uc/item/2mc1g8j8.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moellenberg TM. Already There: Implicit and Explicit Treatments of Movement in Music and Art. [Thesis]. University of California – San Diego; 2013. Available from: http://www.escholarship.org/uc/item/2mc1g8j8

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Newcastle

29. Wett, Jordan James. Online keyboard harmony: creating and assessing an online introductory keyboard harmony class for undergraduate level keyboard music majors.

Degree: PhD, 2016, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

Online education is gaining momentum as a viable alternative to in-class tuition. However, the use of an exclusively… (more)

Subjects/Keywords: keyboard harmony; music; piano; online

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APA (6th Edition):

Wett, J. J. (2016). Online keyboard harmony: creating and assessing an online introductory keyboard harmony class for undergraduate level keyboard music majors. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1317450

Chicago Manual of Style (16th Edition):

Wett, Jordan James. “Online keyboard harmony: creating and assessing an online introductory keyboard harmony class for undergraduate level keyboard music majors.” 2016. Doctoral Dissertation, University of Newcastle. Accessed October 28, 2020. http://hdl.handle.net/1959.13/1317450.

MLA Handbook (7th Edition):

Wett, Jordan James. “Online keyboard harmony: creating and assessing an online introductory keyboard harmony class for undergraduate level keyboard music majors.” 2016. Web. 28 Oct 2020.

Vancouver:

Wett JJ. Online keyboard harmony: creating and assessing an online introductory keyboard harmony class for undergraduate level keyboard music majors. [Internet] [Doctoral dissertation]. University of Newcastle; 2016. [cited 2020 Oct 28]. Available from: http://hdl.handle.net/1959.13/1317450.

Council of Science Editors:

Wett JJ. Online keyboard harmony: creating and assessing an online introductory keyboard harmony class for undergraduate level keyboard music majors. [Doctoral Dissertation]. University of Newcastle; 2016. Available from: http://hdl.handle.net/1959.13/1317450

30. Gleeson, Jean. Owner Bound Music: A study of popular sheet music selling and music making in the New Zealand home 1840-1940.

Degree: 2019, Victoria University of Wellington

 From 1840, when New Zealand became part of the British Empire, until 1940 when the nation celebrated its Centennial, the piano was the most dominant… (more)

Subjects/Keywords: New Zealand; Music; Piano

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gleeson, J. (2019). Owner Bound Music: A study of popular sheet music selling and music making in the New Zealand home 1840-1940. (Doctoral Dissertation). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/8049

Chicago Manual of Style (16th Edition):

Gleeson, Jean. “Owner Bound Music: A study of popular sheet music selling and music making in the New Zealand home 1840-1940.” 2019. Doctoral Dissertation, Victoria University of Wellington. Accessed October 28, 2020. http://hdl.handle.net/10063/8049.

MLA Handbook (7th Edition):

Gleeson, Jean. “Owner Bound Music: A study of popular sheet music selling and music making in the New Zealand home 1840-1940.” 2019. Web. 28 Oct 2020.

Vancouver:

Gleeson J. Owner Bound Music: A study of popular sheet music selling and music making in the New Zealand home 1840-1940. [Internet] [Doctoral dissertation]. Victoria University of Wellington; 2019. [cited 2020 Oct 28]. Available from: http://hdl.handle.net/10063/8049.

Council of Science Editors:

Gleeson J. Owner Bound Music: A study of popular sheet music selling and music making in the New Zealand home 1840-1940. [Doctoral Dissertation]. Victoria University of Wellington; 2019. Available from: http://hdl.handle.net/10063/8049

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