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You searched for subject:(Afro Cuban). Showing records 1 – 22 of 22 total matches.

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University of Miami

1. Monroy Romero, Juan Manuel. An Analysis of the Evolution of Improvised Double Bass Solos in Afro-Cuban Jazz.

Degree: DMA, Studio Music and Jazz (Music), 2017, University of Miami

Afro-Cuban music and jazz have had a very close interaction since their origins. Both music styles are the result of the synthesis of West African… (more)

Subjects/Keywords: Jazz; Bass; Cuban; music; Afro-Cuban

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APA (6th Edition):

Monroy Romero, J. M. (2017). An Analysis of the Evolution of Improvised Double Bass Solos in Afro-Cuban Jazz. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/2011

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Monroy Romero, Juan Manuel. “An Analysis of the Evolution of Improvised Double Bass Solos in Afro-Cuban Jazz.” 2017. Thesis, University of Miami. Accessed January 23, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/2011.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Monroy Romero, Juan Manuel. “An Analysis of the Evolution of Improvised Double Bass Solos in Afro-Cuban Jazz.” 2017. Web. 23 Jan 2019.

Vancouver:

Monroy Romero JM. An Analysis of the Evolution of Improvised Double Bass Solos in Afro-Cuban Jazz. [Internet] [Thesis]. University of Miami; 2017. [cited 2019 Jan 23]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2011.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Monroy Romero JM. An Analysis of the Evolution of Improvised Double Bass Solos in Afro-Cuban Jazz. [Thesis]. University of Miami; 2017. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2011

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hawaii – Manoa

2. Thornton, Elbereth. Transitionalism Dancing Exploring Personal, Cultural, and Community Identity in Afro-Cuban Folkloric Deity Dances.

Degree: 2017, University of Hawaii – Manoa

M.A. University of Hawaii at Manoa 2015.

The Afro-Cuban folkloric deity dances in Cuba, like so many indigenous art forms and cultural practices, have encountered… (more)

Subjects/Keywords: Dance; Afro-Cuban; Folklore; Identity

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APA (6th Edition):

Thornton, E. (2017). Transitionalism Dancing Exploring Personal, Cultural, and Community Identity in Afro-Cuban Folkloric Deity Dances. (Thesis). University of Hawaii – Manoa. Retrieved from http://hdl.handle.net/10125/51153

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thornton, Elbereth. “Transitionalism Dancing Exploring Personal, Cultural, and Community Identity in Afro-Cuban Folkloric Deity Dances.” 2017. Thesis, University of Hawaii – Manoa. Accessed January 23, 2019. http://hdl.handle.net/10125/51153.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thornton, Elbereth. “Transitionalism Dancing Exploring Personal, Cultural, and Community Identity in Afro-Cuban Folkloric Deity Dances.” 2017. Web. 23 Jan 2019.

Vancouver:

Thornton E. Transitionalism Dancing Exploring Personal, Cultural, and Community Identity in Afro-Cuban Folkloric Deity Dances. [Internet] [Thesis]. University of Hawaii – Manoa; 2017. [cited 2019 Jan 23]. Available from: http://hdl.handle.net/10125/51153.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thornton E. Transitionalism Dancing Exploring Personal, Cultural, and Community Identity in Afro-Cuban Folkloric Deity Dances. [Thesis]. University of Hawaii – Manoa; 2017. Available from: http://hdl.handle.net/10125/51153

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kansas State University

3. Anderson, Brian Keith. Afro-Cuban percussion, its roots and role in popular Cuban music.

Degree: MM, Department of Music, Theatre, and Dance, 2016, Kansas State University

 This Master’s Report will address questions about Afro-Cuban music, focusing on Afro-Cuban percussion and music in the late 1800s and early 1900s. The first two… (more)

Subjects/Keywords: Afro-Cuban Percussion; Music; Cuba; Conga; Timbale

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APA (6th Edition):

Anderson, B. K. (2016). Afro-Cuban percussion, its roots and role in popular Cuban music. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/32617

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Anderson, Brian Keith. “Afro-Cuban percussion, its roots and role in popular Cuban music.” 2016. Thesis, Kansas State University. Accessed January 23, 2019. http://hdl.handle.net/2097/32617.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Anderson, Brian Keith. “Afro-Cuban percussion, its roots and role in popular Cuban music.” 2016. Web. 23 Jan 2019.

Vancouver:

Anderson BK. Afro-Cuban percussion, its roots and role in popular Cuban music. [Internet] [Thesis]. Kansas State University; 2016. [cited 2019 Jan 23]. Available from: http://hdl.handle.net/2097/32617.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Anderson BK. Afro-Cuban percussion, its roots and role in popular Cuban music. [Thesis]. Kansas State University; 2016. Available from: http://hdl.handle.net/2097/32617

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

4. Adams, Jordan Daniel. Black Mobilization in Pre-Revolutionary Cuba: Regeneracion and Bicultural Nationalism.

Degree: MA, Latin American Studies (Arts and Sciences), 2010, University of Miami

 Many black Cubans decided to join the Cuban criollo separatists in their fight for independence from Spain in the late nineteenth century because rebellion seemed… (more)

Subjects/Keywords: Afro-Cuban; Morua; Regeneracion; Black Nationalism

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APA (6th Edition):

Adams, J. D. (2010). Black Mobilization in Pre-Revolutionary Cuba: Regeneracion and Bicultural Nationalism. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/62

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Adams, Jordan Daniel. “Black Mobilization in Pre-Revolutionary Cuba: Regeneracion and Bicultural Nationalism.” 2010. Thesis, University of Miami. Accessed January 23, 2019. https://scholarlyrepository.miami.edu/oa_theses/62.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Adams, Jordan Daniel. “Black Mobilization in Pre-Revolutionary Cuba: Regeneracion and Bicultural Nationalism.” 2010. Web. 23 Jan 2019.

Vancouver:

Adams JD. Black Mobilization in Pre-Revolutionary Cuba: Regeneracion and Bicultural Nationalism. [Internet] [Thesis]. University of Miami; 2010. [cited 2019 Jan 23]. Available from: https://scholarlyrepository.miami.edu/oa_theses/62.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Adams JD. Black Mobilization in Pre-Revolutionary Cuba: Regeneracion and Bicultural Nationalism. [Thesis]. University of Miami; 2010. Available from: https://scholarlyrepository.miami.edu/oa_theses/62

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

5. Bartholomew, Zachary C. A Jazz Pianist’s Guide to Rhythmic Independence through the Adaptation of Afro-Cuban Rhythms.

Degree: DMA, Studio Music and Jazz (Music), 2018, University of Miami

 While a substantial amount of jazz educational material emphasizing note choices, orchestration, harmonic options, and stylistic analysis is available, there is surprisingly very little research… (more)

Subjects/Keywords: Afro-Cuban; Jazz Piano; Rhythmic Independence; Clave; Jazz Pianist; Improvisation

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APA (6th Edition):

Bartholomew, Z. C. (2018). A Jazz Pianist’s Guide to Rhythmic Independence through the Adaptation of Afro-Cuban Rhythms. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/2042

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bartholomew, Zachary C. “A Jazz Pianist’s Guide to Rhythmic Independence through the Adaptation of Afro-Cuban Rhythms.” 2018. Thesis, University of Miami. Accessed January 23, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/2042.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bartholomew, Zachary C. “A Jazz Pianist’s Guide to Rhythmic Independence through the Adaptation of Afro-Cuban Rhythms.” 2018. Web. 23 Jan 2019.

Vancouver:

Bartholomew ZC. A Jazz Pianist’s Guide to Rhythmic Independence through the Adaptation of Afro-Cuban Rhythms. [Internet] [Thesis]. University of Miami; 2018. [cited 2019 Jan 23]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2042.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bartholomew ZC. A Jazz Pianist’s Guide to Rhythmic Independence through the Adaptation of Afro-Cuban Rhythms. [Thesis]. University of Miami; 2018. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2042

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Missouri – Columbia

6. Zapata-Calle, Ana. LA “POESIA TESTIMONIAL WOMANISTA” DE EXCILIA SALDAÑA, NANCY MOREJÓN Y GEORGINA HERRERA.

Degree: 2014, University of Missouri – Columbia

 [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] My Ph.D thesis, entitled "The Womanist Testimonial Poetry Written by Excilia Saldana, Nancy Morejon and… (more)

Subjects/Keywords: Author supplied: poesia testimonial womanista; Afro-Cuban women; Afro-cubanas; Nancy Morejon; Excilia Saldana; Georgina Herrera; Cuban poetry  – Black authors  – Women authors; Womanism

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APA (6th Edition):

Zapata-Calle, A. (2014). LA “POESIA TESTIMONIAL WOMANISTA” DE EXCILIA SALDAÑA, NANCY MOREJÓN Y GEORGINA HERRERA. (Thesis). University of Missouri – Columbia. Retrieved from http://hdl.handle.net/10355/44167

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zapata-Calle, Ana. “LA “POESIA TESTIMONIAL WOMANISTA” DE EXCILIA SALDAÑA, NANCY MOREJÓN Y GEORGINA HERRERA.” 2014. Thesis, University of Missouri – Columbia. Accessed January 23, 2019. http://hdl.handle.net/10355/44167.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zapata-Calle, Ana. “LA “POESIA TESTIMONIAL WOMANISTA” DE EXCILIA SALDAÑA, NANCY MOREJÓN Y GEORGINA HERRERA.” 2014. Web. 23 Jan 2019.

Vancouver:

Zapata-Calle A. LA “POESIA TESTIMONIAL WOMANISTA” DE EXCILIA SALDAÑA, NANCY MOREJÓN Y GEORGINA HERRERA. [Internet] [Thesis]. University of Missouri – Columbia; 2014. [cited 2019 Jan 23]. Available from: http://hdl.handle.net/10355/44167.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zapata-Calle A. LA “POESIA TESTIMONIAL WOMANISTA” DE EXCILIA SALDAÑA, NANCY MOREJÓN Y GEORGINA HERRERA. [Thesis]. University of Missouri – Columbia; 2014. Available from: http://hdl.handle.net/10355/44167

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Plymouth

7. Danowski, Christopher. The medium and the message : Afro-Cuban trance and Western theatrical performance.

Degree: PhD, 2017, University of Plymouth

 The Medium and the Message investigates the incorporation of Afro-Cuban trance techniques in Western theatrical performance. Through art practice and research, I am asking two… (more)

Subjects/Keywords: 792; hauntology; spirit possession; acting; performance; ontology; Afro-Cuban religion; African ritual; Lacan

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APA (6th Edition):

Danowski, C. (2017). The medium and the message : Afro-Cuban trance and Western theatrical performance. (Doctoral Dissertation). University of Plymouth. Retrieved from http://hdl.handle.net/10026.1/9512

Chicago Manual of Style (16th Edition):

Danowski, Christopher. “The medium and the message : Afro-Cuban trance and Western theatrical performance.” 2017. Doctoral Dissertation, University of Plymouth. Accessed January 23, 2019. http://hdl.handle.net/10026.1/9512.

MLA Handbook (7th Edition):

Danowski, Christopher. “The medium and the message : Afro-Cuban trance and Western theatrical performance.” 2017. Web. 23 Jan 2019.

Vancouver:

Danowski C. The medium and the message : Afro-Cuban trance and Western theatrical performance. [Internet] [Doctoral dissertation]. University of Plymouth; 2017. [cited 2019 Jan 23]. Available from: http://hdl.handle.net/10026.1/9512.

Council of Science Editors:

Danowski C. The medium and the message : Afro-Cuban trance and Western theatrical performance. [Doctoral Dissertation]. University of Plymouth; 2017. Available from: http://hdl.handle.net/10026.1/9512


Texas A&M University

8. Valle, Mayra Jennesy. "El Baile del Pueblo:" A 60-Year Legacy of Performing a History of Cubans of African Descent Through Casino Salsa.

Degree: MA, Performance Studies, 2016, Texas A&M University

 Cubanos con Decendencia Africana, or Cubans of African descent (CDA) in Havana have endured generations of being overlooked by the dominant historical discourse of the… (more)

Subjects/Keywords: Salsa; Cuba; Casino; Afro-Cuban; Cuban of African Descent; dance; Reggaeton; Timba; Cubaton; Africanness; blackness; Yoruba Religion; Orisha; secular; sacred; Hip Hop; marginalization; special period; revolution

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APA (6th Edition):

Valle, M. J. (2016). "El Baile del Pueblo:" A 60-Year Legacy of Performing a History of Cubans of African Descent Through Casino Salsa. (Masters Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/157091

Chicago Manual of Style (16th Edition):

Valle, Mayra Jennesy. “"El Baile del Pueblo:" A 60-Year Legacy of Performing a History of Cubans of African Descent Through Casino Salsa.” 2016. Masters Thesis, Texas A&M University. Accessed January 23, 2019. http://hdl.handle.net/1969.1/157091.

MLA Handbook (7th Edition):

Valle, Mayra Jennesy. “"El Baile del Pueblo:" A 60-Year Legacy of Performing a History of Cubans of African Descent Through Casino Salsa.” 2016. Web. 23 Jan 2019.

Vancouver:

Valle MJ. "El Baile del Pueblo:" A 60-Year Legacy of Performing a History of Cubans of African Descent Through Casino Salsa. [Internet] [Masters thesis]. Texas A&M University; 2016. [cited 2019 Jan 23]. Available from: http://hdl.handle.net/1969.1/157091.

Council of Science Editors:

Valle MJ. "El Baile del Pueblo:" A 60-Year Legacy of Performing a History of Cubans of African Descent Through Casino Salsa. [Masters Thesis]. Texas A&M University; 2016. Available from: http://hdl.handle.net/1969.1/157091


University of South Florida

9. Amrhein, Saundra Marie. Cuba's Chords of Change: Music, Race, Class & Motherhood at the turn of the 21st Century.

Degree: 2013, University of South Florida

 This thesis is an ethnography and biographical study that examines the impact of the immense socioeconomic changes underway in Cuba at the turn of the… (more)

Subjects/Keywords: Afro-Cuban; identity; inequality; revolution; Timba; Latin American Studies; Other Languages, Societies, and Cultures; Women's Studies

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APA (6th Edition):

Amrhein, S. M. (2013). Cuba's Chords of Change: Music, Race, Class & Motherhood at the turn of the 21st Century. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/4277

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Amrhein, Saundra Marie. “Cuba's Chords of Change: Music, Race, Class & Motherhood at the turn of the 21st Century.” 2013. Thesis, University of South Florida. Accessed January 23, 2019. https://scholarcommons.usf.edu/etd/4277.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Amrhein, Saundra Marie. “Cuba's Chords of Change: Music, Race, Class & Motherhood at the turn of the 21st Century.” 2013. Web. 23 Jan 2019.

Vancouver:

Amrhein SM. Cuba's Chords of Change: Music, Race, Class & Motherhood at the turn of the 21st Century. [Internet] [Thesis]. University of South Florida; 2013. [cited 2019 Jan 23]. Available from: https://scholarcommons.usf.edu/etd/4277.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Amrhein SM. Cuba's Chords of Change: Music, Race, Class & Motherhood at the turn of the 21st Century. [Thesis]. University of South Florida; 2013. Available from: https://scholarcommons.usf.edu/etd/4277

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Duquesne University

10. Skirpan, Richard. Latin American Polystylism: Structure and Form in Osvaldo Golijov's La Pasión Según San Marcos.

Degree: MM, Music Theory, 2004, Duquesne University

 La Pasión Según San Marcos by Osvaldo Golijov has been praised for bringing a fresh voice to the Passion narrative with the inclusion of various,… (more)

Subjects/Keywords: Afro-Cuban percussion; choral music; musical analysis; Passion

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APA (6th Edition):

Skirpan, R. (2004). Latin American Polystylism: Structure and Form in Osvaldo Golijov's La Pasión Según San Marcos. (Thesis). Duquesne University. Retrieved from https://dsc.duq.edu/etd/1624

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Skirpan, Richard. “Latin American Polystylism: Structure and Form in Osvaldo Golijov's La Pasión Según San Marcos.” 2004. Thesis, Duquesne University. Accessed January 23, 2019. https://dsc.duq.edu/etd/1624.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Skirpan, Richard. “Latin American Polystylism: Structure and Form in Osvaldo Golijov's La Pasión Según San Marcos.” 2004. Web. 23 Jan 2019.

Vancouver:

Skirpan R. Latin American Polystylism: Structure and Form in Osvaldo Golijov's La Pasión Según San Marcos. [Internet] [Thesis]. Duquesne University; 2004. [cited 2019 Jan 23]. Available from: https://dsc.duq.edu/etd/1624.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Skirpan R. Latin American Polystylism: Structure and Form in Osvaldo Golijov's La Pasión Según San Marcos. [Thesis]. Duquesne University; 2004. Available from: https://dsc.duq.edu/etd/1624

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Roth, Salomé. Quand les dieux entrent en scène : pratiques rituelles afro-cubaines et performances scéniques à La Havane au lendemain de la Révolution : Cuando los dioses entran en escena : prácticas rituales afrocubanas y performances escénicas en La Habana después de la Revolución.

Degree: Docteur es, Littérature hispano-américaine, 2016, Sorbonne Paris Cité

Ce travail porte sur les performances scéniques qui naquirent à Cuba de la rencontre entre l'idéologie marxiste, officiellement adoptée par le gouvernement depuis 1961, et… (more)

Subjects/Keywords: Cuba; La Havane; Théâtre; Performances; Rituel; Afro-Cubain; Revolution; Folklore; Cuba; Havana; Theatre; Performances; Ritual; Afro-Cuban; Revolution; Folklore; La Habana; Cuba; Teatro; Performances; Ritual; Afrocubano; Revolución; Folklore

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APA (6th Edition):

Roth, S. (2016). Quand les dieux entrent en scène : pratiques rituelles afro-cubaines et performances scéniques à La Havane au lendemain de la Révolution : Cuando los dioses entran en escena : prácticas rituales afrocubanas y performances escénicas en La Habana después de la Revolución. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2016USPCA150

Chicago Manual of Style (16th Edition):

Roth, Salomé. “Quand les dieux entrent en scène : pratiques rituelles afro-cubaines et performances scéniques à La Havane au lendemain de la Révolution : Cuando los dioses entran en escena : prácticas rituales afrocubanas y performances escénicas en La Habana después de la Revolución.” 2016. Doctoral Dissertation, Sorbonne Paris Cité. Accessed January 23, 2019. http://www.theses.fr/2016USPCA150.

MLA Handbook (7th Edition):

Roth, Salomé. “Quand les dieux entrent en scène : pratiques rituelles afro-cubaines et performances scéniques à La Havane au lendemain de la Révolution : Cuando los dioses entran en escena : prácticas rituales afrocubanas y performances escénicas en La Habana después de la Revolución.” 2016. Web. 23 Jan 2019.

Vancouver:

Roth S. Quand les dieux entrent en scène : pratiques rituelles afro-cubaines et performances scéniques à La Havane au lendemain de la Révolution : Cuando los dioses entran en escena : prácticas rituales afrocubanas y performances escénicas en La Habana después de la Revolución. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2016. [cited 2019 Jan 23]. Available from: http://www.theses.fr/2016USPCA150.

Council of Science Editors:

Roth S. Quand les dieux entrent en scène : pratiques rituelles afro-cubaines et performances scéniques à La Havane au lendemain de la Révolution : Cuando los dioses entran en escena : prácticas rituales afrocubanas y performances escénicas en La Habana después de la Revolución. [Doctoral Dissertation]. Sorbonne Paris Cité; 2016. Available from: http://www.theses.fr/2016USPCA150


Université Paris-Sorbonne – Paris IV

12. Koprivica, Ana. Musique et rituel à Cuba : appeler les esprits au son des cajónes à La Havane : Music and ritual in Cuba : calling the spirits through the sound of cajónes in Havana.

Degree: Docteur es, Musique et musicologie, 2015, Université Paris-Sorbonne – Paris IV

Le Cajón est un rituel de possession cubain dont la musique est une composante essentielle. Une approche musicologique et une étude d’anthropologie religieuse combinées permettent… (more)

Subjects/Keywords: Ethnomusicologie; Anthropologie religieuse; Cultes afro-cubains; Transe; Répertoire; Systèmes musicaux; Motifs rythmiques; Cajón; Ethnomusicology; Religious anthropology; Afro-cuban cults; Trance; Repertoire; Music systems; Rhythmic patterns; Cajón

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APA (6th Edition):

Koprivica, A. (2015). Musique et rituel à Cuba : appeler les esprits au son des cajónes à La Havane : Music and ritual in Cuba : calling the spirits through the sound of cajónes in Havana. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2015PA040174

Chicago Manual of Style (16th Edition):

Koprivica, Ana. “Musique et rituel à Cuba : appeler les esprits au son des cajónes à La Havane : Music and ritual in Cuba : calling the spirits through the sound of cajónes in Havana.” 2015. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed January 23, 2019. http://www.theses.fr/2015PA040174.

MLA Handbook (7th Edition):

Koprivica, Ana. “Musique et rituel à Cuba : appeler les esprits au son des cajónes à La Havane : Music and ritual in Cuba : calling the spirits through the sound of cajónes in Havana.” 2015. Web. 23 Jan 2019.

Vancouver:

Koprivica A. Musique et rituel à Cuba : appeler les esprits au son des cajónes à La Havane : Music and ritual in Cuba : calling the spirits through the sound of cajónes in Havana. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2015. [cited 2019 Jan 23]. Available from: http://www.theses.fr/2015PA040174.

Council of Science Editors:

Koprivica A. Musique et rituel à Cuba : appeler les esprits au son des cajónes à La Havane : Music and ritual in Cuba : calling the spirits through the sound of cajónes in Havana. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2015. Available from: http://www.theses.fr/2015PA040174


University of New Mexico

13. Guyton Acosta, Kiley Jeanelle. Azúcar negra: (Re) Envisioning Race, Representation, and Resistance in the Afrofeminista Imaginary.

Degree: Spanish and Portuguese, 2013, University of New Mexico

 In this dissertation, I locate contemporary articulations of afrofeminismo in manifold modes of cultural production including literature, music, visual displays of the body, and digital… (more)

Subjects/Keywords: Afrofeminismo; Afro-Brazilian Literature; African Diaspora; Black Feminism; Blanqueamiento; Nancy Morejon; Cuban Hip-Hop; Miriam Alves; Conceicao Evaristo; Loida Maritza Perez; Junot Diaz; Los Aldeanos; Krudas Cubensi; Anonimo Consejo; Afrodescendiente; Dominican; Afro-Cuban; Hip-Hop Feminism; [email protected]; Ninteenth-Century Caribbean Literature; Race; Gender; Mulata; Mujer Negra; U.S. Latino Literature

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APA (6th Edition):

Guyton Acosta, K. J. (2013). Azúcar negra: (Re) Envisioning Race, Representation, and Resistance in the Afrofeminista Imaginary. (Doctoral Dissertation). University of New Mexico. Retrieved from http://hdl.handle.net/1928/23328

Chicago Manual of Style (16th Edition):

Guyton Acosta, Kiley Jeanelle. “Azúcar negra: (Re) Envisioning Race, Representation, and Resistance in the Afrofeminista Imaginary.” 2013. Doctoral Dissertation, University of New Mexico. Accessed January 23, 2019. http://hdl.handle.net/1928/23328.

MLA Handbook (7th Edition):

Guyton Acosta, Kiley Jeanelle. “Azúcar negra: (Re) Envisioning Race, Representation, and Resistance in the Afrofeminista Imaginary.” 2013. Web. 23 Jan 2019.

Vancouver:

Guyton Acosta KJ. Azúcar negra: (Re) Envisioning Race, Representation, and Resistance in the Afrofeminista Imaginary. [Internet] [Doctoral dissertation]. University of New Mexico; 2013. [cited 2019 Jan 23]. Available from: http://hdl.handle.net/1928/23328.

Council of Science Editors:

Guyton Acosta KJ. Azúcar negra: (Re) Envisioning Race, Representation, and Resistance in the Afrofeminista Imaginary. [Doctoral Dissertation]. University of New Mexico; 2013. Available from: http://hdl.handle.net/1928/23328


University of Southern California

14. Barbour, Rhonda ReChelle. Perfomance of memory and ritual: selected works by Ana Mendieta and Tania Bruguera.

Degree: MA, Public Art Studies, 2013, University of Southern California

 This thesis argues that Cuban born artists Ana Mendieta and Tania Bruguera use ritual and body-based performance art to explore memories of their homeland and… (more)

Subjects/Keywords: performance; memory; ritual; cuban artist; tania bruguera; ana mendieta; havana biennial; ritual; santeria; feminist art; resistance; nabakua; cuba; msytical; tatlin's last whisper; the burden of guilt; feminist theory; silueta series; body-based performance; memories; homeland; cuban political history; performance narrative; repression; allison landsberg; jack halberstam; connie butler; earthbody; afro-cuban; rebirth; ajiaco; belkis ayon; maria magdelena campos-pons; olga viso; caribbean artist; female identity; goddess; curator; art history; gerardo mosquera; latina artist; latin american artist; operation peter pan; operation pedro pan; fidel castro; carl andre; female archetype; lucy lippard; imagen de yagul; zapotec; effies; afro-cuban iconography.body tracks; burial; cildo miereles; doris salcedo; chelle barbour; lygia clark; silueta

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APA (6th Edition):

Barbour, R. R. (2013). Perfomance of memory and ritual: selected works by Ana Mendieta and Tania Bruguera. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/243051/rec/4982

Chicago Manual of Style (16th Edition):

Barbour, Rhonda ReChelle. “Perfomance of memory and ritual: selected works by Ana Mendieta and Tania Bruguera.” 2013. Masters Thesis, University of Southern California. Accessed January 23, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/243051/rec/4982.

MLA Handbook (7th Edition):

Barbour, Rhonda ReChelle. “Perfomance of memory and ritual: selected works by Ana Mendieta and Tania Bruguera.” 2013. Web. 23 Jan 2019.

Vancouver:

Barbour RR. Perfomance of memory and ritual: selected works by Ana Mendieta and Tania Bruguera. [Internet] [Masters thesis]. University of Southern California; 2013. [cited 2019 Jan 23]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/243051/rec/4982.

Council of Science Editors:

Barbour RR. Perfomance of memory and ritual: selected works by Ana Mendieta and Tania Bruguera. [Masters Thesis]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/243051/rec/4982


Florida International University

15. Ramos, Miguel. Lucumí (Yoruba) Culture in Cuba: A Reevaluation (1830S -1940s).

Degree: PhD, History, 2013, Florida International University

  The status, roles, and interactions of three dominant African ethnic groups and their descendants in Cuba significantly influenced the island’s cubanidad (national identity): the… (more)

Subjects/Keywords: Lucumi religion; Yoruba religion; Afro-Cuban religion; Fernando Ortiz; Cuba and De-Africanization; Cuba; Afro-Cuba; Orisha religion; Santeria; Congo peoples in Cuba; Carabali peoples in Cuba; Lucumi peoples in Cuba; Abakuá society; Ñañigos; Anti-witchcraft campaigns Cuba; African History; Cultural History; History of Religion; Latin American History; Oral History; Other Religion; Race, Ethnicity and Post-Colonial Studies; Social and Cultural Anthropology

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APA (6th Edition):

Ramos, M. (2013). Lucumí (Yoruba) Culture in Cuba: A Reevaluation (1830S -1940s). (Doctoral Dissertation). Florida International University. Retrieved from http://digitalcommons.fiu.edu/etd/966 ; 10.25148/etd.FI13120402 ; FI13120402

Chicago Manual of Style (16th Edition):

Ramos, Miguel. “Lucumí (Yoruba) Culture in Cuba: A Reevaluation (1830S -1940s).” 2013. Doctoral Dissertation, Florida International University. Accessed January 23, 2019. http://digitalcommons.fiu.edu/etd/966 ; 10.25148/etd.FI13120402 ; FI13120402.

MLA Handbook (7th Edition):

Ramos, Miguel. “Lucumí (Yoruba) Culture in Cuba: A Reevaluation (1830S -1940s).” 2013. Web. 23 Jan 2019.

Vancouver:

Ramos M. Lucumí (Yoruba) Culture in Cuba: A Reevaluation (1830S -1940s). [Internet] [Doctoral dissertation]. Florida International University; 2013. [cited 2019 Jan 23]. Available from: http://digitalcommons.fiu.edu/etd/966 ; 10.25148/etd.FI13120402 ; FI13120402.

Council of Science Editors:

Ramos M. Lucumí (Yoruba) Culture in Cuba: A Reevaluation (1830S -1940s). [Doctoral Dissertation]. Florida International University; 2013. Available from: http://digitalcommons.fiu.edu/etd/966 ; 10.25148/etd.FI13120402 ; FI13120402


Universidade Nova

16. Negro, Francesca. Do ritual ao palco: o processo de transcrição, ensino e encenação das danças folclóricas afro-cubanas.

Degree: 2017, Universidade Nova

O projeto pretende analisar a metodologia de ensino das danças religiosas de origem Africana em Cuba: estudar a introdução das danças de origem negra na… (more)

Subjects/Keywords: Danças Afro-cubanas; Cuba; Pedagogia da dança; História da dança; Técnica de dança cubana; Afrocuban Dances; Dance Pedagogy; History of Dance; Cuban Dance Technique; Domínio/Área Científica::Ciências Sociais::Ciências da Comunicação

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APA (6th Edition):

Negro, F. (2017). Do ritual ao palco: o processo de transcrição, ensino e encenação das danças folclóricas afro-cubanas. (Thesis). Universidade Nova. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/25305

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Negro, Francesca. “Do ritual ao palco: o processo de transcrição, ensino e encenação das danças folclóricas afro-cubanas.” 2017. Thesis, Universidade Nova. Accessed January 23, 2019. https://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/25305.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Negro, Francesca. “Do ritual ao palco: o processo de transcrição, ensino e encenação das danças folclóricas afro-cubanas.” 2017. Web. 23 Jan 2019.

Vancouver:

Negro F. Do ritual ao palco: o processo de transcrição, ensino e encenação das danças folclóricas afro-cubanas. [Internet] [Thesis]. Universidade Nova; 2017. [cited 2019 Jan 23]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/25305.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Negro F. Do ritual ao palco: o processo de transcrição, ensino e encenação das danças folclóricas afro-cubanas. [Thesis]. Universidade Nova; 2017. Available from: https://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/25305

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Coloma Penate, Patricia. Foot Tracks on the Ocean: Zora Neale Hurston and the Creation of an African-American Transcultural Identity.

Degree: PhD, English, 2012, Georgia State University

  This project focuses on African American and Afro- Hispanic literature and folklore. Specifically, I employ Fernando Ortiz’s theory of transculturation. Ortiz makes the case… (more)

Subjects/Keywords: African American folklore; Afro-Cuban folklore; Zora Neale Hurston; Lydia Cabrera; Fernando Ortiz; Melville Herskovits

…representation of transatlantic and transcultural identities I analyze Lydia Cabrera’s Afro-Cuban… …African- American and Afro-Cuban cultures. Acknowledging these relationships proves the agency… …worked to include the voice of the Afro Cuban minority inside the national discourse. Cabrera’s… …view Afro- Cuban culture was unique in itself and as such it can be compared to whiteness… …Afro Cuban culture is integral and does not need to be opposed to a lighter background to be… 

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APA (6th Edition):

Coloma Penate, P. (2012). Foot Tracks on the Ocean: Zora Neale Hurston and the Creation of an African-American Transcultural Identity. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/english_diss/91

Chicago Manual of Style (16th Edition):

Coloma Penate, Patricia. “Foot Tracks on the Ocean: Zora Neale Hurston and the Creation of an African-American Transcultural Identity.” 2012. Doctoral Dissertation, Georgia State University. Accessed January 23, 2019. https://scholarworks.gsu.edu/english_diss/91.

MLA Handbook (7th Edition):

Coloma Penate, Patricia. “Foot Tracks on the Ocean: Zora Neale Hurston and the Creation of an African-American Transcultural Identity.” 2012. Web. 23 Jan 2019.

Vancouver:

Coloma Penate P. Foot Tracks on the Ocean: Zora Neale Hurston and the Creation of an African-American Transcultural Identity. [Internet] [Doctoral dissertation]. Georgia State University; 2012. [cited 2019 Jan 23]. Available from: https://scholarworks.gsu.edu/english_diss/91.

Council of Science Editors:

Coloma Penate P. Foot Tracks on the Ocean: Zora Neale Hurston and the Creation of an African-American Transcultural Identity. [Doctoral Dissertation]. Georgia State University; 2012. Available from: https://scholarworks.gsu.edu/english_diss/91


Montana Tech

18. Pace, Dustin. Breaking Sound Barriers: Reading the Jazz Novel as a Model for More Flexible Social Interaction in a Globalized World.

Degree: MA, 2011, Montana Tech

 In this study, I examine the "jazz novel" from a global perspective, following recent trends in musicology which attempt to restore the international gaps in… (more)

Subjects/Keywords: African diaspora; afro-cuban jazz; bebop; black atlantic; coming through slaughter; cubop; dizzy gillespie; global jazz; hybridity; invisible man; jackie kay; jazz; jazz literature; jazz novel; paul gilroy; ralph ellison; sonny's blues; transcluturation

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APA (6th Edition):

Pace, D. (2011). Breaking Sound Barriers: Reading the Jazz Novel as a Model for More Flexible Social Interaction in a Globalized World. (Masters Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/159

Chicago Manual of Style (16th Edition):

Pace, Dustin. “Breaking Sound Barriers: Reading the Jazz Novel as a Model for More Flexible Social Interaction in a Globalized World.” 2011. Masters Thesis, Montana Tech. Accessed January 23, 2019. https://scholarworks.umt.edu/etd/159.

MLA Handbook (7th Edition):

Pace, Dustin. “Breaking Sound Barriers: Reading the Jazz Novel as a Model for More Flexible Social Interaction in a Globalized World.” 2011. Web. 23 Jan 2019.

Vancouver:

Pace D. Breaking Sound Barriers: Reading the Jazz Novel as a Model for More Flexible Social Interaction in a Globalized World. [Internet] [Masters thesis]. Montana Tech; 2011. [cited 2019 Jan 23]. Available from: https://scholarworks.umt.edu/etd/159.

Council of Science Editors:

Pace D. Breaking Sound Barriers: Reading the Jazz Novel as a Model for More Flexible Social Interaction in a Globalized World. [Masters Thesis]. Montana Tech; 2011. Available from: https://scholarworks.umt.edu/etd/159


SUNY College at Brockport

19. Cumberbatch-Lynch, Gene. An Analysis of the Rivero Modern Dance Technique.

Degree: MFA, Dance, 2001, SUNY College at Brockport

  The Rivero Modern Dance Technique, which incorporated elements of the Graham Technique to serve as a model, developed out of Afro-Cuban folk forms. It… (more)

Subjects/Keywords: dance; Rivero Modern dance Technique; Modern dance; Afro-Cuban folk dance; dance analysis; Graham Technique; Dance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cumberbatch-Lynch, G. (2001). An Analysis of the Rivero Modern Dance Technique. (Thesis). SUNY College at Brockport. Retrieved from https://digitalcommons.brockport.edu/dns_theses/11

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cumberbatch-Lynch, Gene. “An Analysis of the Rivero Modern Dance Technique.” 2001. Thesis, SUNY College at Brockport. Accessed January 23, 2019. https://digitalcommons.brockport.edu/dns_theses/11.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cumberbatch-Lynch, Gene. “An Analysis of the Rivero Modern Dance Technique.” 2001. Web. 23 Jan 2019.

Vancouver:

Cumberbatch-Lynch G. An Analysis of the Rivero Modern Dance Technique. [Internet] [Thesis]. SUNY College at Brockport; 2001. [cited 2019 Jan 23]. Available from: https://digitalcommons.brockport.edu/dns_theses/11.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cumberbatch-Lynch G. An Analysis of the Rivero Modern Dance Technique. [Thesis]. SUNY College at Brockport; 2001. Available from: https://digitalcommons.brockport.edu/dns_theses/11

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Prestes, Luciana da Trindades. Recreando la imagen literaria de la mujer afrodescendiente en las narrativas femeninas afrocubanas y afrobrasileñas contemporáneas.

Degree: 2015, University of Tennessee – Knoxville

 In the XIX century, Brazil and Cuba created the abolitionist novels whose main theme emphasized black women as their main literary figure. Even though these… (more)

Subjects/Keywords: Afro- Brazilian; Afro-Cuban; Race; Memory; African Diaspora; Black Women; Race, Ethnicity and Post-Colonial Studies; Spanish and Portuguese Language and Literature

…nationalism and Afro-Cuban identitiy” (33). La poeta ha servido de mentora para la nueva… …detallado ver las obras de Duke Literay Passion y Sugar’s secret: Race and Erotics of Cuban… …explica Callahan, usar sus poemas “as a space in which to engage the question of Cuban… 

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APA (6th Edition):

Prestes, L. d. T. (2015). Recreando la imagen literaria de la mujer afrodescendiente en las narrativas femeninas afrocubanas y afrobrasileñas contemporáneas. (Doctoral Dissertation). University of Tennessee – Knoxville. Retrieved from https://trace.tennessee.edu/utk_graddiss/3459

Chicago Manual of Style (16th Edition):

Prestes, Luciana da Trindades. “Recreando la imagen literaria de la mujer afrodescendiente en las narrativas femeninas afrocubanas y afrobrasileñas contemporáneas.” 2015. Doctoral Dissertation, University of Tennessee – Knoxville. Accessed January 23, 2019. https://trace.tennessee.edu/utk_graddiss/3459.

MLA Handbook (7th Edition):

Prestes, Luciana da Trindades. “Recreando la imagen literaria de la mujer afrodescendiente en las narrativas femeninas afrocubanas y afrobrasileñas contemporáneas.” 2015. Web. 23 Jan 2019.

Vancouver:

Prestes LdT. Recreando la imagen literaria de la mujer afrodescendiente en las narrativas femeninas afrocubanas y afrobrasileñas contemporáneas. [Internet] [Doctoral dissertation]. University of Tennessee – Knoxville; 2015. [cited 2019 Jan 23]. Available from: https://trace.tennessee.edu/utk_graddiss/3459.

Council of Science Editors:

Prestes LdT. Recreando la imagen literaria de la mujer afrodescendiente en las narrativas femeninas afrocubanas y afrobrasileñas contemporáneas. [Doctoral Dissertation]. University of Tennessee – Knoxville; 2015. Available from: https://trace.tennessee.edu/utk_graddiss/3459

21. Willey, Jackie Vernon. Writing and rebellion in Plácidoâs poetry.

Degree: MA, Spanish, 2010, Vanderbilt University

 SPANISH WRITING AND REBELLION IN PLÃCIDOâS POETRY JACKIE VERNON WILLEY Thesis under the direction of Professor William Luis Gabriel de la Concepción Valdés â popularly… (more)

Subjects/Keywords: romanticism; mimicry; postcolonial; cuba; afro-cuban; black; gabriel de la concepcion valdes; poem; subversion; domingo del monte; heredia

…restive Afro-Cuban population and abolitionist white creoles, established a spy network of… …highest echelons of Cuban society sought out his talent, yet he lived in penury, earning most of… …Afro-Cubans in an increasingly precarious position. Meanwhile, victorious bourgeois… …among Afro-Cubans. The foreign policy of Haiti’s new rulers only heightened colonists… …to the Cuban populace, both free and enthralled. Political upheaval and debate in early… 

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APA (6th Edition):

Willey, J. V. (2010). Writing and rebellion in Plácidoâs poetry. (Masters Thesis). Vanderbilt University. Retrieved from http://etd.library.vanderbilt.edu/available/etd-03312010-152757/ ;

Chicago Manual of Style (16th Edition):

Willey, Jackie Vernon. “Writing and rebellion in Plácidoâs poetry.” 2010. Masters Thesis, Vanderbilt University. Accessed January 23, 2019. http://etd.library.vanderbilt.edu/available/etd-03312010-152757/ ;.

MLA Handbook (7th Edition):

Willey, Jackie Vernon. “Writing and rebellion in Plácidoâs poetry.” 2010. Web. 23 Jan 2019.

Vancouver:

Willey JV. Writing and rebellion in Plácidoâs poetry. [Internet] [Masters thesis]. Vanderbilt University; 2010. [cited 2019 Jan 23]. Available from: http://etd.library.vanderbilt.edu/available/etd-03312010-152757/ ;.

Council of Science Editors:

Willey JV. Writing and rebellion in Plácidoâs poetry. [Masters Thesis]. Vanderbilt University; 2010. Available from: http://etd.library.vanderbilt.edu/available/etd-03312010-152757/ ;


Virginia Commonwealth University

22. January, LaTricia M. Beyond the Threshold: Allusions to the Òrìsà in Ana Mendieta's Silueta Series.

Degree: MA, Art History, 2007, Virginia Commonwealth University

 The Cuban-born artist Ana Mendieta (1948-1985) created the Silueta Series during the 1970s and ‘80s. It consists of earth-body works in situ featuring the silhouette… (more)

Subjects/Keywords: earth-body works; earthworks; Viennese Actionism; Hans Breder; Liminal; Intermedia; Feminist Art; Contemporary Art; Great Goddess; Neo-paganism; Afro-Cuban; Yoruba deities; Cuba; Santeria; Yoruba iconography; Arts and Humanities

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APA (6th Edition):

January, L. M. (2007). Beyond the Threshold: Allusions to the Òrìsà in Ana Mendieta's Silueta Series. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/1391

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

January, LaTricia M. “Beyond the Threshold: Allusions to the Òrìsà in Ana Mendieta's Silueta Series.” 2007. Thesis, Virginia Commonwealth University. Accessed January 23, 2019. https://scholarscompass.vcu.edu/etd/1391.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

January, LaTricia M. “Beyond the Threshold: Allusions to the Òrìsà in Ana Mendieta's Silueta Series.” 2007. Web. 23 Jan 2019.

Vancouver:

January LM. Beyond the Threshold: Allusions to the Òrìsà in Ana Mendieta's Silueta Series. [Internet] [Thesis]. Virginia Commonwealth University; 2007. [cited 2019 Jan 23]. Available from: https://scholarscompass.vcu.edu/etd/1391.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

January LM. Beyond the Threshold: Allusions to the Òrìsà in Ana Mendieta's Silueta Series. [Thesis]. Virginia Commonwealth University; 2007. Available from: https://scholarscompass.vcu.edu/etd/1391

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.