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You searched for subject:(African literature). Showing records 1 – 30 of 1036 total matches.

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1. Drame, Siacka. Trois exemples du personnage feminin dans le roman francophone d’Afrique subsaharenne: salimata, perpetue et laokole.

Degree: MA, Department of Modern Languages, 2012, Kansas State University

 Francophone Literature from Sub-Saharan Africa is an important indicator of the extent of the awakening by African people to their realities that link them to… (more)

Subjects/Keywords: African literature; African Literature (0316)

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APA (6th Edition):

Drame, S. (2012). Trois exemples du personnage feminin dans le roman francophone d’Afrique subsaharenne: salimata, perpetue et laokole. (Masters Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/13276

Chicago Manual of Style (16th Edition):

Drame, Siacka. “Trois exemples du personnage feminin dans le roman francophone d’Afrique subsaharenne: salimata, perpetue et laokole.” 2012. Masters Thesis, Kansas State University. Accessed March 19, 2019. http://hdl.handle.net/2097/13276.

MLA Handbook (7th Edition):

Drame, Siacka. “Trois exemples du personnage feminin dans le roman francophone d’Afrique subsaharenne: salimata, perpetue et laokole.” 2012. Web. 19 Mar 2019.

Vancouver:

Drame S. Trois exemples du personnage feminin dans le roman francophone d’Afrique subsaharenne: salimata, perpetue et laokole. [Internet] [Masters thesis]. Kansas State University; 2012. [cited 2019 Mar 19]. Available from: http://hdl.handle.net/2097/13276.

Council of Science Editors:

Drame S. Trois exemples du personnage feminin dans le roman francophone d’Afrique subsaharenne: salimata, perpetue et laokole. [Masters Thesis]. Kansas State University; 2012. Available from: http://hdl.handle.net/2097/13276


University of Kansas

2. Edoro, Ainehi. Waiting for an angel| Refashioning the African writing self.

Degree: 2009, University of Kansas

  Using Helon Habila's Waiting for an Angel, the author argues that third generation Nigerian writers, compared to their post-independence literary forbears, articulate a more… (more)

Subjects/Keywords: Literature; African

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APA (6th Edition):

Edoro, A. (2009). Waiting for an angel| Refashioning the African writing self. (Thesis). University of Kansas. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1467931

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Edoro, Ainehi. “Waiting for an angel| Refashioning the African writing self.” 2009. Thesis, University of Kansas. Accessed March 19, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=1467931.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Edoro, Ainehi. “Waiting for an angel| Refashioning the African writing self.” 2009. Web. 19 Mar 2019.

Vancouver:

Edoro A. Waiting for an angel| Refashioning the African writing self. [Internet] [Thesis]. University of Kansas; 2009. [cited 2019 Mar 19]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1467931.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Edoro A. Waiting for an angel| Refashioning the African writing self. [Thesis]. University of Kansas; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1467931

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Harvard University

3. Asaah, Gordon Divine Ntso. Satirizing the Use of Children as Soldiers in Africa: An Analysis of Ken Saro-Wiwa’s Sozaboy – a Novel in Rotten English and Uzodinma Iweala’s Beasts of No Nation and the First Half of an Original Novel, Odi’s Odyssey.

Degree: ALM, 2017, Harvard University

 This essay on satire of war explores how two African writers, Ken Saro-Wiwa and Uzodinma Iweala, deride the use of children as soldiers in their… (more)

Subjects/Keywords: Literature, African; Literature, Comparative; History, African

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APA (6th Edition):

Asaah, G. D. N. (2017). Satirizing the Use of Children as Soldiers in Africa: An Analysis of Ken Saro-Wiwa’s Sozaboy – a Novel in Rotten English and Uzodinma Iweala’s Beasts of No Nation and the First Half of an Original Novel, Odi’s Odyssey. (Masters Thesis). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:33813404

Chicago Manual of Style (16th Edition):

Asaah, Gordon Divine Ntso. “Satirizing the Use of Children as Soldiers in Africa: An Analysis of Ken Saro-Wiwa’s Sozaboy – a Novel in Rotten English and Uzodinma Iweala’s Beasts of No Nation and the First Half of an Original Novel, Odi’s Odyssey.” 2017. Masters Thesis, Harvard University. Accessed March 19, 2019. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33813404.

MLA Handbook (7th Edition):

Asaah, Gordon Divine Ntso. “Satirizing the Use of Children as Soldiers in Africa: An Analysis of Ken Saro-Wiwa’s Sozaboy – a Novel in Rotten English and Uzodinma Iweala’s Beasts of No Nation and the First Half of an Original Novel, Odi’s Odyssey.” 2017. Web. 19 Mar 2019.

Vancouver:

Asaah GDN. Satirizing the Use of Children as Soldiers in Africa: An Analysis of Ken Saro-Wiwa’s Sozaboy – a Novel in Rotten English and Uzodinma Iweala’s Beasts of No Nation and the First Half of an Original Novel, Odi’s Odyssey. [Internet] [Masters thesis]. Harvard University; 2017. [cited 2019 Mar 19]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:33813404.

Council of Science Editors:

Asaah GDN. Satirizing the Use of Children as Soldiers in Africa: An Analysis of Ken Saro-Wiwa’s Sozaboy – a Novel in Rotten English and Uzodinma Iweala’s Beasts of No Nation and the First Half of an Original Novel, Odi’s Odyssey. [Masters Thesis]. Harvard University; 2017. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:33813404

4. Grayson, Erik. "The ones who cry"| Aging and the anxiety of finitude in J. M. Coetzee's novels of senescence.

Degree: 2010, State University of New York at Binghamton

  In this dissertation, I contend that, beginning with <i>Age of Iron </i> (1990), J. M. Coetzee has engaged in a prolonged and unflinching examination… (more)

Subjects/Keywords: Literature, Modern; Literature, African; Gerontology

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APA (6th Edition):

Grayson, E. (2010). "The ones who cry"| Aging and the anxiety of finitude in J. M. Coetzee's novels of senescence. (Thesis). State University of New York at Binghamton. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3398571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grayson, Erik. “"The ones who cry"| Aging and the anxiety of finitude in J. M. Coetzee's novels of senescence.” 2010. Thesis, State University of New York at Binghamton. Accessed March 19, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3398571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grayson, Erik. “"The ones who cry"| Aging and the anxiety of finitude in J. M. Coetzee's novels of senescence.” 2010. Web. 19 Mar 2019.

Vancouver:

Grayson E. "The ones who cry"| Aging and the anxiety of finitude in J. M. Coetzee's novels of senescence. [Internet] [Thesis]. State University of New York at Binghamton; 2010. [cited 2019 Mar 19]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3398571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grayson E. "The ones who cry"| Aging and the anxiety of finitude in J. M. Coetzee's novels of senescence. [Thesis]. State University of New York at Binghamton; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3398571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

5. Owens, Imani D. At the Crossroads: African American and Caribbean Writers in the Interwar Period.

Degree: 2013, Columbia University

 At the Crossroads: African American and Caribbean Writers in the Interwar Period charts discourses of folk culture, empire and modernity in the works of six… (more)

Subjects/Keywords: Literature; African Americans; Caribbean literature

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APA (6th Edition):

Owens, I. D. (2013). At the Crossroads: African American and Caribbean Writers in the Interwar Period. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D84J0DJX

Chicago Manual of Style (16th Edition):

Owens, Imani D. “At the Crossroads: African American and Caribbean Writers in the Interwar Period.” 2013. Doctoral Dissertation, Columbia University. Accessed March 19, 2019. https://doi.org/10.7916/D84J0DJX.

MLA Handbook (7th Edition):

Owens, Imani D. “At the Crossroads: African American and Caribbean Writers in the Interwar Period.” 2013. Web. 19 Mar 2019.

Vancouver:

Owens ID. At the Crossroads: African American and Caribbean Writers in the Interwar Period. [Internet] [Doctoral dissertation]. Columbia University; 2013. [cited 2019 Mar 19]. Available from: https://doi.org/10.7916/D84J0DJX.

Council of Science Editors:

Owens ID. At the Crossroads: African American and Caribbean Writers in the Interwar Period. [Doctoral Dissertation]. Columbia University; 2013. Available from: https://doi.org/10.7916/D84J0DJX


University of Georgia

6. Hubbard, Althea Dawn. Expressing truth through fiction and orality through literacy: narrative voices in Francophone African literature.

Degree: PhD, Romance Languages, 2014, University of Georgia

 This paper explores how Francophone African authors use techniques borrowed from orality to express African perspectives on history. Following years of colonization and racism, during… (more)

Subjects/Keywords: Francophone African literature

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APA (6th Edition):

Hubbard, A. D. (2014). Expressing truth through fiction and orality through literacy: narrative voices in Francophone African literature. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/hubbard_althea_d_201412_phd

Chicago Manual of Style (16th Edition):

Hubbard, Althea Dawn. “Expressing truth through fiction and orality through literacy: narrative voices in Francophone African literature.” 2014. Doctoral Dissertation, University of Georgia. Accessed March 19, 2019. http://purl.galileo.usg.edu/uga_etd/hubbard_althea_d_201412_phd.

MLA Handbook (7th Edition):

Hubbard, Althea Dawn. “Expressing truth through fiction and orality through literacy: narrative voices in Francophone African literature.” 2014. Web. 19 Mar 2019.

Vancouver:

Hubbard AD. Expressing truth through fiction and orality through literacy: narrative voices in Francophone African literature. [Internet] [Doctoral dissertation]. University of Georgia; 2014. [cited 2019 Mar 19]. Available from: http://purl.galileo.usg.edu/uga_etd/hubbard_althea_d_201412_phd.

Council of Science Editors:

Hubbard AD. Expressing truth through fiction and orality through literacy: narrative voices in Francophone African literature. [Doctoral Dissertation]. University of Georgia; 2014. Available from: http://purl.galileo.usg.edu/uga_etd/hubbard_althea_d_201412_phd

7. Lee, Jeannette M. Gendered Nations: Black Subjectivity In Late Twentieth-Century African American and Black Caribbean Narratives.

Degree: PhD, English, 2009, Brown University

 As a black feminist project, this dissertation contends that late twentieth-century black diasporic literature intervenes in debates about shifts in black communal formation in the… (more)

Subjects/Keywords: African American literature

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APA (6th Edition):

Lee, J. M. (2009). Gendered Nations: Black Subjectivity In Late Twentieth-Century African American and Black Caribbean Narratives. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:170/

Chicago Manual of Style (16th Edition):

Lee, Jeannette M. “Gendered Nations: Black Subjectivity In Late Twentieth-Century African American and Black Caribbean Narratives.” 2009. Doctoral Dissertation, Brown University. Accessed March 19, 2019. https://repository.library.brown.edu/studio/item/bdr:170/.

MLA Handbook (7th Edition):

Lee, Jeannette M. “Gendered Nations: Black Subjectivity In Late Twentieth-Century African American and Black Caribbean Narratives.” 2009. Web. 19 Mar 2019.

Vancouver:

Lee JM. Gendered Nations: Black Subjectivity In Late Twentieth-Century African American and Black Caribbean Narratives. [Internet] [Doctoral dissertation]. Brown University; 2009. [cited 2019 Mar 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:170/.

Council of Science Editors:

Lee JM. Gendered Nations: Black Subjectivity In Late Twentieth-Century African American and Black Caribbean Narratives. [Doctoral Dissertation]. Brown University; 2009. Available from: https://repository.library.brown.edu/studio/item/bdr:170/


Liberty University

8. Trudeau, Brianne Nicole. Towards Understanding: The Study of Hughes' Poetry as the Epitome of the Expressive, Cultural, and Political Elements of African American Literature.

Degree: 2009, Liberty University

 Unfortunately, a disconnection currently exists between the academic world and the sweet, soulful study of African American literature (AA literature). Because there is limited exposure… (more)

Subjects/Keywords: African; American; Literature; Literature, African; Literature, American; African American Studies

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APA (6th Edition):

Trudeau, B. N. (2009). Towards Understanding: The Study of Hughes' Poetry as the Epitome of the Expressive, Cultural, and Political Elements of African American Literature. (Masters Thesis). Liberty University. Retrieved from http://digitalcommons.liberty.edu/masters/67

Chicago Manual of Style (16th Edition):

Trudeau, Brianne Nicole. “Towards Understanding: The Study of Hughes' Poetry as the Epitome of the Expressive, Cultural, and Political Elements of African American Literature.” 2009. Masters Thesis, Liberty University. Accessed March 19, 2019. http://digitalcommons.liberty.edu/masters/67.

MLA Handbook (7th Edition):

Trudeau, Brianne Nicole. “Towards Understanding: The Study of Hughes' Poetry as the Epitome of the Expressive, Cultural, and Political Elements of African American Literature.” 2009. Web. 19 Mar 2019.

Vancouver:

Trudeau BN. Towards Understanding: The Study of Hughes' Poetry as the Epitome of the Expressive, Cultural, and Political Elements of African American Literature. [Internet] [Masters thesis]. Liberty University; 2009. [cited 2019 Mar 19]. Available from: http://digitalcommons.liberty.edu/masters/67.

Council of Science Editors:

Trudeau BN. Towards Understanding: The Study of Hughes' Poetry as the Epitome of the Expressive, Cultural, and Political Elements of African American Literature. [Masters Thesis]. Liberty University; 2009. Available from: http://digitalcommons.liberty.edu/masters/67

9. Howell, Emma Catherine Thompson. Re-envisioning Negritude| Historical and cultural contexts for Aime Cesaire and Leopold Sedar Senghor.

Degree: 2012, The University of North Carolina at Greensboro

  This thesis seeks to expose and discredit a perceived misconception that understood the Negritude movement as one, relatively uniform concept. An oversimplified, homogeneous view… (more)

Subjects/Keywords: Literature, African; Literature, Caribbean; Literature, General

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APA (6th Edition):

Howell, E. C. T. (2012). Re-envisioning Negritude| Historical and cultural contexts for Aime Cesaire and Leopold Sedar Senghor. (Thesis). The University of North Carolina at Greensboro. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1511819

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Howell, Emma Catherine Thompson. “Re-envisioning Negritude| Historical and cultural contexts for Aime Cesaire and Leopold Sedar Senghor.” 2012. Thesis, The University of North Carolina at Greensboro. Accessed March 19, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=1511819.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Howell, Emma Catherine Thompson. “Re-envisioning Negritude| Historical and cultural contexts for Aime Cesaire and Leopold Sedar Senghor.” 2012. Web. 19 Mar 2019.

Vancouver:

Howell ECT. Re-envisioning Negritude| Historical and cultural contexts for Aime Cesaire and Leopold Sedar Senghor. [Internet] [Thesis]. The University of North Carolina at Greensboro; 2012. [cited 2019 Mar 19]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1511819.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Howell ECT. Re-envisioning Negritude| Historical and cultural contexts for Aime Cesaire and Leopold Sedar Senghor. [Thesis]. The University of North Carolina at Greensboro; 2012. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1511819

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Semler, Johanna Theresa. Bare life and metamorphic being| Nazi propaganda, Agamben, Coetzee and Kafka.

Degree: 2012, The University of Chicago

  This dissertation discusses different forms of life, bare life and metamorphic being, and their relationship to identity and sovereignty. Taking Giorgio Agamben's concept of… (more)

Subjects/Keywords: Literature, Comparative; Literature, Germanic; Literature, African; Philosophy

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APA (6th Edition):

Semler, J. T. (2012). Bare life and metamorphic being| Nazi propaganda, Agamben, Coetzee and Kafka. (Thesis). The University of Chicago. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3526966

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Semler, Johanna Theresa. “Bare life and metamorphic being| Nazi propaganda, Agamben, Coetzee and Kafka.” 2012. Thesis, The University of Chicago. Accessed March 19, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3526966.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Semler, Johanna Theresa. “Bare life and metamorphic being| Nazi propaganda, Agamben, Coetzee and Kafka.” 2012. Web. 19 Mar 2019.

Vancouver:

Semler JT. Bare life and metamorphic being| Nazi propaganda, Agamben, Coetzee and Kafka. [Internet] [Thesis]. The University of Chicago; 2012. [cited 2019 Mar 19]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3526966.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Semler JT. Bare life and metamorphic being| Nazi propaganda, Agamben, Coetzee and Kafka. [Thesis]. The University of Chicago; 2012. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3526966

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Harvard University

11. Aubuchon, Jeffrey William. Sahara as Symbol in Later Twentieth-Century North African Literature: An Introductory Essay and Three Stories of the Desert.

Degree: 2017, Harvard University

The Sahara, with its harshness and apparent emptiness, is a place that even Ovid, in his Metamorphoses, harnessed symbol to describe. Images—or perhaps mirages—of seemingly… (more)

Subjects/Keywords: Literature, African; Literature, General; Literature, American

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APA (6th Edition):

Aubuchon, J. W. (2017). Sahara as Symbol in Later Twentieth-Century North African Literature: An Introductory Essay and Three Stories of the Desert. (Thesis). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:37736747

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Aubuchon, Jeffrey William. “Sahara as Symbol in Later Twentieth-Century North African Literature: An Introductory Essay and Three Stories of the Desert.” 2017. Thesis, Harvard University. Accessed March 19, 2019. http://nrs.harvard.edu/urn-3:HUL.InstRepos:37736747.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Aubuchon, Jeffrey William. “Sahara as Symbol in Later Twentieth-Century North African Literature: An Introductory Essay and Three Stories of the Desert.” 2017. Web. 19 Mar 2019.

Vancouver:

Aubuchon JW. Sahara as Symbol in Later Twentieth-Century North African Literature: An Introductory Essay and Three Stories of the Desert. [Internet] [Thesis]. Harvard University; 2017. [cited 2019 Mar 19]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:37736747.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Aubuchon JW. Sahara as Symbol in Later Twentieth-Century North African Literature: An Introductory Essay and Three Stories of the Desert. [Thesis]. Harvard University; 2017. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:37736747

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Temple University

12. Johnston, Monique. "With Hope, Hunger Does Not Kill," A Cultural Literary Analysis of Buchi Emecheta.

Degree: PhD, 2012, Temple University

African American Studies

This dissertation interrogates Buchi Emecheta's motives in portraying Igbo culture through her novels. It attempts to situate the novels in reference to… (more)

Subjects/Keywords: African American studies; African literature; African Literature; Buchi Emecheta; Igbo Culture

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APA (6th Edition):

Johnston, M. (2012). "With Hope, Hunger Does Not Kill," A Cultural Literary Analysis of Buchi Emecheta. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,166926

Chicago Manual of Style (16th Edition):

Johnston, Monique. “"With Hope, Hunger Does Not Kill," A Cultural Literary Analysis of Buchi Emecheta.” 2012. Doctoral Dissertation, Temple University. Accessed March 19, 2019. http://digital.library.temple.edu/u?/p245801coll10,166926.

MLA Handbook (7th Edition):

Johnston, Monique. “"With Hope, Hunger Does Not Kill," A Cultural Literary Analysis of Buchi Emecheta.” 2012. Web. 19 Mar 2019.

Vancouver:

Johnston M. "With Hope, Hunger Does Not Kill," A Cultural Literary Analysis of Buchi Emecheta. [Internet] [Doctoral dissertation]. Temple University; 2012. [cited 2019 Mar 19]. Available from: http://digital.library.temple.edu/u?/p245801coll10,166926.

Council of Science Editors:

Johnston M. "With Hope, Hunger Does Not Kill," A Cultural Literary Analysis of Buchi Emecheta. [Doctoral Dissertation]. Temple University; 2012. Available from: http://digital.library.temple.edu/u?/p245801coll10,166926

13. Olugbadehan, Oladipo Joseph. Owo| A frontier Yoruba kingdom.

Degree: 2007, Union Institute and University

  Using a combination of oral traditions and written sources, this work reconstructs the history of Owo, a frontier Yoruba kingdom in southwestern Nigeria, from… (more)

Subjects/Keywords: Literature, African; Anthropology, Cultural; History, African

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APA (6th Edition):

Olugbadehan, O. J. (2007). Owo| A frontier Yoruba kingdom. (Thesis). Union Institute and University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3255444

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Olugbadehan, Oladipo Joseph. “Owo| A frontier Yoruba kingdom.” 2007. Thesis, Union Institute and University. Accessed March 19, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3255444.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Olugbadehan, Oladipo Joseph. “Owo| A frontier Yoruba kingdom.” 2007. Web. 19 Mar 2019.

Vancouver:

Olugbadehan OJ. Owo| A frontier Yoruba kingdom. [Internet] [Thesis]. Union Institute and University; 2007. [cited 2019 Mar 19]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3255444.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Olugbadehan OJ. Owo| A frontier Yoruba kingdom. [Thesis]. Union Institute and University; 2007. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3255444

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Nelson Mandela Metropolitan University

14. Koen, Dewald. 'n Ontleding van die reisgedigte van Joan Hambidge in 'Visums by verstek'.

Degree: Faculty of Arts, 2011, Nelson Mandela Metropolitan University

 Reisbeskrywings, en veral die reispoësie as genre, het met die aanbreek van die twintigste eeu „n opbloei binne die Afrikaanse letterkunde beleef. Talle Afrikaanse skrywers… (more)

Subjects/Keywords: African literature; Authors, African; Travel writing

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Koen, D. (2011). 'n Ontleding van die reisgedigte van Joan Hambidge in 'Visums by verstek'. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/d1010652

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Koen, Dewald. “'n Ontleding van die reisgedigte van Joan Hambidge in 'Visums by verstek'.” 2011. Thesis, Nelson Mandela Metropolitan University. Accessed March 19, 2019. http://hdl.handle.net/10948/d1010652.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Koen, Dewald. “'n Ontleding van die reisgedigte van Joan Hambidge in 'Visums by verstek'.” 2011. Web. 19 Mar 2019.

Vancouver:

Koen D. 'n Ontleding van die reisgedigte van Joan Hambidge in 'Visums by verstek'. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2011. [cited 2019 Mar 19]. Available from: http://hdl.handle.net/10948/d1010652.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Koen D. 'n Ontleding van die reisgedigte van Joan Hambidge in 'Visums by verstek'. [Thesis]. Nelson Mandela Metropolitan University; 2011. Available from: http://hdl.handle.net/10948/d1010652

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Duke University

15. Bigsby, Shea William. Diasporic Reasoning: The Idea of Africa and the Production of Knowledge in Nineteenth-Century America .

Degree: 2012, Duke University

  This dissertation explores the significance of Africa (both as a literal geographic space and as an imagined or symbolic space) in 19th century American… (more)

Subjects/Keywords: American literature; African studies; African American studies

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APA (6th Edition):

Bigsby, S. W. (2012). Diasporic Reasoning: The Idea of Africa and the Production of Knowledge in Nineteenth-Century America . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/5438

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bigsby, Shea William. “Diasporic Reasoning: The Idea of Africa and the Production of Knowledge in Nineteenth-Century America .” 2012. Thesis, Duke University. Accessed March 19, 2019. http://hdl.handle.net/10161/5438.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bigsby, Shea William. “Diasporic Reasoning: The Idea of Africa and the Production of Knowledge in Nineteenth-Century America .” 2012. Web. 19 Mar 2019.

Vancouver:

Bigsby SW. Diasporic Reasoning: The Idea of Africa and the Production of Knowledge in Nineteenth-Century America . [Internet] [Thesis]. Duke University; 2012. [cited 2019 Mar 19]. Available from: http://hdl.handle.net/10161/5438.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bigsby SW. Diasporic Reasoning: The Idea of Africa and the Production of Knowledge in Nineteenth-Century America . [Thesis]. Duke University; 2012. Available from: http://hdl.handle.net/10161/5438

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ohio University

16. Kumbalonah, Abobo. Mobility and the Representation of African Dystopian Spaces in Film and Literature.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2015, Ohio University

 This study investigates the use of mobility as a creative style used by writers and filmmakers to represent the deterioration in the socio-economic and political… (more)

Subjects/Keywords: African Literature; African Studies; Film Studies; African cinema; African literature; postcolonialism; dystopia; mobility

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kumbalonah, A. (2015). Mobility and the Representation of African Dystopian Spaces in Film and Literature. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1439460633

Chicago Manual of Style (16th Edition):

Kumbalonah, Abobo. “Mobility and the Representation of African Dystopian Spaces in Film and Literature.” 2015. Doctoral Dissertation, Ohio University. Accessed March 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1439460633.

MLA Handbook (7th Edition):

Kumbalonah, Abobo. “Mobility and the Representation of African Dystopian Spaces in Film and Literature.” 2015. Web. 19 Mar 2019.

Vancouver:

Kumbalonah A. Mobility and the Representation of African Dystopian Spaces in Film and Literature. [Internet] [Doctoral dissertation]. Ohio University; 2015. [cited 2019 Mar 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1439460633.

Council of Science Editors:

Kumbalonah A. Mobility and the Representation of African Dystopian Spaces in Film and Literature. [Doctoral Dissertation]. Ohio University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1439460633


Temple University

17. Agum, David. African Social and Political History: The Novelist (Chinua Achebe) as a Witness.

Degree: PhD, 2013, Temple University

African American Studies

This study examines the role of African novelists as major sources of historiography of Africa, and the socio-cultural experience of its people.… (more)

Subjects/Keywords: African literature; African history; African studies;

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Agum, D. (2013). African Social and Political History: The Novelist (Chinua Achebe) as a Witness. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,216514

Chicago Manual of Style (16th Edition):

Agum, David. “African Social and Political History: The Novelist (Chinua Achebe) as a Witness.” 2013. Doctoral Dissertation, Temple University. Accessed March 19, 2019. http://digital.library.temple.edu/u?/p245801coll10,216514.

MLA Handbook (7th Edition):

Agum, David. “African Social and Political History: The Novelist (Chinua Achebe) as a Witness.” 2013. Web. 19 Mar 2019.

Vancouver:

Agum D. African Social and Political History: The Novelist (Chinua Achebe) as a Witness. [Internet] [Doctoral dissertation]. Temple University; 2013. [cited 2019 Mar 19]. Available from: http://digital.library.temple.edu/u?/p245801coll10,216514.

Council of Science Editors:

Agum D. African Social and Political History: The Novelist (Chinua Achebe) as a Witness. [Doctoral Dissertation]. Temple University; 2013. Available from: http://digital.library.temple.edu/u?/p245801coll10,216514

18. Schindler, Melissa Elisabeth. black women writers and the spatial limits of the African diaspora.

Degree: 2016, State University of New York at Buffalo

  My dissertation contends that diaspora, perhaps the most visible spatial paradigm for theorizing black constructions of identity and self, is inherently limited by the… (more)

Subjects/Keywords: African studies; Comparative literature; African American studies; African literature; Black studies; American literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schindler, M. E. (2016). black women writers and the spatial limits of the African diaspora. (Thesis). State University of New York at Buffalo. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10163890

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schindler, Melissa Elisabeth. “black women writers and the spatial limits of the African diaspora.” 2016. Thesis, State University of New York at Buffalo. Accessed March 19, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10163890.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schindler, Melissa Elisabeth. “black women writers and the spatial limits of the African diaspora.” 2016. Web. 19 Mar 2019.

Vancouver:

Schindler ME. black women writers and the spatial limits of the African diaspora. [Internet] [Thesis]. State University of New York at Buffalo; 2016. [cited 2019 Mar 19]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10163890.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schindler ME. black women writers and the spatial limits of the African diaspora. [Thesis]. State University of New York at Buffalo; 2016. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10163890

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

19. Sides, Kirk Bryan. "Pigments of Our Imagination: Anthropological Myths, Racial Archives and the Transnationalism of Apartheid".

Degree: Comparative Literature, 2014, UCLA

 "Pigments of Our Imagination: Anthropological Myths, Racial Archives and the Transnationalism of Apartheid" repositions South African cultural production within discourses on Africa, the Black Atlantic,… (more)

Subjects/Keywords: African literature; Comparative literature; African history; Anthropology; Apartheid; Creolization; Race; South African Literature; Transnationalism

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APA (6th Edition):

Sides, K. B. (2014). "Pigments of Our Imagination: Anthropological Myths, Racial Archives and the Transnationalism of Apartheid". (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/2w52k2hz

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sides, Kirk Bryan. “"Pigments of Our Imagination: Anthropological Myths, Racial Archives and the Transnationalism of Apartheid".” 2014. Thesis, UCLA. Accessed March 19, 2019. http://www.escholarship.org/uc/item/2w52k2hz.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sides, Kirk Bryan. “"Pigments of Our Imagination: Anthropological Myths, Racial Archives and the Transnationalism of Apartheid".” 2014. Web. 19 Mar 2019.

Vancouver:

Sides KB. "Pigments of Our Imagination: Anthropological Myths, Racial Archives and the Transnationalism of Apartheid". [Internet] [Thesis]. UCLA; 2014. [cited 2019 Mar 19]. Available from: http://www.escholarship.org/uc/item/2w52k2hz.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sides KB. "Pigments of Our Imagination: Anthropological Myths, Racial Archives and the Transnationalism of Apartheid". [Thesis]. UCLA; 2014. Available from: http://www.escholarship.org/uc/item/2w52k2hz

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Indiana University

20. Salifu, Abdulai. Names that prick| Royal praise names in Dagbon, northern Ghana.

Degree: 2009, Indiana University

  “Names that Prick …” sets out to investigate the praise poetry genre of the Dagombas of northern Ghana. The art of drumming, performed by… (more)

Subjects/Keywords: Literature, African; Anthropology, Cultural; Folklore

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APA (6th Edition):

Salifu, A. (2009). Names that prick| Royal praise names in Dagbon, northern Ghana. (Thesis). Indiana University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3344619

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Salifu, Abdulai. “Names that prick| Royal praise names in Dagbon, northern Ghana.” 2009. Thesis, Indiana University. Accessed March 19, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3344619.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Salifu, Abdulai. “Names that prick| Royal praise names in Dagbon, northern Ghana.” 2009. Web. 19 Mar 2019.

Vancouver:

Salifu A. Names that prick| Royal praise names in Dagbon, northern Ghana. [Internet] [Thesis]. Indiana University; 2009. [cited 2019 Mar 19]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3344619.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Salifu A. Names that prick| Royal praise names in Dagbon, northern Ghana. [Thesis]. Indiana University; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3344619

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Yale University

21. Alekseeva, Tatiana. Dance and Literature| "Textual Choreographies"of Cuban Narrative.

Degree: 2012, Yale University

  In much of Western civilization, dominated from the 17th century onward by the Cartesian mind/body dualism, dance has been viewed as a secondary and… (more)

Subjects/Keywords: African Studies; Literature, Caribbean; Dance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Alekseeva, T. (2012). Dance and Literature| "Textual Choreographies"of Cuban Narrative. (Thesis). Yale University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3525197

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alekseeva, Tatiana. “Dance and Literature| "Textual Choreographies"of Cuban Narrative.” 2012. Thesis, Yale University. Accessed March 19, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3525197.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alekseeva, Tatiana. “Dance and Literature| "Textual Choreographies"of Cuban Narrative.” 2012. Web. 19 Mar 2019.

Vancouver:

Alekseeva T. Dance and Literature| "Textual Choreographies"of Cuban Narrative. [Internet] [Thesis]. Yale University; 2012. [cited 2019 Mar 19]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3525197.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alekseeva T. Dance and Literature| "Textual Choreographies"of Cuban Narrative. [Thesis]. Yale University; 2012. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3525197

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Georgia

22. Franco, André Milhomem. Palavras em revolução : o uso político das figuras de linguagem em três contos de Nós matamos o Cão-Tinhoso.

Degree: MA, Romance Languages, 2002, University of Georgia

 We Killed the Mangy-Dog and Other Stories, the first and only book of the Mozambican writer Luís Bernardo Honwana was originally published in Portuguese in… (more)

Subjects/Keywords: African Literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Franco, A. M. (2002). Palavras em revolução : o uso político das figuras de linguagem em três contos de Nós matamos o Cão-Tinhoso. (Masters Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/franco_andre_m_200212_ma

Chicago Manual of Style (16th Edition):

Franco, André Milhomem. “Palavras em revolução : o uso político das figuras de linguagem em três contos de Nós matamos o Cão-Tinhoso.” 2002. Masters Thesis, University of Georgia. Accessed March 19, 2019. http://purl.galileo.usg.edu/uga_etd/franco_andre_m_200212_ma.

MLA Handbook (7th Edition):

Franco, André Milhomem. “Palavras em revolução : o uso político das figuras de linguagem em três contos de Nós matamos o Cão-Tinhoso.” 2002. Web. 19 Mar 2019.

Vancouver:

Franco AM. Palavras em revolução : o uso político das figuras de linguagem em três contos de Nós matamos o Cão-Tinhoso. [Internet] [Masters thesis]. University of Georgia; 2002. [cited 2019 Mar 19]. Available from: http://purl.galileo.usg.edu/uga_etd/franco_andre_m_200212_ma.

Council of Science Editors:

Franco AM. Palavras em revolução : o uso político das figuras de linguagem em três contos de Nós matamos o Cão-Tinhoso. [Masters Thesis]. University of Georgia; 2002. Available from: http://purl.galileo.usg.edu/uga_etd/franco_andre_m_200212_ma


University of Kansas

23. Edoro, Ainehi. Waiting for an Angel: Refashioning the African Writing Self.

Degree: MA, English, 2008, University of Kansas

 Using Helon Habila's Waiting for an Angel, the author argues that third generation Nigerian writers, compared to their post-independence literary forbears, articulate a more refined… (more)

Subjects/Keywords: African literature

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APA (6th Edition):

Edoro, A. (2008). Waiting for an Angel: Refashioning the African Writing Self. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/5504

Chicago Manual of Style (16th Edition):

Edoro, Ainehi. “Waiting for an Angel: Refashioning the African Writing Self.” 2008. Masters Thesis, University of Kansas. Accessed March 19, 2019. http://hdl.handle.net/1808/5504.

MLA Handbook (7th Edition):

Edoro, Ainehi. “Waiting for an Angel: Refashioning the African Writing Self.” 2008. Web. 19 Mar 2019.

Vancouver:

Edoro A. Waiting for an Angel: Refashioning the African Writing Self. [Internet] [Masters thesis]. University of Kansas; 2008. [cited 2019 Mar 19]. Available from: http://hdl.handle.net/1808/5504.

Council of Science Editors:

Edoro A. Waiting for an Angel: Refashioning the African Writing Self. [Masters Thesis]. University of Kansas; 2008. Available from: http://hdl.handle.net/1808/5504


Georgia State University

24. Gibson, Ebony Z. Art for whose Sake?: Defining African American Literature.

Degree: MA, African-American Studies, 2012, Georgia State University

  This exploratory qualitative study describes the criteria that African American Literature professors use in defining what is African American Literature. Maulana Karenga’s black arts… (more)

Subjects/Keywords: African-American literature; Black aesthetics

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APA (6th Edition):

Gibson, E. Z. (2012). Art for whose Sake?: Defining African American Literature. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/aas_theses/17

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gibson, Ebony Z. “Art for whose Sake?: Defining African American Literature.” 2012. Thesis, Georgia State University. Accessed March 19, 2019. https://scholarworks.gsu.edu/aas_theses/17.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gibson, Ebony Z. “Art for whose Sake?: Defining African American Literature.” 2012. Web. 19 Mar 2019.

Vancouver:

Gibson EZ. Art for whose Sake?: Defining African American Literature. [Internet] [Thesis]. Georgia State University; 2012. [cited 2019 Mar 19]. Available from: https://scholarworks.gsu.edu/aas_theses/17.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gibson EZ. Art for whose Sake?: Defining African American Literature. [Thesis]. Georgia State University; 2012. Available from: https://scholarworks.gsu.edu/aas_theses/17

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Keadle, Elizabeth Ann. Fragmented Identities| Explorations of the Unhomely in Slave and Neo-Slave Narratives.

Degree: 2016, University of Louisiana at Lafayette

  This dissertation explores the unhomely nature of the slave system as experienced by fugitive and captive slaves within slave and neo-slave narratives. The purpose… (more)

Subjects/Keywords: African American studies; American literature

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APA (6th Edition):

Keadle, E. A. (2016). Fragmented Identities| Explorations of the Unhomely in Slave and Neo-Slave Narratives. (Thesis). University of Louisiana at Lafayette. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10163331

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Keadle, Elizabeth Ann. “Fragmented Identities| Explorations of the Unhomely in Slave and Neo-Slave Narratives.” 2016. Thesis, University of Louisiana at Lafayette. Accessed March 19, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10163331.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Keadle, Elizabeth Ann. “Fragmented Identities| Explorations of the Unhomely in Slave and Neo-Slave Narratives.” 2016. Web. 19 Mar 2019.

Vancouver:

Keadle EA. Fragmented Identities| Explorations of the Unhomely in Slave and Neo-Slave Narratives. [Internet] [Thesis]. University of Louisiana at Lafayette; 2016. [cited 2019 Mar 19]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10163331.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Keadle EA. Fragmented Identities| Explorations of the Unhomely in Slave and Neo-Slave Narratives. [Thesis]. University of Louisiana at Lafayette; 2016. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10163331

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

26. Mills, Ivy. Sutura: Gendered Honor, Social Death, and the Politics of Exposure in Senegalese Literature and Popular Culture.

Degree: African American Studies, 2011, University of California – Berkeley

 This dissertation explores the ways in which sutura – a Wolofized Arabic concept that can mean discretion, modesty, privacy, or protection – mediates the production of the… (more)

Subjects/Keywords: African literature; Gender studies

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APA (6th Edition):

Mills, I. (2011). Sutura: Gendered Honor, Social Death, and the Politics of Exposure in Senegalese Literature and Popular Culture. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/7x37t9qs

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mills, Ivy. “Sutura: Gendered Honor, Social Death, and the Politics of Exposure in Senegalese Literature and Popular Culture.” 2011. Thesis, University of California – Berkeley. Accessed March 19, 2019. http://www.escholarship.org/uc/item/7x37t9qs.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mills, Ivy. “Sutura: Gendered Honor, Social Death, and the Politics of Exposure in Senegalese Literature and Popular Culture.” 2011. Web. 19 Mar 2019.

Vancouver:

Mills I. Sutura: Gendered Honor, Social Death, and the Politics of Exposure in Senegalese Literature and Popular Culture. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2019 Mar 19]. Available from: http://www.escholarship.org/uc/item/7x37t9qs.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mills I. Sutura: Gendered Honor, Social Death, and the Politics of Exposure in Senegalese Literature and Popular Culture. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/7x37t9qs

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

27. Rogers, Julian. Nightlife, or: How I Learned To Stop Worrying and Love the Form.

Degree: Visual Arts, 2015, University of California – San Diego

 The paintings included in my thesis exhibit consist of three different series, which are related technically, formally, and art historically. Depictions of fruit, tabletops, and… (more)

Subjects/Keywords: Surgery; African literature; Biomechanics

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APA (6th Edition):

Rogers, J. (2015). Nightlife, or: How I Learned To Stop Worrying and Love the Form. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/9309w960

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rogers, Julian. “Nightlife, or: How I Learned To Stop Worrying and Love the Form.” 2015. Thesis, University of California – San Diego. Accessed March 19, 2019. http://www.escholarship.org/uc/item/9309w960.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rogers, Julian. “Nightlife, or: How I Learned To Stop Worrying and Love the Form.” 2015. Web. 19 Mar 2019.

Vancouver:

Rogers J. Nightlife, or: How I Learned To Stop Worrying and Love the Form. [Internet] [Thesis]. University of California – San Diego; 2015. [cited 2019 Mar 19]. Available from: http://www.escholarship.org/uc/item/9309w960.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rogers J. Nightlife, or: How I Learned To Stop Worrying and Love the Form. [Thesis]. University of California – San Diego; 2015. Available from: http://www.escholarship.org/uc/item/9309w960

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Riverside

28. Hollingsworth, Lauren Colleen. Reading the (In)visible Race: African-American Subject Representation and Formation in American Literature.

Degree: English, 2010, University of California – Riverside

 This project began with the intention to examine the connection between the aesthetic and the political in American literature's construction of African-American subjectivity, or the… (more)

Subjects/Keywords: Literature, American; African American Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hollingsworth, L. C. (2010). Reading the (In)visible Race: African-American Subject Representation and Formation in American Literature. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/5dh411p3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hollingsworth, Lauren Colleen. “Reading the (In)visible Race: African-American Subject Representation and Formation in American Literature.” 2010. Thesis, University of California – Riverside. Accessed March 19, 2019. http://www.escholarship.org/uc/item/5dh411p3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hollingsworth, Lauren Colleen. “Reading the (In)visible Race: African-American Subject Representation and Formation in American Literature.” 2010. Web. 19 Mar 2019.

Vancouver:

Hollingsworth LC. Reading the (In)visible Race: African-American Subject Representation and Formation in American Literature. [Internet] [Thesis]. University of California – Riverside; 2010. [cited 2019 Mar 19]. Available from: http://www.escholarship.org/uc/item/5dh411p3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hollingsworth LC. Reading the (In)visible Race: African-American Subject Representation and Formation in American Literature. [Thesis]. University of California – Riverside; 2010. Available from: http://www.escholarship.org/uc/item/5dh411p3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Chicago

29. Smith, Erec. A rhetoric of mythic proportions: Rhetorical and messianic trickster consciousness and its effects on contemporary society.

Degree: 2003, University of Illinois – Chicago

Subjects/Keywords: Literature; African.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smith, E. (2003). A rhetoric of mythic proportions: Rhetorical and messianic trickster consciousness and its effects on contemporary society. (Thesis). University of Illinois – Chicago. Retrieved from http://hdl.handle.net/10027/12218

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Erec. “A rhetoric of mythic proportions: Rhetorical and messianic trickster consciousness and its effects on contemporary society.” 2003. Thesis, University of Illinois – Chicago. Accessed March 19, 2019. http://hdl.handle.net/10027/12218.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Erec. “A rhetoric of mythic proportions: Rhetorical and messianic trickster consciousness and its effects on contemporary society.” 2003. Web. 19 Mar 2019.

Vancouver:

Smith E. A rhetoric of mythic proportions: Rhetorical and messianic trickster consciousness and its effects on contemporary society. [Internet] [Thesis]. University of Illinois – Chicago; 2003. [cited 2019 Mar 19]. Available from: http://hdl.handle.net/10027/12218.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith E. A rhetoric of mythic proportions: Rhetorical and messianic trickster consciousness and its effects on contemporary society. [Thesis]. University of Illinois – Chicago; 2003. Available from: http://hdl.handle.net/10027/12218

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

30. Agbodike, Kanayo Jason. Race Across Borders: Transnationalism and Racial Identity in African-American Fiction, 1929-1945.

Degree: Comparative Literature, 2012, University of California – Berkeley

 Race Across Borders: Transnationalism and Racial Identity in African-American Fiction, 1929-1945, examines four African-American literary texts that employ transnational themes and aesthetics as a means… (more)

Subjects/Keywords: Comparative literature; African American studies

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Agbodike, K. J. (2012). Race Across Borders: Transnationalism and Racial Identity in African-American Fiction, 1929-1945. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/16v2k9z2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Agbodike, Kanayo Jason. “Race Across Borders: Transnationalism and Racial Identity in African-American Fiction, 1929-1945.” 2012. Thesis, University of California – Berkeley. Accessed March 19, 2019. http://www.escholarship.org/uc/item/16v2k9z2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Agbodike, Kanayo Jason. “Race Across Borders: Transnationalism and Racial Identity in African-American Fiction, 1929-1945.” 2012. Web. 19 Mar 2019.

Vancouver:

Agbodike KJ. Race Across Borders: Transnationalism and Racial Identity in African-American Fiction, 1929-1945. [Internet] [Thesis]. University of California – Berkeley; 2012. [cited 2019 Mar 19]. Available from: http://www.escholarship.org/uc/item/16v2k9z2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Agbodike KJ. Race Across Borders: Transnationalism and Racial Identity in African-American Fiction, 1929-1945. [Thesis]. University of California – Berkeley; 2012. Available from: http://www.escholarship.org/uc/item/16v2k9z2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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