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You searched for subject:(African American Independent Cinema). Showing records 1 – 30 of 44465 total matches.

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1. Gates, Racquel. Acting White| African Americans, Whiteface, and Post-Civil Rights Popular Culture.

Degree: 2011, Northwestern University

  Though a plethora of rich scholarship addresses the use of blackface by white and black performers on both stage and in film, very little… (more)

Subjects/Keywords: African American Studies; Mass Communications; Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gates, R. (2011). Acting White| African Americans, Whiteface, and Post-Civil Rights Popular Culture. (Thesis). Northwestern University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3433575

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gates, Racquel. “Acting White| African Americans, Whiteface, and Post-Civil Rights Popular Culture.” 2011. Thesis, Northwestern University. Accessed April 01, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=3433575.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gates, Racquel. “Acting White| African Americans, Whiteface, and Post-Civil Rights Popular Culture.” 2011. Web. 01 Apr 2020.

Vancouver:

Gates R. Acting White| African Americans, Whiteface, and Post-Civil Rights Popular Culture. [Internet] [Thesis]. Northwestern University; 2011. [cited 2020 Apr 01]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3433575.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gates R. Acting White| African Americans, Whiteface, and Post-Civil Rights Popular Culture. [Thesis]. Northwestern University; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3433575

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

2. Cooling, Christopher. Declarations of independence: film and the American mythology.

Degree: PhD, Cinema-Television (Critical Studies), 2007, University of Southern California

 In this dissertation, the author investigates the American Independent Film, specifically its recent flourish from 1980 to the present. The argument is made that the… (more)

Subjects/Keywords: cinema studies; independent cinema; American studies

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APA (6th Edition):

Cooling, C. (2007). Declarations of independence: film and the American mythology. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/170172/rec/1802

Chicago Manual of Style (16th Edition):

Cooling, Christopher. “Declarations of independence: film and the American mythology.” 2007. Doctoral Dissertation, University of Southern California. Accessed April 01, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/170172/rec/1802.

MLA Handbook (7th Edition):

Cooling, Christopher. “Declarations of independence: film and the American mythology.” 2007. Web. 01 Apr 2020.

Vancouver:

Cooling C. Declarations of independence: film and the American mythology. [Internet] [Doctoral dissertation]. University of Southern California; 2007. [cited 2020 Apr 01]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/170172/rec/1802.

Council of Science Editors:

Cooling C. Declarations of independence: film and the American mythology. [Doctoral Dissertation]. University of Southern California; 2007. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/170172/rec/1802

3. Boutang, Adrienne. « Jusqu’où peut-on aller trop loin ? » Transgression, seuils de tolérance et circulation de représentations dans le cinéma américain entre les secteurs mainstream et indépendant, de 1990 à 2007 : How far is too far?Transgression, Thresholds et Boundaries in American cinema, from 1990 to 2007.

Degree: Docteur es, Études cinématographiques et audiovisuelles, 2012, Université Sorbonne Nouvelle – Paris III

Cette thèse se propose d’étudier la circulation de représentations et de thématiques transgressives entre deux pôles de la production cinématographique américaine contemporaine, le cinéma indépendant… (more)

Subjects/Keywords: Cinéma; Américain; Mainstream; Indépendant; Transgression; Cinema; American; Mainstream; Independent; Transgression; 791.430973

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APA (6th Edition):

Boutang, A. (2012). « Jusqu’où peut-on aller trop loin ? » Transgression, seuils de tolérance et circulation de représentations dans le cinéma américain entre les secteurs mainstream et indépendant, de 1990 à 2007 : How far is too far?Transgression, Thresholds et Boundaries in American cinema, from 1990 to 2007. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2012PA030108

Chicago Manual of Style (16th Edition):

Boutang, Adrienne. “« Jusqu’où peut-on aller trop loin ? » Transgression, seuils de tolérance et circulation de représentations dans le cinéma américain entre les secteurs mainstream et indépendant, de 1990 à 2007 : How far is too far?Transgression, Thresholds et Boundaries in American cinema, from 1990 to 2007.” 2012. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed April 01, 2020. http://www.theses.fr/2012PA030108.

MLA Handbook (7th Edition):

Boutang, Adrienne. “« Jusqu’où peut-on aller trop loin ? » Transgression, seuils de tolérance et circulation de représentations dans le cinéma américain entre les secteurs mainstream et indépendant, de 1990 à 2007 : How far is too far?Transgression, Thresholds et Boundaries in American cinema, from 1990 to 2007.” 2012. Web. 01 Apr 2020.

Vancouver:

Boutang A. « Jusqu’où peut-on aller trop loin ? » Transgression, seuils de tolérance et circulation de représentations dans le cinéma américain entre les secteurs mainstream et indépendant, de 1990 à 2007 : How far is too far?Transgression, Thresholds et Boundaries in American cinema, from 1990 to 2007. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2012. [cited 2020 Apr 01]. Available from: http://www.theses.fr/2012PA030108.

Council of Science Editors:

Boutang A. « Jusqu’où peut-on aller trop loin ? » Transgression, seuils de tolérance et circulation de représentations dans le cinéma américain entre les secteurs mainstream et indépendant, de 1990 à 2007 : How far is too far?Transgression, Thresholds et Boundaries in American cinema, from 1990 to 2007. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2012. Available from: http://www.theses.fr/2012PA030108


Ohio University

4. Hey, Jessica L. "Coming Out" by Numbers.

Degree: MA, Film (Fine Arts), 2007, Ohio University

 This thesis investigates the independent lesbian films of the 1990s, examining specifically how these films adopt the hegemonic narrative structures of the heterosexist Hollywood tradition.… (more)

Subjects/Keywords: Cinema; lesbians; independent; cinema; 1990s

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APA (6th Edition):

Hey, J. L. (2007). "Coming Out" by Numbers. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1189022132

Chicago Manual of Style (16th Edition):

Hey, Jessica L. “"Coming Out" by Numbers.” 2007. Masters Thesis, Ohio University. Accessed April 01, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1189022132.

MLA Handbook (7th Edition):

Hey, Jessica L. “"Coming Out" by Numbers.” 2007. Web. 01 Apr 2020.

Vancouver:

Hey JL. "Coming Out" by Numbers. [Internet] [Masters thesis]. Ohio University; 2007. [cited 2020 Apr 01]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1189022132.

Council of Science Editors:

Hey JL. "Coming Out" by Numbers. [Masters Thesis]. Ohio University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1189022132


UCLA

5. Cordeiro da Silva Dias, Ines. Film and Politics in the Lusophone World (1960s—1970s).

Degree: Portuguese, 2016, UCLA

 In my dissertation I analyze how politics and film interact in Lusophone (i.e., Portuguese- speaking) countries in Europe (Portugal), South America (Brazil) and Africa (Mozambique… (more)

Subjects/Keywords: Film studies; African studies; Latin American studies; Angolan Cinema; Brazilian Cinema; Dictatorship; Lusophone cinema; Mozambican Cinema; Portuguese Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cordeiro da Silva Dias, I. (2016). Film and Politics in the Lusophone World (1960s—1970s). (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/8rj7p4zp

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cordeiro da Silva Dias, Ines. “Film and Politics in the Lusophone World (1960s—1970s).” 2016. Thesis, UCLA. Accessed April 01, 2020. http://www.escholarship.org/uc/item/8rj7p4zp.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cordeiro da Silva Dias, Ines. “Film and Politics in the Lusophone World (1960s—1970s).” 2016. Web. 01 Apr 2020.

Vancouver:

Cordeiro da Silva Dias I. Film and Politics in the Lusophone World (1960s—1970s). [Internet] [Thesis]. UCLA; 2016. [cited 2020 Apr 01]. Available from: http://www.escholarship.org/uc/item/8rj7p4zp.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cordeiro da Silva Dias I. Film and Politics in the Lusophone World (1960s—1970s). [Thesis]. UCLA; 2016. Available from: http://www.escholarship.org/uc/item/8rj7p4zp

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Sauvage, Célia. "Déclarations d'indépendance" : perception, discours et définitions du cinéma indépendant américain contemporain : "Declarations of independance" : perception, discurses and definitions of contemporary american independant cinema.

Degree: Docteur es, Cinéma-audiovisuel, 2013, Université Sorbonne Nouvelle – Paris III

Depuis la fin des années 1990, un certain courant du cinéma américain indépendant s'est développé à travers l'instauration d'une nouvelle communauté culturelle (jeune, intellectuelle, 'branchée'),… (more)

Subjects/Keywords: Cinéma indépendant; Cinéma américain; Cinéma contemporain; Cultural studies; Réception; Independent cinema; American cinema; Contemporary cinema; Cultural studies; Media reception studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sauvage, C. (2013). "Déclarations d'indépendance" : perception, discours et définitions du cinéma indépendant américain contemporain : "Declarations of independance" : perception, discurses and definitions of contemporary american independant cinema. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2013PA030154

Chicago Manual of Style (16th Edition):

Sauvage, Célia. “"Déclarations d'indépendance" : perception, discours et définitions du cinéma indépendant américain contemporain : "Declarations of independance" : perception, discurses and definitions of contemporary american independant cinema.” 2013. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed April 01, 2020. http://www.theses.fr/2013PA030154.

MLA Handbook (7th Edition):

Sauvage, Célia. “"Déclarations d'indépendance" : perception, discours et définitions du cinéma indépendant américain contemporain : "Declarations of independance" : perception, discurses and definitions of contemporary american independant cinema.” 2013. Web. 01 Apr 2020.

Vancouver:

Sauvage C. "Déclarations d'indépendance" : perception, discours et définitions du cinéma indépendant américain contemporain : "Declarations of independance" : perception, discurses and definitions of contemporary american independant cinema. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2013. [cited 2020 Apr 01]. Available from: http://www.theses.fr/2013PA030154.

Council of Science Editors:

Sauvage C. "Déclarations d'indépendance" : perception, discours et définitions du cinéma indépendant américain contemporain : "Declarations of independance" : perception, discurses and definitions of contemporary american independant cinema. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2013. Available from: http://www.theses.fr/2013PA030154


Georgia State University

7. Beverly, Michele P. Phenomenal Bodies: The Metaphysical Possibilities of Post-Black Film and Visual Culture.

Degree: PhD, Communication, 2012, Georgia State University

  In recent years, film, art, new media, and music video works created by black makers have demonstrated an increasingly “post-black” impulse. The term “post-black”… (more)

Subjects/Keywords: Black film; Hip-hop; African American culture; African American film; African American cinema; Race and visual culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Beverly, M. P. (2012). Phenomenal Bodies: The Metaphysical Possibilities of Post-Black Film and Visual Culture. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/37

Chicago Manual of Style (16th Edition):

Beverly, Michele P. “Phenomenal Bodies: The Metaphysical Possibilities of Post-Black Film and Visual Culture.” 2012. Doctoral Dissertation, Georgia State University. Accessed April 01, 2020. https://scholarworks.gsu.edu/communication_diss/37.

MLA Handbook (7th Edition):

Beverly, Michele P. “Phenomenal Bodies: The Metaphysical Possibilities of Post-Black Film and Visual Culture.” 2012. Web. 01 Apr 2020.

Vancouver:

Beverly MP. Phenomenal Bodies: The Metaphysical Possibilities of Post-Black Film and Visual Culture. [Internet] [Doctoral dissertation]. Georgia State University; 2012. [cited 2020 Apr 01]. Available from: https://scholarworks.gsu.edu/communication_diss/37.

Council of Science Editors:

Beverly MP. Phenomenal Bodies: The Metaphysical Possibilities of Post-Black Film and Visual Culture. [Doctoral Dissertation]. Georgia State University; 2012. Available from: https://scholarworks.gsu.edu/communication_diss/37

8. McFadden, Donte L. Be a Man If You Can: Examining Pre-Migration and Post-Watts Revolt Identities of Black Working-Class Men in the Films of Charles Burnett, 1969-1990.

Degree: PhD, English, 2013, University of Wisconsin – Milwaukee

  The films of Charles Burnett from 1969 through 1990 focus on the presentation of black working-class men in South Los Angeles as the decline… (more)

Subjects/Keywords: African American Independent Cinema; Charles Burnett; L.A. Rebellion; South Los Angeles; Watts Revolt; African American Studies; Film and Media Studies

…It is a structure found in many offerings of mainstream American cinema and other films… …folkloric traditions from southern African American culture to emphasize divisions between… …policy decision encouraged African American residents in the Southeastern United States (… …where African American residents new to the city at the time were concentrated in residences… …values. One of his novels, The Homesteader (1917), focused on an African American… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McFadden, D. L. (2013). Be a Man If You Can: Examining Pre-Migration and Post-Watts Revolt Identities of Black Working-Class Men in the Films of Charles Burnett, 1969-1990. (Doctoral Dissertation). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/333

Chicago Manual of Style (16th Edition):

McFadden, Donte L. “Be a Man If You Can: Examining Pre-Migration and Post-Watts Revolt Identities of Black Working-Class Men in the Films of Charles Burnett, 1969-1990.” 2013. Doctoral Dissertation, University of Wisconsin – Milwaukee. Accessed April 01, 2020. https://dc.uwm.edu/etd/333.

MLA Handbook (7th Edition):

McFadden, Donte L. “Be a Man If You Can: Examining Pre-Migration and Post-Watts Revolt Identities of Black Working-Class Men in the Films of Charles Burnett, 1969-1990.” 2013. Web. 01 Apr 2020.

Vancouver:

McFadden DL. Be a Man If You Can: Examining Pre-Migration and Post-Watts Revolt Identities of Black Working-Class Men in the Films of Charles Burnett, 1969-1990. [Internet] [Doctoral dissertation]. University of Wisconsin – Milwaukee; 2013. [cited 2020 Apr 01]. Available from: https://dc.uwm.edu/etd/333.

Council of Science Editors:

McFadden DL. Be a Man If You Can: Examining Pre-Migration and Post-Watts Revolt Identities of Black Working-Class Men in the Films of Charles Burnett, 1969-1990. [Doctoral Dissertation]. University of Wisconsin – Milwaukee; 2013. Available from: https://dc.uwm.edu/etd/333


University of Cape Town

9. Katjavivi, Perivi John. Film and national culture in Namibia: a study and analysis of how the films 100 Bucks and Try have contributed to the creation of post-colonial identity and national culture in independent Namibia.

Degree: Image, Centre for Film and Media Studies, 2016, University of Cape Town

 I wish to present a study of the different literature regarding national culture, African cinema and postcolonial identity and explore how it relates to local… (more)

Subjects/Keywords: African Cinema

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APA (6th Edition):

Katjavivi, P. J. (2016). Film and national culture in Namibia: a study and analysis of how the films 100 Bucks and Try have contributed to the creation of post-colonial identity and national culture in independent Namibia. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/22784

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Katjavivi, Perivi John. “Film and national culture in Namibia: a study and analysis of how the films 100 Bucks and Try have contributed to the creation of post-colonial identity and national culture in independent Namibia.” 2016. Thesis, University of Cape Town. Accessed April 01, 2020. http://hdl.handle.net/11427/22784.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Katjavivi, Perivi John. “Film and national culture in Namibia: a study and analysis of how the films 100 Bucks and Try have contributed to the creation of post-colonial identity and national culture in independent Namibia.” 2016. Web. 01 Apr 2020.

Vancouver:

Katjavivi PJ. Film and national culture in Namibia: a study and analysis of how the films 100 Bucks and Try have contributed to the creation of post-colonial identity and national culture in independent Namibia. [Internet] [Thesis]. University of Cape Town; 2016. [cited 2020 Apr 01]. Available from: http://hdl.handle.net/11427/22784.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Katjavivi PJ. Film and national culture in Namibia: a study and analysis of how the films 100 Bucks and Try have contributed to the creation of post-colonial identity and national culture in independent Namibia. [Thesis]. University of Cape Town; 2016. Available from: http://hdl.handle.net/11427/22784

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

10. Luttig, Clarien. Depictions of Queer female characters in contemporary South African documentary film.

Degree: Image, Centre for Film and Media Studies, 2014, University of Cape Town

 This dissertation investigates representations of Black South African lesbians in contemporary local documentary films. In order to do so, the author focuses on two films:… (more)

Subjects/Keywords: African Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Luttig, C. (2014). Depictions of Queer female characters in contemporary South African documentary film. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/13292

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Luttig, Clarien. “Depictions of Queer female characters in contemporary South African documentary film.” 2014. Thesis, University of Cape Town. Accessed April 01, 2020. http://hdl.handle.net/11427/13292.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Luttig, Clarien. “Depictions of Queer female characters in contemporary South African documentary film.” 2014. Web. 01 Apr 2020.

Vancouver:

Luttig C. Depictions of Queer female characters in contemporary South African documentary film. [Internet] [Thesis]. University of Cape Town; 2014. [cited 2020 Apr 01]. Available from: http://hdl.handle.net/11427/13292.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Luttig C. Depictions of Queer female characters in contemporary South African documentary film. [Thesis]. University of Cape Town; 2014. Available from: http://hdl.handle.net/11427/13292

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

11. Mdege, Norita. Gender identities and roles : the representation of women and children in South African films about HIV and AIDS.

Degree: Image, Centre for Film and Media Studies, 2014, University of Cape Town

 This dissertation examines representations of women and children in South African films about HIV and AIDS, paying particular attention to issues relating to the advancement… (more)

Subjects/Keywords: African Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mdege, N. (2014). Gender identities and roles : the representation of women and children in South African films about HIV and AIDS. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/13766

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mdege, Norita. “Gender identities and roles : the representation of women and children in South African films about HIV and AIDS.” 2014. Thesis, University of Cape Town. Accessed April 01, 2020. http://hdl.handle.net/11427/13766.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mdege, Norita. “Gender identities and roles : the representation of women and children in South African films about HIV and AIDS.” 2014. Web. 01 Apr 2020.

Vancouver:

Mdege N. Gender identities and roles : the representation of women and children in South African films about HIV and AIDS. [Internet] [Thesis]. University of Cape Town; 2014. [cited 2020 Apr 01]. Available from: http://hdl.handle.net/11427/13766.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mdege N. Gender identities and roles : the representation of women and children in South African films about HIV and AIDS. [Thesis]. University of Cape Town; 2014. Available from: http://hdl.handle.net/11427/13766

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Jiles, Tara R. Overcoming the industry driven barriers to the creation of black independent film.

Degree: 2013, Pepperdine University

  In our society the media has presented itself as an important tool in shaping both the identities of groups and individuals. In film, and… (more)

Subjects/Keywords: African American Studies; Black Studies; Psychology, General; Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jiles, T. R. (2013). Overcoming the industry driven barriers to the creation of black independent film. (Thesis). Pepperdine University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3600313

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jiles, Tara R. “Overcoming the industry driven barriers to the creation of black independent film.” 2013. Thesis, Pepperdine University. Accessed April 01, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=3600313.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jiles, Tara R. “Overcoming the industry driven barriers to the creation of black independent film.” 2013. Web. 01 Apr 2020.

Vancouver:

Jiles TR. Overcoming the industry driven barriers to the creation of black independent film. [Internet] [Thesis]. Pepperdine University; 2013. [cited 2020 Apr 01]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3600313.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jiles TR. Overcoming the industry driven barriers to the creation of black independent film. [Thesis]. Pepperdine University; 2013. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3600313

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Apovo, Constantin. La Blaxploitation, un autre regard. : Blaxploitation an other point of view.

Degree: Docteur es, Anthropologie sociale et ethnologie, 2017, Paris, EHESS

La Blaxploitation est un courant de cinéma des années 1970 présenté, parfois comme la continuation naturelle du Black Power et du mouvement de luttes pour… (more)

Subjects/Keywords: Africain-Americain; Cinéma; Cliché; African-American; Cinema; Cliché

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APA (6th Edition):

Apovo, C. (2017). La Blaxploitation, un autre regard. : Blaxploitation an other point of view. (Doctoral Dissertation). Paris, EHESS. Retrieved from http://www.theses.fr/2017EHES0089

Chicago Manual of Style (16th Edition):

Apovo, Constantin. “La Blaxploitation, un autre regard. : Blaxploitation an other point of view.” 2017. Doctoral Dissertation, Paris, EHESS. Accessed April 01, 2020. http://www.theses.fr/2017EHES0089.

MLA Handbook (7th Edition):

Apovo, Constantin. “La Blaxploitation, un autre regard. : Blaxploitation an other point of view.” 2017. Web. 01 Apr 2020.

Vancouver:

Apovo C. La Blaxploitation, un autre regard. : Blaxploitation an other point of view. [Internet] [Doctoral dissertation]. Paris, EHESS; 2017. [cited 2020 Apr 01]. Available from: http://www.theses.fr/2017EHES0089.

Council of Science Editors:

Apovo C. La Blaxploitation, un autre regard. : Blaxploitation an other point of view. [Doctoral Dissertation]. Paris, EHESS; 2017. Available from: http://www.theses.fr/2017EHES0089


University of Kansas

14. Ingle, Zachary Thomas. From El Mariachi to El Rey: Robert Rodriguez and the Transformation of a Microbudget Filmmaker into a Latino Media Mogul.

Degree: PhD, Film & Media Studies, 2015, University of Kansas

 Studies based on a director often follow a common model, generally resorting to an overview of that director’s films and examining shared aesthetic qualities and… (more)

Subjects/Keywords: Film studies; Hispanic American studies; 3-D; auteur theory; independent; Latino/a cinema; Mexican-American identity; Rodriguez; Robert

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APA (6th Edition):

Ingle, Z. T. (2015). From El Mariachi to El Rey: Robert Rodriguez and the Transformation of a Microbudget Filmmaker into a Latino Media Mogul. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21692

Chicago Manual of Style (16th Edition):

Ingle, Zachary Thomas. “From El Mariachi to El Rey: Robert Rodriguez and the Transformation of a Microbudget Filmmaker into a Latino Media Mogul.” 2015. Doctoral Dissertation, University of Kansas. Accessed April 01, 2020. http://hdl.handle.net/1808/21692.

MLA Handbook (7th Edition):

Ingle, Zachary Thomas. “From El Mariachi to El Rey: Robert Rodriguez and the Transformation of a Microbudget Filmmaker into a Latino Media Mogul.” 2015. Web. 01 Apr 2020.

Vancouver:

Ingle ZT. From El Mariachi to El Rey: Robert Rodriguez and the Transformation of a Microbudget Filmmaker into a Latino Media Mogul. [Internet] [Doctoral dissertation]. University of Kansas; 2015. [cited 2020 Apr 01]. Available from: http://hdl.handle.net/1808/21692.

Council of Science Editors:

Ingle ZT. From El Mariachi to El Rey: Robert Rodriguez and the Transformation of a Microbudget Filmmaker into a Latino Media Mogul. [Doctoral Dissertation]. University of Kansas; 2015. Available from: http://hdl.handle.net/1808/21692


San Jose State University

15. Rasmussen, Kristin Alexandra. Kinna-Uganda| A review of Uganda's national cinema.

Degree: 2011, San Jose State University

  Kinna-Uganda (K-U) is a form of cinema that has emerged in Uganda following decades of the totalitarian political regime of Idi Amin, which in… (more)

Subjects/Keywords: African Studies; History, African; Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rasmussen, K. A. (2011). Kinna-Uganda| A review of Uganda's national cinema. (Thesis). San Jose State University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1488151

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rasmussen, Kristin Alexandra. “Kinna-Uganda| A review of Uganda's national cinema.” 2011. Thesis, San Jose State University. Accessed April 01, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=1488151.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rasmussen, Kristin Alexandra. “Kinna-Uganda| A review of Uganda's national cinema.” 2011. Web. 01 Apr 2020.

Vancouver:

Rasmussen KA. Kinna-Uganda| A review of Uganda's national cinema. [Internet] [Thesis]. San Jose State University; 2011. [cited 2020 Apr 01]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1488151.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rasmussen KA. Kinna-Uganda| A review of Uganda's national cinema. [Thesis]. San Jose State University; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1488151

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Rochester

16. Vogel, Joseph (1981 - ). The rising tide of color : race, masculinity and contested histories in the American imaginary.

Degree: PhD, 2014, University of Rochester

 Myths about the racial other have been crucial to the American imaginary, particularly in the construction of white masculinity. In this dissertation, I demonstrate how… (more)

Subjects/Keywords: African American; Black masculinity; James Baldwin; New Pop cinema; Popular culture; White masculinity

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APA (6th Edition):

Vogel, J. (. -. ). (2014). The rising tide of color : race, masculinity and contested histories in the American imaginary. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/28513

Chicago Manual of Style (16th Edition):

Vogel, Joseph (1981 - ). “The rising tide of color : race, masculinity and contested histories in the American imaginary.” 2014. Doctoral Dissertation, University of Rochester. Accessed April 01, 2020. http://hdl.handle.net/1802/28513.

MLA Handbook (7th Edition):

Vogel, Joseph (1981 - ). “The rising tide of color : race, masculinity and contested histories in the American imaginary.” 2014. Web. 01 Apr 2020.

Vancouver:

Vogel J(-). The rising tide of color : race, masculinity and contested histories in the American imaginary. [Internet] [Doctoral dissertation]. University of Rochester; 2014. [cited 2020 Apr 01]. Available from: http://hdl.handle.net/1802/28513.

Council of Science Editors:

Vogel J(-). The rising tide of color : race, masculinity and contested histories in the American imaginary. [Doctoral Dissertation]. University of Rochester; 2014. Available from: http://hdl.handle.net/1802/28513


UCLA

17. Creagh, Anna Brooks. American Zombielore: Voodoo, Cinema, and the Undeath of Race.

Degree: Culture & Performance Studies, 2015, UCLA

 This dissertation undertakes a close examination of zombielore in the United States from the early nineteenth century through the 1940s. While many other scholars have… (more)

Subjects/Keywords: Folklore; Film studies; African American studies; Authenticity; Cinema; Folklore; Memory; Vodou; Zombies

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APA (6th Edition):

Creagh, A. B. (2015). American Zombielore: Voodoo, Cinema, and the Undeath of Race. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/1k2843dz

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Creagh, Anna Brooks. “American Zombielore: Voodoo, Cinema, and the Undeath of Race.” 2015. Thesis, UCLA. Accessed April 01, 2020. http://www.escholarship.org/uc/item/1k2843dz.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Creagh, Anna Brooks. “American Zombielore: Voodoo, Cinema, and the Undeath of Race.” 2015. Web. 01 Apr 2020.

Vancouver:

Creagh AB. American Zombielore: Voodoo, Cinema, and the Undeath of Race. [Internet] [Thesis]. UCLA; 2015. [cited 2020 Apr 01]. Available from: http://www.escholarship.org/uc/item/1k2843dz.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Creagh AB. American Zombielore: Voodoo, Cinema, and the Undeath of Race. [Thesis]. UCLA; 2015. Available from: http://www.escholarship.org/uc/item/1k2843dz

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Pennsylvania

18. Luckett, Josslyn Jeanine. Toward A More Perfect Rebellion: The Multiracial Roots And Fruit Of Ucla's Ethno-Communications Program.

Degree: 2018, University of Pennsylvania

 This project reconsiders the trailblazing group of black directors, known as the “L.A. Rebellion” filmmakers, in relation to the insurgent Asian American, Chicana/o and Native… (more)

Subjects/Keywords: Affirmative Action; Ethno-Communications; Film Education; Independent Film; L.A. Rebellion; UCLA; African American Studies; Ethnic Studies; Film and Media Studies

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APA (6th Edition):

Luckett, J. J. (2018). Toward A More Perfect Rebellion: The Multiracial Roots And Fruit Of Ucla's Ethno-Communications Program. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/2684

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Luckett, Josslyn Jeanine. “Toward A More Perfect Rebellion: The Multiracial Roots And Fruit Of Ucla's Ethno-Communications Program.” 2018. Thesis, University of Pennsylvania. Accessed April 01, 2020. https://repository.upenn.edu/edissertations/2684.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Luckett, Josslyn Jeanine. “Toward A More Perfect Rebellion: The Multiracial Roots And Fruit Of Ucla's Ethno-Communications Program.” 2018. Web. 01 Apr 2020.

Vancouver:

Luckett JJ. Toward A More Perfect Rebellion: The Multiracial Roots And Fruit Of Ucla's Ethno-Communications Program. [Internet] [Thesis]. University of Pennsylvania; 2018. [cited 2020 Apr 01]. Available from: https://repository.upenn.edu/edissertations/2684.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Luckett JJ. Toward A More Perfect Rebellion: The Multiracial Roots And Fruit Of Ucla's Ethno-Communications Program. [Thesis]. University of Pennsylvania; 2018. Available from: https://repository.upenn.edu/edissertations/2684

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Moody, Donna L. Intersecting Symbols in Indigenous American and African Material Culture: Diffusion or Independent Invention and Who Decides?.

Degree: MA, Anthropology, 2013, University of Massachusetts

  Native American and African American material culture of mid-19thcentury to present day appear to hold evidence for a more ancient spiritual and cultural relationship… (more)

Subjects/Keywords: Native American; African; material culture; diffusion/independent invention; Anthropology; Social and Behavioral Sciences; Social and Cultural Anthropology

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APA (6th Edition):

Moody, D. L. (2013). Intersecting Symbols in Indigenous American and African Material Culture: Diffusion or Independent Invention and Who Decides?. (Masters Thesis). University of Massachusetts. Retrieved from https://scholarworks.umass.edu/theses/1069

Chicago Manual of Style (16th Edition):

Moody, Donna L. “Intersecting Symbols in Indigenous American and African Material Culture: Diffusion or Independent Invention and Who Decides?.” 2013. Masters Thesis, University of Massachusetts. Accessed April 01, 2020. https://scholarworks.umass.edu/theses/1069.

MLA Handbook (7th Edition):

Moody, Donna L. “Intersecting Symbols in Indigenous American and African Material Culture: Diffusion or Independent Invention and Who Decides?.” 2013. Web. 01 Apr 2020.

Vancouver:

Moody DL. Intersecting Symbols in Indigenous American and African Material Culture: Diffusion or Independent Invention and Who Decides?. [Internet] [Masters thesis]. University of Massachusetts; 2013. [cited 2020 Apr 01]. Available from: https://scholarworks.umass.edu/theses/1069.

Council of Science Editors:

Moody DL. Intersecting Symbols in Indigenous American and African Material Culture: Diffusion or Independent Invention and Who Decides?. [Masters Thesis]. University of Massachusetts; 2013. Available from: https://scholarworks.umass.edu/theses/1069

20. Evans, Tina B. We Wear the Mask: Stories of the Black Girl Middle School Experience in Predominantly White, Elite, Independent Schools.

Degree: Doctorate in Education, Education, 2019, Loyola Marymount University

  This dissertation examined the experiences of Black middle school girls who attend predominantly white, elite, independent schools in the Greater Los Angeles area. Using… (more)

Subjects/Keywords: Black girls; Critical Narratives; Independent Schools; Middle school; Predominantly white; Race Consciousness Development; African American Studies; Education; Educational Leadership

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APA (6th Edition):

Evans, T. B. (2019). We Wear the Mask: Stories of the Black Girl Middle School Experience in Predominantly White, Elite, Independent Schools. (Doctoral Dissertation). Loyola Marymount University. Retrieved from https://digitalcommons.lmu.edu/etd/893

Chicago Manual of Style (16th Edition):

Evans, Tina B. “We Wear the Mask: Stories of the Black Girl Middle School Experience in Predominantly White, Elite, Independent Schools.” 2019. Doctoral Dissertation, Loyola Marymount University. Accessed April 01, 2020. https://digitalcommons.lmu.edu/etd/893.

MLA Handbook (7th Edition):

Evans, Tina B. “We Wear the Mask: Stories of the Black Girl Middle School Experience in Predominantly White, Elite, Independent Schools.” 2019. Web. 01 Apr 2020.

Vancouver:

Evans TB. We Wear the Mask: Stories of the Black Girl Middle School Experience in Predominantly White, Elite, Independent Schools. [Internet] [Doctoral dissertation]. Loyola Marymount University; 2019. [cited 2020 Apr 01]. Available from: https://digitalcommons.lmu.edu/etd/893.

Council of Science Editors:

Evans TB. We Wear the Mask: Stories of the Black Girl Middle School Experience in Predominantly White, Elite, Independent Schools. [Doctoral Dissertation]. Loyola Marymount University; 2019. Available from: https://digitalcommons.lmu.edu/etd/893


University of Sydney

21. Breckon, Anna Denise. The Queer Promise of Happiness: The Cinematic and Televisual Politics of Good Feeling .

Degree: 2018, University of Sydney

 Happiness is one of western culture’s most valorised emotions. It is frequently considered to be the emotion worthy of living one’s life in pursuit of.… (more)

Subjects/Keywords: queer; affect theory; happiness; auteur; independent cinema

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APA (6th Edition):

Breckon, A. D. (2018). The Queer Promise of Happiness: The Cinematic and Televisual Politics of Good Feeling . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/17905

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Breckon, Anna Denise. “The Queer Promise of Happiness: The Cinematic and Televisual Politics of Good Feeling .” 2018. Thesis, University of Sydney. Accessed April 01, 2020. http://hdl.handle.net/2123/17905.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Breckon, Anna Denise. “The Queer Promise of Happiness: The Cinematic and Televisual Politics of Good Feeling .” 2018. Web. 01 Apr 2020.

Vancouver:

Breckon AD. The Queer Promise of Happiness: The Cinematic and Televisual Politics of Good Feeling . [Internet] [Thesis]. University of Sydney; 2018. [cited 2020 Apr 01]. Available from: http://hdl.handle.net/2123/17905.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Breckon AD. The Queer Promise of Happiness: The Cinematic and Televisual Politics of Good Feeling . [Thesis]. University of Sydney; 2018. Available from: http://hdl.handle.net/2123/17905

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Baylor University

22. Heinrich, Philip, 1989-. In Paradise : a feature film.

Degree: MA, Communication., 2014, Baylor University

 In Paradise is a feature length live action narrative film that I wrote, directed and produced as my masters thesis. I worked on the film… (more)

Subjects/Keywords: Film.; Cinema.; Independent filmmaking.; Film directing.

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APA (6th Edition):

Heinrich, Philip, 1. (2014). In Paradise : a feature film. (Masters Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/9071

Chicago Manual of Style (16th Edition):

Heinrich, Philip, 1989-. “In Paradise : a feature film.” 2014. Masters Thesis, Baylor University. Accessed April 01, 2020. http://hdl.handle.net/2104/9071.

MLA Handbook (7th Edition):

Heinrich, Philip, 1989-. “In Paradise : a feature film.” 2014. Web. 01 Apr 2020.

Vancouver:

Heinrich, Philip 1. In Paradise : a feature film. [Internet] [Masters thesis]. Baylor University; 2014. [cited 2020 Apr 01]. Available from: http://hdl.handle.net/2104/9071.

Council of Science Editors:

Heinrich, Philip 1. In Paradise : a feature film. [Masters Thesis]. Baylor University; 2014. Available from: http://hdl.handle.net/2104/9071


University of Melbourne

23. Zhou, Yu Xing. Riding the digital wave: grassroots filmmaking in China from the late 1990s.

Degree: 2011, University of Melbourne

 This thesis explores the impact of digital video (DV) filmmaking on Chinese cinema and society by investigating the works and practices of four DV-makers who… (more)

Subjects/Keywords: Chinese cinema; digital video; independent filmmaking; DV

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APA (6th Edition):

Zhou, Y. X. (2011). Riding the digital wave: grassroots filmmaking in China from the late 1990s. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/36333

Chicago Manual of Style (16th Edition):

Zhou, Yu Xing. “Riding the digital wave: grassroots filmmaking in China from the late 1990s.” 2011. Doctoral Dissertation, University of Melbourne. Accessed April 01, 2020. http://hdl.handle.net/11343/36333.

MLA Handbook (7th Edition):

Zhou, Yu Xing. “Riding the digital wave: grassroots filmmaking in China from the late 1990s.” 2011. Web. 01 Apr 2020.

Vancouver:

Zhou YX. Riding the digital wave: grassroots filmmaking in China from the late 1990s. [Internet] [Doctoral dissertation]. University of Melbourne; 2011. [cited 2020 Apr 01]. Available from: http://hdl.handle.net/11343/36333.

Council of Science Editors:

Zhou YX. Riding the digital wave: grassroots filmmaking in China from the late 1990s. [Doctoral Dissertation]. University of Melbourne; 2011. Available from: http://hdl.handle.net/11343/36333


Iowa State University

24. Elliott, Timothy J. Slack cinema| Notes on genre and culture.

Degree: 2011, Iowa State University

  This thesis examines films that attempted to cash in on slacker characters in cinema immediately following the success of Richard Linklater's <i> Slacker</i>. Chapter… (more)

Subjects/Keywords: Literature, American; Cinema

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APA (6th Edition):

Elliott, T. J. (2011). Slack cinema| Notes on genre and culture. (Thesis). Iowa State University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1494773

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Elliott, Timothy J. “Slack cinema| Notes on genre and culture.” 2011. Thesis, Iowa State University. Accessed April 01, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=1494773.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Elliott, Timothy J. “Slack cinema| Notes on genre and culture.” 2011. Web. 01 Apr 2020.

Vancouver:

Elliott TJ. Slack cinema| Notes on genre and culture. [Internet] [Thesis]. Iowa State University; 2011. [cited 2020 Apr 01]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1494773.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Elliott TJ. Slack cinema| Notes on genre and culture. [Thesis]. Iowa State University; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1494773

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Yale University

25. Calhoun, Claudia. "The Story You Are About to Hear Is True"| Dragnet, Transmedia Storytelling, and the Postwar Police Procedural.

Degree: 2015, Yale University

  “The Story You Are About to Hear Is True”: <i>Dragnet, </i> Transmedia Storytelling, and the Postwar Police Procedural" places the radio, television program, and… (more)

Subjects/Keywords: American Studies; Cinema

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APA (6th Edition):

Calhoun, C. (2015). "The Story You Are About to Hear Is True"| Dragnet, Transmedia Storytelling, and the Postwar Police Procedural. (Thesis). Yale University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3582257

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Calhoun, Claudia. “"The Story You Are About to Hear Is True"| Dragnet, Transmedia Storytelling, and the Postwar Police Procedural.” 2015. Thesis, Yale University. Accessed April 01, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=3582257.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Calhoun, Claudia. “"The Story You Are About to Hear Is True"| Dragnet, Transmedia Storytelling, and the Postwar Police Procedural.” 2015. Web. 01 Apr 2020.

Vancouver:

Calhoun C. "The Story You Are About to Hear Is True"| Dragnet, Transmedia Storytelling, and the Postwar Police Procedural. [Internet] [Thesis]. Yale University; 2015. [cited 2020 Apr 01]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3582257.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Calhoun C. "The Story You Are About to Hear Is True"| Dragnet, Transmedia Storytelling, and the Postwar Police Procedural. [Thesis]. Yale University; 2015. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3582257

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Guilford, Joshua M. Homeless Movies: The Redemptive Project of the New American Cinema.

Degree: PhD, Modern Culture and Media, 2015, Brown University

 This dissertation examines the politics of intimacy in the New American Cinema (NAC), an independent film culture that emerged in the U.S. at the end… (more)

Subjects/Keywords: New American Cinema

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APA (6th Edition):

Guilford, J. M. (2015). Homeless Movies: The Redemptive Project of the New American Cinema. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:419383/

Chicago Manual of Style (16th Edition):

Guilford, Joshua M. “Homeless Movies: The Redemptive Project of the New American Cinema.” 2015. Doctoral Dissertation, Brown University. Accessed April 01, 2020. https://repository.library.brown.edu/studio/item/bdr:419383/.

MLA Handbook (7th Edition):

Guilford, Joshua M. “Homeless Movies: The Redemptive Project of the New American Cinema.” 2015. Web. 01 Apr 2020.

Vancouver:

Guilford JM. Homeless Movies: The Redemptive Project of the New American Cinema. [Internet] [Doctoral dissertation]. Brown University; 2015. [cited 2020 Apr 01]. Available from: https://repository.library.brown.edu/studio/item/bdr:419383/.

Council of Science Editors:

Guilford JM. Homeless Movies: The Redemptive Project of the New American Cinema. [Doctoral Dissertation]. Brown University; 2015. Available from: https://repository.library.brown.edu/studio/item/bdr:419383/


University of Florida

27. Cason, Franklin. The Souls of Black Film Art and Politics.

Degree: PhD, English, 2010, University of Florida

 Abstract of Dissertation Presented to the Graduate School of the University of Florida in Partial Fulfillment of the Requirements for the Degree of Doctor of… (more)

Subjects/Keywords: Aesthetics; African American culture; African Americans; Film criticism; Jazz; Motion picture industry; Movies; Musical aesthetics; Soul; Soul music; african, aporia, avant, black, cinema, experimental, film, garde, gerima, jazz

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APA (6th Edition):

Cason, F. (2010). The Souls of Black Film Art and Politics. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0041881

Chicago Manual of Style (16th Edition):

Cason, Franklin. “The Souls of Black Film Art and Politics.” 2010. Doctoral Dissertation, University of Florida. Accessed April 01, 2020. http://ufdc.ufl.edu/UFE0041881.

MLA Handbook (7th Edition):

Cason, Franklin. “The Souls of Black Film Art and Politics.” 2010. Web. 01 Apr 2020.

Vancouver:

Cason F. The Souls of Black Film Art and Politics. [Internet] [Doctoral dissertation]. University of Florida; 2010. [cited 2020 Apr 01]. Available from: http://ufdc.ufl.edu/UFE0041881.

Council of Science Editors:

Cason F. The Souls of Black Film Art and Politics. [Doctoral Dissertation]. University of Florida; 2010. Available from: http://ufdc.ufl.edu/UFE0041881


University of Melbourne

28. Lee, Yuen Beng. The Malaysian digital indies: new forms, aesthetics, and genres in post-2000 Malaysian cinema.

Degree: 2012, University of Melbourne

 This thesis examines the ‘Malaysian Digital Indies’ (MDI), an informal film movement situated within the context of post-2000 Malaysian cinema. The MDI consists of a… (more)

Subjects/Keywords: Malaysian cinema; independent cinema; transnational cinema; digital cinema; national identity; multiculturalism; race and ethnicitiy; postethnic cosmopolitan cinema; Malaysian horror films

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lee, Y. B. (2012). The Malaysian digital indies: new forms, aesthetics, and genres in post-2000 Malaysian cinema. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/37305

Chicago Manual of Style (16th Edition):

Lee, Yuen Beng. “The Malaysian digital indies: new forms, aesthetics, and genres in post-2000 Malaysian cinema.” 2012. Doctoral Dissertation, University of Melbourne. Accessed April 01, 2020. http://hdl.handle.net/11343/37305.

MLA Handbook (7th Edition):

Lee, Yuen Beng. “The Malaysian digital indies: new forms, aesthetics, and genres in post-2000 Malaysian cinema.” 2012. Web. 01 Apr 2020.

Vancouver:

Lee YB. The Malaysian digital indies: new forms, aesthetics, and genres in post-2000 Malaysian cinema. [Internet] [Doctoral dissertation]. University of Melbourne; 2012. [cited 2020 Apr 01]. Available from: http://hdl.handle.net/11343/37305.

Council of Science Editors:

Lee YB. The Malaysian digital indies: new forms, aesthetics, and genres in post-2000 Malaysian cinema. [Doctoral Dissertation]. University of Melbourne; 2012. Available from: http://hdl.handle.net/11343/37305


University of Georgia

29. Carter, Akilah Rah. Negotiating identities: examining African American female collegiate athlete experiences in predominantly white institutions.

Degree: PhD, Physical Education and Sport Studies, 2008, University of Georgia

 The study sought to understand the experiences of African American female athletes and identity formation in the context of a predominantly white institution (PWI). Employing… (more)

Subjects/Keywords: African American

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carter, A. R. (2008). Negotiating identities: examining African American female collegiate athlete experiences in predominantly white institutions. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/carter_akilah_r_200805_phd

Chicago Manual of Style (16th Edition):

Carter, Akilah Rah. “Negotiating identities: examining African American female collegiate athlete experiences in predominantly white institutions.” 2008. Doctoral Dissertation, University of Georgia. Accessed April 01, 2020. http://purl.galileo.usg.edu/uga_etd/carter_akilah_r_200805_phd.

MLA Handbook (7th Edition):

Carter, Akilah Rah. “Negotiating identities: examining African American female collegiate athlete experiences in predominantly white institutions.” 2008. Web. 01 Apr 2020.

Vancouver:

Carter AR. Negotiating identities: examining African American female collegiate athlete experiences in predominantly white institutions. [Internet] [Doctoral dissertation]. University of Georgia; 2008. [cited 2020 Apr 01]. Available from: http://purl.galileo.usg.edu/uga_etd/carter_akilah_r_200805_phd.

Council of Science Editors:

Carter AR. Negotiating identities: examining African American female collegiate athlete experiences in predominantly white institutions. [Doctoral Dissertation]. University of Georgia; 2008. Available from: http://purl.galileo.usg.edu/uga_etd/carter_akilah_r_200805_phd


University of Georgia

30. Banks, Willie Lee. Biracial student voices: experiences at predominantly white institutions.

Degree: PhD, College Student Affairs Administration, 2008, University of Georgia

 The purpose of this study was to examine the experiences of biracial students with one parent of African American heritage attending Predominantly White Institutions (PWI)… (more)

Subjects/Keywords: African American

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Banks, W. L. (2008). Biracial student voices: experiences at predominantly white institutions. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/banks_willie_l_200812_phd

Chicago Manual of Style (16th Edition):

Banks, Willie Lee. “Biracial student voices: experiences at predominantly white institutions.” 2008. Doctoral Dissertation, University of Georgia. Accessed April 01, 2020. http://purl.galileo.usg.edu/uga_etd/banks_willie_l_200812_phd.

MLA Handbook (7th Edition):

Banks, Willie Lee. “Biracial student voices: experiences at predominantly white institutions.” 2008. Web. 01 Apr 2020.

Vancouver:

Banks WL. Biracial student voices: experiences at predominantly white institutions. [Internet] [Doctoral dissertation]. University of Georgia; 2008. [cited 2020 Apr 01]. Available from: http://purl.galileo.usg.edu/uga_etd/banks_willie_l_200812_phd.

Council of Science Editors:

Banks WL. Biracial student voices: experiences at predominantly white institutions. [Doctoral Dissertation]. University of Georgia; 2008. Available from: http://purl.galileo.usg.edu/uga_etd/banks_willie_l_200812_phd

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