subject:(Aesthetics)

Temple University

1. Baron, Joshua Joseph. The Aesthetics of Violent Moving Images.

Degree: PhD, 2010, Temple University

URL: http://digital.library.temple.edu/u?/p245801coll10,101492

►

Philosophy

Physical violence reveals the fragility of human bodies and the vulnerability of our world. At the same time, physical violence reveals the power of… (more)

Subjects/Keywords: Aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Baron, J. J. (2010). The Aesthetics of Violent Moving Images. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,101492

Chicago Manual of Style (16^th Edition):

Baron, Joshua Joseph. “The Aesthetics of Violent Moving Images.” 2010. Doctoral Dissertation, Temple University. Accessed February 24, 2021. http://digital.library.temple.edu/u?/p245801coll10,101492.

MLA Handbook (7^th Edition):

Baron, Joshua Joseph. “The Aesthetics of Violent Moving Images.” 2010. Web. 24 Feb 2021.

Vancouver:

Baron JJ. The Aesthetics of Violent Moving Images. [Internet] [Doctoral dissertation]. Temple University; 2010. [cited 2021 Feb 24]. Available from: http://digital.library.temple.edu/u?/p245801coll10,101492.

Council of Science Editors:

Baron JJ. The Aesthetics of Violent Moving Images. [Doctoral Dissertation]. Temple University; 2010. Available from: http://digital.library.temple.edu/u?/p245801coll10,101492

2. Turner, Ryan Walton. A Song Of Confusion And Annoyance: Kant On The Beauty Of Absolute Music.

Degree: MA, Philosophy and Religion, 2018, University of Mississippi

URL: https://egrove.olemiss.edu/etd/1108

► Kant's evaluation of music in the Critique of Judgement stands as a blemish on an otherwise appealing system of judgments of beauty and of assigning… (more)

Subjects/Keywords: Aesthetics; Kant; Aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Turner, R. W. (2018). A Song Of Confusion And Annoyance: Kant On The Beauty Of Absolute Music. (Masters Thesis). University of Mississippi. Retrieved from https://egrove.olemiss.edu/etd/1108

Chicago Manual of Style (16^th Edition):

Turner, Ryan Walton. “A Song Of Confusion And Annoyance: Kant On The Beauty Of Absolute Music.” 2018. Masters Thesis, University of Mississippi. Accessed February 24, 2021. https://egrove.olemiss.edu/etd/1108.

MLA Handbook (7^th Edition):

Turner, Ryan Walton. “A Song Of Confusion And Annoyance: Kant On The Beauty Of Absolute Music.” 2018. Web. 24 Feb 2021.

Vancouver:

Turner RW. A Song Of Confusion And Annoyance: Kant On The Beauty Of Absolute Music. [Internet] [Masters thesis]. University of Mississippi; 2018. [cited 2021 Feb 24]. Available from: https://egrove.olemiss.edu/etd/1108.

Council of Science Editors:

Turner RW. A Song Of Confusion And Annoyance: Kant On The Beauty Of Absolute Music. [Masters Thesis]. University of Mississippi; 2018. Available from: https://egrove.olemiss.edu/etd/1108

3. Garrett, Margie. Film lumi??re : new genre or new look at an old genre? .

Degree: 2013, California State University – San Marcos

URL: http://hdl.handle.net/10211.8/462

Digitized as part of the "Retrospective Thesis and Dissertation Digitization Project." No abstract is available.

Subjects/Keywords: Aesthetics; Motion pictures – Aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Garrett, M. (2013). Film lumi??re : new genre or new look at an old genre? . (Thesis). California State University – San Marcos. Retrieved from http://hdl.handle.net/10211.8/462

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Garrett, Margie. “Film lumi??re : new genre or new look at an old genre? .” 2013. Thesis, California State University – San Marcos. Accessed February 24, 2021. http://hdl.handle.net/10211.8/462.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Garrett, Margie. “Film lumi??re : new genre or new look at an old genre? .” 2013. Web. 24 Feb 2021.

Vancouver:

Garrett M. Film lumi??re : new genre or new look at an old genre? . [Internet] [Thesis]. California State University – San Marcos; 2013. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/10211.8/462.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Garrett M. Film lumi??re : new genre or new look at an old genre? . [Thesis]. California State University – San Marcos; 2013. Available from: http://hdl.handle.net/10211.8/462

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Oklahoma

4. Martin-Seaver, Madeline. Everyday Strategies of Aesthetic Resistance.

Degree: PhD, 2018, University of Oklahoma

URL: http://hdl.handle.net/11244/301341

► The three papers of this dissertation argue that our everyday aesthetic activities and experiences can be enlisted in our resistance projects. Ordinary decisions about how… (more)

Subjects/Keywords: philosophy; body aesthetics; everyday aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Martin-Seaver, M. (2018). Everyday Strategies of Aesthetic Resistance. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/301341

Chicago Manual of Style (16^th Edition):

Martin-Seaver, Madeline. “Everyday Strategies of Aesthetic Resistance.” 2018. Doctoral Dissertation, University of Oklahoma. Accessed February 24, 2021. http://hdl.handle.net/11244/301341.

MLA Handbook (7^th Edition):

Martin-Seaver, Madeline. “Everyday Strategies of Aesthetic Resistance.” 2018. Web. 24 Feb 2021.

Vancouver:

Martin-Seaver M. Everyday Strategies of Aesthetic Resistance. [Internet] [Doctoral dissertation]. University of Oklahoma; 2018. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/11244/301341.

Council of Science Editors:

Martin-Seaver M. Everyday Strategies of Aesthetic Resistance. [Doctoral Dissertation]. University of Oklahoma; 2018. Available from: http://hdl.handle.net/11244/301341

University of Rochester

5. Stefaniak, Alexander. "Poetic Virtuosity"| Robert Schumann as a Critic and Composer of Virtuoso Instrumental Music.

Degree: 2012, University of Rochester

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3543424

► In this dissertation, I explore Robert Schumann's activities as a critic and composer of virtuoso instrumental music. I argue that the view of Schumann… (more)

▼ In this dissertation, I explore Robert Schumann's activities as a critic and composer of virtuoso instrumental music. I argue that the view of Schumann as the consummate anti-virtuoso polemicist—current in Romantic critical discourse as well as present-day scholarly literature—is an oversimplified one. Instead, Schumann played a significant role in the nineteenth-century German interaction between virtuosity, Romantic aesthetics, and the ideology of serious music. German Romantic composers and critics regarded virtuosity, on one hand, more as a source of crowd-pleasing entertainment than as high art but, on the other, as a source of astonishment, originality, and audience appeal. Schumann himself worked to promote (as critic) and realize (as composer) a self-consciously serious, transcendent approach to virtuosity. Chapter 1 argues that Schumann directed his critique of virtuosity at a specific repertory that scholars have termed “postclassical.” This style—exemplified by the works of Henri Herz and Carl Czerny—prized accessibility and elegance, and Schumann's writings on postclassical showpieces comment on their style and conventions as well as on the cultural significance of this repertory. Chapters 2 and 3 explore ways in which Schumann sought to “poeticize” and “elevate” virtuosity by combining postclassical conventions with Romantic musical metaphors for inwardness and transcendence. The second discusses how Schumann's concept of the “poetic” informed his approach to virtuosity. The third argues that Schumann viewed virtuosity as a potential source of sublime experience and, moreover, that contemporary critics received several of his own showpieces as sublime. Chapter 4 considers writings in which Schumann argues for a symbiotic relationship between virtuosos and musical institutions he regarded as serious. This ideal, I argue, shaped the style and structure of Schumann's own concertos, which stage virtuosic display as part of the symphony-centered concert and incorporate the virtuoso into the idealized community of the professional symphony orchestra. Schumann thus participated influentially in a discourse that did not establish a binaristic opposition between virtuosity and serious music or attempt to suppress public interest in virtuosity but rather created various ways of customizing contemporary virtuosity according to the ideology of serious music and the aesthetic imperatives of German Romanticism.

Subjects/Keywords: Music; Aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Stefaniak, A. (2012). "Poetic Virtuosity"| Robert Schumann as a Critic and Composer of Virtuoso Instrumental Music. (Thesis). University of Rochester. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3543424

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Stefaniak, Alexander. “"Poetic Virtuosity"| Robert Schumann as a Critic and Composer of Virtuoso Instrumental Music.” 2012. Thesis, University of Rochester. Accessed February 24, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=3543424.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Stefaniak, Alexander. “"Poetic Virtuosity"| Robert Schumann as a Critic and Composer of Virtuoso Instrumental Music.” 2012. Web. 24 Feb 2021.

Vancouver:

Stefaniak A. "Poetic Virtuosity"| Robert Schumann as a Critic and Composer of Virtuoso Instrumental Music. [Internet] [Thesis]. University of Rochester; 2012. [cited 2021 Feb 24]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3543424.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stefaniak A. "Poetic Virtuosity"| Robert Schumann as a Critic and Composer of Virtuoso Instrumental Music. [Thesis]. University of Rochester; 2012. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3543424

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Alberta

6. Goodine, Elliot J. Of The Standard of Sentiments: Hume on Virtue and Beauty.

Degree: MA, Department of Philosophy, 2012, University of Alberta

URL: https://era.library.ualberta.ca/files/sj139224z

► Objectors to Hume’s sentimentalist moral theory charge that a system of morality grounded in sentiments cannot provide us with a set of standards that are… (more)

Subjects/Keywords: Aesthetics; Hume

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Goodine, E. J. (2012). Of The Standard of Sentiments: Hume on Virtue and Beauty. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/sj139224z

Chicago Manual of Style (16^th Edition):

Goodine, Elliot J. “Of The Standard of Sentiments: Hume on Virtue and Beauty.” 2012. Masters Thesis, University of Alberta. Accessed February 24, 2021. https://era.library.ualberta.ca/files/sj139224z.

MLA Handbook (7^th Edition):

Goodine, Elliot J. “Of The Standard of Sentiments: Hume on Virtue and Beauty.” 2012. Web. 24 Feb 2021.

Vancouver:

Goodine EJ. Of The Standard of Sentiments: Hume on Virtue and Beauty. [Internet] [Masters thesis]. University of Alberta; 2012. [cited 2021 Feb 24]. Available from: https://era.library.ualberta.ca/files/sj139224z.

Council of Science Editors:

Goodine EJ. Of The Standard of Sentiments: Hume on Virtue and Beauty. [Masters Thesis]. University of Alberta; 2012. Available from: https://era.library.ualberta.ca/files/sj139224z

7. Elkins, Jr, William Earl. ON THE ORIGIN OF BEAUTY AND THE HUMAN ABILITY TO PERCEIVE IT.

Degree: 2017, Southern Baptist Theological Seminary

URL: http://hdl.handle.net/10392/5334

► On the Origin of Beauty and the Human Ability to Perceive it William Earl Elkins, Jr., Ph.D. The Southern Baptist Theological Seminary, 2017 Chair: Dr.… (more)

Subjects/Keywords: Aesthetics.

1 more image…

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Elkins, Jr, W. E. (2017). ON THE ORIGIN OF BEAUTY AND THE HUMAN ABILITY TO PERCEIVE IT. (Thesis). Southern Baptist Theological Seminary. Retrieved from http://hdl.handle.net/10392/5334

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Elkins, Jr, William Earl. “ON THE ORIGIN OF BEAUTY AND THE HUMAN ABILITY TO PERCEIVE IT.” 2017. Thesis, Southern Baptist Theological Seminary. Accessed February 24, 2021. http://hdl.handle.net/10392/5334.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Elkins, Jr, William Earl. “ON THE ORIGIN OF BEAUTY AND THE HUMAN ABILITY TO PERCEIVE IT.” 2017. Web. 24 Feb 2021.

Vancouver:

Elkins, Jr WE. ON THE ORIGIN OF BEAUTY AND THE HUMAN ABILITY TO PERCEIVE IT. [Internet] [Thesis]. Southern Baptist Theological Seminary; 2017. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/10392/5334.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Elkins, Jr WE. ON THE ORIGIN OF BEAUTY AND THE HUMAN ABILITY TO PERCEIVE IT. [Thesis]. Southern Baptist Theological Seminary; 2017. Available from: http://hdl.handle.net/10392/5334

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Texas A&M University

8. Hoerth, Jackson R. Lebensgelassenheit: Meaning and Reflection in Kant's Third Critique and Life After Heidegger's Gelassenheit.

Degree: MA, Philosophy, 2015, Texas A&M University

URL: http://hdl.handle.net/1969.1/155221

► This project seeks to demonstrate human value beyond the modern will in the form of an Ur-will, a residue of the will that cannot be… (more)

Subjects/Keywords: Kant; Aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hoerth, J. R. (2015). Lebensgelassenheit: Meaning and Reflection in Kant's Third Critique and Life After Heidegger's Gelassenheit. (Masters Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/155221

Chicago Manual of Style (16^th Edition):

Hoerth, Jackson R. “Lebensgelassenheit: Meaning and Reflection in Kant's Third Critique and Life After Heidegger's Gelassenheit.” 2015. Masters Thesis, Texas A&M University. Accessed February 24, 2021. http://hdl.handle.net/1969.1/155221.

MLA Handbook (7^th Edition):

Hoerth, Jackson R. “Lebensgelassenheit: Meaning and Reflection in Kant's Third Critique and Life After Heidegger's Gelassenheit.” 2015. Web. 24 Feb 2021.

Vancouver:

Hoerth JR. Lebensgelassenheit: Meaning and Reflection in Kant's Third Critique and Life After Heidegger's Gelassenheit. [Internet] [Masters thesis]. Texas A&M University; 2015. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/1969.1/155221.

Council of Science Editors:

Hoerth JR. Lebensgelassenheit: Meaning and Reflection in Kant's Third Critique and Life After Heidegger's Gelassenheit. [Masters Thesis]. Texas A&M University; 2015. Available from: http://hdl.handle.net/1969.1/155221

University of California, Santa Cruz

9. Wood, Andrew J. Makers and Breakers| Pre-Raphaelites, Punks, and Political Imagination.

Degree: 2019, University of California, Santa Cruz

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=10829418

► Weaving together influences from philosophy, visual and sonic aesthetics, and radical political thought, this project argues that individual and collective imagination should be understood… (more)

▼ Weaving together influences from philosophy, visual and sonic aesthetics, and radical political thought, this project argues that individual and collective imagination should be understood as important sites of politics—in cultural, discursive, institutional, and collectivist registers. Rather than proposing dogmatic adherence to any particular ideology, we find that imagining new possibilities, as well as the possibilities for more possibilities, is centrally important to the endeavor of seeking radical change in the contemporary capitalist/state system. By turning to the examples of two politico-aesthetic movements, the Handicraft movement of William Morris and the Hammersmith Socialist League of the 19th century and the 20^th/21^st century cultures of punk rock, we witness the successes and failures of attempts to intervene in political imaginaries. I focus on the anachronistic, non-capitalist mode of production of so-called ‘do-it-yourself’ (or D.I.Y.), I argue that such productive processes could represent such an inter-temporal rupture point of radical anachronism that I have theorized, and can therefore demonstrate the potentiality of wellsprings for the creation of new forms of politics, paradoxically contributing to the progress of inclusivity and egalitarian politics through the introduction of anachronistic performances, visuals, and music. Specifically, they reveal the surprising ways in which inter-temporal rupture through anachronistic aesthetic forms and modes of productions can not only disrupt hegemonic notions of progressive linear time, but also question the radical imperative towards production of the new. These movements hence illuminate important implications for the tactics, tensions, and most of all thought—and preconditions for thought—that underpin contemporary progressive politics (e.g. Anti-globalization, Occupy, Black Lives Matter, revolutionaries in Rojava and especially, and most contentiously and controversially the contemporary Antifa movements) by demonstrating the radical potentialities of aesthetics, space, and anachronism for the introduction of historical rupture contained within politico-aesthetic shock. These movements are deeply concerned with democratic participation and social justice, and so we can use Morris and punk as a window in to deep analysis of tactics as utilized by the aforementioned anti-capitalist and anti-fascist movements.

Subjects/Keywords: Philosophy; Aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Wood, A. J. (2019). Makers and Breakers| Pre-Raphaelites, Punks, and Political Imagination. (Thesis). University of California, Santa Cruz. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10829418

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Wood, Andrew J. “Makers and Breakers| Pre-Raphaelites, Punks, and Political Imagination.” 2019. Thesis, University of California, Santa Cruz. Accessed February 24, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=10829418.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Wood, Andrew J. “Makers and Breakers| Pre-Raphaelites, Punks, and Political Imagination.” 2019. Web. 24 Feb 2021.

Vancouver:

Wood AJ. Makers and Breakers| Pre-Raphaelites, Punks, and Political Imagination. [Internet] [Thesis]. University of California, Santa Cruz; 2019. [cited 2021 Feb 24]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10829418.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wood AJ. Makers and Breakers| Pre-Raphaelites, Punks, and Political Imagination. [Thesis]. University of California, Santa Cruz; 2019. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10829418

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Ottawa

10. Kubota, Mami. Shaftesbury's Aesthetic Theory Revisited .

Degree: 2015, University of Ottawa

URL: http://hdl.handle.net/10393/32075

► This thesis examines Shaftesbury’s Characteristics of Men, Manners, Opinions, Times (1711), and revisits his concepts of aesthetics and ethics by providing a key to understanding… (more)

Subjects/Keywords: Shaftesbury; Aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Kubota, M. (2015). Shaftesbury's Aesthetic Theory Revisited . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/32075

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Kubota, Mami. “Shaftesbury's Aesthetic Theory Revisited .” 2015. Thesis, University of Ottawa. Accessed February 24, 2021. http://hdl.handle.net/10393/32075.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Kubota, Mami. “Shaftesbury's Aesthetic Theory Revisited .” 2015. Web. 24 Feb 2021.

Vancouver:

Kubota M. Shaftesbury's Aesthetic Theory Revisited . [Internet] [Thesis]. University of Ottawa; 2015. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/10393/32075.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kubota M. Shaftesbury's Aesthetic Theory Revisited . [Thesis]. University of Ottawa; 2015. Available from: http://hdl.handle.net/10393/32075

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Columbia University

11. Phillips, Victoria. The Strange Commodity of Cultural Exchange: Martha Graham and the State Department on Tour, 1955-1987.

Degree: 2013, Columbia University

URL: https://doi.org/10.7916/D87P8XR5

► The study of Martha Graham's State Department tours and her modern dance demonstrates that between 1955 and 1987 a series of Cold Wars required a… (more)

▼ The study of Martha Graham's State Department tours and her modern dance demonstrates that between 1955 and 1987 a series of Cold Wars required a steady product that could meet "informational" propaganda needs over time. After World War II, dance critics mitigated the prewar influence of the German and Japanese modernist artists to create a freed and humanist language because modern dance could only emerge from a nation that was free, and not from totalitarian regimes. Thus the modern dance became American, while at the same time it represented a universal man. During the Cold War, the aging of Martha Graham's dance, from innovative and daring to traditional and even old-fashioned, mirrored the nation's transition from a newcomer that advertised itself as the postwar home of freedom, modernity, and Western civilization to an established power that attempted to set international standards of diplomacy. Graham and her works, read as texts alongside State Department country plans, United States Information Agency publicity, other documentary evidence, and oral histories, reveal a complex matrix of relationships between government agencies and the artists they supported, as well as foundations, private individuals, corporations, country governments, and representatives of business and culture. Because four elements of Graham's modern dance created by her biography can be traced back to ideas of American identity, human universalism, Asian culture, and the Western canon of ancient Greek, European, and biblical texts, the State Department deployed her work throughout Europe and Asia to transmit ideas about America with choreography that could demonstrate cultural convergences, or the merging of American modernist techniques with host country elements. This targeted strategy of advertisement for international leaders, which translated host-country traditions with a universal language of the modern dance, made in America, argued that the United States would and could partner with the nation states Graham visited in order to achieve foreign policy agendas.

Subjects/Keywords: History; Aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Phillips, V. (2013). The Strange Commodity of Cultural Exchange: Martha Graham and the State Department on Tour, 1955-1987. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D87P8XR5

Chicago Manual of Style (16^th Edition):

Phillips, Victoria. “The Strange Commodity of Cultural Exchange: Martha Graham and the State Department on Tour, 1955-1987.” 2013. Doctoral Dissertation, Columbia University. Accessed February 24, 2021. https://doi.org/10.7916/D87P8XR5.

MLA Handbook (7^th Edition):

Phillips, Victoria. “The Strange Commodity of Cultural Exchange: Martha Graham and the State Department on Tour, 1955-1987.” 2013. Web. 24 Feb 2021.

Vancouver:

Phillips V. The Strange Commodity of Cultural Exchange: Martha Graham and the State Department on Tour, 1955-1987. [Internet] [Doctoral dissertation]. Columbia University; 2013. [cited 2021 Feb 24]. Available from: https://doi.org/10.7916/D87P8XR5.

Council of Science Editors:

Phillips V. The Strange Commodity of Cultural Exchange: Martha Graham and the State Department on Tour, 1955-1987. [Doctoral Dissertation]. Columbia University; 2013. Available from: https://doi.org/10.7916/D87P8XR5

12. Sampath, Krishna. Visual aesthetics and Usability.

Degree: The Institute of Technology, 2013, Linköping UniversityLinköping University

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-97706

► In the field of Human computer interaction, currently aesthetics has become one of the most frequently research dimension. Most of the researchers have found… (more)

Subjects/Keywords: usability; aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Sampath, K. (2013). Visual aesthetics and Usability. (Thesis). Linköping UniversityLinköping University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-97706

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Sampath, Krishna. “Visual aesthetics and Usability.” 2013. Thesis, Linköping UniversityLinköping University. Accessed February 24, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-97706.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Sampath, Krishna. “Visual aesthetics and Usability.” 2013. Web. 24 Feb 2021.

Vancouver:

Sampath K. Visual aesthetics and Usability. [Internet] [Thesis]. Linköping UniversityLinköping University; 2013. [cited 2021 Feb 24]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-97706.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sampath K. Visual aesthetics and Usability. [Thesis]. Linköping UniversityLinköping University; 2013. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-97706

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Delft University of Technology

13. Mazzocca, P. (author). A Clinical Corpus: The Most Immaculate of Intentions.

Degree: 2016, Delft University of Technology

URL: http://resolver.tudelft.nl/uuid:ec545339-a9b7-4f8f-9e4f-83e97bf382e8

►

As a revision on the notions of the body and the aesthetic associations manifested in the clinic, this project takes the form of 4 projective… (more)

Subjects/Keywords: Clinical; Aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Mazzocca, P. (. (2016). A Clinical Corpus: The Most Immaculate of Intentions. (Masters Thesis). Delft University of Technology. Retrieved from http://resolver.tudelft.nl/uuid:ec545339-a9b7-4f8f-9e4f-83e97bf382e8

Chicago Manual of Style (16^th Edition):

Mazzocca, P (author). “A Clinical Corpus: The Most Immaculate of Intentions.” 2016. Masters Thesis, Delft University of Technology. Accessed February 24, 2021. http://resolver.tudelft.nl/uuid:ec545339-a9b7-4f8f-9e4f-83e97bf382e8.

MLA Handbook (7^th Edition):

Mazzocca, P (author). “A Clinical Corpus: The Most Immaculate of Intentions.” 2016. Web. 24 Feb 2021.

Vancouver:

Mazzocca P(. A Clinical Corpus: The Most Immaculate of Intentions. [Internet] [Masters thesis]. Delft University of Technology; 2016. [cited 2021 Feb 24]. Available from: http://resolver.tudelft.nl/uuid:ec545339-a9b7-4f8f-9e4f-83e97bf382e8.

Council of Science Editors:

Mazzocca P(. A Clinical Corpus: The Most Immaculate of Intentions. [Masters Thesis]. Delft University of Technology; 2016. Available from: http://resolver.tudelft.nl/uuid:ec545339-a9b7-4f8f-9e4f-83e97bf382e8

14. Hope, Audrey Marie. The Wet Chaparral.

Degree: Visual Arts, 2017, University of California – San Diego

URL: http://www.escholarship.org/uc/item/1586m5n6

The Wet Chaparral: Poetry at Home (Out There) is an MFA thesis exhibition of new sculptures by Audrey Hope. The thesis paper describes the exhibition, discusses the artist’s personal and artistic motivations, and analyzes writings relevant to the work.

Subjects/Keywords: Aesthetics

…with high minimalist aesthetics and a singular personal drive and vision. She controls her…

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hope, A. M. (2017). The Wet Chaparral. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/1586m5n6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hope, Audrey Marie. “The Wet Chaparral.” 2017. Thesis, University of California – San Diego. Accessed February 24, 2021. http://www.escholarship.org/uc/item/1586m5n6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hope, Audrey Marie. “The Wet Chaparral.” 2017. Web. 24 Feb 2021.

Vancouver:

Hope AM. The Wet Chaparral. [Internet] [Thesis]. University of California – San Diego; 2017. [cited 2021 Feb 24]. Available from: http://www.escholarship.org/uc/item/1586m5n6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hope AM. The Wet Chaparral. [Thesis]. University of California – San Diego; 2017. Available from: http://www.escholarship.org/uc/item/1586m5n6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Arizona

15. Kowalewski, Michael J., 1940-. Aesthetics and mental states .

Degree: 1967, University of Arizona

URL: http://hdl.handle.net/10150/317990

Subjects/Keywords: Aesthetics.

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Kowalewski, Michael J., 1. (1967). Aesthetics and mental states . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/317990

Chicago Manual of Style (16^th Edition):

Kowalewski, Michael J., 1940-. “Aesthetics and mental states .” 1967. Masters Thesis, University of Arizona. Accessed February 24, 2021. http://hdl.handle.net/10150/317990.

MLA Handbook (7^th Edition):

Kowalewski, Michael J., 1940-. “Aesthetics and mental states .” 1967. Web. 24 Feb 2021.

Vancouver:

Kowalewski, Michael J. 1. Aesthetics and mental states . [Internet] [Masters thesis]. University of Arizona; 1967. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/10150/317990.

Council of Science Editors:

Kowalewski, Michael J. 1. Aesthetics and mental states . [Masters Thesis]. University of Arizona; 1967. Available from: http://hdl.handle.net/10150/317990

Columbia University

16. Kovacich-Harper, Peter John. On Never Mistaking Culture for an End: The Influence of Cultural Aesthetics in Architectural Conservation.

Degree: 2012, Columbia University

URL: https://doi.org/10.7916/D8MK6M06

► As a title, On Never Mistaking Culture for an End has a meaning which is multivalent, one that is addressed in the beginning sections of… (more)

▼ As a title, On Never Mistaking Culture for an End has a meaning which is multivalent, one that is addressed in the beginning sections of this thesis in a discourse that acknowledges the influence of cultural aesthetics on the architectural conservator. Cultural aesthetics form the conservator's presumptions, as well as the biases that guide their work. As conservators it would serve us well to embrace the ultimate subjectivity of our actions and to internalize the notion that cultural influences seep into every actions we undertake. We are cultural agents. It may be understood that the conservator is a powerful interlocutor of meaning. The ultimate subjectivity of conservation as a practice is a great and good thing as long as this agency is acknowledged and is understood with a movement toward restraint and temperance, one that calls for an ever-present critique of judgment. This acknowledgment of the agency of the conservator necessarily leads to the reevaluation of attitudes toward perceptual objects and historic architecture. With this reevaluation of cultural works a new awareness grows. Material aspects, which have long been suppressed under the influence of the cultural aesthetics formed within hygienic modernism and the industrial complex in the twentieth-century, may now be understood as being the self-same aspects that recount the conserved object's passage through time. These aspects are what we may call temporal traces: signs of weathering, scars incurred by human violence, and the worn appearance accumulated with the quotidian happenings of human life. The recalibration of our understanding of material manifestations and transformations that appear with the passage of time may lead ultimately to the alternative notion that cultural manifestations have a dynamic life — that they are never definite or limited in their presence or countenance — that they must never be understood as ends/termini of attitudes, beliefs, etc. — that theirs is a vital existence with an ever-changing form and character. Companion to the assault by various expressions of modernization, other modernities, found in the fine arts world, lend counterpoint to the more widely held approach to temporal traces. The weathered, the scarred, and the worn are in parts of this world venerated, and thus we are offered an alternative means of conceptualization. We must hear out the stories of the past, as well as of contemporary movements, which venerate those material aspects destroyed in other quarters before passing final judgment. Given the full breadth of cultural exploits we may interpret these temporal traces differently — we may endeavor to engage the information and lessons in perception borne out of diverse and seemingly disparate manifestations of culture. Culture is a mysterious thing, its influence seeps quietly, many times undetected, between expressive forms — past, present, and future, penetrating those clumsy walls one may put up out of comfort or pretense. It is important to understand the relationship between ideas and…

Subjects/Keywords: Architecture; Aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Kovacich-Harper, P. J. (2012). On Never Mistaking Culture for an End: The Influence of Cultural Aesthetics in Architectural Conservation. (Masters Thesis). Columbia University. Retrieved from https://doi.org/10.7916/D8MK6M06

Chicago Manual of Style (16^th Edition):

Kovacich-Harper, Peter John. “On Never Mistaking Culture for an End: The Influence of Cultural Aesthetics in Architectural Conservation.” 2012. Masters Thesis, Columbia University. Accessed February 24, 2021. https://doi.org/10.7916/D8MK6M06.

MLA Handbook (7^th Edition):

Kovacich-Harper, Peter John. “On Never Mistaking Culture for an End: The Influence of Cultural Aesthetics in Architectural Conservation.” 2012. Web. 24 Feb 2021.

Vancouver:

Kovacich-Harper PJ. On Never Mistaking Culture for an End: The Influence of Cultural Aesthetics in Architectural Conservation. [Internet] [Masters thesis]. Columbia University; 2012. [cited 2021 Feb 24]. Available from: https://doi.org/10.7916/D8MK6M06.

Council of Science Editors:

Kovacich-Harper PJ. On Never Mistaking Culture for an End: The Influence of Cultural Aesthetics in Architectural Conservation. [Masters Thesis]. Columbia University; 2012. Available from: https://doi.org/10.7916/D8MK6M06

17. Koehler, Carol B. A progress report on the artistic development of Carol B. Koehler.

Degree: MA, Art, 2015, California State University – Sacramento

URL: http://hdl.handle.net/10211.3/142886

Part of a retrospective digitization project. Advisors/Committee Members: Beckman, Paul D..

Subjects/Keywords: Aesthetics

1 more image…

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Koehler, C. B. (2015). A progress report on the artistic development of Carol B. Koehler. (Masters Thesis). California State University – Sacramento. Retrieved from http://hdl.handle.net/10211.3/142886

Chicago Manual of Style (16^th Edition):

Koehler, Carol B. “A progress report on the artistic development of Carol B. Koehler.” 2015. Masters Thesis, California State University – Sacramento. Accessed February 24, 2021. http://hdl.handle.net/10211.3/142886.

MLA Handbook (7^th Edition):

Koehler, Carol B. “A progress report on the artistic development of Carol B. Koehler.” 2015. Web. 24 Feb 2021.

Vancouver:

Koehler CB. A progress report on the artistic development of Carol B. Koehler. [Internet] [Masters thesis]. California State University – Sacramento; 2015. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/10211.3/142886.

Council of Science Editors:

Koehler CB. A progress report on the artistic development of Carol B. Koehler. [Masters Thesis]. California State University – Sacramento; 2015. Available from: http://hdl.handle.net/10211.3/142886

University of British Columbia

18. Day, Alan John. A matter of taste.

Degree: MA- MA, Philosophy, 1985, University of British Columbia

URL: http://hdl.handle.net/2429/25376

► The development of interpretive criticism in the arts has raised doubts concerning the possibility for explaining the affective power of works of art within the… (more)

Subjects/Keywords: Aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Day, A. J. (1985). A matter of taste. (Masters Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/25376

Chicago Manual of Style (16^th Edition):

Day, Alan John. “A matter of taste.” 1985. Masters Thesis, University of British Columbia. Accessed February 24, 2021. http://hdl.handle.net/2429/25376.

MLA Handbook (7^th Edition):

Day, Alan John. “A matter of taste.” 1985. Web. 24 Feb 2021.

Vancouver:

Day AJ. A matter of taste. [Internet] [Masters thesis]. University of British Columbia; 1985. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/2429/25376.

Council of Science Editors:

Day AJ. A matter of taste. [Masters Thesis]. University of British Columbia; 1985. Available from: http://hdl.handle.net/2429/25376

University of British Columbia

19. Wilson, Frank. Form (a study of its relation to aesthetics and to life).

Degree: MA- MA, Philosophy, 1936, University of British Columbia

URL: http://hdl.handle.net/2429/38594

[No abstract available]

Subjects/Keywords: Aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Wilson, F. (1936). Form (a study of its relation to aesthetics and to life). (Masters Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/38594

Chicago Manual of Style (16^th Edition):

Wilson, Frank. “Form (a study of its relation to aesthetics and to life).” 1936. Masters Thesis, University of British Columbia. Accessed February 24, 2021. http://hdl.handle.net/2429/38594.

MLA Handbook (7^th Edition):

Wilson, Frank. “Form (a study of its relation to aesthetics and to life).” 1936. Web. 24 Feb 2021.

Vancouver:

Wilson F. Form (a study of its relation to aesthetics and to life). [Internet] [Masters thesis]. University of British Columbia; 1936. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/2429/38594.

Council of Science Editors:

Wilson F. Form (a study of its relation to aesthetics and to life). [Masters Thesis]. University of British Columbia; 1936. Available from: http://hdl.handle.net/2429/38594

University of Texas – Austin

20. Nautiyal, Jaishikha. Quotidian rhetoric : an impasse of Deweyan aesthetics and affective encounters.

Degree: PhD, Communication Studies, 2018, University of Texas – Austin

URL: http://hdl.handle.net/2152/68070

► My work is an exploration of quotidian rhetoric which I argue involves the examination of mundane experiential contexts of communicative exchanges among bodies and ecologies in… (more)

Subjects/Keywords: Aesthetics; Affect

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Nautiyal, J. (2018). Quotidian rhetoric : an impasse of Deweyan aesthetics and affective encounters. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/68070

Chicago Manual of Style (16^th Edition):

Nautiyal, Jaishikha. “Quotidian rhetoric : an impasse of Deweyan aesthetics and affective encounters.” 2018. Doctoral Dissertation, University of Texas – Austin. Accessed February 24, 2021. http://hdl.handle.net/2152/68070.

MLA Handbook (7^th Edition):

Nautiyal, Jaishikha. “Quotidian rhetoric : an impasse of Deweyan aesthetics and affective encounters.” 2018. Web. 24 Feb 2021.

Vancouver:

Nautiyal J. Quotidian rhetoric : an impasse of Deweyan aesthetics and affective encounters. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2018. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/2152/68070.

Council of Science Editors:

Nautiyal J. Quotidian rhetoric : an impasse of Deweyan aesthetics and affective encounters. [Doctoral Dissertation]. University of Texas – Austin; 2018. Available from: http://hdl.handle.net/2152/68070

The Ohio State University

21. VanBuskirk, Mary Fuller. Attitudes of adolescents and their mothers toward elderly persons.

Degree: MS, Human Ecology: Human Development and Family Science, 1970, The Ohio State University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=osu1299178969

Subjects/Keywords: Aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

VanBuskirk, M. F. (1970). Attitudes of adolescents and their mothers toward elderly persons. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1299178969

Chicago Manual of Style (16^th Edition):

VanBuskirk, Mary Fuller. “Attitudes of adolescents and their mothers toward elderly persons.” 1970. Masters Thesis, The Ohio State University. Accessed February 24, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1299178969.

MLA Handbook (7^th Edition):

VanBuskirk, Mary Fuller. “Attitudes of adolescents and their mothers toward elderly persons.” 1970. Web. 24 Feb 2021.

Vancouver:

VanBuskirk MF. Attitudes of adolescents and their mothers toward elderly persons. [Internet] [Masters thesis]. The Ohio State University; 1970. [cited 2021 Feb 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1299178969.

Council of Science Editors:

VanBuskirk MF. Attitudes of adolescents and their mothers toward elderly persons. [Masters Thesis]. The Ohio State University; 1970. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1299178969

Ohio University

22. Fackler, Elizabeth Jean. Repast in Negative.

Degree: MA, English (Arts and Sciences), 2015, Ohio University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1429112131

► <i>Repast in Negative</i> is a collection of 26 poems written, edited, and collected during Libby Fackler’s time at Ohio University. The poems focus largely on… (more)

Subjects/Keywords: Aesthetics; Poetry

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Fackler, E. J. (2015). Repast in Negative. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1429112131

Chicago Manual of Style (16^th Edition):

Fackler, Elizabeth Jean. “Repast in Negative.” 2015. Masters Thesis, Ohio University. Accessed February 24, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1429112131.

MLA Handbook (7^th Edition):

Fackler, Elizabeth Jean. “Repast in Negative.” 2015. Web. 24 Feb 2021.

Vancouver:

Fackler EJ. Repast in Negative. [Internet] [Masters thesis]. Ohio University; 2015. [cited 2021 Feb 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1429112131.

Council of Science Editors:

Fackler EJ. Repast in Negative. [Masters Thesis]. Ohio University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1429112131

23. Elliott, Benjamin. Notions of Time.

Degree: MFA, College of the Arts / School of Art, 2013, Kent State University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=kent1366378460

► My thesis Notions of Time is made up of six small sculptural objects that are moderately small in scale. This work is made primarily of… (more)

Subjects/Keywords: Aesthetics

5 more images…

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Elliott, B. (2013). Notions of Time. (Masters Thesis). Kent State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=kent1366378460

Chicago Manual of Style (16^th Edition):

Elliott, Benjamin. “Notions of Time.” 2013. Masters Thesis, Kent State University. Accessed February 24, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1366378460.

MLA Handbook (7^th Edition):

Elliott, Benjamin. “Notions of Time.” 2013. Web. 24 Feb 2021.

Vancouver:

Elliott B. Notions of Time. [Internet] [Masters thesis]. Kent State University; 2013. [cited 2021 Feb 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1366378460.

Council of Science Editors:

Elliott B. Notions of Time. [Masters Thesis]. Kent State University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1366378460

University of Hong Kong

24. Chu, Kiu-wai. Constructing ruins: new urban aesthetics in Chinese art and cinema.

Degree: 2009, University of Hong Kong

URL: http://hdl.handle.net/10722/56746

Subjects/Keywords: Aesthetics.; Environment (Aesthetics)

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Chu, K. (2009). Constructing ruins: new urban aesthetics in Chinese art and cinema. (Thesis). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/56746

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Chu, Kiu-wai. “Constructing ruins: new urban aesthetics in Chinese art and cinema.” 2009. Thesis, University of Hong Kong. Accessed February 24, 2021. http://hdl.handle.net/10722/56746.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Chu, Kiu-wai. “Constructing ruins: new urban aesthetics in Chinese art and cinema.” 2009. Web. 24 Feb 2021.

Vancouver:

Chu K. Constructing ruins: new urban aesthetics in Chinese art and cinema. [Internet] [Thesis]. University of Hong Kong; 2009. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/10722/56746.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chu K. Constructing ruins: new urban aesthetics in Chinese art and cinema. [Thesis]. University of Hong Kong; 2009. Available from: http://hdl.handle.net/10722/56746

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Melbourne

25. Mackie, Alwynne. An investigation of the process of evaluation.

Degree: 1964, University of Melbourne

URL: http://hdl.handle.net/11343/114706

► The purpose of this thesis is to investigate the process of evaluation with a view to finding out what we do when we evaluate and… (more)

Subjects/Keywords: Aesthetics; Judgment (Aesthetics)

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Mackie, A. (1964). An investigation of the process of evaluation. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/114706

Chicago Manual of Style (16^th Edition):

Mackie, Alwynne. “An investigation of the process of evaluation.” 1964. Masters Thesis, University of Melbourne. Accessed February 24, 2021. http://hdl.handle.net/11343/114706.

MLA Handbook (7^th Edition):

Mackie, Alwynne. “An investigation of the process of evaluation.” 1964. Web. 24 Feb 2021.

Vancouver:

Mackie A. An investigation of the process of evaluation. [Internet] [Masters thesis]. University of Melbourne; 1964. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/11343/114706.

Council of Science Editors:

Mackie A. An investigation of the process of evaluation. [Masters Thesis]. University of Melbourne; 1964. Available from: http://hdl.handle.net/11343/114706

York University

26. Bourke, Melanie Michelle. An Aesthetic Education: Conceptualizing Education through Contemporary Artists and their Work.

Degree: PhD, Education, 2015, York University

URL: http://hdl.handle.net/10315/28257

► This dissertation inquires into a theory of learning through an examination of the intersection of art and education. With the work of educational theorists who… (more)

Subjects/Keywords: Education; Aesthetics; Philosophy; Education; Art; Aesthetics; Psychoanalysis

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bourke, M. M. (2015). An Aesthetic Education: Conceptualizing Education through Contemporary Artists and their Work. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/28257

Chicago Manual of Style (16^th Edition):

Bourke, Melanie Michelle. “An Aesthetic Education: Conceptualizing Education through Contemporary Artists and their Work.” 2015. Doctoral Dissertation, York University. Accessed February 24, 2021. http://hdl.handle.net/10315/28257.

MLA Handbook (7^th Edition):

Bourke, Melanie Michelle. “An Aesthetic Education: Conceptualizing Education through Contemporary Artists and their Work.” 2015. Web. 24 Feb 2021.

Vancouver:

Bourke MM. An Aesthetic Education: Conceptualizing Education through Contemporary Artists and their Work. [Internet] [Doctoral dissertation]. York University; 2015. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/10315/28257.

Council of Science Editors:

Bourke MM. An Aesthetic Education: Conceptualizing Education through Contemporary Artists and their Work. [Doctoral Dissertation]. York University; 2015. Available from: http://hdl.handle.net/10315/28257

The University of North Carolina at Chapel Hill

27. Barnes, Molly L. Between modern and postmodern worlds| Theodor W. Adorno's struggle with the concept of musical kitsch.

Degree: 2012, The University of North Carolina at Chapel Hill

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=1518411

► The concept of “kitsch” remains a perennial concern for philosophers of aesthetics. Many distinguished writers have contributed to the literature on kitsch, yet the… (more)

Subjects/Keywords: Music; Philosophy; Aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Barnes, M. L. (2012). Between modern and postmodern worlds| Theodor W. Adorno's struggle with the concept of musical kitsch. (Thesis). The University of North Carolina at Chapel Hill. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1518411

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Barnes, Molly L. “Between modern and postmodern worlds| Theodor W. Adorno's struggle with the concept of musical kitsch.” 2012. Thesis, The University of North Carolina at Chapel Hill. Accessed February 24, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=1518411.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Barnes, Molly L. “Between modern and postmodern worlds| Theodor W. Adorno's struggle with the concept of musical kitsch.” 2012. Web. 24 Feb 2021.

Vancouver:

Barnes ML. Between modern and postmodern worlds| Theodor W. Adorno's struggle with the concept of musical kitsch. [Internet] [Thesis]. The University of North Carolina at Chapel Hill; 2012. [cited 2021 Feb 24]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1518411.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barnes ML. Between modern and postmodern worlds| Theodor W. Adorno's struggle with the concept of musical kitsch. [Thesis]. The University of North Carolina at Chapel Hill; 2012. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1518411

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Compton, Elizabeth Ashley Zeron. A dispositional account of aesthetic properties.

Degree: 2012, State University of New York at Buffalo

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3516527

► Delicacy, vibrancy, garishness, and other aesthetic properties feature prominently in our aesthetic experiences, and we intuitively speak of them as if they were real… (more)

▼ Delicacy, vibrancy, garishness, and other aesthetic properties feature prominently in our aesthetic experiences, and we intuitively speak of them as if they were real properties of the objects of those experiences. We also frequently disagree in our aesthetic judgments, however, leading to worries about subjectivism. I argue that Aesthetic properties are dispositions and genuine properties of objects in the external world in virtue of which those objects cause aesthetic experiences for humans under the right conditions. Aesthetic dispositions are defined by their manifestations (the characteristic qualities they impart to aesthetic experience), by reference to which we identify and classify them. They are, nevertheless, properties of objects rather than observers; as such, they serve an explanatory role with reference to aesthetic experience, serve as truthmakers for aesthetic claims, and underwrite the normative elements of aesthetic discourse. Given the inescapable subjective elements in human aesthetic experience, some have concluded that if aesthetic properties can be said to exist at all, they depend for their existence on observers. On the contrary, I argue that aesthetic properties depend for their existence solely on the objects in the external world that instantiate them. I support this claim by arguing for a dispositional model where the aesthetic disposition is carefully distinguished from its manifestation (the aesthetic response it causes) and the conditions for manifestation (a qualified observer in appropriate background conditions). Aesthetic properties, like non-aesthetic sense-perceptible properties such as colors and sounds, are dispositions whose conditions for manifestation require the presence of a qualified observer. The qualified observer, in turn, possesses dispositions to respond to such properties, such as normal color vision or hearing in the case of sense-perceptible properties, and aesthetic taste (in Frank Sibley's sense) in the case of aesthetic properties. These observer dispositions form reciprocal pairs with the dispositions of the objects of sense or aesthetic perception, where each meets the conditions of manifestation for the other, and a joint manifestation event occurs. I contend that differences in aesthetic judgment regarding the (descriptive) aesthetic character of an artwork or other object can in many cases be resolved by pointing to differences in observers or conditions of observation. In other cases, however, we have little reason to privilege one kind of response over another, and I conclude that objects may well have multiple sets of aesthetic dispositions, only some of which will manifest to any given observer. These aesthetic properties may even manifest themselves in nearly opposite sorts of responses; I conclude that this does not defeat a realism about aesthetic properties because it is possible for an object to have dispositions to bring about opposing states, relative to the conditions that obtain. This explains…

Subjects/Keywords: Metaphysics; Philosophy; Aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Compton, E. A. Z. (2012). A dispositional account of aesthetic properties. (Thesis). State University of New York at Buffalo. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3516527

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Compton, Elizabeth Ashley Zeron. “A dispositional account of aesthetic properties.” 2012. Thesis, State University of New York at Buffalo. Accessed February 24, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=3516527.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Compton, Elizabeth Ashley Zeron. “A dispositional account of aesthetic properties.” 2012. Web. 24 Feb 2021.

Vancouver:

Compton EAZ. A dispositional account of aesthetic properties. [Internet] [Thesis]. State University of New York at Buffalo; 2012. [cited 2021 Feb 24]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3516527.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Compton EAZ. A dispositional account of aesthetic properties. [Thesis]. State University of New York at Buffalo; 2012. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3516527

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of California – Berkeley

29. Lee, Chan Jean. Mood-Congruency versus Mood-Incongruency in Aesthetic Preferences: The Role of Interpersonal Relationships.

Degree: Business Administration, Ph, 2012, University of California – Berkeley

URL: http://www.escholarship.org/uc/item/7mc5f9q1

► Whereas negative feelings sometimes increase preference for mood-incongruent aesthetic experiences (e.g., cheerful music, comedy), they also sometimes increase preference for mood-congruent ones (e.g., sorrowful music,… (more)

Subjects/Keywords: Marketing; Aesthetics; Psychobiology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Lee, C. J. (2012). Mood-Congruency versus Mood-Incongruency in Aesthetic Preferences: The Role of Interpersonal Relationships. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/7mc5f9q1

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lee, Chan Jean. “Mood-Congruency versus Mood-Incongruency in Aesthetic Preferences: The Role of Interpersonal Relationships.” 2012. Thesis, University of California – Berkeley. Accessed February 24, 2021. http://www.escholarship.org/uc/item/7mc5f9q1.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lee, Chan Jean. “Mood-Congruency versus Mood-Incongruency in Aesthetic Preferences: The Role of Interpersonal Relationships.” 2012. Web. 24 Feb 2021.

Vancouver:

Lee CJ. Mood-Congruency versus Mood-Incongruency in Aesthetic Preferences: The Role of Interpersonal Relationships. [Internet] [Thesis]. University of California – Berkeley; 2012. [cited 2021 Feb 24]. Available from: http://www.escholarship.org/uc/item/7mc5f9q1.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee CJ. Mood-Congruency versus Mood-Incongruency in Aesthetic Preferences: The Role of Interpersonal Relationships. [Thesis]. University of California – Berkeley; 2012. Available from: http://www.escholarship.org/uc/item/7mc5f9q1

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Ahlo, Joseph. Online Product Perception| Improvements for the Design of Products Sold Online.

Degree: 2018, Union Institute and University

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=13804540

► At its simplest, product design can be described as the steps taken to actualize a product that best solves an identified customer problem. Though… (more)

Subjects/Keywords: Marketing; Design; Aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Ahlo, J. (2018). Online Product Perception| Improvements for the Design of Products Sold Online. (Thesis). Union Institute and University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=13804540

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Ahlo, Joseph. “Online Product Perception| Improvements for the Design of Products Sold Online.” 2018. Thesis, Union Institute and University. Accessed February 24, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=13804540.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Ahlo, Joseph. “Online Product Perception| Improvements for the Design of Products Sold Online.” 2018. Web. 24 Feb 2021.

Vancouver:

Ahlo J. Online Product Perception| Improvements for the Design of Products Sold Online. [Internet] [Thesis]. Union Institute and University; 2018. [cited 2021 Feb 24]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=13804540.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ahlo J. Online Product Perception| Improvements for the Design of Products Sold Online. [Thesis]. Union Institute and University; 2018. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=13804540

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Open Access Theses and Dissertations