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Level: m_ph  Language: English

You searched for subject:(Adsorption d ions m tallique). Showing records 1 – 22 of 22 total matches.

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University of Birmingham

1. Grigoropoulos, Grigorios. Identity spaces music space as a medium for sound.

Degree: m_ph, College of Arts & Law, 2016, University of Birmingham

 The work completed for this thesis starts with my initial interest in spatial music and concludes by placing space at the forefront of compositional thought.… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Grigoropoulos, G. (2016). Identity spaces music space as a medium for sound. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grigoropoulos, Grigorios. “Identity spaces music space as a medium for sound.” 2016. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grigoropoulos, Grigorios. “Identity spaces music space as a medium for sound.” 2016. Web. 18 Oct 2019.

Vancouver:

Grigoropoulos G. Identity spaces music space as a medium for sound. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grigoropoulos G. Identity spaces music space as a medium for sound. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

2. Ryall, Nicholas J. MPhil musical composition: commentaries.

Degree: m_ph, College of Arts & Law, 2014, University of Birmingham

 My interest in musical composition covers a broad range of styles and genres and this MPhil Submission is designed to reflect that range by a… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Ryall, N. J. (2014). MPhil musical composition: commentaries. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ryall, Nicholas J. “MPhil musical composition: commentaries.” 2014. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ryall, Nicholas J. “MPhil musical composition: commentaries.” 2014. Web. 18 Oct 2019.

Vancouver:

Ryall NJ. MPhil musical composition: commentaries. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ryall NJ. MPhil musical composition: commentaries. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

3. Ward, Martin John. Analysis of five works by Herbert Howells, with reference to features of the composer’s style.

Degree: m_ph, School of Humanities, 2006, University of Birmingham

 As much research into Herbert Howells to date has focused on the historical aspects of his life and works, the prime intention of this study… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Ward, M. J. (2006). Analysis of five works by Herbert Howells, with reference to features of the composer’s style. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/236/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ward, Martin John. “Analysis of five works by Herbert Howells, with reference to features of the composer’s style.” 2006. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/236/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ward, Martin John. “Analysis of five works by Herbert Howells, with reference to features of the composer’s style.” 2006. Web. 18 Oct 2019.

Vancouver:

Ward MJ. Analysis of five works by Herbert Howells, with reference to features of the composer’s style. [Internet] [Thesis]. University of Birmingham; 2006. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/236/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ward MJ. Analysis of five works by Herbert Howells, with reference to features of the composer’s style. [Thesis]. University of Birmingham; 2006. Available from: http://etheses.bham.ac.uk//id/eprint/236/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

4. Grammatopoulos, Ektor. A study of the effects of playing a wind instrument on the occlusion.

Degree: m_ph, College of Medical & Dental Sciences, 2010, University of Birmingham

 Objectives: To investigate the effects of playing a wind instrument on the occlusion. Subjects and method: One hundred and seventy professional musicians were selected from… (more)

Subjects/Keywords: RK Dentistry; M Music

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APA (6th Edition):

Grammatopoulos, E. (2010). A study of the effects of playing a wind instrument on the occlusion. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/606/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grammatopoulos, Ektor. “A study of the effects of playing a wind instrument on the occlusion.” 2010. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/606/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grammatopoulos, Ektor. “A study of the effects of playing a wind instrument on the occlusion.” 2010. Web. 18 Oct 2019.

Vancouver:

Grammatopoulos E. A study of the effects of playing a wind instrument on the occlusion. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/606/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grammatopoulos E. A study of the effects of playing a wind instrument on the occlusion. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/606/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Ho, Sze-Hwei Grace. Changing Chopin: posthumous variants and performance approaches.

Degree: m_ph, College of Arts & Law, 2013, University of Birmingham

 This thesis aims to examine Chopin’s own style of playing and to trace some of the approaches taken by 19th and 20th century pianists in… (more)

Subjects/Keywords: M Music

…play the Polonaise op. 40 no. 1: After the D major trio section, I play the return of the… …in F-sharp minor, op.28. We are on even firmer grounds with the Prelude in D-flat major… …flat (D-flat major). The D-flat prelude hence functions as the dominant preparation… …sometimes one of the more substantial numbers (the A-flat Major or the D-flat Raindrop)… …65 66 Czerny, 97-98. Hamilton, 124. 31 (b) Chopin, Nocturne in D-flat… 

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APA (6th Edition):

Ho, S. G. (2013). Changing Chopin: posthumous variants and performance approaches. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4352/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ho, Sze-Hwei Grace. “Changing Chopin: posthumous variants and performance approaches.” 2013. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/4352/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ho, Sze-Hwei Grace. “Changing Chopin: posthumous variants and performance approaches.” 2013. Web. 18 Oct 2019.

Vancouver:

Ho SG. Changing Chopin: posthumous variants and performance approaches. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/4352/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ho SG. Changing Chopin: posthumous variants and performance approaches. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4352/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

6. Chaddock, Edward James Michael. Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary.

Degree: m_ph, College of Arts & Law, 2011, University of Birmingham

 The music of John Alcock (1715-1806) is not familiar to most musicians. However, he did produce some attractive works and is a significant figure in… (more)

Subjects/Keywords: M Music; ML Literature of music

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APA (6th Edition):

Chaddock, E. J. M. (2011). Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1430/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chaddock, Edward James Michael. “Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary.” 2011. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/1430/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chaddock, Edward James Michael. “Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary.” 2011. Web. 18 Oct 2019.

Vancouver:

Chaddock EJM. Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/1430/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chaddock EJM. Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/1430/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

7. Borin, Alessandro. Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary.

Degree: m_ph, College of Arts & Law, 2012, University of Birmingham

 Vivaldi’s Op. 6 concertos first appeared in 1719 under the imprint of Jeanne Roger. Though the engraved parts contain an unusually large number of errors… (more)

Subjects/Keywords: M Music; ML Literature of music

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APA (6th Edition):

Borin, A. (2012). Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3494/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Borin, Alessandro. “Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary.” 2012. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/3494/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Borin, Alessandro. “Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary.” 2012. Web. 18 Oct 2019.

Vancouver:

Borin A. Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/3494/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Borin A. Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3494/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

8. Lucas, Flora May. Franz Keyper: Concerto No. 1 for double bass .

Degree: m_ph, College of Arts & Law, 2016, University of Birmingham

 Franz Keyper (c. 1756 – 1815), a double bassist in the Danish court orchestra, composed seven concertos for double bass. This thesis presents a critical… (more)

Subjects/Keywords: M Music; MT Musical instruction and study

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APA (6th Edition):

Lucas, F. M. (2016). Franz Keyper: Concerto No. 1 for double bass . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6444/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lucas, Flora May. “Franz Keyper: Concerto No. 1 for double bass .” 2016. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/6444/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lucas, Flora May. “Franz Keyper: Concerto No. 1 for double bass .” 2016. Web. 18 Oct 2019.

Vancouver:

Lucas FM. Franz Keyper: Concerto No. 1 for double bass . [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/6444/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lucas FM. Franz Keyper: Concerto No. 1 for double bass . [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk//id/eprint/6444/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

9. Davies, Jennifer. Wills and religious change in the archdeaconry of Stafford, 1532 - 1580.

Degree: m_ph, College of Arts & Law, 2016, University of Birmingham

 The entire complement of wills from the deanery of Leek probated between 1532 and 1580, about 1,300, have been examined to assess response of the… (more)

Subjects/Keywords: BR Christianity; D History (General)

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APA (6th Edition):

Davies, J. (2016). Wills and religious change in the archdeaconry of Stafford, 1532 - 1580. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6750/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Davies, Jennifer. “Wills and religious change in the archdeaconry of Stafford, 1532 - 1580.” 2016. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/6750/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Davies, Jennifer. “Wills and religious change in the archdeaconry of Stafford, 1532 - 1580.” 2016. Web. 18 Oct 2019.

Vancouver:

Davies J. Wills and religious change in the archdeaconry of Stafford, 1532 - 1580. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/6750/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Davies J. Wills and religious change in the archdeaconry of Stafford, 1532 - 1580. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk//id/eprint/6750/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

10. Cleobury, Sophie. The style and development of Herbert Howells' Evening Canticle settings.

Degree: m_ph, School of Humanities, 2007, University of Birmingham

 It is the aim of this dissertation to look at the style and development in style of Howells' evening canticles from the first set, written… (more)

Subjects/Keywords: BR Christianity; M Music

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APA (6th Edition):

Cleobury, S. (2007). The style and development of Herbert Howells' Evening Canticle settings. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5735/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cleobury, Sophie. “The style and development of Herbert Howells' Evening Canticle settings.” 2007. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/5735/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cleobury, Sophie. “The style and development of Herbert Howells' Evening Canticle settings.” 2007. Web. 18 Oct 2019.

Vancouver:

Cleobury S. The style and development of Herbert Howells' Evening Canticle settings. [Internet] [Thesis]. University of Birmingham; 2007. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/5735/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cleobury S. The style and development of Herbert Howells' Evening Canticle settings. [Thesis]. University of Birmingham; 2007. Available from: http://etheses.bham.ac.uk//id/eprint/5735/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Forward, Nicholas Robert Charles. The arrest and trial of Archbishop William Laud.

Degree: m_ph, College of Arts & Law, 2012, University of Birmingham

 Archbishop William Laud was arrested on 18 December 1640, and specific treason charges were brought forward early in 1641. However he did not stand trial… (more)

Subjects/Keywords: D History (General)

…should be borne in mind that the pardon was around 18 months old when it was presented. 5 M… …edition), p. 420. See D. Alan Orr, Treason and the State: Law, Politics, and Ideology in… …accessed 15 March 2011). 10 D. MacCulloch, Reformation, Europe’s House Divided 1490 – 1700… …ecclesiastical matters to Laud; see W. M. Lamont, Godly Rule, Politics and Religion, 1603 – 1660, (… …37 W. M. Lamont, Marginal Prynne 1600 – 1669, (London: Routledge & Kegan Paul, 1963… 

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APA (6th Edition):

Forward, N. R. C. (2012). The arrest and trial of Archbishop William Laud. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3660/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Forward, Nicholas Robert Charles. “The arrest and trial of Archbishop William Laud.” 2012. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/3660/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Forward, Nicholas Robert Charles. “The arrest and trial of Archbishop William Laud.” 2012. Web. 18 Oct 2019.

Vancouver:

Forward NRC. The arrest and trial of Archbishop William Laud. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/3660/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Forward NRC. The arrest and trial of Archbishop William Laud. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3660/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

12. Pegum, Caroline. The artistic and literary career of Charles Jervas (c.1675-1739).

Degree: m_ph, College of Arts & Law, 2010, University of Birmingham

 Charles Jervas (c.1675-1739) was an Irish-born portrait painter who rose to the position of Principal Painter to King George I and II, succeeding his former… (more)

Subjects/Keywords: ND Painting; PR English literature; D History (General)

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APA (6th Edition):

Pegum, C. (2010). The artistic and literary career of Charles Jervas (c.1675-1739). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/999/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pegum, Caroline. “The artistic and literary career of Charles Jervas (c.1675-1739).” 2010. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/999/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pegum, Caroline. “The artistic and literary career of Charles Jervas (c.1675-1739).” 2010. Web. 18 Oct 2019.

Vancouver:

Pegum C. The artistic and literary career of Charles Jervas (c.1675-1739). [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/999/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pegum C. The artistic and literary career of Charles Jervas (c.1675-1739). [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/999/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

13. Miles, Natasha Frances. The baroque guitar as an accompaniment instrument for song, dance and theatre.

Degree: m_ph, College of Arts & Law, 2011, University of Birmingham

 The five-course ‘baroque’ guitar was regularly employed in the accompaniment of song and dance, and did so predominantly in the rasgueado style, a strummed practice… (more)

Subjects/Keywords: HT Communities. Classes. Races; M Music; MT Musical instruction and study; PN2000 Dramatic representation. The Theater

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APA (6th Edition):

Miles, N. F. (2011). The baroque guitar as an accompaniment instrument for song, dance and theatre. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1600/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miles, Natasha Frances. “The baroque guitar as an accompaniment instrument for song, dance and theatre.” 2011. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/1600/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miles, Natasha Frances. “The baroque guitar as an accompaniment instrument for song, dance and theatre.” 2011. Web. 18 Oct 2019.

Vancouver:

Miles NF. The baroque guitar as an accompaniment instrument for song, dance and theatre. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/1600/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miles NF. The baroque guitar as an accompaniment instrument for song, dance and theatre. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/1600/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

14. Boast, Julien. An analysis of Egypt’s foreign policy during the Saite period.

Degree: m_ph, School of Historical Studies, 2007, University of Birmingham

 This study consists of an analysis of Egyptian foreign policy during the Saite period (including the reign of Necho I), and also briefly examines the… (more)

Subjects/Keywords: D051 Ancient History; D History (General)

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APA (6th Edition):

Boast, J. (2007). An analysis of Egypt’s foreign policy during the Saite period. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5088/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Boast, Julien. “An analysis of Egypt’s foreign policy during the Saite period.” 2007. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/5088/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Boast, Julien. “An analysis of Egypt’s foreign policy during the Saite period.” 2007. Web. 18 Oct 2019.

Vancouver:

Boast J. An analysis of Egypt’s foreign policy during the Saite period. [Internet] [Thesis]. University of Birmingham; 2007. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/5088/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Boast J. An analysis of Egypt’s foreign policy during the Saite period. [Thesis]. University of Birmingham; 2007. Available from: http://etheses.bham.ac.uk//id/eprint/5088/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Kendall White, Cecilia. 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005.

Degree: m_ph, College of Arts & Law, 2014, University of Birmingham

 This thesis is an examination of the subject of music in original practices productions of Shakespeare at the Globe from the viewpoint of practical musicianship… (more)

Subjects/Keywords: M Music; PN2000 Dramatic representation. The Theater; PR English literature

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APA (6th Edition):

Kendall White, C. (2014). 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5335/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kendall White, Cecilia. “'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005.” 2014. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/5335/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kendall White, Cecilia. “'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005.” 2014. Web. 18 Oct 2019.

Vancouver:

Kendall White C. 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/5335/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kendall White C. 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5335/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Finnemore, Sheila Ann. Hidden from view: foreigners in the French Resistance 1940-1944.

Degree: m_ph, College of Arts & Law, 2014, University of Birmingham

 This study is prompted by awareness that hundreds of foreigners were part of the French resistance and that current research has marginalised their role. It… (more)

Subjects/Keywords: D History (General); D731 World War II

…in France on D-Day, stimulated a personal interest in the wider picture of France under… 

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APA (6th Edition):

Finnemore, S. A. (2014). Hidden from view: foreigners in the French Resistance 1940-1944. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4824/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Finnemore, Sheila Ann. “Hidden from view: foreigners in the French Resistance 1940-1944.” 2014. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/4824/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Finnemore, Sheila Ann. “Hidden from view: foreigners in the French Resistance 1940-1944.” 2014. Web. 18 Oct 2019.

Vancouver:

Finnemore SA. Hidden from view: foreigners in the French Resistance 1940-1944. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/4824/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Finnemore SA. Hidden from view: foreigners in the French Resistance 1940-1944. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/4824/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

17. Johnson, Nigel Anthony Peter. The roles of the Conservative Party and the National Government during the 'Phoney War', September 1939 to May 1940.

Degree: m_ph, School of Historical Studies, 2002, University of Birmingham

 This thesis is a detailed study of the interaction between the Conservative party and the National government during the nine months of the 'phoney war'.… (more)

Subjects/Keywords: D History (General); DA Great Britain; JN101 Great Britain

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APA (6th Edition):

Johnson, N. A. P. (2002). The roles of the Conservative Party and the National Government during the 'Phoney War', September 1939 to May 1940. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7183/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johnson, Nigel Anthony Peter. “The roles of the Conservative Party and the National Government during the 'Phoney War', September 1939 to May 1940.” 2002. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/7183/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johnson, Nigel Anthony Peter. “The roles of the Conservative Party and the National Government during the 'Phoney War', September 1939 to May 1940.” 2002. Web. 18 Oct 2019.

Vancouver:

Johnson NAP. The roles of the Conservative Party and the National Government during the 'Phoney War', September 1939 to May 1940. [Internet] [Thesis]. University of Birmingham; 2002. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/7183/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johnson NAP. The roles of the Conservative Party and the National Government during the 'Phoney War', September 1939 to May 1940. [Thesis]. University of Birmingham; 2002. Available from: http://etheses.bham.ac.uk//id/eprint/7183/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Emmett, Rebecca Jane. Anglo-Scottish succession tracts during the late Elizabethan period, 1595-1603.

Degree: m_ph, College of Arts & Law, 2011, University of Birmingham

 This study seeks to examine the way in which contemporaries of James VI defended his right to the English throne in succession literature, during the… (more)

Subjects/Keywords: PN0441 Literary History; D History (General)

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APA (6th Edition):

Emmett, R. J. (2011). Anglo-Scottish succession tracts during the late Elizabethan period, 1595-1603. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1392/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Emmett, Rebecca Jane. “Anglo-Scottish succession tracts during the late Elizabethan period, 1595-1603.” 2011. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/1392/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Emmett, Rebecca Jane. “Anglo-Scottish succession tracts during the late Elizabethan period, 1595-1603.” 2011. Web. 18 Oct 2019.

Vancouver:

Emmett RJ. Anglo-Scottish succession tracts during the late Elizabethan period, 1595-1603. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/1392/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Emmett RJ. Anglo-Scottish succession tracts during the late Elizabethan period, 1595-1603. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/1392/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

19. Russell, Stuart. The relationship between agricultural development and industrial growth 1660-1880: a case study of the Black Country.

Degree: m_ph, College of Arts & Law, 2011, University of Birmingham

 This dissertation examines the link between agricultural growth and industrial development in Britain, using the Black Country as a case study. This involves looking at… (more)

Subjects/Keywords: D History (General); D204 Modern History; DA Great Britain; HD Industries. Land use. Labor; S Agriculture (General)

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APA (6th Edition):

Russell, S. (2011). The relationship between agricultural development and industrial growth 1660-1880: a case study of the Black Country. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3030/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Russell, Stuart. “The relationship between agricultural development and industrial growth 1660-1880: a case study of the Black Country.” 2011. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/3030/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Russell, Stuart. “The relationship between agricultural development and industrial growth 1660-1880: a case study of the Black Country.” 2011. Web. 18 Oct 2019.

Vancouver:

Russell S. The relationship between agricultural development and industrial growth 1660-1880: a case study of the Black Country. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/3030/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Russell S. The relationship between agricultural development and industrial growth 1660-1880: a case study of the Black Country. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/3030/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Reading, Kerrie Leanne. The guided tour in the under-celebrated urban space.

Degree: m_ph, College of Arts & Law, 2013, University of Birmingham

 This thesis has developed from an interest in site-specific work and subsequently it has grown into a discussion about place, guided walks and the people… (more)

Subjects/Keywords: D History (General); GF Human ecology. Anthropogeography; HT Communities. Classes. Races; PN2000 Dramatic representation. The Theater

…than the reality, or the conceptual space rather than the lived space. ‘[m]odern… 

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APA (6th Edition):

Reading, K. L. (2013). The guided tour in the under-celebrated urban space. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4570/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Reading, Kerrie Leanne. “The guided tour in the under-celebrated urban space.” 2013. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/4570/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Reading, Kerrie Leanne. “The guided tour in the under-celebrated urban space.” 2013. Web. 18 Oct 2019.

Vancouver:

Reading KL. The guided tour in the under-celebrated urban space. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/4570/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Reading KL. The guided tour in the under-celebrated urban space. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4570/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Toro, Benjamin. The Hebrew myths and the Neo-Assyrian empire.

Degree: m_ph, College of Arts & Law, 2011, University of Birmingham

 This project seeks to study the first expression of Israelite literature which would was elaborated under the shadow of the Neo-Assyrian cultural influence. This occurred… (more)

Subjects/Keywords: DE The Mediterranean Region. The Greco-Roman World; D History (General)

M. L. de Wette, H. Ewald and, specially, the German erudite Julius Wellhausen (1844… …Deuteronomic (D): this source is practically identical with the greater part of the… …the book of Deuteronomy. 3 believe that a school dependent on D revised the next six… …literary-critical method, which distinguishes continuous literary sources (J, E, D and P… …as G. Gunkel, G. Von Rad and M. Noth have brought forward the question about the gaps… 

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APA (6th Edition):

Toro, B. (2011). The Hebrew myths and the Neo-Assyrian empire. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1722/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Toro, Benjamin. “The Hebrew myths and the Neo-Assyrian empire.” 2011. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/1722/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Toro, Benjamin. “The Hebrew myths and the Neo-Assyrian empire.” 2011. Web. 18 Oct 2019.

Vancouver:

Toro B. The Hebrew myths and the Neo-Assyrian empire. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/1722/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Toro B. The Hebrew myths and the Neo-Assyrian empire. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/1722/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Lang, Stefan. Colonial failure in the new world in the sixteenth century: a French and German comparison.

Degree: m_ph, College of Arts & Law, 2011, University of Birmingham

 During the first half of the sixteenth century attempts were made by Europeans to colonise Venezuela and Canada, as the rush for land in the… (more)

Subjects/Keywords: D History (General); D204 Modern History; D880 Developing Countries; DC France; DD Germany

…x28;Toronto; London; Buffalo, 1993) pp. 3-31 12 M. Bideaux, Jacques Cartier/Relations… …River and Cap-Rouge Colony Source: M. Bideaux, Relations/Jacques Cartier ; edition critique… …Biggar & Cook, The Voyages of Jacques Cartier, pp. 144-151 17 M. Trudel, The Beginnings of New… …laden with exotic goods. 75 M. Häberlein, ‘Conquista’ in T. Adam (ed.), Germany and… 

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APA (6th Edition):

Lang, S. (2011). Colonial failure in the new world in the sixteenth century: a French and German comparison. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3031/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lang, Stefan. “Colonial failure in the new world in the sixteenth century: a French and German comparison.” 2011. Thesis, University of Birmingham. Accessed October 18, 2019. http://etheses.bham.ac.uk//id/eprint/3031/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lang, Stefan. “Colonial failure in the new world in the sixteenth century: a French and German comparison.” 2011. Web. 18 Oct 2019.

Vancouver:

Lang S. Colonial failure in the new world in the sixteenth century: a French and German comparison. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Oct 18]. Available from: http://etheses.bham.ac.uk//id/eprint/3031/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lang S. Colonial failure in the new world in the sixteenth century: a French and German comparison. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/3031/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.