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Degree: d_ph  Language: English

You searched for subject:(Adsorption d ions m tallique). Showing records 1 – 30 of 58 total matches.

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University of Birmingham

1. Leavy, Peter. Models, language, and fabricated histories: a portfolio of musical compositions with commentary.

Degree: d_ph, College of Arts & Law, 2018, University of Birmingham

 This portfolio consists of seven compositions accompanied by a written commentary and recordings/mock ups of the works. The compositions span a wide variety of instrumentations… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Leavy, P. (2018). Models, language, and fabricated histories: a portfolio of musical compositions with commentary. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/8771/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leavy, Peter. “Models, language, and fabricated histories: a portfolio of musical compositions with commentary.” 2018. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/8771/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leavy, Peter. “Models, language, and fabricated histories: a portfolio of musical compositions with commentary.” 2018. Web. 21 Oct 2019.

Vancouver:

Leavy P. Models, language, and fabricated histories: a portfolio of musical compositions with commentary. [Internet] [Thesis]. University of Birmingham; 2018. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/8771/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leavy P. Models, language, and fabricated histories: a portfolio of musical compositions with commentary. [Thesis]. University of Birmingham; 2018. Available from: http://etheses.bham.ac.uk//id/eprint/8771/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

2. Kontos, Constantinos. A portfolio of acousmatic compositions.

Degree: d_ph, College of Arts & Law, 2016, University of Birmingham

 This portfolio consists of a series of acousmatic compositions presented in stereophonic and multichannel formats. The works in this portfolio reflect a variety of different… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kontos, C. (2016). A portfolio of acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6591/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kontos, Constantinos. “A portfolio of acousmatic compositions.” 2016. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/6591/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kontos, Constantinos. “A portfolio of acousmatic compositions.” 2016. Web. 21 Oct 2019.

Vancouver:

Kontos C. A portfolio of acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/6591/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kontos C. A portfolio of acousmatic compositions. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk//id/eprint/6591/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

3. Clemente, Manfredi. Between space and evocation: a portfolio of acousmatic compositions.

Degree: d_ph, College of Arts & Law, 2017, University of Birmingham

 This commentary consists of an attempt to discuss the problems raised by the way I approach composition and sound in general. My argument is based… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Clemente, M. (2017). Between space and evocation: a portfolio of acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7642/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Clemente, Manfredi. “Between space and evocation: a portfolio of acousmatic compositions.” 2017. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/7642/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Clemente, Manfredi. “Between space and evocation: a portfolio of acousmatic compositions.” 2017. Web. 21 Oct 2019.

Vancouver:

Clemente M. Between space and evocation: a portfolio of acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/7642/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clemente M. Between space and evocation: a portfolio of acousmatic compositions. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7642/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

4. Kuoppala, Visa Tapani. Composition in no-mind’s land: a portfolio of electroacoustic music.

Degree: d_ph, College of Arts & Law, 2017, University of Birmingham

 This PhD thesis comprises a portfolio of electroacoustic music and a written commentary. The portfolio consists of ten acousmatic compositions, two of which are collaborative… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kuoppala, V. T. (2017). Composition in no-mind’s land: a portfolio of electroacoustic music. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7747/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kuoppala, Visa Tapani. “Composition in no-mind’s land: a portfolio of electroacoustic music.” 2017. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/7747/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kuoppala, Visa Tapani. “Composition in no-mind’s land: a portfolio of electroacoustic music.” 2017. Web. 21 Oct 2019.

Vancouver:

Kuoppala VT. Composition in no-mind’s land: a portfolio of electroacoustic music. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/7747/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kuoppala VT. Composition in no-mind’s land: a portfolio of electroacoustic music. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7747/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

5. Hindmarch, David. A portfolio of acousmatic compositions.

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

 This portfolio charts my development as a composer during a period of three years. The works it contains are all acousmatic; they investigate sonic material… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hindmarch, D. (2010). A portfolio of acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/758/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hindmarch, David. “A portfolio of acousmatic compositions.” 2010. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/758/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hindmarch, David. “A portfolio of acousmatic compositions.” 2010. Web. 21 Oct 2019.

Vancouver:

Hindmarch D. A portfolio of acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/758/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hindmarch D. A portfolio of acousmatic compositions. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/758/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

6. Spearing, Robert. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

Commentary Scores: 1 After Haydn’s ‘Farewell’ 2 She Solus 3 Two Pieces for clarinet and piano 4 Wings … dreams 5 Piano Symphony

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Spearing, R. (2010). [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/865/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Spearing, Robert. “[A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].” 2010. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/865/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Spearing, Robert. “[A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].” 2010. Web. 21 Oct 2019.

Vancouver:

Spearing R. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/865/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Spearing R. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/865/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

7. Scardanelli, Simon. A portfolio of electroacoustic and acousmatic compositions.

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

 A portfolio of electroacoustic and acousmatic compositions realised through a variety of audio and audio-visual media, and with a particular emphasis on using speech as… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Scardanelli, S. (2010). A portfolio of electroacoustic and acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scardanelli, Simon. “A portfolio of electroacoustic and acousmatic compositions.” 2010. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scardanelli, Simon. “A portfolio of electroacoustic and acousmatic compositions.” 2010. Web. 21 Oct 2019.

Vancouver:

Scardanelli S. A portfolio of electroacoustic and acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scardanelli S. A portfolio of electroacoustic and acousmatic compositions. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

8. Hutchins, Charles Celeste. Portfolio of Compositions.

Degree: d_ph, College of Arts & Law, 2012, University of Birmingham

 This portfolio of 19 compositions includes several short commissions intended to reach new listeners and address issues of sustainability and copyright. Two of the pieces… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hutchins, C. C. (2012). Portfolio of Compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hutchins, Charles Celeste. “Portfolio of Compositions.” 2012. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hutchins, Charles Celeste. “Portfolio of Compositions.” 2012. Web. 21 Oct 2019.

Vancouver:

Hutchins CC. Portfolio of Compositions. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hutchins CC. Portfolio of Compositions. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

9. Pinchbeck, Shawn William. A portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 This thesis describes a portfolio of musical compositions and artworks that explore the development of real-time acousmatic music composition, multimedia music and dance performances, interactive… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pinchbeck, S. W. (2013). A portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pinchbeck, Shawn William. “A portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pinchbeck, Shawn William. “A portfolio of compositions.” 2013. Web. 21 Oct 2019.

Vancouver:

Pinchbeck SW. A portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pinchbeck SW. A portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

10. Carpenter, James John. Portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 A portfolio of acousmatic and mixed compositions for stereophonic and multichannel formats. Particular focus is given to acousmatic music’s relationship with materials and features typically… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carpenter, J. J. (2013). Portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carpenter, James John. “Portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carpenter, James John. “Portfolio of compositions.” 2013. Web. 21 Oct 2019.

Vancouver:

Carpenter JJ. Portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carpenter JJ. Portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

11. Brodie, Val. The overlooked evidence: the use of music in productions of Henry V 1859-1916 .

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 This thesis uses the joint approaches of theatre research and musicology to reveal the overlooked soundscape of productions of Shakespeare’s Henry V. The starting point… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brodie, V. (2013). The overlooked evidence: the use of music in productions of Henry V 1859-1916 . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4476/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brodie, Val. “The overlooked evidence: the use of music in productions of Henry V 1859-1916 .” 2013. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/4476/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brodie, Val. “The overlooked evidence: the use of music in productions of Henry V 1859-1916 .” 2013. Web. 21 Oct 2019.

Vancouver:

Brodie V. The overlooked evidence: the use of music in productions of Henry V 1859-1916 . [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/4476/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brodie V. The overlooked evidence: the use of music in productions of Henry V 1859-1916 . [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4476/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

12. Lorway, Norah. A portfolio of fixed electroacoustic and live laptop works.

Degree: d_ph, College of Arts & Law, 2014, University of Birmingham

 This PhD thesis includes a portfolio of electroacoustic and live electroacoustic compositions carried out at the electroacoustic music studios at the University of Birmingham. The… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lorway, N. (2014). A portfolio of fixed electroacoustic and live laptop works. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lorway, Norah. “A portfolio of fixed electroacoustic and live laptop works.” 2014. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lorway, Norah. “A portfolio of fixed electroacoustic and live laptop works.” 2014. Web. 21 Oct 2019.

Vancouver:

Lorway N. A portfolio of fixed electroacoustic and live laptop works. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lorway N. A portfolio of fixed electroacoustic and live laptop works. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

13. Szwed, Katarzyna Zofia. A portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2015, University of Birmingham

 A portfolio of compositions with additional commentary and a contextual chapter. In the introduction chapter, particular focus is given to the individual approach to elements… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Szwed, K. Z. (2015). A portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Szwed, Katarzyna Zofia. “A portfolio of compositions.” 2015. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Szwed, Katarzyna Zofia. “A portfolio of compositions.” 2015. Web. 21 Oct 2019.

Vancouver:

Szwed KZ. A portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Szwed KZ. A portfolio of compositions. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

14. Ibbett, David Roger. Towards an integrated art music.

Degree: d_ph, College of Arts & Law, 2015, University of Birmingham

 This thesis consists of a portfolio of compositions in acoustic and electronic media with an accompanying commentary. The central theme of these works is the… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ibbett, D. R. (2015). Towards an integrated art music. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6485/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ibbett, David Roger. “Towards an integrated art music.” 2015. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/6485/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ibbett, David Roger. “Towards an integrated art music.” 2015. Web. 21 Oct 2019.

Vancouver:

Ibbett DR. Towards an integrated art music. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/6485/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ibbett DR. Towards an integrated art music. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/6485/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

15. Minchella, Damon. Making music in the radial mainstream: representations of creative practice in UK-based pop/rock.

Degree: d_ph, College of Arts & Law, 2019, University of Birmingham

 Popular music is one of the United Kingdom’s most readily engaged with and exported cultural forms. Commensurate with such a positioning, there exists a wealth… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Minchella, D. (2019). Making music in the radial mainstream: representations of creative practice in UK-based pop/rock. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/9220/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Minchella, Damon. “Making music in the radial mainstream: representations of creative practice in UK-based pop/rock.” 2019. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/9220/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Minchella, Damon. “Making music in the radial mainstream: representations of creative practice in UK-based pop/rock.” 2019. Web. 21 Oct 2019.

Vancouver:

Minchella D. Making music in the radial mainstream: representations of creative practice in UK-based pop/rock. [Internet] [Thesis]. University of Birmingham; 2019. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/9220/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Minchella D. Making music in the radial mainstream: representations of creative practice in UK-based pop/rock. [Thesis]. University of Birmingham; 2019. Available from: http://etheses.bham.ac.uk//id/eprint/9220/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

16. Shih, Pei-Yu. Portfolio.

Degree: d_ph, College of Arts & Law, 2014, University of Birmingham

The thesis is the explanation/record of my musical composition.

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shih, P. (2014). Portfolio. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5022/http://etheses.bham.ac.uk//id/eprint/5022/9/Shih14PhD_01_Film_music.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/10/Shih14PhD_02_Red_Chamber.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/11/Shih14PhD_03__F%27s_65.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/12/Shih14PhD_04_Milchstra%C3%9Fe.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/13/Shih14PhD_05_Lieder_Ohne_Wort.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/14/Shih14PhD_06__%E5%A4%9C%E8%A1%8C%E8%80%85.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/15/Shih14PhD_07_1_One_sentence.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/16/Shih14PhD_07_2_Dialog.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/17/Shih14PhD_07_3_Singing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/22/Shih14PhD_07_4_Playing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/18/Shih14PhD_07_5_Disscussing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/20/Shih14PhD_08_Dreieckige_Beziehungen.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/21/Shih14PhD_09__RC__7_%281%29.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shih, Pei-Yu. “Portfolio.” 2014. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/5022/http://etheses.bham.ac.uk//id/eprint/5022/9/Shih14PhD_01_Film_music.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/10/Shih14PhD_02_Red_Chamber.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/11/Shih14PhD_03__F%27s_65.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/12/Shih14PhD_04_Milchstra%C3%9Fe.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/13/Shih14PhD_05_Lieder_Ohne_Wort.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/14/Shih14PhD_06__%E5%A4%9C%E8%A1%8C%E8%80%85.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/15/Shih14PhD_07_1_One_sentence.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/16/Shih14PhD_07_2_Dialog.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/17/Shih14PhD_07_3_Singing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/22/Shih14PhD_07_4_Playing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/18/Shih14PhD_07_5_Disscussing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/20/Shih14PhD_08_Dreieckige_Beziehungen.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/21/Shih14PhD_09__RC__7_%281%29.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shih, Pei-Yu. “Portfolio.” 2014. Web. 21 Oct 2019.

Vancouver:

Shih P. Portfolio. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/5022/http://etheses.bham.ac.uk//id/eprint/5022/9/Shih14PhD_01_Film_music.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/10/Shih14PhD_02_Red_Chamber.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/11/Shih14PhD_03__F%27s_65.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/12/Shih14PhD_04_Milchstra%C3%9Fe.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/13/Shih14PhD_05_Lieder_Ohne_Wort.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/14/Shih14PhD_06__%E5%A4%9C%E8%A1%8C%E8%80%85.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/15/Shih14PhD_07_1_One_sentence.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/16/Shih14PhD_07_2_Dialog.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/17/Shih14PhD_07_3_Singing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/22/Shih14PhD_07_4_Playing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/18/Shih14PhD_07_5_Disscussing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/20/Shih14PhD_08_Dreieckige_Beziehungen.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/21/Shih14PhD_09__RC__7_%281%29.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shih P. Portfolio. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5022/http://etheses.bham.ac.uk//id/eprint/5022/9/Shih14PhD_01_Film_music.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/10/Shih14PhD_02_Red_Chamber.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/11/Shih14PhD_03__F%27s_65.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/12/Shih14PhD_04_Milchstra%C3%9Fe.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/13/Shih14PhD_05_Lieder_Ohne_Wort.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/14/Shih14PhD_06__%E5%A4%9C%E8%A1%8C%E8%80%85.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/15/Shih14PhD_07_1_One_sentence.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/16/Shih14PhD_07_2_Dialog.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/17/Shih14PhD_07_3_Singing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/22/Shih14PhD_07_4_Playing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/18/Shih14PhD_07_5_Disscussing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/20/Shih14PhD_08_Dreieckige_Beziehungen.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/21/Shih14PhD_09__RC__7_%281%29.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

17. Vaughan, Stephen Benson. The influence of music on the development of the Church of God (Cleveland, Tennessee).

Degree: d_ph, College of Arts & Law, 2015, University of Birmingham

 This thesis examines the (influence) of music on the development of the Church of God (Cleveland, Tennessee). The dissertation is historically driven, but relies upon… (more)

Subjects/Keywords: BR Christianity; M Music

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APA (6th Edition):

Vaughan, S. B. (2015). The influence of music on the development of the Church of God (Cleveland, Tennessee). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6165/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vaughan, Stephen Benson. “The influence of music on the development of the Church of God (Cleveland, Tennessee).” 2015. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/6165/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vaughan, Stephen Benson. “The influence of music on the development of the Church of God (Cleveland, Tennessee).” 2015. Web. 21 Oct 2019.

Vancouver:

Vaughan SB. The influence of music on the development of the Church of God (Cleveland, Tennessee). [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/6165/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vaughan SB. The influence of music on the development of the Church of God (Cleveland, Tennessee). [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/6165/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Coull, Rosalyn. Portfolio of compositions: emotion, meaning & narrative in electroacoustic music.

Degree: d_ph, College of Arts & Law, 2015, University of Birmingham

 This thesis comprises a portfolio of acousmatic compositions which explore the evocation of emotion and the expression of meaning in electroacoustic music. These works, created… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Coull, R. (2015). Portfolio of compositions: emotion, meaning & narrative in electroacoustic music. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6026/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Coull, Rosalyn. “Portfolio of compositions: emotion, meaning & narrative in electroacoustic music.” 2015. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/6026/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Coull, Rosalyn. “Portfolio of compositions: emotion, meaning & narrative in electroacoustic music.” 2015. Web. 21 Oct 2019.

Vancouver:

Coull R. Portfolio of compositions: emotion, meaning & narrative in electroacoustic music. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/6026/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Coull R. Portfolio of compositions: emotion, meaning & narrative in electroacoustic music. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/6026/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Shaw, Martyn. The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837).

Degree: d_ph, College of Arts & Law, 2014, University of Birmingham

 Charles Nicholson (1795-1837) was one of the most important figures in the evolution of the flute. His influence on the design of the Boehm flute… (more)

Subjects/Keywords: M Music

…Philosophy; in Lippman, Musical Aesthetics, 102 16 M, ‘Upon the philosophy of art.’, Quarterly… …Aesthetics, vol.2, 3 26 M, ‘Upon the philosophy of art.’, Quarterly Musical Magazine and Review… 

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APA (6th Edition):

Shaw, M. (2014). The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4923/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shaw, Martyn. “The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837).” 2014. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/4923/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shaw, Martyn. “The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837).” 2014. Web. 21 Oct 2019.

Vancouver:

Shaw M. The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837). [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/4923/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shaw M. The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837). [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/4923/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Guillamat, Julien. A portfolio of electroacoustic compositions.

Degree: d_ph, College of Arts & Law, 2014, University of Birmingham

 This Portfolio is formed of 9 compositions that have been selected in order to reflect the variety of the music I write. It is a… (more)

Subjects/Keywords: M Music

…It was when I completed my Masters degree (M Phil) in electroacoustic 1 Keith… …the project. In January 2011, Jorge M. Garcia, Les Hutchins, Shelly Knotts, Norah Lorway… …cardboard, polystyrene flakes, paper and a metallic grill. All the sound 14 15 Farnell, 2008 M… …drone was made from a recording of the Divertimento No. 1 in D for string quartet, kv 136… 

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APA (6th Edition):

Guillamat, J. (2014). A portfolio of electroacoustic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5085/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Guillamat, Julien. “A portfolio of electroacoustic compositions.” 2014. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/5085/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Guillamat, Julien. “A portfolio of electroacoustic compositions.” 2014. Web. 21 Oct 2019.

Vancouver:

Guillamat J. A portfolio of electroacoustic compositions. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/5085/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Guillamat J. A portfolio of electroacoustic compositions. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5085/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Andrikopoulos, Dimitrios. A portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 This portfolio contains five works written for different instruments, ensembles and combinations of acoustic instruments with live electronics and fixed media, composed during the period… (more)

Subjects/Keywords: M Music

…16 Fig 2.4.10. D transposition of the rotated chords… …30 Fig 2.5.3.2. Rhythmic placement of D. Bass note in Interlude I section… …89 List of DVD Contents DVD 1 “Metamorphoses” for Ensemble Ensemble I&D Dimitris… …Stravinsky, L. Berio and M. Lindberg, and their ways of dealing with their basic material and their… …the I&D Ensemble (student contemporary music ensemble of the Composition Department of… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Andrikopoulos, D. (2013). A portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4704/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Andrikopoulos, Dimitrios. “A portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/4704/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Andrikopoulos, Dimitrios. “A portfolio of compositions.” 2013. Web. 21 Oct 2019.

Vancouver:

Andrikopoulos D. A portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/4704/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Andrikopoulos D. A portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4704/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Moncada, Jorge Gregorio García. Ukhu pacha and La historia de nosotros: electroacoustic music composition portfolio .

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 This composition portfolio comprises two large musical works which explore non-Western musical instruments in electroacoustic music contexts. The fututos and the maguaré, two fundamental signalling… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Moncada, J. G. G. (2013). Ukhu pacha and La historia de nosotros: electroacoustic music composition portfolio . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4867/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moncada, Jorge Gregorio García. “Ukhu pacha and La historia de nosotros: electroacoustic music composition portfolio .” 2013. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/4867/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moncada, Jorge Gregorio García. “Ukhu pacha and La historia de nosotros: electroacoustic music composition portfolio .” 2013. Web. 21 Oct 2019.

Vancouver:

Moncada JGG. Ukhu pacha and La historia de nosotros: electroacoustic music composition portfolio . [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/4867/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moncada JGG. Ukhu pacha and La historia de nosotros: electroacoustic music composition portfolio . [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4867/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Malavasi, Matteo. Portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 This text contains a short general description of my experience at the University of Birmingham. This is an attempt to communicate how my perception in… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Malavasi, M. (2013). Portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4238/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Malavasi, Matteo. “Portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/4238/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Malavasi, Matteo. “Portfolio of compositions.” 2013. Web. 21 Oct 2019.

Vancouver:

Malavasi M. Portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/4238/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Malavasi M. Portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4238/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Cormac, Joanne. Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 Little research has been carried out into Liszt’s work as Kapellmeister of the Weimar Court Theatre. The nature and extent of his duties, his involvement… (more)

Subjects/Keywords: M Music

…marry Liszt, and the most complete information regarding the thwarted wedding see Donna M. Di… …The Nineteenth-Century Symphony ed. D. Kern Holoman (New York: Schirmer Books, 1997… 

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APA (6th Edition):

Cormac, J. (2013). Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3966/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cormac, Joanne. “Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage.” 2013. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/3966/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cormac, Joanne. “Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage.” 2013. Web. 21 Oct 2019.

Vancouver:

Cormac J. Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/3966/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cormac J. Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/3966/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Bertoglio, Chiara. Instructive editions of J. S. Bach’s “Wohltemperirtes Klavier”: an Italian perspective.

Degree: d_ph, College of Arts & Law, 2012, University of Birmingham

 This thesis defines the theoretical, sociological, historical, cultural and practical framework of “instructive editions” (IEs). The approach adopted evaluates, for the first time, the most… (more)

Subjects/Keywords: M Music

…363 363 BIBLIOGRAPHY B.1. Music scores B.2. Literature A B C D E F G H I J K L M N O P Q R… …the sample 291 A04.01.02.B. – Status 291 A04.01.02.C. – Age 292 A04.01.02.D. – Gender 293… …Montani A07.03.01.D. – Synoptic comparisons of editorial tempi for WTK1/8 A07.03.01.E. – Dynamic… 

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APA (6th Edition):

Bertoglio, C. (2012). Instructive editions of J. S. Bach’s “Wohltemperirtes Klavier”: an Italian perspective. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3357/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bertoglio, Chiara. “Instructive editions of J. S. Bach’s “Wohltemperirtes Klavier”: an Italian perspective.” 2012. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/3357/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bertoglio, Chiara. “Instructive editions of J. S. Bach’s “Wohltemperirtes Klavier”: an Italian perspective.” 2012. Web. 21 Oct 2019.

Vancouver:

Bertoglio C. Instructive editions of J. S. Bach’s “Wohltemperirtes Klavier”: an Italian perspective. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/3357/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bertoglio C. Instructive editions of J. S. Bach’s “Wohltemperirtes Klavier”: an Italian perspective. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3357/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Harman, Chris Paul. Studies in instrumentation and orchestration and in the recontextualisation of diatonic pitch materials (Portfolio of Compositions).

Degree: d_ph, College of Arts & Law, 2012, University of Birmingham

 The present document examines eight musical works for various instruments and ensembles, composed between 2007 and 2011. Brief summaries of each work’s program are followed… (more)

Subjects/Keywords: M Music

…closely-spaced unison canon. Couplings are introduced in section D where the flute and piano’s… …range. Beg: A: B: C: D: E: F: G: H: I: J: K: Variation XII (right hand, upper voice, mm… …Sections A and D present each of the chorale’s successive phrases in retrograde: section A deals… …solely with the melody; section D with a close-voiced facsimile of the original harmony… 

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APA (6th Edition):

Harman, C. P. (2012). Studies in instrumentation and orchestration and in the recontextualisation of diatonic pitch materials (Portfolio of Compositions). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3395/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harman, Chris Paul. “Studies in instrumentation and orchestration and in the recontextualisation of diatonic pitch materials (Portfolio of Compositions).” 2012. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/3395/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harman, Chris Paul. “Studies in instrumentation and orchestration and in the recontextualisation of diatonic pitch materials (Portfolio of Compositions).” 2012. Web. 21 Oct 2019.

Vancouver:

Harman CP. Studies in instrumentation and orchestration and in the recontextualisation of diatonic pitch materials (Portfolio of Compositions). [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/3395/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harman CP. Studies in instrumentation and orchestration and in the recontextualisation of diatonic pitch materials (Portfolio of Compositions). [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3395/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Baracskai, Zlatko. Composition portfolio.

Degree: d_ph, College of Arts & Law, 2011, University of Birmingham

 This is a portfolio of ten compositions composed at the Electroacoustic Music Studios at the University of Birmingham, Audio Research Lab at the Birmingham City… (more)

Subjects/Keywords: M Music

…acoustic design of the world. Schafer, M. (1973) The Music of the Environment. In Cox… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Baracskai, Z. (2011). Composition portfolio. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1739/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baracskai, Zlatko. “Composition portfolio.” 2011. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/1739/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baracskai, Zlatko. “Composition portfolio.” 2011. Web. 21 Oct 2019.

Vancouver:

Baracskai Z. Composition portfolio. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/1739/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baracskai Z. Composition portfolio. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/1739/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Seago, Robert. A folio of musical compositions.

Degree: d_ph, College of Arts & Law, 2012, University of Birmingham

 The folio of compositions submitted here consists of the six large-scale works that I have completed between the years 1994 and 2003. Over the course… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Seago, R. (2012). A folio of musical compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/2823/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Seago, Robert. “A folio of musical compositions.” 2012. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/2823/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Seago, Robert. “A folio of musical compositions.” 2012. Web. 21 Oct 2019.

Vancouver:

Seago R. A folio of musical compositions. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/2823/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seago R. A folio of musical compositions. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/2823/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

29. Dunster-Sigtermans, Richard. Developments in British organ design 1945-1970: a player’s perspective .

Degree: d_ph, College of Arts & Law, 2017, University of Birmingham

 This research forms part of a performance practice degree and focuses on the performance of British organ music written in the period 1945 to 1970.… (more)

Subjects/Keywords: M Music; MT Musical instruction and study

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dunster-Sigtermans, R. (2017). Developments in British organ design 1945-1970: a player’s perspective . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7217/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dunster-Sigtermans, Richard. “Developments in British organ design 1945-1970: a player’s perspective .” 2017. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/7217/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dunster-Sigtermans, Richard. “Developments in British organ design 1945-1970: a player’s perspective .” 2017. Web. 21 Oct 2019.

Vancouver:

Dunster-Sigtermans R. Developments in British organ design 1945-1970: a player’s perspective . [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/7217/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dunster-Sigtermans R. Developments in British organ design 1945-1970: a player’s perspective . [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7217/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

30. Lovelock, James Michael. ‘Not just for gays anymore’: men, masculinities and musical theatre.

Degree: d_ph, College of Arts & Law, 2017, University of Birmingham

 This thesis explores how the changing masculinities of the 21(s)(t) century have affected how young men connect to musical theatre as a genre that has… (more)

Subjects/Keywords: M Music; PN2000 Dramatic representation. The Theater

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lovelock, J. M. (2017). ‘Not just for gays anymore’: men, masculinities and musical theatre. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7533/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lovelock, James Michael. “‘Not just for gays anymore’: men, masculinities and musical theatre.” 2017. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/7533/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lovelock, James Michael. “‘Not just for gays anymore’: men, masculinities and musical theatre.” 2017. Web. 21 Oct 2019.

Vancouver:

Lovelock JM. ‘Not just for gays anymore’: men, masculinities and musical theatre. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/7533/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lovelock JM. ‘Not just for gays anymore’: men, masculinities and musical theatre. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7533/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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