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You searched for subject:(Adsorption d ions m tallique). Showing records 1 – 30 of 474 total matches.

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University of Huddersfield

1. Etheridge, Stephen. 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914.

Degree: 2014, University of Huddersfield

 Brass Bands have become a clichéd representation of northern working-class culture. Hence, in 1974, Peter Hennessy described a band contest at the Albert Hall: A… (more)

Subjects/Keywords: D History (General); DA Great Britain; M Music

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APA (6th Edition):

Etheridge, S. (2014). 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/24607/1/Slate-Grey_Rain_and_Polished_Euphoniums.pdf

Chicago Manual of Style (16th Edition):

Etheridge, Stephen. “'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914.” 2014. Doctoral Dissertation, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/24607/1/Slate-Grey_Rain_and_Polished_Euphoniums.pdf.

MLA Handbook (7th Edition):

Etheridge, Stephen. “'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914.” 2014. Web. 18 Oct 2019.

Vancouver:

Etheridge S. 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. [Internet] [Doctoral dissertation]. University of Huddersfield; 2014. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/24607/1/Slate-Grey_Rain_and_Polished_Euphoniums.pdf.

Council of Science Editors:

Etheridge S. 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. [Doctoral Dissertation]. University of Huddersfield; 2014. Available from: http://eprints.hud.ac.uk/id/eprint/24607/1/Slate-Grey_Rain_and_Polished_Euphoniums.pdf


University of Manchester

2. Zarzour, Ali. HOW CAN WE IMPROVE OUR UNDERSTANDING OF SUCCESSFUL IMPLEMENTATIONS IN eHEALTH?.

Degree: 2015, University of Manchester

 This research studies the interaction between eHealth and implementation success. eHealth has become an important subject of discussion and evaluation for healthcare organisations over the… (more)

Subjects/Keywords: eHealth Implementation; Healthcare; Managment; D&M IS Success Model; Health IS

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APA (6th Edition):

Zarzour, A. (2015). HOW CAN WE IMPROVE OUR UNDERSTANDING OF SUCCESSFUL IMPLEMENTATIONS IN eHEALTH?. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:265515

Chicago Manual of Style (16th Edition):

Zarzour, Ali. “HOW CAN WE IMPROVE OUR UNDERSTANDING OF SUCCESSFUL IMPLEMENTATIONS IN eHEALTH?.” 2015. Doctoral Dissertation, University of Manchester. Accessed October 18, 2019. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:265515.

MLA Handbook (7th Edition):

Zarzour, Ali. “HOW CAN WE IMPROVE OUR UNDERSTANDING OF SUCCESSFUL IMPLEMENTATIONS IN eHEALTH?.” 2015. Web. 18 Oct 2019.

Vancouver:

Zarzour A. HOW CAN WE IMPROVE OUR UNDERSTANDING OF SUCCESSFUL IMPLEMENTATIONS IN eHEALTH?. [Internet] [Doctoral dissertation]. University of Manchester; 2015. [cited 2019 Oct 18]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:265515.

Council of Science Editors:

Zarzour A. HOW CAN WE IMPROVE OUR UNDERSTANDING OF SUCCESSFUL IMPLEMENTATIONS IN eHEALTH?. [Doctoral Dissertation]. University of Manchester; 2015. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:265515


University of Huddersfield

3. McLaughlin, Scott. Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music.

Degree: 2009, University of Huddersfield

 This commentary reflects on how indeterminacy has been used in the music I have written over the period of my doctoral studies, 2005-2008. Non-musical ideas… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

McLaughlin, S. (2009). Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/14530/1/scottMcLaughlin_PhD2009_Strange-Attractors.pdf

Chicago Manual of Style (16th Edition):

McLaughlin, Scott. “Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music.” 2009. Doctoral Dissertation, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/14530/1/scottMcLaughlin_PhD2009_Strange-Attractors.pdf.

MLA Handbook (7th Edition):

McLaughlin, Scott. “Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music.” 2009. Web. 18 Oct 2019.

Vancouver:

McLaughlin S. Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. [Internet] [Doctoral dissertation]. University of Huddersfield; 2009. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/14530/1/scottMcLaughlin_PhD2009_Strange-Attractors.pdf.

Council of Science Editors:

McLaughlin S. Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. [Doctoral Dissertation]. University of Huddersfield; 2009. Available from: http://eprints.hud.ac.uk/id/eprint/14530/1/scottMcLaughlin_PhD2009_Strange-Attractors.pdf


University of Huddersfield

4. Karman, Gregorio. Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment.

Degree: 2014, University of Huddersfield

 This research advances the current state of knowledge in the field of early tape music both empirically and methodologically. The purpose of this study is… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Karman, G. (2014). Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/25442/1/ggarciakarmanfinalthesis.pdf

Chicago Manual of Style (16th Edition):

Karman, Gregorio. “Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment.” 2014. Doctoral Dissertation, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/25442/1/ggarciakarmanfinalthesis.pdf.

MLA Handbook (7th Edition):

Karman, Gregorio. “Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment.” 2014. Web. 18 Oct 2019.

Vancouver:

Karman G. Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment. [Internet] [Doctoral dissertation]. University of Huddersfield; 2014. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/25442/1/ggarciakarmanfinalthesis.pdf.

Council of Science Editors:

Karman G. Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment. [Doctoral Dissertation]. University of Huddersfield; 2014. Available from: http://eprints.hud.ac.uk/id/eprint/25442/1/ggarciakarmanfinalthesis.pdf


University of Huddersfield

5. Richardson, Harriet. Approaching the Performance of Experimental Music on the Flute.

Degree: 2015, University of Huddersfield

 This dissertation serves as a commentary to two recitals: a recital of chamber music which took place in July 2014, and a solo recital in… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Richardson, H. (2015). Approaching the Performance of Experimental Music on the Flute. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/25444/1/Harriet%20Richardson%20Thesis%20-%20fianl.pdf

Chicago Manual of Style (16th Edition):

Richardson, Harriet. “Approaching the Performance of Experimental Music on the Flute.” 2015. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/25444/1/Harriet%20Richardson%20Thesis%20-%20fianl.pdf.

MLA Handbook (7th Edition):

Richardson, Harriet. “Approaching the Performance of Experimental Music on the Flute.” 2015. Web. 18 Oct 2019.

Vancouver:

Richardson H. Approaching the Performance of Experimental Music on the Flute. [Internet] [Masters thesis]. University of Huddersfield; 2015. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/25444/1/Harriet%20Richardson%20Thesis%20-%20fianl.pdf.

Council of Science Editors:

Richardson H. Approaching the Performance of Experimental Music on the Flute. [Masters Thesis]. University of Huddersfield; 2015. Available from: http://eprints.hud.ac.uk/id/eprint/25444/1/Harriet%20Richardson%20Thesis%20-%20fianl.pdf


University of Huddersfield

6. Flatt, Nicholas. Investigating the Use of Audiovisual Elicitation on the Creative Enterprise.

Degree: 2014, University of Huddersfield

 Elicitation methods have been explored extensively in social science research, and in business contexts, to uncover unarticulated informant knowledge. This qualitative study investigates the use… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Flatt, N. (2014). Investigating the Use of Audiovisual Elicitation on the Creative Enterprise. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/25501/1/nflattfinalthesis.pdf

Chicago Manual of Style (16th Edition):

Flatt, Nicholas. “Investigating the Use of Audiovisual Elicitation on the Creative Enterprise.” 2014. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/25501/1/nflattfinalthesis.pdf.

MLA Handbook (7th Edition):

Flatt, Nicholas. “Investigating the Use of Audiovisual Elicitation on the Creative Enterprise.” 2014. Web. 18 Oct 2019.

Vancouver:

Flatt N. Investigating the Use of Audiovisual Elicitation on the Creative Enterprise. [Internet] [Masters thesis]. University of Huddersfield; 2014. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/25501/1/nflattfinalthesis.pdf.

Council of Science Editors:

Flatt N. Investigating the Use of Audiovisual Elicitation on the Creative Enterprise. [Masters Thesis]. University of Huddersfield; 2014. Available from: http://eprints.hud.ac.uk/id/eprint/25501/1/nflattfinalthesis.pdf


University of Huddersfield

7. Flanagan, Beavan. Intersections Between Subjects and Objects in my Compositions from 2013 to 2016.

Degree: 2017, University of Huddersfield

 The following commentary details aspects of my recent compositions attempting to bring about intersections between subjects and objects. I demonstrate how my compositions highlight an… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Flanagan, B. (2017). Intersections Between Subjects and Objects in my Compositions from 2013 to 2016. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34417/1/FINAL%20THESIS%20-%20Flanagan.pdf

Chicago Manual of Style (16th Edition):

Flanagan, Beavan. “Intersections Between Subjects and Objects in my Compositions from 2013 to 2016.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/34417/1/FINAL%20THESIS%20-%20Flanagan.pdf.

MLA Handbook (7th Edition):

Flanagan, Beavan. “Intersections Between Subjects and Objects in my Compositions from 2013 to 2016.” 2017. Web. 18 Oct 2019.

Vancouver:

Flanagan B. Intersections Between Subjects and Objects in my Compositions from 2013 to 2016. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/34417/1/FINAL%20THESIS%20-%20Flanagan.pdf.

Council of Science Editors:

Flanagan B. Intersections Between Subjects and Objects in my Compositions from 2013 to 2016. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34417/1/FINAL%20THESIS%20-%20Flanagan.pdf


University of Huddersfield

8. Daly, Andrew. A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music.

Degree: 2017, University of Huddersfield

 The purpose of this study is to find out the limitations of style and genre fusion. It asks how effectively can a composer achieve this… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Daly, A. (2017). A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34427/1/FINAL%20THESIS%20-%20Daly.pdf

Chicago Manual of Style (16th Edition):

Daly, Andrew. “A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music.” 2017. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/34427/1/FINAL%20THESIS%20-%20Daly.pdf.

MLA Handbook (7th Edition):

Daly, Andrew. “A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music.” 2017. Web. 18 Oct 2019.

Vancouver:

Daly A. A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music. [Internet] [Masters thesis]. University of Huddersfield; 2017. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/34427/1/FINAL%20THESIS%20-%20Daly.pdf.

Council of Science Editors:

Daly A. A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music. [Masters Thesis]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34427/1/FINAL%20THESIS%20-%20Daly.pdf


University of Huddersfield

9. Martin, Darren. Within Worlds: Immersion and Subjectivity in Film Music.

Degree: 2017, University of Huddersfield

 Music and visuals have coexisted together in film for years, with millions of viewers and listeners attending film showings in a way of escaping their… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Martin, D. (2017). Within Worlds: Immersion and Subjectivity in Film Music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34431/1/FINAL%20THESIS%20-%20Martin.pdf

Chicago Manual of Style (16th Edition):

Martin, Darren. “Within Worlds: Immersion and Subjectivity in Film Music.” 2017. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/34431/1/FINAL%20THESIS%20-%20Martin.pdf.

MLA Handbook (7th Edition):

Martin, Darren. “Within Worlds: Immersion and Subjectivity in Film Music.” 2017. Web. 18 Oct 2019.

Vancouver:

Martin D. Within Worlds: Immersion and Subjectivity in Film Music. [Internet] [Masters thesis]. University of Huddersfield; 2017. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/34431/1/FINAL%20THESIS%20-%20Martin.pdf.

Council of Science Editors:

Martin D. Within Worlds: Immersion and Subjectivity in Film Music. [Masters Thesis]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34431/1/FINAL%20THESIS%20-%20Martin.pdf


University of Huddersfield

10. Paúl, Abel. Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements.

Degree: 2017, University of Huddersfield

 The submitted portfolio and accompanying thesis focus on the subject of doubles and duplication and their application as musical materials and compositional devices in my… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Paúl, A. (2017). Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34444/1/FINAL%20THESIS%20-%20Paul.pdf

Chicago Manual of Style (16th Edition):

Paúl, Abel. “Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/34444/1/FINAL%20THESIS%20-%20Paul.pdf.

MLA Handbook (7th Edition):

Paúl, Abel. “Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements.” 2017. Web. 18 Oct 2019.

Vancouver:

Paúl A. Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/34444/1/FINAL%20THESIS%20-%20Paul.pdf.

Council of Science Editors:

Paúl A. Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34444/1/FINAL%20THESIS%20-%20Paul.pdf


University of Huddersfield

11. Rawbone, Trevor Mark. The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period.

Degree: 2017, University of Huddersfield

 Diverging explanations of local multiparametric schemata are found in music of the common practice period (c. 1600–c. 1900). Associative statistical theories describe schemata as situated… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Rawbone, T. M. (2017). The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34477/1/FINAL%20THESIS%20-%20Rawbone.pdf

Chicago Manual of Style (16th Edition):

Rawbone, Trevor Mark. “The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/34477/1/FINAL%20THESIS%20-%20Rawbone.pdf.

MLA Handbook (7th Edition):

Rawbone, Trevor Mark. “The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period.” 2017. Web. 18 Oct 2019.

Vancouver:

Rawbone TM. The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/34477/1/FINAL%20THESIS%20-%20Rawbone.pdf.

Council of Science Editors:

Rawbone TM. The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34477/1/FINAL%20THESIS%20-%20Rawbone.pdf


University of Huddersfield

12. Fell, Simon. A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75.

Degree: 2017, University of Huddersfield

 This thesis examines the activity of the British musicians developing a practice of freely improvised music in the mid- to late-1960s, in conjunction with that… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Fell, S. (2017). A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34533/1/Simon%20Fell%20FINAL%20THESIS.PDF

Chicago Manual of Style (16th Edition):

Fell, Simon. “A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/34533/1/Simon%20Fell%20FINAL%20THESIS.PDF.

MLA Handbook (7th Edition):

Fell, Simon. “A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75.” 2017. Web. 18 Oct 2019.

Vancouver:

Fell S. A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/34533/1/Simon%20Fell%20FINAL%20THESIS.PDF.

Council of Science Editors:

Fell S. A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34533/1/Simon%20Fell%20FINAL%20THESIS.PDF


University of Huddersfield

13. Peabody, Anthony. Joe Morley, banjo player, his life, works, and his music.

Degree: 2018, University of Huddersfield

 This thesis examines the life, works and music of Joe Morley, who was one of the most wellknown and respected players of the banjo, and… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Peabody, A. (2018). Joe Morley, banjo player, his life, works, and his music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34585/1/FINAL%20THESIS.PDF

Chicago Manual of Style (16th Edition):

Peabody, Anthony. “Joe Morley, banjo player, his life, works, and his music.” 2018. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/34585/1/FINAL%20THESIS.PDF.

MLA Handbook (7th Edition):

Peabody, Anthony. “Joe Morley, banjo player, his life, works, and his music.” 2018. Web. 18 Oct 2019.

Vancouver:

Peabody A. Joe Morley, banjo player, his life, works, and his music. [Internet] [Masters thesis]. University of Huddersfield; 2018. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/34585/1/FINAL%20THESIS.PDF.

Council of Science Editors:

Peabody A. Joe Morley, banjo player, his life, works, and his music. [Masters Thesis]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34585/1/FINAL%20THESIS.PDF


University of Huddersfield

14. Green-Mateu, Susan. The Tesseract: using the body’s movement to shape my compositional practice.

Degree: 2018, University of Huddersfield

 The aim of this research project is to challenge my practice as a popular music songwriter and producer. To achieve this, I have developed a… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Green-Mateu, S. (2018). The Tesseract: using the body’s movement to shape my compositional practice. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34597/1/Susan%20Green-Mateu%20FINAL%20THESIS.PDF

Chicago Manual of Style (16th Edition):

Green-Mateu, Susan. “The Tesseract: using the body’s movement to shape my compositional practice.” 2018. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/34597/1/Susan%20Green-Mateu%20FINAL%20THESIS.PDF.

MLA Handbook (7th Edition):

Green-Mateu, Susan. “The Tesseract: using the body’s movement to shape my compositional practice.” 2018. Web. 18 Oct 2019.

Vancouver:

Green-Mateu S. The Tesseract: using the body’s movement to shape my compositional practice. [Internet] [Masters thesis]. University of Huddersfield; 2018. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/34597/1/Susan%20Green-Mateu%20FINAL%20THESIS.PDF.

Council of Science Editors:

Green-Mateu S. The Tesseract: using the body’s movement to shape my compositional practice. [Masters Thesis]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34597/1/Susan%20Green-Mateu%20FINAL%20THESIS.PDF


University of Huddersfield

15. Sundin, Paulina E. Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music.

Degree: 2010, University of Huddersfield

 Re-inventing Harmony in Electroacoustic Music reflects on research regarding structuring pitch-based material in my music written between 1999 and 2010. The selected works illustrates the… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sundin, P. E. (2010). Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/9289/1/psundinfinalthesis.pdf

Chicago Manual of Style (16th Edition):

Sundin, Paulina E. “Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music.” 2010. Doctoral Dissertation, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/9289/1/psundinfinalthesis.pdf.

MLA Handbook (7th Edition):

Sundin, Paulina E. “Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music.” 2010. Web. 18 Oct 2019.

Vancouver:

Sundin PE. Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music. [Internet] [Doctoral dissertation]. University of Huddersfield; 2010. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/9289/1/psundinfinalthesis.pdf.

Council of Science Editors:

Sundin PE. Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music. [Doctoral Dissertation]. University of Huddersfield; 2010. Available from: http://eprints.hud.ac.uk/id/eprint/9289/1/psundinfinalthesis.pdf


University of Huddersfield

16. McCormack, Timothy. Instrumental mechanism and physicality as compositional resources.

Degree: 2010, University of Huddersfield

 This thesis discusses my engagement with and investigation into the aesthetic and expressive possibilities of instrumental mechanism and performerinstrument physicality, while proposing an aesthetic frame… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McCormack, T. (2010). Instrumental mechanism and physicality as compositional resources. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/9290/1/tmccormackfinalthesis.pdf

Chicago Manual of Style (16th Edition):

McCormack, Timothy. “Instrumental mechanism and physicality as compositional resources.” 2010. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/9290/1/tmccormackfinalthesis.pdf.

MLA Handbook (7th Edition):

McCormack, Timothy. “Instrumental mechanism and physicality as compositional resources.” 2010. Web. 18 Oct 2019.

Vancouver:

McCormack T. Instrumental mechanism and physicality as compositional resources. [Internet] [Masters thesis]. University of Huddersfield; 2010. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/9290/1/tmccormackfinalthesis.pdf.

Council of Science Editors:

McCormack T. Instrumental mechanism and physicality as compositional resources. [Masters Thesis]. University of Huddersfield; 2010. Available from: http://eprints.hud.ac.uk/id/eprint/9290/1/tmccormackfinalthesis.pdf


University of Huddersfield

17. Tucker, Colin. Character, Ground, And Contradiction In My Recent Music.

Degree: 2011, University of Huddersfield

 This thesis discusses contradictory foreground-background relationships within my MPhil portfolio of compositions. Part I elaborates a constellation of concepts. Foreground organization is considered as “character,”… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Tucker, C. (2011). Character, Ground, And Contradiction In My Recent Music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/10771/1/Tucker_Final_MPhil_Thesis_complete.pdf

Chicago Manual of Style (16th Edition):

Tucker, Colin. “Character, Ground, And Contradiction In My Recent Music.” 2011. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/10771/1/Tucker_Final_MPhil_Thesis_complete.pdf.

MLA Handbook (7th Edition):

Tucker, Colin. “Character, Ground, And Contradiction In My Recent Music.” 2011. Web. 18 Oct 2019.

Vancouver:

Tucker C. Character, Ground, And Contradiction In My Recent Music. [Internet] [Masters thesis]. University of Huddersfield; 2011. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/10771/1/Tucker_Final_MPhil_Thesis_complete.pdf.

Council of Science Editors:

Tucker C. Character, Ground, And Contradiction In My Recent Music. [Masters Thesis]. University of Huddersfield; 2011. Available from: http://eprints.hud.ac.uk/id/eprint/10771/1/Tucker_Final_MPhil_Thesis_complete.pdf


University of Huddersfield

18. Sweeton, Michael. Development of Compositional Tools in Max/MSP.

Degree: 2011, University of Huddersfield

 The aim of the research is to build a suite of software tools that use a unique combination of techniques to generate specific audio material.… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sweeton, M. (2011). Development of Compositional Tools in Max/MSP. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/11881/1/msweetonfinalthesis.pdf

Chicago Manual of Style (16th Edition):

Sweeton, Michael. “Development of Compositional Tools in Max/MSP.” 2011. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/11881/1/msweetonfinalthesis.pdf.

MLA Handbook (7th Edition):

Sweeton, Michael. “Development of Compositional Tools in Max/MSP.” 2011. Web. 18 Oct 2019.

Vancouver:

Sweeton M. Development of Compositional Tools in Max/MSP. [Internet] [Masters thesis]. University of Huddersfield; 2011. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/11881/1/msweetonfinalthesis.pdf.

Council of Science Editors:

Sweeton M. Development of Compositional Tools in Max/MSP. [Masters Thesis]. University of Huddersfield; 2011. Available from: http://eprints.hud.ac.uk/id/eprint/11881/1/msweetonfinalthesis.pdf


University of Huddersfield

19. Rich, Jonathan. Exploring the Synthesis of Musique Concrète and Visual Media in Popular Culture.

Degree: 2010, University of Huddersfield

 This practice-based research project will examine the link between the contemporary genre of Musique Concrète and the visual medium, through a portfolio of audiovisual pieces.… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rich, J. (2010). Exploring the Synthesis of Musique Concrète and Visual Media in Popular Culture. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/11887/1/jrichfinalthesis.pdf

Chicago Manual of Style (16th Edition):

Rich, Jonathan. “Exploring the Synthesis of Musique Concrète and Visual Media in Popular Culture.” 2010. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/11887/1/jrichfinalthesis.pdf.

MLA Handbook (7th Edition):

Rich, Jonathan. “Exploring the Synthesis of Musique Concrète and Visual Media in Popular Culture.” 2010. Web. 18 Oct 2019.

Vancouver:

Rich J. Exploring the Synthesis of Musique Concrète and Visual Media in Popular Culture. [Internet] [Masters thesis]. University of Huddersfield; 2010. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/11887/1/jrichfinalthesis.pdf.

Council of Science Editors:

Rich J. Exploring the Synthesis of Musique Concrète and Visual Media in Popular Culture. [Masters Thesis]. University of Huddersfield; 2010. Available from: http://eprints.hud.ac.uk/id/eprint/11887/1/jrichfinalthesis.pdf


University of Huddersfield

20. Dashwood, Richard. Composing With Anthropology: The Manifestation of Influence in Interactions between Western and Non-Western Music.

Degree: 2011, University of Huddersfield

 The two aims of this thesis are the theoretical understanding, and the practical exploration, of the issues faced by Western art music composers when they… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Dashwood, R. (2011). Composing With Anthropology: The Manifestation of Influence in Interactions between Western and Non-Western Music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/12899/1/rdashwoodfinalthesis.pdf

Chicago Manual of Style (16th Edition):

Dashwood, Richard. “Composing With Anthropology: The Manifestation of Influence in Interactions between Western and Non-Western Music.” 2011. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/12899/1/rdashwoodfinalthesis.pdf.

MLA Handbook (7th Edition):

Dashwood, Richard. “Composing With Anthropology: The Manifestation of Influence in Interactions between Western and Non-Western Music.” 2011. Web. 18 Oct 2019.

Vancouver:

Dashwood R. Composing With Anthropology: The Manifestation of Influence in Interactions between Western and Non-Western Music. [Internet] [Masters thesis]. University of Huddersfield; 2011. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/12899/1/rdashwoodfinalthesis.pdf.

Council of Science Editors:

Dashwood R. Composing With Anthropology: The Manifestation of Influence in Interactions between Western and Non-Western Music. [Masters Thesis]. University of Huddersfield; 2011. Available from: http://eprints.hud.ac.uk/id/eprint/12899/1/rdashwoodfinalthesis.pdf


University of Huddersfield

21. Hobman, Jason. Instrumentality in Electronic Music.

Degree: 2011, University of Huddersfield

 There is nothing intrinsically musical about a laptop computer, but there has in the past two decades been a rise in popularity of using portable… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hobman, J. (2011). Instrumentality in Electronic Music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/13038/1/jhobmanfinalthesis.pdf

Chicago Manual of Style (16th Edition):

Hobman, Jason. “Instrumentality in Electronic Music.” 2011. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/13038/1/jhobmanfinalthesis.pdf.

MLA Handbook (7th Edition):

Hobman, Jason. “Instrumentality in Electronic Music.” 2011. Web. 18 Oct 2019.

Vancouver:

Hobman J. Instrumentality in Electronic Music. [Internet] [Masters thesis]. University of Huddersfield; 2011. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/13038/1/jhobmanfinalthesis.pdf.

Council of Science Editors:

Hobman J. Instrumentality in Electronic Music. [Masters Thesis]. University of Huddersfield; 2011. Available from: http://eprints.hud.ac.uk/id/eprint/13038/1/jhobmanfinalthesis.pdf


University of Huddersfield

22. Dickson, Brian. Developmental Techniques as Structural Tools: A Commentary on Their Application in My Recent Music.

Degree: 2011, University of Huddersfield

 This thesis details my approaches to composition, focusing on methods of using development processes and techniques to benefit the structure of the work, with the… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Dickson, B. (2011). Developmental Techniques as Structural Tools: A Commentary on Their Application in My Recent Music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/13094/1/bdicksonfinalthesis.pdf

Chicago Manual of Style (16th Edition):

Dickson, Brian. “Developmental Techniques as Structural Tools: A Commentary on Their Application in My Recent Music.” 2011. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/13094/1/bdicksonfinalthesis.pdf.

MLA Handbook (7th Edition):

Dickson, Brian. “Developmental Techniques as Structural Tools: A Commentary on Their Application in My Recent Music.” 2011. Web. 18 Oct 2019.

Vancouver:

Dickson B. Developmental Techniques as Structural Tools: A Commentary on Their Application in My Recent Music. [Internet] [Masters thesis]. University of Huddersfield; 2011. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/13094/1/bdicksonfinalthesis.pdf.

Council of Science Editors:

Dickson B. Developmental Techniques as Structural Tools: A Commentary on Their Application in My Recent Music. [Masters Thesis]. University of Huddersfield; 2011. Available from: http://eprints.hud.ac.uk/id/eprint/13094/1/bdicksonfinalthesis.pdf


University of Huddersfield

23. Jansch, Adam. Towards the open outcome record: a portfolio of works exploring strategies of freeing the record from fixity.

Degree: 2011, University of Huddersfield

 The advent of sound recording in the late nineteenth-century has altered fundamentally how music is made, distributed and experienced. The technology around the record has… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Jansch, A. (2011). Towards the open outcome record: a portfolio of works exploring strategies of freeing the record from fixity. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/16730/1/ajanschfinalthesis.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/4/1.1_One_man_band_x_n_manual.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/7/One_man_band_x_n_-_cycle_1.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/8/One_man_band_x_n_-_cycle_2.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/9/2.1_Human_jukebox_x_n_artistic_guidelines.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/10/2.2_Human_jukebox_x_n_highlights.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/11/3.4_dieTunes_usage_note.rtf ; http://eprints.hud.ac.uk/id/eprint/16730/13/__MACOSX/dieTunes/._DieTunesVolumeSliderCell.m ; http://eprints.hud.ac.uk/id/eprint/16730/14/dieTunes%20Read%20Me.pdf

Chicago Manual of Style (16th Edition):

Jansch, Adam. “Towards the open outcome record: a portfolio of works exploring strategies of freeing the record from fixity.” 2011. Doctoral Dissertation, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/16730/1/ajanschfinalthesis.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/4/1.1_One_man_band_x_n_manual.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/7/One_man_band_x_n_-_cycle_1.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/8/One_man_band_x_n_-_cycle_2.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/9/2.1_Human_jukebox_x_n_artistic_guidelines.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/10/2.2_Human_jukebox_x_n_highlights.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/11/3.4_dieTunes_usage_note.rtf ; http://eprints.hud.ac.uk/id/eprint/16730/13/__MACOSX/dieTunes/._DieTunesVolumeSliderCell.m ; http://eprints.hud.ac.uk/id/eprint/16730/14/dieTunes%20Read%20Me.pdf.

MLA Handbook (7th Edition):

Jansch, Adam. “Towards the open outcome record: a portfolio of works exploring strategies of freeing the record from fixity.” 2011. Web. 18 Oct 2019.

Vancouver:

Jansch A. Towards the open outcome record: a portfolio of works exploring strategies of freeing the record from fixity. [Internet] [Doctoral dissertation]. University of Huddersfield; 2011. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/16730/1/ajanschfinalthesis.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/4/1.1_One_man_band_x_n_manual.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/7/One_man_band_x_n_-_cycle_1.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/8/One_man_band_x_n_-_cycle_2.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/9/2.1_Human_jukebox_x_n_artistic_guidelines.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/10/2.2_Human_jukebox_x_n_highlights.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/11/3.4_dieTunes_usage_note.rtf ; http://eprints.hud.ac.uk/id/eprint/16730/13/__MACOSX/dieTunes/._DieTunesVolumeSliderCell.m ; http://eprints.hud.ac.uk/id/eprint/16730/14/dieTunes%20Read%20Me.pdf.

Council of Science Editors:

Jansch A. Towards the open outcome record: a portfolio of works exploring strategies of freeing the record from fixity. [Doctoral Dissertation]. University of Huddersfield; 2011. Available from: http://eprints.hud.ac.uk/id/eprint/16730/1/ajanschfinalthesis.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/4/1.1_One_man_band_x_n_manual.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/7/One_man_band_x_n_-_cycle_1.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/8/One_man_band_x_n_-_cycle_2.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/9/2.1_Human_jukebox_x_n_artistic_guidelines.pdf ; http://eprints.hud.ac.uk/id/eprint/16730/10/2.2_Human_jukebox_x_n_highlights.m4v ; http://eprints.hud.ac.uk/id/eprint/16730/11/3.4_dieTunes_usage_note.rtf ; http://eprints.hud.ac.uk/id/eprint/16730/13/__MACOSX/dieTunes/._DieTunesVolumeSliderCell.m ; http://eprints.hud.ac.uk/id/eprint/16730/14/dieTunes%20Read%20Me.pdf


University of Huddersfield

24. Sahota, Hardeep. The Search for the ‘Essence’ of Bhangra through Panjabi heritage.

Degree: 2011, University of Huddersfield

 This research examines the concept of Bhangra from my perspective as a practitioner and supported by ethnographic research. The thesis explores the foundational elements that… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sahota, H. (2011). The Search for the ‘Essence’ of Bhangra through Panjabi heritage. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/17518/1/hssahotafinalthesis.pdf

Chicago Manual of Style (16th Edition):

Sahota, Hardeep. “The Search for the ‘Essence’ of Bhangra through Panjabi heritage.” 2011. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/17518/1/hssahotafinalthesis.pdf.

MLA Handbook (7th Edition):

Sahota, Hardeep. “The Search for the ‘Essence’ of Bhangra through Panjabi heritage.” 2011. Web. 18 Oct 2019.

Vancouver:

Sahota H. The Search for the ‘Essence’ of Bhangra through Panjabi heritage. [Internet] [Masters thesis]. University of Huddersfield; 2011. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/17518/1/hssahotafinalthesis.pdf.

Council of Science Editors:

Sahota H. The Search for the ‘Essence’ of Bhangra through Panjabi heritage. [Masters Thesis]. University of Huddersfield; 2011. Available from: http://eprints.hud.ac.uk/id/eprint/17518/1/hssahotafinalthesis.pdf


University of Huddersfield

25. Mistry, Jaydev. The Mistry-­Hyper Guitar.

Degree: 2012, University of Huddersfield

 This research project describes the research and building of an ergonomically designed electric guitar that extends the capabilities for composition and performance on guitar by… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mistry, J. (2012). The Mistry-­Hyper Guitar. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/17523/1/jmistryfinalthesis.pdf

Chicago Manual of Style (16th Edition):

Mistry, Jaydev. “The Mistry-­Hyper Guitar.” 2012. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/17523/1/jmistryfinalthesis.pdf.

MLA Handbook (7th Edition):

Mistry, Jaydev. “The Mistry-­Hyper Guitar.” 2012. Web. 18 Oct 2019.

Vancouver:

Mistry J. The Mistry-­Hyper Guitar. [Internet] [Masters thesis]. University of Huddersfield; 2012. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/17523/1/jmistryfinalthesis.pdf.

Council of Science Editors:

Mistry J. The Mistry-­Hyper Guitar. [Masters Thesis]. University of Huddersfield; 2012. Available from: http://eprints.hud.ac.uk/id/eprint/17523/1/jmistryfinalthesis.pdf


University of Huddersfield

26. Lee, Chie Tsang Isaiah. Chinese Calligraphic Thinking in my Compositional Work.

Degree: 2012, University of Huddersfield

 This thesis discusses my exploration of Chinese calligraphic thinking in my own work, encompassing a majority of the work contained within my portfolio of compositions.… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lee, C. T. I. (2012). Chinese Calligraphic Thinking in my Compositional Work. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/17532/1/ctileefinalthesis.pdf

Chicago Manual of Style (16th Edition):

Lee, Chie Tsang Isaiah. “Chinese Calligraphic Thinking in my Compositional Work.” 2012. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/17532/1/ctileefinalthesis.pdf.

MLA Handbook (7th Edition):

Lee, Chie Tsang Isaiah. “Chinese Calligraphic Thinking in my Compositional Work.” 2012. Web. 18 Oct 2019.

Vancouver:

Lee CTI. Chinese Calligraphic Thinking in my Compositional Work. [Internet] [Masters thesis]. University of Huddersfield; 2012. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/17532/1/ctileefinalthesis.pdf.

Council of Science Editors:

Lee CTI. Chinese Calligraphic Thinking in my Compositional Work. [Masters Thesis]. University of Huddersfield; 2012. Available from: http://eprints.hud.ac.uk/id/eprint/17532/1/ctileefinalthesis.pdf


University of Huddersfield

27. Baldwin, Michael. Reflections on Ephemerality and Notation in my Recent Work.

Degree: 2012, University of Huddersfield

 The following thesis and the accompanying portfolio of compositions represent two recent starnds of musical interest: ephemerality and the role of notation. Throughout the thesis… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Baldwin, M. (2012). Reflections on Ephemerality and Notation in my Recent Work. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/17538/1/mbaldwinfinalthesis.pdf

Chicago Manual of Style (16th Edition):

Baldwin, Michael. “Reflections on Ephemerality and Notation in my Recent Work.” 2012. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/17538/1/mbaldwinfinalthesis.pdf.

MLA Handbook (7th Edition):

Baldwin, Michael. “Reflections on Ephemerality and Notation in my Recent Work.” 2012. Web. 18 Oct 2019.

Vancouver:

Baldwin M. Reflections on Ephemerality and Notation in my Recent Work. [Internet] [Masters thesis]. University of Huddersfield; 2012. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/17538/1/mbaldwinfinalthesis.pdf.

Council of Science Editors:

Baldwin M. Reflections on Ephemerality and Notation in my Recent Work. [Masters Thesis]. University of Huddersfield; 2012. Available from: http://eprints.hud.ac.uk/id/eprint/17538/1/mbaldwinfinalthesis.pdf


University of Huddersfield

28. Berweck, Sebastian. It worked yesterday: On (re-)performing electroacoustic music.

Degree: 2012, University of Huddersfield

 Playing electroacoustic music raises a number of challenges for performers such as dealing with obsolete or malfunctioning technology and incomplete technical documentation. Together with the… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Berweck, S. (2012). It worked yesterday: On (re-)performing electroacoustic music. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/17540/1/sberweckfinalthesis.pdf

Chicago Manual of Style (16th Edition):

Berweck, Sebastian. “It worked yesterday: On (re-)performing electroacoustic music.” 2012. Doctoral Dissertation, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/17540/1/sberweckfinalthesis.pdf.

MLA Handbook (7th Edition):

Berweck, Sebastian. “It worked yesterday: On (re-)performing electroacoustic music.” 2012. Web. 18 Oct 2019.

Vancouver:

Berweck S. It worked yesterday: On (re-)performing electroacoustic music. [Internet] [Doctoral dissertation]. University of Huddersfield; 2012. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/17540/1/sberweckfinalthesis.pdf.

Council of Science Editors:

Berweck S. It worked yesterday: On (re-)performing electroacoustic music. [Doctoral Dissertation]. University of Huddersfield; 2012. Available from: http://eprints.hud.ac.uk/id/eprint/17540/1/sberweckfinalthesis.pdf


University of Huddersfield

29. Einarsson, Einar. Non-Identity as a Compositional Principle: Exploration of Multiplicities, Nonlinearity and Desiring-Machines.

Degree: 2012, University of Huddersfield

 This thesis delineates the theoretical and conceptual background of the compositions that constitute the accompanying portfolio. Underlying principles regarding structure, materials and aesthetic decisions are… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Einarsson, E. (2012). Non-Identity as a Compositional Principle: Exploration of Multiplicities, Nonlinearity and Desiring-Machines. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/17544/1/eeinarssonfinalthesis.pdf

Chicago Manual of Style (16th Edition):

Einarsson, Einar. “Non-Identity as a Compositional Principle: Exploration of Multiplicities, Nonlinearity and Desiring-Machines.” 2012. Doctoral Dissertation, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/17544/1/eeinarssonfinalthesis.pdf.

MLA Handbook (7th Edition):

Einarsson, Einar. “Non-Identity as a Compositional Principle: Exploration of Multiplicities, Nonlinearity and Desiring-Machines.” 2012. Web. 18 Oct 2019.

Vancouver:

Einarsson E. Non-Identity as a Compositional Principle: Exploration of Multiplicities, Nonlinearity and Desiring-Machines. [Internet] [Doctoral dissertation]. University of Huddersfield; 2012. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/17544/1/eeinarssonfinalthesis.pdf.

Council of Science Editors:

Einarsson E. Non-Identity as a Compositional Principle: Exploration of Multiplicities, Nonlinearity and Desiring-Machines. [Doctoral Dissertation]. University of Huddersfield; 2012. Available from: http://eprints.hud.ac.uk/id/eprint/17544/1/eeinarssonfinalthesis.pdf


University of Huddersfield

30. Ruffoni, Christopher. A Turn to Listening: How New Understandings of the Listening Process Affect Approaches to Sound Art and Experimental Music.

Degree: 2012, University of Huddersfield

 Composers and artists working in various strands of contemporary avant-garde music and sound art have identified that the role of the listener is crucial to… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ruffoni, C. (2012). A Turn to Listening: How New Understandings of the Listening Process Affect Approaches to Sound Art and Experimental Music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/17808/1/cruffonifinalthesis.pdf

Chicago Manual of Style (16th Edition):

Ruffoni, Christopher. “A Turn to Listening: How New Understandings of the Listening Process Affect Approaches to Sound Art and Experimental Music.” 2012. Masters Thesis, University of Huddersfield. Accessed October 18, 2019. http://eprints.hud.ac.uk/id/eprint/17808/1/cruffonifinalthesis.pdf.

MLA Handbook (7th Edition):

Ruffoni, Christopher. “A Turn to Listening: How New Understandings of the Listening Process Affect Approaches to Sound Art and Experimental Music.” 2012. Web. 18 Oct 2019.

Vancouver:

Ruffoni C. A Turn to Listening: How New Understandings of the Listening Process Affect Approaches to Sound Art and Experimental Music. [Internet] [Masters thesis]. University of Huddersfield; 2012. [cited 2019 Oct 18]. Available from: http://eprints.hud.ac.uk/id/eprint/17808/1/cruffonifinalthesis.pdf.

Council of Science Editors:

Ruffoni C. A Turn to Listening: How New Understandings of the Listening Process Affect Approaches to Sound Art and Experimental Music. [Masters Thesis]. University of Huddersfield; 2012. Available from: http://eprints.hud.ac.uk/id/eprint/17808/1/cruffonifinalthesis.pdf

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