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Degree: DMA

You searched for subject:(Adsorption d ions m tallique). Showing records 1 – 13 of 13 total matches.

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The Ohio State University

1. Behan, Ryan Joseph. The solo piano works of Alexander Müllenbach: An introduction and approach to performance.

Degree: DMA, Music, 2009, The Ohio State University

 Alexander Müllenbach (b.1949 in Luxembourg) is a prodigiously gifted and award-winning composer whose life and versatile career in music may inspire the reader, and whose… (more)

Subjects/Keywords: Music; Alexander M&252; llenbach; piano

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APA (6th Edition):

Behan, R. J. (2009). The solo piano works of Alexander Müllenbach: An introduction and approach to performance. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1244011520

Chicago Manual of Style (16th Edition):

Behan, Ryan Joseph. “The solo piano works of Alexander Müllenbach: An introduction and approach to performance.” 2009. Doctoral Dissertation, The Ohio State University. Accessed September 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1244011520.

MLA Handbook (7th Edition):

Behan, Ryan Joseph. “The solo piano works of Alexander Müllenbach: An introduction and approach to performance.” 2009. Web. 23 Sep 2019.

Vancouver:

Behan RJ. The solo piano works of Alexander Müllenbach: An introduction and approach to performance. [Internet] [Doctoral dissertation]. The Ohio State University; 2009. [cited 2019 Sep 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1244011520.

Council of Science Editors:

Behan RJ. The solo piano works of Alexander Müllenbach: An introduction and approach to performance. [Doctoral Dissertation]. The Ohio State University; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1244011520


Arizona State University

2. Lanier, William Hudson. Serenade in D Major by Johannes Brahms: Aranged for Solo Guitar.

Degree: DMA, Music, 2013, Arizona State University

 The German pianist and composer Johannes Brahms (1883-1897) wrote more than 122 works for a wide variety of ensembles and genres. Despite this remarkable productivity,… (more)

Subjects/Keywords: Music; Arranging; Brahms; Classical Music; Guitar; Performance Edition; Serenade in D

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APA (6th Edition):

Lanier, W. H. (2013). Serenade in D Major by Johannes Brahms: Aranged for Solo Guitar. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/21035

Chicago Manual of Style (16th Edition):

Lanier, William Hudson. “Serenade in D Major by Johannes Brahms: Aranged for Solo Guitar.” 2013. Doctoral Dissertation, Arizona State University. Accessed September 23, 2019. http://repository.asu.edu/items/21035.

MLA Handbook (7th Edition):

Lanier, William Hudson. “Serenade in D Major by Johannes Brahms: Aranged for Solo Guitar.” 2013. Web. 23 Sep 2019.

Vancouver:

Lanier WH. Serenade in D Major by Johannes Brahms: Aranged for Solo Guitar. [Internet] [Doctoral dissertation]. Arizona State University; 2013. [cited 2019 Sep 23]. Available from: http://repository.asu.edu/items/21035.

Council of Science Editors:

Lanier WH. Serenade in D Major by Johannes Brahms: Aranged for Solo Guitar. [Doctoral Dissertation]. Arizona State University; 2013. Available from: http://repository.asu.edu/items/21035


University of Cincinnati

3. Severtson, Kirk A. Poulenc’s Development as a Piano Composer: A Comparison of the Solo Piano Works and the <i>aMélodies</i>.

Degree: DMA, College-Conservatory of Music : Piano, 2005, University of Cincinnati

  Recognized as one of the greatest twentieth-century French composers, Francis Poulenc (1899-1963) wrote both songs and piano works throughout his career. His body of… (more)

Subjects/Keywords: Music; Francis Poulenc; French m&233; lodies; Piano works

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APA (6th Edition):

Severtson, K. A. (2005). Poulenc’s Development as a Piano Composer: A Comparison of the Solo Piano Works and the <i>aMélodies</i>. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1117195467

Chicago Manual of Style (16th Edition):

Severtson, Kirk A. “Poulenc’s Development as a Piano Composer: A Comparison of the Solo Piano Works and the <i>aMélodies</i>.” 2005. Doctoral Dissertation, University of Cincinnati. Accessed September 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1117195467.

MLA Handbook (7th Edition):

Severtson, Kirk A. “Poulenc’s Development as a Piano Composer: A Comparison of the Solo Piano Works and the <i>aMélodies</i>.” 2005. Web. 23 Sep 2019.

Vancouver:

Severtson KA. Poulenc’s Development as a Piano Composer: A Comparison of the Solo Piano Works and the <i>aMélodies</i>. [Internet] [Doctoral dissertation]. University of Cincinnati; 2005. [cited 2019 Sep 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1117195467.

Council of Science Editors:

Severtson KA. Poulenc’s Development as a Piano Composer: A Comparison of the Solo Piano Works and the <i>aMélodies</i>. [Doctoral Dissertation]. University of Cincinnati; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1117195467


University of Cincinnati

4. Cho, Sujung. Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960.

Degree: DMA, College-Conservatory of Music: Piano, 2011, University of Cincinnati

 As a practical performance guide, this document identifies performance issues for Franz Schubert’s Piano Sonata in B-flat Major, D. 960, and proposes possible solutions. The… (more)

Subjects/Keywords: Music; Schubert; Piano Sonata; Performance Challenges; Possible Solutions; B-flat Sonata; D. 960

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APA (6th Edition):

Cho, S. (2011). Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312294162

Chicago Manual of Style (16th Edition):

Cho, Sujung. “Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960.” 2011. Doctoral Dissertation, University of Cincinnati. Accessed September 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312294162.

MLA Handbook (7th Edition):

Cho, Sujung. “Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960.” 2011. Web. 23 Sep 2019.

Vancouver:

Cho S. Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960. [Internet] [Doctoral dissertation]. University of Cincinnati; 2011. [cited 2019 Sep 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312294162.

Council of Science Editors:

Cho S. Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960. [Doctoral Dissertation]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312294162


University of Cincinnati

5. TSAI, I-HSUAN. THE APPROACH TO SONATA FORM IN SCHUBERT'S PIANO TRIOS.

Degree: DMA, College-Conservatory of Music : Piano, 2004, University of Cincinnati

 This thesis examines the approach to sonata form in Schubert’s two piano trios: D. 898 in B-flat major, and D. 929 in E-flat major, particularly… (more)

Subjects/Keywords: Music; Schubert; Piano Trios; Sonata Form; Sonata; Hepokoski and Darcy; Chamber music; D. 898; D. 929

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APA (6th Edition):

TSAI, I. (2004). THE APPROACH TO SONATA FORM IN SCHUBERT'S PIANO TRIOS. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085690770

Chicago Manual of Style (16th Edition):

TSAI, I-HSUAN. “THE APPROACH TO SONATA FORM IN SCHUBERT'S PIANO TRIOS.” 2004. Doctoral Dissertation, University of Cincinnati. Accessed September 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085690770.

MLA Handbook (7th Edition):

TSAI, I-HSUAN. “THE APPROACH TO SONATA FORM IN SCHUBERT'S PIANO TRIOS.” 2004. Web. 23 Sep 2019.

Vancouver:

TSAI I. THE APPROACH TO SONATA FORM IN SCHUBERT'S PIANO TRIOS. [Internet] [Doctoral dissertation]. University of Cincinnati; 2004. [cited 2019 Sep 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085690770.

Council of Science Editors:

TSAI I. THE APPROACH TO SONATA FORM IN SCHUBERT'S PIANO TRIOS. [Doctoral Dissertation]. University of Cincinnati; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085690770


University of Cincinnati

6. Rodriguez Bermejo, Sonia Maria. Discovering Isaac Albéniz as a song composer.

Degree: DMA, College-Conservatory of Music : Voice, 2010, University of Cincinnati

 This document seeks to provide a performer’s guide to the songs of the Spanish composer Isaac Albéniz (1860-1909). He completed thirty songs throughout his life;… (more)

Subjects/Keywords: Music; Alb&233; niz&8217; s Spanish Songs; Alb&233; niz's Seis Baladas; Alb&233; niz's French Songs; Alb&233; niz&8217; s To Nellie songs; Alb&233; niz&8217; s English songs; Quatre M&233; lodies

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APA (6th Edition):

Rodriguez Bermejo, S. M. (2010). Discovering Isaac Albéniz as a song composer. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1280777597

Chicago Manual of Style (16th Edition):

Rodriguez Bermejo, Sonia Maria. “Discovering Isaac Albéniz as a song composer.” 2010. Doctoral Dissertation, University of Cincinnati. Accessed September 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1280777597.

MLA Handbook (7th Edition):

Rodriguez Bermejo, Sonia Maria. “Discovering Isaac Albéniz as a song composer.” 2010. Web. 23 Sep 2019.

Vancouver:

Rodriguez Bermejo SM. Discovering Isaac Albéniz as a song composer. [Internet] [Doctoral dissertation]. University of Cincinnati; 2010. [cited 2019 Sep 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1280777597.

Council of Science Editors:

Rodriguez Bermejo SM. Discovering Isaac Albéniz as a song composer. [Doctoral Dissertation]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1280777597

7. Park, Moon-Sook. Doubt and Belief: Hugo Wolf’s settings of Geistliche Lieder from Mörike Lieder and Spanisches Liederbuch.

Degree: DMA, College-Conservatory of Music: Voice, 2010, University of Cincinnati

 This study focuses on Hugo Wolf’s settings of religious-themed poetry (“Geistliche Lieder”) in “Mörike Lieder” and Spanisches Liederbuch, composed during his highly prolific period of… (more)

Subjects/Keywords: Music; Hugo Wolf; Geistliche Lieder; M&246; rike Lieder; Spanisches Liederbuch; German Lieder; Doubt and Belief

…the German Art Song.” Ph. D. dissertation (The University of Michigan, 1968), 19… 

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APA (6th Edition):

Park, M. (2010). Doubt and Belief: Hugo Wolf’s settings of Geistliche Lieder from Mörike Lieder and Spanisches Liederbuch. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1281990724

Chicago Manual of Style (16th Edition):

Park, Moon-Sook. “Doubt and Belief: Hugo Wolf’s settings of Geistliche Lieder from Mörike Lieder and Spanisches Liederbuch.” 2010. Doctoral Dissertation, University of Cincinnati. Accessed September 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1281990724.

MLA Handbook (7th Edition):

Park, Moon-Sook. “Doubt and Belief: Hugo Wolf’s settings of Geistliche Lieder from Mörike Lieder and Spanisches Liederbuch.” 2010. Web. 23 Sep 2019.

Vancouver:

Park M. Doubt and Belief: Hugo Wolf’s settings of Geistliche Lieder from Mörike Lieder and Spanisches Liederbuch. [Internet] [Doctoral dissertation]. University of Cincinnati; 2010. [cited 2019 Sep 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1281990724.

Council of Science Editors:

Park M. Doubt and Belief: Hugo Wolf’s settings of Geistliche Lieder from Mörike Lieder and Spanisches Liederbuch. [Doctoral Dissertation]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1281990724


University of Oklahoma

8. Guerra, Dahlia Ann. Manuel M. Ponce: A study of his solo piano works and his relationship to Mexican musical nationalism.

Degree: DMA, School of Music, 1997, University of Oklahoma

 The purpose of this document is to study selected solo piano works of Manuel M. Ponce in order to encourage interest, interpretive understanding, and performance… (more)

Subjects/Keywords: Piano music Analysis, appreciation.; Music.; Music Mexico 20th century History and criticism.; Ponce, Manuel M. (Manuel MariÔΩ̜), 1822-1948. Piano music.; Folklore.

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APA (6th Edition):

Guerra, D. A. (1997). Manuel M. Ponce: A study of his solo piano works and his relationship to Mexican musical nationalism. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/5462

Chicago Manual of Style (16th Edition):

Guerra, Dahlia Ann. “Manuel M. Ponce: A study of his solo piano works and his relationship to Mexican musical nationalism.” 1997. Doctoral Dissertation, University of Oklahoma. Accessed September 23, 2019. http://hdl.handle.net/11244/5462.

MLA Handbook (7th Edition):

Guerra, Dahlia Ann. “Manuel M. Ponce: A study of his solo piano works and his relationship to Mexican musical nationalism.” 1997. Web. 23 Sep 2019.

Vancouver:

Guerra DA. Manuel M. Ponce: A study of his solo piano works and his relationship to Mexican musical nationalism. [Internet] [Doctoral dissertation]. University of Oklahoma; 1997. [cited 2019 Sep 23]. Available from: http://hdl.handle.net/11244/5462.

Council of Science Editors:

Guerra DA. Manuel M. Ponce: A study of his solo piano works and his relationship to Mexican musical nationalism. [Doctoral Dissertation]. University of Oklahoma; 1997. Available from: http://hdl.handle.net/11244/5462

9. Su, Chiu-Ching. A Performance Guide to Franz Anton Hoffmeister's Viola Concerto in D Major with an Analytical Study of Published Cadenzas.

Degree: DMA, College-Conservatory of Music : Viola, 2010, University of Cincinnati

 Franz Anton Hoffmeister's Viola Concerto in D Major (written prior to 1799) has become among the standard repertoire of viola concertos, due to the rise… (more)

Subjects/Keywords: Music; Hoffmeister; Franz Anton Hoffmeister; Viola concerto in D; Performance Practice; Performance guide; Cadenza

…ANALYSIS OF HOFFMEISTER’S VIOLA CONCERTO IN D MAJOR First Movement… …17 CHAPTER THREE – PERFORMANCE PRACTICE OF HOFFMEISTER’S VIOLA CONCERTO IN D MAJOR… …his Viola Concerto in D major, Opus 1. In the primary theme of the first movement, there is… …orchestral audition repertoires just like Hoffmeister’s Viola Concerto in D major. Stamitz’s… …discussed in this document, Franz Anton Hoffmeister’s Viola Concerto in D Major, the challenges of… 

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APA (6th Edition):

Su, C. (2010). A Performance Guide to Franz Anton Hoffmeister's Viola Concerto in D Major with an Analytical Study of Published Cadenzas. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276955407

Chicago Manual of Style (16th Edition):

Su, Chiu-Ching. “A Performance Guide to Franz Anton Hoffmeister's Viola Concerto in D Major with an Analytical Study of Published Cadenzas.” 2010. Doctoral Dissertation, University of Cincinnati. Accessed September 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276955407.

MLA Handbook (7th Edition):

Su, Chiu-Ching. “A Performance Guide to Franz Anton Hoffmeister's Viola Concerto in D Major with an Analytical Study of Published Cadenzas.” 2010. Web. 23 Sep 2019.

Vancouver:

Su C. A Performance Guide to Franz Anton Hoffmeister's Viola Concerto in D Major with an Analytical Study of Published Cadenzas. [Internet] [Doctoral dissertation]. University of Cincinnati; 2010. [cited 2019 Sep 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276955407.

Council of Science Editors:

Su C. A Performance Guide to Franz Anton Hoffmeister's Viola Concerto in D Major with an Analytical Study of Published Cadenzas. [Doctoral Dissertation]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276955407


University of Cincinnati

10. Roggero, Amanda Marie. Retracing the Journey of Franz Schubert’s Wanderer: Musical Fingerprints in the B-flat Sonata, D. 960.

Degree: DMA, College-Conservatory of Music : Piano, 2004, University of Cincinnati

 Franz Schubert’s last piano Sonata in B-flat, major, D. 960, has always remained an intriguing piece of music for me ever since hearing it for… (more)

Subjects/Keywords: Music; Schubert, Franz Peter; Sonata in B-flat, D. 960; Wanderer; B-flat Sonata; Schubert, late compositions

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APA (6th Edition):

Roggero, A. M. (2004). Retracing the Journey of Franz Schubert’s Wanderer: Musical Fingerprints in the B-flat Sonata, D. 960. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085535681

Chicago Manual of Style (16th Edition):

Roggero, Amanda Marie. “Retracing the Journey of Franz Schubert’s Wanderer: Musical Fingerprints in the B-flat Sonata, D. 960.” 2004. Doctoral Dissertation, University of Cincinnati. Accessed September 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085535681.

MLA Handbook (7th Edition):

Roggero, Amanda Marie. “Retracing the Journey of Franz Schubert’s Wanderer: Musical Fingerprints in the B-flat Sonata, D. 960.” 2004. Web. 23 Sep 2019.

Vancouver:

Roggero AM. Retracing the Journey of Franz Schubert’s Wanderer: Musical Fingerprints in the B-flat Sonata, D. 960. [Internet] [Doctoral dissertation]. University of Cincinnati; 2004. [cited 2019 Sep 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085535681.

Council of Science Editors:

Roggero AM. Retracing the Journey of Franz Schubert’s Wanderer: Musical Fingerprints in the B-flat Sonata, D. 960. [Doctoral Dissertation]. University of Cincinnati; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085535681


Louisiana State University

11. Galeano, Elisa Braga. Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide.

Degree: DMA, Music, 2016, Louisiana State University

  This document and the accompanying lecture/recital performance aim to call more attention to this intense and deeply emotional work. Focus will be placed on… (more)

Subjects/Keywords: considerations for the pianist; circular hand and arm movements; D minor trio; chamber music; technical challenges for pianist; concerto passages; a la memoire d’un grand artiste; heavy chordal sonorities; elevated wrist and arm; high thumb positions; keyboard cadenzas

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APA (6th Edition):

Galeano, E. B. (2016). Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-08242016-090339 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4125

Chicago Manual of Style (16th Edition):

Galeano, Elisa Braga. “Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide.” 2016. Doctoral Dissertation, Louisiana State University. Accessed September 23, 2019. etd-08242016-090339 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4125.

MLA Handbook (7th Edition):

Galeano, Elisa Braga. “Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide.” 2016. Web. 23 Sep 2019.

Vancouver:

Galeano EB. Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide. [Internet] [Doctoral dissertation]. Louisiana State University; 2016. [cited 2019 Sep 23]. Available from: etd-08242016-090339 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4125.

Council of Science Editors:

Galeano EB. Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide. [Doctoral Dissertation]. Louisiana State University; 2016. Available from: etd-08242016-090339 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4125


University of Oklahoma

12. Grissom, Onnie K. Mozart's Piano Concerto in D Minor, K. 466: The play with topics in the high, middle and low styles.

Degree: DMA, School of Music, 2003, University of Oklahoma

 This paper offers a different interpretation from Wye J. Allanbrook's notion of the fitting comedic close. The comedic close may also be ironic. In this… (more)

Subjects/Keywords: Music.; Concerto.; Musical analysis.; Mozart, Wolfgang Amadeus, 1756-1791. Concertos, piano, K. 466, D minor.

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APA (6th Edition):

Grissom, O. K. (2003). Mozart's Piano Concerto in D Minor, K. 466: The play with topics in the high, middle and low styles. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/574

Chicago Manual of Style (16th Edition):

Grissom, Onnie K. “Mozart's Piano Concerto in D Minor, K. 466: The play with topics in the high, middle and low styles.” 2003. Doctoral Dissertation, University of Oklahoma. Accessed September 23, 2019. http://hdl.handle.net/11244/574.

MLA Handbook (7th Edition):

Grissom, Onnie K. “Mozart's Piano Concerto in D Minor, K. 466: The play with topics in the high, middle and low styles.” 2003. Web. 23 Sep 2019.

Vancouver:

Grissom OK. Mozart's Piano Concerto in D Minor, K. 466: The play with topics in the high, middle and low styles. [Internet] [Doctoral dissertation]. University of Oklahoma; 2003. [cited 2019 Sep 23]. Available from: http://hdl.handle.net/11244/574.

Council of Science Editors:

Grissom OK. Mozart's Piano Concerto in D Minor, K. 466: The play with topics in the high, middle and low styles. [Doctoral Dissertation]. University of Oklahoma; 2003. Available from: http://hdl.handle.net/11244/574

13. Cotik, Tomas. Aspects of Interpretation in Franz Schubert’s Music for Violin and Piano: Duo in A major, Op. posth. 162, D. 754, Rondo in B minor, Op. 70, D. 895, and Fantasia in C Major, Op. posth. 159, D. 934.

Degree: DMA, Instrumental Performance (Music), 2013, University of Miami

  The purpose of this essay is to enhance the study and performance of Franz Schubert’s three major compositions for violin and piano: Duo in… (more)

Subjects/Keywords: Schubert; violin; violin and piano; Tomas Cotik; Duo in A major, op. posth. 162, D. 574, Rondo in B minor, op. 70, D. 895, and Fantasia in C major, op. posth. 159, D. 934; Schubert interpretation and performance style; Schubert violin and piano recording

…posth. 159, D. 934, m. 424. ............................... 68 Example 3. Fantasy in C Major… …Review by Maria Nockin ............................. Appendix D: New Classical Tracks Review by… …159, D. 934, mm.19-20. ......................... 68 Example 2. Fantasy in C Major, Op… …Op. posth. 159, D. 934, mm. 455-457. .................... 69 Example 4. Duo Sonata in A… …Major, Op. posth. 163, D. 574, Mvt. 4, mm.270-278 ... 70 Example 5. Fantasy in C Major, Op… 

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APA (6th Edition):

Cotik, T. (2013). Aspects of Interpretation in Franz Schubert’s Music for Violin and Piano: Duo in A major, Op. posth. 162, D. 754, Rondo in B minor, Op. 70, D. 895, and Fantasia in C Major, Op. posth. 159, D. 934. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/977

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cotik, Tomas. “Aspects of Interpretation in Franz Schubert’s Music for Violin and Piano: Duo in A major, Op. posth. 162, D. 754, Rondo in B minor, Op. 70, D. 895, and Fantasia in C Major, Op. posth. 159, D. 934.” 2013. Thesis, University of Miami. Accessed September 23, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/977.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cotik, Tomas. “Aspects of Interpretation in Franz Schubert’s Music for Violin and Piano: Duo in A major, Op. posth. 162, D. 754, Rondo in B minor, Op. 70, D. 895, and Fantasia in C Major, Op. posth. 159, D. 934.” 2013. Web. 23 Sep 2019.

Vancouver:

Cotik T. Aspects of Interpretation in Franz Schubert’s Music for Violin and Piano: Duo in A major, Op. posth. 162, D. 754, Rondo in B minor, Op. 70, D. 895, and Fantasia in C Major, Op. posth. 159, D. 934. [Internet] [Thesis]. University of Miami; 2013. [cited 2019 Sep 23]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/977.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cotik T. Aspects of Interpretation in Franz Schubert’s Music for Violin and Piano: Duo in A major, Op. posth. 162, D. 754, Rondo in B minor, Op. 70, D. 895, and Fantasia in C Major, Op. posth. 159, D. 934. [Thesis]. University of Miami; 2013. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/977

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.