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You searched for subject:(Acousmatic). Showing records 1 – 30 of 43 total matches.

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1. Tunnicliffe, Steven. Perception and structure in electroacoustic music : a portfolio of compositions.

Degree: PhD, 2019, Bangor University

 Following Pierre Schaeffer's proclamation of the primacy of the ear, the composition of acousmatic music has remained a practice based on aural perception. Consequently, the… (more)

Subjects/Keywords: electroacoustic music; acousmatic music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tunnicliffe, S. (2019). Perception and structure in electroacoustic music : a portfolio of compositions. (Doctoral Dissertation). Bangor University. Retrieved from https://research.bangor.ac.uk/portal/en/theses/perception-and-structure-in-electroacoustic-music-a-portfolio-of-compositions(ea205ed7-4c5f-4a96-a139-8c54128bfbd3).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.774150

Chicago Manual of Style (16th Edition):

Tunnicliffe, Steven. “Perception and structure in electroacoustic music : a portfolio of compositions.” 2019. Doctoral Dissertation, Bangor University. Accessed September 18, 2019. https://research.bangor.ac.uk/portal/en/theses/perception-and-structure-in-electroacoustic-music-a-portfolio-of-compositions(ea205ed7-4c5f-4a96-a139-8c54128bfbd3).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.774150.

MLA Handbook (7th Edition):

Tunnicliffe, Steven. “Perception and structure in electroacoustic music : a portfolio of compositions.” 2019. Web. 18 Sep 2019.

Vancouver:

Tunnicliffe S. Perception and structure in electroacoustic music : a portfolio of compositions. [Internet] [Doctoral dissertation]. Bangor University; 2019. [cited 2019 Sep 18]. Available from: https://research.bangor.ac.uk/portal/en/theses/perception-and-structure-in-electroacoustic-music-a-portfolio-of-compositions(ea205ed7-4c5f-4a96-a139-8c54128bfbd3).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.774150.

Council of Science Editors:

Tunnicliffe S. Perception and structure in electroacoustic music : a portfolio of compositions. [Doctoral Dissertation]. Bangor University; 2019. Available from: https://research.bangor.ac.uk/portal/en/theses/perception-and-structure-in-electroacoustic-music-a-portfolio-of-compositions(ea205ed7-4c5f-4a96-a139-8c54128bfbd3).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.774150


University of California – Berkeley

2. Rostovtsev, Ilya Yurievich. Scenes, For Two-Channel Fixed Media.

Degree: Music, 2017, University of California – Berkeley

 This paper is an account of the creative process that resulted in the dissertation for a PhD in music composition, Scenes, a two-channel fixed-media composition… (more)

Subjects/Keywords: Music; acousmatic; composition; electroacoustic; improvisation; music; spatialization

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rostovtsev, I. Y. (2017). Scenes, For Two-Channel Fixed Media. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/572071rk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rostovtsev, Ilya Yurievich. “Scenes, For Two-Channel Fixed Media.” 2017. Thesis, University of California – Berkeley. Accessed September 18, 2019. http://www.escholarship.org/uc/item/572071rk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rostovtsev, Ilya Yurievich. “Scenes, For Two-Channel Fixed Media.” 2017. Web. 18 Sep 2019.

Vancouver:

Rostovtsev IY. Scenes, For Two-Channel Fixed Media. [Internet] [Thesis]. University of California – Berkeley; 2017. [cited 2019 Sep 18]. Available from: http://www.escholarship.org/uc/item/572071rk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rostovtsev IY. Scenes, For Two-Channel Fixed Media. [Thesis]. University of California – Berkeley; 2017. Available from: http://www.escholarship.org/uc/item/572071rk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Canterbury

3. Derrick, Reuben George. Acoustic illuminations: recorded space as soundscape composition.

Degree: Music, 2014, University of Canterbury

 Following López, I claim that although any sound can be music, not all sound is music. Soundscape composition begins when a soundscape prompts the composer… (more)

Subjects/Keywords: soundscape; composition; improvisation; field recording; New Zealand; Sri Lanka; Australia; acousmatic

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Derrick, R. G. (2014). Acoustic illuminations: recorded space as soundscape composition. (Thesis). University of Canterbury. Retrieved from http://hdl.handle.net/10092/9656

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Derrick, Reuben George. “Acoustic illuminations: recorded space as soundscape composition.” 2014. Thesis, University of Canterbury. Accessed September 18, 2019. http://hdl.handle.net/10092/9656.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Derrick, Reuben George. “Acoustic illuminations: recorded space as soundscape composition.” 2014. Web. 18 Sep 2019.

Vancouver:

Derrick RG. Acoustic illuminations: recorded space as soundscape composition. [Internet] [Thesis]. University of Canterbury; 2014. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/10092/9656.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Derrick RG. Acoustic illuminations: recorded space as soundscape composition. [Thesis]. University of Canterbury; 2014. Available from: http://hdl.handle.net/10092/9656

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

4. Goldman, Josh. Biomes.

Degree: DMA, College-Conservatory of Music: Composition, 2013, University of Cincinnati

 "Biomes" is a 45-minute sound structure composed for electric guitar and electroacoustic soundscape. The debut performance of the work occurred on April 22, 2013 (Earth… (more)

Subjects/Keywords: Music; acousmatic; electric guitar; electroacoustic; field recording; improvisation; soundscape

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Goldman, J. (2013). Biomes. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1393236887

Chicago Manual of Style (16th Edition):

Goldman, Josh. “Biomes.” 2013. Doctoral Dissertation, University of Cincinnati. Accessed September 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1393236887.

MLA Handbook (7th Edition):

Goldman, Josh. “Biomes.” 2013. Web. 18 Sep 2019.

Vancouver:

Goldman J. Biomes. [Internet] [Doctoral dissertation]. University of Cincinnati; 2013. [cited 2019 Sep 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1393236887.

Council of Science Editors:

Goldman J. Biomes. [Doctoral Dissertation]. University of Cincinnati; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1393236887


University of Manchester

5. Blackburn, Manuella. Portfolio of electroacoustic music composition.

Degree: PhD, 2010, University of Manchester

 This commentary details the methods and ideas involved in creating the seven portfolio works. The portfolio is comprised of stereo acousmatic works, one mixed work… (more)

Subjects/Keywords: 781.3; Acousmatic music; Electroacoustic music composition; Spectromorphology; Denis Smalley

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Blackburn, M. (2010). Portfolio of electroacoustic music composition. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/portfolio-of-electroacoustic-music-composition(3a1d224f-5d60-4fa8-8049-1e7c1f937b3f).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.634796

Chicago Manual of Style (16th Edition):

Blackburn, Manuella. “Portfolio of electroacoustic music composition.” 2010. Doctoral Dissertation, University of Manchester. Accessed September 18, 2019. https://www.research.manchester.ac.uk/portal/en/theses/portfolio-of-electroacoustic-music-composition(3a1d224f-5d60-4fa8-8049-1e7c1f937b3f).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.634796.

MLA Handbook (7th Edition):

Blackburn, Manuella. “Portfolio of electroacoustic music composition.” 2010. Web. 18 Sep 2019.

Vancouver:

Blackburn M. Portfolio of electroacoustic music composition. [Internet] [Doctoral dissertation]. University of Manchester; 2010. [cited 2019 Sep 18]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/portfolio-of-electroacoustic-music-composition(3a1d224f-5d60-4fa8-8049-1e7c1f937b3f).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.634796.

Council of Science Editors:

Blackburn M. Portfolio of electroacoustic music composition. [Doctoral Dissertation]. University of Manchester; 2010. Available from: https://www.research.manchester.ac.uk/portal/en/theses/portfolio-of-electroacoustic-music-composition(3a1d224f-5d60-4fa8-8049-1e7c1f937b3f).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.634796


University of Florida

6. Babcock, James A. Hypervocality Voice, Timbre, and Embodiment in the Digital Age.

Degree: PhD, Music, 2017, University of Florida

 The voice plays a crucial, performative role in understanding timbre and navigating musical experience. As a mediator of desire, empathy, affect, exertion, and cross-modal perception,… (more)

Subjects/Keywords: acousmatic  – digital  – electroacoustic  – embodiment  – music  – perception  – timbre  – vocality  – voice

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Babcock, J. A. (2017). Hypervocality Voice, Timbre, and Embodiment in the Digital Age. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0050855

Chicago Manual of Style (16th Edition):

Babcock, James A. “Hypervocality Voice, Timbre, and Embodiment in the Digital Age.” 2017. Doctoral Dissertation, University of Florida. Accessed September 18, 2019. http://ufdc.ufl.edu/UFE0050855.

MLA Handbook (7th Edition):

Babcock, James A. “Hypervocality Voice, Timbre, and Embodiment in the Digital Age.” 2017. Web. 18 Sep 2019.

Vancouver:

Babcock JA. Hypervocality Voice, Timbre, and Embodiment in the Digital Age. [Internet] [Doctoral dissertation]. University of Florida; 2017. [cited 2019 Sep 18]. Available from: http://ufdc.ufl.edu/UFE0050855.

Council of Science Editors:

Babcock JA. Hypervocality Voice, Timbre, and Embodiment in the Digital Age. [Doctoral Dissertation]. University of Florida; 2017. Available from: http://ufdc.ufl.edu/UFE0050855


University of Manchester

7. Blackburn, Manuella. Portfolio of Electroacoustic Music Composition.

Degree: 2010, University of Manchester

This commentary details the methods and ideas involved in creating the seven portfolio works. The portfolio is comprised of stereo acousmatic works, one mixed work… (more)

Subjects/Keywords: Acousmatic music; Electroacoustic music composition; Spectromorphology; Denis Smalley

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Blackburn, M. (2010). Portfolio of Electroacoustic Music Composition. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:84144

Chicago Manual of Style (16th Edition):

Blackburn, Manuella. “Portfolio of Electroacoustic Music Composition.” 2010. Doctoral Dissertation, University of Manchester. Accessed September 18, 2019. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:84144.

MLA Handbook (7th Edition):

Blackburn, Manuella. “Portfolio of Electroacoustic Music Composition.” 2010. Web. 18 Sep 2019.

Vancouver:

Blackburn M. Portfolio of Electroacoustic Music Composition. [Internet] [Doctoral dissertation]. University of Manchester; 2010. [cited 2019 Sep 18]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:84144.

Council of Science Editors:

Blackburn M. Portfolio of Electroacoustic Music Composition. [Doctoral Dissertation]. University of Manchester; 2010. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:84144


University of Edinburgh

8. Chong, Corrinne. Musically vague in the art, writings, and critical reception of Henri Fantin-Latour.

Degree: PhD, 2016, University of Edinburgh

 This thesis chronicles the development of Henri Fantin-Latour’s identity as a peintre-mélomane. Its purpose is to investigate how his multi-sensory impressions of music, particularly during… (more)

Subjects/Keywords: vagueness; aesthetics; acousmatic theory; Berlioz; Wagner; Henri Fantin-Latour

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chong, C. (2016). Musically vague in the art, writings, and critical reception of Henri Fantin-Latour. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/25891

Chicago Manual of Style (16th Edition):

Chong, Corrinne. “Musically vague in the art, writings, and critical reception of Henri Fantin-Latour.” 2016. Doctoral Dissertation, University of Edinburgh. Accessed September 18, 2019. http://hdl.handle.net/1842/25891.

MLA Handbook (7th Edition):

Chong, Corrinne. “Musically vague in the art, writings, and critical reception of Henri Fantin-Latour.” 2016. Web. 18 Sep 2019.

Vancouver:

Chong C. Musically vague in the art, writings, and critical reception of Henri Fantin-Latour. [Internet] [Doctoral dissertation]. University of Edinburgh; 2016. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/1842/25891.

Council of Science Editors:

Chong C. Musically vague in the art, writings, and critical reception of Henri Fantin-Latour. [Doctoral Dissertation]. University of Edinburgh; 2016. Available from: http://hdl.handle.net/1842/25891

9. Cunha, Damyler Ferreira. O som e as suas dimensões concretas e subjetivas nos filmes de Lucrecia Martel.

Degree: Mestrado, Meios e Processos Audiovisuais, 2013, University of São Paulo

A dissertação é dividida em duas partes. A primeira consiste em um estudo sobre a noção de escuta acusmáticano cinema, levando em conta suas origens… (more)

Subjects/Keywords: Acousmatic listening; escuta acusmática; Esquecimento; Forgetfulness; Lucrecia Martel's poetics; Poética de Lucrecia Martel

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cunha, D. F. (2013). O som e as suas dimensões concretas e subjetivas nos filmes de Lucrecia Martel. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27161/tde-12092013-154104/ ;

Chicago Manual of Style (16th Edition):

Cunha, Damyler Ferreira. “O som e as suas dimensões concretas e subjetivas nos filmes de Lucrecia Martel.” 2013. Masters Thesis, University of São Paulo. Accessed September 18, 2019. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-12092013-154104/ ;.

MLA Handbook (7th Edition):

Cunha, Damyler Ferreira. “O som e as suas dimensões concretas e subjetivas nos filmes de Lucrecia Martel.” 2013. Web. 18 Sep 2019.

Vancouver:

Cunha DF. O som e as suas dimensões concretas e subjetivas nos filmes de Lucrecia Martel. [Internet] [Masters thesis]. University of São Paulo; 2013. [cited 2019 Sep 18]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27161/tde-12092013-154104/ ;.

Council of Science Editors:

Cunha DF. O som e as suas dimensões concretas e subjetivas nos filmes de Lucrecia Martel. [Masters Thesis]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/27/27161/tde-12092013-154104/ ;


Université de Montréal

10. Lavoie, Sébastien. L’intégration de la spatialisation en composition acousmatique et de son interprétation en concert .

Degree: 2014, Université de Montréal

 Cette thèse aborde l’intégration de la spatialisation en composition acousmatique et de son interprétation en concert. Ces recherches furent réalisées au cours d’une maîtrise en… (more)

Subjects/Keywords: Spatialisation; Composition; Musique; Acousmatique; Espace; Localisation; Diffusion; Interprétation; Spatialization; Acousmatic; Music; Space; Interpretation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lavoie, S. (2014). L’intégration de la spatialisation en composition acousmatique et de son interprétation en concert . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/10630

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lavoie, Sébastien. “L’intégration de la spatialisation en composition acousmatique et de son interprétation en concert .” 2014. Thesis, Université de Montréal. Accessed September 18, 2019. http://hdl.handle.net/1866/10630.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lavoie, Sébastien. “L’intégration de la spatialisation en composition acousmatique et de son interprétation en concert .” 2014. Web. 18 Sep 2019.

Vancouver:

Lavoie S. L’intégration de la spatialisation en composition acousmatique et de son interprétation en concert . [Internet] [Thesis]. Université de Montréal; 2014. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/1866/10630.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lavoie S. L’intégration de la spatialisation en composition acousmatique et de son interprétation en concert . [Thesis]. Université de Montréal; 2014. Available from: http://hdl.handle.net/1866/10630

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

11. D'Ambrosio, Simone. Villusions : construction spatiale de paysages sonores musicalisés .

Degree: 2013, Université de Montréal

 L’hypothèse d’une influence réciproque entre l’environnement et notre perception sonore représente la base de ma recherche musicale. Villusions est un projet acousmatique qui puise sa… (more)

Subjects/Keywords: Composition; Acousmatique; Paysages sonores; Sons environnementaux; Spatialisation; Improvisation; Acousmatic; Soundscapes; Environmental sounds; Spatialization

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

D'Ambrosio, S. (2013). Villusions : construction spatiale de paysages sonores musicalisés . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/10467

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

D'Ambrosio, Simone. “Villusions : construction spatiale de paysages sonores musicalisés .” 2013. Thesis, Université de Montréal. Accessed September 18, 2019. http://hdl.handle.net/1866/10467.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

D'Ambrosio, Simone. “Villusions : construction spatiale de paysages sonores musicalisés .” 2013. Web. 18 Sep 2019.

Vancouver:

D'Ambrosio S. Villusions : construction spatiale de paysages sonores musicalisés . [Internet] [Thesis]. Université de Montréal; 2013. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/1866/10467.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

D'Ambrosio S. Villusions : construction spatiale de paysages sonores musicalisés . [Thesis]. Université de Montréal; 2013. Available from: http://hdl.handle.net/1866/10467

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manchester

12. Popp, Constantin. Portfolio of Original Compositions.

Degree: 2014, University of Manchester

The PhD investigates the creation of closeness and immediacy through composition, exploring the processes of capturing, processing and composing sound materials, their spatialisation both during… (more)

Subjects/Keywords: 3d-audio; spatialisation; composition; mixed-media; live-electronic composition; acousmatic composition; space

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Popp, C. (2014). Portfolio of Original Compositions. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:229700

Chicago Manual of Style (16th Edition):

Popp, Constantin. “Portfolio of Original Compositions.” 2014. Doctoral Dissertation, University of Manchester. Accessed September 18, 2019. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:229700.

MLA Handbook (7th Edition):

Popp, Constantin. “Portfolio of Original Compositions.” 2014. Web. 18 Sep 2019.

Vancouver:

Popp C. Portfolio of Original Compositions. [Internet] [Doctoral dissertation]. University of Manchester; 2014. [cited 2019 Sep 18]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:229700.

Council of Science Editors:

Popp C. Portfolio of Original Compositions. [Doctoral Dissertation]. University of Manchester; 2014. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:229700


RMIT University

13. Hewes, M. Conducting space: An analysis-based approach to spatial sound design in contemporary chamber music performance.

Degree: 2013, RMIT University

 Contemporary chamber music performance practice is often a hybrid that has evolved from the merging of acoustic instrumental performance practice and spatialized, loudspeaker-based acousmatic performance… (more)

Subjects/Keywords: Fields of Research; sound spatialization; loudspeaker-based acousmatic performance practice; ELISION Ensemble

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hewes, M. (2013). Conducting space: An analysis-based approach to spatial sound design in contemporary chamber music performance. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:160490

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hewes, M. “Conducting space: An analysis-based approach to spatial sound design in contemporary chamber music performance.” 2013. Thesis, RMIT University. Accessed September 18, 2019. http://researchbank.rmit.edu.au/view/rmit:160490.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hewes, M. “Conducting space: An analysis-based approach to spatial sound design in contemporary chamber music performance.” 2013. Web. 18 Sep 2019.

Vancouver:

Hewes M. Conducting space: An analysis-based approach to spatial sound design in contemporary chamber music performance. [Internet] [Thesis]. RMIT University; 2013. [cited 2019 Sep 18]. Available from: http://researchbank.rmit.edu.au/view/rmit:160490.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hewes M. Conducting space: An analysis-based approach to spatial sound design in contemporary chamber music performance. [Thesis]. RMIT University; 2013. Available from: http://researchbank.rmit.edu.au/view/rmit:160490

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Missouri – Kansas City

14. Bolte, Jason Lee, 1985-. Child's Play:a Collection of Three Pieces for Instruments and Fixed Electronic Media .

Degree: 2015, University of Missouri – Kansas City

 "Child's Play" is a collection of three pieces for instruments and fixed electronic media inspired by the sounds of my daughter's toys. The first piece,… (more)

Subjects/Keywords: Acousmatic; Chamber Ensemble and Electronics; Electroacoustic; Fixed Media; Instrument and Electronics; Music Composition

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bolte, Jason Lee, 1. (2015). Child's Play:a Collection of Three Pieces for Instruments and Fixed Electronic Media . (Thesis). University of Missouri – Kansas City. Retrieved from http://hdl.handle.net/10355/45113

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bolte, Jason Lee, 1985-. “Child's Play:a Collection of Three Pieces for Instruments and Fixed Electronic Media .” 2015. Thesis, University of Missouri – Kansas City. Accessed September 18, 2019. http://hdl.handle.net/10355/45113.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bolte, Jason Lee, 1985-. “Child's Play:a Collection of Three Pieces for Instruments and Fixed Electronic Media .” 2015. Web. 18 Sep 2019.

Vancouver:

Bolte, Jason Lee 1. Child's Play:a Collection of Three Pieces for Instruments and Fixed Electronic Media . [Internet] [Thesis]. University of Missouri – Kansas City; 2015. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/10355/45113.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bolte, Jason Lee 1. Child's Play:a Collection of Three Pieces for Instruments and Fixed Electronic Media . [Thesis]. University of Missouri – Kansas City; 2015. Available from: http://hdl.handle.net/10355/45113

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

15. Néron Baribeau, Raphaël. Méthodes de spatialisation sonore et intégration dans le processus de composition .

Degree: 2015, Université de Montréal

 L’espace est un élément peu exploré en musique. Méconnu des compositeurs, il n’est généralement pas pensé comme paramètre musical « composable ». Pourtant si la… (more)

Subjects/Keywords: composition; multiphonie; spatialisation; électroacoustique; acousmatique; Vbap; Hrtf; ambisonie; espace; spatialization; multi-channel; electroacoustic; acousmatic; ambisonics; music

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APA (6th Edition):

Néron Baribeau, R. (2015). Méthodes de spatialisation sonore et intégration dans le processus de composition . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/12403

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Néron Baribeau, Raphaël. “Méthodes de spatialisation sonore et intégration dans le processus de composition .” 2015. Thesis, Université de Montréal. Accessed September 18, 2019. http://hdl.handle.net/1866/12403.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Néron Baribeau, Raphaël. “Méthodes de spatialisation sonore et intégration dans le processus de composition .” 2015. Web. 18 Sep 2019.

Vancouver:

Néron Baribeau R. Méthodes de spatialisation sonore et intégration dans le processus de composition . [Internet] [Thesis]. Université de Montréal; 2015. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/1866/12403.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Néron Baribeau R. Méthodes de spatialisation sonore et intégration dans le processus de composition . [Thesis]. Université de Montréal; 2015. Available from: http://hdl.handle.net/1866/12403

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

16. Côté, Guillaume. La québécité comme élément fondateur d'une pensée musicale électroacoustique .

Degree: 2016, Université de Montréal

 Le projet de recherche-création proposé survole la québécité à travers un pan majeur de l’étude des Amériques : le territoire. L’adoption du territoire québécois, de… (more)

Subjects/Keywords: Musique acousmatique; Québécité; Américanité; Nordicité; Territoire; Français; Poésie; Acousmatic music; Quebecity; Americanity; Nordicity; Territory; French; Poetry

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APA (6th Edition):

Côté, G. (2016). La québécité comme élément fondateur d'une pensée musicale électroacoustique . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/14036

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Côté, Guillaume. “La québécité comme élément fondateur d'une pensée musicale électroacoustique .” 2016. Thesis, Université de Montréal. Accessed September 18, 2019. http://hdl.handle.net/1866/14036.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Côté, Guillaume. “La québécité comme élément fondateur d'une pensée musicale électroacoustique .” 2016. Web. 18 Sep 2019.

Vancouver:

Côté G. La québécité comme élément fondateur d'une pensée musicale électroacoustique . [Internet] [Thesis]. Université de Montréal; 2016. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/1866/14036.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Côté G. La québécité comme élément fondateur d'une pensée musicale électroacoustique . [Thesis]. Université de Montréal; 2016. Available from: http://hdl.handle.net/1866/14036

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

17. Thibault, Dominic. Vers une musique numérique vivante : Regard sur le processus créatif de quatre œuvres musicales .

Degree: 2011, Université de Montréal

 Ce mémoire présente quatre œuvres musicales composées dans le cadre d'une exploration des musiques numériques. La description de leur contexte de création et leur analyse… (more)

Subjects/Keywords: composition; composition; acousmatique; acousmatic; musique mixte; mixed music; méthodologie de composition; methodology of composition; improvisation; improvisation; collaboration; collaboration; interprétation; interpretation

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APA (6th Edition):

Thibault, D. (2011). Vers une musique numérique vivante : Regard sur le processus créatif de quatre œuvres musicales . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/5294

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thibault, Dominic. “Vers une musique numérique vivante : Regard sur le processus créatif de quatre œuvres musicales .” 2011. Thesis, Université de Montréal. Accessed September 18, 2019. http://hdl.handle.net/1866/5294.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thibault, Dominic. “Vers une musique numérique vivante : Regard sur le processus créatif de quatre œuvres musicales .” 2011. Web. 18 Sep 2019.

Vancouver:

Thibault D. Vers une musique numérique vivante : Regard sur le processus créatif de quatre œuvres musicales . [Internet] [Thesis]. Université de Montréal; 2011. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/1866/5294.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thibault D. Vers une musique numérique vivante : Regard sur le processus créatif de quatre œuvres musicales . [Thesis]. Université de Montréal; 2011. Available from: http://hdl.handle.net/1866/5294

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Plymouth

18. Mullaney, Hilary. The composer isn't there : a personal exploration of place in fixed media composition.

Degree: PhD, 2013, University of Plymouth

 This practice-based research is concerned with a collection of fixed media compositions written between 2005 and 2012 with accompanying contextual writing. The primary focus of… (more)

Subjects/Keywords: 780; Music; Composition; Place; Fixed Media; Acousmatic Music; Sound Art; Experimental Music; Field Recording; Anecdotal Composition; Autoethnography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mullaney, H. (2013). The composer isn't there : a personal exploration of place in fixed media composition. (Doctoral Dissertation). University of Plymouth. Retrieved from http://hdl.handle.net/10026.1/1596

Chicago Manual of Style (16th Edition):

Mullaney, Hilary. “The composer isn't there : a personal exploration of place in fixed media composition.” 2013. Doctoral Dissertation, University of Plymouth. Accessed September 18, 2019. http://hdl.handle.net/10026.1/1596.

MLA Handbook (7th Edition):

Mullaney, Hilary. “The composer isn't there : a personal exploration of place in fixed media composition.” 2013. Web. 18 Sep 2019.

Vancouver:

Mullaney H. The composer isn't there : a personal exploration of place in fixed media composition. [Internet] [Doctoral dissertation]. University of Plymouth; 2013. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/10026.1/1596.

Council of Science Editors:

Mullaney H. The composer isn't there : a personal exploration of place in fixed media composition. [Doctoral Dissertation]. University of Plymouth; 2013. Available from: http://hdl.handle.net/10026.1/1596


De Montfort University

19. Gatt, Michael. Tools for understanding electroacoustic music.

Degree: PhD, 2014, De Montfort University

 There is an arguable lack of activity and interest in the analysis of electroacoustic music when compared to its composition and performance. The absence of… (more)

Subjects/Keywords: 786.7; electroacoustic music; acousmatic music; sonic installations; sound installations; music analysis; electroacoustic music analysis; online communities; open access; music archives

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gatt, M. (2014). Tools for understanding electroacoustic music. (Doctoral Dissertation). De Montfort University. Retrieved from http://hdl.handle.net/2086/10754

Chicago Manual of Style (16th Edition):

Gatt, Michael. “Tools for understanding electroacoustic music.” 2014. Doctoral Dissertation, De Montfort University. Accessed September 18, 2019. http://hdl.handle.net/2086/10754.

MLA Handbook (7th Edition):

Gatt, Michael. “Tools for understanding electroacoustic music.” 2014. Web. 18 Sep 2019.

Vancouver:

Gatt M. Tools for understanding electroacoustic music. [Internet] [Doctoral dissertation]. De Montfort University; 2014. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/2086/10754.

Council of Science Editors:

Gatt M. Tools for understanding electroacoustic music. [Doctoral Dissertation]. De Montfort University; 2014. Available from: http://hdl.handle.net/2086/10754


Bowling Green State University

20. Hoose, Shane. Correspondances.

Degree: MM, Music Composition, 2009, Bowling Green State University

  Correspondances, a work for soprano voice, viola, percussion, and live electronics, explores the intricate timbral relationships that are possible between the human voice, acoustic… (more)

Subjects/Keywords: Music; Correspondances; Baudelaire; live electronics; electroacoustic music; electroacoustics; interactive music; acousmatic music; percussion; viola; soprano; vocalist

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hoose, S. (2009). Correspondances. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1237663289

Chicago Manual of Style (16th Edition):

Hoose, Shane. “Correspondances.” 2009. Masters Thesis, Bowling Green State University. Accessed September 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1237663289.

MLA Handbook (7th Edition):

Hoose, Shane. “Correspondances.” 2009. Web. 18 Sep 2019.

Vancouver:

Hoose S. Correspondances. [Internet] [Masters thesis]. Bowling Green State University; 2009. [cited 2019 Sep 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1237663289.

Council of Science Editors:

Hoose S. Correspondances. [Masters Thesis]. Bowling Green State University; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1237663289


University of Melbourne

21. HIRST, DAVID. The development of a cognitive framework for the analysis of acousmatic music.

Degree: 2006, University of Melbourne

 This PhD in Music Composition is in the form of a written dissertation plus a series of electroacoustic music compositions on Audio CD. The thesis… (more)

Subjects/Keywords: music perception; Denis Smalley; electroacoustic music; acousmatic music

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APA (6th Edition):

HIRST, D. (2006). The development of a cognitive framework for the analysis of acousmatic music. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/39067

Chicago Manual of Style (16th Edition):

HIRST, DAVID. “The development of a cognitive framework for the analysis of acousmatic music.” 2006. Doctoral Dissertation, University of Melbourne. Accessed September 18, 2019. http://hdl.handle.net/11343/39067.

MLA Handbook (7th Edition):

HIRST, DAVID. “The development of a cognitive framework for the analysis of acousmatic music.” 2006. Web. 18 Sep 2019.

Vancouver:

HIRST D. The development of a cognitive framework for the analysis of acousmatic music. [Internet] [Doctoral dissertation]. University of Melbourne; 2006. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/11343/39067.

Council of Science Editors:

HIRST D. The development of a cognitive framework for the analysis of acousmatic music. [Doctoral Dissertation]. University of Melbourne; 2006. Available from: http://hdl.handle.net/11343/39067

22. Lewis, Robert Paul. Listening to the Acousmatic.

Degree: MFA, Art, 2011, The Ohio State University

 From 2005 to 2009 I was an associate professor teaching at the Toyama City Institute of Glass Art in Toyama, Japan. Living for four years… (more)

Subjects/Keywords: Art Education; Acousmatic; Glassblowing; Logic Pro; MaxMSP; Sculpture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lewis, R. P. (2011). Listening to the Acousmatic. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1316447697

Chicago Manual of Style (16th Edition):

Lewis, Robert Paul. “Listening to the Acousmatic.” 2011. Masters Thesis, The Ohio State University. Accessed September 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1316447697.

MLA Handbook (7th Edition):

Lewis, Robert Paul. “Listening to the Acousmatic.” 2011. Web. 18 Sep 2019.

Vancouver:

Lewis RP. Listening to the Acousmatic. [Internet] [Masters thesis]. The Ohio State University; 2011. [cited 2019 Sep 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1316447697.

Council of Science Editors:

Lewis RP. Listening to the Acousmatic. [Masters Thesis]. The Ohio State University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1316447697

23. Marty, Nicolas. Les conduites d'écoute. Temps, espace et forme dans les musiques acousmatiques : Listening behaviours. Time, space and form in acousmatic music.

Degree: Docteur es, Musique et musicologie, 2018, Sorbonne université

En 1989, François Delalande présentait pour la première fois, après dix ans d’élaboration, la notion de « conduites d’écoute » servant à distinguer différentes manières… (more)

Subjects/Keywords: Écoute; Musique acousmatique; Entretien d'explication; Analyse esthésique; Elizabeth Anderson; Enquête de terrain; Listening; Acousmatic music; Elicitation interview; Esthetic analysis; Elizabeth Anderson; Field research

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APA (6th Edition):

Marty, N. (2018). Les conduites d'écoute. Temps, espace et forme dans les musiques acousmatiques : Listening behaviours. Time, space and form in acousmatic music. (Doctoral Dissertation). Sorbonne université. Retrieved from http://www.theses.fr/2018SORUL008

Chicago Manual of Style (16th Edition):

Marty, Nicolas. “Les conduites d'écoute. Temps, espace et forme dans les musiques acousmatiques : Listening behaviours. Time, space and form in acousmatic music.” 2018. Doctoral Dissertation, Sorbonne université. Accessed September 18, 2019. http://www.theses.fr/2018SORUL008.

MLA Handbook (7th Edition):

Marty, Nicolas. “Les conduites d'écoute. Temps, espace et forme dans les musiques acousmatiques : Listening behaviours. Time, space and form in acousmatic music.” 2018. Web. 18 Sep 2019.

Vancouver:

Marty N. Les conduites d'écoute. Temps, espace et forme dans les musiques acousmatiques : Listening behaviours. Time, space and form in acousmatic music. [Internet] [Doctoral dissertation]. Sorbonne université; 2018. [cited 2019 Sep 18]. Available from: http://www.theses.fr/2018SORUL008.

Council of Science Editors:

Marty N. Les conduites d'écoute. Temps, espace et forme dans les musiques acousmatiques : Listening behaviours. Time, space and form in acousmatic music. [Doctoral Dissertation]. Sorbonne université; 2018. Available from: http://www.theses.fr/2018SORUL008


University of Florida

24. Kim, Seung-Hye. Performative Agency in Acousmatic Music.

Degree: PhD, Music, 2012, University of Florida

 The separation of sound from sight in acousmatic music means that there is an absence of a physical source and causation behind a sound. Nevertheless,… (more)

Subjects/Keywords: Gestures; Music appreciation; Music cognition; Musical expression; Musical perception; Musical performance; Musical phrases; Performative utterances; Performing artists; Sound; acousmatic  – agency  – electroacoustic  – music  – performative

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kim, S. (2012). Performative Agency in Acousmatic Music. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0044905

Chicago Manual of Style (16th Edition):

Kim, Seung-Hye. “Performative Agency in Acousmatic Music.” 2012. Doctoral Dissertation, University of Florida. Accessed September 18, 2019. http://ufdc.ufl.edu/UFE0044905.

MLA Handbook (7th Edition):

Kim, Seung-Hye. “Performative Agency in Acousmatic Music.” 2012. Web. 18 Sep 2019.

Vancouver:

Kim S. Performative Agency in Acousmatic Music. [Internet] [Doctoral dissertation]. University of Florida; 2012. [cited 2019 Sep 18]. Available from: http://ufdc.ufl.edu/UFE0044905.

Council of Science Editors:

Kim S. Performative Agency in Acousmatic Music. [Doctoral Dissertation]. University of Florida; 2012. Available from: http://ufdc.ufl.edu/UFE0044905

25. Ramsay, Ben. Exploring compositional relationships between acousmatic music and electronica.

Degree: PhD, 2014, De Montfort University

 This research explores the compositional relationships between acousmatic music and electronica in order to offer a way of unifying the two musical forms. The original… (more)

Subjects/Keywords: 600; Electronica; music; electroacoustic; acousmatic; composition; IDM; techno

…explore the theoretical and compositional relationships that exist between acousmatic music and… …acousmatic music and electronica compositionally related? Many regard these two forms of music as… …composition. It was at this time that I was introduced to acousmatic music; a musical form that I… …acousmatic music, a world that was presented without reference to more popular forms of electronic… …concrète and acousmatic music composition, but was entirely missing as a reference point. Whilst… 

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APA (6th Edition):

Ramsay, B. (2014). Exploring compositional relationships between acousmatic music and electronica. (Doctoral Dissertation). De Montfort University. Retrieved from http://hdl.handle.net/2086/10524

Chicago Manual of Style (16th Edition):

Ramsay, Ben. “Exploring compositional relationships between acousmatic music and electronica.” 2014. Doctoral Dissertation, De Montfort University. Accessed September 18, 2019. http://hdl.handle.net/2086/10524.

MLA Handbook (7th Edition):

Ramsay, Ben. “Exploring compositional relationships between acousmatic music and electronica.” 2014. Web. 18 Sep 2019.

Vancouver:

Ramsay B. Exploring compositional relationships between acousmatic music and electronica. [Internet] [Doctoral dissertation]. De Montfort University; 2014. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/2086/10524.

Council of Science Editors:

Ramsay B. Exploring compositional relationships between acousmatic music and electronica. [Doctoral Dissertation]. De Montfort University; 2014. Available from: http://hdl.handle.net/2086/10524


University of Otago

26. Cotton, Dale William. Painting with Sound: Exploring Transformational Aspects of Studio Production Processes, within the framework of Acousmatic Music Practice .

Degree: University of Otago

 This Thesis investigates a series of transformative studio production processes used in the creation of Acousmatic music from fixed media sourced on a research trip… (more)

Subjects/Keywords: “digital audio workstation” “graphical waveforms” “music production software” “spectromorphology” “graphical metaphors” “acousmatic music”

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cotton, D. W. (n.d.). Painting with Sound: Exploring Transformational Aspects of Studio Production Processes, within the framework of Acousmatic Music Practice . (Masters Thesis). University of Otago. Retrieved from http://hdl.handle.net/10523/7480

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Chicago Manual of Style (16th Edition):

Cotton, Dale William. “Painting with Sound: Exploring Transformational Aspects of Studio Production Processes, within the framework of Acousmatic Music Practice .” Masters Thesis, University of Otago. Accessed September 18, 2019. http://hdl.handle.net/10523/7480.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

MLA Handbook (7th Edition):

Cotton, Dale William. “Painting with Sound: Exploring Transformational Aspects of Studio Production Processes, within the framework of Acousmatic Music Practice .” Web. 18 Sep 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Cotton DW. Painting with Sound: Exploring Transformational Aspects of Studio Production Processes, within the framework of Acousmatic Music Practice . [Internet] [Masters thesis]. University of Otago; [cited 2019 Sep 18]. Available from: http://hdl.handle.net/10523/7480.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Council of Science Editors:

Cotton DW. Painting with Sound: Exploring Transformational Aspects of Studio Production Processes, within the framework of Acousmatic Music Practice . [Masters Thesis]. University of Otago; Available from: http://hdl.handle.net/10523/7480

Note: this citation may be lacking information needed for this citation format:
No year of publication.

27. Balkir, Elif. Étude comparative des approches créatrices et technologiques au Groupe de Recherches Musicales à Paris et à l'Elektronmusikstudion à Stockholm 1965-1980 : deux directions artistiques différentes à partir d'une idée commune : A comparative study of creative and technological approaches at Groupe de Recherches Musicales in Paris and Elektronmusikstudion in Stockholm 1965-1980 : two different artistic directions from one common idea.

Degree: Docteur es, Musique et musicologie, 2018, Sorbonne université; Stockholms universitet

La thèse en question trace un parcours comparatif sur les approches créatrices et technologiques qui ont été développées au GRM (Groupe de Recherches Musicales) et… (more)

Subjects/Keywords: Groupe de Recherches Musicales; Elektronmusikstudion; Typo-Morphologie; Musique acousmatique; Tripartition; Pierre Schaeffer; Knut Wiggen; Groupe de Recherches Musicales; Elektronmusikstudion; Typo-Morphology; Acousmatic music; Tripartition; Pierre Schaeffer; Knut Wiggen

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Balkir, E. (2018). Étude comparative des approches créatrices et technologiques au Groupe de Recherches Musicales à Paris et à l'Elektronmusikstudion à Stockholm 1965-1980 : deux directions artistiques différentes à partir d'une idée commune : A comparative study of creative and technological approaches at Groupe de Recherches Musicales in Paris and Elektronmusikstudion in Stockholm 1965-1980 : two different artistic directions from one common idea. (Doctoral Dissertation). Sorbonne université; Stockholms universitet. Retrieved from http://www.theses.fr/2018SORUL100

Chicago Manual of Style (16th Edition):

Balkir, Elif. “Étude comparative des approches créatrices et technologiques au Groupe de Recherches Musicales à Paris et à l'Elektronmusikstudion à Stockholm 1965-1980 : deux directions artistiques différentes à partir d'une idée commune : A comparative study of creative and technological approaches at Groupe de Recherches Musicales in Paris and Elektronmusikstudion in Stockholm 1965-1980 : two different artistic directions from one common idea.” 2018. Doctoral Dissertation, Sorbonne université; Stockholms universitet. Accessed September 18, 2019. http://www.theses.fr/2018SORUL100.

MLA Handbook (7th Edition):

Balkir, Elif. “Étude comparative des approches créatrices et technologiques au Groupe de Recherches Musicales à Paris et à l'Elektronmusikstudion à Stockholm 1965-1980 : deux directions artistiques différentes à partir d'une idée commune : A comparative study of creative and technological approaches at Groupe de Recherches Musicales in Paris and Elektronmusikstudion in Stockholm 1965-1980 : two different artistic directions from one common idea.” 2018. Web. 18 Sep 2019.

Vancouver:

Balkir E. Étude comparative des approches créatrices et technologiques au Groupe de Recherches Musicales à Paris et à l'Elektronmusikstudion à Stockholm 1965-1980 : deux directions artistiques différentes à partir d'une idée commune : A comparative study of creative and technological approaches at Groupe de Recherches Musicales in Paris and Elektronmusikstudion in Stockholm 1965-1980 : two different artistic directions from one common idea. [Internet] [Doctoral dissertation]. Sorbonne université; Stockholms universitet; 2018. [cited 2019 Sep 18]. Available from: http://www.theses.fr/2018SORUL100.

Council of Science Editors:

Balkir E. Étude comparative des approches créatrices et technologiques au Groupe de Recherches Musicales à Paris et à l'Elektronmusikstudion à Stockholm 1965-1980 : deux directions artistiques différentes à partir d'une idée commune : A comparative study of creative and technological approaches at Groupe de Recherches Musicales in Paris and Elektronmusikstudion in Stockholm 1965-1980 : two different artistic directions from one common idea. [Doctoral Dissertation]. Sorbonne université; Stockholms universitet; 2018. Available from: http://www.theses.fr/2018SORUL100


RMIT University

28. Soddell, T. A dense mass of indecipherable fear: the experiential (non)narration of trauma and madness through Acousmatic sound.

Degree: 2019, RMIT University

 This practice-based research project investigates how acousmatic sound can be used as a tool for representing and understanding lived experiences of trauma and so-called mental… (more)

Subjects/Keywords: Fields of Research; Acousmatic sound; Musique concrete; Madness; Mental illness; Sound art; Trauma; Practice-based research; First-person madness narratives; Mad activism; Mental health

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Soddell, T. (2019). A dense mass of indecipherable fear: the experiential (non)narration of trauma and madness through Acousmatic sound. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:162786

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Soddell, T. “A dense mass of indecipherable fear: the experiential (non)narration of trauma and madness through Acousmatic sound.” 2019. Thesis, RMIT University. Accessed September 18, 2019. http://researchbank.rmit.edu.au/view/rmit:162786.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Soddell, T. “A dense mass of indecipherable fear: the experiential (non)narration of trauma and madness through Acousmatic sound.” 2019. Web. 18 Sep 2019.

Vancouver:

Soddell T. A dense mass of indecipherable fear: the experiential (non)narration of trauma and madness through Acousmatic sound. [Internet] [Thesis]. RMIT University; 2019. [cited 2019 Sep 18]. Available from: http://researchbank.rmit.edu.au/view/rmit:162786.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Soddell T. A dense mass of indecipherable fear: the experiential (non)narration of trauma and madness through Acousmatic sound. [Thesis]. RMIT University; 2019. Available from: http://researchbank.rmit.edu.au/view/rmit:162786

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Edith Cowan University

29. James, Stuart. Spectromorphology and Spatiomorphology: Wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domain.

Degree: 2015, Edith Cowan University

This research project examines the scope of the technique of timbre spatialisation in the frequency domain that can be realised and controlled in live performance… (more)

Subjects/Keywords: Tone color (Music); Composition; Psychoacostics; electro-acoustics; spectral music; Pertormance; Electroacoustic; Acousmatic; Timbre; Spectromorphology; Spatialization; Spatiomorphology; Soundfield; Diffusion; Panning; Ambisonic; VBAP; DBAP; HRTF; Binaural; Point-Source; Localisation; Azimuth; Distance; Elevation; Zenith; Directivity; Spatial Width; Spatial Blur; Spatial Clarity; Contiguous Space; Spatial Extent; Immersion; Psychology; Music; Music Performance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

James, S. (2015). Spectromorphology and Spatiomorphology: Wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domain. (Thesis). Edith Cowan University. Retrieved from http://ro.ecu.edu.au/theses_ebooks/4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

James, Stuart. “Spectromorphology and Spatiomorphology: Wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domain.” 2015. Thesis, Edith Cowan University. Accessed September 18, 2019. http://ro.ecu.edu.au/theses_ebooks/4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

James, Stuart. “Spectromorphology and Spatiomorphology: Wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domain.” 2015. Web. 18 Sep 2019.

Vancouver:

James S. Spectromorphology and Spatiomorphology: Wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domain. [Internet] [Thesis]. Edith Cowan University; 2015. [cited 2019 Sep 18]. Available from: http://ro.ecu.edu.au/theses_ebooks/4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

James S. Spectromorphology and Spatiomorphology: Wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domain. [Thesis]. Edith Cowan University; 2015. Available from: http://ro.ecu.edu.au/theses_ebooks/4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Canterbury

30. Johnston, Emma Anne. Between Liminality and Transgression: Experimental Voice in Avant-Garde Performance.

Degree: Theatre and Film Studies, 2014, University of Canterbury

 This thesis explores the notion of ‘experimental voice’ in avant-garde performance, in the way it transgresses conventional forms of vocal expression as a means of… (more)

Subjects/Keywords: Theatre; Performance; Avant-garde; Experimental voice; Liminality; Liminoid; Ritual; Psychoanalysis; Cyborg; Electroacoustic; Acousmatic; Uncanny; Greek lament; Lullaby; hereafter; Artaud; Alfred Wolfsohn; Diamanda Galas; Patty Waters; Cathy Berberian; Luciano Berio; Visage; Jenseits; Werner Fritsch; Peter Falkenberg; Free Theatre Christchurch; Bjork; Laurie Anderson

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Johnston, E. A. (2014). Between Liminality and Transgression: Experimental Voice in Avant-Garde Performance. (Thesis). University of Canterbury. Retrieved from http://hdl.handle.net/10092/10068

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johnston, Emma Anne. “Between Liminality and Transgression: Experimental Voice in Avant-Garde Performance.” 2014. Thesis, University of Canterbury. Accessed September 18, 2019. http://hdl.handle.net/10092/10068.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johnston, Emma Anne. “Between Liminality and Transgression: Experimental Voice in Avant-Garde Performance.” 2014. Web. 18 Sep 2019.

Vancouver:

Johnston EA. Between Liminality and Transgression: Experimental Voice in Avant-Garde Performance. [Internet] [Thesis]. University of Canterbury; 2014. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/10092/10068.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johnston EA. Between Liminality and Transgression: Experimental Voice in Avant-Garde Performance. [Thesis]. University of Canterbury; 2014. Available from: http://hdl.handle.net/10092/10068

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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