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You searched for subject:(Academy of Poetry AND Music). Showing records 1 – 30 of 181 total matches.

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1. MacGilvray, Brian. The Subversion of Neoplatonic Theory in Claude Le Jeune’s <i>Octonaires de la vanité et inconstance du monde</i>.

Degree: PhD, Musicology, 2017, Case Western Reserve University

 Claude Le Jeune’s <i>Octonaires de la vanité et inconstance du monde</i> (1606), a collection of thirty-six Calvinist <i>chansons spirituelles</i>, are a neglected source of evidence… (more)

Subjects/Keywords: Art History; Art Criticism; Music; Philosophy; Religious History; Theology; Claude Le Jeune; Octonaires; Academy of Poetry and Music; Neoplatonism; Calvinism; Protestant music; vanitas; vanity; cosmology; ontology; musique mesuree; chansons spirituelles

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APA (6th Edition):

MacGilvray, B. (2017). The Subversion of Neoplatonic Theory in Claude Le Jeune’s <i>Octonaires de la vanité et inconstance du monde</i>. (Doctoral Dissertation). Case Western Reserve University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=case1481567182875404

Chicago Manual of Style (16th Edition):

MacGilvray, Brian. “The Subversion of Neoplatonic Theory in Claude Le Jeune’s <i>Octonaires de la vanité et inconstance du monde</i>.” 2017. Doctoral Dissertation, Case Western Reserve University. Accessed June 19, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=case1481567182875404.

MLA Handbook (7th Edition):

MacGilvray, Brian. “The Subversion of Neoplatonic Theory in Claude Le Jeune’s <i>Octonaires de la vanité et inconstance du monde</i>.” 2017. Web. 19 Jun 2018.

Vancouver:

MacGilvray B. The Subversion of Neoplatonic Theory in Claude Le Jeune’s <i>Octonaires de la vanité et inconstance du monde</i>. [Internet] [Doctoral dissertation]. Case Western Reserve University; 2017. [cited 2018 Jun 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1481567182875404.

Council of Science Editors:

MacGilvray B. The Subversion of Neoplatonic Theory in Claude Le Jeune’s <i>Octonaires de la vanité et inconstance du monde</i>. [Doctoral Dissertation]. Case Western Reserve University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1481567182875404


UCLA

2. O'Brien, Melinda Anne Latour. Music and Moral Repair in Early Modern France.

Degree: Musicology, 2016, UCLA

 This dissertation examines musical settings of moral poetry in France from 1556-1652. Rooted in the history of philosophy and modern ethical theory, this research illuminates… (more)

Subjects/Keywords: Music; History; European studies; ethics; moral poetry; music; Wars of Religion

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APA (6th Edition):

O'Brien, M. A. L. (2016). Music and Moral Repair in Early Modern France. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/8xm7c4vw

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

O'Brien, Melinda Anne Latour. “Music and Moral Repair in Early Modern France.” 2016. Thesis, UCLA. Accessed June 19, 2018. http://www.escholarship.org/uc/item/8xm7c4vw.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

O'Brien, Melinda Anne Latour. “Music and Moral Repair in Early Modern France.” 2016. Web. 19 Jun 2018.

Vancouver:

O'Brien MAL. Music and Moral Repair in Early Modern France. [Internet] [Thesis]. UCLA; 2016. [cited 2018 Jun 19]. Available from: http://www.escholarship.org/uc/item/8xm7c4vw.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

O'Brien MAL. Music and Moral Repair in Early Modern France. [Thesis]. UCLA; 2016. Available from: http://www.escholarship.org/uc/item/8xm7c4vw

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Alberta

3. Sommerfeldt, David Ray. Whispered Song: Discerning Voices of 19th Century Louisianan Poets.

Degree: MA, Department of Modern Languages and Cultural Studies, 2013, University of Alberta

 The messages of Free People of Colour were spread through subtle and subversive poetry and song in 19th century French Louisiana. Reuniting the lyrical poetry(more)

Subjects/Keywords: Louisana; Creole; Free People of Color; Music; Poetry

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APA (6th Edition):

Sommerfeldt, D. R. (2013). Whispered Song: Discerning Voices of 19th Century Louisianan Poets. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/v979v326h

Chicago Manual of Style (16th Edition):

Sommerfeldt, David Ray. “Whispered Song: Discerning Voices of 19th Century Louisianan Poets.” 2013. Masters Thesis, University of Alberta. Accessed June 19, 2018. https://era.library.ualberta.ca/files/v979v326h.

MLA Handbook (7th Edition):

Sommerfeldt, David Ray. “Whispered Song: Discerning Voices of 19th Century Louisianan Poets.” 2013. Web. 19 Jun 2018.

Vancouver:

Sommerfeldt DR. Whispered Song: Discerning Voices of 19th Century Louisianan Poets. [Internet] [Masters thesis]. University of Alberta; 2013. [cited 2018 Jun 19]. Available from: https://era.library.ualberta.ca/files/v979v326h.

Council of Science Editors:

Sommerfeldt DR. Whispered Song: Discerning Voices of 19th Century Louisianan Poets. [Masters Thesis]. University of Alberta; 2013. Available from: https://era.library.ualberta.ca/files/v979v326h


Montana Tech

4. Willett, Connor D. BEST PLAYED IN E MINOR.

Degree: MFA, 2015, Montana Tech

PROOF If celestial bodies belonged to no one, then nature would thrive. The dirt I sleep on is plotted. The river I cannot feel is dammed. I am guilty of sun loving, close to naming it as my own. I am empty irised for now.

Subjects/Keywords: fun; poetry; headcheese; music; murder; poem; Poetry

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APA (6th Edition):

Willett, C. D. (2015). BEST PLAYED IN E MINOR. (Thesis). Montana Tech. Retrieved from http://scholarworks.umt.edu/etd/4517

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Willett, Connor D. “BEST PLAYED IN E MINOR.” 2015. Thesis, Montana Tech. Accessed June 19, 2018. http://scholarworks.umt.edu/etd/4517.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Willett, Connor D. “BEST PLAYED IN E MINOR.” 2015. Web. 19 Jun 2018.

Vancouver:

Willett CD. BEST PLAYED IN E MINOR. [Internet] [Thesis]. Montana Tech; 2015. [cited 2018 Jun 19]. Available from: http://scholarworks.umt.edu/etd/4517.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Willett CD. BEST PLAYED IN E MINOR. [Thesis]. Montana Tech; 2015. Available from: http://scholarworks.umt.edu/etd/4517

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

5. Bewerse, Jennifer. from nothingness and going: Jackson Mac Low’s Numbered Asymmetries.

Degree: Music, 2017, University of California – San Diego

 In October of 1960, Jackson Mac Low created a system for generating poems called Asymmetries. The system evolved from his earlier chance poems to create… (more)

Subjects/Keywords: Music; Chance Poetry; Jackson Mac Low; Poetry

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APA (6th Edition):

Bewerse, J. (2017). from nothingness and going: Jackson Mac Low’s Numbered Asymmetries. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/0p48r9kj

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bewerse, Jennifer. “from nothingness and going: Jackson Mac Low’s Numbered Asymmetries.” 2017. Thesis, University of California – San Diego. Accessed June 19, 2018. http://www.escholarship.org/uc/item/0p48r9kj.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bewerse, Jennifer. “from nothingness and going: Jackson Mac Low’s Numbered Asymmetries.” 2017. Web. 19 Jun 2018.

Vancouver:

Bewerse J. from nothingness and going: Jackson Mac Low’s Numbered Asymmetries. [Internet] [Thesis]. University of California – San Diego; 2017. [cited 2018 Jun 19]. Available from: http://www.escholarship.org/uc/item/0p48r9kj.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bewerse J. from nothingness and going: Jackson Mac Low’s Numbered Asymmetries. [Thesis]. University of California – San Diego; 2017. Available from: http://www.escholarship.org/uc/item/0p48r9kj

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

6. Stojisavljevic, M. The gusle - the sound of Serbian epic poetry: an examination of contemporary gusle performance practices and gusle instrument-making in Serbia and the Serbian-Australian diaspora community.

Degree: 2013, RMIT University

 The project film, The Gusle: The Sound of Serbian Epic Poetry, focuses on the significance of contemporary gusle music performance practices in Serbia and the… (more)

Subjects/Keywords: Fields of Research; gusle; music performance practices; Serbia; epic and lyric poetry; instrument making

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APA (6th Edition):

Stojisavljevic, M. (2013). The gusle - the sound of Serbian epic poetry: an examination of contemporary gusle performance practices and gusle instrument-making in Serbia and the Serbian-Australian diaspora community. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:160594

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stojisavljevic, M. “The gusle - the sound of Serbian epic poetry: an examination of contemporary gusle performance practices and gusle instrument-making in Serbia and the Serbian-Australian diaspora community.” 2013. Thesis, RMIT University. Accessed June 19, 2018. http://researchbank.rmit.edu.au/view/rmit:160594.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stojisavljevic, M. “The gusle - the sound of Serbian epic poetry: an examination of contemporary gusle performance practices and gusle instrument-making in Serbia and the Serbian-Australian diaspora community.” 2013. Web. 19 Jun 2018.

Vancouver:

Stojisavljevic M. The gusle - the sound of Serbian epic poetry: an examination of contemporary gusle performance practices and gusle instrument-making in Serbia and the Serbian-Australian diaspora community. [Internet] [Thesis]. RMIT University; 2013. [cited 2018 Jun 19]. Available from: http://researchbank.rmit.edu.au/view/rmit:160594.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stojisavljevic M. The gusle - the sound of Serbian epic poetry: an examination of contemporary gusle performance practices and gusle instrument-making in Serbia and the Serbian-Australian diaspora community. [Thesis]. RMIT University; 2013. Available from: http://researchbank.rmit.edu.au/view/rmit:160594

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Dalhousie University

7. Abeysekera, Vasana. An Astonishing Symphony of Voices: Birdsong in the Poetry of Don McKay.

Degree: MA, Department of English, 2011, Dalhousie University

 Numerous scholars have observed that Don McKay’s poetry is profoundly musical and particularly attentive to the sounds of birds. However, it has not been examined… (more)

Subjects/Keywords: Poetry; Music; Ecocriticism; Birdsong

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APA (6th Edition):

Abeysekera, V. (2011). An Astonishing Symphony of Voices: Birdsong in the Poetry of Don McKay. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/14170

Chicago Manual of Style (16th Edition):

Abeysekera, Vasana. “An Astonishing Symphony of Voices: Birdsong in the Poetry of Don McKay.” 2011. Masters Thesis, Dalhousie University. Accessed June 19, 2018. http://hdl.handle.net/10222/14170.

MLA Handbook (7th Edition):

Abeysekera, Vasana. “An Astonishing Symphony of Voices: Birdsong in the Poetry of Don McKay.” 2011. Web. 19 Jun 2018.

Vancouver:

Abeysekera V. An Astonishing Symphony of Voices: Birdsong in the Poetry of Don McKay. [Internet] [Masters thesis]. Dalhousie University; 2011. [cited 2018 Jun 19]. Available from: http://hdl.handle.net/10222/14170.

Council of Science Editors:

Abeysekera V. An Astonishing Symphony of Voices: Birdsong in the Poetry of Don McKay. [Masters Thesis]. Dalhousie University; 2011. Available from: http://hdl.handle.net/10222/14170


University of Illinois – Chicago

8. Zabic, Snezana. Broken Records.

Degree: 2012, University of Illinois – Chicago

 Broken Records combines lyric and narrative forms in order to counter persistent myths about former Yugoslavia and its violent break-up, and to complicate our standard… (more)

Subjects/Keywords: Former Yugoslavia; Rock Music; Poetry

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APA (6th Edition):

Zabic, S. (2012). Broken Records. (Thesis). University of Illinois – Chicago. Retrieved from http://hdl.handle.net/10027/9262

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zabic, Snezana. “Broken Records.” 2012. Thesis, University of Illinois – Chicago. Accessed June 19, 2018. http://hdl.handle.net/10027/9262.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zabic, Snezana. “Broken Records.” 2012. Web. 19 Jun 2018.

Vancouver:

Zabic S. Broken Records. [Internet] [Thesis]. University of Illinois – Chicago; 2012. [cited 2018 Jun 19]. Available from: http://hdl.handle.net/10027/9262.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zabic S. Broken Records. [Thesis]. University of Illinois – Chicago; 2012. Available from: http://hdl.handle.net/10027/9262

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – Chico

9. Coyle, Eliott. Inheritance .

Degree: 2018, California State University – Chico

 Inheritance is a collection of poetry that sets out to redefine the word ???inheritance??? through three sections. The first section of the collection follows the… (more)

Subjects/Keywords: Poetry; Music; Spirit; Nature; Transformation

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APA (6th Edition):

Coyle, E. (2018). Inheritance . (Thesis). California State University – Chico. Retrieved from http://hdl.handle.net/10211.3/200194

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Coyle, Eliott. “Inheritance .” 2018. Thesis, California State University – Chico. Accessed June 19, 2018. http://hdl.handle.net/10211.3/200194.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Coyle, Eliott. “Inheritance .” 2018. Web. 19 Jun 2018.

Vancouver:

Coyle E. Inheritance . [Internet] [Thesis]. California State University – Chico; 2018. [cited 2018 Jun 19]. Available from: http://hdl.handle.net/10211.3/200194.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Coyle E. Inheritance . [Thesis]. California State University – Chico; 2018. Available from: http://hdl.handle.net/10211.3/200194

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

10. Soflin, Elizabeth Louise. Text as Music, Music as Text: Stuart Saunders Smith's Works for Percussion and Spoken Word .

Degree: 2017, University of Arizona

 American composer Stuart Saunders Smith (b. 1948) has been active in the composition of contemporary art music for over forty years, composing over 200 musical… (more)

Subjects/Keywords: Music; Percussion; Poetry; Speech-song

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APA (6th Edition):

Soflin, E. L. (2017). Text as Music, Music as Text: Stuart Saunders Smith's Works for Percussion and Spoken Word . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/624573

Chicago Manual of Style (16th Edition):

Soflin, Elizabeth Louise. “Text as Music, Music as Text: Stuart Saunders Smith's Works for Percussion and Spoken Word .” 2017. Doctoral Dissertation, University of Arizona. Accessed June 19, 2018. http://hdl.handle.net/10150/624573.

MLA Handbook (7th Edition):

Soflin, Elizabeth Louise. “Text as Music, Music as Text: Stuart Saunders Smith's Works for Percussion and Spoken Word .” 2017. Web. 19 Jun 2018.

Vancouver:

Soflin EL. Text as Music, Music as Text: Stuart Saunders Smith's Works for Percussion and Spoken Word . [Internet] [Doctoral dissertation]. University of Arizona; 2017. [cited 2018 Jun 19]. Available from: http://hdl.handle.net/10150/624573.

Council of Science Editors:

Soflin EL. Text as Music, Music as Text: Stuart Saunders Smith's Works for Percussion and Spoken Word . [Doctoral Dissertation]. University of Arizona; 2017. Available from: http://hdl.handle.net/10150/624573


University of Cincinnati

11. Williams, Molly K. For God and Country: Scriptural Exegesis, Editorial Intervention, and Revolutionary Politics in First New England School Anthems.

Degree: PhD, College-Conservatory of Music: Music (Musicology), 2017, University of Cincinnati

 Since 1991 music of the First New England School has become readily accessible through critical editions. The compilers of these volumes edited the music, traced… (more)

Subjects/Keywords: Music; anthem; music; politics; poetry; psalmody

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APA (6th Edition):

Williams, M. K. (2017). For God and Country: Scriptural Exegesis, Editorial Intervention, and Revolutionary Politics in First New England School Anthems. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1511862418359819

Chicago Manual of Style (16th Edition):

Williams, Molly K. “For God and Country: Scriptural Exegesis, Editorial Intervention, and Revolutionary Politics in First New England School Anthems.” 2017. Doctoral Dissertation, University of Cincinnati. Accessed June 19, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1511862418359819.

MLA Handbook (7th Edition):

Williams, Molly K. “For God and Country: Scriptural Exegesis, Editorial Intervention, and Revolutionary Politics in First New England School Anthems.” 2017. Web. 19 Jun 2018.

Vancouver:

Williams MK. For God and Country: Scriptural Exegesis, Editorial Intervention, and Revolutionary Politics in First New England School Anthems. [Internet] [Doctoral dissertation]. University of Cincinnati; 2017. [cited 2018 Jun 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1511862418359819.

Council of Science Editors:

Williams MK. For God and Country: Scriptural Exegesis, Editorial Intervention, and Revolutionary Politics in First New England School Anthems. [Doctoral Dissertation]. University of Cincinnati; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1511862418359819


University of Cincinnati

12. Collins, Andrew S. Poetic Structural Devices as a Consideration When Analyzing and Interpreting Choral Scores.

Degree: DMA, College-Conservatory of Music: Conducting, Choral Emphasis, 2011, University of Cincinnati

  This study focuses on the connection between poetry, choral composition, and choral performance, specifically how an understanding of the constructive elements of poetry can… (more)

Subjects/Keywords: Music; choral; composition; poetry; text; punctuation; music

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APA (6th Edition):

Collins, A. S. (2011). Poetic Structural Devices as a Consideration When Analyzing and Interpreting Choral Scores. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1299005782

Chicago Manual of Style (16th Edition):

Collins, Andrew S. “Poetic Structural Devices as a Consideration When Analyzing and Interpreting Choral Scores.” 2011. Doctoral Dissertation, University of Cincinnati. Accessed June 19, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1299005782.

MLA Handbook (7th Edition):

Collins, Andrew S. “Poetic Structural Devices as a Consideration When Analyzing and Interpreting Choral Scores.” 2011. Web. 19 Jun 2018.

Vancouver:

Collins AS. Poetic Structural Devices as a Consideration When Analyzing and Interpreting Choral Scores. [Internet] [Doctoral dissertation]. University of Cincinnati; 2011. [cited 2018 Jun 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1299005782.

Council of Science Editors:

Collins AS. Poetic Structural Devices as a Consideration When Analyzing and Interpreting Choral Scores. [Doctoral Dissertation]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1299005782


Rhode Island College

13. Lighty, Steven. Riffs On Riffs.

Degree: MA, 2012, Rhode Island College

A collection of original poetry written by Steven Lighty that examines the way music is created.

Subjects/Keywords: Humanities, Music; Other Music; Poetry; Steven Lighty; Riffs On Riffs; poetry; original poetry; music; modern poetry

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APA (6th Edition):

Lighty, S. (2012). Riffs On Riffs. (Masters Thesis). Rhode Island College. Retrieved from https://digitalcommons.ric.edu/etd/54

Chicago Manual of Style (16th Edition):

Lighty, Steven. “Riffs On Riffs.” 2012. Masters Thesis, Rhode Island College. Accessed June 19, 2018. https://digitalcommons.ric.edu/etd/54.

MLA Handbook (7th Edition):

Lighty, Steven. “Riffs On Riffs.” 2012. Web. 19 Jun 2018.

Vancouver:

Lighty S. Riffs On Riffs. [Internet] [Masters thesis]. Rhode Island College; 2012. [cited 2018 Jun 19]. Available from: https://digitalcommons.ric.edu/etd/54.

Council of Science Editors:

Lighty S. Riffs On Riffs. [Masters Thesis]. Rhode Island College; 2012. Available from: https://digitalcommons.ric.edu/etd/54

14. Casimiro, Dominique. Inflexions de la voix poématique nérudienne - Parcours audio-critique de l'oeuvre de Pablo Néruda (1915 -1973) : Inflections of the nerudian poematic voice.

Degree: Docteur es, Littérature hispano-américaine contemporaine, 2013, Université Sorbonne Nouvelle – Paris III

Ce travail est de une tentative de réponse à la question cruciale formulée en son temps par Paul Valéry : « mais au fait, qui… (more)

Subjects/Keywords: Pablo Neruda; Voix poématique; Audio-critique; Musique; Poésie; Pablo Neruda; Poematic voice; Audio-critical point of view; Music; Poetry

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APA (6th Edition):

Casimiro, D. (2013). Inflexions de la voix poématique nérudienne - Parcours audio-critique de l'oeuvre de Pablo Néruda (1915 -1973) : Inflections of the nerudian poematic voice. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2013PA030063

Chicago Manual of Style (16th Edition):

Casimiro, Dominique. “Inflexions de la voix poématique nérudienne - Parcours audio-critique de l'oeuvre de Pablo Néruda (1915 -1973) : Inflections of the nerudian poematic voice.” 2013. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed June 19, 2018. http://www.theses.fr/2013PA030063.

MLA Handbook (7th Edition):

Casimiro, Dominique. “Inflexions de la voix poématique nérudienne - Parcours audio-critique de l'oeuvre de Pablo Néruda (1915 -1973) : Inflections of the nerudian poematic voice.” 2013. Web. 19 Jun 2018.

Vancouver:

Casimiro D. Inflexions de la voix poématique nérudienne - Parcours audio-critique de l'oeuvre de Pablo Néruda (1915 -1973) : Inflections of the nerudian poematic voice. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2013. [cited 2018 Jun 19]. Available from: http://www.theses.fr/2013PA030063.

Council of Science Editors:

Casimiro D. Inflexions de la voix poématique nérudienne - Parcours audio-critique de l'oeuvre de Pablo Néruda (1915 -1973) : Inflections of the nerudian poematic voice. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2013. Available from: http://www.theses.fr/2013PA030063

15. Stypinski, Megan Michele. “'Reinventing the Gods': Bloomian Misprision in the Nietzschean Influence of Jim Morrison.”.

Degree: MA, Liberal Studies, 2008, Ohio Dominican University

  Stypinski, Megan M. “'Reinventing the Gods': Bloomian Misprision in the Nietzschean Influence of Jim Morrison.” M.A. Ohio Dominican University, 2008. “Nietzsche killed Jim Morrison...Morrison… (more)

Subjects/Keywords: Comparative Literature; Literature; Music; Philosophy; The Doors; Jim Morrison; Nietzsche; Harold Bloom; theory of misprision; poetry

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APA (6th Edition):

Stypinski, M. M. (2008). “'Reinventing the Gods': Bloomian Misprision in the Nietzschean Influence of Jim Morrison.”. (Masters Thesis). Ohio Dominican University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=odu1301258607

Chicago Manual of Style (16th Edition):

Stypinski, Megan Michele. ““'Reinventing the Gods': Bloomian Misprision in the Nietzschean Influence of Jim Morrison.”.” 2008. Masters Thesis, Ohio Dominican University. Accessed June 19, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=odu1301258607.

MLA Handbook (7th Edition):

Stypinski, Megan Michele. ““'Reinventing the Gods': Bloomian Misprision in the Nietzschean Influence of Jim Morrison.”.” 2008. Web. 19 Jun 2018.

Vancouver:

Stypinski MM. “'Reinventing the Gods': Bloomian Misprision in the Nietzschean Influence of Jim Morrison.”. [Internet] [Masters thesis]. Ohio Dominican University; 2008. [cited 2018 Jun 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=odu1301258607.

Council of Science Editors:

Stypinski MM. “'Reinventing the Gods': Bloomian Misprision in the Nietzschean Influence of Jim Morrison.”. [Masters Thesis]. Ohio Dominican University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=odu1301258607


University of Alabama

16. da Silva Vieira, Carlos Eduardo. Tradition and experimentation in the choral music by Ronaldo Miranda on texts by Fernando Pessoa.

Degree: 2016, University of Alabama

 Brazilian choral music has had a rich compositional tradition dating from the 16th-century, including periods of outstanding craftsmanship. At the beginning of the 20th-century, Brazilian… (more)

Subjects/Keywords: Electronic Thesis or Dissertation;  – thesis; Music; Literature; Linguistics; Brazilian choral music; Fernando Pessoa; International Phonetic Alphabet transcriptions; Portuguese poetry; pronunciation of Brazilian Portuguese for singing; Ronaldo Miranda

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APA (6th Edition):

da Silva Vieira, C. E. (2016). Tradition and experimentation in the choral music by Ronaldo Miranda on texts by Fernando Pessoa. (Thesis). University of Alabama. Retrieved from http://purl.lib.ua.edu/149917

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

da Silva Vieira, Carlos Eduardo. “Tradition and experimentation in the choral music by Ronaldo Miranda on texts by Fernando Pessoa.” 2016. Thesis, University of Alabama. Accessed June 19, 2018. http://purl.lib.ua.edu/149917.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

da Silva Vieira, Carlos Eduardo. “Tradition and experimentation in the choral music by Ronaldo Miranda on texts by Fernando Pessoa.” 2016. Web. 19 Jun 2018.

Vancouver:

da Silva Vieira CE. Tradition and experimentation in the choral music by Ronaldo Miranda on texts by Fernando Pessoa. [Internet] [Thesis]. University of Alabama; 2016. [cited 2018 Jun 19]. Available from: http://purl.lib.ua.edu/149917.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

da Silva Vieira CE. Tradition and experimentation in the choral music by Ronaldo Miranda on texts by Fernando Pessoa. [Thesis]. University of Alabama; 2016. Available from: http://purl.lib.ua.edu/149917

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

17. Griffith, Dana Gregory. Collected Toons of the Blues Buddha.

Degree: PhD, Arts and Sciences : English and Comparative Literature, 2008, University of Cincinnati

 This dissertation consists of an original collection of poetry by D. Gregory Griffith and an essay on the role of imagination in poetry written in… (more)

Subjects/Keywords: Literature; Music; Religion; Buddhism; blues; jazz; poetry

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APA (6th Edition):

Griffith, D. G. (2008). Collected Toons of the Blues Buddha. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1214920403

Chicago Manual of Style (16th Edition):

Griffith, Dana Gregory. “Collected Toons of the Blues Buddha.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed June 19, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1214920403.

MLA Handbook (7th Edition):

Griffith, Dana Gregory. “Collected Toons of the Blues Buddha.” 2008. Web. 19 Jun 2018.

Vancouver:

Griffith DG. Collected Toons of the Blues Buddha. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2018 Jun 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1214920403.

Council of Science Editors:

Griffith DG. Collected Toons of the Blues Buddha. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1214920403


Louisiana State University

18. Waugh, Carline. A Performer's Guide to Richard Danielpour's A Woman's Life.

Degree: DMA, Music, 2015, Louisiana State University

 This document serves as a guide to the song cycle A Woman’s Life composed by Richard Danielpour in 2007. The document presents relevant biographical information… (more)

Subjects/Keywords: Living Composer; American Music; American Poetry

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APA (6th Edition):

Waugh, C. (2015). A Performer's Guide to Richard Danielpour's A Woman's Life. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-06102015-162057 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2542

Chicago Manual of Style (16th Edition):

Waugh, Carline. “A Performer's Guide to Richard Danielpour's A Woman's Life.” 2015. Doctoral Dissertation, Louisiana State University. Accessed June 19, 2018. etd-06102015-162057 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2542.

MLA Handbook (7th Edition):

Waugh, Carline. “A Performer's Guide to Richard Danielpour's A Woman's Life.” 2015. Web. 19 Jun 2018.

Vancouver:

Waugh C. A Performer's Guide to Richard Danielpour's A Woman's Life. [Internet] [Doctoral dissertation]. Louisiana State University; 2015. [cited 2018 Jun 19]. Available from: etd-06102015-162057 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2542.

Council of Science Editors:

Waugh C. A Performer's Guide to Richard Danielpour's A Woman's Life. [Doctoral Dissertation]. Louisiana State University; 2015. Available from: etd-06102015-162057 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2542


University of Southern California

19. Gaptov, Plamen Ivanov. Slow folk at work! Literary appropriations of local materials by Irish, Spanish and Bulgarian modernists Page 1.

Degree: PhD, English, 2009, University of Southern California

 Folklore plays a crucial role in the construction of modernist poetry. Especially in a conflict or post-conflict social context, literatures seeking to renew themselves often… (more)

Subjects/Keywords: modernism; poetry; folklore; chant; flamenco; music

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APA (6th Edition):

Gaptov, P. I. (2009). Slow folk at work! Literary appropriations of local materials by Irish, Spanish and Bulgarian modernists Page 1. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/15533/rec/5883

Chicago Manual of Style (16th Edition):

Gaptov, Plamen Ivanov. “Slow folk at work! Literary appropriations of local materials by Irish, Spanish and Bulgarian modernists Page 1.” 2009. Doctoral Dissertation, University of Southern California. Accessed June 19, 2018. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/15533/rec/5883.

MLA Handbook (7th Edition):

Gaptov, Plamen Ivanov. “Slow folk at work! Literary appropriations of local materials by Irish, Spanish and Bulgarian modernists Page 1.” 2009. Web. 19 Jun 2018.

Vancouver:

Gaptov PI. Slow folk at work! Literary appropriations of local materials by Irish, Spanish and Bulgarian modernists Page 1. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2018 Jun 19]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/15533/rec/5883.

Council of Science Editors:

Gaptov PI. Slow folk at work! Literary appropriations of local materials by Irish, Spanish and Bulgarian modernists Page 1. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/15533/rec/5883


Vanderbilt University

20. Dawson, Edward Clark. The Poetic Loop: Austrian Rap Music and Sonic Reproducibility.

Degree: PhD, German, 2018, Vanderbilt University

 Since its inception in the South Bronx in the 1970s, rap music has been characterized by a high degree of reflection on the media of… (more)

Subjects/Keywords: poetry; Austria; rap music; digital media

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APA (6th Edition):

Dawson, E. C. (2018). The Poetic Loop: Austrian Rap Music and Sonic Reproducibility. (Doctoral Dissertation). Vanderbilt University. Retrieved from http://etd.library.vanderbilt.edu/available/etd-03222018-094646/ ;

Chicago Manual of Style (16th Edition):

Dawson, Edward Clark. “The Poetic Loop: Austrian Rap Music and Sonic Reproducibility.” 2018. Doctoral Dissertation, Vanderbilt University. Accessed June 19, 2018. http://etd.library.vanderbilt.edu/available/etd-03222018-094646/ ;.

MLA Handbook (7th Edition):

Dawson, Edward Clark. “The Poetic Loop: Austrian Rap Music and Sonic Reproducibility.” 2018. Web. 19 Jun 2018.

Vancouver:

Dawson EC. The Poetic Loop: Austrian Rap Music and Sonic Reproducibility. [Internet] [Doctoral dissertation]. Vanderbilt University; 2018. [cited 2018 Jun 19]. Available from: http://etd.library.vanderbilt.edu/available/etd-03222018-094646/ ;.

Council of Science Editors:

Dawson EC. The Poetic Loop: Austrian Rap Music and Sonic Reproducibility. [Doctoral Dissertation]. Vanderbilt University; 2018. Available from: http://etd.library.vanderbilt.edu/available/etd-03222018-094646/ ;


University of Michigan

21. Rumsey, Brandon. The Sparrows.

Degree: AMU, Music: Composition, 2017, University of Michigan

 The Sparrows is a 14-minute song cycle for tenor voice and chamber orchestra (2[1+picc].1.2[2+bcl].asx.1 - 1.1.1.0 - 2perc - hp - 1.1.1.1.1) featuring original texts… (more)

Subjects/Keywords: The Sparrows: a cycle of two love songs for tenor and chamber orchestra based on original poetry by Geoffrey Nutter; Vocal Music; American Poetry; Works for Saxophone; Solo Tenor and Orchestra; Music and Dance; Arts

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APA (6th Edition):

Rumsey, B. (2017). The Sparrows. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/138539

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rumsey, Brandon. “The Sparrows.” 2017. Thesis, University of Michigan. Accessed June 19, 2018. http://hdl.handle.net/2027.42/138539.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rumsey, Brandon. “The Sparrows.” 2017. Web. 19 Jun 2018.

Vancouver:

Rumsey B. The Sparrows. [Internet] [Thesis]. University of Michigan; 2017. [cited 2018 Jun 19]. Available from: http://hdl.handle.net/2027.42/138539.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rumsey B. The Sparrows. [Thesis]. University of Michigan; 2017. Available from: http://hdl.handle.net/2027.42/138539

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Toronto

22. Gorst, Emma. Middle English Lyrics: Lyric Manuscripts 1200–1400 and Chaucer’s Lyric.

Degree: 2013, University of Toronto

This thesis endeavours to understand late medieval lyric poetry and song from two ostensibly separate contexts: insular manuscript witnesses of English lyric from 1200 to… (more)

Subjects/Keywords: Medieval literature; Middle English; English literature; Geoffrey Chaucer; Canterbury Tales; codicology; manuscripts; lyric; song; Ovid; Boethius; music; poetry; Parliament of Fowls; Book of the Duchess; Troilus and Criseyde; 0297

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APA (6th Edition):

Gorst, E. (2013). Middle English Lyrics: Lyric Manuscripts 1200–1400 and Chaucer’s Lyric. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/68937

Chicago Manual of Style (16th Edition):

Gorst, Emma. “Middle English Lyrics: Lyric Manuscripts 1200–1400 and Chaucer’s Lyric.” 2013. Doctoral Dissertation, University of Toronto. Accessed June 19, 2018. http://hdl.handle.net/1807/68937.

MLA Handbook (7th Edition):

Gorst, Emma. “Middle English Lyrics: Lyric Manuscripts 1200–1400 and Chaucer’s Lyric.” 2013. Web. 19 Jun 2018.

Vancouver:

Gorst E. Middle English Lyrics: Lyric Manuscripts 1200–1400 and Chaucer’s Lyric. [Internet] [Doctoral dissertation]. University of Toronto; 2013. [cited 2018 Jun 19]. Available from: http://hdl.handle.net/1807/68937.

Council of Science Editors:

Gorst E. Middle English Lyrics: Lyric Manuscripts 1200–1400 and Chaucer’s Lyric. [Doctoral Dissertation]. University of Toronto; 2013. Available from: http://hdl.handle.net/1807/68937


University of South Carolina

23. Hill, Serena Dawn. Allure and Ideology in the Poetry of Gabriele D'Annunzio: Rediscovering Italian Art Song in Pre-Fascist Italy (1900-1930).

Degree: DMA, School of Music, 2010, University of South Carolina

  Italian music of the early 20th century was dominated by opera. However, many composers, including Gian Francesco Malipiero, Ildebrando Pizzetti, Renato Brogi, Francesco Paolo… (more)

Subjects/Keywords: Arts and Humanities; Music; Music Performance; art song; Fascism; Gabriele D'Annunzio; Italy; music; poetry

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APA (6th Edition):

Hill, S. D. (2010). Allure and Ideology in the Poetry of Gabriele D'Annunzio: Rediscovering Italian Art Song in Pre-Fascist Italy (1900-1930). (Doctoral Dissertation). University of South Carolina. Retrieved from http://scholarcommons.sc.edu/etd/349

Chicago Manual of Style (16th Edition):

Hill, Serena Dawn. “Allure and Ideology in the Poetry of Gabriele D'Annunzio: Rediscovering Italian Art Song in Pre-Fascist Italy (1900-1930).” 2010. Doctoral Dissertation, University of South Carolina. Accessed June 19, 2018. http://scholarcommons.sc.edu/etd/349.

MLA Handbook (7th Edition):

Hill, Serena Dawn. “Allure and Ideology in the Poetry of Gabriele D'Annunzio: Rediscovering Italian Art Song in Pre-Fascist Italy (1900-1930).” 2010. Web. 19 Jun 2018.

Vancouver:

Hill SD. Allure and Ideology in the Poetry of Gabriele D'Annunzio: Rediscovering Italian Art Song in Pre-Fascist Italy (1900-1930). [Internet] [Doctoral dissertation]. University of South Carolina; 2010. [cited 2018 Jun 19]. Available from: http://scholarcommons.sc.edu/etd/349.

Council of Science Editors:

Hill SD. Allure and Ideology in the Poetry of Gabriele D'Annunzio: Rediscovering Italian Art Song in Pre-Fascist Italy (1900-1930). [Doctoral Dissertation]. University of South Carolina; 2010. Available from: http://scholarcommons.sc.edu/etd/349


University of Western Sydney

24. McKenzie, Peter Yanada. Hidden talent : contributions of Aboriginal musicians of the New England Tablelands to contemporary Aboriginal culture and cultural re-vitalisation.

Degree: 2010, University of Western Sydney

 This research forms a significant contribution to the Anaiwan Nation and the Australia's understanding of the development of Aboriginal music in the New England area.… (more)

Subjects/Keywords: Thesis (D.C.A.) – University of Western Sydney, 2010; Australian poetry; songs, Aboriginal Australian; 21st century; Aboriginal Australians; New England Tableland (N.S.W.); Aboriginal culture; songs and music

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APA (6th Edition):

McKenzie, P. Y. (2010). Hidden talent : contributions of Aboriginal musicians of the New England Tablelands to contemporary Aboriginal culture and cultural re-vitalisation. (Thesis). University of Western Sydney. Retrieved from http://handle.uws.edu.au:8081/1959.7/564792

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McKenzie, Peter Yanada. “Hidden talent : contributions of Aboriginal musicians of the New England Tablelands to contemporary Aboriginal culture and cultural re-vitalisation.” 2010. Thesis, University of Western Sydney. Accessed June 19, 2018. http://handle.uws.edu.au:8081/1959.7/564792.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McKenzie, Peter Yanada. “Hidden talent : contributions of Aboriginal musicians of the New England Tablelands to contemporary Aboriginal culture and cultural re-vitalisation.” 2010. Web. 19 Jun 2018.

Vancouver:

McKenzie PY. Hidden talent : contributions of Aboriginal musicians of the New England Tablelands to contemporary Aboriginal culture and cultural re-vitalisation. [Internet] [Thesis]. University of Western Sydney; 2010. [cited 2018 Jun 19]. Available from: http://handle.uws.edu.au:8081/1959.7/564792.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McKenzie PY. Hidden talent : contributions of Aboriginal musicians of the New England Tablelands to contemporary Aboriginal culture and cultural re-vitalisation. [Thesis]. University of Western Sydney; 2010. Available from: http://handle.uws.edu.au:8081/1959.7/564792

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

25. Hsieh, Ching-Hsuan Lily. Chinese poetry of Li Po set by four twentieth century British composer: Bantock, Warlock, Bliss, and Lambert.

Degree: DMA, Music, 2004, The Ohio State University

  This study on Li Po’s poetry finds that Chinese poetry (like the poetry of any language) loses its inherent qualities in translation. This is… (more)

Subjects/Keywords: Music; Chinese poetry of Li Po; Twentieth century British composers

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APA (6th Edition):

Hsieh, C. L. (2004). Chinese poetry of Li Po set by four twentieth century British composer: Bantock, Warlock, Bliss, and Lambert. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1086095656

Chicago Manual of Style (16th Edition):

Hsieh, Ching-Hsuan Lily. “Chinese poetry of Li Po set by four twentieth century British composer: Bantock, Warlock, Bliss, and Lambert.” 2004. Doctoral Dissertation, The Ohio State University. Accessed June 19, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1086095656.

MLA Handbook (7th Edition):

Hsieh, Ching-Hsuan Lily. “Chinese poetry of Li Po set by four twentieth century British composer: Bantock, Warlock, Bliss, and Lambert.” 2004. Web. 19 Jun 2018.

Vancouver:

Hsieh CL. Chinese poetry of Li Po set by four twentieth century British composer: Bantock, Warlock, Bliss, and Lambert. [Internet] [Doctoral dissertation]. The Ohio State University; 2004. [cited 2018 Jun 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1086095656.

Council of Science Editors:

Hsieh CL. Chinese poetry of Li Po set by four twentieth century British composer: Bantock, Warlock, Bliss, and Lambert. [Doctoral Dissertation]. The Ohio State University; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1086095656


University of Oxford

26. Paterson, Adrian. 'Words for music perhaps' : W.B. Yeats and musical sense.

Degree: PhD, 2007, University of Oxford

 ‘Poetry’ insisted Ezra Pound, ‘is a composition of words set to music’: his Cantos remembered ‘Uncle Willie’ downstairs composing, singing poetry to himself. This study… (more)

Subjects/Keywords: 820.90091; English Language and Literature; History of the book; Music; 19th Century music; 20th Century music; Performance; Dramatic arts; Yeats; Ireland; Irish writing; Irish poetry; song; dance; Shelley; Pater; Mallarme; Nietzsche

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APA (6th Edition):

Paterson, A. (2007). 'Words for music perhaps' : W.B. Yeats and musical sense. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:d288984c-254a-40bc-b13d-b8790cc8226c ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496624

Chicago Manual of Style (16th Edition):

Paterson, Adrian. “'Words for music perhaps' : W.B. Yeats and musical sense.” 2007. Doctoral Dissertation, University of Oxford. Accessed June 19, 2018. http://ora.ox.ac.uk/objects/uuid:d288984c-254a-40bc-b13d-b8790cc8226c ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496624.

MLA Handbook (7th Edition):

Paterson, Adrian. “'Words for music perhaps' : W.B. Yeats and musical sense.” 2007. Web. 19 Jun 2018.

Vancouver:

Paterson A. 'Words for music perhaps' : W.B. Yeats and musical sense. [Internet] [Doctoral dissertation]. University of Oxford; 2007. [cited 2018 Jun 19]. Available from: http://ora.ox.ac.uk/objects/uuid:d288984c-254a-40bc-b13d-b8790cc8226c ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496624.

Council of Science Editors:

Paterson A. 'Words for music perhaps' : W.B. Yeats and musical sense. [Doctoral Dissertation]. University of Oxford; 2007. Available from: http://ora.ox.ac.uk/objects/uuid:d288984c-254a-40bc-b13d-b8790cc8226c ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496624

27. Rudell, Denise. The Influence Of Romantic Poetry On The Career And Music Of Nicolas Medtner.

Degree: DMA, School of Music, 2016, University of South Carolina

  Nicolas Medtner was a composer born out of his time. He was a true Romantic in the Russian Silver Age and his creative ideology… (more)

Subjects/Keywords: Arts and Humanities; Music; Music Performance; Influence Of Romantic Poetry; Career And Music; Nicolas Medtner

…clearer understanding of the intrinsic connections the piano music has with poetry will increase… …coalition of poetry and music in his work was natural, even inevitable. It is important to examine… …poetry and Medtner’s music and philosophy. A careful investigation of this parallelism will… …65 vii CHAPTER I INTRODUCTION The music of Russian-born composer Nicolas Medtner… …time to experience the riches of Medtner’s music appreciate his genius and significant… 

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APA (6th Edition):

Rudell, D. (2016). The Influence Of Romantic Poetry On The Career And Music Of Nicolas Medtner. (Doctoral Dissertation). University of South Carolina. Retrieved from http://scholarcommons.sc.edu/etd/3814

Chicago Manual of Style (16th Edition):

Rudell, Denise. “The Influence Of Romantic Poetry On The Career And Music Of Nicolas Medtner.” 2016. Doctoral Dissertation, University of South Carolina. Accessed June 19, 2018. http://scholarcommons.sc.edu/etd/3814.

MLA Handbook (7th Edition):

Rudell, Denise. “The Influence Of Romantic Poetry On The Career And Music Of Nicolas Medtner.” 2016. Web. 19 Jun 2018.

Vancouver:

Rudell D. The Influence Of Romantic Poetry On The Career And Music Of Nicolas Medtner. [Internet] [Doctoral dissertation]. University of South Carolina; 2016. [cited 2018 Jun 19]. Available from: http://scholarcommons.sc.edu/etd/3814.

Council of Science Editors:

Rudell D. The Influence Of Romantic Poetry On The Career And Music Of Nicolas Medtner. [Doctoral Dissertation]. University of South Carolina; 2016. Available from: http://scholarcommons.sc.edu/etd/3814


University of North Texas

28. Ballenger, Hank D. Everything and Nothing at the Same Time.

Degree: 1999, University of North Texas

This paradoxically titled collection of poems explores what the blues and blindness has come to mean to the author. Advisors/Committee Members: Ross, John Robert, Hummell, Austin, Wright, Eugene.

Subjects/Keywords: Blindness  – Poetry.; Blues (Music)  – Poetry.; poetry; blues; blindness

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APA (6th Edition):

Ballenger, H. D. (1999). Everything and Nothing at the Same Time. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2168/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ballenger, Hank D. “Everything and Nothing at the Same Time.” 1999. Thesis, University of North Texas. Accessed June 19, 2018. https://digital.library.unt.edu/ark:/67531/metadc2168/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ballenger, Hank D. “Everything and Nothing at the Same Time.” 1999. Web. 19 Jun 2018.

Vancouver:

Ballenger HD. Everything and Nothing at the Same Time. [Internet] [Thesis]. University of North Texas; 1999. [cited 2018 Jun 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2168/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ballenger HD. Everything and Nothing at the Same Time. [Thesis]. University of North Texas; 1999. Available from: https://digital.library.unt.edu/ark:/67531/metadc2168/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Sydney

29. Koerbin, Paul V. I am Pir Sultan Abdal : a hermeneutical study of the self-naming tradition (mahlas) in Turkish Alevi lyric song (deyiş).

Degree: 2011, University of Western Sydney

 The lyric songs of Turkish oral tradition broadly understood by the term deyiş provide one of the richest perspectives on the historical construction, communal perceptions… (more)

Subjects/Keywords: Thesis (Ph.D.) – University of Western Sydney, 2011; Pir Sultan Abdal, 16th cent.; influence; translations into English; Alevi; Bektashi; folk poetry; Sufi poetry; Sufi music; lyric songs; poets; mahlas; deyiş; anonyms and pseudonyms in literature; Turkey

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Koerbin, P. V. (2011). I am Pir Sultan Abdal : a hermeneutical study of the self-naming tradition (mahlas) in Turkish Alevi lyric song (deyiş). (Thesis). University of Western Sydney. Retrieved from http://handle.uws.edu.au:8081/1959.7/507150

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Koerbin, Paul V. “I am Pir Sultan Abdal : a hermeneutical study of the self-naming tradition (mahlas) in Turkish Alevi lyric song (deyiş).” 2011. Thesis, University of Western Sydney. Accessed June 19, 2018. http://handle.uws.edu.au:8081/1959.7/507150.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Koerbin, Paul V. “I am Pir Sultan Abdal : a hermeneutical study of the self-naming tradition (mahlas) in Turkish Alevi lyric song (deyiş).” 2011. Web. 19 Jun 2018.

Vancouver:

Koerbin PV. I am Pir Sultan Abdal : a hermeneutical study of the self-naming tradition (mahlas) in Turkish Alevi lyric song (deyiş). [Internet] [Thesis]. University of Western Sydney; 2011. [cited 2018 Jun 19]. Available from: http://handle.uws.edu.au:8081/1959.7/507150.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Koerbin PV. I am Pir Sultan Abdal : a hermeneutical study of the self-naming tradition (mahlas) in Turkish Alevi lyric song (deyiş). [Thesis]. University of Western Sydney; 2011. Available from: http://handle.uws.edu.au:8081/1959.7/507150

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

30. Evans, Robert K. The early songs of Sergei Prokofiev and their relation to the synthesis of the arts in Russia, 1890-1922.

Degree: PhD, Graduate School, 1971, The Ohio State University

Subjects/Keywords: Music; Russian poetry; Music and literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Evans, R. K. (1971). The early songs of Sergei Prokofiev and their relation to the synthesis of the arts in Russia, 1890-1922. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486722377259643

Chicago Manual of Style (16th Edition):

Evans, Robert K. “The early songs of Sergei Prokofiev and their relation to the synthesis of the arts in Russia, 1890-1922.” 1971. Doctoral Dissertation, The Ohio State University. Accessed June 19, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486722377259643.

MLA Handbook (7th Edition):

Evans, Robert K. “The early songs of Sergei Prokofiev and their relation to the synthesis of the arts in Russia, 1890-1922.” 1971. Web. 19 Jun 2018.

Vancouver:

Evans RK. The early songs of Sergei Prokofiev and their relation to the synthesis of the arts in Russia, 1890-1922. [Internet] [Doctoral dissertation]. The Ohio State University; 1971. [cited 2018 Jun 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486722377259643.

Council of Science Editors:

Evans RK. The early songs of Sergei Prokofiev and their relation to the synthesis of the arts in Russia, 1890-1922. [Doctoral Dissertation]. The Ohio State University; 1971. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486722377259643

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