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University of Birmingham

1. Moyers Jr., Timothy Scott. Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work.

Degree: d_ph, College of Arts & Law, 2016, University of Birmingham

 One of the primary focuses in the works presented and discussed herein is the juxtaposition of many disparate musical styles, recordings, and sound worlds within… (more)

Subjects/Keywords: M Music; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Moyers Jr., T. S. (2016). Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6697/http://etheses.bham.ac.uk//id/eprint/6697/8/TimMoyersThesisAudio/Coagulate.wav ; http://etheses.bham.ac.uk//id/eprint/6697/9/Coagulate8Channel.zip ; http://etheses.bham.ac.uk//id/eprint/6697/10/TimMoyersVideos.zip

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moyers Jr., Timothy Scott. “Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work.” 2016. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/6697/http://etheses.bham.ac.uk//id/eprint/6697/8/TimMoyersThesisAudio/Coagulate.wav ; http://etheses.bham.ac.uk//id/eprint/6697/9/Coagulate8Channel.zip ; http://etheses.bham.ac.uk//id/eprint/6697/10/TimMoyersVideos.zip.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moyers Jr., Timothy Scott. “Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work.” 2016. Web. 12 Dec 2019.

Vancouver:

Moyers Jr. TS. Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/6697/http://etheses.bham.ac.uk//id/eprint/6697/8/TimMoyersThesisAudio/Coagulate.wav ; http://etheses.bham.ac.uk//id/eprint/6697/9/Coagulate8Channel.zip ; http://etheses.bham.ac.uk//id/eprint/6697/10/TimMoyersVideos.zip.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moyers Jr. TS. Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk//id/eprint/6697/http://etheses.bham.ac.uk//id/eprint/6697/8/TimMoyersThesisAudio/Coagulate.wav ; http://etheses.bham.ac.uk//id/eprint/6697/9/Coagulate8Channel.zip ; http://etheses.bham.ac.uk//id/eprint/6697/10/TimMoyersVideos.zip

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

2. Church, Chloe Alice. Modes of visual biblical interpretation in the Lutheran and Counter Reformations.

Degree: m_ma, College of Arts & Law, 2017, University of Birmingham

 The images produced by artists during the Lutheran and Counter Reformations of the sixteenth century employed different modes of visually interpreting biblical texts. In Lutheran… (more)

Subjects/Keywords: BS The Bible; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Church, C. A. (2017). Modes of visual biblical interpretation in the Lutheran and Counter Reformations. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7816/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Church, Chloe Alice. “Modes of visual biblical interpretation in the Lutheran and Counter Reformations.” 2017. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/7816/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Church, Chloe Alice. “Modes of visual biblical interpretation in the Lutheran and Counter Reformations.” 2017. Web. 12 Dec 2019.

Vancouver:

Church CA. Modes of visual biblical interpretation in the Lutheran and Counter Reformations. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/7816/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Church CA. Modes of visual biblical interpretation in the Lutheran and Counter Reformations. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7816/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

3. MacCulloch, Laura. Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery.

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

 This collaborative thesis focuses on the extensive collection of works on paper and related objects by Ford Madox Brown (1821-1893) held at Birmingham Museums and… (more)

Subjects/Keywords: ND Painting; N Visual arts (General) For photography, see TR

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APA (6th Edition):

MacCulloch, L. (2010). Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/611/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

MacCulloch, Laura. “Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery.” 2010. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/611/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

MacCulloch, Laura. “Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery.” 2010. Web. 12 Dec 2019.

Vancouver:

MacCulloch L. Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/611/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

MacCulloch L. Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/611/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

4. Konis, Polyvios. From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art.

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

 This thesis examines the evolution and dissemination of the iconography of the post-Resurrection appearances of Christ. Special attention is given to the association between word… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; BR Christianity

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APA (6th Edition):

Konis, P. (2010). From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/663/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Konis, Polyvios. “From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art.” 2010. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/663/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Konis, Polyvios. “From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art.” 2010. Web. 12 Dec 2019.

Vancouver:

Konis P. From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/663/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Konis P. From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/663/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

5. Buttery, Ruth Marie. Tilman Riemenschneider's monochrome sculpture: an examination of its origin.

Degree: m_ph, College of Arts & Law, 2010, University of Birmingham

 This thesis explores the origins of the monochrome works of Tilman Riemenschneider (c.1460-1531) to clarify if this was an intentional finish. It focuses on the… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; NB Sculpture

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APA (6th Edition):

Buttery, R. M. (2010). Tilman Riemenschneider's monochrome sculpture: an examination of its origin. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/665/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Buttery, Ruth Marie. “Tilman Riemenschneider's monochrome sculpture: an examination of its origin.” 2010. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/665/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Buttery, Ruth Marie. “Tilman Riemenschneider's monochrome sculpture: an examination of its origin.” 2010. Web. 12 Dec 2019.

Vancouver:

Buttery RM. Tilman Riemenschneider's monochrome sculpture: an examination of its origin. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/665/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Buttery RM. Tilman Riemenschneider's monochrome sculpture: an examination of its origin. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/665/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

6. Clancy, Hannah Elizabeth. The historical re-evaluation of cultural heritage in modern post conflict situations.

Degree: m_ph, College of Arts & Law, 2010, University of Birmingham

 The loss of cultural heritage is familiar to us all in both current times with the looting of the Iraqi Museum in Baghdad and in… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; DR Balkan Peninsula

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APA (6th Edition):

Clancy, H. E. (2010). The historical re-evaluation of cultural heritage in modern post conflict situations. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/943/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Clancy, Hannah Elizabeth. “The historical re-evaluation of cultural heritage in modern post conflict situations.” 2010. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/943/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Clancy, Hannah Elizabeth. “The historical re-evaluation of cultural heritage in modern post conflict situations.” 2010. Web. 12 Dec 2019.

Vancouver:

Clancy HE. The historical re-evaluation of cultural heritage in modern post conflict situations. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/943/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clancy HE. The historical re-evaluation of cultural heritage in modern post conflict situations. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/943/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

7. Hausmann, Michael. Johanna Ey: a critical reappraisal.

Degree: d_ph, College of Arts & Law, 2011, University of Birmingham

 This study draws on and interprets an extensive corpus of archived materials, in particular from the Stadtmuseum Düsseldorf, to offer the first wide-ranging critical analysis… (more)

Subjects/Keywords: DD Germany; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Hausmann, M. (2011). Johanna Ey: a critical reappraisal. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/987/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hausmann, Michael. “Johanna Ey: a critical reappraisal.” 2011. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/987/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hausmann, Michael. “Johanna Ey: a critical reappraisal.” 2011. Web. 12 Dec 2019.

Vancouver:

Hausmann M. Johanna Ey: a critical reappraisal. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/987/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hausmann M. Johanna Ey: a critical reappraisal. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/987/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

8. Fogarty, Barbara. Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781.

Degree: m_ph, College of Arts & Law, 2011, University of Birmingham

 The mechanical paintings of Matthew Boulton and Francis Eginton have been the subject of few scholarly treatises since their invention in the 1770s. Such interest… (more)

Subjects/Keywords: ND Painting; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Fogarty, B. (2011). Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1545/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fogarty, Barbara. “Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781.” 2011. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/1545/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fogarty, Barbara. “Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781.” 2011. Web. 12 Dec 2019.

Vancouver:

Fogarty B. Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/1545/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fogarty B. Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/1545/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

9. Abraham, Julia Ann Paige. Transformation and Defiance in the Art Establishment.

Degree: m_ph, College of Arts & Law, 2012, University of Birmingham

 The aim of the research is to examine the activist role of the BLK Art Group and argue that it fought against racial alienation in… (more)

Subjects/Keywords: N Visual arts (General) For photography; see TR

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APA (6th Edition):

Abraham, J. A. P. (2012). Transformation and Defiance in the Art Establishment. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3300/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Abraham, Julia Ann Paige. “Transformation and Defiance in the Art Establishment.” 2012. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/3300/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Abraham, Julia Ann Paige. “Transformation and Defiance in the Art Establishment.” 2012. Web. 12 Dec 2019.

Vancouver:

Abraham JAP. Transformation and Defiance in the Art Establishment. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/3300/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Abraham JAP. Transformation and Defiance in the Art Establishment. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3300/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

10. Dudley, Lauren Louise. France in ruins: paintings by Hubert Robert c.1786-1788.

Degree: m_ph, College of Arts & Law, 2014, University of Birmingham

 This thesis considers French artist Hubert Robert’s (1733-1808) paintings from 1786-1788, including his contributions to the 1787 Salon exhibition. This study examines the artist’s major… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; ND Painting

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APA (6th Edition):

Dudley, L. L. (2014). France in ruins: paintings by Hubert Robert c.1786-1788. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4887/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dudley, Lauren Louise. “France in ruins: paintings by Hubert Robert c.1786-1788.” 2014. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/4887/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dudley, Lauren Louise. “France in ruins: paintings by Hubert Robert c.1786-1788.” 2014. Web. 12 Dec 2019.

Vancouver:

Dudley LL. France in ruins: paintings by Hubert Robert c.1786-1788. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/4887/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dudley LL. France in ruins: paintings by Hubert Robert c.1786-1788. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/4887/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

11. Cook, Catherine. The apocalyptic landscapes of Ludwig Meidner.

Degree: m_rs, College of Arts & Law, 2015, University of Birmingham

 The thesis examines the apocalyptic landscape paintings of Ludwig Meidner (1884-1966), executed in Berlin between the years of 1911 and 1916. Meidner was an early… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; ND Painting

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APA (6th Edition):

Cook, C. (2015). The apocalyptic landscapes of Ludwig Meidner. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6107/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cook, Catherine. “The apocalyptic landscapes of Ludwig Meidner.” 2015. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/6107/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cook, Catherine. “The apocalyptic landscapes of Ludwig Meidner.” 2015. Web. 12 Dec 2019.

Vancouver:

Cook C. The apocalyptic landscapes of Ludwig Meidner. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/6107/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cook C. The apocalyptic landscapes of Ludwig Meidner. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/6107/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

12. Beddoes, Emalee. The art of tea: late Victorian visual culture and the normalization of an international national icon.

Degree: m_ph, College of Arts & Law, 2014, University of Birmingham

 The association between tea and Britishness is a long established concept which has received considerable scholarly and popular attention. How this association came to be… (more)

Subjects/Keywords: DA Great Britain; GT Manners and customs; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Beddoes, E. (2014). The art of tea: late Victorian visual culture and the normalization of an international national icon. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4915/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beddoes, Emalee. “The art of tea: late Victorian visual culture and the normalization of an international national icon.” 2014. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/4915/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beddoes, Emalee. “The art of tea: late Victorian visual culture and the normalization of an international national icon.” 2014. Web. 12 Dec 2019.

Vancouver:

Beddoes E. The art of tea: late Victorian visual culture and the normalization of an international national icon. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/4915/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beddoes E. The art of tea: late Victorian visual culture and the normalization of an international national icon. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/4915/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

13. Pearce, Katherine Louise. Animal representation in nature documentaries narrated by David Attenborough, 1950s-2000s: a multimodal approach.

Degree: m_ma, College of Arts & Law, 2016, University of Birmingham

 This thesis will analyse the historical change in animal representation from 1950-2000 in wildlife films narrated by David Attenborough. The two series I have chosen… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; P Philology. Linguistics; PN1990 Broadcasting

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APA (6th Edition):

Pearce, K. L. (2016). Animal representation in nature documentaries narrated by David Attenborough, 1950s-2000s: a multimodal approach. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6478/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pearce, Katherine Louise. “Animal representation in nature documentaries narrated by David Attenborough, 1950s-2000s: a multimodal approach.” 2016. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/6478/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pearce, Katherine Louise. “Animal representation in nature documentaries narrated by David Attenborough, 1950s-2000s: a multimodal approach.” 2016. Web. 12 Dec 2019.

Vancouver:

Pearce KL. Animal representation in nature documentaries narrated by David Attenborough, 1950s-2000s: a multimodal approach. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/6478/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pearce KL. Animal representation in nature documentaries narrated by David Attenborough, 1950s-2000s: a multimodal approach. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk//id/eprint/6478/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

14. Greensted, Mary. The Arts and Crafts movement: exchanges between Greece and Britain (1876-1930).

Degree: m_ph, College of Arts & Law, 2010, University of Birmingham

 This thesis discusses exchanges between Britain and Greece as part of the Arts and Crafts Movement which took shape in England in the 1880s. It… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; NK Decorative arts Applied arts Decoration and ornament

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APA (6th Edition):

Greensted, M. (2010). The Arts and Crafts movement: exchanges between Greece and Britain (1876-1930). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1110/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Greensted, Mary. “The Arts and Crafts movement: exchanges between Greece and Britain (1876-1930).” 2010. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/1110/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Greensted, Mary. “The Arts and Crafts movement: exchanges between Greece and Britain (1876-1930).” 2010. Web. 12 Dec 2019.

Vancouver:

Greensted M. The Arts and Crafts movement: exchanges between Greece and Britain (1876-1930). [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/1110/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Greensted M. The Arts and Crafts movement: exchanges between Greece and Britain (1876-1930). [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/1110/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

15. Squire, Hannah. French women artists of the Napoleonic era (1799 –1815).

Degree: m_rs, College of Arts & Law, 2015, University of Birmingham

 This thesis analyses the gendered power relations involved in art works that were created by women artists, during the Napoleonic era (1799 –1815). I explore… (more)

Subjects/Keywords: D204 Modern History; HQ The family. Marriage. Woman; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Squire, H. (2015). French women artists of the Napoleonic era (1799 –1815). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6078/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Squire, Hannah. “French women artists of the Napoleonic era (1799 –1815).” 2015. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/6078/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Squire, Hannah. “French women artists of the Napoleonic era (1799 –1815).” 2015. Web. 12 Dec 2019.

Vancouver:

Squire H. French women artists of the Napoleonic era (1799 –1815). [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/6078/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Squire H. French women artists of the Napoleonic era (1799 –1815). [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/6078/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Jarratt-Knock, David George. The 'cornett': diversity of form, function and usage as portrayed in organological and iconographical sources, c.1500-c.1800.

Degree: m_mmus, College of Arts & Law, 2014, University of Birmingham

 Previous scholarship on ‘the cornett’ has emphasised the importance of large-scale church music, the pairing of cornetts with trombones, and the dominance of professional male… (more)

Subjects/Keywords: M Music; N Visual arts (General) For photography, see TR

for two children to sing. Also they be aptly made for two treble Cornets to play or sound… …baroque instruments have direct descendants or analogues (for example, modern trombones and… …sackbuts, modern and baroque violins, etc.), this is not true for cornetts; no mainstream… …remains almost the only work in the regularly-performed canon to call for cornetts, and even… …mention, both for his outstanding performing and teaching achievements, and his scholarship… 

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APA (6th Edition):

Jarratt-Knock, D. G. (2014). The 'cornett': diversity of form, function and usage as portrayed in organological and iconographical sources, c.1500-c.1800. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5329/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jarratt-Knock, David George. “The 'cornett': diversity of form, function and usage as portrayed in organological and iconographical sources, c.1500-c.1800.” 2014. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/5329/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jarratt-Knock, David George. “The 'cornett': diversity of form, function and usage as portrayed in organological and iconographical sources, c.1500-c.1800.” 2014. Web. 12 Dec 2019.

Vancouver:

Jarratt-Knock DG. The 'cornett': diversity of form, function and usage as portrayed in organological and iconographical sources, c.1500-c.1800. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/5329/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jarratt-Knock DG. The 'cornett': diversity of form, function and usage as portrayed in organological and iconographical sources, c.1500-c.1800. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5329/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Sinniah, Virgine Jesica Antonet. Enhancing the Roman Catholic liturgy through art forms in India:To make a contribution to inculturation through Bharathanatyam .

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 This study explores the possibilities of incorporating Bharathanatyam into the Roman Catholic Holy Mass in South India to enhance the liturgy. This thesis argues from… (more)

Subjects/Keywords: N Visual arts (General) For photography; see TR

…Different Notions on Bharathanatyam 28 2.7.3. Dance for the Sake of Dance 30 2.7.4. Practical… …Considerations for Using Dance in the Liturgy 32 2.7.5. Theology and Dance 34 2.8. Analysis of the… …Classical Dance 124 5.3. Bharathanatyam, a Medium for Communication 124 5.4. Bharathanatyam, a… …Transformation 189 7.3. Personnel Transformation 190 7.3.1. Art Forms for Transformation 195 7.4… …INTRODUCTION For Roman Catholics (hereafter RCs), liturgy is the centre of their spiritual… 

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APA (6th Edition):

Sinniah, V. J. A. (2013). Enhancing the Roman Catholic liturgy through art forms in India:To make a contribution to inculturation through Bharathanatyam . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4663/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sinniah, Virgine Jesica Antonet. “Enhancing the Roman Catholic liturgy through art forms in India:To make a contribution to inculturation through Bharathanatyam .” 2013. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/4663/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sinniah, Virgine Jesica Antonet. “Enhancing the Roman Catholic liturgy through art forms in India:To make a contribution to inculturation through Bharathanatyam .” 2013. Web. 12 Dec 2019.

Vancouver:

Sinniah VJA. Enhancing the Roman Catholic liturgy through art forms in India:To make a contribution to inculturation through Bharathanatyam . [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/4663/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sinniah VJA. Enhancing the Roman Catholic liturgy through art forms in India:To make a contribution to inculturation through Bharathanatyam . [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4663/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Stent, Sabina Daniela. Women Surrealists: sexuality, fetish, femininity and female Surrealism .

Degree: d_ph, College of Arts & Law, 2012, University of Birmingham

 The objective of this thesis is to challenge the patriarchal traditions of Surrealism by examining the topic from the perspective of its women practitioners. Unlike… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; ND Painting

County Museum of Art, Los Angeles, California. Purchased with funds provided by the Mr and Mrs… …Surrealists? 1 For information and exhibition resources see Ghislaine Wood, Surreal Things… …Following the success of ‘Surreal Things’, for example, the photographic works of Lee Miller were… …visitors it remains an impressive figure for an exhibition based on the work of an individual… …marriage with 2 I am grateful to Tora Soderlind in the V&A marketing department for responding… 

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APA (6th Edition):

Stent, S. D. (2012). Women Surrealists: sexuality, fetish, femininity and female Surrealism . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3718/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stent, Sabina Daniela. “Women Surrealists: sexuality, fetish, femininity and female Surrealism .” 2012. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/3718/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stent, Sabina Daniela. “Women Surrealists: sexuality, fetish, femininity and female Surrealism .” 2012. Web. 12 Dec 2019.

Vancouver:

Stent SD. Women Surrealists: sexuality, fetish, femininity and female Surrealism . [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/3718/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stent SD. Women Surrealists: sexuality, fetish, femininity and female Surrealism . [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3718/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Hussain, Muayad H. Modern art from Kuwait: Khalifa Qattan and Circulism.

Degree: d_ph, College of Arts & Law, 2012, University of Birmingham

 This thesis explores the life and work of the Kuwaiti artist Khalifa Qattan (1934-2003). The first chapter views Qattan in the context of twentieth-century visual… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; ND Painting

…life. For my research I have had access to the private collection and archive held by his… …to recognise modern art in Kuwait. For the work of John Keane discussed in comparison with… …written for a degree at a British university, the guidelines were clear: Qattan’s work has been… …Circulism, for example, also does not have a written manifesto similar to other art movement in… …Arab resources and thus to contribute to differentiate modernism. The reasons for choosing… 

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APA (6th Edition):

Hussain, M. H. (2012). Modern art from Kuwait: Khalifa Qattan and Circulism. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3909/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hussain, Muayad H. “Modern art from Kuwait: Khalifa Qattan and Circulism.” 2012. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/3909/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hussain, Muayad H. “Modern art from Kuwait: Khalifa Qattan and Circulism.” 2012. Web. 12 Dec 2019.

Vancouver:

Hussain MH. Modern art from Kuwait: Khalifa Qattan and Circulism. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/3909/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hussain MH. Modern art from Kuwait: Khalifa Qattan and Circulism. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3909/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

20. Straw, Mark Christopher. The damaged male and the contemporary American war film: masochism, ethics, and spectatorship.

Degree: d_ph, College of Arts & Law, 2011, University of Birmingham

 This thesis is about the depiction of the damaged male in contemporary American war films in the period 1990 to 2010. All the films in… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; D501 World War I; HV Social pathology. Social and public welfare; E11 America (General); PS American literature; D731 World War II

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APA (6th Edition):

Straw, M. C. (2011). The damaged male and the contemporary American war film: masochism, ethics, and spectatorship. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1711/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Straw, Mark Christopher. “The damaged male and the contemporary American war film: masochism, ethics, and spectatorship.” 2011. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/1711/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Straw, Mark Christopher. “The damaged male and the contemporary American war film: masochism, ethics, and spectatorship.” 2011. Web. 12 Dec 2019.

Vancouver:

Straw MC. The damaged male and the contemporary American war film: masochism, ethics, and spectatorship. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/1711/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Straw MC. The damaged male and the contemporary American war film: masochism, ethics, and spectatorship. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/1711/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Cox, Pamela. An open and shut case? An investigation into Jan de Beer’s Joseph and the Suitors and the Nativity at Night.

Degree: m_ph, College of Arts & Law, 2014, University of Birmingham

 The reason for this dissertation is to highlight the Barber Institute of Arts exceptional double-faced panel, Joseph and the Suitors and the Nativity at Night,… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; ND Painting; NX Arts in general

…setting and accoutrements for mass and prayer. Furthermore it will place the paintings in their… …as the commercial centre of Europe, left him lost for words: “I do not know how to describe… …painting, the group described by Friedländer as having a turbulent penchant for novelty,13 but a… …also derives from apocryphal and other devotional texts. For example a version of the… …Aaron became the leader. Jerome’s account of the choosing of Joseph from the other suitors for… 

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APA (6th Edition):

Cox, P. (2014). An open and shut case? An investigation into Jan de Beer’s Joseph and the Suitors and the Nativity at Night. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4968/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cox, Pamela. “An open and shut case? An investigation into Jan de Beer’s Joseph and the Suitors and the Nativity at Night.” 2014. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/4968/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cox, Pamela. “An open and shut case? An investigation into Jan de Beer’s Joseph and the Suitors and the Nativity at Night.” 2014. Web. 12 Dec 2019.

Vancouver:

Cox P. An open and shut case? An investigation into Jan de Beer’s Joseph and the Suitors and the Nativity at Night. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/4968/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cox P. An open and shut case? An investigation into Jan de Beer’s Joseph and the Suitors and the Nativity at Night. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/4968/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Ireson, Lucinda. Cracked mirrors and petrifying vision: negotiating femininity as spectacle within the Victorian cultural sphere.

Degree: d_ph, College of Arts & Law, 2014, University of Birmingham

 Taking as it basis the longstanding alignment of men with an active, eroticised gaze and women with visual spectacle within Western culture, this thesis demonstrates… (more)

Subjects/Keywords: BF Psychology; N Visual arts (General) For photography, see TR; ND Painting; PR English literature

…technological progress and consumerism, for artistic and poetic texts continued to possess an eminent… …detail, yet many of these topics (optical technology, for example) have been 1 Of… …the characteristics of Pre-Raphaelitism, for example, William Bell Scott (1892, cited… …poets wrote about painters and paintings; painters drew heavily on literature for their… …critical interest for the purposes of this thesis, as unequal vision relations are dependent upon… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ireson, L. (2014). Cracked mirrors and petrifying vision: negotiating femininity as spectacle within the Victorian cultural sphere. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4796/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ireson, Lucinda. “Cracked mirrors and petrifying vision: negotiating femininity as spectacle within the Victorian cultural sphere.” 2014. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/4796/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ireson, Lucinda. “Cracked mirrors and petrifying vision: negotiating femininity as spectacle within the Victorian cultural sphere.” 2014. Web. 12 Dec 2019.

Vancouver:

Ireson L. Cracked mirrors and petrifying vision: negotiating femininity as spectacle within the Victorian cultural sphere. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/4796/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ireson L. Cracked mirrors and petrifying vision: negotiating femininity as spectacle within the Victorian cultural sphere. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/4796/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Barnett, Katie. Fathering the future: masculine survival and paternal restoration in 1990s Hollywood.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 The 1990s in the United States saw a particular cultural anxiety manifested in the crisis of masculinity, in which American men were perceived to be… (more)

Subjects/Keywords: E151 United States (General); N Visual arts (General) For photography, see TR

…himself but for the children. After saving Lex from the prowling Tyrannosaurus Rex, he must save… …their children, stating that, “it is never too late to assume the responsibility for meeting a… …absent fathers, telling them “take responsibility for your children or we will force you to do… …pregnancy, suicide, violent 36 Administration for Children and Families, Child Support Report… …construction of fatherhood as a saving mechanism for men in Hollywood during the 1990s. During this… 

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APA (6th Edition):

Barnett, K. (2013). Fathering the future: masculine survival and paternal restoration in 1990s Hollywood. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4488/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barnett, Katie. “Fathering the future: masculine survival and paternal restoration in 1990s Hollywood.” 2013. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/4488/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barnett, Katie. “Fathering the future: masculine survival and paternal restoration in 1990s Hollywood.” 2013. Web. 12 Dec 2019.

Vancouver:

Barnett K. Fathering the future: masculine survival and paternal restoration in 1990s Hollywood. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/4488/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barnett K. Fathering the future: masculine survival and paternal restoration in 1990s Hollywood. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4488/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Roberts, Richenda M. 'Art of a second order': the First World War from the British home front perspective.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 Little art-historical scholarship has been dedicated to fine art responding to the British home front during the First World War. Within pre-war British society concepts… (more)

Subjects/Keywords: D501 World War I; N Visual arts (General) For photography, see TR

…landscape of flooded trenches, operates as a sign for the bodies of servicemen killed or deemed… …front, such as wives and children. These 1 2 The IWM was founded in March 1917 with the… …According to McConkey the reason for this change ‘remains unexplained,’ but he has speculated that… …Newcastle, 1980, 91. The war, which commenced for Britain on 4 August 1914, has been referred to… …with feelings of dreadful worry because they had to wait for news of servicemen on the… 

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APA (6th Edition):

Roberts, R. M. (2013). 'Art of a second order': the First World War from the British home front perspective. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4008/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roberts, Richenda M. “'Art of a second order': the First World War from the British home front perspective.” 2013. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/4008/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roberts, Richenda M. “'Art of a second order': the First World War from the British home front perspective.” 2013. Web. 12 Dec 2019.

Vancouver:

Roberts RM. 'Art of a second order': the First World War from the British home front perspective. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/4008/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roberts RM. 'Art of a second order': the First World War from the British home front perspective. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4008/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Miao, Hui. In-visibility: the sentimental in Chinese cinema since the 1990s.

Degree: d_ph, College of Arts & Law, 2012, University of Birmingham

 The greater visibility of Chinese films brought by the wider global access and circulation has not satisfied the culturally specific understanding of Chinese cinema. The… (more)

Subjects/Keywords: BH Aesthetics; DS Asia; HT Communities. Classes. Races; N Visual arts (General) For photography, see TR

…NOTE ON TRANSLATION AND TRANSCRIPTION This work uses the pinyin system for transcriptions… …characters in this work for names, book/article titles unless it is in places where I think it… …the work. For the scholars’ names that are in Chinese, I have quoted from the original form… …in the published resource. For example, Yingjin Zhang- if the resource I quoted is from the… …Shang Huipeng, “Collective homecoming and Chinese human relations”1 Trust me, for deep feeling… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Miao, H. (2012). In-visibility: the sentimental in Chinese cinema since the 1990s. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3256/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miao, Hui. “In-visibility: the sentimental in Chinese cinema since the 1990s.” 2012. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/3256/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miao, Hui. “In-visibility: the sentimental in Chinese cinema since the 1990s.” 2012. Web. 12 Dec 2019.

Vancouver:

Miao H. In-visibility: the sentimental in Chinese cinema since the 1990s. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/3256/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miao H. In-visibility: the sentimental in Chinese cinema since the 1990s. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3256/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

26. Justice, Rebecca Claire. Falling through the meshwork: images of falling through 9/11 and beyond.

Degree: d_ph, College of Arts & Law, 2017, University of Birmingham

 This thesis considers images of the falling body after the terrorist attacks of 11 September 2001, starting with Associated Press photographer Richard Drew’s photograph of… (more)

Subjects/Keywords: E11 America (General); E151 United States (General); HV Social pathology. Social and public welfare; N Visual arts (General) For photography, see TR; PN1990 Broadcasting; PN1993 Motion Pictures; PS American literature; TR Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Justice, R. C. (2017). Falling through the meshwork: images of falling through 9/11 and beyond. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7339/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Justice, Rebecca Claire. “Falling through the meshwork: images of falling through 9/11 and beyond.” 2017. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/7339/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Justice, Rebecca Claire. “Falling through the meshwork: images of falling through 9/11 and beyond.” 2017. Web. 12 Dec 2019.

Vancouver:

Justice RC. Falling through the meshwork: images of falling through 9/11 and beyond. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/7339/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Justice RC. Falling through the meshwork: images of falling through 9/11 and beyond. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7339/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Sladen, Anna. The Sometime Husband of Three Katherines, Two Annes and One Jane: Play and Critical Essay.

Degree: m_ph, College of Arts & Law, 2011, University of Birmingham

 The Sometime Husband of Three Katherines, Two Annes and One Jane is a retelling of the Six Wives of Henry VIII story through memory and… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; DA Great Britain; NX Arts in general

…the common book of prayer was „first, for the procreation of children; second, for a remedy… …risks for specific characters: „the play only works if the antipathy between father and son… …against sin and to avoid fornication; and third, for the mutual help and comfort of the partners… …is a great female audience for such a story, but this should not discount a female… …himself would probably be devastated at the knowledge that for most it is his wives who make him… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sladen, A. (2011). The Sometime Husband of Three Katherines, Two Annes and One Jane: Play and Critical Essay. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1340/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sladen, Anna. “The Sometime Husband of Three Katherines, Two Annes and One Jane: Play and Critical Essay.” 2011. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/1340/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sladen, Anna. “The Sometime Husband of Three Katherines, Two Annes and One Jane: Play and Critical Essay.” 2011. Web. 12 Dec 2019.

Vancouver:

Sladen A. The Sometime Husband of Three Katherines, Two Annes and One Jane: Play and Critical Essay. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/1340/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sladen A. The Sometime Husband of Three Katherines, Two Annes and One Jane: Play and Critical Essay. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/1340/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Carta, Silvio. Documentary film, observational style and postmodern anthropology in Sardinia: a visual anthropology.

Degree: d_ph, College of Arts & Law, 2012, University of Birmingham

 This study explores issues of technique, methodology and style in ethnographic/documentary films, with a focus on Sardinia. How are cultural realities constructed in documentary and… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; NX Arts in general; PN1993 Motion Pictures

…specific theoretical concerns that attempt to open new spaces for film analysis – a critical… …text of this work. The decision to “show” the images in the text instead of “using” them for… …the purposes of written 3 See Olla (2008) for a detailed catalogue of the… …philosophy; but also by the resonances of an upbringing in Sardinia and a passion for films. The… …intimate ground of those inside it – and to present this culture to others for serious and… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carta, S. (2012). Documentary film, observational style and postmodern anthropology in Sardinia: a visual anthropology. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3674/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carta, Silvio. “Documentary film, observational style and postmodern anthropology in Sardinia: a visual anthropology.” 2012. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/3674/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carta, Silvio. “Documentary film, observational style and postmodern anthropology in Sardinia: a visual anthropology.” 2012. Web. 12 Dec 2019.

Vancouver:

Carta S. Documentary film, observational style and postmodern anthropology in Sardinia: a visual anthropology. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/3674/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carta S. Documentary film, observational style and postmodern anthropology in Sardinia: a visual anthropology. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3674/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Langley, Richard Mark. Ameritocracy: Hollywood blockbusters and the universalisation of American values.

Degree: d_ph, College of Arts & Law, 2012, University of Birmingham

 The thesis contends that there is a dominant strand of thinking driving the prevailing metanarrative of American global hegemony. This strand, constructed here as Ameritocracy,… (more)

Subjects/Keywords: E11 America (General); E151 United States (General); N Visual arts (General) For photography, see TR; PN1993 Motion Pictures

…boring film. How to present historical ideas – for which there is no documentary footage… …is less than what would be desirable, certainly for a documentary film made for broadcast… …address to his populace in which he apologises for the previous lack of action on the issue of… …answers to the multitude of questions it generates, and thus leaves much scope for further study… …ground for Ameritocratic ideas; indeed, the visual medium of cinema, globally dominated by… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Langley, R. M. (2012). Ameritocracy: Hollywood blockbusters and the universalisation of American values. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3376/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Langley, Richard Mark. “Ameritocracy: Hollywood blockbusters and the universalisation of American values.” 2012. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/3376/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Langley, Richard Mark. “Ameritocracy: Hollywood blockbusters and the universalisation of American values.” 2012. Web. 12 Dec 2019.

Vancouver:

Langley RM. Ameritocracy: Hollywood blockbusters and the universalisation of American values. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/3376/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Langley RM. Ameritocracy: Hollywood blockbusters and the universalisation of American values. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3376/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Bicknell, Samuel. (Re)presenting drama: adaptation in postdramatic theatre.

Degree: m_ph, College of Arts & Law, 2011, University of Birmingham

 This thesis examines three adaptations of dramatic texts for postdramatic performance by two experimental theatre companies: the Wooster Group’s L.S.D. (1984) and Brace Up! (1991),… (more)

Subjects/Keywords: BH Aesthetics; GV Recreation Leisure; N Visual arts (General) For photography, see TR; NX Arts in general; T Technology (General)

…INTRODUCTION This thesis examines how three adaptations of dramatic theatre texts for… …form of postdramatic theatre. As the adaptation of existing material for new work continues… …dramatic text in both form and content for the new environment, these adaptations ask what is… …have been instrumental in validating the necessity for academics to further engage with the… …legitimacy of adaptations of existing theatre and performance into new works for the theatre – is… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bicknell, S. (2011). (Re)presenting drama: adaptation in postdramatic theatre. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/2965/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bicknell, Samuel. “(Re)presenting drama: adaptation in postdramatic theatre.” 2011. Thesis, University of Birmingham. Accessed December 12, 2019. http://etheses.bham.ac.uk//id/eprint/2965/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bicknell, Samuel. “(Re)presenting drama: adaptation in postdramatic theatre.” 2011. Web. 12 Dec 2019.

Vancouver:

Bicknell S. (Re)presenting drama: adaptation in postdramatic theatre. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Dec 12]. Available from: http://etheses.bham.ac.uk//id/eprint/2965/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bicknell S. (Re)presenting drama: adaptation in postdramatic theatre. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/2965/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.