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You searched for subject:(Aboriginal Australians in motion pictures). Showing records 1 – 30 of 95139 total matches.

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Macquarie University

1. Dennett, Bruce Lawrence. The genesis of indigenous Australian characterisations in feature films.

Degree: 2012, Macquarie University

"This thesis is presented for the degree of Doctor of Philosophy"

"May 2012"

Bibliography: pages 317-354.

Introduction  – 1. The tracker  – 2. The comic… (more)

Subjects/Keywords: Aboriginal Australians in motion pictures; Aboriginal Australians  – Ethnic identity; Aboriginal Australians  – Relations with Europeans; Aboriginal Australians  – History; Aboriginal Australians  – Social conditions; Silent films  – Australia  – History; Historical films  – Australia  – History and criticism; Motion pictures  – Australia  – History; Motion pictures, Australian  – History; National characteristics, Australian, in motion pictures; Genesis of Indigenous Australian characterisations; media; films; Australian filmmaking; Indigenous peoples; non-Indigenous audiences

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APA (6th Edition):

Dennett, B. L. (2012). The genesis of indigenous Australian characterisations in feature films. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/305048

Chicago Manual of Style (16th Edition):

Dennett, Bruce Lawrence. “The genesis of indigenous Australian characterisations in feature films.” 2012. Doctoral Dissertation, Macquarie University. Accessed April 04, 2020. http://hdl.handle.net/1959.14/305048.

MLA Handbook (7th Edition):

Dennett, Bruce Lawrence. “The genesis of indigenous Australian characterisations in feature films.” 2012. Web. 04 Apr 2020.

Vancouver:

Dennett BL. The genesis of indigenous Australian characterisations in feature films. [Internet] [Doctoral dissertation]. Macquarie University; 2012. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/1959.14/305048.

Council of Science Editors:

Dennett BL. The genesis of indigenous Australian characterisations in feature films. [Doctoral Dissertation]. Macquarie University; 2012. Available from: http://hdl.handle.net/1959.14/305048


University of New South Wales

2. Rekhari, Suneeti. Camera obscura: representations of indigenous identity within Australian cinema.

Degree: Sociology & Anthropology, 2006, University of New South Wales

 Karen Jennings (1993) and Peter Krausz (2003) in their works, written ten years apart, note the changing ways in which the academic world and the… (more)

Subjects/Keywords: Aboriginal Australians in motion pictures; Motion pictures

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APA (6th Edition):

Rekhari, S. (2006). Camera obscura: representations of indigenous identity within Australian cinema. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/25765 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1081/SOURCE01?view=true

Chicago Manual of Style (16th Edition):

Rekhari, Suneeti. “Camera obscura: representations of indigenous identity within Australian cinema.” 2006. Doctoral Dissertation, University of New South Wales. Accessed April 04, 2020. http://handle.unsw.edu.au/1959.4/25765 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1081/SOURCE01?view=true.

MLA Handbook (7th Edition):

Rekhari, Suneeti. “Camera obscura: representations of indigenous identity within Australian cinema.” 2006. Web. 04 Apr 2020.

Vancouver:

Rekhari S. Camera obscura: representations of indigenous identity within Australian cinema. [Internet] [Doctoral dissertation]. University of New South Wales; 2006. [cited 2020 Apr 04]. Available from: http://handle.unsw.edu.au/1959.4/25765 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1081/SOURCE01?view=true.

Council of Science Editors:

Rekhari S. Camera obscura: representations of indigenous identity within Australian cinema. [Doctoral Dissertation]. University of New South Wales; 2006. Available from: http://handle.unsw.edu.au/1959.4/25765 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1081/SOURCE01?view=true


Nelson Mandela Metropolitan University

3. O'Reilly, Kevin Joseph. Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films.

Degree: Faculty of Arts, 2008, Nelson Mandela Metropolitan University

 The roles that women perform as depicted in African films are often dictated to by the type of society they find themselves in. At first… (more)

Subjects/Keywords: Motion pictures  – Africa; Women in motion pictures

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APA (6th Edition):

O'Reilly, K. J. (2008). Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/789

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

O'Reilly, Kevin Joseph. “Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films.” 2008. Thesis, Nelson Mandela Metropolitan University. Accessed April 04, 2020. http://hdl.handle.net/10948/789.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

O'Reilly, Kevin Joseph. “Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films.” 2008. Web. 04 Apr 2020.

Vancouver:

O'Reilly KJ. Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2008. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10948/789.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

O'Reilly KJ. Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films. [Thesis]. Nelson Mandela Metropolitan University; 2008. Available from: http://hdl.handle.net/10948/789

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

4. Xu, Daozhi. Indigenous cultural capital : postcolonial narratives in post-Mabo Australian children's literature.

Degree: PhD, 2016, University of Hong Kong

 This thesis examines the postcolonial narratives in Australian children’s literature with Aboriginal themes and motifs, written by Indigenous and non-Indigenous writers and published from 1992… (more)

Subjects/Keywords: Aboriginal Australians in literature; Children's literature, Australian

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APA (6th Edition):

Xu, D. (2016). Indigenous cultural capital : postcolonial narratives in post-Mabo Australian children's literature. (Doctoral Dissertation). University of Hong Kong. Retrieved from Xu, D. [许道芝]. (2016). Indigenous cultural capital : postcolonial narratives in post-Mabo Australian children's literature. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5719449. ; http://dx.doi.org/10.5353/th_b5719449 ; http://hdl.handle.net/10722/237857

Chicago Manual of Style (16th Edition):

Xu, Daozhi. “Indigenous cultural capital : postcolonial narratives in post-Mabo Australian children's literature.” 2016. Doctoral Dissertation, University of Hong Kong. Accessed April 04, 2020. Xu, D. [许道芝]. (2016). Indigenous cultural capital : postcolonial narratives in post-Mabo Australian children's literature. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5719449. ; http://dx.doi.org/10.5353/th_b5719449 ; http://hdl.handle.net/10722/237857.

MLA Handbook (7th Edition):

Xu, Daozhi. “Indigenous cultural capital : postcolonial narratives in post-Mabo Australian children's literature.” 2016. Web. 04 Apr 2020.

Vancouver:

Xu D. Indigenous cultural capital : postcolonial narratives in post-Mabo Australian children's literature. [Internet] [Doctoral dissertation]. University of Hong Kong; 2016. [cited 2020 Apr 04]. Available from: Xu, D. [许道芝]. (2016). Indigenous cultural capital : postcolonial narratives in post-Mabo Australian children's literature. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5719449. ; http://dx.doi.org/10.5353/th_b5719449 ; http://hdl.handle.net/10722/237857.

Council of Science Editors:

Xu D. Indigenous cultural capital : postcolonial narratives in post-Mabo Australian children's literature. [Doctoral Dissertation]. University of Hong Kong; 2016. Available from: Xu, D. [许道芝]. (2016). Indigenous cultural capital : postcolonial narratives in post-Mabo Australian children's literature. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5719449. ; http://dx.doi.org/10.5353/th_b5719449 ; http://hdl.handle.net/10722/237857


University of Adelaide

5. Woodburn, Susan. Alexander Schramm (1813-64) and the visual representation of Aboriginal people in mid-nineteenth century colonial Australia.

Degree: 2017, University of Adelaide

 This thesis investigates a body of representations of Aboriginal people by the little known German-born artist Alexander Schramm (1813-64), made in the fifteen years after… (more)

Subjects/Keywords: colonial art; Aboriginal Australians in art

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APA (6th Edition):

Woodburn, S. (2017). Alexander Schramm (1813-64) and the visual representation of Aboriginal people in mid-nineteenth century colonial Australia. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/113390

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Woodburn, Susan. “Alexander Schramm (1813-64) and the visual representation of Aboriginal people in mid-nineteenth century colonial Australia.” 2017. Thesis, University of Adelaide. Accessed April 04, 2020. http://hdl.handle.net/2440/113390.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Woodburn, Susan. “Alexander Schramm (1813-64) and the visual representation of Aboriginal people in mid-nineteenth century colonial Australia.” 2017. Web. 04 Apr 2020.

Vancouver:

Woodburn S. Alexander Schramm (1813-64) and the visual representation of Aboriginal people in mid-nineteenth century colonial Australia. [Internet] [Thesis]. University of Adelaide; 2017. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/2440/113390.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Woodburn S. Alexander Schramm (1813-64) and the visual representation of Aboriginal people in mid-nineteenth century colonial Australia. [Thesis]. University of Adelaide; 2017. Available from: http://hdl.handle.net/2440/113390

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Stirling

6. Tiller, Elizabeth. Women Walking: The Flâneuse and Urban Tourist in Cinema.

Degree: M. Phil., 2015, University of Stirling

 This thesis looks at representations of female mobility and the female gaze in films set in Paris and Tuscany. It primarily looks at these representations… (more)

Subjects/Keywords: Flaneurs in motion pictures; Women in motion pictures; Women tourists; Gaze in motion pictures

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APA (6th Edition):

Tiller, E. (2015). Women Walking: The Flâneuse and Urban Tourist in Cinema. (Masters Thesis). University of Stirling. Retrieved from http://hdl.handle.net/1893/25096

Chicago Manual of Style (16th Edition):

Tiller, Elizabeth. “Women Walking: The Flâneuse and Urban Tourist in Cinema.” 2015. Masters Thesis, University of Stirling. Accessed April 04, 2020. http://hdl.handle.net/1893/25096.

MLA Handbook (7th Edition):

Tiller, Elizabeth. “Women Walking: The Flâneuse and Urban Tourist in Cinema.” 2015. Web. 04 Apr 2020.

Vancouver:

Tiller E. Women Walking: The Flâneuse and Urban Tourist in Cinema. [Internet] [Masters thesis]. University of Stirling; 2015. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/1893/25096.

Council of Science Editors:

Tiller E. Women Walking: The Flâneuse and Urban Tourist in Cinema. [Masters Thesis]. University of Stirling; 2015. Available from: http://hdl.handle.net/1893/25096


University of Hong Kong

7. Waller, Kathleen Clare. Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong.

Degree: PhD, 2015, University of Hong Kong

At the turn of the century, two major traumas have linked New York City and Hong Kong from opposite sides of the globe. Hong Kong’s… (more)

Subjects/Keywords: Immigrants in motion pictures

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APA (6th Edition):

Waller, K. C. (2015). Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. (Doctoral Dissertation). University of Hong Kong. Retrieved from Waller, K. C.. (2015). Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5760950 ; http://hdl.handle.net/10722/226750

Chicago Manual of Style (16th Edition):

Waller, Kathleen Clare. “Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong.” 2015. Doctoral Dissertation, University of Hong Kong. Accessed April 04, 2020. Waller, K. C.. (2015). Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5760950 ; http://hdl.handle.net/10722/226750.

MLA Handbook (7th Edition):

Waller, Kathleen Clare. “Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong.” 2015. Web. 04 Apr 2020.

Vancouver:

Waller KC. Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. [Internet] [Doctoral dissertation]. University of Hong Kong; 2015. [cited 2020 Apr 04]. Available from: Waller, K. C.. (2015). Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5760950 ; http://hdl.handle.net/10722/226750.

Council of Science Editors:

Waller KC. Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. [Doctoral Dissertation]. University of Hong Kong; 2015. Available from: Waller, K. C.. (2015). Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5760950 ; http://hdl.handle.net/10722/226750


University of Hong Kong

8. Beaumont, James Andrew. The public and the private body : representing disability in world cinema.

Degree: MA, 2016, University of Hong Kong

This dissertation aims to provide new readings of Jacques Audiard’s Rust and Bone and Lee Chang-dong’s Oasis, showing how the films draw attention to the… (more)

Subjects/Keywords: Disabilities in motion pictures

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APA (6th Edition):

Beaumont, J. A. (2016). The public and the private body : representing disability in world cinema. (Masters Thesis). University of Hong Kong. Retrieved from Beaumont, J. A.. (2016). The public and the private body : representing disability in world cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5813908. ; http://dx.doi.org/10.5353/th_b5813908 ; http://hdl.handle.net/10722/237479

Chicago Manual of Style (16th Edition):

Beaumont, James Andrew. “The public and the private body : representing disability in world cinema.” 2016. Masters Thesis, University of Hong Kong. Accessed April 04, 2020. Beaumont, J. A.. (2016). The public and the private body : representing disability in world cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5813908. ; http://dx.doi.org/10.5353/th_b5813908 ; http://hdl.handle.net/10722/237479.

MLA Handbook (7th Edition):

Beaumont, James Andrew. “The public and the private body : representing disability in world cinema.” 2016. Web. 04 Apr 2020.

Vancouver:

Beaumont JA. The public and the private body : representing disability in world cinema. [Internet] [Masters thesis]. University of Hong Kong; 2016. [cited 2020 Apr 04]. Available from: Beaumont, J. A.. (2016). The public and the private body : representing disability in world cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5813908. ; http://dx.doi.org/10.5353/th_b5813908 ; http://hdl.handle.net/10722/237479.

Council of Science Editors:

Beaumont JA. The public and the private body : representing disability in world cinema. [Masters Thesis]. University of Hong Kong; 2016. Available from: Beaumont, J. A.. (2016). The public and the private body : representing disability in world cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5813908. ; http://dx.doi.org/10.5353/th_b5813908 ; http://hdl.handle.net/10722/237479


University of Hong Kong

9. 賴勇衡; Lai, Yung-hang. The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features.

Degree: MA, 2013, University of Hong Kong

This dissertation is a case study of three feature films directed by Gan Xiao’er, a Chinese independent filmmaker. I argue that these films are set… (more)

Subjects/Keywords: Christianity in motion pictures

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APA (6th Edition):

賴勇衡; Lai, Y. (2013). The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features. (Masters Thesis). University of Hong Kong. Retrieved from Lai, Y. [賴勇衡]. (2013). The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5099034 ; http://dx.doi.org/10.5353/th_b5099034 ; http://hdl.handle.net/10722/193566

Chicago Manual of Style (16th Edition):

賴勇衡; Lai, Yung-hang. “The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features.” 2013. Masters Thesis, University of Hong Kong. Accessed April 04, 2020. Lai, Y. [賴勇衡]. (2013). The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5099034 ; http://dx.doi.org/10.5353/th_b5099034 ; http://hdl.handle.net/10722/193566.

MLA Handbook (7th Edition):

賴勇衡; Lai, Yung-hang. “The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features.” 2013. Web. 04 Apr 2020.

Vancouver:

賴勇衡; Lai Y. The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features. [Internet] [Masters thesis]. University of Hong Kong; 2013. [cited 2020 Apr 04]. Available from: Lai, Y. [賴勇衡]. (2013). The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5099034 ; http://dx.doi.org/10.5353/th_b5099034 ; http://hdl.handle.net/10722/193566.

Council of Science Editors:

賴勇衡; Lai Y. The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features. [Masters Thesis]. University of Hong Kong; 2013. Available from: Lai, Y. [賴勇衡]. (2013). The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5099034 ; http://dx.doi.org/10.5353/th_b5099034 ; http://hdl.handle.net/10722/193566


University of Hong Kong

10. 陳仁川; Chan, Yan-chuen. Neorealism and the Chinese ideology in Yamada Yoji's family films.

Degree: PhD, 2014, University of Hong Kong

 Besides Tora-san series and samurai trilogy, veteran Japanese filmmaker Yamada Yoji also endeavors in making family films, however, his ‘home drama’1 genre has long been… (more)

Subjects/Keywords: Realism in motion pictures

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APA (6th Edition):

陳仁川; Chan, Y. (2014). Neorealism and the Chinese ideology in Yamada Yoji's family films. (Doctoral Dissertation). University of Hong Kong. Retrieved from Chan, Y. [陳仁川]. (2014). Neorealism and the Chinese ideology in Yamada Yoji's family films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5446485 ; http://hdl.handle.net/10722/210180

Chicago Manual of Style (16th Edition):

陳仁川; Chan, Yan-chuen. “Neorealism and the Chinese ideology in Yamada Yoji's family films.” 2014. Doctoral Dissertation, University of Hong Kong. Accessed April 04, 2020. Chan, Y. [陳仁川]. (2014). Neorealism and the Chinese ideology in Yamada Yoji's family films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5446485 ; http://hdl.handle.net/10722/210180.

MLA Handbook (7th Edition):

陳仁川; Chan, Yan-chuen. “Neorealism and the Chinese ideology in Yamada Yoji's family films.” 2014. Web. 04 Apr 2020.

Vancouver:

陳仁川; Chan Y. Neorealism and the Chinese ideology in Yamada Yoji's family films. [Internet] [Doctoral dissertation]. University of Hong Kong; 2014. [cited 2020 Apr 04]. Available from: Chan, Y. [陳仁川]. (2014). Neorealism and the Chinese ideology in Yamada Yoji's family films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5446485 ; http://hdl.handle.net/10722/210180.

Council of Science Editors:

陳仁川; Chan Y. Neorealism and the Chinese ideology in Yamada Yoji's family films. [Doctoral Dissertation]. University of Hong Kong; 2014. Available from: Chan, Y. [陳仁川]. (2014). Neorealism and the Chinese ideology in Yamada Yoji's family films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5446485 ; http://hdl.handle.net/10722/210180


University of Hong Kong

11. Lo, Po-yee. Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films.

Degree: MA, 2014, University of Hong Kong

In the past decade, Ann Hui as a well-known filmmaker has produced several films concerning women in their middle and older age. My research examines… (more)

Subjects/Keywords: Women in motion pictures

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APA (6th Edition):

Lo, P. (2014). Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. (Masters Thesis). University of Hong Kong. Retrieved from Lo, P. [勞保儀]. (2014). Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5318837 ; http://dx.doi.org/10.5353/th_b5318837 ; http://hdl.handle.net/10722/206613

Chicago Manual of Style (16th Edition):

Lo, Po-yee. “Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films.” 2014. Masters Thesis, University of Hong Kong. Accessed April 04, 2020. Lo, P. [勞保儀]. (2014). Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5318837 ; http://dx.doi.org/10.5353/th_b5318837 ; http://hdl.handle.net/10722/206613.

MLA Handbook (7th Edition):

Lo, Po-yee. “Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films.” 2014. Web. 04 Apr 2020.

Vancouver:

Lo P. Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. [Internet] [Masters thesis]. University of Hong Kong; 2014. [cited 2020 Apr 04]. Available from: Lo, P. [勞保儀]. (2014). Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5318837 ; http://dx.doi.org/10.5353/th_b5318837 ; http://hdl.handle.net/10722/206613.

Council of Science Editors:

Lo P. Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. [Masters Thesis]. University of Hong Kong; 2014. Available from: Lo, P. [勞保儀]. (2014). Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5318837 ; http://dx.doi.org/10.5353/th_b5318837 ; http://hdl.handle.net/10722/206613


University of Hong Kong

12. Chen, Lusi. Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff.

Degree: MA, 2014, University of Hong Kong

Drawing from Michel de Certeau’s notion of the production of space as a practice, this dissertation examines the production of space in Pang Ho-Cheung’s Love… (more)

Subjects/Keywords: Space in motion pictures

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APA (6th Edition):

Chen, L. (2014). Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff. (Masters Thesis). University of Hong Kong. Retrieved from Chen, L. [陳露絲]. (2014). Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5319502 ; http://dx.doi.org/10.5353/th_b5319502 ; http://hdl.handle.net/10722/206560

Chicago Manual of Style (16th Edition):

Chen, Lusi. “Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff.” 2014. Masters Thesis, University of Hong Kong. Accessed April 04, 2020. Chen, L. [陳露絲]. (2014). Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5319502 ; http://dx.doi.org/10.5353/th_b5319502 ; http://hdl.handle.net/10722/206560.

MLA Handbook (7th Edition):

Chen, Lusi. “Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff.” 2014. Web. 04 Apr 2020.

Vancouver:

Chen L. Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff. [Internet] [Masters thesis]. University of Hong Kong; 2014. [cited 2020 Apr 04]. Available from: Chen, L. [陳露絲]. (2014). Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5319502 ; http://dx.doi.org/10.5353/th_b5319502 ; http://hdl.handle.net/10722/206560.

Council of Science Editors:

Chen L. Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff. [Masters Thesis]. University of Hong Kong; 2014. Available from: Chen, L. [陳露絲]. (2014). Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5319502 ; http://dx.doi.org/10.5353/th_b5319502 ; http://hdl.handle.net/10722/206560


University of Hong Kong

13. Coe, Jason George. Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films".

Degree: MA, 2012, University of Hong Kong

This dissertation scrutinizes a corpus of films considered to be the stylistic and thematic descendants of Yasujiro Ozu, which I call “feeling of life films.”… (more)

Subjects/Keywords: Women in motion pictures.

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APA (6th Edition):

Coe, J. G. (2012). Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films". (Masters Thesis). University of Hong Kong. Retrieved from Coe, J. G.. (2012). Left behind by history : complicating narrative, modernity in the mundane, and reading history through women in "feeling of life films". (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4853953 ; http://dx.doi.org/10.5353/th_b4853953 ; http://hdl.handle.net/10722/180066

Chicago Manual of Style (16th Edition):

Coe, Jason George. “Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films".” 2012. Masters Thesis, University of Hong Kong. Accessed April 04, 2020. Coe, J. G.. (2012). Left behind by history : complicating narrative, modernity in the mundane, and reading history through women in "feeling of life films". (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4853953 ; http://dx.doi.org/10.5353/th_b4853953 ; http://hdl.handle.net/10722/180066.

MLA Handbook (7th Edition):

Coe, Jason George. “Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films".” 2012. Web. 04 Apr 2020.

Vancouver:

Coe JG. Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films". [Internet] [Masters thesis]. University of Hong Kong; 2012. [cited 2020 Apr 04]. Available from: Coe, J. G.. (2012). Left behind by history : complicating narrative, modernity in the mundane, and reading history through women in "feeling of life films". (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4853953 ; http://dx.doi.org/10.5353/th_b4853953 ; http://hdl.handle.net/10722/180066.

Council of Science Editors:

Coe JG. Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films". [Masters Thesis]. University of Hong Kong; 2012. Available from: Coe, J. G.. (2012). Left behind by history : complicating narrative, modernity in the mundane, and reading history through women in "feeling of life films". (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4853953 ; http://dx.doi.org/10.5353/th_b4853953 ; http://hdl.handle.net/10722/180066

14. Coates, Maran. Moderat's rusty nails and loie fuller's serpentine dance : analysis cloth, the body and movement as symbolic interpretation of meaning in film.

Degree: Mtech, Faculty of Arts, 2012, Nelson Mandela Metropolitan Universtiy

 The main objective of the study is to explore how cloth, the body and movement are able to communicate possible symbolic meaning in Loïe Fuller’s… (more)

Subjects/Keywords: Fashion in motion pictures

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APA (6th Edition):

Coates, M. (2012). Moderat's rusty nails and loie fuller's serpentine dance : analysis cloth, the body and movement as symbolic interpretation of meaning in film. (Masters Thesis). Nelson Mandela Metropolitan Universtiy. Retrieved from http://hdl.handle.net/10948/d1015733

Chicago Manual of Style (16th Edition):

Coates, Maran. “Moderat's rusty nails and loie fuller's serpentine dance : analysis cloth, the body and movement as symbolic interpretation of meaning in film.” 2012. Masters Thesis, Nelson Mandela Metropolitan Universtiy. Accessed April 04, 2020. http://hdl.handle.net/10948/d1015733.

MLA Handbook (7th Edition):

Coates, Maran. “Moderat's rusty nails and loie fuller's serpentine dance : analysis cloth, the body and movement as symbolic interpretation of meaning in film.” 2012. Web. 04 Apr 2020.

Vancouver:

Coates M. Moderat's rusty nails and loie fuller's serpentine dance : analysis cloth, the body and movement as symbolic interpretation of meaning in film. [Internet] [Masters thesis]. Nelson Mandela Metropolitan Universtiy; 2012. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10948/d1015733.

Council of Science Editors:

Coates M. Moderat's rusty nails and loie fuller's serpentine dance : analysis cloth, the body and movement as symbolic interpretation of meaning in film. [Masters Thesis]. Nelson Mandela Metropolitan Universtiy; 2012. Available from: http://hdl.handle.net/10948/d1015733


Nelson Mandela Metropolitan University

15. Theodosiou, Stephanie Nicole. A comparative study of masculinity in the Twilight films and selected teen dramas.

Degree: Faculty of Arts, 2012, Nelson Mandela Metropolitan University

 This research paper aims to investigate the effect mainstream cinema has on the formulation and practice of the masculine stereotype in society, thus exploring the… (more)

Subjects/Keywords: Masculinity in motion pictures

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APA (6th Edition):

Theodosiou, S. N. (2012). A comparative study of masculinity in the Twilight films and selected teen dramas. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/d1019976

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Theodosiou, Stephanie Nicole. “A comparative study of masculinity in the Twilight films and selected teen dramas.” 2012. Thesis, Nelson Mandela Metropolitan University. Accessed April 04, 2020. http://hdl.handle.net/10948/d1019976.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Theodosiou, Stephanie Nicole. “A comparative study of masculinity in the Twilight films and selected teen dramas.” 2012. Web. 04 Apr 2020.

Vancouver:

Theodosiou SN. A comparative study of masculinity in the Twilight films and selected teen dramas. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2012. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10948/d1019976.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Theodosiou SN. A comparative study of masculinity in the Twilight films and selected teen dramas. [Thesis]. Nelson Mandela Metropolitan University; 2012. Available from: http://hdl.handle.net/10948/d1019976

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Oregon State University

16. Yeager, Angela L. Immigrant encounters : film narratives of the modern immigrant.

Degree: MA, English, 2012, Oregon State University

 This thesis employs a narrative analysis of more than twenty-five films that are centrally concerned with immigrants and the immigrant experience. In Part One, drawing… (more)

Subjects/Keywords: Film; Immigrants in motion pictures

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APA (6th Edition):

Yeager, A. L. (2012). Immigrant encounters : film narratives of the modern immigrant. (Masters Thesis). Oregon State University. Retrieved from http://hdl.handle.net/1957/35804

Chicago Manual of Style (16th Edition):

Yeager, Angela L. “Immigrant encounters : film narratives of the modern immigrant.” 2012. Masters Thesis, Oregon State University. Accessed April 04, 2020. http://hdl.handle.net/1957/35804.

MLA Handbook (7th Edition):

Yeager, Angela L. “Immigrant encounters : film narratives of the modern immigrant.” 2012. Web. 04 Apr 2020.

Vancouver:

Yeager AL. Immigrant encounters : film narratives of the modern immigrant. [Internet] [Masters thesis]. Oregon State University; 2012. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/1957/35804.

Council of Science Editors:

Yeager AL. Immigrant encounters : film narratives of the modern immigrant. [Masters Thesis]. Oregon State University; 2012. Available from: http://hdl.handle.net/1957/35804

17. Boland, Carl. A sonic arts approach to sound design practice.

Degree: PhD, 2012, University of South Wales

 This practice-as-research study documents the development of a sonic arts approach to film sound design. An interdisciplinary conceptual framework that combines selected theories of electroacoustic… (more)

Subjects/Keywords: Sound in motion pictures

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APA (6th Edition):

Boland, C. (2012). A sonic arts approach to sound design practice. (Doctoral Dissertation). University of South Wales. Retrieved from https://pure.southwales.ac.uk/en/studentthesis/a-sonic-arts-approach-to-sound-design-practice(27b39541-a56e-4b59-9b75-290d625c0064).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.749697

Chicago Manual of Style (16th Edition):

Boland, Carl. “A sonic arts approach to sound design practice.” 2012. Doctoral Dissertation, University of South Wales. Accessed April 04, 2020. https://pure.southwales.ac.uk/en/studentthesis/a-sonic-arts-approach-to-sound-design-practice(27b39541-a56e-4b59-9b75-290d625c0064).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.749697.

MLA Handbook (7th Edition):

Boland, Carl. “A sonic arts approach to sound design practice.” 2012. Web. 04 Apr 2020.

Vancouver:

Boland C. A sonic arts approach to sound design practice. [Internet] [Doctoral dissertation]. University of South Wales; 2012. [cited 2020 Apr 04]. Available from: https://pure.southwales.ac.uk/en/studentthesis/a-sonic-arts-approach-to-sound-design-practice(27b39541-a56e-4b59-9b75-290d625c0064).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.749697.

Council of Science Editors:

Boland C. A sonic arts approach to sound design practice. [Doctoral Dissertation]. University of South Wales; 2012. Available from: https://pure.southwales.ac.uk/en/studentthesis/a-sonic-arts-approach-to-sound-design-practice(27b39541-a56e-4b59-9b75-290d625c0064).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.749697


Latrobe University

18. Hardy Smith, Tania. 'Another dimension of seeing...': Exploring artistic responses to antiquity and the effect on the relationship between Indigenous and non-Indigenous Australians.

Degree: PhD, 2012, Latrobe University

Thesis (Ph.D.) - La Trobe University, 2012

Submission note: "A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy… (more)

Subjects/Keywords: Aboriginal Australians  – Culture.; Australia  – Drama.; Aboriginal Australians  – Social life and customs.; Aboriginal Australians  – Cultural assimilation.; Batavia (Ship)  – Fiction.; Australia  – Ethnology  – History.; Archaeology  – Australia.; Aboriginal Australians in literature.; Aboriginal Australians in art.; Aboriginal Australians  – Drama.

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APA (6th Edition):

Hardy Smith, T. (2012). 'Another dimension of seeing...': Exploring artistic responses to antiquity and the effect on the relationship between Indigenous and non-Indigenous Australians. (Doctoral Dissertation). Latrobe University. Retrieved from http://hdl.handle.net/1959.9/522567

Chicago Manual of Style (16th Edition):

Hardy Smith, Tania. “'Another dimension of seeing...': Exploring artistic responses to antiquity and the effect on the relationship between Indigenous and non-Indigenous Australians.” 2012. Doctoral Dissertation, Latrobe University. Accessed April 04, 2020. http://hdl.handle.net/1959.9/522567.

MLA Handbook (7th Edition):

Hardy Smith, Tania. “'Another dimension of seeing...': Exploring artistic responses to antiquity and the effect on the relationship between Indigenous and non-Indigenous Australians.” 2012. Web. 04 Apr 2020.

Vancouver:

Hardy Smith T. 'Another dimension of seeing...': Exploring artistic responses to antiquity and the effect on the relationship between Indigenous and non-Indigenous Australians. [Internet] [Doctoral dissertation]. Latrobe University; 2012. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/1959.9/522567.

Council of Science Editors:

Hardy Smith T. 'Another dimension of seeing...': Exploring artistic responses to antiquity and the effect on the relationship between Indigenous and non-Indigenous Australians. [Doctoral Dissertation]. Latrobe University; 2012. Available from: http://hdl.handle.net/1959.9/522567


Ryerson University

19. Ciccone, Vanessa. Rated M for misogyny: reimagining gender assessments for film.

Degree: 2017, Ryerson University

 The Bechdel Test is effective at raising awareness about biased gender portrayals in media, yet it has been criticized for being an inaccurate assessment of… (more)

Subjects/Keywords: Stereotypes (Social psychology) in motion pictures.; Women in motion pictures.; Feminism and motion pictures.; Sex role in motion pictures.

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APA (6th Edition):

Ciccone, V. (2017). Rated M for misogyny: reimagining gender assessments for film. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A6808

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ciccone, Vanessa. “Rated M for misogyny: reimagining gender assessments for film.” 2017. Thesis, Ryerson University. Accessed April 04, 2020. https://digital.library.ryerson.ca/islandora/object/RULA%3A6808.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ciccone, Vanessa. “Rated M for misogyny: reimagining gender assessments for film.” 2017. Web. 04 Apr 2020.

Vancouver:

Ciccone V. Rated M for misogyny: reimagining gender assessments for film. [Internet] [Thesis]. Ryerson University; 2017. [cited 2020 Apr 04]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A6808.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ciccone V. Rated M for misogyny: reimagining gender assessments for film. [Thesis]. Ryerson University; 2017. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A6808

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

20. Miller, Adam Patrick. the Remasculation Film: Themes and Variations.

Degree: 2012, Ryerson University

 During the late 1980s and early 1990s, a discourse of masculinity crisis precipitated the appearance of a number of what Susan Jeffords describes as “rearticulations… (more)

Subjects/Keywords: Masculinity in motion pictures; Men in motion pictures; Masculinity; Motion pictures  – Psychological aspects; Motion pictures  – United States  – History  – 20th century

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APA (6th Edition):

Miller, A. P. (2012). the Remasculation Film: Themes and Variations. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A1594

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miller, Adam Patrick. “the Remasculation Film: Themes and Variations.” 2012. Thesis, Ryerson University. Accessed April 04, 2020. https://digital.library.ryerson.ca/islandora/object/RULA%3A1594.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miller, Adam Patrick. “the Remasculation Film: Themes and Variations.” 2012. Web. 04 Apr 2020.

Vancouver:

Miller AP. the Remasculation Film: Themes and Variations. [Internet] [Thesis]. Ryerson University; 2012. [cited 2020 Apr 04]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1594.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miller AP. the Remasculation Film: Themes and Variations. [Thesis]. Ryerson University; 2012. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1594

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Latrobe University

21. Thomlinson, Eugene Gregory. Influencing destination image : location placement in film.

Degree: PhD, 2013, Latrobe University

Thesis (Ph.D.) - La Trobe University, 2013

Submission note: "A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy… (more)

Subjects/Keywords: Motion picture locations.; Landscapes in motion pictures.

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APA (6th Edition):

Thomlinson, E. G. (2013). Influencing destination image : location placement in film. (Doctoral Dissertation). Latrobe University. Retrieved from http://hdl.handle.net/1959.9/539751

Chicago Manual of Style (16th Edition):

Thomlinson, Eugene Gregory. “Influencing destination image : location placement in film.” 2013. Doctoral Dissertation, Latrobe University. Accessed April 04, 2020. http://hdl.handle.net/1959.9/539751.

MLA Handbook (7th Edition):

Thomlinson, Eugene Gregory. “Influencing destination image : location placement in film.” 2013. Web. 04 Apr 2020.

Vancouver:

Thomlinson EG. Influencing destination image : location placement in film. [Internet] [Doctoral dissertation]. Latrobe University; 2013. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/1959.9/539751.

Council of Science Editors:

Thomlinson EG. Influencing destination image : location placement in film. [Doctoral Dissertation]. Latrobe University; 2013. Available from: http://hdl.handle.net/1959.9/539751


Durban University of Technology

22. Heath, Alistair. Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers.

Degree: 2015, Durban University of Technology

Submitted in partial fulfillment in compliance with the requirements for the Masters Degree in Technology: Fine Art, Durban University of Technology. Durban. South Africa, 2014.… (more)

Subjects/Keywords: Motion pictures and history; Motion pictures – Influence; Psychoanalysis in motion pictures; Aversion therapy – South Africa

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APA (6th Edition):

Heath, A. (2015). Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers. (Thesis). Durban University of Technology. Retrieved from http://hdl.handle.net/10321/1549

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Heath, Alistair. “Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers.” 2015. Thesis, Durban University of Technology. Accessed April 04, 2020. http://hdl.handle.net/10321/1549.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Heath, Alistair. “Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers.” 2015. Web. 04 Apr 2020.

Vancouver:

Heath A. Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers. [Internet] [Thesis]. Durban University of Technology; 2015. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10321/1549.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Heath A. Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers. [Thesis]. Durban University of Technology; 2015. Available from: http://hdl.handle.net/10321/1549

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oklahoma

23. Necati, ANAZ. MAPPING GEOPOLITICAL IMAGINATIONS: TURKISH AUDIENCES & VALLEY OF THE WOLVES-PALESTINE.

Degree: PhD, 2012, University of Oklahoma

 Finally, this study highlights that `negotiated\', `oppositional\', and `dominantŕeadership was also present in the meaning-making of the film. Some Turkish audiences understand that the film… (more)

Subjects/Keywords: Motion pictures – Political aspects – Turkey; Motion pictures – Turkey – History; Geopolitics in motion pictures

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APA (6th Edition):

Necati, A. (2012). MAPPING GEOPOLITICAL IMAGINATIONS: TURKISH AUDIENCES & VALLEY OF THE WOLVES-PALESTINE. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/320299

Chicago Manual of Style (16th Edition):

Necati, ANAZ. “MAPPING GEOPOLITICAL IMAGINATIONS: TURKISH AUDIENCES & VALLEY OF THE WOLVES-PALESTINE.” 2012. Doctoral Dissertation, University of Oklahoma. Accessed April 04, 2020. http://hdl.handle.net/11244/320299.

MLA Handbook (7th Edition):

Necati, ANAZ. “MAPPING GEOPOLITICAL IMAGINATIONS: TURKISH AUDIENCES & VALLEY OF THE WOLVES-PALESTINE.” 2012. Web. 04 Apr 2020.

Vancouver:

Necati A. MAPPING GEOPOLITICAL IMAGINATIONS: TURKISH AUDIENCES & VALLEY OF THE WOLVES-PALESTINE. [Internet] [Doctoral dissertation]. University of Oklahoma; 2012. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/11244/320299.

Council of Science Editors:

Necati A. MAPPING GEOPOLITICAL IMAGINATIONS: TURKISH AUDIENCES & VALLEY OF THE WOLVES-PALESTINE. [Doctoral Dissertation]. University of Oklahoma; 2012. Available from: http://hdl.handle.net/11244/320299

24. Hand, Dominick M. Black masculinity in contemporary cinema.

Degree: 2018, NC Docks

 This research explored four movies spanning four separate eras. Content analysis was used to determine if themes emerged with respect to portrayals of Black Masculinity… (more)

Subjects/Keywords: Men, Black, in motion pictures; Masculinity in motion pictures

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APA (6th Edition):

Hand, D. M. (2018). Black masculinity in contemporary cinema. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Hand_uncg_0154M_12472.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hand, Dominick M. “Black masculinity in contemporary cinema.” 2018. Thesis, NC Docks. Accessed April 04, 2020. http://libres.uncg.edu/ir/uncg/f/Hand_uncg_0154M_12472.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hand, Dominick M. “Black masculinity in contemporary cinema.” 2018. Web. 04 Apr 2020.

Vancouver:

Hand DM. Black masculinity in contemporary cinema. [Internet] [Thesis]. NC Docks; 2018. [cited 2020 Apr 04]. Available from: http://libres.uncg.edu/ir/uncg/f/Hand_uncg_0154M_12472.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hand DM. Black masculinity in contemporary cinema. [Thesis]. NC Docks; 2018. Available from: http://libres.uncg.edu/ir/uncg/f/Hand_uncg_0154M_12472.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Carolina – Greensboro

25. Brown, Sherronda J. The haunted ground we walk on: (un)knowable gendered and racialized subjects.

Degree: 2015, University of North Carolina – Greensboro

 The purpose of this work is to analyze haunting narratives in cinematic texts, exploring the significance of gendered and racialized violences on the screen while… (more)

Subjects/Keywords: Horror films – History and criticism; Violence in motion pictures; Race in motion pictures; Ghosts in motion pictures; Women in motion pictures; Sex role in motion pictures

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APA (6th Edition):

Brown, S. J. (2015). The haunted ground we walk on: (un)knowable gendered and racialized subjects. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067

Chicago Manual of Style (16th Edition):

Brown, Sherronda J. “The haunted ground we walk on: (un)knowable gendered and racialized subjects.” 2015. Masters Thesis, University of North Carolina – Greensboro. Accessed April 04, 2020. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067.

MLA Handbook (7th Edition):

Brown, Sherronda J. “The haunted ground we walk on: (un)knowable gendered and racialized subjects.” 2015. Web. 04 Apr 2020.

Vancouver:

Brown SJ. The haunted ground we walk on: (un)knowable gendered and racialized subjects. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2015. [cited 2020 Apr 04]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067.

Council of Science Editors:

Brown SJ. The haunted ground we walk on: (un)knowable gendered and racialized subjects. [Masters Thesis]. University of North Carolina – Greensboro; 2015. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067

26. Brown, Sherronda J. The haunted ground we walk on: (un)knowable gendered and racialized subjects.

Degree: 2015, NC Docks

 The purpose of this work is to analyze haunting narratives in cinematic texts, exploring the significance of gendered and racialized violences on the screen while… (more)

Subjects/Keywords: Horror films $x History and criticism; Violence in motion pictures; Race in motion pictures; Ghosts in motion pictures; Women in motion pictures; Sex role in motion pictures

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brown, S. J. (2015). The haunted ground we walk on: (un)knowable gendered and racialized subjects. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/BrownS_uncg_0154M_11707.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brown, Sherronda J. “The haunted ground we walk on: (un)knowable gendered and racialized subjects.” 2015. Thesis, NC Docks. Accessed April 04, 2020. http://libres.uncg.edu/ir/uncg/f/BrownS_uncg_0154M_11707.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brown, Sherronda J. “The haunted ground we walk on: (un)knowable gendered and racialized subjects.” 2015. Web. 04 Apr 2020.

Vancouver:

Brown SJ. The haunted ground we walk on: (un)knowable gendered and racialized subjects. [Internet] [Thesis]. NC Docks; 2015. [cited 2020 Apr 04]. Available from: http://libres.uncg.edu/ir/uncg/f/BrownS_uncg_0154M_11707.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brown SJ. The haunted ground we walk on: (un)knowable gendered and racialized subjects. [Thesis]. NC Docks; 2015. Available from: http://libres.uncg.edu/ir/uncg/f/BrownS_uncg_0154M_11707.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Macquarie University

27. Robertson, Michelle. Female characters in Turkish German cinematic space: an analysis with examples of three recent films.

Degree: 2013, Macquarie University

"20th December 2012"

Bibliography: pages 244-259.

1. Introduction  – 2. Immigration and multiculturalism in Germany  – 3. Nation and gender in German cinema  – 4.… (more)

Subjects/Keywords: Motion pictures  – Germany; Women in motion pictures; Gender identity in motion pictures; Ethnicity in motion pictures; Social change in motion pictures; Motion pictures  – Germany  – History; Motion pictures  – Social aspects  – Germany; Motion pictures  – Political aspects  – Germany; German Turkish cinema film women; Turkish-German films; gender; immigration; multiculturalism; Germany

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APA (6th Edition):

Robertson, M. (2013). Female characters in Turkish German cinematic space: an analysis with examples of three recent films. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/304966

Chicago Manual of Style (16th Edition):

Robertson, Michelle. “Female characters in Turkish German cinematic space: an analysis with examples of three recent films.” 2013. Doctoral Dissertation, Macquarie University. Accessed April 04, 2020. http://hdl.handle.net/1959.14/304966.

MLA Handbook (7th Edition):

Robertson, Michelle. “Female characters in Turkish German cinematic space: an analysis with examples of three recent films.” 2013. Web. 04 Apr 2020.

Vancouver:

Robertson M. Female characters in Turkish German cinematic space: an analysis with examples of three recent films. [Internet] [Doctoral dissertation]. Macquarie University; 2013. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/1959.14/304966.

Council of Science Editors:

Robertson M. Female characters in Turkish German cinematic space: an analysis with examples of three recent films. [Doctoral Dissertation]. Macquarie University; 2013. Available from: http://hdl.handle.net/1959.14/304966


Latrobe University

28. Ariano, Andrea. Crisis of action : violence and affect in new Hollywood cinema.

Degree: PhD, 2012, Latrobe University

Thesis (Ph.D.) - La Trobe University, 2012

Submission note: "A thesis submitted in total fulfillment of the requirements for the degree of Doctor of Philosophy… (more)

Subjects/Keywords: Violence in motion pictures.; Affect (Psychology).; Film criticism.; Motion pictures  – Philosophy.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ariano, A. (2012). Crisis of action : violence and affect in new Hollywood cinema. (Doctoral Dissertation). Latrobe University. Retrieved from http://hdl.handle.net/1959.9/516465

Chicago Manual of Style (16th Edition):

Ariano, Andrea. “Crisis of action : violence and affect in new Hollywood cinema.” 2012. Doctoral Dissertation, Latrobe University. Accessed April 04, 2020. http://hdl.handle.net/1959.9/516465.

MLA Handbook (7th Edition):

Ariano, Andrea. “Crisis of action : violence and affect in new Hollywood cinema.” 2012. Web. 04 Apr 2020.

Vancouver:

Ariano A. Crisis of action : violence and affect in new Hollywood cinema. [Internet] [Doctoral dissertation]. Latrobe University; 2012. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/1959.9/516465.

Council of Science Editors:

Ariano A. Crisis of action : violence and affect in new Hollywood cinema. [Doctoral Dissertation]. Latrobe University; 2012. Available from: http://hdl.handle.net/1959.9/516465


Columbia University

29. Palanti, Alessia. Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema.

Degree: 2019, Columbia University

 At the crossroads of Italian studies; film studies; and women’s, gender, and sexuality studies, my dissertation investigates a group of films by Italian women filmmakers… (more)

Subjects/Keywords: Sexual minorities; Motion pictures, Italian; Lesbianism in motion pictures; Feminism

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APA (6th Edition):

Palanti, A. (2019). Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/d8-azvp-1793

Chicago Manual of Style (16th Edition):

Palanti, Alessia. “Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema.” 2019. Doctoral Dissertation, Columbia University. Accessed April 04, 2020. https://doi.org/10.7916/d8-azvp-1793.

MLA Handbook (7th Edition):

Palanti, Alessia. “Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema.” 2019. Web. 04 Apr 2020.

Vancouver:

Palanti A. Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema. [Internet] [Doctoral dissertation]. Columbia University; 2019. [cited 2020 Apr 04]. Available from: https://doi.org/10.7916/d8-azvp-1793.

Council of Science Editors:

Palanti A. Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema. [Doctoral Dissertation]. Columbia University; 2019. Available from: https://doi.org/10.7916/d8-azvp-1793


Rutgers University

30. Sánchez González, Darío, 1984-. Maricas de etiqueta: identidad gay en el cine reciente de España y el Cono Sur.

Degree: PhD, Spanish, 2014, Rutgers University

My dissertation analyzes 21st-century gay-themed films from Argentina, Chile, Spain, and Uruguay, and seeks to determine how their portrayal of men who have sex with… (more)

Subjects/Keywords: Homosexuality in motion pictures; Motion pictures – Latin America – 21st century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sánchez González, Darío, 1. (2014). Maricas de etiqueta: identidad gay en el cine reciente de España y el Cono Sur. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/45452/

Chicago Manual of Style (16th Edition):

Sánchez González, Darío, 1984-. “Maricas de etiqueta: identidad gay en el cine reciente de España y el Cono Sur.” 2014. Doctoral Dissertation, Rutgers University. Accessed April 04, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/45452/.

MLA Handbook (7th Edition):

Sánchez González, Darío, 1984-. “Maricas de etiqueta: identidad gay en el cine reciente de España y el Cono Sur.” 2014. Web. 04 Apr 2020.

Vancouver:

Sánchez González, Darío 1. Maricas de etiqueta: identidad gay en el cine reciente de España y el Cono Sur. [Internet] [Doctoral dissertation]. Rutgers University; 2014. [cited 2020 Apr 04]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/45452/.

Council of Science Editors:

Sánchez González, Darío 1. Maricas de etiqueta: identidad gay en el cine reciente de España y el Cono Sur. [Doctoral Dissertation]. Rutgers University; 2014. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/45452/

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