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Dept: Music

You searched for subject:(AUFBAU UND ZUSAMMENSETZUNG VON WALDBEST NDEN WALDBAU ). Showing records 1 – 12 of 12 total matches.

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Stellenbosch University

1. Du Preez, Niel. Die Variationen und Fuge über ein Thema von Joh. Seb. Bach op. 81 van Max Reger.

Degree: MMus, Music, 2005, Stellenbosch University

ENGLISH ABSTRACT: In his lifetime Reger was under constant pressure to prove his musical abilities as a composer. With their subjective opinions numerous critics systematically… (more)

Subjects/Keywords: Reger, Max,  – 1873-1916.  – Variationen und Fuge über ein Thema von J.S. Bach; Bach, Johann Sebastian,  – 1685-1750; Dissertations  – Music

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APA (6th Edition):

Du Preez, N. (2005). Die Variationen und Fuge über ein Thema von Joh. Seb. Bach op. 81 van Max Reger. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/50330

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Du Preez, Niel. “Die Variationen und Fuge über ein Thema von Joh. Seb. Bach op. 81 van Max Reger.” 2005. Thesis, Stellenbosch University. Accessed October 22, 2019. http://hdl.handle.net/10019.1/50330.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Du Preez, Niel. “Die Variationen und Fuge über ein Thema von Joh. Seb. Bach op. 81 van Max Reger.” 2005. Web. 22 Oct 2019.

Vancouver:

Du Preez N. Die Variationen und Fuge über ein Thema von Joh. Seb. Bach op. 81 van Max Reger. [Internet] [Thesis]. Stellenbosch University; 2005. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10019.1/50330.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Du Preez N. Die Variationen und Fuge über ein Thema von Joh. Seb. Bach op. 81 van Max Reger. [Thesis]. Stellenbosch University; 2005. Available from: http://hdl.handle.net/10019.1/50330

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

2. Storm, Lukas Timothy. Wolfgang von Schweinitz's Plainsound Brass Trio in Theory and Practice: A Guide for Performers.

Degree: Music, 2017, UCLA

 This dissertation essay explores the Plainsound Brass Trio by Wolfgang von Schweinitz, a work for horn, trombone, and tuba written in 2008. This work uses… (more)

Subjects/Keywords: Music; Brass; Chamber Music; Just Intonation; Wolfgang von Schweinitz

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APA (6th Edition):

Storm, L. T. (2017). Wolfgang von Schweinitz's Plainsound Brass Trio in Theory and Practice: A Guide for Performers. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/42p7j91c

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Storm, Lukas Timothy. “Wolfgang von Schweinitz's Plainsound Brass Trio in Theory and Practice: A Guide for Performers.” 2017. Thesis, UCLA. Accessed October 22, 2019. http://www.escholarship.org/uc/item/42p7j91c.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Storm, Lukas Timothy. “Wolfgang von Schweinitz's Plainsound Brass Trio in Theory and Practice: A Guide for Performers.” 2017. Web. 22 Oct 2019.

Vancouver:

Storm LT. Wolfgang von Schweinitz's Plainsound Brass Trio in Theory and Practice: A Guide for Performers. [Internet] [Thesis]. UCLA; 2017. [cited 2019 Oct 22]. Available from: http://www.escholarship.org/uc/item/42p7j91c.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Storm LT. Wolfgang von Schweinitz's Plainsound Brass Trio in Theory and Practice: A Guide for Performers. [Thesis]. UCLA; 2017. Available from: http://www.escholarship.org/uc/item/42p7j91c

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

3. Walters, Ashley M. Six New and Recent Works for Solo Cello in Recording and Discussion.

Degree: Music, 2013, University of California – San Diego

 ABSTRACT OF THE DISSERTATIONSix New and Recent Works for Solo Cello in Recording and Discussionby Ashley Melynda WaltersDoctor of Musical Arts in Contemporary Music PerformanceUniversity… (more)

Subjects/Keywords: Music; Andrew McIntosh; Cello; Luciano Berio; Nicholas Deyoe; Wadada Leo Smith; Wolfgang von Schweinitz

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APA (6th Edition):

Walters, A. M. (2013). Six New and Recent Works for Solo Cello in Recording and Discussion. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/2065w4t0

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walters, Ashley M. “Six New and Recent Works for Solo Cello in Recording and Discussion.” 2013. Thesis, University of California – San Diego. Accessed October 22, 2019. http://www.escholarship.org/uc/item/2065w4t0.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walters, Ashley M. “Six New and Recent Works for Solo Cello in Recording and Discussion.” 2013. Web. 22 Oct 2019.

Vancouver:

Walters AM. Six New and Recent Works for Solo Cello in Recording and Discussion. [Internet] [Thesis]. University of California – San Diego; 2013. [cited 2019 Oct 22]. Available from: http://www.escholarship.org/uc/item/2065w4t0.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walters AM. Six New and Recent Works for Solo Cello in Recording and Discussion. [Thesis]. University of California – San Diego; 2013. Available from: http://www.escholarship.org/uc/item/2065w4t0

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

4. Roos, Dorette Maria. The Faust legend and its musical manifestations : a historical overview.

Degree: Music, 2010, Stellenbosch University

Thesis (MMus (Music)) – Stellenbosch University, 2010.

ENGLISH ABSTRACT: This thesis explores the Faust legend and its musical manifestations since the 19th century. The objective is… (more)

Subjects/Keywords: Legends; Goethe, Johann Wolfgang von,1749-1832  – Criticism and interpretation; Music and literature

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APA (6th Edition):

Roos, D. M. (2010). The Faust legend and its musical manifestations : a historical overview. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/5156

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roos, Dorette Maria. “The Faust legend and its musical manifestations : a historical overview.” 2010. Thesis, Stellenbosch University. Accessed October 22, 2019. http://hdl.handle.net/10019.1/5156.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roos, Dorette Maria. “The Faust legend and its musical manifestations : a historical overview.” 2010. Web. 22 Oct 2019.

Vancouver:

Roos DM. The Faust legend and its musical manifestations : a historical overview. [Internet] [Thesis]. Stellenbosch University; 2010. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10019.1/5156.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roos DM. The Faust legend and its musical manifestations : a historical overview. [Thesis]. Stellenbosch University; 2010. Available from: http://hdl.handle.net/10019.1/5156

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

5. Miethe, Bernardo Virgilio. The Journeys of Humboldt: A Guide to Efrain Oscher’s Composition for Orchestra.

Degree: DMA, Music, 2015, Louisiana State University

 The purpose of this monograph is to provide a conductor’s guide to the preparation, performance, and programing of Efrain Oscher’s composition for orchestra “Los Viajes… (more)

Subjects/Keywords: Ferdinand Bellermann; Alexander von Humboldt; Efrain Oscher; The Journeys of Humboldt; Los Viajes de Humboldt; composer biography; composition analysis

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APA (6th Edition):

Miethe, B. V. (2015). The Journeys of Humboldt: A Guide to Efrain Oscher’s Composition for Orchestra. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-04082015-125133 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3713

Chicago Manual of Style (16th Edition):

Miethe, Bernardo Virgilio. “The Journeys of Humboldt: A Guide to Efrain Oscher’s Composition for Orchestra.” 2015. Doctoral Dissertation, Louisiana State University. Accessed October 22, 2019. etd-04082015-125133 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3713.

MLA Handbook (7th Edition):

Miethe, Bernardo Virgilio. “The Journeys of Humboldt: A Guide to Efrain Oscher’s Composition for Orchestra.” 2015. Web. 22 Oct 2019.

Vancouver:

Miethe BV. The Journeys of Humboldt: A Guide to Efrain Oscher’s Composition for Orchestra. [Internet] [Doctoral dissertation]. Louisiana State University; 2015. [cited 2019 Oct 22]. Available from: etd-04082015-125133 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3713.

Council of Science Editors:

Miethe BV. The Journeys of Humboldt: A Guide to Efrain Oscher’s Composition for Orchestra. [Doctoral Dissertation]. Louisiana State University; 2015. Available from: etd-04082015-125133 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3713

6. Norton, Robert E. A Study of Mignon's Lied in Selected Settings.

Degree: MA, Music, 1970, University of North Dakota

  The focus of this study is the various treatments given by composers to a twelve line poem by Johann Wolfgang von Goethe. The text… (more)

Subjects/Keywords: Johann Wolfgang von Goethe; Wilhelm Meisters Lehrjahre; music appreciation; Music

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APA (6th Edition):

Norton, R. E. (1970). A Study of Mignon's Lied in Selected Settings. (Masters Thesis). University of North Dakota. Retrieved from https://commons.und.edu/theses/912

Chicago Manual of Style (16th Edition):

Norton, Robert E. “A Study of Mignon's Lied in Selected Settings.” 1970. Masters Thesis, University of North Dakota. Accessed October 22, 2019. https://commons.und.edu/theses/912.

MLA Handbook (7th Edition):

Norton, Robert E. “A Study of Mignon's Lied in Selected Settings.” 1970. Web. 22 Oct 2019.

Vancouver:

Norton RE. A Study of Mignon's Lied in Selected Settings. [Internet] [Masters thesis]. University of North Dakota; 1970. [cited 2019 Oct 22]. Available from: https://commons.und.edu/theses/912.

Council of Science Editors:

Norton RE. A Study of Mignon's Lied in Selected Settings. [Masters Thesis]. University of North Dakota; 1970. Available from: https://commons.und.edu/theses/912


NSYSU

7. Chen, Ying-chen. A Study of Four Wunderhorn-Lieder by Gustav Mahler.

Degree: Master, Music, 2012, NSYSU

 Gustav Mahler (1860-1911), was one of the great composers of the late-Romantic era. He composed forty-five Lieder. These Lieder, as influences by Mahlerâs symphonic work,… (more)

Subjects/Keywords: Mahler; Des Knaben Wunderhorn; Folk Song; Lieder; Lieder und Gesänge aus der Jugendzeit

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APA (6th Edition):

Chen, Y. (2012). A Study of Four Wunderhorn-Lieder by Gustav Mahler. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0120112-101627

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chen, Ying-chen. “A Study of Four Wunderhorn-Lieder by Gustav Mahler.” 2012. Thesis, NSYSU. Accessed October 22, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0120112-101627.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chen, Ying-chen. “A Study of Four Wunderhorn-Lieder by Gustav Mahler.” 2012. Web. 22 Oct 2019.

Vancouver:

Chen Y. A Study of Four Wunderhorn-Lieder by Gustav Mahler. [Internet] [Thesis]. NSYSU; 2012. [cited 2019 Oct 22]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0120112-101627.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chen Y. A Study of Four Wunderhorn-Lieder by Gustav Mahler. [Thesis]. NSYSU; 2012. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0120112-101627

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Vaaler, Alyson Sue. Modern Antiquity: Modern Interpretations of Folk Sources in Gustav Mahler's Songs from Des Knaben Wunderhorn.

Degree: MM, Music, 2013, University of Wisconsin – Milwaukee

  Between 1805 and 1808, Ludwig Achim von Arnim (1781-1831) and Clemens Brentano (1778-1842) compiled a three-volume collection of German folk poetry entitled <i>Des Knaben… (more)

Subjects/Keywords: Arnim; Achim Von; Des Knaben Wunderhorn; Folk Songs; Gustav Mahler; Herder, Johann Gottfried; Music

…Steig, Achim von Arnim und Clemens Brentano (Stuttgart: J.G. Cotta’sche, 1894). 5… …enthält die holdseligsten Blüten des deutschen Geistes, und wer das deutsche Volk von einer… …1984), 1-4. 25 Reinhold Steig, Achim von Arnim und Clemens Brentano (Stuttgart… …Landbewohner!] 26 27 Steig, Achim von Arnim und Clemens Brentano, 130. Steig, Achim von Arnim… …eingeführt.] 28 Steig, Achim von Arnim und Clemens Brentano, 132. [Es muß sehr zwischen… 

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APA (6th Edition):

Vaaler, A. S. (2013). Modern Antiquity: Modern Interpretations of Folk Sources in Gustav Mahler's Songs from Des Knaben Wunderhorn. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/172

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vaaler, Alyson Sue. “Modern Antiquity: Modern Interpretations of Folk Sources in Gustav Mahler's Songs from Des Knaben Wunderhorn.” 2013. Thesis, University of Wisconsin – Milwaukee. Accessed October 22, 2019. https://dc.uwm.edu/etd/172.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vaaler, Alyson Sue. “Modern Antiquity: Modern Interpretations of Folk Sources in Gustav Mahler's Songs from Des Knaben Wunderhorn.” 2013. Web. 22 Oct 2019.

Vancouver:

Vaaler AS. Modern Antiquity: Modern Interpretations of Folk Sources in Gustav Mahler's Songs from Des Knaben Wunderhorn. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2013. [cited 2019 Oct 22]. Available from: https://dc.uwm.edu/etd/172.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vaaler AS. Modern Antiquity: Modern Interpretations of Folk Sources in Gustav Mahler's Songs from Des Knaben Wunderhorn. [Thesis]. University of Wisconsin – Milwaukee; 2013. Available from: https://dc.uwm.edu/etd/172

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

9. Hsu, I-ju. A Study of Fantasy Techniques in the "Für Kenner und Liebhaber".

Degree: Master, Music, 2004, NSYSU

 Carl Philipp Emanuel Bach was among one of the earliest who contributed to the musical development in German & Austria region in the history of… (more)

Subjects/Keywords: Emanual Bach; ; r Kenner und Liebhaber

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APA (6th Edition):

Hsu, I. (2004). A Study of Fantasy Techniques in the "Für Kenner und Liebhaber". (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0906104-225451

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hsu, I-ju. “A Study of Fantasy Techniques in the "Für Kenner und Liebhaber".” 2004. Thesis, NSYSU. Accessed October 22, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0906104-225451.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hsu, I-ju. “A Study of Fantasy Techniques in the "Für Kenner und Liebhaber".” 2004. Web. 22 Oct 2019.

Vancouver:

Hsu I. A Study of Fantasy Techniques in the "Für Kenner und Liebhaber". [Internet] [Thesis]. NSYSU; 2004. [cited 2019 Oct 22]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0906104-225451.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hsu I. A Study of Fantasy Techniques in the "Für Kenner und Liebhaber". [Thesis]. NSYSU; 2004. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0906104-225451

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Barney, Elizabeth Yeatts. Carl Philipp Emanuel Bach's development of first-movement form with analyses of the sonatas in für Kenner und Liebhaber.

Degree: MA, Music, 1979, Texas Woman's University

Subjects/Keywords: für Kenner und Liebhaber; Carl Philipp Emanuel Bach; Bach sonatas; Keyboard music

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APA (6th Edition):

Barney, E. Y. (1979). Carl Philipp Emanuel Bach's development of first-movement form with analyses of the sonatas in für Kenner und Liebhaber. (Masters Thesis). Texas Woman's University. Retrieved from http://hdl.handle.net/11274/9983

Chicago Manual of Style (16th Edition):

Barney, Elizabeth Yeatts. “Carl Philipp Emanuel Bach's development of first-movement form with analyses of the sonatas in für Kenner und Liebhaber.” 1979. Masters Thesis, Texas Woman's University. Accessed October 22, 2019. http://hdl.handle.net/11274/9983.

MLA Handbook (7th Edition):

Barney, Elizabeth Yeatts. “Carl Philipp Emanuel Bach's development of first-movement form with analyses of the sonatas in für Kenner und Liebhaber.” 1979. Web. 22 Oct 2019.

Vancouver:

Barney EY. Carl Philipp Emanuel Bach's development of first-movement form with analyses of the sonatas in für Kenner und Liebhaber. [Internet] [Masters thesis]. Texas Woman's University; 1979. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/11274/9983.

Council of Science Editors:

Barney EY. Carl Philipp Emanuel Bach's development of first-movement form with analyses of the sonatas in für Kenner und Liebhaber. [Masters Thesis]. Texas Woman's University; 1979. Available from: http://hdl.handle.net/11274/9983


Rutgers University

11. Harberg, Amanda, 1973-. Issues of meaning and structure in the symphonic poem.

Degree: PhD, Music, 2019, Rutgers University

Questions of how composers reconcile the relationship between content and structure when music is based on a non-musical idea have been explored in the genre… (more)

Subjects/Keywords: Symphonic poem; Strauss, Richard, 1864-1949.  – Tod und Verklärung  – Criticism and interpretation; Tchaikovsky, Peter Ilich, 1840-1893.  – Romeo et Juliette (Fantasy-overture)  – Criticism and interpretation; Debussy, Claude, 1862-1918.  – Prélude à l'après-midi d'un faune  – Criticism and interpretation; Vaughan Williams, Ralph, 1872-1958.  – Lark ascending  – Criticism and interpretation; Dutilleux, Henri, 1916-2013.  – Timbres, espace, mouvement  – Criticism and interpretation; Harberg, Amanda.  – The sleeping gypsy  – Criticism and interpretation

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APA (6th Edition):

Harberg, Amanda, 1. (2019). Issues of meaning and structure in the symphonic poem. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/60825/

Chicago Manual of Style (16th Edition):

Harberg, Amanda, 1973-. “Issues of meaning and structure in the symphonic poem.” 2019. Doctoral Dissertation, Rutgers University. Accessed October 22, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/60825/.

MLA Handbook (7th Edition):

Harberg, Amanda, 1973-. “Issues of meaning and structure in the symphonic poem.” 2019. Web. 22 Oct 2019.

Vancouver:

Harberg, Amanda 1. Issues of meaning and structure in the symphonic poem. [Internet] [Doctoral dissertation]. Rutgers University; 2019. [cited 2019 Oct 22]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/60825/.

Council of Science Editors:

Harberg, Amanda 1. Issues of meaning and structure in the symphonic poem. [Doctoral Dissertation]. Rutgers University; 2019. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/60825/


Louisiana State University

12. Goldsmith, Melissa Ursula Dawn. Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula.

Degree: PhD, Music, 2001, Louisiana State University

 The music composed to accompany the film in Berg’s Opera Lulu – the “Film Music Interlude” (FMI) – is the subject of this study. Although this is… (more)

Subjects/Keywords: phenomenology; auteur; sir adrian boult; genre criticism; david headlam; charles gounod; commodity music; listening; kitsch; glückliche hand; begleitungsmusik; von heute auf morgen; benjamin fondane; double agents; vienna; body missing; cinema lighting; scenarist-composer; film editing; die weltbühne; audience; camera angle; film directing; sociological studies; georges altman; other condition; culture industry; festivals; magic lantern shows; immediate apprehension; exhibitions; roman clemens; ostinato; musical form; le boeuf sur le toit; george perle; semiotics; willi reich; fragment; louis giannetti; patricia hall; music analysis; dave headlam; edward cone; cinematography; filmography; fermata; midpoint; curtain music; dr. schön; symmetry; vivace; central axis; countess geschwitz; alwa; sempre agitato; calmando; tumultuoso; cinema spectatorship; ernst krenek; opera spectatorship; agitato; zurich stadtarchiv; berlin; sempre vivace; igor stravinsky; béla bartók; stadtarchiv zürich; tartuffe; maurice ravel; erik satie; christoph colomb; wozzeck; film content; alfred rosenzweig; hans haug; madeleine milhaud; figaro (serial publication); karl heinrich david; time (serial publication); paul stefan; wipes; news-week (serial publication); g. w. pabst; karl kraus; musical frames; rhythmic match; umberto eco; pandora's box; eüchse der pandora; frame; louise brooks; expressionism; lulu suite; narratology; frans mansreel; symphonic pieces from the opera lulu; otto falkenberg; filmmaking; erdgeist; continuity; cinema; aesthetics; 20th-century; the blue angel; jackie coogan; cinema music; oliver hardy; buster keaton; theodore storm; anton webern; erwin stein; winfried zillig; double roles; laurel and hardy; der blaue angel; the white horserider; film editing techniques; film spectatorship; establishing shots; stan laurel; silent film; musical performance; frames; camera shots; silent cinema; othmar schoeck; classicism; screen image; extreme; realism; film sequence; tempo (film production company); heinz rückert; hans rudolf meyer; formalism; bahrija nuri-hadzic; trumpet fanfare; peter baxevanos; dramaturgy; herbert blumer; asger stig; hanns eisler; der schimmelreiter; heinrich jalowetz; palindrome; motion picture; motion picture music; character representation; fade; zurich; fades; normal condition; immediacy; camera techniques; scenarist-director; documentary; murder; serial killer; philip m. hauser; women's studies; feminism; lesbianism; film noir; femme fatale; emotional possession; emotional detachment; b-grade film; universal edition; emil hertzka; alfred einstein; lantern slides; film projections; painting filmstrips; richard strauss; max horkheimer; shop girl

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APA (6th Edition):

Goldsmith, M. U. D. (2001). Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-0415102-110441 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2351

Chicago Manual of Style (16th Edition):

Goldsmith, Melissa Ursula Dawn. “Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula.” 2001. Doctoral Dissertation, Louisiana State University. Accessed October 22, 2019. etd-0415102-110441 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2351.

MLA Handbook (7th Edition):

Goldsmith, Melissa Ursula Dawn. “Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula.” 2001. Web. 22 Oct 2019.

Vancouver:

Goldsmith MUD. Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula. [Internet] [Doctoral dissertation]. Louisiana State University; 2001. [cited 2019 Oct 22]. Available from: etd-0415102-110441 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2351.

Council of Science Editors:

Goldsmith MUD. Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula. [Doctoral Dissertation]. Louisiana State University; 2001. Available from: etd-0415102-110441 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2351

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