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You searched for subject:(ANGEWANDTE KUNST). Showing records 1 – 12 of 12 total matches.

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Freie Universität Berlin

1. Konwitschny, Seollyeon. Alessandro Mauro: a venetian theatre and festival decorator of late Baroque (active ca. 1694-1736).

Degree: 2015, Freie Universität Berlin

 My monographic work discusses the relevance of the rediscovery of – and the new appreciation for – Venetian theatre architect and festival designer Alessandro Mauro.… (more)

Subjects/Keywords: baroque theatre; baroque stage; festival design; venetian Gondola decoration in 18th century; court culture in Dresden; 700 Künste und Unterhaltung::740 Zeichnung, angewandte Kunst::745 Angewandte Kunst; 700 Künste und Unterhaltung::740 Zeichnung, angewandte Kunst::747 Innendekoration

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APA (6th Edition):

Konwitschny, S. (2015). Alessandro Mauro: a venetian theatre and festival decorator of late Baroque (active ca. 1694-1736). (Thesis). Freie Universität Berlin. Retrieved from https://refubium.fu-berlin.de/handle/fub188/12386

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Konwitschny, Seollyeon. “Alessandro Mauro: a venetian theatre and festival decorator of late Baroque (active ca. 1694-1736).” 2015. Thesis, Freie Universität Berlin. Accessed December 08, 2019. https://refubium.fu-berlin.de/handle/fub188/12386.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Konwitschny, Seollyeon. “Alessandro Mauro: a venetian theatre and festival decorator of late Baroque (active ca. 1694-1736).” 2015. Web. 08 Dec 2019.

Vancouver:

Konwitschny S. Alessandro Mauro: a venetian theatre and festival decorator of late Baroque (active ca. 1694-1736). [Internet] [Thesis]. Freie Universität Berlin; 2015. [cited 2019 Dec 08]. Available from: https://refubium.fu-berlin.de/handle/fub188/12386.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Konwitschny S. Alessandro Mauro: a venetian theatre and festival decorator of late Baroque (active ca. 1694-1736). [Thesis]. Freie Universität Berlin; 2015. Available from: https://refubium.fu-berlin.de/handle/fub188/12386

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brigham Young University

2. Vaieland, Natalie Marie. Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon's Life? or Theater?.

Degree: MA, 2016, Brigham Young University

 Charlotte Salomon's Life? or Theater? is a complex compilation of painting, musical notations, autobiography, cinematic layouts, and literary text. Salomon scholars have neglected a crucial… (more)

Subjects/Keywords: Charlotte Salomon; Alfred Wolfsohn; Life or Theater?; Gesamtkunstwerk; German Expressionism; Vereinigte Staatsschulen für Freie und Angewandte Kunst; Classics

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APA (6th Edition):

Vaieland, N. M. (2016). Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon's Life? or Theater?. (Masters Thesis). Brigham Young University. Retrieved from https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7433&context=etd

Chicago Manual of Style (16th Edition):

Vaieland, Natalie Marie. “Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon's Life? or Theater?.” 2016. Masters Thesis, Brigham Young University. Accessed December 08, 2019. https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7433&context=etd.

MLA Handbook (7th Edition):

Vaieland, Natalie Marie. “Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon's Life? or Theater?.” 2016. Web. 08 Dec 2019.

Vancouver:

Vaieland NM. Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon's Life? or Theater?. [Internet] [Masters thesis]. Brigham Young University; 2016. [cited 2019 Dec 08]. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7433&context=etd.

Council of Science Editors:

Vaieland NM. Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon's Life? or Theater?. [Masters Thesis]. Brigham Young University; 2016. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7433&context=etd


Freie Universität Berlin

3. Malz, Dorit. The Sala dei Cinquecento in the Palazzo Vecchio in Florence.

Degree: 2010, Freie Universität Berlin

 The equipment of the Sala dei Cinquecento developed on behalf Cosimo Ith de' Medici in the medieval Palazzo Vecchio was the probably the most ambitious… (more)

Subjects/Keywords: Renaissance; apparati; Giorgio Vasari; Ragionamenti; 700 Künste und Unterhaltung::700 Künste::700 Künste, Bildende und angewandte Kunst

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APA (6th Edition):

Malz, D. (2010). The Sala dei Cinquecento in the Palazzo Vecchio in Florence. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-6523

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Malz, Dorit. “The Sala dei Cinquecento in the Palazzo Vecchio in Florence.” 2010. Thesis, Freie Universität Berlin. Accessed December 08, 2019. http://dx.doi.org/10.17169/refubium-6523.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Malz, Dorit. “The Sala dei Cinquecento in the Palazzo Vecchio in Florence.” 2010. Web. 08 Dec 2019.

Vancouver:

Malz D. The Sala dei Cinquecento in the Palazzo Vecchio in Florence. [Internet] [Thesis]. Freie Universität Berlin; 2010. [cited 2019 Dec 08]. Available from: http://dx.doi.org/10.17169/refubium-6523.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Malz D. The Sala dei Cinquecento in the Palazzo Vecchio in Florence. [Thesis]. Freie Universität Berlin; 2010. Available from: http://dx.doi.org/10.17169/refubium-6523

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

4. Feller-Kniepmeier, Monika. The rood screen of Magdeburg cathedral and its altar of the holy cross.

Degree: 2012, Freie Universität Berlin

 Although the Magdeburg cathedral owes one of the few rood screens that have overcome from middle ages, there has been no scientific investigation so far.… (more)

Subjects/Keywords: Gotik; Magdeburger Dom; Lettner; 700 Künste und Unterhaltung::700 Künste::700 Künste, Bildende und angewandte Kunst

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APA (6th Edition):

Feller-Kniepmeier, M. (2012). The rood screen of Magdeburg cathedral and its altar of the holy cross. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-13796

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Feller-Kniepmeier, Monika. “The rood screen of Magdeburg cathedral and its altar of the holy cross.” 2012. Thesis, Freie Universität Berlin. Accessed December 08, 2019. http://dx.doi.org/10.17169/refubium-13796.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Feller-Kniepmeier, Monika. “The rood screen of Magdeburg cathedral and its altar of the holy cross.” 2012. Web. 08 Dec 2019.

Vancouver:

Feller-Kniepmeier M. The rood screen of Magdeburg cathedral and its altar of the holy cross. [Internet] [Thesis]. Freie Universität Berlin; 2012. [cited 2019 Dec 08]. Available from: http://dx.doi.org/10.17169/refubium-13796.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Feller-Kniepmeier M. The rood screen of Magdeburg cathedral and its altar of the holy cross. [Thesis]. Freie Universität Berlin; 2012. Available from: http://dx.doi.org/10.17169/refubium-13796

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

5. Minichberger, Anna. Die Japanischen Lackarbeiten der Wiener Weltausstellung im Österreichischen Museum für Angewandte Kunst.

Degree: 2007, University of Vienna

 Die vorliegende Diplomarbeit beschäftigt sich mit ausgewählten Beispielen der japanischen Lackkunst, jenen Objekten, die auf der Wiener Weltausstellung im Jahre 1873 zu sehen waren, und… (more)

Subjects/Keywords: 20.11 Kunstsammlung; 20.41 Asiatische Kunst; Japanische Lackarbeiten / Wiener Weltausstellung / Österreichisches Museum für angewandte Kunst

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APA (6th Edition):

Minichberger, A. (2007). Die Japanischen Lackarbeiten der Wiener Weltausstellung im Österreichischen Museum für Angewandte Kunst. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/400/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Minichberger, Anna. “Die Japanischen Lackarbeiten der Wiener Weltausstellung im Österreichischen Museum für Angewandte Kunst.” 2007. Thesis, University of Vienna. Accessed December 08, 2019. http://othes.univie.ac.at/400/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Minichberger, Anna. “Die Japanischen Lackarbeiten der Wiener Weltausstellung im Österreichischen Museum für Angewandte Kunst.” 2007. Web. 08 Dec 2019.

Vancouver:

Minichberger A. Die Japanischen Lackarbeiten der Wiener Weltausstellung im Österreichischen Museum für Angewandte Kunst. [Internet] [Thesis]. University of Vienna; 2007. [cited 2019 Dec 08]. Available from: http://othes.univie.ac.at/400/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Minichberger A. Die Japanischen Lackarbeiten der Wiener Weltausstellung im Österreichischen Museum für Angewandte Kunst. [Thesis]. University of Vienna; 2007. Available from: http://othes.univie.ac.at/400/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

6. Kaufmann, Waltraud. Eine andere Welt.

Degree: 2010, University of Vienna

 Die vorliegende Diplomarbeit trägt den Titel „EINE ANDERE WELT: Friedrich von Berzeviczy-Pallavicini – Sein Wiener Frühwerk der Zwischenkriegszeit“. Wie schon der Titel klärt wird das… (more)

Subjects/Keywords: 20.00 Kunstwissenschaften: Allgemeines; 21.37 Graphikdesign; 21.80 Kunsthandwerk, Kunstgewerbe: Allgemeines; 21.84 Innenarchitektur; 21.85 Modedesign; 21.88 Keramik; Friedrich von Berzeviczy / Friedrich Pallavicini / Friedrich von Berzeviczy-Pallavicini / Zwischenkriegszeit / Angewandte Kunst / Zuckerbäckerei Demel; Friedrich von Berzeviczy / Friedrich Pallavicini / Friedrich von Berzeviczy-Pallavicini

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APA (6th Edition):

Kaufmann, W. (2010). Eine andere Welt. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/12382/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kaufmann, Waltraud. “Eine andere Welt.” 2010. Thesis, University of Vienna. Accessed December 08, 2019. http://othes.univie.ac.at/12382/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kaufmann, Waltraud. “Eine andere Welt.” 2010. Web. 08 Dec 2019.

Vancouver:

Kaufmann W. Eine andere Welt. [Internet] [Thesis]. University of Vienna; 2010. [cited 2019 Dec 08]. Available from: http://othes.univie.ac.at/12382/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kaufmann W. Eine andere Welt. [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/12382/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

7. Berding, Bianca. The art trade in Berlin for modern applied art from 1897 to 1914.

Degree: 2012, Freie Universität Berlin

 In 01.10.1897 interior decorator Martin Keller and Carl R. Reiner founded in Berlin the art dealers shop Keller & Reiner. The art dealers shop was… (more)

Subjects/Keywords: Berlin art trade; modern applied art; 1897 - 1914; art nouveau; 700 Künste und Unterhaltung; 700 Künste und Unterhaltung::730 Bildhauerkunst, Keramik, Metallkunst; 700 Künste und Unterhaltung::740 Zeichnung, angewandte Kunst; 700 Künste und Unterhaltung::750 Malerei

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APA (6th Edition):

Berding, B. (2012). The art trade in Berlin for modern applied art from 1897 to 1914. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-9538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Berding, Bianca. “The art trade in Berlin for modern applied art from 1897 to 1914.” 2012. Thesis, Freie Universität Berlin. Accessed December 08, 2019. http://dx.doi.org/10.17169/refubium-9538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Berding, Bianca. “The art trade in Berlin for modern applied art from 1897 to 1914.” 2012. Web. 08 Dec 2019.

Vancouver:

Berding B. The art trade in Berlin for modern applied art from 1897 to 1914. [Internet] [Thesis]. Freie Universität Berlin; 2012. [cited 2019 Dec 08]. Available from: http://dx.doi.org/10.17169/refubium-9538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Berding B. The art trade in Berlin for modern applied art from 1897 to 1914. [Thesis]. Freie Universität Berlin; 2012. Available from: http://dx.doi.org/10.17169/refubium-9538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

8. Walter-Ris, Anja. Passion for Modern Art.

Degree: 2003, Freie Universität Berlin

 The story of the Nierendorf Gallery and the Nierendorf brothers exemplify the extremely important, however, often underestimated influence of modern art dealers on the development… (more)

Subjects/Keywords: Nierendorf Gallery; modern art dealer; 700 Künste und Unterhaltung::700 Künste::700 Künste, Bildende und angewandte Kunst

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APA (6th Edition):

Walter-Ris, A. (2003). Passion for Modern Art. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-6309

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walter-Ris, Anja. “Passion for Modern Art.” 2003. Thesis, Freie Universität Berlin. Accessed December 08, 2019. http://dx.doi.org/10.17169/refubium-6309.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walter-Ris, Anja. “Passion for Modern Art.” 2003. Web. 08 Dec 2019.

Vancouver:

Walter-Ris A. Passion for Modern Art. [Internet] [Thesis]. Freie Universität Berlin; 2003. [cited 2019 Dec 08]. Available from: http://dx.doi.org/10.17169/refubium-6309.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walter-Ris A. Passion for Modern Art. [Thesis]. Freie Universität Berlin; 2003. Available from: http://dx.doi.org/10.17169/refubium-6309

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

9. Wilkens, Albrecht. an innovation in sacred representation and it's development.

Degree: 2001, Freie Universität Berlin

 Light in Caravaggio is not irrelevant to the meaning of a picture, but is accessible to an iconographic interpretation. Its meaning can be determined by… (more)

Subjects/Keywords: Caravaggio Bildanalyse; 700 Künste und Unterhaltung::700 Künste::700 Künste, Bildende und angewandte Kunst

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APA (6th Edition):

Wilkens, A. (2001). an innovation in sacred representation and it's development. (Thesis). Freie Universität Berlin. Retrieved from https://refubium.fu-berlin.de/handle/fub188/10384

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wilkens, Albrecht. “an innovation in sacred representation and it's development.” 2001. Thesis, Freie Universität Berlin. Accessed December 08, 2019. https://refubium.fu-berlin.de/handle/fub188/10384.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wilkens, Albrecht. “an innovation in sacred representation and it's development.” 2001. Web. 08 Dec 2019.

Vancouver:

Wilkens A. an innovation in sacred representation and it's development. [Internet] [Thesis]. Freie Universität Berlin; 2001. [cited 2019 Dec 08]. Available from: https://refubium.fu-berlin.de/handle/fub188/10384.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wilkens A. an innovation in sacred representation and it's development. [Thesis]. Freie Universität Berlin; 2001. Available from: https://refubium.fu-berlin.de/handle/fub188/10384

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

10. Cercelovic, Sabrina. Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism.

Degree: 1999, Freie Universität Berlin

 Although the subject of time is a very important aspect of impressionistic art, the complexity of this subject is ignored by most of the authors… (more)

Subjects/Keywords: Paul Cezanne; aspects of time; opera; impressionism;

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cercelovic, S. (1999). Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-12520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cercelovic, Sabrina. “Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism.” 1999. Thesis, Freie Universität Berlin. Accessed December 08, 2019. http://dx.doi.org/10.17169/refubium-12520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cercelovic, Sabrina. “Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism.” 1999. Web. 08 Dec 2019.

Vancouver:

Cercelovic S. Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism. [Internet] [Thesis]. Freie Universität Berlin; 1999. [cited 2019 Dec 08]. Available from: http://dx.doi.org/10.17169/refubium-12520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cercelovic S. Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism. [Thesis]. Freie Universität Berlin; 1999. Available from: http://dx.doi.org/10.17169/refubium-12520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

11. Alagia, Donato. Horti Lamiani. Topography and recontextualization of the marble decoration from the late Roman Republic to Late Antiquity.

Degree: 2018, Freie Universität Berlin

 This work provides the recontextualization of the decoration of the Horti Lamiani and the analysis of their transformation from the end of the Roman Republic… (more)

Subjects/Keywords: Horti Lamiani; Roman gardens; opus sectile; opus interrasile; 900 Geschichte und Geografie::930 Geschichte des Altertums (bis ca. 499), Archäologie::930 Geschichte des Altertums bis ca. 499, Archäologie; 700 Künste und Unterhaltung::720 Architektur::722 Architektur bis etwa 300; 700 Künste und Unterhaltung::720 Architektur::728 Wohnbauten und verwandte Gebäude; 700 Künste und Unterhaltung::740 Zeichnung, angewandte Kunst::747 Innendekoration

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APA (6th Edition):

Alagia, D. (2018). Horti Lamiani. Topography and recontextualization of the marble decoration from the late Roman Republic to Late Antiquity. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-7499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alagia, Donato. “Horti Lamiani. Topography and recontextualization of the marble decoration from the late Roman Republic to Late Antiquity.” 2018. Thesis, Freie Universität Berlin. Accessed December 08, 2019. http://dx.doi.org/10.17169/refubium-7499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alagia, Donato. “Horti Lamiani. Topography and recontextualization of the marble decoration from the late Roman Republic to Late Antiquity.” 2018. Web. 08 Dec 2019.

Vancouver:

Alagia D. Horti Lamiani. Topography and recontextualization of the marble decoration from the late Roman Republic to Late Antiquity. [Internet] [Thesis]. Freie Universität Berlin; 2018. [cited 2019 Dec 08]. Available from: http://dx.doi.org/10.17169/refubium-7499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alagia D. Horti Lamiani. Topography and recontextualization of the marble decoration from the late Roman Republic to Late Antiquity. [Thesis]. Freie Universität Berlin; 2018. Available from: http://dx.doi.org/10.17169/refubium-7499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


ETH Zürich

12. Fischer, Ole W. Nietzsches Schatten: eine vergleichende Studie zur Rezeptionsgeschichte in der frühen Moderne.

Degree: 2008, ETH Zürich

Subjects/Keywords: ARCHITEKTUR; ANGEWANDTE KUNST; KUNSTTHEORIE + KUNSTÄSTHETIK + KUNSTPHILOSOPHIE; Velde, Henry van de; PHILOSOPHIE; Nietzsche, Friedrich; Nietzsche-Archiv; REZEPTION (WIRKUNGSGESCHICHTE, ALLGEMEIN); KULTURGESCHICHTE DES ZWANZIGSTEN JAHRHUNDERTS N.CHR.; ARCHITECTURE; APPLIED ARTS; ART THEORY + ART AESTHETICS + ART PHILOSOPHY; PHILOSOPHY; RECEPTION, INFLUENCES (GENERAL); CULTURAL HISTORY OF THE TWENTIETH CENTURY A.D.; info:eu-repo/classification/ddc/720; info:eu-repo/classification/ddc/100; info:eu-repo/classification/ddc/700; Architecture; Philosophy; The arts

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APA (6th Edition):

Fischer, O. W. (2008). Nietzsches Schatten: eine vergleichende Studie zur Rezeptionsgeschichte in der frühen Moderne. (Doctoral Dissertation). ETH Zürich. Retrieved from http://hdl.handle.net/20.500.11850/150889

Chicago Manual of Style (16th Edition):

Fischer, Ole W. “Nietzsches Schatten: eine vergleichende Studie zur Rezeptionsgeschichte in der frühen Moderne.” 2008. Doctoral Dissertation, ETH Zürich. Accessed December 08, 2019. http://hdl.handle.net/20.500.11850/150889.

MLA Handbook (7th Edition):

Fischer, Ole W. “Nietzsches Schatten: eine vergleichende Studie zur Rezeptionsgeschichte in der frühen Moderne.” 2008. Web. 08 Dec 2019.

Vancouver:

Fischer OW. Nietzsches Schatten: eine vergleichende Studie zur Rezeptionsgeschichte in der frühen Moderne. [Internet] [Doctoral dissertation]. ETH Zürich; 2008. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/20.500.11850/150889.

Council of Science Editors:

Fischer OW. Nietzsches Schatten: eine vergleichende Studie zur Rezeptionsgeschichte in der frühen Moderne. [Doctoral Dissertation]. ETH Zürich; 2008. Available from: http://hdl.handle.net/20.500.11850/150889

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