subject:(840)

1. Blin-Rolland, Armelle. Back and forth between written and spoken : studies of transposed voices in Céline's 'Voyage au bout de la nuit', Queneau's 'Zazie dans le métro' and their adaptations.

Degree: PhD, 2011, Bangor University

URL: https://research.bangor.ac.uk/portal/en/theses/back-and-forth-between-written-and-spoken – studies-of-transposed-voices-in-celines-voyage-au-bout-de-la-nuit-queneaus-zazic-dans-le-metro-and-their-adaptations(6f15c742-d63c-4c50-9aaf-efdd69f7a0d4).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543340

► What happens to literary voices when they are transposed into another medium? This is the central question of this study, which takes as its primary… (more)

Subjects/Keywords: 840

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Blin-Rolland, A. (2011). Back and forth between written and spoken : studies of transposed voices in Céline's 'Voyage au bout de la nuit', Queneau's 'Zazie dans le métro' and their adaptations. (Doctoral Dissertation). Bangor University. Retrieved from https://research.bangor.ac.uk/portal/en/theses/back-and-forth-between-written-and-spoken – studies-of-transposed-voices-in-celines-voyage-au-bout-de-la-nuit-queneaus-zazic-dans-le-metro-and-their-adaptations(6f15c742-d63c-4c50-9aaf-efdd69f7a0d4).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543340

Chicago Manual of Style (16^th Edition):

Blin-Rolland, Armelle. “Back and forth between written and spoken : studies of transposed voices in Céline's 'Voyage au bout de la nuit', Queneau's 'Zazie dans le métro' and their adaptations.” 2011. Doctoral Dissertation, Bangor University. Accessed February 24, 2021. https://research.bangor.ac.uk/portal/en/theses/back-and-forth-between-written-and-spoken – studies-of-transposed-voices-in-celines-voyage-au-bout-de-la-nuit-queneaus-zazic-dans-le-metro-and-their-adaptations(6f15c742-d63c-4c50-9aaf-efdd69f7a0d4).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543340.

MLA Handbook (7^th Edition):

Blin-Rolland, Armelle. “Back and forth between written and spoken : studies of transposed voices in Céline's 'Voyage au bout de la nuit', Queneau's 'Zazie dans le métro' and their adaptations.” 2011. Web. 24 Feb 2021.

Vancouver:

Blin-Rolland A. Back and forth between written and spoken : studies of transposed voices in Céline's 'Voyage au bout de la nuit', Queneau's 'Zazie dans le métro' and their adaptations. [Internet] [Doctoral dissertation]. Bangor University; 2011. [cited 2021 Feb 24]. Available from: https://research.bangor.ac.uk/portal/en/theses/back-and-forth-between-written-and-spoken – studies-of-transposed-voices-in-celines-voyage-au-bout-de-la-nuit-queneaus-zazic-dans-le-metro-and-their-adaptations(6f15c742-d63c-4c50-9aaf-efdd69f7a0d4).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543340.

Council of Science Editors:

Blin-Rolland A. Back and forth between written and spoken : studies of transposed voices in Céline's 'Voyage au bout de la nuit', Queneau's 'Zazie dans le métro' and their adaptations. [Doctoral Dissertation]. Bangor University; 2011. Available from: https://research.bangor.ac.uk/portal/en/theses/back-and-forth-between-written-and-spoken – studies-of-transposed-voices-in-celines-voyage-au-bout-de-la-nuit-queneaus-zazic-dans-le-metro-and-their-adaptations(6f15c742-d63c-4c50-9aaf-efdd69f7a0d4).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543340

University of St Andrews

2. Lorber, Julia Elfriede. The 'internal exotic' : a postcolonial re-reading of nineteenth-century Alsatian and Corsican literature in French.

Degree: PhD, 2013, University of St Andrews

URL: http://hdl.handle.net/10023/3744

► This thesis examines nineteenth-century French literature about the peripheral regions of Alsace and Corsica, observing the discursive process of their incorporation into the imagined French… (more)

Subjects/Keywords: 840

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APA (6^th Edition):

Lorber, J. E. (2013). The 'internal exotic' : a postcolonial re-reading of nineteenth-century Alsatian and Corsican literature in French. (Doctoral Dissertation). University of St Andrews. Retrieved from http://hdl.handle.net/10023/3744

Chicago Manual of Style (16^th Edition):

Lorber, Julia Elfriede. “The 'internal exotic' : a postcolonial re-reading of nineteenth-century Alsatian and Corsican literature in French.” 2013. Doctoral Dissertation, University of St Andrews. Accessed February 24, 2021. http://hdl.handle.net/10023/3744.

MLA Handbook (7^th Edition):

Lorber, Julia Elfriede. “The 'internal exotic' : a postcolonial re-reading of nineteenth-century Alsatian and Corsican literature in French.” 2013. Web. 24 Feb 2021.

Vancouver:

Lorber JE. The 'internal exotic' : a postcolonial re-reading of nineteenth-century Alsatian and Corsican literature in French. [Internet] [Doctoral dissertation]. University of St Andrews; 2013. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/10023/3744.

Council of Science Editors:

Lorber JE. The 'internal exotic' : a postcolonial re-reading of nineteenth-century Alsatian and Corsican literature in French. [Doctoral Dissertation]. University of St Andrews; 2013. Available from: http://hdl.handle.net/10023/3744

3. Vita, Philippe de. Jean Renoir épistolier. Fragments autobiographiques d'un honnête homme : Jean Renoir, letter writer. Autobiographical fragments of an honest man.

Degree: Docteur es, Langues littératures francaises, 2012, Université d'Orléans

URL: http://www.theses.fr/2012ORLE1121

►

En plus de ses activités cinématographiques, Jean Renoir fut un authentique polygraphe, ayant écrit plusieursromans et pièces de théâtre, de nombreux articles et des textes… (more)

▼

En plus de ses activités cinématographiques, Jean Renoir fut un authentique polygraphe, ayant écrit plusieursromans et pièces de théâtre, de nombreux articles et des textes autobiographiques. A cet ensemble vients’ajouter sa correspondance, qui se développe lors de l’exil de Renoir aux Etats-Unis, durant la deuxième guerremondiale. Cette correspondance est volontiers utilisée comme une source documentaire qui permet d’éclairer labiographie et la carrière du cinéaste, mais elle a été peu considérée pour elle-même. Il est nécessaired’envisager la lettre, non seulement comme document, mais comme discours et comme texte. Si la lettre deRenoir délivre des informations qui renseignent la création de certains films, la rhétorique qui est à l’oeuvrepeut nuancer l’histoire de la genèse cinématographique.L’enjeu de cette correspondance se révèle moins génétique qu’autobiographique. Renoir utilise la lettre pourrendre compte des bouleversements identitaires nés de la situation d’exil et afin de manifester son identitéartistique. Il brise ainsi lui-même la légende de l’Auteur forgée dans les années cinquante et à laquelle il avaitlui-même publiquement contribué. Sur la scène épistolaire, Renoir se voit en honnête homme au sens oùl’époque classique l’entendait : il utilise la lettre comme un moyen de faire preuve de sociabilité par la maîtrised’un art de plaire. Le souci de l’agrément le pousse à expérimenter des postures permettant d’obtenirl’assentiment du correspondant. Avant d’utiliser la lettre comme réservoir biographique, le lecteur devraremettre en perspective cette rhétorique de l’honnête homme selon Renoir.

In addition to his cinematographic activities, Jean Renoir was a very prolific and versatile writer, havingauthored several novels and plays, as well as many articles and autobiographical texts. To this collection ofwritings one can add his correspondence, which developed during Renoir's exile in the United States duringWorld War II. This correspondence is readily used as a documentary resource that helps to shed light on the lifeand career of the filmmaker, but seldom has it been considered in its own right. It is essential to consider a letternot only as a document but as a discourse, a text. If on the one hand Renoir's letters reveal information aboutthe making of certain films, the rhetoric at work could help reinterpret the history of cinematographic genesis.What is at stake in this correspondence turns out to be less genetic than autobiographical. Renoir uses letters torelate the identity upheaval born out of a situation of exile and to demonstrate his artistic identity. In doing sohe shatters the myth of the Author, created in the fifties and to which he had himself publicly contributed. Onan epistolary level, Renoir sees himself as an honest man, in the way it was understood in the classical period.He uses letters as a way to prove his sociability through the mastery of the art of pleasing. His desire to pleaseincites him to experiment with stances likely to generate his correspondent's assent. Before…

Advisors/Committee Members: Haroche-Bouzinac, Geneviève (thesis director).

Subjects/Keywords: Épistolaire; 840

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APA (6^th Edition):

Vita, P. d. (2012). Jean Renoir épistolier. Fragments autobiographiques d'un honnête homme : Jean Renoir, letter writer. Autobiographical fragments of an honest man. (Doctoral Dissertation). Université d'Orléans. Retrieved from http://www.theses.fr/2012ORLE1121

Chicago Manual of Style (16^th Edition):

Vita, Philippe de. “Jean Renoir épistolier. Fragments autobiographiques d'un honnête homme : Jean Renoir, letter writer. Autobiographical fragments of an honest man.” 2012. Doctoral Dissertation, Université d'Orléans. Accessed February 24, 2021. http://www.theses.fr/2012ORLE1121.

MLA Handbook (7^th Edition):

Vita, Philippe de. “Jean Renoir épistolier. Fragments autobiographiques d'un honnête homme : Jean Renoir, letter writer. Autobiographical fragments of an honest man.” 2012. Web. 24 Feb 2021.

Vancouver:

Vita Pd. Jean Renoir épistolier. Fragments autobiographiques d'un honnête homme : Jean Renoir, letter writer. Autobiographical fragments of an honest man. [Internet] [Doctoral dissertation]. Université d'Orléans; 2012. [cited 2021 Feb 24]. Available from: http://www.theses.fr/2012ORLE1121.

Council of Science Editors:

Vita Pd. Jean Renoir épistolier. Fragments autobiographiques d'un honnête homme : Jean Renoir, letter writer. Autobiographical fragments of an honest man. [Doctoral Dissertation]. Université d'Orléans; 2012. Available from: http://www.theses.fr/2012ORLE1121

4. Adereth, Max. The emergence of the concept of "litératures engagée" in contemporary French literature - with special reference to Peguy, Aragon and Sartre.

Degree: PhD, 1961, Birkbeck (University of London)

URL: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337502

Subjects/Keywords: 840

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Adereth, M. (1961). The emergence of the concept of "litératures engagée" in contemporary French literature - with special reference to Peguy, Aragon and Sartre. (Doctoral Dissertation). Birkbeck (University of London). Retrieved from https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337502

Chicago Manual of Style (16^th Edition):

Adereth, Max. “The emergence of the concept of "litératures engagée" in contemporary French literature - with special reference to Peguy, Aragon and Sartre.” 1961. Doctoral Dissertation, Birkbeck (University of London). Accessed February 24, 2021. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337502.

MLA Handbook (7^th Edition):

Adereth, Max. “The emergence of the concept of "litératures engagée" in contemporary French literature - with special reference to Peguy, Aragon and Sartre.” 1961. Web. 24 Feb 2021.

Vancouver:

Adereth M. The emergence of the concept of "litératures engagée" in contemporary French literature - with special reference to Peguy, Aragon and Sartre. [Internet] [Doctoral dissertation]. Birkbeck (University of London); 1961. [cited 2021 Feb 24]. Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337502.

Council of Science Editors:

Adereth M. The emergence of the concept of "litératures engagée" in contemporary French literature - with special reference to Peguy, Aragon and Sartre. [Doctoral Dissertation]. Birkbeck (University of London); 1961. Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337502

5. Sands, P. F. The life and works of the Seigneur de Cholieres.

Degree: PhD, 1973, Birkbeck (University of London)

URL: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.673860

Subjects/Keywords: 840

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Sands, P. F. (1973). The life and works of the Seigneur de Cholieres. (Doctoral Dissertation). Birkbeck (University of London). Retrieved from https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.673860

Chicago Manual of Style (16^th Edition):

Sands, P F. “The life and works of the Seigneur de Cholieres.” 1973. Doctoral Dissertation, Birkbeck (University of London). Accessed February 24, 2021. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.673860.

MLA Handbook (7^th Edition):

Sands, P F. “The life and works of the Seigneur de Cholieres.” 1973. Web. 24 Feb 2021.

Vancouver:

Sands PF. The life and works of the Seigneur de Cholieres. [Internet] [Doctoral dissertation]. Birkbeck (University of London); 1973. [cited 2021 Feb 24]. Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.673860.

Council of Science Editors:

Sands PF. The life and works of the Seigneur de Cholieres. [Doctoral Dissertation]. Birkbeck (University of London); 1973. Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.673860

Durham University

6. Winnett, Prudence J. The expressed and the inexpressible in the theatre of Jean-Jacques Bernard and Henry Rene Lenormand between 1919 and 1945.

Degree: PhD, 1996, Durham University

URL: http://etheses.dur.ac.uk/5102/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.557897

► This study is concerned with the ways the Inter-War theatre of Jean-Jacques Bernard and Henry-Rene Lenormand illustrates the paradox of the relative impotence of words… (more)

Subjects/Keywords: 840

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Winnett, P. J. (1996). The expressed and the inexpressible in the theatre of Jean-Jacques Bernard and Henry Rene Lenormand between 1919 and 1945. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/5102/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.557897

Chicago Manual of Style (16^th Edition):

Winnett, Prudence J. “The expressed and the inexpressible in the theatre of Jean-Jacques Bernard and Henry Rene Lenormand between 1919 and 1945.” 1996. Doctoral Dissertation, Durham University. Accessed February 24, 2021. http://etheses.dur.ac.uk/5102/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.557897.

MLA Handbook (7^th Edition):

Winnett, Prudence J. “The expressed and the inexpressible in the theatre of Jean-Jacques Bernard and Henry Rene Lenormand between 1919 and 1945.” 1996. Web. 24 Feb 2021.

Vancouver:

Winnett PJ. The expressed and the inexpressible in the theatre of Jean-Jacques Bernard and Henry Rene Lenormand between 1919 and 1945. [Internet] [Doctoral dissertation]. Durham University; 1996. [cited 2021 Feb 24]. Available from: http://etheses.dur.ac.uk/5102/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.557897.

Council of Science Editors:

Winnett PJ. The expressed and the inexpressible in the theatre of Jean-Jacques Bernard and Henry Rene Lenormand between 1919 and 1945. [Doctoral Dissertation]. Durham University; 1996. Available from: http://etheses.dur.ac.uk/5102/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.557897

University College London (University of London)

7. Gooblar, David. Philip Roth : the major phases.

Degree: PhD, 2008, University College London (University of London)

URL: https://discovery.ucl.ac.uk/id/eprint/1444184/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500045

► This thesis is a study of the major phases of the career of Philip Roth. In the nearly fifty years since his first book, Roth… (more)

▼ This thesis is a study of the major phases of the career of Philip Roth. In the nearly fifty years since his first book, Roth has published close to thirty works, creating a body of work now as large and as varied as any twentieth century writer. In an attempt to chart the progression of this career, I break down Roth's oeuvre into six chronological phases, beginning in the late 50s and ending at the start of the new century. Having carried out extensive research into Roth's archive in the Library of Congress, contemporary reception of the books, and a variety of often overlooked cultural contexts, I have attempted to offer a new and original take on Roth's most interesting and distinctive preoccupations. Beginning with Goodbye, Columbus, Roth's first book, I examine the author's complicated relationship with, and treatment of, the idea of Jewish community in America. The second chapter follows Roth's vexed pursuit of, and eventual rejection of, an ideal of literary seriousness in the 1960s, especially in relation to the example of the New York Intellectuals. Chapter 3 looks at Roth's preoccupation with two figures from twentieth century European Jewish history, Franz Kafka and Anne Frank, who figure in a number of Roth's books during the 1970s. Chapter 4 examines the important role that psychoanalysis plays in Roth's books, from the burlesque of an analytic session of Portnoy's Complaint, to an apparent break with psychoanalytic thinking in 1986's The Counterlife. The next phase is Roth's "autobiographical" period of 1988 to 1993, during which he produced four books each at a different point along a continuum between autobiography and fiction. In these works, Roth comes to grips with the ethical issues that his fiction had played with for so long. Finally, the last chapter looks at Roth's final books of the century, investigating how his assessment of three periods of twentieth century American history shows a fascination with individuals who attempt to break free from the forces of determination. Rather than, as is commonly espoused, a break with his earlier work, I argue that the "American Trilogy" continues concerns that have preoccupied Roth from the very start of his career.

Subjects/Keywords: 840

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Gooblar, D. (2008). Philip Roth : the major phases. (Doctoral Dissertation). University College London (University of London). Retrieved from https://discovery.ucl.ac.uk/id/eprint/1444184/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500045

Chicago Manual of Style (16^th Edition):

Gooblar, David. “Philip Roth : the major phases.” 2008. Doctoral Dissertation, University College London (University of London). Accessed February 24, 2021. https://discovery.ucl.ac.uk/id/eprint/1444184/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500045.

MLA Handbook (7^th Edition):

Gooblar, David. “Philip Roth : the major phases.” 2008. Web. 24 Feb 2021.

Vancouver:

Gooblar D. Philip Roth : the major phases. [Internet] [Doctoral dissertation]. University College London (University of London); 2008. [cited 2021 Feb 24]. Available from: https://discovery.ucl.ac.uk/id/eprint/1444184/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500045.

Council of Science Editors:

Gooblar D. Philip Roth : the major phases. [Doctoral Dissertation]. University College London (University of London); 2008. Available from: https://discovery.ucl.ac.uk/id/eprint/1444184/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500045

University College London (University of London)

8. Sansavior, Eva. Ambiguous identifications : identity, reception and literature in the work of Maryse Condé.

Degree: PhD, 2009, University College London (University of London)

URL: https://discovery.ucl.ac.uk/id/eprint/17973/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.505220

► Maryse Conde is a female Guadeloupean writer whose reputation as an ‘important writer’ has largely been consolidated in the United States where the author has… (more)

Subjects/Keywords: 840

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Sansavior, E. (2009). Ambiguous identifications : identity, reception and literature in the work of Maryse Condé. (Doctoral Dissertation). University College London (University of London). Retrieved from https://discovery.ucl.ac.uk/id/eprint/17973/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.505220

Chicago Manual of Style (16^th Edition):

Sansavior, Eva. “Ambiguous identifications : identity, reception and literature in the work of Maryse Condé.” 2009. Doctoral Dissertation, University College London (University of London). Accessed February 24, 2021. https://discovery.ucl.ac.uk/id/eprint/17973/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.505220.

MLA Handbook (7^th Edition):

Sansavior, Eva. “Ambiguous identifications : identity, reception and literature in the work of Maryse Condé.” 2009. Web. 24 Feb 2021.

Vancouver:

Sansavior E. Ambiguous identifications : identity, reception and literature in the work of Maryse Condé. [Internet] [Doctoral dissertation]. University College London (University of London); 2009. [cited 2021 Feb 24]. Available from: https://discovery.ucl.ac.uk/id/eprint/17973/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.505220.

Council of Science Editors:

Sansavior E. Ambiguous identifications : identity, reception and literature in the work of Maryse Condé. [Doctoral Dissertation]. University College London (University of London); 2009. Available from: https://discovery.ucl.ac.uk/id/eprint/17973/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.505220

9. Hargreaves, A. G. The Colonial Experience (1870-1914) in the Works of Selected French Imaginative Writers (Pierre Loti, Ernest Psichari and Pierre Mille).

Degree: PhD, 1978, University of Sussex

URL: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.458220

Subjects/Keywords: 840

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hargreaves, A. G. (1978). The Colonial Experience (1870-1914) in the Works of Selected French Imaginative Writers (Pierre Loti, Ernest Psichari and Pierre Mille). (Doctoral Dissertation). University of Sussex. Retrieved from https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.458220

Chicago Manual of Style (16^th Edition):

Hargreaves, A G. “The Colonial Experience (1870-1914) in the Works of Selected French Imaginative Writers (Pierre Loti, Ernest Psichari and Pierre Mille).” 1978. Doctoral Dissertation, University of Sussex. Accessed February 24, 2021. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.458220.

MLA Handbook (7^th Edition):

Hargreaves, A G. “The Colonial Experience (1870-1914) in the Works of Selected French Imaginative Writers (Pierre Loti, Ernest Psichari and Pierre Mille).” 1978. Web. 24 Feb 2021.

Vancouver:

Hargreaves AG. The Colonial Experience (1870-1914) in the Works of Selected French Imaginative Writers (Pierre Loti, Ernest Psichari and Pierre Mille). [Internet] [Doctoral dissertation]. University of Sussex; 1978. [cited 2021 Feb 24]. Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.458220.

Council of Science Editors:

Hargreaves AG. The Colonial Experience (1870-1914) in the Works of Selected French Imaginative Writers (Pierre Loti, Ernest Psichari and Pierre Mille). [Doctoral Dissertation]. University of Sussex; 1978. Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.458220

Durham University

10. Cleary, C. A. Aspects of the life and works of Dancourt.

Degree: PhD, 1973, Durham University

URL: http://etheses.dur.ac.uk/8054/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.451667

► The opening chapters of the thesis illustrate, with the help of authentic documents, details of Dancourt's biography both from the point of view of his… (more)

Subjects/Keywords: 840

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APA (6^th Edition):

Cleary, C. A. (1973). Aspects of the life and works of Dancourt. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/8054/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.451667

Chicago Manual of Style (16^th Edition):

Cleary, C A. “Aspects of the life and works of Dancourt.” 1973. Doctoral Dissertation, Durham University. Accessed February 24, 2021. http://etheses.dur.ac.uk/8054/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.451667.

MLA Handbook (7^th Edition):

Cleary, C A. “Aspects of the life and works of Dancourt.” 1973. Web. 24 Feb 2021.

Vancouver:

Cleary CA. Aspects of the life and works of Dancourt. [Internet] [Doctoral dissertation]. Durham University; 1973. [cited 2021 Feb 24]. Available from: http://etheses.dur.ac.uk/8054/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.451667.

Council of Science Editors:

Cleary CA. Aspects of the life and works of Dancourt. [Doctoral Dissertation]. Durham University; 1973. Available from: http://etheses.dur.ac.uk/8054/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.451667

Durham University

11. Vedrenne, Laetitia. Gender and power : representations of dido in French tragedy, 1558-1673.

Degree: PhD, 2009, Durham University

URL: http://etheses.dur.ac.uk/2037/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.495948

► This thesis examines five French tragedies dealing with the same legendary character, Dido, throughout a century: Etienne Jodelle's Didon se sacrifiant (cI558), Alexandre Hardy's Didon… (more)

▼ This thesis examines five French tragedies dealing with the same legendary character, Dido, throughout a century: Etienne Jodelle's Didon se sacrifiant (cI558), Alexandre Hardy's Didon se sacrifiaht (1624), Georges de Scudéry's Didon (1637), François de Boisrobert's La Vraye Didon (1643) and Antoine Jacob Montfleury's L'Ambigii comique (1673). The interest of this study lies in the fact that, if Dido is a recurrent character, yet she is one of a very rare breed of female characters on the French stage: ruling queens. The tragedies and, in particular, the character of Dido are examined in relation to the evolution of literary trends and the historical and socio-political context in which they were produced. The playwrights and their works are first looked at specifically with an aim to put them in context: the authors are considered in relation to literary and socio-political history, while each play is put in context within the complete works of the author. Dido is a ruling queen, which is rare on stage and a reflection of the rarity of women ruling over Early Modem France, it is therefore important to consider the contemporary institutions, practices and discourses on women, with specific references to the moralist controversy. The analysis of women in power over the time period covered by this study, including Catherine de Medici, Maria de Medici and Anne of Austria, provides the reader with the essential background and issues relating to the representation of female power on stage. To complete the contextualisation of the five tragedies, a detailed analysis of the other rare instances of ruling queens in French tragedy helps establish patterns of representation for women in power, such as the key use of men, the 'people' and queens themselves as crucial threats to the integrity of the realm. The analysis of Dido tragedies focuses on two axis: first a linguistic approach to the definition of gender and power deals with gendered rhetoric, the gender specific approach to furor, that is to say the loss of power, and the expression of guilt and innocence. The second axis of the analysis focuses on material representations of power on stage: firstly, the references to and/or use of symbolic objects such as crowns, thrones, sceptres, swords or jewels help identify the characters which are truly powerful. Finally, the analysis of the references to and/or use names and titles on stage to identify the protagonists is also used to reveal the actual power dynamic created by the playwrights. The conclusion looks at the mixed success of the plays in Early Modem France and their absence from literary canons in modem France while keeping in mind the issues on gender and power.

Subjects/Keywords: 840

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APA (6^th Edition):

Vedrenne, L. (2009). Gender and power : representations of dido in French tragedy, 1558-1673. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/2037/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.495948

Chicago Manual of Style (16^th Edition):

Vedrenne, Laetitia. “Gender and power : representations of dido in French tragedy, 1558-1673.” 2009. Doctoral Dissertation, Durham University. Accessed February 24, 2021. http://etheses.dur.ac.uk/2037/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.495948.

MLA Handbook (7^th Edition):

Vedrenne, Laetitia. “Gender and power : representations of dido in French tragedy, 1558-1673.” 2009. Web. 24 Feb 2021.

Vancouver:

Vedrenne L. Gender and power : representations of dido in French tragedy, 1558-1673. [Internet] [Doctoral dissertation]. Durham University; 2009. [cited 2021 Feb 24]. Available from: http://etheses.dur.ac.uk/2037/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.495948.

Council of Science Editors:

Vedrenne L. Gender and power : representations of dido in French tragedy, 1558-1673. [Doctoral Dissertation]. Durham University; 2009. Available from: http://etheses.dur.ac.uk/2037/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.495948

Durham University

12. West, Daphne M. Mandelstam's Egipetskaya marka : its relationship to his other prose and to his poetry from 1912 to 1933.

Degree: PhD, 1978, Durham University

URL: http://etheses.dur.ac.uk/7909/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.476893

► Mandelstam's reputation as a poet is now firmly established, but his critical and 'creative' prose (i.e. that which is based on autobiographical experience, rather than… (more)

Subjects/Keywords: 840

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APA (6^th Edition):

West, D. M. (1978). Mandelstam's Egipetskaya marka : its relationship to his other prose and to his poetry from 1912 to 1933. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/7909/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.476893

Chicago Manual of Style (16^th Edition):

West, Daphne M. “Mandelstam's Egipetskaya marka : its relationship to his other prose and to his poetry from 1912 to 1933.” 1978. Doctoral Dissertation, Durham University. Accessed February 24, 2021. http://etheses.dur.ac.uk/7909/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.476893.

MLA Handbook (7^th Edition):

West, Daphne M. “Mandelstam's Egipetskaya marka : its relationship to his other prose and to his poetry from 1912 to 1933.” 1978. Web. 24 Feb 2021.

Vancouver:

West DM. Mandelstam's Egipetskaya marka : its relationship to his other prose and to his poetry from 1912 to 1933. [Internet] [Doctoral dissertation]. Durham University; 1978. [cited 2021 Feb 24]. Available from: http://etheses.dur.ac.uk/7909/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.476893.

Council of Science Editors:

West DM. Mandelstam's Egipetskaya marka : its relationship to his other prose and to his poetry from 1912 to 1933. [Doctoral Dissertation]. Durham University; 1978. Available from: http://etheses.dur.ac.uk/7909/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.476893

University College London (University of London)

13. Newman, Thomas F. A study of alterity and influence in the literary and philosophical neighbourhood of Jean Genet and Emmanuel Levinas.

Degree: PhD, 2008, University College London (University of London)

URL: https://discovery.ucl.ac.uk/id/eprint/1426985/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498210

► The dissertation is a chiasmic reading of the works of Jean Genet and Emmanuel Levinas, examining the way they each address the relation to the… (more)

Subjects/Keywords: 840

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APA (6^th Edition):

Newman, T. F. (2008). A study of alterity and influence in the literary and philosophical neighbourhood of Jean Genet and Emmanuel Levinas. (Doctoral Dissertation). University College London (University of London). Retrieved from https://discovery.ucl.ac.uk/id/eprint/1426985/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498210

Chicago Manual of Style (16^th Edition):

Newman, Thomas F. “A study of alterity and influence in the literary and philosophical neighbourhood of Jean Genet and Emmanuel Levinas.” 2008. Doctoral Dissertation, University College London (University of London). Accessed February 24, 2021. https://discovery.ucl.ac.uk/id/eprint/1426985/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498210.

MLA Handbook (7^th Edition):

Newman, Thomas F. “A study of alterity and influence in the literary and philosophical neighbourhood of Jean Genet and Emmanuel Levinas.” 2008. Web. 24 Feb 2021.

Vancouver:

Newman TF. A study of alterity and influence in the literary and philosophical neighbourhood of Jean Genet and Emmanuel Levinas. [Internet] [Doctoral dissertation]. University College London (University of London); 2008. [cited 2021 Feb 24]. Available from: https://discovery.ucl.ac.uk/id/eprint/1426985/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498210.

Council of Science Editors:

Newman TF. A study of alterity and influence in the literary and philosophical neighbourhood of Jean Genet and Emmanuel Levinas. [Doctoral Dissertation]. University College London (University of London); 2008. Available from: https://discovery.ucl.ac.uk/id/eprint/1426985/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498210

University College London (University of London)

14. Smart, Ariane Jane Haleen. Paris, myth and demystification : poetic and political hermeneutics in post-revolutionary France.

Degree: PhD, 2007, University College London (University of London)

URL: https://discovery.ucl.ac.uk/id/eprint/1444079/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498920

► Numbers in square brackets refer to chapters: This dissertation studies the relation between myth and demystification in post-revolutionary France, notably in the literary depiction of… (more)

Subjects/Keywords: 840

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APA (6^th Edition):

Smart, A. J. H. (2007). Paris, myth and demystification : poetic and political hermeneutics in post-revolutionary France. (Doctoral Dissertation). University College London (University of London). Retrieved from https://discovery.ucl.ac.uk/id/eprint/1444079/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498920

Chicago Manual of Style (16^th Edition):

Smart, Ariane Jane Haleen. “Paris, myth and demystification : poetic and political hermeneutics in post-revolutionary France.” 2007. Doctoral Dissertation, University College London (University of London). Accessed February 24, 2021. https://discovery.ucl.ac.uk/id/eprint/1444079/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498920.

MLA Handbook (7^th Edition):

Smart, Ariane Jane Haleen. “Paris, myth and demystification : poetic and political hermeneutics in post-revolutionary France.” 2007. Web. 24 Feb 2021.

Vancouver:

Smart AJH. Paris, myth and demystification : poetic and political hermeneutics in post-revolutionary France. [Internet] [Doctoral dissertation]. University College London (University of London); 2007. [cited 2021 Feb 24]. Available from: https://discovery.ucl.ac.uk/id/eprint/1444079/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498920.

Council of Science Editors:

Smart AJH. Paris, myth and demystification : poetic and political hermeneutics in post-revolutionary France. [Doctoral Dissertation]. University College London (University of London); 2007. Available from: https://discovery.ucl.ac.uk/id/eprint/1444079/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498920

University of Sheffield

15. Young, Joanne Marie. A study of Aimon de Varennes' Florimont.

Degree: PhD, 2010, University of Sheffield

URL: http://etheses.whiterose.ac.uk/14977/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527245

► This thesis offers an intertextual examination of the twelfth-century romance, Florimont, by Aimon de Varennes. It considers the disparity between current knowledge of the text… (more)

Subjects/Keywords: 840

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APA (6^th Edition):

Young, J. M. (2010). A study of Aimon de Varennes' Florimont. (Doctoral Dissertation). University of Sheffield. Retrieved from http://etheses.whiterose.ac.uk/14977/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527245

Chicago Manual of Style (16^th Edition):

Young, Joanne Marie. “A study of Aimon de Varennes' Florimont.” 2010. Doctoral Dissertation, University of Sheffield. Accessed February 24, 2021. http://etheses.whiterose.ac.uk/14977/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527245.

MLA Handbook (7^th Edition):

Young, Joanne Marie. “A study of Aimon de Varennes' Florimont.” 2010. Web. 24 Feb 2021.

Vancouver:

Young JM. A study of Aimon de Varennes' Florimont. [Internet] [Doctoral dissertation]. University of Sheffield; 2010. [cited 2021 Feb 24]. Available from: http://etheses.whiterose.ac.uk/14977/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527245.

Council of Science Editors:

Young JM. A study of Aimon de Varennes' Florimont. [Doctoral Dissertation]. University of Sheffield; 2010. Available from: http://etheses.whiterose.ac.uk/14977/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527245

Royal Holloway, University of London

16. Krieger, Angela Kristi. L'être des lettres : Linda Lê's compositions of form.

Degree: PhD, 2010, Royal Holloway, University of London

URL: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538772

► Since 1987, Linda Lê has composed a corpus (twelve novels, three short-story collections, two compilations of essays, an autobiography) that displays a marked preoccupation with… (more)

▼ Since 1987, Linda Lê has composed a corpus (twelve novels, three short-story collections, two compilations of essays, an autobiography) that displays a marked preoccupation with exploring the endless possibilities of literary invention. This interest is manifest most immediately in her fictional depictions of lexically-obsessed protagonists and authors at work and further developed through her creative searching as a reader/writer, which sees her crafting a variety of genres, narratorial configurations, and literary references in her own texts. This thesis addresses the constructive potential of literature figured within Lê's oeuvre by drawing upon the notion of 'l'être des lettres', which expresses the diverse ways in which letters - referring to both a broader literary canon and the solitary activity of reading/writing - contribute to the formulation of Lê's diverse corpus as well as to the elaboration of the literary subject (either Lê as an author or her lexically-obsessed protagonists). The lexical slippage between the terms l'êtrel lettres suggests the transformative possibilities that arise when the subject and the literary converge. 'L'être' will refer to the various modalities of being constructed by and through 'lettres' in Lê's work and that this thesis will examine across three areas: the development of Lê's authorial 'être', or identity, as a result of reading/writing; her thematic representations of the impact of literature upon her protagonists' very being and bodies; and the effects of Lê's preoccupation with the compositional process on the creation, or 'coming to being', of her oeuvre. Departing from the primarily post-colonial and psychoanalytical interpretations of Lê's texts that suggest Lê uses literature to articulate aspects of her own history, this thesis adopts a corpus-based approach to Lê's oeuvre in order to posit reading/writing as a productive force allowing for the composition of separate and distinct literary personae and forms that, beyond her biography, reflect Lê's authorial preoccupations with exploring her craft.

Subjects/Keywords: 840

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APA (6^th Edition):

Krieger, A. K. (2010). L'être des lettres : Linda Lê's compositions of form. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538772

Chicago Manual of Style (16^th Edition):

Krieger, Angela Kristi. “L'être des lettres : Linda Lê's compositions of form.” 2010. Doctoral Dissertation, Royal Holloway, University of London. Accessed February 24, 2021. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538772.

MLA Handbook (7^th Edition):

Krieger, Angela Kristi. “L'être des lettres : Linda Lê's compositions of form.” 2010. Web. 24 Feb 2021.

Vancouver:

Krieger AK. L'être des lettres : Linda Lê's compositions of form. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2010. [cited 2021 Feb 24]. Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538772.

Council of Science Editors:

Krieger AK. L'être des lettres : Linda Lê's compositions of form. [Doctoral Dissertation]. Royal Holloway, University of London; 2010. Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538772

University of Leeds

17. Pratt, Terrence Miles. The epic in France from Piron's La Louisiade (1745) to Chateaubriand's Les Martyrs (1809).

Degree: PhD, 1978, University of Leeds

URL: http://etheses.whiterose.ac.uk/901/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514054

► This thesis has as its object to investigate the fate of epic in France in the later eighteenth and early nineteenth centuries. Piron's La Louisiade… (more)

Subjects/Keywords: 840

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APA (6^th Edition):

Pratt, T. M. (1978). The epic in France from Piron's La Louisiade (1745) to Chateaubriand's Les Martyrs (1809). (Doctoral Dissertation). University of Leeds. Retrieved from http://etheses.whiterose.ac.uk/901/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514054

Chicago Manual of Style (16^th Edition):

Pratt, Terrence Miles. “The epic in France from Piron's La Louisiade (1745) to Chateaubriand's Les Martyrs (1809).” 1978. Doctoral Dissertation, University of Leeds. Accessed February 24, 2021. http://etheses.whiterose.ac.uk/901/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514054.

MLA Handbook (7^th Edition):

Pratt, Terrence Miles. “The epic in France from Piron's La Louisiade (1745) to Chateaubriand's Les Martyrs (1809).” 1978. Web. 24 Feb 2021.

Vancouver:

Pratt TM. The epic in France from Piron's La Louisiade (1745) to Chateaubriand's Les Martyrs (1809). [Internet] [Doctoral dissertation]. University of Leeds; 1978. [cited 2021 Feb 24]. Available from: http://etheses.whiterose.ac.uk/901/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514054.

Council of Science Editors:

Pratt TM. The epic in France from Piron's La Louisiade (1745) to Chateaubriand's Les Martyrs (1809). [Doctoral Dissertation]. University of Leeds; 1978. Available from: http://etheses.whiterose.ac.uk/901/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514054

Cardiff University

18. Monson, Jane Elizabeth. Crossed tongues : the crisis of speech in the prose poems of Francis Ponge.

Degree: PhD, 2008, Cardiff University

URL: http://orca.cf.ac.uk/54662/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.584292

► This thesis is a critical, creative and part-biographical study of Francis Ponge's increasing self-consciousness around the spoken word, from his early prose poems through to… (more)

▼ This thesis is a critical, creative and part-biographical study of Francis Ponge's increasing self-consciousness around the spoken word, from his early prose poems through to his art criticism, and how his obsession with verbal inadequacy serves to undermine his stated ambition to 'side with things' and write from the object's point of view. My reading of Ponge is based primarily on observations of his neuroses involving speech, noting his first experience of being mute during a University oral exam as significant, and then exploring how his awareness of verbal inadequacy intensifies throughout his creative and critical texts and disturbs his intended phenomenological approach to things. In the thesis, Ponge's oeuvre is mainly read as a diaristic account of his relationship with spoken expression, his difficulties changing and repeating themselves according to his choice of each object, and notably his decision to work within and against the prose poem. His writing is interpreted as being about the object giving Ponge a voice - or a host of voices according to the problems he encounters through each object rather than about a poet who endows each object with a rhetoric of its own. I also explore where this 'crisis of speech' has parallels in the work of his contemporaries. The present thesis draws new conclusions about the prominence of the spoken word in his writing and his development of the prose poem in Twentieth-century French Literature, based on a combined study of his life, his writing and fundamentally neurotic and obsessive relationship with the spoken word. At the same time, the thesis recognises Ponge as the motivation behind the collection of prose poems that make up the last part of the dissertation, where themes and objects from Ponge's texts resurface. Hie collection itself starts from a similar situation to that of Ponge in which objects and language conflate with the human subject's helplessness before various manifestations of the spoken word.

Subjects/Keywords: 840

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APA (6^th Edition):

Monson, J. E. (2008). Crossed tongues : the crisis of speech in the prose poems of Francis Ponge. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/54662/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.584292

Chicago Manual of Style (16^th Edition):

Monson, Jane Elizabeth. “Crossed tongues : the crisis of speech in the prose poems of Francis Ponge.” 2008. Doctoral Dissertation, Cardiff University. Accessed February 24, 2021. http://orca.cf.ac.uk/54662/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.584292.

MLA Handbook (7^th Edition):

Monson, Jane Elizabeth. “Crossed tongues : the crisis of speech in the prose poems of Francis Ponge.” 2008. Web. 24 Feb 2021.

Vancouver:

Monson JE. Crossed tongues : the crisis of speech in the prose poems of Francis Ponge. [Internet] [Doctoral dissertation]. Cardiff University; 2008. [cited 2021 Feb 24]. Available from: http://orca.cf.ac.uk/54662/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.584292.

Council of Science Editors:

Monson JE. Crossed tongues : the crisis of speech in the prose poems of Francis Ponge. [Doctoral Dissertation]. Cardiff University; 2008. Available from: http://orca.cf.ac.uk/54662/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.584292

University of Newcastle upon Tyne

19. Sharratt, Peter. The ideas of Pierre de la Ramée with particular reference to poetic theory in the sixteenth century in France.

Degree: PhD, 1970, University of Newcastle upon Tyne

URL: http://theses.ncl.ac.uk/jspui/handle/10443/943 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.472281

► The purpose of this study is twofold: firstly to describe the views of Ramus on communication and in particular on the qualities of different kinds… (more)

Subjects/Keywords: 840

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APA (6^th Edition):

Sharratt, P. (1970). The ideas of Pierre de la Ramée with particular reference to poetic theory in the sixteenth century in France. (Doctoral Dissertation). University of Newcastle upon Tyne. Retrieved from http://theses.ncl.ac.uk/jspui/handle/10443/943 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.472281

Chicago Manual of Style (16^th Edition):

Sharratt, Peter. “The ideas of Pierre de la Ramée with particular reference to poetic theory in the sixteenth century in France.” 1970. Doctoral Dissertation, University of Newcastle upon Tyne. Accessed February 24, 2021. http://theses.ncl.ac.uk/jspui/handle/10443/943 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.472281.

MLA Handbook (7^th Edition):

Sharratt, Peter. “The ideas of Pierre de la Ramée with particular reference to poetic theory in the sixteenth century in France.” 1970. Web. 24 Feb 2021.

Vancouver:

Sharratt P. The ideas of Pierre de la Ramée with particular reference to poetic theory in the sixteenth century in France. [Internet] [Doctoral dissertation]. University of Newcastle upon Tyne; 1970. [cited 2021 Feb 24]. Available from: http://theses.ncl.ac.uk/jspui/handle/10443/943 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.472281.

Council of Science Editors:

Sharratt P. The ideas of Pierre de la Ramée with particular reference to poetic theory in the sixteenth century in France. [Doctoral Dissertation]. University of Newcastle upon Tyne; 1970. Available from: http://theses.ncl.ac.uk/jspui/handle/10443/943 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.472281

Durham University

20. Tether, Leah Roseann. Suspended endings : the mechanics of medieval continuation in the perceval continuations.

Degree: PhD, 2009, Durham University

URL: http://etheses.dur.ac.uk/107/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.507702

► The notion of ‘Continuation’ in medieval literature is a familiar one – but it is one which does not know any precise definition. Despite the… (more)

▼ The notion of ‘Continuation’ in medieval literature is a familiar one – but it is one which does not know any precise definition. Despite the existence of important texts which take the form of what we nominally call ‘Continuation’, such as Le Roman de la Rose, Le Chevalier de la Charrette and of course the Perceval Continuations, to date no work exists which specifically examines the mechanics and processes involved in actually producing a ‘Continuation’. The existence and importance of ‘Continuation’ as a genre of medieval literature are undeniable, and yet we cannot begin to claim that we fully understand it. This thesis therefore seeks to make the first tentative movements in creating a working model for understanding what some call the Poetics of Continuation, and it does so by means of close and meticulous analysis of the manuscript tradition and content of the Perceval Continuations. The Perceval Continuations (composed c.1200-1230) constitute a vast body of material which incorporates four separately authored Continuations, each of which seeks to further, in some way, the unfinished Perceval of Chrétien de Troyes – though they are not merely responses to his work. Chronologically, they were composed one after the other, and the next in line picks up where the previous left off, thus they respond intertextually to each other as well as to Chrétien, and only one actually furnishes the story as a whole with an ending. As such the Continuations offer an interesting and varied patchwork from whence to begin a study of this kind. By means of a framework of careful methodological design, incorporating theories on what constitutes an ‘end’ and what is ‘unfinished’, alongside scrutiny of other, selected, medieval ‘ends’ and ‘Continuations’, this thesis examines, first, what the manuscript tradition can tell us about the medieval view of ‘Continuation’ in terms of whether the Perceval Continuations seem to have been considered as one homogenous whole, or as several separate œuvres, and second, in terms of content and construction, what kind of ‘Continuation’ each individual text proposes, and how, mechanically, it does so. This analysis culminates in the creation of an efficient working model that aims to facilitate the further study and investigation of other medieval ‘continuatory’ texts.

Subjects/Keywords: 840

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APA (6^th Edition):

Tether, L. R. (2009). Suspended endings : the mechanics of medieval continuation in the perceval continuations. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/107/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.507702

Chicago Manual of Style (16^th Edition):

Tether, Leah Roseann. “Suspended endings : the mechanics of medieval continuation in the perceval continuations.” 2009. Doctoral Dissertation, Durham University. Accessed February 24, 2021. http://etheses.dur.ac.uk/107/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.507702.

MLA Handbook (7^th Edition):

Tether, Leah Roseann. “Suspended endings : the mechanics of medieval continuation in the perceval continuations.” 2009. Web. 24 Feb 2021.

Vancouver:

Tether LR. Suspended endings : the mechanics of medieval continuation in the perceval continuations. [Internet] [Doctoral dissertation]. Durham University; 2009. [cited 2021 Feb 24]. Available from: http://etheses.dur.ac.uk/107/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.507702.

Council of Science Editors:

Tether LR. Suspended endings : the mechanics of medieval continuation in the perceval continuations. [Doctoral Dissertation]. Durham University; 2009. Available from: http://etheses.dur.ac.uk/107/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.507702

Durham University

21. Saunders, Alison M. The blasom poétique and allied poetry of the French Renaissance.

Degree: PhD, 1972, Durham University

URL: http://etheses.dur.ac.uk/7944/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.471661

► This thesis is a study of the development of the blasom poétique in the sixteenth century. We have focussed our attention on the blason anatomique… (more)

▼ This thesis is a study of the development of the blasom poétique in the sixteenth century. We have focussed our attention on the blason anatomique - a subsection of this main genre - and have tried to demonstrate that the blason anatomique does fit in with the blasom poétique, which itself forms part of a French literary tradition with roots stretching back to the fourteenth century, and which continues into the seventeenth century and beyond. The key tithe genre lies in its descriptive, interpretative character, inherited from its heraldic ancestry. The first section of the thesis examines the early blasom poétique. Chapter I investigates its heraldic origins, and the importance of its etymological meaning, denoting the description and interpretation of a painted shield. Chapters II indie examine the twin influences of medieval French poetry, and Italian petrarchism upon the blazons anatomiques. The central section (Chapters IT - VI) discusses the anatomical blasons and contreblasons, reassessing in particular the chronology of individual poems on the evidence afforded by recently rediscovered editions which have upset the previous opinion that these poems were produced only slowly, over a period of years Chapter VI underlines the argument that the blason is not an isolated genre, discussing the importance of the iconography of the blason anatomique, and its kinship with similar illustrated poetry of the mid-century - emblems, bestiaries or calendriers. The third section (Chapters VII - IX) traces the later development of the genre, after the anatomical blasonso In the later half of the sixteenth century two distinct branches of the blason emerge – the sonnet-blason perpetuates the characteristics of the anatomical blason, while the longer hymne-blason reverts to the universality of subject of the pre- anatomical blason.In conclusion we have emphasised that far from dying out, the genre continues to flourish - in such modified guises - throughout the early seventeenth century.

Subjects/Keywords: 840

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APA (6^th Edition):

Saunders, A. M. (1972). The blasom poétique and allied poetry of the French Renaissance. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/7944/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.471661

Chicago Manual of Style (16^th Edition):

Saunders, Alison M. “The blasom poétique and allied poetry of the French Renaissance.” 1972. Doctoral Dissertation, Durham University. Accessed February 24, 2021. http://etheses.dur.ac.uk/7944/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.471661.

MLA Handbook (7^th Edition):

Saunders, Alison M. “The blasom poétique and allied poetry of the French Renaissance.” 1972. Web. 24 Feb 2021.

Vancouver:

Saunders AM. The blasom poétique and allied poetry of the French Renaissance. [Internet] [Doctoral dissertation]. Durham University; 1972. [cited 2021 Feb 24]. Available from: http://etheses.dur.ac.uk/7944/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.471661.

Council of Science Editors:

Saunders AM. The blasom poétique and allied poetry of the French Renaissance. [Doctoral Dissertation]. Durham University; 1972. Available from: http://etheses.dur.ac.uk/7944/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.471661

University of Leicester

22. Moores, Pamela M. Jules Valles and the social role of literature : an assessment of intentions and achievement.

Degree: PhD, 1977, University of Leicester

URL: http://hdl.handle.net/2381/35084

Subjects/Keywords: 840

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APA (6^th Edition):

Moores, P. M. (1977). Jules Valles and the social role of literature : an assessment of intentions and achievement. (Doctoral Dissertation). University of Leicester. Retrieved from http://hdl.handle.net/2381/35084

Chicago Manual of Style (16^th Edition):

Moores, Pamela M. “Jules Valles and the social role of literature : an assessment of intentions and achievement.” 1977. Doctoral Dissertation, University of Leicester. Accessed February 24, 2021. http://hdl.handle.net/2381/35084.

MLA Handbook (7^th Edition):

Moores, Pamela M. “Jules Valles and the social role of literature : an assessment of intentions and achievement.” 1977. Web. 24 Feb 2021.

Vancouver:

Moores PM. Jules Valles and the social role of literature : an assessment of intentions and achievement. [Internet] [Doctoral dissertation]. University of Leicester; 1977. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/2381/35084.

Council of Science Editors:

Moores PM. Jules Valles and the social role of literature : an assessment of intentions and achievement. [Doctoral Dissertation]. University of Leicester; 1977. Available from: http://hdl.handle.net/2381/35084

23. Minta, S. The DeÌlie of Maurice SceÌ€ve and the Italian and French Traditions.

Degree: PhD, 1973, University of Sussex

URL: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.465796

Subjects/Keywords: 840

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APA (6^th Edition):

Minta, S. (1973). The DeÌlie of Maurice SceÌ€ve and the Italian and French Traditions. (Doctoral Dissertation). University of Sussex. Retrieved from https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.465796

Chicago Manual of Style (16^th Edition):

Minta, S. “The DeÌlie of Maurice SceÌ€ve and the Italian and French Traditions.” 1973. Doctoral Dissertation, University of Sussex. Accessed February 24, 2021. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.465796.

MLA Handbook (7^th Edition):

Minta, S. “The DeÌlie of Maurice SceÌ€ve and the Italian and French Traditions.” 1973. Web. 24 Feb 2021.

Vancouver:

Minta S. The DeÌlie of Maurice SceÌ€ve and the Italian and French Traditions. [Internet] [Doctoral dissertation]. University of Sussex; 1973. [cited 2021 Feb 24]. Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.465796.

Council of Science Editors:

Minta S. The DeÌlie of Maurice SceÌ€ve and the Italian and French Traditions. [Doctoral Dissertation]. University of Sussex; 1973. Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.465796

24. Veasey, R. G. Restif de la Bretonne: Autobiography and Some Techniques of Autobiographically Inspired Writing.

Degree: PhD, 1976, University of Sussex

URL: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.476016

Subjects/Keywords: 840

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APA (6^th Edition):

Veasey, R. G. (1976). Restif de la Bretonne: Autobiography and Some Techniques of Autobiographically Inspired Writing. (Doctoral Dissertation). University of Sussex. Retrieved from https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.476016

Chicago Manual of Style (16^th Edition):

Veasey, R G. “Restif de la Bretonne: Autobiography and Some Techniques of Autobiographically Inspired Writing.” 1976. Doctoral Dissertation, University of Sussex. Accessed February 24, 2021. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.476016.

MLA Handbook (7^th Edition):

Veasey, R G. “Restif de la Bretonne: Autobiography and Some Techniques of Autobiographically Inspired Writing.” 1976. Web. 24 Feb 2021.

Vancouver:

Veasey RG. Restif de la Bretonne: Autobiography and Some Techniques of Autobiographically Inspired Writing. [Internet] [Doctoral dissertation]. University of Sussex; 1976. [cited 2021 Feb 24]. Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.476016.

Council of Science Editors:

Veasey RG. Restif de la Bretonne: Autobiography and Some Techniques of Autobiographically Inspired Writing. [Doctoral Dissertation]. University of Sussex; 1976. Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.476016

University of Edinburgh

25. Van der Eecken, Barbara. Une approche stylistique et thématique : à la recherche des variables et des constantes (y compris les connotations) dans l'oevre de l'écrivain belge Jean Muno (1924-1988).

Degree: PhD, 1999, University of Edinburgh

URL: http://hdl.handle.net/1842/22708

► The subject of my thesis is a study of the life and work of Jean Muno, a modern French-speaking Belgian author. From the 1950s to… (more)

▼ The subject of my thesis is a study of the life and work of Jean Muno, a modern French-speaking Belgian author. From the 1950s to 1988, he wrote a variety of texts: novels, short stories, folktales, theatre and radio plays. In 1981, he was also elected a member of the "Academie Royale Belge de la Langue et de la Litteratrue Francaises" I have initially concentrated on capturing the perception the Belgian public had of Jean Muno through past and present literary and journalistic critical publications about him. Though he lived in the shadow of his famous father, Constant Burniaux, I have subsequently endeavoured to establish Jean Muno as one of the best representatives of Belgian Francophone literature since the Second World War. Basing my investigations on the work of C. Bally, L. Spitzer and M. Bakhtin, I have developed my own hermeneutic and circular stylistic methodology to approach Jean Muno's use of the language which is both innovative and imaginative. I have consequently demonstrated, through the analysis of concrete examples from his books, the extent t which his linguistic creativity is reflected in his themes. In a further chapter, I have concentrated on the variables in his oeuvre, discovering five tendencies. From a realist yet cynical prose, then through a surreal and fantastic style of narration, and finally to an inventive autobiography. Muno's linguistic specificity always filters through. In a second stage, I have described the recurrence of privileged arguments and linguistic patterns, unveiling the cinematographic attitude of Muno. I have examined his lucid vision of the world, his vivid imagination and his tendency to duplicate himself in his characters. Muno has depicted Belgium, education, literary circles, family, life and death in an ironic, quite pessimistic but humorous manner. Finally, I have defined a corpus of three autobiographical books to which to observe, describe and explain stylistic connotations. I have tried to define the reasons for their use, their consequences in Jean Muno's texts and their effects on the readers. I have also produced an exhaustive compendium of critical texts written abut Jean Muno emphasising in particular the ones which are of real interest to scholars.

Subjects/Keywords: 840

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APA (6^th Edition):

Van der Eecken, B. (1999). Une approche stylistique et thématique : à la recherche des variables et des constantes (y compris les connotations) dans l'oevre de l'écrivain belge Jean Muno (1924-1988). (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/22708

Chicago Manual of Style (16^th Edition):

Van der Eecken, Barbara. “Une approche stylistique et thématique : à la recherche des variables et des constantes (y compris les connotations) dans l'oevre de l'écrivain belge Jean Muno (1924-1988).” 1999. Doctoral Dissertation, University of Edinburgh. Accessed February 24, 2021. http://hdl.handle.net/1842/22708.

MLA Handbook (7^th Edition):

Van der Eecken, Barbara. “Une approche stylistique et thématique : à la recherche des variables et des constantes (y compris les connotations) dans l'oevre de l'écrivain belge Jean Muno (1924-1988).” 1999. Web. 24 Feb 2021.

Vancouver:

Van der Eecken B. Une approche stylistique et thématique : à la recherche des variables et des constantes (y compris les connotations) dans l'oevre de l'écrivain belge Jean Muno (1924-1988). [Internet] [Doctoral dissertation]. University of Edinburgh; 1999. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/1842/22708.

Council of Science Editors:

Van der Eecken B. Une approche stylistique et thématique : à la recherche des variables et des constantes (y compris les connotations) dans l'oevre de l'écrivain belge Jean Muno (1924-1988). [Doctoral Dissertation]. University of Edinburgh; 1999. Available from: http://hdl.handle.net/1842/22708

University of Edinburgh

26. Brown, Alexander William. Victor Jacquemont : étude de la sensibilité.

Degree: PhD, 1960, University of Edinburgh

URL: http://hdl.handle.net/1842/29431

Subjects/Keywords: 840

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APA (6^th Edition):

Brown, A. W. (1960). Victor Jacquemont : étude de la sensibilité. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/29431

Chicago Manual of Style (16^th Edition):

Brown, Alexander William. “Victor Jacquemont : étude de la sensibilité.” 1960. Doctoral Dissertation, University of Edinburgh. Accessed February 24, 2021. http://hdl.handle.net/1842/29431.

MLA Handbook (7^th Edition):

Brown, Alexander William. “Victor Jacquemont : étude de la sensibilité.” 1960. Web. 24 Feb 2021.

Vancouver:

Brown AW. Victor Jacquemont : étude de la sensibilité. [Internet] [Doctoral dissertation]. University of Edinburgh; 1960. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/1842/29431.

Council of Science Editors:

Brown AW. Victor Jacquemont : étude de la sensibilité. [Doctoral Dissertation]. University of Edinburgh; 1960. Available from: http://hdl.handle.net/1842/29431

University of Edinburgh

27. Douglas, Rachel. Frankétienne : towards an aesthetic of rewriting.

Degree: PhD, 2007, University of Edinburgh

URL: http://hdl.handle.net/1842/27934

► This thesis examines the Haitian writer Frankétienne’s practice of rewriting his own texts. It argues that rewriting shapes his oeuvre, providing him with the opportunity… (more)

▼ This thesis examines the Haitian writer Frankétienne’s practice of rewriting his own texts. It argues that rewriting shapes his oeuvre, providing him with the opportunity to mirror the characteristic openness and mobility of his principal literary aesthetic, the Spiral. Rewriting also enables him to bring out certain themes more clearly, such as zombification, deciphering, and cannibalism. These aesthetic and thematic aspects are, the thesis concludes, the most important functions at work in Frankétienne’s rewriting. I compare a corpus of Frankétienne’s texts with their rewritten versions, ranging from his earliest rewriting, Les Affres d’un défi (1979), through Mûr à crever (1995), Ultravocal (1995), up to Les Métamorphoses de l’oiseau schizophone (1996-7) and Dezafi (2002). The first chapter outlines the main hyperbolizing tendencies in Frankétienne’s rewriting of his Creole text Dézafi (1975) in Les Affres d’un défi (1979) and Dezafi (2002), arguing that Les Affres d’un défi can be seen as Frankétienne’s first rewriting, and not just as a French translation of Dézafi. In chapter two, I demonstrate that Frankétienne renews his first literary texts Mûr à crever (1968) and Ultravocal (1972) after a period of some thirty years by updating their initial presentation of Spiralism to reflect later developments in his aesthetic ideas, and through the addition of new and stronger allusions to recent events in Haiti. Based on Frankétienne’s most major rewriting to date – Les Métamorphoses de l’oiseau schizophone (1996-7) – chapters three and four show how Frankétienne’s thematic and aesthetic concerns become far more pronounced as his practice of rewriting evolves. When Frankétienne rewrites, I have found that he does so mainly by accretion, integrating additions of various lengths throughout his texts. My study shows that aesthetic concerns become more pronounced through added references to the open and mobile Spiral form, and to the aesthetic processes which constitute the rewriting itself. Four such processes are detected: hyperbolization, deciphering/clarification, recapitulation, and cannibalization. Clearer political references are often added, in particular to the dictatorship of François Duvalier, as well as to recent politically significant events in Haiti.

Subjects/Keywords: 840

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APA (6^th Edition):

Douglas, R. (2007). Frankétienne : towards an aesthetic of rewriting. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/27934

Chicago Manual of Style (16^th Edition):

Douglas, Rachel. “Frankétienne : towards an aesthetic of rewriting.” 2007. Doctoral Dissertation, University of Edinburgh. Accessed February 24, 2021. http://hdl.handle.net/1842/27934.

MLA Handbook (7^th Edition):

Douglas, Rachel. “Frankétienne : towards an aesthetic of rewriting.” 2007. Web. 24 Feb 2021.

Vancouver:

Douglas R. Frankétienne : towards an aesthetic of rewriting. [Internet] [Doctoral dissertation]. University of Edinburgh; 2007. [cited 2021 Feb 24]. Available from: http://hdl.handle.net/1842/27934.

Council of Science Editors:

Douglas R. Frankétienne : towards an aesthetic of rewriting. [Doctoral Dissertation]. University of Edinburgh; 2007. Available from: http://hdl.handle.net/1842/27934

University of Glasgow

28. Bell, Sheila Margaret. The fiction of Nathalie Sarraute : a study of her work from "Tropismes" to "Vous les entendez?".

Degree: PhD, 1976, University of Glasgow

URL: http://theses.gla.ac.uk/74034/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.449487

► This thesis is a critical study of the fiction of Nathalie Sarraute. We concentrate on her fiction, as representing the backbone of her creative endeavour,… (more)

▼ This thesis is a critical study of the fiction of Nathalie Sarraute. We concentrate on her fiction, as representing the backbone of her creative endeavour, while making reference to her critical essays and her plays where these contribute to a better understanding of the novels, We give particular credit to, and draw extensively upon, those comments on her own work which Nathalie Sarraute has made at various moments and in various contexts, some of them to us personally, We emphasize the personal elements in Nathalie Sarraute's work: her sensitive awareness of tropisms and her view of human psychology have their sources in childhood experience, and her odyssey as a writer, from early hesitations and self-doubt to the later experience of success, finds expression through the preoccupations of each successive novel. Equally, however, we seek to emphasize Nathalie Sarraute's position within an established tradition and her debt to early modernism. Past utterances, as well as her present sense of alienation from the nouveau nouveau roman, whose ranks several of her colleagues from the 1950s have now joined, make her real allegiances clear. Our introduction situates this study in relation to previous Sarraute criticism and states its particular intentions. Nathalie Sarraute's subject-matter in all her novels is seen to be two-fold, to relate on the one hand to human psychology, on the other to art. A first chapter exeresses this subject-matter in greater detail, underlining thereby the extraordinary coherence of Nathalie Sarraute's fictional world. Attention here is concentrated on her vision of the human psyche, which changes little from work to work but which finds increasingly polished and confident expression. Some similarities to contemporary psychological theory are explored. The coherence of Nathalie Sarraute's 'work is also to be understood in terms of a continuing development and it is in such a context that the aesthetic themes are best explored. We aim, moreover, to examine each work as an independent artefact as well as one facet of a unified vision or as a link in a chain of development. In the main body of our thesis, therefore, we proceed in chronological fashion, work by work. Tropismes is seen as a remarkable first work, in which characteristic content and mode of expression are already well-developed. In the works which follow Tropismes, Nathalie Sarraute is primarily concerned with the novel tradition and particularly with the concept of character. Her self-doubt reflects the characteristic uncertainties of, the twentieth-century writer. Portrait d'un inconnu is a highly self-conscious work which explicitly contrasts itself with the greatest of its nineteenth-century predecessors; its narrator is a would-be novelist and his efforts to grapple with character provide the novel with its structure. Martereau takes up where Portrait leaves off and completes the demolition of the traditional 'character' of the realist novel. It is close to Portrait in its use of a narrator-figure as mediator between the…

Subjects/Keywords: 840

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APA (6^th Edition):

Bell, S. M. (1976). The fiction of Nathalie Sarraute : a study of her work from "Tropismes" to "Vous les entendez?". (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/74034/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.449487

Chicago Manual of Style (16^th Edition):

Bell, Sheila Margaret. “The fiction of Nathalie Sarraute : a study of her work from "Tropismes" to "Vous les entendez?".” 1976. Doctoral Dissertation, University of Glasgow. Accessed February 24, 2021. http://theses.gla.ac.uk/74034/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.449487.

MLA Handbook (7^th Edition):

Bell, Sheila Margaret. “The fiction of Nathalie Sarraute : a study of her work from "Tropismes" to "Vous les entendez?".” 1976. Web. 24 Feb 2021.

Vancouver:

Bell SM. The fiction of Nathalie Sarraute : a study of her work from "Tropismes" to "Vous les entendez?". [Internet] [Doctoral dissertation]. University of Glasgow; 1976. [cited 2021 Feb 24]. Available from: http://theses.gla.ac.uk/74034/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.449487.

Council of Science Editors:

Bell SM. The fiction of Nathalie Sarraute : a study of her work from "Tropismes" to "Vous les entendez?". [Doctoral Dissertation]. University of Glasgow; 1976. Available from: http://theses.gla.ac.uk/74034/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.449487

Durham University

29. Bamforth, Stephen John. Scientific and religious aspects of the poetry of Beroalde De Verville.

Degree: PhD, 1979, Durham University

URL: http://etheses.dur.ac.uk/8112/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.448797

► The thesis takes as its subject three long poems by Beroalde de Verville (1556-1629) - Les Cognoissances Necessaires (l 583), De L'Ame et de ses… (more)

Subjects/Keywords: 840

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APA (6^th Edition):

Bamforth, S. J. (1979). Scientific and religious aspects of the poetry of Beroalde De Verville. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/8112/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.448797

Chicago Manual of Style (16^th Edition):

Bamforth, Stephen John. “Scientific and religious aspects of the poetry of Beroalde De Verville.” 1979. Doctoral Dissertation, Durham University. Accessed February 24, 2021. http://etheses.dur.ac.uk/8112/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.448797.

MLA Handbook (7^th Edition):

Bamforth, Stephen John. “Scientific and religious aspects of the poetry of Beroalde De Verville.” 1979. Web. 24 Feb 2021.

Vancouver:

Bamforth SJ. Scientific and religious aspects of the poetry of Beroalde De Verville. [Internet] [Doctoral dissertation]. Durham University; 1979. [cited 2021 Feb 24]. Available from: http://etheses.dur.ac.uk/8112/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.448797.

Council of Science Editors:

Bamforth SJ. Scientific and religious aspects of the poetry of Beroalde De Verville. [Doctoral Dissertation]. Durham University; 1979. Available from: http://etheses.dur.ac.uk/8112/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.448797

Durham University

30. Rodmell, Graham E. Laclos, Les Liaisons Dangereuses and the development of the French novel.

Degree: PhD, 1967, Durham University

URL: http://etheses.dur.ac.uk/7981/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578128

Subjects/Keywords: 840

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Rodmell, G. E. (1967). Laclos, Les Liaisons Dangereuses and the development of the French novel. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/7981/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578128

Chicago Manual of Style (16^th Edition):

Rodmell, Graham E. “Laclos, Les Liaisons Dangereuses and the development of the French novel.” 1967. Doctoral Dissertation, Durham University. Accessed February 24, 2021. http://etheses.dur.ac.uk/7981/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578128.

MLA Handbook (7^th Edition):

Rodmell, Graham E. “Laclos, Les Liaisons Dangereuses and the development of the French novel.” 1967. Web. 24 Feb 2021.

Vancouver:

Rodmell GE. Laclos, Les Liaisons Dangereuses and the development of the French novel. [Internet] [Doctoral dissertation]. Durham University; 1967. [cited 2021 Feb 24]. Available from: http://etheses.dur.ac.uk/7981/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578128.

Council of Science Editors:

Rodmell GE. Laclos, Les Liaisons Dangereuses and the development of the French novel. [Doctoral Dissertation]. Durham University; 1967. Available from: http://etheses.dur.ac.uk/7981/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578128

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