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You searched for subject:(780). Showing records 1 – 30 of 749 total matches.

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University of Brighton

1. Abel, Mark F. Groove : an aesthetic of measured time.

Degree: PhD, 2011, University of Brighton

 The emergence of 'groove' in Western popular music around the turn of the twentieth century was a distinct departure in the organisation of musical time.… (more)

Subjects/Keywords: 780

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APA (6th Edition):

Abel, M. F. (2011). Groove : an aesthetic of measured time. (Doctoral Dissertation). University of Brighton. Retrieved from https://research.brighton.ac.uk/en/studentTheses/edbd7683-ec9b-4d34-871b-c2b39780aad6 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543092

Chicago Manual of Style (16th Edition):

Abel, Mark F. “Groove : an aesthetic of measured time.” 2011. Doctoral Dissertation, University of Brighton. Accessed July 09, 2020. https://research.brighton.ac.uk/en/studentTheses/edbd7683-ec9b-4d34-871b-c2b39780aad6 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543092.

MLA Handbook (7th Edition):

Abel, Mark F. “Groove : an aesthetic of measured time.” 2011. Web. 09 Jul 2020.

Vancouver:

Abel MF. Groove : an aesthetic of measured time. [Internet] [Doctoral dissertation]. University of Brighton; 2011. [cited 2020 Jul 09]. Available from: https://research.brighton.ac.uk/en/studentTheses/edbd7683-ec9b-4d34-871b-c2b39780aad6 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543092.

Council of Science Editors:

Abel MF. Groove : an aesthetic of measured time. [Doctoral Dissertation]. University of Brighton; 2011. Available from: https://research.brighton.ac.uk/en/studentTheses/edbd7683-ec9b-4d34-871b-c2b39780aad6 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543092


University of Newcastle upon Tyne

2. Bramley, Charlie. Too important to be left to the musicians : un-musical activism and improvised fiction.

Degree: PhD, 2016, University of Newcastle upon Tyne

 This thesis articulates a particular conception of improvisation and explores to what extent it can be thought of as a revolutionary socio-music practice that critiques… (more)

Subjects/Keywords: 780

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APA (6th Edition):

Bramley, C. (2016). Too important to be left to the musicians : un-musical activism and improvised fiction. (Doctoral Dissertation). University of Newcastle upon Tyne. Retrieved from http://theses.ncl.ac.uk/jspui/handle/10443/3221 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697908

Chicago Manual of Style (16th Edition):

Bramley, Charlie. “Too important to be left to the musicians : un-musical activism and improvised fiction.” 2016. Doctoral Dissertation, University of Newcastle upon Tyne. Accessed July 09, 2020. http://theses.ncl.ac.uk/jspui/handle/10443/3221 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697908.

MLA Handbook (7th Edition):

Bramley, Charlie. “Too important to be left to the musicians : un-musical activism and improvised fiction.” 2016. Web. 09 Jul 2020.

Vancouver:

Bramley C. Too important to be left to the musicians : un-musical activism and improvised fiction. [Internet] [Doctoral dissertation]. University of Newcastle upon Tyne; 2016. [cited 2020 Jul 09]. Available from: http://theses.ncl.ac.uk/jspui/handle/10443/3221 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697908.

Council of Science Editors:

Bramley C. Too important to be left to the musicians : un-musical activism and improvised fiction. [Doctoral Dissertation]. University of Newcastle upon Tyne; 2016. Available from: http://theses.ncl.ac.uk/jspui/handle/10443/3221 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697908

3. Hennessy, Tom. Beyond authenticism : new approaches to post war music culture.

Degree: PhD, 2016, Birkbeck (University of London)

 The emergence of folk, jazz, blues, skiffle, rock n roll and R&B scenes in the post-war period of 1945 – 1964 was a major development… (more)

Subjects/Keywords: 780

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APA (6th Edition):

Hennessy, T. (2016). Beyond authenticism : new approaches to post war music culture. (Doctoral Dissertation). Birkbeck (University of London). Retrieved from http://bbktheses.da.ulcc.ac.uk/204/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715321

Chicago Manual of Style (16th Edition):

Hennessy, Tom. “Beyond authenticism : new approaches to post war music culture.” 2016. Doctoral Dissertation, Birkbeck (University of London). Accessed July 09, 2020. http://bbktheses.da.ulcc.ac.uk/204/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715321.

MLA Handbook (7th Edition):

Hennessy, Tom. “Beyond authenticism : new approaches to post war music culture.” 2016. Web. 09 Jul 2020.

Vancouver:

Hennessy T. Beyond authenticism : new approaches to post war music culture. [Internet] [Doctoral dissertation]. Birkbeck (University of London); 2016. [cited 2020 Jul 09]. Available from: http://bbktheses.da.ulcc.ac.uk/204/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715321.

Council of Science Editors:

Hennessy T. Beyond authenticism : new approaches to post war music culture. [Doctoral Dissertation]. Birkbeck (University of London); 2016. Available from: http://bbktheses.da.ulcc.ac.uk/204/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715321

4. Ashton-Smith, Alan. Gypsy punk : towards a new immigrant music.

Degree: PhD, 2013, Birkbeck (University of London)

 The musical genre of Gypsy Punk, in which the most significant contributions have been made by the multi-­‐ethnic band Gogol Bordello, may appear to be… (more)

Subjects/Keywords: 780

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APA (6th Edition):

Ashton-Smith, A. (2013). Gypsy punk : towards a new immigrant music. (Doctoral Dissertation). Birkbeck (University of London). Retrieved from http://bbktheses.da.ulcc.ac.uk/29/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.575518

Chicago Manual of Style (16th Edition):

Ashton-Smith, Alan. “Gypsy punk : towards a new immigrant music.” 2013. Doctoral Dissertation, Birkbeck (University of London). Accessed July 09, 2020. http://bbktheses.da.ulcc.ac.uk/29/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.575518.

MLA Handbook (7th Edition):

Ashton-Smith, Alan. “Gypsy punk : towards a new immigrant music.” 2013. Web. 09 Jul 2020.

Vancouver:

Ashton-Smith A. Gypsy punk : towards a new immigrant music. [Internet] [Doctoral dissertation]. Birkbeck (University of London); 2013. [cited 2020 Jul 09]. Available from: http://bbktheses.da.ulcc.ac.uk/29/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.575518.

Council of Science Editors:

Ashton-Smith A. Gypsy punk : towards a new immigrant music. [Doctoral Dissertation]. Birkbeck (University of London); 2013. Available from: http://bbktheses.da.ulcc.ac.uk/29/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.575518


Durham University

5. Buttigieg, Lydia. Carmelo Pace (1906-1993) : the career and creative achievement of a twentieth-century Maltese composer in social and cultural context.

Degree: PhD, 2014, Durham University

 This thesis constitutes the first comprehensive study of the life and work of Carmelo Pace (1906-1993), one of the most significant figures in twentieth-century Maltese… (more)

Subjects/Keywords: 780

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APA (6th Edition):

Buttigieg, L. (2014). Carmelo Pace (1906-1993) : the career and creative achievement of a twentieth-century Maltese composer in social and cultural context. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/10898/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.630039

Chicago Manual of Style (16th Edition):

Buttigieg, Lydia. “Carmelo Pace (1906-1993) : the career and creative achievement of a twentieth-century Maltese composer in social and cultural context.” 2014. Doctoral Dissertation, Durham University. Accessed July 09, 2020. http://etheses.dur.ac.uk/10898/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.630039.

MLA Handbook (7th Edition):

Buttigieg, Lydia. “Carmelo Pace (1906-1993) : the career and creative achievement of a twentieth-century Maltese composer in social and cultural context.” 2014. Web. 09 Jul 2020.

Vancouver:

Buttigieg L. Carmelo Pace (1906-1993) : the career and creative achievement of a twentieth-century Maltese composer in social and cultural context. [Internet] [Doctoral dissertation]. Durham University; 2014. [cited 2020 Jul 09]. Available from: http://etheses.dur.ac.uk/10898/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.630039.

Council of Science Editors:

Buttigieg L. Carmelo Pace (1906-1993) : the career and creative achievement of a twentieth-century Maltese composer in social and cultural context. [Doctoral Dissertation]. Durham University; 2014. Available from: http://etheses.dur.ac.uk/10898/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.630039


Durham University

6. Price, Christopher Nicholas Turt. Mr Ward's Commission : manners, musicians, and music at the Canterbury Catch Club.

Degree: PhD, 2018, Durham University

 This thesis is an extended examination of a lithograph, dated 1826, purporting to show a meeting of the Canterbury Catch Club—a musical society which flourished… (more)

Subjects/Keywords: 780

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APA (6th Edition):

Price, C. N. T. (2018). Mr Ward's Commission : manners, musicians, and music at the Canterbury Catch Club. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/12660/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.743239

Chicago Manual of Style (16th Edition):

Price, Christopher Nicholas Turt. “Mr Ward's Commission : manners, musicians, and music at the Canterbury Catch Club.” 2018. Doctoral Dissertation, Durham University. Accessed July 09, 2020. http://etheses.dur.ac.uk/12660/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.743239.

MLA Handbook (7th Edition):

Price, Christopher Nicholas Turt. “Mr Ward's Commission : manners, musicians, and music at the Canterbury Catch Club.” 2018. Web. 09 Jul 2020.

Vancouver:

Price CNT. Mr Ward's Commission : manners, musicians, and music at the Canterbury Catch Club. [Internet] [Doctoral dissertation]. Durham University; 2018. [cited 2020 Jul 09]. Available from: http://etheses.dur.ac.uk/12660/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.743239.

Council of Science Editors:

Price CNT. Mr Ward's Commission : manners, musicians, and music at the Canterbury Catch Club. [Doctoral Dissertation]. Durham University; 2018. Available from: http://etheses.dur.ac.uk/12660/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.743239

7. Knotts, Michelle Anne. Social systems for improvisation in live computer music.

Degree: PhD, 2018, Durham University

 The portfolio accompanying this commentary comprises seven works which are presented here in chronological order. The works can be summarised as follows: a work for… (more)

Subjects/Keywords: 780

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APA (6th Edition):

Knotts, M. A. (2018). Social systems for improvisation in live computer music. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/13151/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.775400

Chicago Manual of Style (16th Edition):

Knotts, Michelle Anne. “Social systems for improvisation in live computer music.” 2018. Doctoral Dissertation, Durham University. Accessed July 09, 2020. http://etheses.dur.ac.uk/13151/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.775400.

MLA Handbook (7th Edition):

Knotts, Michelle Anne. “Social systems for improvisation in live computer music.” 2018. Web. 09 Jul 2020.

Vancouver:

Knotts MA. Social systems for improvisation in live computer music. [Internet] [Doctoral dissertation]. Durham University; 2018. [cited 2020 Jul 09]. Available from: http://etheses.dur.ac.uk/13151/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.775400.

Council of Science Editors:

Knotts MA. Social systems for improvisation in live computer music. [Doctoral Dissertation]. Durham University; 2018. Available from: http://etheses.dur.ac.uk/13151/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.775400


Durham University

8. Pauley, John-Bede. Benjamin Britten, Herbert Howells, and silence as the ineffable in English cathedral music.

Degree: PhD, 2013, Durham University

 Silence’s expressive potential came to the fore in twentieth-century arts and letters as never before. Its role in Christian theology and spirituality has a much… (more)

Subjects/Keywords: 780

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APA (6th Edition):

Pauley, J. (2013). Benjamin Britten, Herbert Howells, and silence as the ineffable in English cathedral music. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/9499/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.590585

Chicago Manual of Style (16th Edition):

Pauley, John-Bede. “Benjamin Britten, Herbert Howells, and silence as the ineffable in English cathedral music.” 2013. Doctoral Dissertation, Durham University. Accessed July 09, 2020. http://etheses.dur.ac.uk/9499/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.590585.

MLA Handbook (7th Edition):

Pauley, John-Bede. “Benjamin Britten, Herbert Howells, and silence as the ineffable in English cathedral music.” 2013. Web. 09 Jul 2020.

Vancouver:

Pauley J. Benjamin Britten, Herbert Howells, and silence as the ineffable in English cathedral music. [Internet] [Doctoral dissertation]. Durham University; 2013. [cited 2020 Jul 09]. Available from: http://etheses.dur.ac.uk/9499/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.590585.

Council of Science Editors:

Pauley J. Benjamin Britten, Herbert Howells, and silence as the ineffable in English cathedral music. [Doctoral Dissertation]. Durham University; 2013. Available from: http://etheses.dur.ac.uk/9499/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.590585

9. Bayley, Gary Keith. The music of Mike Westbrook.

Degree: PhD, 2014, Durham University

 This dissertation – the first on the life and work of Mike Westbrook – proposes that his unique conception of English modern jazz was inspired… (more)

Subjects/Keywords: 780

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APA (6th Edition):

Bayley, G. K. (2014). The music of Mike Westbrook. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/10712/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614457

Chicago Manual of Style (16th Edition):

Bayley, Gary Keith. “The music of Mike Westbrook.” 2014. Doctoral Dissertation, Durham University. Accessed July 09, 2020. http://etheses.dur.ac.uk/10712/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614457.

MLA Handbook (7th Edition):

Bayley, Gary Keith. “The music of Mike Westbrook.” 2014. Web. 09 Jul 2020.

Vancouver:

Bayley GK. The music of Mike Westbrook. [Internet] [Doctoral dissertation]. Durham University; 2014. [cited 2020 Jul 09]. Available from: http://etheses.dur.ac.uk/10712/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614457.

Council of Science Editors:

Bayley GK. The music of Mike Westbrook. [Doctoral Dissertation]. Durham University; 2014. Available from: http://etheses.dur.ac.uk/10712/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614457


Durham University

10. Estibeiro, Marc Lucio. Composing music for acoustic instruments and electronics mediated through the application of microsound.

Degree: PhD, 2016, Durham University

 This project seeks to extend, through a portfolio of compositions, the use of microsound to mixed works incorporating acoustic instrument and electronics. Issues relating to… (more)

Subjects/Keywords: 780

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APA (6th Edition):

Estibeiro, M. L. (2016). Composing music for acoustic instruments and electronics mediated through the application of microsound. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/11469/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681790

Chicago Manual of Style (16th Edition):

Estibeiro, Marc Lucio. “Composing music for acoustic instruments and electronics mediated through the application of microsound.” 2016. Doctoral Dissertation, Durham University. Accessed July 09, 2020. http://etheses.dur.ac.uk/11469/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681790.

MLA Handbook (7th Edition):

Estibeiro, Marc Lucio. “Composing music for acoustic instruments and electronics mediated through the application of microsound.” 2016. Web. 09 Jul 2020.

Vancouver:

Estibeiro ML. Composing music for acoustic instruments and electronics mediated through the application of microsound. [Internet] [Doctoral dissertation]. Durham University; 2016. [cited 2020 Jul 09]. Available from: http://etheses.dur.ac.uk/11469/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681790.

Council of Science Editors:

Estibeiro ML. Composing music for acoustic instruments and electronics mediated through the application of microsound. [Doctoral Dissertation]. Durham University; 2016. Available from: http://etheses.dur.ac.uk/11469/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681790


Durham University

11. Buckley, Joanne Marie Kirkbride. Lyric as self-reflection : the role of the slow movement in Beethoven's works.

Degree: PhD, 2012, Durham University

 The slow movement has often been overlooked by writers on the Classical style, who typically gloss over its formal and expressive intricacies in favour of… (more)

Subjects/Keywords: 780

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APA (6th Edition):

Buckley, J. M. K. (2012). Lyric as self-reflection : the role of the slow movement in Beethoven's works. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/3613/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.551428

Chicago Manual of Style (16th Edition):

Buckley, Joanne Marie Kirkbride. “Lyric as self-reflection : the role of the slow movement in Beethoven's works.” 2012. Doctoral Dissertation, Durham University. Accessed July 09, 2020. http://etheses.dur.ac.uk/3613/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.551428.

MLA Handbook (7th Edition):

Buckley, Joanne Marie Kirkbride. “Lyric as self-reflection : the role of the slow movement in Beethoven's works.” 2012. Web. 09 Jul 2020.

Vancouver:

Buckley JMK. Lyric as self-reflection : the role of the slow movement in Beethoven's works. [Internet] [Doctoral dissertation]. Durham University; 2012. [cited 2020 Jul 09]. Available from: http://etheses.dur.ac.uk/3613/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.551428.

Council of Science Editors:

Buckley JMK. Lyric as self-reflection : the role of the slow movement in Beethoven's works. [Doctoral Dissertation]. Durham University; 2012. Available from: http://etheses.dur.ac.uk/3613/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.551428


Durham University

12. Waggener, Joshua Alton. Mendelssohn and the musical sublime.

Degree: PhD, 2014, Durham University

 How does the aesthetic category of the sublime, in its various formulations from the eighteenth and early-nineteenth centuries, assist in explaining the significance of Felix… (more)

Subjects/Keywords: 780

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APA (6th Edition):

Waggener, J. A. (2014). Mendelssohn and the musical sublime. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/10610/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600991

Chicago Manual of Style (16th Edition):

Waggener, Joshua Alton. “Mendelssohn and the musical sublime.” 2014. Doctoral Dissertation, Durham University. Accessed July 09, 2020. http://etheses.dur.ac.uk/10610/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600991.

MLA Handbook (7th Edition):

Waggener, Joshua Alton. “Mendelssohn and the musical sublime.” 2014. Web. 09 Jul 2020.

Vancouver:

Waggener JA. Mendelssohn and the musical sublime. [Internet] [Doctoral dissertation]. Durham University; 2014. [cited 2020 Jul 09]. Available from: http://etheses.dur.ac.uk/10610/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600991.

Council of Science Editors:

Waggener JA. Mendelssohn and the musical sublime. [Doctoral Dissertation]. Durham University; 2014. Available from: http://etheses.dur.ac.uk/10610/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600991


Durham University

13. De-Barra, Seamas. The symphonies of John Kinsella.

Degree: PhD, 2012, Durham University

 Séamas de Barra The Symphonies of John Kinsella ABSTRACT This thesis offers the first comprehensive analytical and critical study of the symphonies of John Kinsella… (more)

Subjects/Keywords: 780

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APA (6th Edition):

De-Barra, S. (2012). The symphonies of John Kinsella. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/7313/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.571916

Chicago Manual of Style (16th Edition):

De-Barra, Seamas. “The symphonies of John Kinsella.” 2012. Doctoral Dissertation, Durham University. Accessed July 09, 2020. http://etheses.dur.ac.uk/7313/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.571916.

MLA Handbook (7th Edition):

De-Barra, Seamas. “The symphonies of John Kinsella.” 2012. Web. 09 Jul 2020.

Vancouver:

De-Barra S. The symphonies of John Kinsella. [Internet] [Doctoral dissertation]. Durham University; 2012. [cited 2020 Jul 09]. Available from: http://etheses.dur.ac.uk/7313/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.571916.

Council of Science Editors:

De-Barra S. The symphonies of John Kinsella. [Doctoral Dissertation]. Durham University; 2012. Available from: http://etheses.dur.ac.uk/7313/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.571916


Durham University

14. Woodhouse, Edward Luke Anderton. The music of Johannes Brahms in late nineteenth and early twentieth century England and an assessment of his reception and influence on the chamber and orchestral works of Charles Hubert Hastings Parry and Charles Villiers Stanford.

Degree: PhD, 2013, Durham University

 The music of Johannes Brahms currently enjoys popularity comparable with that of Bach, Handel, Haydn, Mozart and Beethoven throughout England. However, unlike composers such as… (more)

Subjects/Keywords: 780

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APA (6th Edition):

Woodhouse, E. L. A. (2013). The music of Johannes Brahms in late nineteenth and early twentieth century England and an assessment of his reception and influence on the chamber and orchestral works of Charles Hubert Hastings Parry and Charles Villiers Stanford. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/7336/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573712

Chicago Manual of Style (16th Edition):

Woodhouse, Edward Luke Anderton. “The music of Johannes Brahms in late nineteenth and early twentieth century England and an assessment of his reception and influence on the chamber and orchestral works of Charles Hubert Hastings Parry and Charles Villiers Stanford.” 2013. Doctoral Dissertation, Durham University. Accessed July 09, 2020. http://etheses.dur.ac.uk/7336/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573712.

MLA Handbook (7th Edition):

Woodhouse, Edward Luke Anderton. “The music of Johannes Brahms in late nineteenth and early twentieth century England and an assessment of his reception and influence on the chamber and orchestral works of Charles Hubert Hastings Parry and Charles Villiers Stanford.” 2013. Web. 09 Jul 2020.

Vancouver:

Woodhouse ELA. The music of Johannes Brahms in late nineteenth and early twentieth century England and an assessment of his reception and influence on the chamber and orchestral works of Charles Hubert Hastings Parry and Charles Villiers Stanford. [Internet] [Doctoral dissertation]. Durham University; 2013. [cited 2020 Jul 09]. Available from: http://etheses.dur.ac.uk/7336/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573712.

Council of Science Editors:

Woodhouse ELA. The music of Johannes Brahms in late nineteenth and early twentieth century England and an assessment of his reception and influence on the chamber and orchestral works of Charles Hubert Hastings Parry and Charles Villiers Stanford. [Doctoral Dissertation]. Durham University; 2013. Available from: http://etheses.dur.ac.uk/7336/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573712


Durham University

15. Hsin, Mie Fen. Popular music in Taiwan : language, social class and national identity.

Degree: PhD, 2012, Durham University

 This project explores how longstanding conflicts in Taiwanese society have been reflected in the development of popular song in Taiwan in the period of martial… (more)

Subjects/Keywords: 780

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hsin, M. F. (2012). Popular music in Taiwan : language, social class and national identity. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/3473/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549120

Chicago Manual of Style (16th Edition):

Hsin, Mie Fen. “Popular music in Taiwan : language, social class and national identity.” 2012. Doctoral Dissertation, Durham University. Accessed July 09, 2020. http://etheses.dur.ac.uk/3473/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549120.

MLA Handbook (7th Edition):

Hsin, Mie Fen. “Popular music in Taiwan : language, social class and national identity.” 2012. Web. 09 Jul 2020.

Vancouver:

Hsin MF. Popular music in Taiwan : language, social class and national identity. [Internet] [Doctoral dissertation]. Durham University; 2012. [cited 2020 Jul 09]. Available from: http://etheses.dur.ac.uk/3473/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549120.

Council of Science Editors:

Hsin MF. Popular music in Taiwan : language, social class and national identity. [Doctoral Dissertation]. Durham University; 2012. Available from: http://etheses.dur.ac.uk/3473/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549120


Durham University

16. Todd, Jane Sarah. Musical progression in the English primary school : what is it, what does it look like and how do teachers realise it?.

Degree: Thesis (EdD), 2012, Durham University

 In ‘Making More of Music’ (2009a) Ofsted reported that primary music curriculum delivery was inconsistent and too much provision was inadequate. They specifically commented on… (more)

Subjects/Keywords: 780

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Todd, J. S. (2012). Musical progression in the English primary school : what is it, what does it look like and how do teachers realise it?. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/5885/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.560975

Chicago Manual of Style (16th Edition):

Todd, Jane Sarah. “Musical progression in the English primary school : what is it, what does it look like and how do teachers realise it?.” 2012. Doctoral Dissertation, Durham University. Accessed July 09, 2020. http://etheses.dur.ac.uk/5885/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.560975.

MLA Handbook (7th Edition):

Todd, Jane Sarah. “Musical progression in the English primary school : what is it, what does it look like and how do teachers realise it?.” 2012. Web. 09 Jul 2020.

Vancouver:

Todd JS. Musical progression in the English primary school : what is it, what does it look like and how do teachers realise it?. [Internet] [Doctoral dissertation]. Durham University; 2012. [cited 2020 Jul 09]. Available from: http://etheses.dur.ac.uk/5885/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.560975.

Council of Science Editors:

Todd JS. Musical progression in the English primary school : what is it, what does it look like and how do teachers realise it?. [Doctoral Dissertation]. Durham University; 2012. Available from: http://etheses.dur.ac.uk/5885/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.560975


Durham University

17. Goodenough, John Michael. Commentary on the Portfolio of Compositions submitted for the degree of Doctor of Philosophy by Composition.

Degree: PhD, 2015, Durham University

 Portfolio Contents: 1. Ubi Caritas 2009 - for Violin & Piano 4.36 2. String Quartet 2010 - for String Quartet 5.15 3. Echoes of Poems… (more)

Subjects/Keywords: 780

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Goodenough, J. M. (2015). Commentary on the Portfolio of Compositions submitted for the degree of Doctor of Philosophy by Composition. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/11120/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650212

Chicago Manual of Style (16th Edition):

Goodenough, John Michael. “Commentary on the Portfolio of Compositions submitted for the degree of Doctor of Philosophy by Composition.” 2015. Doctoral Dissertation, Durham University. Accessed July 09, 2020. http://etheses.dur.ac.uk/11120/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650212.

MLA Handbook (7th Edition):

Goodenough, John Michael. “Commentary on the Portfolio of Compositions submitted for the degree of Doctor of Philosophy by Composition.” 2015. Web. 09 Jul 2020.

Vancouver:

Goodenough JM. Commentary on the Portfolio of Compositions submitted for the degree of Doctor of Philosophy by Composition. [Internet] [Doctoral dissertation]. Durham University; 2015. [cited 2020 Jul 09]. Available from: http://etheses.dur.ac.uk/11120/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650212.

Council of Science Editors:

Goodenough JM. Commentary on the Portfolio of Compositions submitted for the degree of Doctor of Philosophy by Composition. [Doctoral Dissertation]. Durham University; 2015. Available from: http://etheses.dur.ac.uk/11120/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650212


Durham University

18. Lywood-Mulcock, Julian William. Algorithmic compositional methods and their role in genesis : a multi-functional real-time computer music system.

Degree: PhD, 2015, Durham University

 Algorithmic procedures have been applied in computer music systems to generate compositional products using conventional musical formalism, extensions of such musical formalism and extra-musical disciplines… (more)

Subjects/Keywords: 780

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lywood-Mulcock, J. W. (2015). Algorithmic compositional methods and their role in genesis : a multi-functional real-time computer music system. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/11033/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.642969

Chicago Manual of Style (16th Edition):

Lywood-Mulcock, Julian William. “Algorithmic compositional methods and their role in genesis : a multi-functional real-time computer music system.” 2015. Doctoral Dissertation, Durham University. Accessed July 09, 2020. http://etheses.dur.ac.uk/11033/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.642969.

MLA Handbook (7th Edition):

Lywood-Mulcock, Julian William. “Algorithmic compositional methods and their role in genesis : a multi-functional real-time computer music system.” 2015. Web. 09 Jul 2020.

Vancouver:

Lywood-Mulcock JW. Algorithmic compositional methods and their role in genesis : a multi-functional real-time computer music system. [Internet] [Doctoral dissertation]. Durham University; 2015. [cited 2020 Jul 09]. Available from: http://etheses.dur.ac.uk/11033/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.642969.

Council of Science Editors:

Lywood-Mulcock JW. Algorithmic compositional methods and their role in genesis : a multi-functional real-time computer music system. [Doctoral Dissertation]. Durham University; 2015. Available from: http://etheses.dur.ac.uk/11033/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.642969


Durham University

19. Causby, Joseph Cody. Who dares stand idle? : Thomas Tertius Noble : a life in church music, 1867-1953.

Degree: PhD, 2015, Durham University

 Thomas Tertius Noble (1867-1953) was a British organist, who, after completing successful tenures at Ely Cathedral and York Minster, uprooted his life and immigrated to… (more)

Subjects/Keywords: 780

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Causby, J. C. (2015). Who dares stand idle? : Thomas Tertius Noble : a life in church music, 1867-1953. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/11095/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.646448

Chicago Manual of Style (16th Edition):

Causby, Joseph Cody. “Who dares stand idle? : Thomas Tertius Noble : a life in church music, 1867-1953.” 2015. Doctoral Dissertation, Durham University. Accessed July 09, 2020. http://etheses.dur.ac.uk/11095/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.646448.

MLA Handbook (7th Edition):

Causby, Joseph Cody. “Who dares stand idle? : Thomas Tertius Noble : a life in church music, 1867-1953.” 2015. Web. 09 Jul 2020.

Vancouver:

Causby JC. Who dares stand idle? : Thomas Tertius Noble : a life in church music, 1867-1953. [Internet] [Doctoral dissertation]. Durham University; 2015. [cited 2020 Jul 09]. Available from: http://etheses.dur.ac.uk/11095/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.646448.

Council of Science Editors:

Causby JC. Who dares stand idle? : Thomas Tertius Noble : a life in church music, 1867-1953. [Doctoral Dissertation]. Durham University; 2015. Available from: http://etheses.dur.ac.uk/11095/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.646448


University of Sheffield

20. Zhao, Yue. The musicality of C-pop : a study of Chinese popular music from 1985-2010.

Degree: PhD, 2011, University of Sheffield

 This study examines C-pop (Chinese pop). It contains three parts, Part One describes the changes in C-pop from the 1985 to the present, Part Two… (more)

Subjects/Keywords: 780

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zhao, Y. (2011). The musicality of C-pop : a study of Chinese popular music from 1985-2010. (Doctoral Dissertation). University of Sheffield. Retrieved from http://etheses.whiterose.ac.uk/14987/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538022

Chicago Manual of Style (16th Edition):

Zhao, Yue. “The musicality of C-pop : a study of Chinese popular music from 1985-2010.” 2011. Doctoral Dissertation, University of Sheffield. Accessed July 09, 2020. http://etheses.whiterose.ac.uk/14987/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538022.

MLA Handbook (7th Edition):

Zhao, Yue. “The musicality of C-pop : a study of Chinese popular music from 1985-2010.” 2011. Web. 09 Jul 2020.

Vancouver:

Zhao Y. The musicality of C-pop : a study of Chinese popular music from 1985-2010. [Internet] [Doctoral dissertation]. University of Sheffield; 2011. [cited 2020 Jul 09]. Available from: http://etheses.whiterose.ac.uk/14987/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538022.

Council of Science Editors:

Zhao Y. The musicality of C-pop : a study of Chinese popular music from 1985-2010. [Doctoral Dissertation]. University of Sheffield; 2011. Available from: http://etheses.whiterose.ac.uk/14987/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538022


University of Sheffield

21. Robbins, Hannah M. 'A chance for stage folks to say "hello"' : entertainment and theatricality in 'Kiss Me, Kate'.

Degree: PhD, 2017, University of Sheffield

 As Cole Porter’s most commercially successful Broadway musical, Kiss Me, Kate (1948) has been widely acknowledged as one of several significant works written during ‘the… (more)

Subjects/Keywords: 780

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Robbins, H. M. (2017). 'A chance for stage folks to say "hello"' : entertainment and theatricality in 'Kiss Me, Kate'. (Doctoral Dissertation). University of Sheffield. Retrieved from http://etheses.whiterose.ac.uk/19002/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.731526

Chicago Manual of Style (16th Edition):

Robbins, Hannah M. “'A chance for stage folks to say "hello"' : entertainment and theatricality in 'Kiss Me, Kate'.” 2017. Doctoral Dissertation, University of Sheffield. Accessed July 09, 2020. http://etheses.whiterose.ac.uk/19002/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.731526.

MLA Handbook (7th Edition):

Robbins, Hannah M. “'A chance for stage folks to say "hello"' : entertainment and theatricality in 'Kiss Me, Kate'.” 2017. Web. 09 Jul 2020.

Vancouver:

Robbins HM. 'A chance for stage folks to say "hello"' : entertainment and theatricality in 'Kiss Me, Kate'. [Internet] [Doctoral dissertation]. University of Sheffield; 2017. [cited 2020 Jul 09]. Available from: http://etheses.whiterose.ac.uk/19002/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.731526.

Council of Science Editors:

Robbins HM. 'A chance for stage folks to say "hello"' : entertainment and theatricality in 'Kiss Me, Kate'. [Doctoral Dissertation]. University of Sheffield; 2017. Available from: http://etheses.whiterose.ac.uk/19002/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.731526


Goldsmiths College (University of London)

22. Sophocleous, Charalambos. Portfolio and exegesis : composing through a spectral scope.

Degree: PhD, 2013, Goldsmiths College (University of London)

 The current research focuses on the spectral nature of sound, its timbre manipulation and contribution to the overall syntax of a composition. It describes the… (more)

Subjects/Keywords: 780

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sophocleous, C. (2013). Portfolio and exegesis : composing through a spectral scope. (Doctoral Dissertation). Goldsmiths College (University of London). Retrieved from http://research.gold.ac.uk/10320/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.601745

Chicago Manual of Style (16th Edition):

Sophocleous, Charalambos. “Portfolio and exegesis : composing through a spectral scope.” 2013. Doctoral Dissertation, Goldsmiths College (University of London). Accessed July 09, 2020. http://research.gold.ac.uk/10320/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.601745.

MLA Handbook (7th Edition):

Sophocleous, Charalambos. “Portfolio and exegesis : composing through a spectral scope.” 2013. Web. 09 Jul 2020.

Vancouver:

Sophocleous C. Portfolio and exegesis : composing through a spectral scope. [Internet] [Doctoral dissertation]. Goldsmiths College (University of London); 2013. [cited 2020 Jul 09]. Available from: http://research.gold.ac.uk/10320/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.601745.

Council of Science Editors:

Sophocleous C. Portfolio and exegesis : composing through a spectral scope. [Doctoral Dissertation]. Goldsmiths College (University of London); 2013. Available from: http://research.gold.ac.uk/10320/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.601745


Goldsmiths College (University of London)

23. Pyke, Cameron. Benjamin Britten's creative relationship with Russia.

Degree: PhD, 2011, Goldsmiths College (University of London)

 This thesis considers Britten’s creative relationship with Russia, in the sense of aspects of Russian culture and politics, across his creative life. It makes particular… (more)

Subjects/Keywords: 780

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pyke, C. (2011). Benjamin Britten's creative relationship with Russia. (Doctoral Dissertation). Goldsmiths College (University of London). Retrieved from http://research.gold.ac.uk/5919/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.544242

Chicago Manual of Style (16th Edition):

Pyke, Cameron. “Benjamin Britten's creative relationship with Russia.” 2011. Doctoral Dissertation, Goldsmiths College (University of London). Accessed July 09, 2020. http://research.gold.ac.uk/5919/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.544242.

MLA Handbook (7th Edition):

Pyke, Cameron. “Benjamin Britten's creative relationship with Russia.” 2011. Web. 09 Jul 2020.

Vancouver:

Pyke C. Benjamin Britten's creative relationship with Russia. [Internet] [Doctoral dissertation]. Goldsmiths College (University of London); 2011. [cited 2020 Jul 09]. Available from: http://research.gold.ac.uk/5919/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.544242.

Council of Science Editors:

Pyke C. Benjamin Britten's creative relationship with Russia. [Doctoral Dissertation]. Goldsmiths College (University of London); 2011. Available from: http://research.gold.ac.uk/5919/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.544242


Goldsmiths College (University of London)

24. Pavlopoulou, Argyro. Musical tradition and change on the island of Crete.

Degree: PhD, 2012, Goldsmiths College (University of London)

 This thesis examines the changes in the traditional music of Crete that have transpired in the twentieth century, particularly since the 1950's. Chapter One reviews… (more)

Subjects/Keywords: 780

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pavlopoulou, A. (2012). Musical tradition and change on the island of Crete. (Doctoral Dissertation). Goldsmiths College (University of London). Retrieved from http://research.gold.ac.uk/6962/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550108

Chicago Manual of Style (16th Edition):

Pavlopoulou, Argyro. “Musical tradition and change on the island of Crete.” 2012. Doctoral Dissertation, Goldsmiths College (University of London). Accessed July 09, 2020. http://research.gold.ac.uk/6962/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550108.

MLA Handbook (7th Edition):

Pavlopoulou, Argyro. “Musical tradition and change on the island of Crete.” 2012. Web. 09 Jul 2020.

Vancouver:

Pavlopoulou A. Musical tradition and change on the island of Crete. [Internet] [Doctoral dissertation]. Goldsmiths College (University of London); 2012. [cited 2020 Jul 09]. Available from: http://research.gold.ac.uk/6962/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550108.

Council of Science Editors:

Pavlopoulou A. Musical tradition and change on the island of Crete. [Doctoral Dissertation]. Goldsmiths College (University of London); 2012. Available from: http://research.gold.ac.uk/6962/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550108


Goldsmiths College (University of London)

25. Spinelli, Emmanuel. Composing with schizo-narratives and sonic chorographies : the territory of disembodied voices and the perception of acousmatic identities.

Degree: PhD, 2016, Goldsmiths College (University of London)

 This PhD focusses on the body of work that has emerged from the author’s compositional practice between 2008 and 2015. It tackles a range of… (more)

Subjects/Keywords: 780

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Spinelli, E. (2016). Composing with schizo-narratives and sonic chorographies : the territory of disembodied voices and the perception of acousmatic identities. (Doctoral Dissertation). Goldsmiths College (University of London). Retrieved from http://research.gold.ac.uk/17033/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681935

Chicago Manual of Style (16th Edition):

Spinelli, Emmanuel. “Composing with schizo-narratives and sonic chorographies : the territory of disembodied voices and the perception of acousmatic identities.” 2016. Doctoral Dissertation, Goldsmiths College (University of London). Accessed July 09, 2020. http://research.gold.ac.uk/17033/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681935.

MLA Handbook (7th Edition):

Spinelli, Emmanuel. “Composing with schizo-narratives and sonic chorographies : the territory of disembodied voices and the perception of acousmatic identities.” 2016. Web. 09 Jul 2020.

Vancouver:

Spinelli E. Composing with schizo-narratives and sonic chorographies : the territory of disembodied voices and the perception of acousmatic identities. [Internet] [Doctoral dissertation]. Goldsmiths College (University of London); 2016. [cited 2020 Jul 09]. Available from: http://research.gold.ac.uk/17033/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681935.

Council of Science Editors:

Spinelli E. Composing with schizo-narratives and sonic chorographies : the territory of disembodied voices and the perception of acousmatic identities. [Doctoral Dissertation]. Goldsmiths College (University of London); 2016. Available from: http://research.gold.ac.uk/17033/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681935


University of Surrey

26. Farr, Stephen John. The solo organ and harpsichord works of Judith Bingham.

Degree: PhD, 2014, University of Surrey

 This study is based substantially on the author's experience of collaboration with the British composer Judith Bingham between 2011 and 2013 in the preparation and… (more)

Subjects/Keywords: 780

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Farr, S. J. (2014). The solo organ and harpsichord works of Judith Bingham. (Doctoral Dissertation). University of Surrey. Retrieved from http://epubs.surrey.ac.uk/855389/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.656323

Chicago Manual of Style (16th Edition):

Farr, Stephen John. “The solo organ and harpsichord works of Judith Bingham.” 2014. Doctoral Dissertation, University of Surrey. Accessed July 09, 2020. http://epubs.surrey.ac.uk/855389/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.656323.

MLA Handbook (7th Edition):

Farr, Stephen John. “The solo organ and harpsichord works of Judith Bingham.” 2014. Web. 09 Jul 2020.

Vancouver:

Farr SJ. The solo organ and harpsichord works of Judith Bingham. [Internet] [Doctoral dissertation]. University of Surrey; 2014. [cited 2020 Jul 09]. Available from: http://epubs.surrey.ac.uk/855389/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.656323.

Council of Science Editors:

Farr SJ. The solo organ and harpsichord works of Judith Bingham. [Doctoral Dissertation]. University of Surrey; 2014. Available from: http://epubs.surrey.ac.uk/855389/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.656323


University of Surrey

27. Hayne, Christopher J. Structural depth in Jonathan Harvey's 'Madonna of Winter and Spring'.

Degree: PhD, 2015, University of Surrey

 The English composer Jonathan Harvey was a distinctive and major presence in contemporary music since the early 1960s up to his death in 2012. His… (more)

Subjects/Keywords: 780

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hayne, C. J. (2015). Structural depth in Jonathan Harvey's 'Madonna of Winter and Spring'. (Doctoral Dissertation). University of Surrey. Retrieved from http://epubs.surrey.ac.uk/808997/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675305

Chicago Manual of Style (16th Edition):

Hayne, Christopher J. “Structural depth in Jonathan Harvey's 'Madonna of Winter and Spring'.” 2015. Doctoral Dissertation, University of Surrey. Accessed July 09, 2020. http://epubs.surrey.ac.uk/808997/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675305.

MLA Handbook (7th Edition):

Hayne, Christopher J. “Structural depth in Jonathan Harvey's 'Madonna of Winter and Spring'.” 2015. Web. 09 Jul 2020.

Vancouver:

Hayne CJ. Structural depth in Jonathan Harvey's 'Madonna of Winter and Spring'. [Internet] [Doctoral dissertation]. University of Surrey; 2015. [cited 2020 Jul 09]. Available from: http://epubs.surrey.ac.uk/808997/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675305.

Council of Science Editors:

Hayne CJ. Structural depth in Jonathan Harvey's 'Madonna of Winter and Spring'. [Doctoral Dissertation]. University of Surrey; 2015. Available from: http://epubs.surrey.ac.uk/808997/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675305


University of York

28. Crooks, E. J. John Cage's entanglement with the ideas of Coomaraswamy.

Degree: PhD, 2011, University of York

 The American composer John Cage was famous for the expansiveness of his thought. In particular, his borrowings from ‘Oriental philosophy’ have directed the critical and… (more)

Subjects/Keywords: 780

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Crooks, E. J. (2011). John Cage's entanglement with the ideas of Coomaraswamy. (Doctoral Dissertation). University of York. Retrieved from http://etheses.whiterose.ac.uk/1985/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546812

Chicago Manual of Style (16th Edition):

Crooks, E J. “John Cage's entanglement with the ideas of Coomaraswamy.” 2011. Doctoral Dissertation, University of York. Accessed July 09, 2020. http://etheses.whiterose.ac.uk/1985/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546812.

MLA Handbook (7th Edition):

Crooks, E J. “John Cage's entanglement with the ideas of Coomaraswamy.” 2011. Web. 09 Jul 2020.

Vancouver:

Crooks EJ. John Cage's entanglement with the ideas of Coomaraswamy. [Internet] [Doctoral dissertation]. University of York; 2011. [cited 2020 Jul 09]. Available from: http://etheses.whiterose.ac.uk/1985/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546812.

Council of Science Editors:

Crooks EJ. John Cage's entanglement with the ideas of Coomaraswamy. [Doctoral Dissertation]. University of York; 2011. Available from: http://etheses.whiterose.ac.uk/1985/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546812


University of York

29. Law, Lily. Assessing and understanding individual differences in music perception abilities.

Degree: PhD, 2012, University of York

 A common approach for determining musical competence is to rely on information about individuals’ extent of musical training, but relying on musicianship status fails to… (more)

Subjects/Keywords: 780

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Law, L. (2012). Assessing and understanding individual differences in music perception abilities. (Doctoral Dissertation). University of York. Retrieved from http://etheses.whiterose.ac.uk/3142/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.561089

Chicago Manual of Style (16th Edition):

Law, Lily. “Assessing and understanding individual differences in music perception abilities.” 2012. Doctoral Dissertation, University of York. Accessed July 09, 2020. http://etheses.whiterose.ac.uk/3142/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.561089.

MLA Handbook (7th Edition):

Law, Lily. “Assessing and understanding individual differences in music perception abilities.” 2012. Web. 09 Jul 2020.

Vancouver:

Law L. Assessing and understanding individual differences in music perception abilities. [Internet] [Doctoral dissertation]. University of York; 2012. [cited 2020 Jul 09]. Available from: http://etheses.whiterose.ac.uk/3142/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.561089.

Council of Science Editors:

Law L. Assessing and understanding individual differences in music perception abilities. [Doctoral Dissertation]. University of York; 2012. Available from: http://etheses.whiterose.ac.uk/3142/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.561089


University of York

30. Newsholme, David. The life and works of William Davis (c. 1675/6-1745).

Degree: PhD, 2013, University of York

 William Davis was a church musician who spent the majority of his life in the employ of Worcester Cathedral as chorister, player of the ‘little… (more)

Subjects/Keywords: 780

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Newsholme, D. (2013). The life and works of William Davis (c. 1675/6-1745). (Doctoral Dissertation). University of York. Retrieved from http://etheses.whiterose.ac.uk/5162/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.595085

Chicago Manual of Style (16th Edition):

Newsholme, David. “The life and works of William Davis (c. 1675/6-1745).” 2013. Doctoral Dissertation, University of York. Accessed July 09, 2020. http://etheses.whiterose.ac.uk/5162/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.595085.

MLA Handbook (7th Edition):

Newsholme, David. “The life and works of William Davis (c. 1675/6-1745).” 2013. Web. 09 Jul 2020.

Vancouver:

Newsholme D. The life and works of William Davis (c. 1675/6-1745). [Internet] [Doctoral dissertation]. University of York; 2013. [cited 2020 Jul 09]. Available from: http://etheses.whiterose.ac.uk/5162/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.595085.

Council of Science Editors:

Newsholme D. The life and works of William Davis (c. 1675/6-1745). [Doctoral Dissertation]. University of York; 2013. Available from: http://etheses.whiterose.ac.uk/5162/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.595085

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