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You searched for subject:(700 K nste und Unterhaltung 740 Zeichnung angewandte Kunst). Showing records 1 – 30 of 31767 total matches.

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Freie Universität Berlin

1. Konwitschny, Seollyeon. Alessandro Mauro: a venetian theatre and festival decorator of late Baroque (active ca. 1694-1736).

Degree: 2015, Freie Universität Berlin

 My monographic work discusses the relevance of the rediscovery of – and the new appreciation for – Venetian theatre architect and festival designer Alessandro Mauro.… (more)

Subjects/Keywords: baroque theatre; baroque stage; festival design; venetian Gondola decoration in 18th century; court culture in Dresden; 700 Künste und Unterhaltung::740 Zeichnung, angewandte Kunst::745 Angewandte Kunst; 700 Künste und Unterhaltung::740 Zeichnung, angewandte Kunst::747 Innendekoration

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Konwitschny, S. (2015). Alessandro Mauro: a venetian theatre and festival decorator of late Baroque (active ca. 1694-1736). (Thesis). Freie Universität Berlin. Retrieved from https://refubium.fu-berlin.de/handle/fub188/12386

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Konwitschny, Seollyeon. “Alessandro Mauro: a venetian theatre and festival decorator of late Baroque (active ca. 1694-1736).” 2015. Thesis, Freie Universität Berlin. Accessed February 28, 2020. https://refubium.fu-berlin.de/handle/fub188/12386.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Konwitschny, Seollyeon. “Alessandro Mauro: a venetian theatre and festival decorator of late Baroque (active ca. 1694-1736).” 2015. Web. 28 Feb 2020.

Vancouver:

Konwitschny S. Alessandro Mauro: a venetian theatre and festival decorator of late Baroque (active ca. 1694-1736). [Internet] [Thesis]. Freie Universität Berlin; 2015. [cited 2020 Feb 28]. Available from: https://refubium.fu-berlin.de/handle/fub188/12386.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Konwitschny S. Alessandro Mauro: a venetian theatre and festival decorator of late Baroque (active ca. 1694-1736). [Thesis]. Freie Universität Berlin; 2015. Available from: https://refubium.fu-berlin.de/handle/fub188/12386

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

2. Berding, Bianca. The art trade in Berlin for modern applied art from 1897 to 1914.

Degree: 2012, Freie Universität Berlin

 In 01.10.1897 interior decorator Martin Keller and Carl R. Reiner founded in Berlin the art dealers shop Keller & Reiner. The art dealers shop was… (more)

Subjects/Keywords: Berlin art trade; modern applied art; 1897 - 1914; art nouveau; 700 Künste und Unterhaltung; 700 Künste und Unterhaltung::730 Bildhauerkunst, Keramik, Metallkunst; 700 Künste und Unterhaltung::740 Zeichnung, angewandte Kunst; 700 Künste und Unterhaltung::750 Malerei

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APA (6th Edition):

Berding, B. (2012). The art trade in Berlin for modern applied art from 1897 to 1914. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-9538.2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Berding, Bianca. “The art trade in Berlin for modern applied art from 1897 to 1914.” 2012. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-9538.2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Berding, Bianca. “The art trade in Berlin for modern applied art from 1897 to 1914.” 2012. Web. 28 Feb 2020.

Vancouver:

Berding B. The art trade in Berlin for modern applied art from 1897 to 1914. [Internet] [Thesis]. Freie Universität Berlin; 2012. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-9538.2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Berding B. The art trade in Berlin for modern applied art from 1897 to 1914. [Thesis]. Freie Universität Berlin; 2012. Available from: http://dx.doi.org/10.17169/refubium-9538.2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

3. Berding, Bianca. The art trade in Berlin for modern applied art from 1897 to 1914.

Degree: 2012, Freie Universität Berlin

 In 01.10.1897 interior decorator Martin Keller and Carl R. Reiner founded in Berlin the art dealers shop Keller & Reiner. The art dealers shop was… (more)

Subjects/Keywords: Berlin art trade; modern applied art; 1897 - 1914; art nouveau; 700 Künste und Unterhaltung; 700 Künste und Unterhaltung::730 Bildhauerkunst, Keramik, Metallkunst; 700 Künste und Unterhaltung::740 Zeichnung, angewandte Kunst; 700 Künste und Unterhaltung::750 Malerei

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APA (6th Edition):

Berding, B. (2012). The art trade in Berlin for modern applied art from 1897 to 1914. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-9538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Berding, Bianca. “The art trade in Berlin for modern applied art from 1897 to 1914.” 2012. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-9538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Berding, Bianca. “The art trade in Berlin for modern applied art from 1897 to 1914.” 2012. Web. 28 Feb 2020.

Vancouver:

Berding B. The art trade in Berlin for modern applied art from 1897 to 1914. [Internet] [Thesis]. Freie Universität Berlin; 2012. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-9538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Berding B. The art trade in Berlin for modern applied art from 1897 to 1914. [Thesis]. Freie Universität Berlin; 2012. Available from: http://dx.doi.org/10.17169/refubium-9538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

4. Alagia, Donato. Horti Lamiani. Topography and recontextualization of the marble decoration from the late Roman Republic to Late Antiquity.

Degree: 2018, Freie Universität Berlin

 This work provides the recontextualization of the decoration of the Horti Lamiani and the analysis of their transformation from the end of the Roman Republic… (more)

Subjects/Keywords: Horti Lamiani; Roman gardens; opus sectile; opus interrasile; 900 Geschichte und Geografie::930 Geschichte des Altertums (bis ca. 499), Archäologie::930 Geschichte des Altertums bis ca. 499, Archäologie; 700 Künste und Unterhaltung::720 Architektur::722 Architektur bis etwa 300; 700 Künste und Unterhaltung::720 Architektur::728 Wohnbauten und verwandte Gebäude; 700 Künste und Unterhaltung::740 Zeichnung, angewandte Kunst::747 Innendekoration

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APA (6th Edition):

Alagia, D. (2018). Horti Lamiani. Topography and recontextualization of the marble decoration from the late Roman Republic to Late Antiquity. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-7499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alagia, Donato. “Horti Lamiani. Topography and recontextualization of the marble decoration from the late Roman Republic to Late Antiquity.” 2018. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-7499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alagia, Donato. “Horti Lamiani. Topography and recontextualization of the marble decoration from the late Roman Republic to Late Antiquity.” 2018. Web. 28 Feb 2020.

Vancouver:

Alagia D. Horti Lamiani. Topography and recontextualization of the marble decoration from the late Roman Republic to Late Antiquity. [Internet] [Thesis]. Freie Universität Berlin; 2018. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-7499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alagia D. Horti Lamiani. Topography and recontextualization of the marble decoration from the late Roman Republic to Late Antiquity. [Thesis]. Freie Universität Berlin; 2018. Available from: http://dx.doi.org/10.17169/refubium-7499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

5. Malz, Dorit. The Sala dei Cinquecento in the Palazzo Vecchio in Florence.

Degree: 2010, Freie Universität Berlin

 The equipment of the Sala dei Cinquecento developed on behalf Cosimo Ith de' Medici in the medieval Palazzo Vecchio was the probably the most ambitious… (more)

Subjects/Keywords: Renaissance; apparati; Giorgio Vasari; Ragionamenti; 700 Künste und Unterhaltung::700 Künste::700 Künste, Bildende und angewandte Kunst

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Malz, D. (2010). The Sala dei Cinquecento in the Palazzo Vecchio in Florence. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-6523

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Malz, Dorit. “The Sala dei Cinquecento in the Palazzo Vecchio in Florence.” 2010. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-6523.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Malz, Dorit. “The Sala dei Cinquecento in the Palazzo Vecchio in Florence.” 2010. Web. 28 Feb 2020.

Vancouver:

Malz D. The Sala dei Cinquecento in the Palazzo Vecchio in Florence. [Internet] [Thesis]. Freie Universität Berlin; 2010. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-6523.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Malz D. The Sala dei Cinquecento in the Palazzo Vecchio in Florence. [Thesis]. Freie Universität Berlin; 2010. Available from: http://dx.doi.org/10.17169/refubium-6523

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

6. Feller-Kniepmeier, Monika. The rood screen of Magdeburg cathedral and its altar of the holy cross.

Degree: 2012, Freie Universität Berlin

 Although the Magdeburg cathedral owes one of the few rood screens that have overcome from middle ages, there has been no scientific investigation so far.… (more)

Subjects/Keywords: Gotik; Magdeburger Dom; Lettner; 700 Künste und Unterhaltung::700 Künste::700 Künste, Bildende und angewandte Kunst

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APA (6th Edition):

Feller-Kniepmeier, M. (2012). The rood screen of Magdeburg cathedral and its altar of the holy cross. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-13796

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Feller-Kniepmeier, Monika. “The rood screen of Magdeburg cathedral and its altar of the holy cross.” 2012. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-13796.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Feller-Kniepmeier, Monika. “The rood screen of Magdeburg cathedral and its altar of the holy cross.” 2012. Web. 28 Feb 2020.

Vancouver:

Feller-Kniepmeier M. The rood screen of Magdeburg cathedral and its altar of the holy cross. [Internet] [Thesis]. Freie Universität Berlin; 2012. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-13796.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Feller-Kniepmeier M. The rood screen of Magdeburg cathedral and its altar of the holy cross. [Thesis]. Freie Universität Berlin; 2012. Available from: http://dx.doi.org/10.17169/refubium-13796

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

7. Schäffler, Lena. Das dynamische Verhältnis von Kunst und Psychiatrie in Brasilien zwischen 1920 und 1980.

Degree: 2019, Freie Universität Berlin

 Aim: The overall aim of the present work is to analyze the dynamics between psychiatric practice and fine art in Brazil from 1920 to 1980… (more)

Subjects/Keywords: Kunst; Psychiatrie; Brasilien; Atelier; Therapie; 900 Geschichte und Geografie::980 Geschichte Südamerikas::981 Geschichte Brasiliens; 700 Künste und Unterhaltung::700 Künste::708 Galerien, Museen, Privatsammlungen zur bildenden und angewandten Kunst; 700 Künste und Unterhaltung::700 Künste::709 Historische, geografische, personenbezogene Behandlung der bildenden und angewandten Kunst

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schäffler, L. (2019). Das dynamische Verhältnis von Kunst und Psychiatrie in Brasilien zwischen 1920 und 1980. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-1902

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schäffler, Lena. “Das dynamische Verhältnis von Kunst und Psychiatrie in Brasilien zwischen 1920 und 1980.” 2019. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-1902.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schäffler, Lena. “Das dynamische Verhältnis von Kunst und Psychiatrie in Brasilien zwischen 1920 und 1980.” 2019. Web. 28 Feb 2020.

Vancouver:

Schäffler L. Das dynamische Verhältnis von Kunst und Psychiatrie in Brasilien zwischen 1920 und 1980. [Internet] [Thesis]. Freie Universität Berlin; 2019. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-1902.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schäffler L. Das dynamische Verhältnis von Kunst und Psychiatrie in Brasilien zwischen 1920 und 1980. [Thesis]. Freie Universität Berlin; 2019. Available from: http://dx.doi.org/10.17169/refubium-1902

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

8. Cercelovic, Sabrina. Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism.

Degree: 1999, Freie Universität Berlin

 Although the subject of time is a very important aspect of impressionistic art, the complexity of this subject is ignored by most of the authors… (more)

Subjects/Keywords: Paul Cezanne; aspects of time; opera; impressionism;

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APA (6th Edition):

Cercelovic, S. (1999). Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-12520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cercelovic, Sabrina. “Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism.” 1999. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-12520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cercelovic, Sabrina. “Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism.” 1999. Web. 28 Feb 2020.

Vancouver:

Cercelovic S. Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism. [Internet] [Thesis]. Freie Universität Berlin; 1999. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-12520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cercelovic S. Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism. [Thesis]. Freie Universität Berlin; 1999. Available from: http://dx.doi.org/10.17169/refubium-12520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

9. Walter-Ris, Anja. Passion for Modern Art.

Degree: 2003, Freie Universität Berlin

 The story of the Nierendorf Gallery and the Nierendorf brothers exemplify the extremely important, however, often underestimated influence of modern art dealers on the development… (more)

Subjects/Keywords: Nierendorf Gallery; modern art dealer; 700 Künste und Unterhaltung::700 Künste::700 Künste, Bildende und angewandte Kunst

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Walter-Ris, A. (2003). Passion for Modern Art. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-6309

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walter-Ris, Anja. “Passion for Modern Art.” 2003. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-6309.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walter-Ris, Anja. “Passion for Modern Art.” 2003. Web. 28 Feb 2020.

Vancouver:

Walter-Ris A. Passion for Modern Art. [Internet] [Thesis]. Freie Universität Berlin; 2003. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-6309.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walter-Ris A. Passion for Modern Art. [Thesis]. Freie Universität Berlin; 2003. Available from: http://dx.doi.org/10.17169/refubium-6309

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

10. Wilkens, Albrecht. an innovation in sacred representation and it's development.

Degree: 2001, Freie Universität Berlin

 Light in Caravaggio is not irrelevant to the meaning of a picture, but is accessible to an iconographic interpretation. Its meaning can be determined by… (more)

Subjects/Keywords: Caravaggio Bildanalyse; 700 Künste und Unterhaltung::700 Künste::700 Künste, Bildende und angewandte Kunst

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wilkens, A. (2001). an innovation in sacred representation and it's development. (Thesis). Freie Universität Berlin. Retrieved from https://refubium.fu-berlin.de/handle/fub188/10384

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wilkens, Albrecht. “an innovation in sacred representation and it's development.” 2001. Thesis, Freie Universität Berlin. Accessed February 28, 2020. https://refubium.fu-berlin.de/handle/fub188/10384.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wilkens, Albrecht. “an innovation in sacred representation and it's development.” 2001. Web. 28 Feb 2020.

Vancouver:

Wilkens A. an innovation in sacred representation and it's development. [Internet] [Thesis]. Freie Universität Berlin; 2001. [cited 2020 Feb 28]. Available from: https://refubium.fu-berlin.de/handle/fub188/10384.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wilkens A. an innovation in sacred representation and it's development. [Thesis]. Freie Universität Berlin; 2001. Available from: https://refubium.fu-berlin.de/handle/fub188/10384

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

11. Baacke, Annika. Objectivity and aesthetics, continuity and change in the works of Bernd and Hilla Becher, Albert Renger-Patzsch, August Sander and Karl Blossfeldt.

Degree: 2014, Freie Universität Berlin

 This dissertation handles the works of Bernd and Hilla Becher, Albert Renger- Patzsch, August Sander and Karl Blossfeldt and analyzes a type of photography that… (more)

Subjects/Keywords: photography; art; documentation; objectivity; subjectivity; aesthetics; Neue Sachlichkeit; optics; archive; exhibition; 700 Künste und Unterhaltung::770 Fotografie, Computerkunst::778 Bereiche und Arten der Fotografie; 700 Künste und Unterhaltung::770 Fotografie, Computerkunst::779 Fotografien; 700 Künste und Unterhaltung::770 Fotografie, Computerkunst::770 Fotografie, Fotografien, Computerkunst; 700 Künste und Unterhaltung::700 Künste::701 Kunstphilosophie, Kunsttheorie der bildenden und angewandten Kunst; 700 Künste und Unterhaltung::700 Künste::709 Historische, geografische, personenbezogene Behandlung der bildenden und angewandten Kunst

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APA (6th Edition):

Baacke, A. (2014). Objectivity and aesthetics, continuity and change in the works of Bernd and Hilla Becher, Albert Renger-Patzsch, August Sander and Karl Blossfeldt. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-12692

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baacke, Annika. “Objectivity and aesthetics, continuity and change in the works of Bernd and Hilla Becher, Albert Renger-Patzsch, August Sander and Karl Blossfeldt.” 2014. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-12692.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baacke, Annika. “Objectivity and aesthetics, continuity and change in the works of Bernd and Hilla Becher, Albert Renger-Patzsch, August Sander and Karl Blossfeldt.” 2014. Web. 28 Feb 2020.

Vancouver:

Baacke A. Objectivity and aesthetics, continuity and change in the works of Bernd and Hilla Becher, Albert Renger-Patzsch, August Sander and Karl Blossfeldt. [Internet] [Thesis]. Freie Universität Berlin; 2014. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-12692.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baacke A. Objectivity and aesthetics, continuity and change in the works of Bernd and Hilla Becher, Albert Renger-Patzsch, August Sander and Karl Blossfeldt. [Thesis]. Freie Universität Berlin; 2014. Available from: http://dx.doi.org/10.17169/refubium-12692

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

12. John, Philipp. Photography and Sculpture in the work of Hans Haacke.

Degree: 2017, Freie Universität Berlin

 Hans Haacke, born in 1936, german/us-american artist, belongs to the most prominent protagonists of a political-conceptual art from the 1960’s to the 1970’s in the… (more)

Subjects/Keywords: art; 20th century; conceptual art; politics; photography; sculpture; perception; 700 Künste und Unterhaltung::700 Künste::701 Kunstphilosophie, Kunsttheorie der bildenden und angewandten Kunst; 700 Künste und Unterhaltung::700 Künste::709 Historische, geografische, personenbezogene Behandlung der bildenden und angewandten Kunst; 700 Künste und Unterhaltung::730 Bildhauerkunst, Keramik, Metallkunst; 700 Künste und Unterhaltung::770 Fotografie, Computerkunst::770 Fotografie, Fotografien, Computerkunst; 900 Geschichte und Geografie::970 Geschichte Nordamerikas

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APA (6th Edition):

John, P. (2017). Photography and Sculpture in the work of Hans Haacke. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-17226

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

John, Philipp. “Photography and Sculpture in the work of Hans Haacke.” 2017. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-17226.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

John, Philipp. “Photography and Sculpture in the work of Hans Haacke.” 2017. Web. 28 Feb 2020.

Vancouver:

John P. Photography and Sculpture in the work of Hans Haacke. [Internet] [Thesis]. Freie Universität Berlin; 2017. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-17226.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

John P. Photography and Sculpture in the work of Hans Haacke. [Thesis]. Freie Universität Berlin; 2017. Available from: http://dx.doi.org/10.17169/refubium-17226

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

13. John, Philipp. Photography and Sculpture in the work of Hans Haacke.

Degree: 2017, Freie Universität Berlin

 Hans Haacke, born in 1936, german/us-american artist, belongs to the most prominent protagonists of a political-conceptual art from the 1960’s to the 1970’s in the… (more)

Subjects/Keywords: art; 20th century; conceptual art; politics; photography; sculpture; perception; 700 Künste und Unterhaltung::700 Künste::701 Kunstphilosophie, Kunsttheorie der bildenden und angewandten Kunst; 700 Künste und Unterhaltung::700 Künste::709 Historische, geografische, personenbezogene Behandlung der bildenden und angewandten Kunst; 700 Künste und Unterhaltung::730 Bildhauerkunst, Keramik, Metallkunst; 700 Künste und Unterhaltung::770 Fotografie, Computerkunst::770 Fotografie, Fotografien, Computerkunst; 900 Geschichte und Geografie::970 Geschichte Nordamerikas

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APA (6th Edition):

John, P. (2017). Photography and Sculpture in the work of Hans Haacke. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-8833

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

John, Philipp. “Photography and Sculpture in the work of Hans Haacke.” 2017. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-8833.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

John, Philipp. “Photography and Sculpture in the work of Hans Haacke.” 2017. Web. 28 Feb 2020.

Vancouver:

John P. Photography and Sculpture in the work of Hans Haacke. [Internet] [Thesis]. Freie Universität Berlin; 2017. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-8833.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

John P. Photography and Sculpture in the work of Hans Haacke. [Thesis]. Freie Universität Berlin; 2017. Available from: http://dx.doi.org/10.17169/refubium-8833

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

14. Son, Okju. Modernism in Dance and the Development of the Korean Sinmuyong.

Degree: 2014, Freie Universität Berlin

 In my dissertation I strive to analyze the mechanism of the historical process and social circumstances under which the Western, Japanese and Korean modern dance… (more)

Subjects/Keywords: Modernizing of Dance; Dance Globalization; Cultural Colonialism; Korean Sinmuyong; Choi Seung-hee; 700 Künste und Unterhaltung::700 Künste::701 Kunstphilosophie, Kunsttheorie der bildenden und angewandten Kunst

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APA (6th Edition):

Son, O. (2014). Modernism in Dance and the Development of the Korean Sinmuyong. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-10042

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Son, Okju. “Modernism in Dance and the Development of the Korean Sinmuyong.” 2014. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-10042.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Son, Okju. “Modernism in Dance and the Development of the Korean Sinmuyong.” 2014. Web. 28 Feb 2020.

Vancouver:

Son O. Modernism in Dance and the Development of the Korean Sinmuyong. [Internet] [Thesis]. Freie Universität Berlin; 2014. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-10042.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Son O. Modernism in Dance and the Development of the Korean Sinmuyong. [Thesis]. Freie Universität Berlin; 2014. Available from: http://dx.doi.org/10.17169/refubium-10042

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

15. Schuster, Petra. Maltechnische und soziale Diskurse in der spanischen Kunstliteratur des 17. Jahrhunderts.

Degree: 2018, Freie Universität Berlin

 Abstract: This study of Spanish art literature of the 17th century focuses on discourses on unconventional draft and painting techniques applied by colorists such as… (more)

Subjects/Keywords: Spanien; Kunsttheorie; Maltechnik; Farbe; 17. Jahrhundert; Velázquez; limpieza de sangre; DDC::700 Künste und Unterhaltung::700 Künste::701 Kunstphilosophie, Kunsttheorie der bildenden und angewandten Kunst

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APA (6th Edition):

Schuster, P. (2018). Maltechnische und soziale Diskurse in der spanischen Kunstliteratur des 17. Jahrhunderts. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-979

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schuster, Petra. “Maltechnische und soziale Diskurse in der spanischen Kunstliteratur des 17. Jahrhunderts.” 2018. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-979.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schuster, Petra. “Maltechnische und soziale Diskurse in der spanischen Kunstliteratur des 17. Jahrhunderts.” 2018. Web. 28 Feb 2020.

Vancouver:

Schuster P. Maltechnische und soziale Diskurse in der spanischen Kunstliteratur des 17. Jahrhunderts. [Internet] [Thesis]. Freie Universität Berlin; 2018. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-979.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schuster P. Maltechnische und soziale Diskurse in der spanischen Kunstliteratur des 17. Jahrhunderts. [Thesis]. Freie Universität Berlin; 2018. Available from: http://dx.doi.org/10.17169/refubium-979

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

16. Hofmann, Elisabeth Maria. Ethic and aesthetic perspectives in the World Press Photo Contest Archive.

Degree: 2017, Freie Universität Berlin

 This thesis has two objectives. On the one hand, the dispositif of photographic eyewitnessing is to be developed as a scientific perspective on journalistic photography,… (more)

Subjects/Keywords: war photograyphy; photo journalism; witnessing; humanitarianism; human rights; 700 Künste und Unterhaltung::770 Fotografie, Computerkunst::779 Fotografien; 700 Künste und Unterhaltung::700 Künste::701 Kunstphilosophie, Kunsttheorie der bildenden und angewandten Kunst

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APA (6th Edition):

Hofmann, E. M. (2017). Ethic and aesthetic perspectives in the World Press Photo Contest Archive. (Thesis). Freie Universität Berlin. Retrieved from https://refubium.fu-berlin.de/handle/fub188/13500

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hofmann, Elisabeth Maria. “Ethic and aesthetic perspectives in the World Press Photo Contest Archive.” 2017. Thesis, Freie Universität Berlin. Accessed February 28, 2020. https://refubium.fu-berlin.de/handle/fub188/13500.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hofmann, Elisabeth Maria. “Ethic and aesthetic perspectives in the World Press Photo Contest Archive.” 2017. Web. 28 Feb 2020.

Vancouver:

Hofmann EM. Ethic and aesthetic perspectives in the World Press Photo Contest Archive. [Internet] [Thesis]. Freie Universität Berlin; 2017. [cited 2020 Feb 28]. Available from: https://refubium.fu-berlin.de/handle/fub188/13500.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hofmann EM. Ethic and aesthetic perspectives in the World Press Photo Contest Archive. [Thesis]. Freie Universität Berlin; 2017. Available from: https://refubium.fu-berlin.de/handle/fub188/13500

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

17. Ris, Elena. Hermitage from Berlin. The painting collection of Johann Ernst Gotzkowsky as the basis of the Gallery of Russian Empress Catherine II. in St. Petersburg.

Degree: 2016, Freie Universität Berlin

 The painting collection of the Berlin manufacturer, banker, art collector and art dealer Johann Ernst Gotzkowsky (1710-1775) is considered as a foundation of the Hermitage… (more)

Subjects/Keywords: Gotzkowsky; Eremitage; Katharina II.; St. Petersburg; Friedrich II.; Provenienzforschung; Museumsgeschichte; Gemäldesammlung; 700 Künste und Unterhaltung::750 Malerei::750 Malerei, Gemälde; 700 Künste und Unterhaltung::700 Künste::708 Galerien, Museen, Privatsammlungen zur bildenden und angewandten Kunst; 700 Künste und Unterhaltung::700 Künste::703 Wörterbücher, Enzyklopädien zur bildenden und angewandten Kunst; 900 Geschichte und Geografie::940 Geschichte Europas::947 Geschichte Osteuropas; Russlands; 900 Geschichte und Geografie::940 Geschichte Europas::943 Geschichte Mitteleuropas; Deutschlands

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APA (6th Edition):

Ris, E. (2016). Hermitage from Berlin. The painting collection of Johann Ernst Gotzkowsky as the basis of the Gallery of Russian Empress Catherine II. in St. Petersburg. (Thesis). Freie Universität Berlin. Retrieved from https://refubium.fu-berlin.de/handle/fub188/11686

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ris, Elena. “Hermitage from Berlin. The painting collection of Johann Ernst Gotzkowsky as the basis of the Gallery of Russian Empress Catherine II. in St. Petersburg.” 2016. Thesis, Freie Universität Berlin. Accessed February 28, 2020. https://refubium.fu-berlin.de/handle/fub188/11686.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ris, Elena. “Hermitage from Berlin. The painting collection of Johann Ernst Gotzkowsky as the basis of the Gallery of Russian Empress Catherine II. in St. Petersburg.” 2016. Web. 28 Feb 2020.

Vancouver:

Ris E. Hermitage from Berlin. The painting collection of Johann Ernst Gotzkowsky as the basis of the Gallery of Russian Empress Catherine II. in St. Petersburg. [Internet] [Thesis]. Freie Universität Berlin; 2016. [cited 2020 Feb 28]. Available from: https://refubium.fu-berlin.de/handle/fub188/11686.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ris E. Hermitage from Berlin. The painting collection of Johann Ernst Gotzkowsky as the basis of the Gallery of Russian Empress Catherine II. in St. Petersburg. [Thesis]. Freie Universität Berlin; 2016. Available from: https://refubium.fu-berlin.de/handle/fub188/11686

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Mohsen, Hisham Saleh Abed. Early Islamic mosaics of the Umayyad period and their relations to mosaics.

Degree: 2019, Freie Universität Berlin

Subject of this dissertation is the mosaic art of the region of Syria, Palestine, Jordan (the Levant) from Late Antiquity to the Early Islamic Period.… (more)

Subjects/Keywords: Mosaiken der Umajjadenzeit; Frühislamische Mosaiken; umajjadischen Palastmosaiken; umajjadenzeitliche Kirchenmosaiken; vorislamische Fußbodenmosaiken; Mosaikornamente islamischer Paläste; 700 Künste und Unterhaltung::700 Künste::700 Künste, Bildende und angewandte Kunst

und Jordanien ist eine sehr alte Kunst, aber hauptsächlich aus der byzantinischen Zeit… …Mosaik -Kunsthandwerkern. Die Mosaikkunst ist einfacher als die Kunst der Bildhauerei und… …Schöpfungen in der islamischen Kunst und bildeten damit ihre Einheit aus. Auch in Kunstwerken und in… …1 Verzeichnis der Karten und Pläne: Fig. 1: Fig. 2: Fig. 3: Fig. 4: Fig. 5: Fig. 6… …Jordanien in der vorislamischen und umajjadischen Zeit (Dauphin Fig. 7). Khirbat al… 

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APA (6th Edition):

Mohsen, H. S. A. (2019). Early Islamic mosaics of the Umayyad period and their relations to mosaics. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-25648

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mohsen, Hisham Saleh Abed. “Early Islamic mosaics of the Umayyad period and their relations to mosaics.” 2019. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-25648.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mohsen, Hisham Saleh Abed. “Early Islamic mosaics of the Umayyad period and their relations to mosaics.” 2019. Web. 28 Feb 2020.

Vancouver:

Mohsen HSA. Early Islamic mosaics of the Umayyad period and their relations to mosaics. [Internet] [Thesis]. Freie Universität Berlin; 2019. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-25648.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mohsen HSA. Early Islamic mosaics of the Umayyad period and their relations to mosaics. [Thesis]. Freie Universität Berlin; 2019. Available from: http://dx.doi.org/10.17169/refubium-25648

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

19. Dostert, Astrid. The Collection of Antiquities of Cardinal Melchior de Polignac.

Degree: 2016, Freie Universität Berlin

 The thesis provides the first comprehensive reconstruction of the Collection of Antiquities of the French Cardinal Melchior de Polignac. It examines its origins in the… (more)

Subjects/Keywords: Archaeology; Art History; History of Collections; Ancient Sculpture; Taste and the Antique; Excavations, France, Rome, Prussia; 700 Künste und Unterhaltung::730 Bildhauerkunst, Keramik, Metallkunst::730 Plastische Künste, Bildhauerkunst; 900 Geschichte und Geografie::930 Geschichte des Altertums (bis ca. 499), Archäologie::930 Geschichte des Altertums bis ca. 499, Archäologie; 700 Künste und Unterhaltung::700 Künste::708 Galerien, Museen, Privatsammlungen zur bildenden und angewandten Kunst

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APA (6th Edition):

Dostert, A. (2016). The Collection of Antiquities of Cardinal Melchior de Polignac. (Thesis). Freie Universität Berlin. Retrieved from https://refubium.fu-berlin.de/handle/fub188/13241

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dostert, Astrid. “The Collection of Antiquities of Cardinal Melchior de Polignac.” 2016. Thesis, Freie Universität Berlin. Accessed February 28, 2020. https://refubium.fu-berlin.de/handle/fub188/13241.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dostert, Astrid. “The Collection of Antiquities of Cardinal Melchior de Polignac.” 2016. Web. 28 Feb 2020.

Vancouver:

Dostert A. The Collection of Antiquities of Cardinal Melchior de Polignac. [Internet] [Thesis]. Freie Universität Berlin; 2016. [cited 2020 Feb 28]. Available from: https://refubium.fu-berlin.de/handle/fub188/13241.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dostert A. The Collection of Antiquities of Cardinal Melchior de Polignac. [Thesis]. Freie Universität Berlin; 2016. Available from: https://refubium.fu-berlin.de/handle/fub188/13241

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

20. Mircev, Andrej. Interactions between visual arts, theatre and dance since the 1960.

Degree: 2011, Freie Universität Berlin

 This PhD. project will research various aspects of contemporary spatial practices, which lead to the extension of the stage/scene through integration of new media. Anchored… (more)

Subjects/Keywords: Intermediality; Spatiality; Theatricality; The gaze; Performativity; Iconic turn; The central perspective; Liminality; 700 Künste und Unterhaltung; 700 Künste und Unterhaltung::790 Sport, Spiele, Unterhaltung; 700 Künste und Unterhaltung::790 Sport, Spiele, Unterhaltung::792 Bühnenkunst

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APA (6th Edition):

Mircev, A. (2011). Interactions between visual arts, theatre and dance since the 1960. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-8905

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mircev, Andrej. “Interactions between visual arts, theatre and dance since the 1960.” 2011. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-8905.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mircev, Andrej. “Interactions between visual arts, theatre and dance since the 1960.” 2011. Web. 28 Feb 2020.

Vancouver:

Mircev A. Interactions between visual arts, theatre and dance since the 1960. [Internet] [Thesis]. Freie Universität Berlin; 2011. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-8905.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mircev A. Interactions between visual arts, theatre and dance since the 1960. [Thesis]. Freie Universität Berlin; 2011. Available from: http://dx.doi.org/10.17169/refubium-8905

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

21. Wolf, Christian. Gustav Rudolf Sellner's theater work before 1948.

Degree: 2011, Freie Universität Berlin

 The present dissertation chronologically displays the work of the actor, dramaturge, and later artistic director Gustav Rudolf Sellner in the years up to 1948 as… (more)

Subjects/Keywords: theater; National Socialism; Thingspiel; aesthetics; Third Reich; 700 Künste und Unterhaltung

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APA (6th Edition):

Wolf, C. (2011). Gustav Rudolf Sellner's theater work before 1948. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-6372

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wolf, Christian. “Gustav Rudolf Sellner's theater work before 1948.” 2011. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-6372.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wolf, Christian. “Gustav Rudolf Sellner's theater work before 1948.” 2011. Web. 28 Feb 2020.

Vancouver:

Wolf C. Gustav Rudolf Sellner's theater work before 1948. [Internet] [Thesis]. Freie Universität Berlin; 2011. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-6372.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wolf C. Gustav Rudolf Sellner's theater work before 1948. [Thesis]. Freie Universität Berlin; 2011. Available from: http://dx.doi.org/10.17169/refubium-6372

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

22. Tostmann, Oliver. Studies of Baroque battle paintings in Italy.

Degree: 2010, Freie Universität Berlin

 Synopsis“Battaglie. Studies of baroque battle paintings in Italy” by Oliver Tostmann The dissertation deals with the rise of the genre of battle paintings in Italy… (more)

Subjects/Keywords: Italy; Baroque; History paintings; Genre paintings; Collections; 700 Künste und Unterhaltung

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APA (6th Edition):

Tostmann, O. (2010). Studies of Baroque battle paintings in Italy. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-11036

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tostmann, Oliver. “Studies of Baroque battle paintings in Italy.” 2010. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-11036.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tostmann, Oliver. “Studies of Baroque battle paintings in Italy.” 2010. Web. 28 Feb 2020.

Vancouver:

Tostmann O. Studies of Baroque battle paintings in Italy. [Internet] [Thesis]. Freie Universität Berlin; 2010. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-11036.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tostmann O. Studies of Baroque battle paintings in Italy. [Thesis]. Freie Universität Berlin; 2010. Available from: http://dx.doi.org/10.17169/refubium-11036

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

23. Kattner-Ulrich, Elizabeth. Das frühe Leben und Wirken von George Balanchine (1913 - 1928).

Degree: 2010, Freie Universität Berlin

 Diese Dissertation beinhaltet zwei Komponenten. Zum Einen handelt es sich um eine Historiographie, die das frühe Leben von George Balanchine beschreibt. Zum Anderen werden choreographische… (more)

Subjects/Keywords: Ballet; Choreography; George Balanchine; Neo-classicism; 700 Künste und Unterhaltung

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APA (6th Edition):

Kattner-Ulrich, E. (2010). Das frühe Leben und Wirken von George Balanchine (1913 - 1928). (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-12236

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kattner-Ulrich, Elizabeth. “Das frühe Leben und Wirken von George Balanchine (1913 - 1928).” 2010. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-12236.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kattner-Ulrich, Elizabeth. “Das frühe Leben und Wirken von George Balanchine (1913 - 1928).” 2010. Web. 28 Feb 2020.

Vancouver:

Kattner-Ulrich E. Das frühe Leben und Wirken von George Balanchine (1913 - 1928). [Internet] [Thesis]. Freie Universität Berlin; 2010. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-12236.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kattner-Ulrich E. Das frühe Leben und Wirken von George Balanchine (1913 - 1928). [Thesis]. Freie Universität Berlin; 2010. Available from: http://dx.doi.org/10.17169/refubium-12236

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

24. Moritz, Julia. Blurring the boundaries? Institutional Critique in Spaces of Conflict.

Degree: 2013, Freie Universität Berlin

 How are contemporary artistic projects critically negotiating the conflictual condictions of their transnational institutional contexts, and what conclusions to the concept of institutional critique can… (more)

Subjects/Keywords: Institutional Critique; Transnational; criticality; Guggenheim; Bilbao; 700 Künste und Unterhaltung

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APA (6th Edition):

Moritz, J. (2013). Blurring the boundaries? Institutional Critique in Spaces of Conflict. (Thesis). Freie Universität Berlin. Retrieved from https://refubium.fu-berlin.de/handle/fub188/11582

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moritz, Julia. “Blurring the boundaries? Institutional Critique in Spaces of Conflict.” 2013. Thesis, Freie Universität Berlin. Accessed February 28, 2020. https://refubium.fu-berlin.de/handle/fub188/11582.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moritz, Julia. “Blurring the boundaries? Institutional Critique in Spaces of Conflict.” 2013. Web. 28 Feb 2020.

Vancouver:

Moritz J. Blurring the boundaries? Institutional Critique in Spaces of Conflict. [Internet] [Thesis]. Freie Universität Berlin; 2013. [cited 2020 Feb 28]. Available from: https://refubium.fu-berlin.de/handle/fub188/11582.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moritz J. Blurring the boundaries? Institutional Critique in Spaces of Conflict. [Thesis]. Freie Universität Berlin; 2013. Available from: https://refubium.fu-berlin.de/handle/fub188/11582

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

25. Jecu, Marta. The catalytic space.

Degree: 2011, Freie Universität Berlin

 My investigation is concerned with virtual space in conjunction with contemporary conceptual art. I am basing my research on intensive interviews with around 5-7 artists.… (more)

Subjects/Keywords: contemporary art; conceptualism; space; virtuality; analogue; 700 Künste und Unterhaltung

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APA (6th Edition):

Jecu, M. (2011). The catalytic space. (Thesis). Freie Universität Berlin. Retrieved from https://refubium.fu-berlin.de/handle/fub188/12685

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jecu, Marta. “The catalytic space.” 2011. Thesis, Freie Universität Berlin. Accessed February 28, 2020. https://refubium.fu-berlin.de/handle/fub188/12685.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jecu, Marta. “The catalytic space.” 2011. Web. 28 Feb 2020.

Vancouver:

Jecu M. The catalytic space. [Internet] [Thesis]. Freie Universität Berlin; 2011. [cited 2020 Feb 28]. Available from: https://refubium.fu-berlin.de/handle/fub188/12685.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jecu M. The catalytic space. [Thesis]. Freie Universität Berlin; 2011. Available from: https://refubium.fu-berlin.de/handle/fub188/12685

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

26. Maffei, Maud. Robert Smithson und Kybernetik: Sprache, Technologie und Abstraktion.

Degree: 2018, Freie Universität Berlin

 Seit dem Anfang des 21. Jahrhunderts erfährt das Werk von Robert Smithson (1938-1973) ein erneutes Interesse. Jedoch, wurde die Bedeutung der Auswirkung von Theorien der… (more)

Subjects/Keywords: cybernetics; language; technology; abstraction; entropy; dialectics; memory; fourth dimension; 700 Künste und Unterhaltung::700 Künste

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APA (6th Edition):

Maffei, M. (2018). Robert Smithson und Kybernetik: Sprache, Technologie und Abstraktion. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-9489

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Maffei, Maud. “Robert Smithson und Kybernetik: Sprache, Technologie und Abstraktion.” 2018. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-9489.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Maffei, Maud. “Robert Smithson und Kybernetik: Sprache, Technologie und Abstraktion.” 2018. Web. 28 Feb 2020.

Vancouver:

Maffei M. Robert Smithson und Kybernetik: Sprache, Technologie und Abstraktion. [Internet] [Thesis]. Freie Universität Berlin; 2018. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-9489.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Maffei M. Robert Smithson und Kybernetik: Sprache, Technologie und Abstraktion. [Thesis]. Freie Universität Berlin; 2018. Available from: http://dx.doi.org/10.17169/refubium-9489

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

27. Dettmann, Ingrid. Life and Work of the Painter and Architect Tommaso Laureti (1530-1602).

Degree: 2016, Freie Universität Berlin

 With this dissertation the life and work of the Sicilian artist Tommaso Laureti has been monographically recorded and art-historically reappraised. While Laureti was a respected… (more)

Subjects/Keywords: Laureti; painter; architect; Rome; Bologna; sicilian; Gregory XIII.; Sixtus V.; fountain; mannerism; perspective; Quadratura; 700 Künste und Unterhaltung; 700 Künste und Unterhaltung::720 Architektur; 700 Künste und Unterhaltung::720 Architektur::724 Architektur ab 1400; 700 Künste und Unterhaltung::750 Malerei; 700 Künste und Unterhaltung::750 Malerei::750 Malerei, Gemälde

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APA (6th Edition):

Dettmann, I. (2016). Life and Work of the Painter and Architect Tommaso Laureti (1530-1602). (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-7591

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dettmann, Ingrid. “Life and Work of the Painter and Architect Tommaso Laureti (1530-1602).” 2016. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-7591.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dettmann, Ingrid. “Life and Work of the Painter and Architect Tommaso Laureti (1530-1602).” 2016. Web. 28 Feb 2020.

Vancouver:

Dettmann I. Life and Work of the Painter and Architect Tommaso Laureti (1530-1602). [Internet] [Thesis]. Freie Universität Berlin; 2016. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-7591.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dettmann I. Life and Work of the Painter and Architect Tommaso Laureti (1530-1602). [Thesis]. Freie Universität Berlin; 2016. Available from: http://dx.doi.org/10.17169/refubium-7591

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

28. Alsaggar, Mowafaq. Empirical research on the mediation of peace in art class.

Degree: 2011, Freie Universität Berlin

 The education of an artistic and peaceful cultural understanding is an essential basis of art education to help the respective person becoming an individual and… (more)

Subjects/Keywords: Art Education; Philosophy; Art Mediation; Sociology Art; 700 Künste und Unterhaltung; 100 Philosophie und Psychologie

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APA (6th Edition):

Alsaggar, M. (2011). Empirical research on the mediation of peace in art class. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-10134

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alsaggar, Mowafaq. “Empirical research on the mediation of peace in art class.” 2011. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-10134.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alsaggar, Mowafaq. “Empirical research on the mediation of peace in art class.” 2011. Web. 28 Feb 2020.

Vancouver:

Alsaggar M. Empirical research on the mediation of peace in art class. [Internet] [Thesis]. Freie Universität Berlin; 2011. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-10134.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alsaggar M. Empirical research on the mediation of peace in art class. [Thesis]. Freie Universität Berlin; 2011. Available from: http://dx.doi.org/10.17169/refubium-10134

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Durán Medraño, José María. Value within artistic productivity.

Degree: 2019, Freie Universität Berlin

 Der für diese Arbeit gewählte Titel, »Der Wert im Inneren der künstlerischen Produktivität«, verweist auf die Analyse der Kunst unter dem Aspekt der kapitalistischen Wertproduktion.… (more)

Subjects/Keywords: Kunst; Wert; Produktionsweise; Kunstpraxis; 100 Philosophie und Psychologie::100 Philosophie::102 Verschiedenes; 700 Künste und Unterhaltung::700 Künste::701 Kunstphilosophie, Kunsttheorie der bildenden und angewandten Kunst

…geschuldet und dient zur Abweisung der Auffassung, Kunst könne den wirklichen Gesichtsprozess zum… …Markt als bester Beurteiler guter Kunst, und demzufolge, so seine Auffassung, spiegeln Preise… …außerhalb der Warenproduktion und im Sinne des Verbrauchs zu charakterisieren: »Die Kunst… …historischen sowie gesellschaftlichen Entwicklung, die für die Kunst charakteristisch ist und… …Interpretation verkörpert sich in der Kunst die natürliche Einheit zwischen Arbeit und Arbeitsprodukt… 

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APA (6th Edition):

Durán Medraño, J. M. (2019). Value within artistic productivity. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-2300

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Durán Medraño, José María. “Value within artistic productivity.” 2019. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-2300.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Durán Medraño, José María. “Value within artistic productivity.” 2019. Web. 28 Feb 2020.

Vancouver:

Durán Medraño JM. Value within artistic productivity. [Internet] [Thesis]. Freie Universität Berlin; 2019. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-2300.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Durán Medraño JM. Value within artistic productivity. [Thesis]. Freie Universität Berlin; 2019. Available from: http://dx.doi.org/10.17169/refubium-2300

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Schindler, Viktoria. Color, Form, Line, Shape, Texture. Between Art and Science: Ivan Kliun's and Wassily Kandinsky's Theroretical Treatises on the Primary Elements of Art.

Degree: 2019, Freie Universität Berlin

 This dissertation focuses on works of art and theoretical writings of the lesser-known Russian avant-gardist Ivan Kliun (1873–1943). Kliun exhibited his work and published manifestos… (more)

Subjects/Keywords: Russische Avantgarde; Elemente der Kunst; Ivan Kljun; Wassily Kandinsky; Farbe und Form; 700 Künste und Unterhaltung::700 Künste::701 Kunstphilosophie, Kunsttheorie der bildenden und angewandten Kunst

…Traditionen in der Kunst wandte. Der Farbe, ihrer Wirkung auf Psyche und Sinne des Menschen, ihrer… …Kunst und 1 Von 1914 bis 1924 hieß St. Petersburg Petrograd, 1924 wurde die Stadt in… …siehe Isabel Wünsche, Kunst und Leben. Michail Matjušin und die Russische Avantgarde in St… …Wissenskünste der Avantgarden. Kunst, Wahrnehmungswissenschaft und Medien 1915–1930, Image, Band 97… …der Elemente der Kunst zu ergründen. Die Daten wurden mit Hilfe von Fragebögen und… 

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APA (6th Edition):

Schindler, V. (2019). Color, Form, Line, Shape, Texture. Between Art and Science: Ivan Kliun's and Wassily Kandinsky's Theroretical Treatises on the Primary Elements of Art. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-3941

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schindler, Viktoria. “Color, Form, Line, Shape, Texture. Between Art and Science: Ivan Kliun's and Wassily Kandinsky's Theroretical Treatises on the Primary Elements of Art.” 2019. Thesis, Freie Universität Berlin. Accessed February 28, 2020. http://dx.doi.org/10.17169/refubium-3941.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schindler, Viktoria. “Color, Form, Line, Shape, Texture. Between Art and Science: Ivan Kliun's and Wassily Kandinsky's Theroretical Treatises on the Primary Elements of Art.” 2019. Web. 28 Feb 2020.

Vancouver:

Schindler V. Color, Form, Line, Shape, Texture. Between Art and Science: Ivan Kliun's and Wassily Kandinsky's Theroretical Treatises on the Primary Elements of Art. [Internet] [Thesis]. Freie Universität Berlin; 2019. [cited 2020 Feb 28]. Available from: http://dx.doi.org/10.17169/refubium-3941.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schindler V. Color, Form, Line, Shape, Texture. Between Art and Science: Ivan Kliun's and Wassily Kandinsky's Theroretical Treatises on the Primary Elements of Art. [Thesis]. Freie Universität Berlin; 2019. Available from: http://dx.doi.org/10.17169/refubium-3941

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2] [3] [4] [5] … [1059]

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