subject:(400 Sprache 430 Deutsch germanische Sprachen allgemein 430 Germanische Sprachen)

Freie Universität Berlin

1. Maché, Jakob. Wie epistemische Modifizierer entstehen.

Degree: 2015, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-5145

► Gegenstand dieser Arbeit ist es, die Enstehung der epistemischen Modalverben im Deutschen näher zu beleuchten. Um die Entwicklung von sprachlichen Formen untersuchen zu können, ist… (more)

▼ Gegenstand dieser Arbeit ist es, die Enstehung der epistemischen Modalverben im Deutschen näher zu beleuchten. Um die Entwicklung von sprachlichen Formen untersuchen zu können, ist es zunächst unabdingbar, den gegenwärtigen Zustand dieser Verben genauestens zu erfassen. Die sogennanten Modalverben verfügen jeweils über verschiedene syntaktische Gebrauchsformen und können jenach Verb unterschiedliche Ausprägungen haben. So gibt es Formen, mit akkusativ NP, mit dass-Satz, mit Kontrollinfinitiven, mit ereignisbezogenen Anhebungsinfinitiven, mit reportativen Kontrollinfinitiven, reportativen Anhebungsinfinitiven und eben mit epistemischen Anhebungsinfinitiven. Wie schon an vielen Stellen gezeigt, spiegelt jede dieser syntaktischen Gebrauchsformen eine unterschiedliche Phase im Grammatikalisierungsprozess wieder. Auf diese Weise lässt sich schon anhand von Sprachdaten aus der Gegenwart der Entwicklungsprozess dieser Verben im Groben nachvollziehen. Grundlage für die Untersuchung stellt das Archiv W des Deutschen Referenzkorpus (DeReKo) dar, welches zum Zeitpunkt der Durchführung 2 Milliarden Wortform-Token umfasste. In diesem Sinne gilt es als erstes zu klären, was denn genau unter dem Begriff Modalverb zu verstehen ist. In der traditionellen Sicht werden sechs Verben zu dieser Klasse gezählt: können, müssen, wollen, dürfen, sollen and mögen. Wie sich jedoch zeigt, ist es nicht möglich, diese sechs Elemente zu einer einheitlichen, in sich stimmigen Klasse zusammenzufassen. Das liegt vor allem daran, dass jedes dieser sechs Verben mit unter sehr unterschiedliche syntaktische Gebrauchsformen mit sich bringt, aber auch an der großen Zahl der idiosynkratischen Eigenheiten. Abgesehen davon gibt es noch eine ganze Reihe von anderen Verben, die gleichartige Eigenschaften aufweisen. Im Gegensatz dazu formen die epistemischen Varianten dieser Verben eine recht einheitliche Klasse. Folglich ist es viel sinnvoller, sich auf eine Klasse von epistemischen Modalverben zu beschränken und alle übrigen syntaktischen Gebrauchsformen jedes dieser Verben außer Acht zu lassen. Das hat jedoch zur Folge, dass weitere Verben, die ebenfalls über eine epistemische Lesart verfügen, hinzugezogen werden müssen, nämlich: brauchen und werden. Trotz zahlreicher Gemeinsamkeiten werden die Anhebungsverben scheinen, drohen, versprechen und verheißen nicht hinzugezählt und im weiteren Verlaufe nicht mehr berücksichtigt. Wie sich schließlich zeigt, ist der traditionelle Modalverbbegriff aus wissenschaftlicher Sicht nicht zu halten. Der Konflikt liegt bereits in seiner Geschichte begründet. Im 19. Jahrhundert wurde versucht, eine ursprünglich rein morphologisch begründete Klasse zusätzlich noch semantisch zu untermauern – doch von anfang an offenbarte sich ein Widerspruch zwischen diesen beiden Ansprüchen. Um die Entstehung der epistemischen Lesarten zu verstehen, ist es am wichtigsten, den Unterschied zwischen den zirkumstantiellen und den epistemischen Gebrauchsformen herauszuarbeiten. Bei eingehender Betrachtung zeigt sich, daß… Advisors/Committee Members: [email protected] (contact), m (gender), Prof. Stefan Müller, Freie Universität Berlin (firstReferee), Prof. Werner Abraham, Univerisität Wien (furtherReferee).

Subjects/Keywords: modal verbs; epistemic modality; reportative modalitity; grammaticalization; 400 Sprache::430 Deutsch, germanische Sprachen allgemein::435 Deutsche Grammatik

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APA (6^th Edition):

Maché, J. (2015). Wie epistemische Modifizierer entstehen. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-5145

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Maché, Jakob. “Wie epistemische Modifizierer entstehen.” 2015. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-5145.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Maché, Jakob. “Wie epistemische Modifizierer entstehen.” 2015. Web. 19 Jan 2021.

Vancouver:

Maché J. Wie epistemische Modifizierer entstehen. [Internet] [Thesis]. Freie Universität Berlin; 2015. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-5145.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Maché J. Wie epistemische Modifizierer entstehen. [Thesis]. Freie Universität Berlin; 2015. Available from: http://dx.doi.org/10.17169/refubium-5145

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

2. Freudenthal, Cynthia. Ecological discourse in the teaching of foreign languages.

Degree: 2018, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-582

► Based on the premise that even the teaching of foreign languages is obliged not only to react to the world’s becoming more complex but also… (more)

▼ Based on the premise that even the teaching of foreign languages is obliged not only to react to the world’s becoming more complex but also to incorporate ecological and global challenges and questions, the goal of the present dissertation is that the advancement of environmental literacy should be anchored as an objective in the teaching of German as a foreign language, and it aims also to provide stimulation for teaching and learning structures. Since the engagement with memory spaces in the context both of the promotion of a competence in discourse (comp. Altmayer 2016; Hallet 2006) and of work with a meaning and knowledge-orientated cultural concept (comp. Reckwitz 2006) in the teaching of foreign languages during the last years has been proved repeatedly to be fruitful, both teaching programmes dealing with selected ecological themes and a teaching programme dealing with an ecological memory space were developed and individual teaching units were planned in detail and finally tested in several German as a Foreign Language courses at universities and language schools in Germany. The present dissertation also aims to make a contribution to the foundations both of a discussion of skills in education with regard to sustainable development and of Global Learning, to further drive engagement with global issues as teaching and learning objects in the context of a lesson in German as a Foreign Language, and to further substantiate and anchor the term “environmental literacy” which is currently only weakly established in the research of German-speaking German as a Foreign Language. In order to answer the question, a multi-methodic approach for data-collection was selected, in order to do justice to the complexity of the process of the advancement of environmental literacy in the teaching of foreign languages, and simultaneously in order to be able to guarantee a differentiated study. In addition to the texts composed by the participating students during the lessons (learner texts) and the answers taken from a questionnaire filled in at the end of the units (written survey), lesson observation (videography) of individual lesson sequences formed the starting point for a reflective analysis and more extensive recommendation of activities. Additionally to the method of qualitative content analysis according to Mayring (2015) which was used for the evaluation of the material gleaned from the written questionnaire and the texts written by the students themselves, the procedure of sequential analysis was adopted for the analysis of the videographic data. In summary it can be maintained that ecological discourse in the teaching of foreign languages can be advantageous for the promotion of environmental literacy and can thus contribute to a sustainable development of our world society. In addition to the propagation of factual knowledge regarding environmental topics and environmental history, the engagement with ecological themes can culminate in a recognition of the (global) consequences of individual acts and to a… Advisors/Committee Members: female (gender), Hille, Almut (firstReferee), Badstübner-Kizik, Camilla (furtherReferee).

Subjects/Keywords: Deutsch als Fremdsprache; Umweltkompetenz; Erinnerungsorte; Globales Lernen; Bildung für nachhaltige Entwicklung; Environmental literacy; Memory spaces; Global learning; Education for sustainable development; German as a foreign language; 400 Sprache::430 Deutsch, germanische Sprachen allgemein::430 Germanische Sprachen; Deutsch

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Freudenthal, C. (2018). Ecological discourse in the teaching of foreign languages. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-582

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Freudenthal, Cynthia. “Ecological discourse in the teaching of foreign languages.” 2018. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-582.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Freudenthal, Cynthia. “Ecological discourse in the teaching of foreign languages.” 2018. Web. 19 Jan 2021.

Vancouver:

Freudenthal C. Ecological discourse in the teaching of foreign languages. [Internet] [Thesis]. Freie Universität Berlin; 2018. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-582.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Freudenthal C. Ecological discourse in the teaching of foreign languages. [Thesis]. Freie Universität Berlin; 2018. Available from: http://dx.doi.org/10.17169/refubium-582

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

3. Jammerthal, Peter. The Aesthetic of the Theatre of The Third Reich: The Berlin Prussian State Theatre from the Machtergreifung to the Grundgens Era.

Degree: 2007, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-8217

► After 1945 Gustaf Grundgens Berlin Prussian State Theatre was held by many to have been a bastion of culture in terrible times and a place… (more)

▼ After 1945 Gustaf Grundgens Berlin Prussian State Theatre was held by many to have been a bastion of culture in terrible times and a place where, apart from the regime s influence, art had been allowed to flourish. On the other hand Grundgens theatre had had an elevated status under the auspices of Hermann Goring, who held it to be the first stage of the Third Reich and presented it as proof of the Nazi healing of the German theatre. This paradox can be resolved by identifying the aesthetic character of the performances and productions something which has been largely overlooked. It is not enough to just know the repertoire of plays: It is necessary to examine within a historical framework surrounding the cultural conditions: how the plays were directed and acted as well as how the audience received them. The concept of Werktreue becomes a focal point of the study: Grundgens position was that a play should be directed in the way the author intended . This adage of holding true to the author s intent as has often been argued after 1945 led to Grundgens theatre being seen as having escaped Nazi ideology by virtue of its artistic purpose and achievement. This study shows that Grundgens Werktreue is a normative pretence that is an impossibility. The examination of a selection of productions shows that Grundgens directing and acting was by and large marked by a superimposed strict, formally distanced and unreal classical theatrical style. Indeed it was his very affirmation of the Werktreue ideology which aided his escaping from facing the consequences of his theatre s strong connection to the Nazi regime: He could thus evade acknowledging the strongly affirmative character of his work during the Third Reich. The less reality there was to be found in his productions, the better they fit into the context of the Nazi cultural politics. This aesthetic was thus largely compatible with the cultural and political practices of the Nazi system: In 1933 after failed theatrical experiments, the theatre s mission was seen by the Nazi command as neither the politicization of the productions aesthetic nor the wallowing in irrational cult new mythologies but rather, exactly that, which the Prussian State Theatre under the direction of Gustaf Grundgens stood for: A theatre where the following could be found: Werktreue , a chaste and purely classical Representative Theatre as well as a healthy portion of tasteful entertainment. Grundgens, and the other leading non-Nazi theatre directors, did not, contrary to what was later claimed, work against the theatre of the Third Reich , but stood at its peak. Advisors/Committee Members: n (gender), Prof. Dr. Henning Rischbieter (firstReferee), Prof. Dr. Erika Fischer-Lichte (furtherReferee).

Subjects/Keywords: theatre; aesthetics; third reich; werktreue; 400 Sprache::430 Deutsch, germanische Sprachen allgemein::430 Germanische Sprachen; Deutsch

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Jammerthal, P. (2007). The Aesthetic of the Theatre of The Third Reich: The Berlin Prussian State Theatre from the Machtergreifung to the Grundgens Era. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-8217

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Jammerthal, Peter. “The Aesthetic of the Theatre of The Third Reich: The Berlin Prussian State Theatre from the Machtergreifung to the Grundgens Era.” 2007. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-8217.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Jammerthal, Peter. “The Aesthetic of the Theatre of The Third Reich: The Berlin Prussian State Theatre from the Machtergreifung to the Grundgens Era.” 2007. Web. 19 Jan 2021.

Vancouver:

Jammerthal P. The Aesthetic of the Theatre of The Third Reich: The Berlin Prussian State Theatre from the Machtergreifung to the Grundgens Era. [Internet] [Thesis]. Freie Universität Berlin; 2007. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-8217.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jammerthal P. The Aesthetic of the Theatre of The Third Reich: The Berlin Prussian State Theatre from the Machtergreifung to the Grundgens Era. [Thesis]. Freie Universität Berlin; 2007. Available from: http://dx.doi.org/10.17169/refubium-8217

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

4. Luehrs-Kaiser, Kai. Explanations and Interpretations of Remembrance as a Narrative Problem in the Works of Robert Musil, Heimito von Doderer and Hans Henny Jahnn.

Degree: 2001, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-9936

► Remembrance as a specific motif plays an important role in three major works of 20th century German literature: Robert Musil's 'Der Mann ohne Eigenschaften' ('The… (more)

▼ Remembrance as a specific motif plays an important role in three major works of 20th century German literature: Robert Musil's 'Der Mann ohne Eigenschaften' ('The Man without Qualities'), Heimito von Doderer's 'Die Dämonen' ('The Demons') and Hans Henny Jahnn's 'Fluß ohne Ufer' ['River without a Shore']. In addition, remembrance is linked to the conceptual problems of each novel. In Robert Musil's novel, the process of remembering that is inaugurated by the characters Ulrich and Agathe leads away from the concept lying at the core of the novel - the concept of a man without qualities. Furthermore, remembering is contrary to the 'Anderer Zustand', the 'other state', because it launches a biographical reconfiguration and makes Ulrich a distinguishable character. 'Die Tiefe ist außen' ('Depth is on the outside/surface'): This dictum of Heimito von Doderer has to be reconciled with the poetic use of remembrance in his novel 'Die Dämonen'. In 'Die Strudlhofstiege', Doderer had developed a poetics of remembrance, which in 'Die Dämonen' is now subjected to a process of surfacing, a 'Veräußerlichungsimpuls'. Since Doderer regards remembrance as an inner, psychological phenomenon, this process of surfacing leads to problems which Doderer solves by using certain techniques of surfacing: e.g. concretisation (or objectivation) and writing down. Contrary to the received opinion, the use of these techniques results in a negation of remembrance as an introspective paradigm. Hans Henny Jahnn's trilogy 'Fluß ohne Ufer' has long been seen as an example of the structural use of remembrance. However, only in the middle part, 'Die Niederschrift des Gustav Anias Horn', remembrance is given structural importance. Unintentionally, Jahnn takes up Doderer's shift from remembrance as an inner paradigm to written remembrance and, like Doderer, he intentionally avoids psychologising. With the introduction of a surreal return of the past into the present ('Inversion der Zeit'/'inversion of time') Jahnn breaks decisively with the traditional, psychological model of remembrance. Thus, in the novels of Musil, Doderer, and Jahnn the faculties of remembrance lose substance and importance. The past (as the object of remembrance) is no longer that 'store of wealth' that one has to turn to if one wants to remain fit for life (and biography): the past is no longer the core of present life. Contrariwise, the past is seen as a heterogeneous Other of this life. The consequence is the dissociation of two spheres, that tradition and psychoanalysis regard as closely connected: the own remembrance and the own past of the subject. Advisors/Committee Members: n (gender), Prof. Dr. Volker Mertens (firstReferee), Prof. Dr. Gert Mattenklott (furtherReferee).

Subjects/Keywords: Remembrance; Past; Musil; Doderer; Jahnn; 400 Sprache::430 Deutsch, germanische Sprachen allgemein::430 Germanische Sprachen; Deutsch

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Luehrs-Kaiser, K. (2001). Explanations and Interpretations of Remembrance as a Narrative Problem in the Works of Robert Musil, Heimito von Doderer and Hans Henny Jahnn. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-9936

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Luehrs-Kaiser, Kai. “Explanations and Interpretations of Remembrance as a Narrative Problem in the Works of Robert Musil, Heimito von Doderer and Hans Henny Jahnn.” 2001. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-9936.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Luehrs-Kaiser, Kai. “Explanations and Interpretations of Remembrance as a Narrative Problem in the Works of Robert Musil, Heimito von Doderer and Hans Henny Jahnn.” 2001. Web. 19 Jan 2021.

Vancouver:

Luehrs-Kaiser K. Explanations and Interpretations of Remembrance as a Narrative Problem in the Works of Robert Musil, Heimito von Doderer and Hans Henny Jahnn. [Internet] [Thesis]. Freie Universität Berlin; 2001. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-9936.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Luehrs-Kaiser K. Explanations and Interpretations of Remembrance as a Narrative Problem in the Works of Robert Musil, Heimito von Doderer and Hans Henny Jahnn. [Thesis]. Freie Universität Berlin; 2001. Available from: http://dx.doi.org/10.17169/refubium-9936

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

5. Nam, Duk-Hyun. A study of the literary description in Peter Weiss' novel, The Aesthetics of Resistance.

Degree: 2003, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-5298

► The objective of this study is to identify the aesthetic and political concept of Peter Weiss through the analysis of descriptions in his novel, ?The… (more)

Subjects/Keywords: description; Peter Weiss; The Aesthetics of Resistance; indescribable; postmodern; 400 Sprache::430 Deutsch, germanische Sprachen allgemein::430 Germanische Sprachen; Deutsch

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Nam, D. (2003). A study of the literary description in Peter Weiss' novel, The Aesthetics of Resistance. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-5298

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Nam, Duk-Hyun. “A study of the literary description in Peter Weiss' novel, The Aesthetics of Resistance.” 2003. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-5298.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Nam, Duk-Hyun. “A study of the literary description in Peter Weiss' novel, The Aesthetics of Resistance.” 2003. Web. 19 Jan 2021.

Vancouver:

Nam D. A study of the literary description in Peter Weiss' novel, The Aesthetics of Resistance. [Internet] [Thesis]. Freie Universität Berlin; 2003. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-5298.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nam D. A study of the literary description in Peter Weiss' novel, The Aesthetics of Resistance. [Thesis]. Freie Universität Berlin; 2003. Available from: http://dx.doi.org/10.17169/refubium-5298

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

6. Helmkamp, Kerstin. Oswald of Wolkenstein's "songs of captivity" and "matrimony songs".

Degree: 2005, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-17187

► In my dissertation, I argue that there is no relevant poetic on vernacular German poetry of the Middle Ages, which provides leading categories, concepts and… (more)

Subjects/Keywords: genre; gender; poetry; late middle ages; Oswald of Wolkenstein; 400 Sprache::430 Deutsch, germanische Sprachen allgemein::430 Germanische Sprachen; Deutsch

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Helmkamp, K. (2005). Oswald of Wolkenstein's "songs of captivity" and "matrimony songs". (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-17187

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Helmkamp, Kerstin. “Oswald of Wolkenstein's "songs of captivity" and "matrimony songs".” 2005. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-17187.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Helmkamp, Kerstin. “Oswald of Wolkenstein's "songs of captivity" and "matrimony songs".” 2005. Web. 19 Jan 2021.

Vancouver:

Helmkamp K. Oswald of Wolkenstein's "songs of captivity" and "matrimony songs". [Internet] [Thesis]. Freie Universität Berlin; 2005. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-17187.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Helmkamp K. Oswald of Wolkenstein's "songs of captivity" and "matrimony songs". [Thesis]. Freie Universität Berlin; 2005. Available from: http://dx.doi.org/10.17169/refubium-17187

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

7. Roscher, Rainhard. Studies on a Concept of Wilhelm von Humboldt.

Degree: 2004, Freie Universität Berlin

URL: https://refubium.fu-berlin.de/handle/fub188/10483

► Wilhelm von Humboldt is the classic philosopher of language, but no one attests to him an excellent use of language and his writings have been… (more)

▼ Wilhelm von Humboldt is the classic philosopher of language, but no one attests to him an excellent use of language and his writings have been diagnosed as lacking in consistent terminology. This might explain why no one has ever set out to explicitly investigate the concepts he used (the only exceptions being the terms "energeia"and "inner form of language", or "innere Sprachform"), or made a critical attempt to clarify this alleged deficiency. The study at hand aims to do just this. For one, it argues on the level of the "layers of his work", showing that Humboldt�s initial task was to work out some kind of terminology and that his cautious, probing way of circling around details did indeed constitute a method which bore fruit. Humboldt's concept of "linguistic sense" ("Sprachsinn") certainly merits attention. It appears with increasing frequency in his writings on the philosophy of language. Humboldt defines it twice, tellingly distinguishing it from the concept of "imagination" ("Einbildungskraft"). He also places the concept in relation to sounds, underscoring in an unprecedented way the medial aspect of language. According to Humboldt, the development of "linguistic sense" is not only "charitably promoted", but rather perfected by the medium of the written word, in particular by phonetic spelling. What warrants an investigation of this concept, for one, is the fact that it was coined by Humboldt himself - as opposed to the concept "energeia", which derives from Aristoteles. By gaining an understanding of it we can also gain a better understanding of the new media. The investigation drives this point home, placing the concept in a modern, systematic framework and juxtaposing it with other concepts used by Humboldt to formulate his idea of language. For Humboldt, "linguistic sense" is "intellect as it relates to the formation and use of language". As such it must produce sounds in order to "make thoughts expressible". Transcendentally and historically speaking, Humboldt argues on the level of the development of national languages when he formulates this definition. The connection with conversation - for him language in its original form - consists in the hermeneutic circle, which Humboldt knows and uses avant la lettre. Language occurs solely in individual acts of speaking, i.e. in the state of "being at work" (en-ergeia). Yet we only understand ourselves and others within the horizon of a mutually used language. This involves more than an exchange of ideas; it concerns the very formation of ideas. "Linguistic sense" originates in what has not yet been articulated, i.e. in silence. In light of this view, the investigation develops four aspects of sigetics, which are placed within the framework of Humboldt's hermeneutics. These are ultimately seen as being invested with an ethical dimension. Advisors/Committee Members: n (gender), Prof. Dr. Jürgen Trabant (firstReferee), Prof. Dr. Dietrich Böhler (furtherReferee).

Subjects/Keywords: Linguistic Sense Wilhelm von Humboldt Rainhard Roscher; 400 Sprache::430 Deutsch, germanische Sprachen allgemein::430 Germanische Sprachen; Deutsch

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Roscher, R. (2004). Studies on a Concept of Wilhelm von Humboldt. (Thesis). Freie Universität Berlin. Retrieved from https://refubium.fu-berlin.de/handle/fub188/10483

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Roscher, Rainhard. “Studies on a Concept of Wilhelm von Humboldt.” 2004. Thesis, Freie Universität Berlin. Accessed January 19, 2021. https://refubium.fu-berlin.de/handle/fub188/10483.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Roscher, Rainhard. “Studies on a Concept of Wilhelm von Humboldt.” 2004. Web. 19 Jan 2021.

Vancouver:

Roscher R. Studies on a Concept of Wilhelm von Humboldt. [Internet] [Thesis]. Freie Universität Berlin; 2004. [cited 2021 Jan 19]. Available from: https://refubium.fu-berlin.de/handle/fub188/10483.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roscher R. Studies on a Concept of Wilhelm von Humboldt. [Thesis]. Freie Universität Berlin; 2004. Available from: https://refubium.fu-berlin.de/handle/fub188/10483

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

8. Piskol, Tong. An Analysis about Chinese interpretations and biographies of Goethe and about the Chinese reception of Faust.

Degree: 2006, Freie Universität Berlin

URL: https://refubium.fu-berlin.de/handle/fub188/11924

► The thesis works on the answer to the question of how Goethe and his literature were understood by Chinese intellectual people in the past century,… (more)

Subjects/Keywords: Chinese reception of Goethe; Faust; Biography; 400 Sprache::430 Deutsch, germanische Sprachen allgemein::430 Germanische Sprachen; Deutsch

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APA (6^th Edition):

Piskol, T. (2006). An Analysis about Chinese interpretations and biographies of Goethe and about the Chinese reception of Faust. (Thesis). Freie Universität Berlin. Retrieved from https://refubium.fu-berlin.de/handle/fub188/11924

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Piskol, Tong. “An Analysis about Chinese interpretations and biographies of Goethe and about the Chinese reception of Faust.” 2006. Thesis, Freie Universität Berlin. Accessed January 19, 2021. https://refubium.fu-berlin.de/handle/fub188/11924.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Piskol, Tong. “An Analysis about Chinese interpretations and biographies of Goethe and about the Chinese reception of Faust.” 2006. Web. 19 Jan 2021.

Vancouver:

Piskol T. An Analysis about Chinese interpretations and biographies of Goethe and about the Chinese reception of Faust. [Internet] [Thesis]. Freie Universität Berlin; 2006. [cited 2021 Jan 19]. Available from: https://refubium.fu-berlin.de/handle/fub188/11924.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Piskol T. An Analysis about Chinese interpretations and biographies of Goethe and about the Chinese reception of Faust. [Thesis]. Freie Universität Berlin; 2006. Available from: https://refubium.fu-berlin.de/handle/fub188/11924

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

9. Gerhard, Carsten. Perception, representation, purposes.

Degree: 2008, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-11100

► Wilhelm Waiblinger (1804-1830) was a german poet, who emigrated to Italy at the age of 22 searching an artistic home, which he felt he could… (more)

Subjects/Keywords: Waiblingers journey italy; 400 Sprache::430 Deutsch, germanische Sprachen allgemein::430 Germanische Sprachen; Deutsch

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APA (6^th Edition):

Gerhard, C. (2008). Perception, representation, purposes. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-11100

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Gerhard, Carsten. “Perception, representation, purposes.” 2008. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-11100.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Gerhard, Carsten. “Perception, representation, purposes.” 2008. Web. 19 Jan 2021.

Vancouver:

Gerhard C. Perception, representation, purposes. [Internet] [Thesis]. Freie Universität Berlin; 2008. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-11100.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gerhard C. Perception, representation, purposes. [Thesis]. Freie Universität Berlin; 2008. Available from: http://dx.doi.org/10.17169/refubium-11100

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

10. Bosco, Carmela Lorella Ausilia. German Images of Classical Antiquity (1755-1875).

Degree: 2001, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-12044

► This dissertation attempts to investigate about one century of the history of the reception of Classical Culture in Germany. It does so mainly from the… (more)

▼ This dissertation attempts to investigate about one century of the history of the reception of Classical Culture in Germany. It does so mainly from the point of view of the gradual change of the image of Classical Antiquity. At first, the image of antiquity is characterized by the ideals of goodness, truth and beauty and is then gradually transformed - this took place against the background of the strange god, Dionysus - to express inhumanity. The writer has consciously referred to results and methodical approaches from the history, theoretical construction and reflection on methods of classical philology in order to be better able to outline the reception process of ancient subjects, motifs and authors in the period investigated here. In fact, the reciprocal or mirror-image connections between literature, philosophy and the science of antiquity can often be ascertained in an epoque in which the concept of "classical education" is the same as that of "education" tout court. The dissertation has thus given a lot of space to the investigation of the educational conditions for all the authors (Goethe, Kleist, Heine, Nietzsche etc.). The modalities of acquiring a classical education presuppose the reception, more or less directly, of Classical Antiquity and dealing with antique subjects. With a view to that, the writer has constantly focussed on the developments in the history of education and the concept of "education" itself in the course of the 19th Century. In this context, "antiquity" means almost exclusively Greek Antiquity, of which, in the course of 19th Century, at first the "classical" period, then the "dark beginnings" and the archaic epoque play an exemplary role for Modern Times. In spite of the transformation of the image of antiquity and the discovery of an archaic and anti-classical Greece, this model function holds and is barely questioned, even in the case of authors such as Heine or Nietzsche, although it is differently accounted for than before, that is by inhumanity and barbarity. This exemplariness is not least because of the mythopoetic aptitude as an expression of the holistically conceived Greek philosophy of life. The myth has a communicative function, which can also be discovered again for Modern Times ("New Mythology") and is symbolized by the mythical figure of the god, Dionysus. This myth-renaissance would, however, be barely conceivable without the emergence and development of modern historical science which began to research formerly unnoticed or unknown areas of Classical Antiquity. The science deepens the awareness of the distance to the Ancient World, which German writers, on the other hand, attempt to bridge by means of the myth (c.f. F. Nietzsche). German reception of Classical Antiquity has been characterized in a clearly Utopian way from the very beginning and does not get lost in the paradigmatic exchange from "humane" to "inhumane" antiquity. The Greek past and the Greek myth serve to set the perspective on Modern times, as a counterfoil to the present. The mythologisation and… Advisors/Committee Members: n (gender), Prof. Dr. Gert Mattenklott (firstReferee), Prof. Dr. Bernd Bräutigam (furtherReferee).

Subjects/Keywords: classical antiquity german literature reception; 400 Sprache::430 Deutsch, germanische Sprachen allgemein::430 Germanische Sprachen; Deutsch

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APA (6^th Edition):

Bosco, C. L. A. (2001). German Images of Classical Antiquity (1755-1875). (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-12044

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bosco, Carmela Lorella Ausilia. “German Images of Classical Antiquity (1755-1875).” 2001. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-12044.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bosco, Carmela Lorella Ausilia. “German Images of Classical Antiquity (1755-1875).” 2001. Web. 19 Jan 2021.

Vancouver:

Bosco CLA. German Images of Classical Antiquity (1755-1875). [Internet] [Thesis]. Freie Universität Berlin; 2001. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-12044.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bosco CLA. German Images of Classical Antiquity (1755-1875). [Thesis]. Freie Universität Berlin; 2001. Available from: http://dx.doi.org/10.17169/refubium-12044

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

11. Fadel, Natália Corrêa Porto Sanches. contemporary literature in German studies in Brazil.

Degree: 2012, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-9376

► The present research intends to demonstrate how contemporary literature may be read in its original in German philology context in Brazil. Therefore a model was… (more)

Subjects/Keywords: German as a Second Language; German Studies; Literature Didactic; Contemporary German Literature; Thomas Brussig; Sonnenallee.; 800 Literatur; 400 Sprache::430 Deutsch, germanische Sprachen allgemein

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APA (6^th Edition):

Fadel, N. C. P. S. (2012). contemporary literature in German studies in Brazil. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-9376

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Fadel, Natália Corrêa Porto Sanches. “contemporary literature in German studies in Brazil.” 2012. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-9376.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Fadel, Natália Corrêa Porto Sanches. “contemporary literature in German studies in Brazil.” 2012. Web. 19 Jan 2021.

Vancouver:

Fadel NCPS. contemporary literature in German studies in Brazil. [Internet] [Thesis]. Freie Universität Berlin; 2012. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-9376.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fadel NCPS. contemporary literature in German studies in Brazil. [Thesis]. Freie Universität Berlin; 2012. Available from: http://dx.doi.org/10.17169/refubium-9376

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

12. Diepeveen, Ariane. "Modifying words": Niederländische Adverbialmorphologie im Vergleich.

Degree: 2012, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-13500

► Forschungsgegenstand dieser Dissertation ist ein Teilgebiet der Wortbildung des Niederländischen, das in der bisherigen Wortbildungsforschung vernachlässigt wurde: die Bildung komplexer Adverbien durch Derivation. In der… (more)

▼ Forschungsgegenstand dieser Dissertation ist ein Teilgebiet der Wortbildung des Niederländischen, das in der bisherigen Wortbildungsforschung vernachlässigt wurde: die Bildung komplexer Adverbien durch Derivation. In der Literatur zur niederländischen Wortbildung wird eine Reihe von Suffixen für die Adverbbildung genannt: -(e)lijk, -(e)lings, -gewijs, -erwijs, -halve, -iter, -tjes, -waarts, -weg. Diese niederländischen Adverbialsuffixe sind, im Gegensatz zu ihren nah verwandten deutschen Äquivalenten, jedoch bisher kaum beschrieben worden. In der Regel beschränkt sich ihre Behandlung in der Forschungsliteratur auf die Nennung einiger synchroner Eigenschaften, empirische Untersuchungen existieren allerdings nicht. Der Diachronie dieser Suffixe ist in der bisherigen Forschung ebenfalls kaum Beachtung geschenkt worden, während etwa für das Deutsche ausführliche historische Beschreibungen vorliegen. Aus diesem Forschungsdefizit heraus lässt sich das Hauptziel meiner Dissertation formulieren: eine erstmalig detaillierte und sowohl synchron als auch diachron ausgerichtete Beschreibung der Adverbialsuffixe des Niederländischen zu leisten. Die Beschreibungen basieren auf der qualitativen Auswertung von Belegdaten aus Korpora und Wörterbüchern. Es werden außerdem zwei weitere, bisher in der Forschungsliteratur vernachlässigte Wortbildungselemente, -matig und -technisch, mit einbezogen, deren deutsche Äquivalente, -mäßig und -technisch, in der neueren Literatur zum Deutschen besondere Aufmerksamkeit erhalten haben. Die Studie kombiniert eine synchrone mit einer diachronen Perspektive und beschreibt die Entwicklung der einzelnen Wortbildungselemente vom Altniederländischen bis ins heutige Gegenwartsniederländisch. Beobachtungen zu deutschen und englischen Suffixen werden zum Vergleich herangezogen und dienen insbesondere der Bereicherung der Beschreibung ihrer niederländischen Äquivalente. Die Dissertation ist in drei Hauptteile gegliedert. Im ersten Teil (Kapitel 1 bis 6) erläutere ich die theoretischen sowie praktischen Grundlagen meiner Studie. Der zweite Teil meiner Dissertation (Kapitel 7 bis 17) ist vollständig den Suffixbeschreibungen gewidmet und stellt das Kernstück der Arbeit dar. Die Kapitel enthalten jeweils die Beschreibungen der einzelnen niederländischen Suffixe in alphabetischer Reihenfolge: -(e)lijk, -(e)lings, -gewijs, -erwijs, -halve, -iter, -matig, -technisch, -tjes, -waarts, -weg. Jedes Kapitel besteht aus einer Einführung, einer synchronen Darstellung, einer diachronen Beschreibung und einem Fazit. Im dritten und letzten Teil (Kapitel 18) werden die Ergebnisse der einzelnen Suffixbeschreibungen zusammengeführt und diskutiert. Das führt zu wichtigen Erkenntnissen zur Kategorie der ‚adverbialen Morphologie’ und zur linguistischen Funktion der ‚Modifikation’. Advisors/Committee Members: [email protected] (contact), w (gender), Prof. Dr. Matthias Hüning (firstReferee), Prof. Dr. Geert Booij (furtherReferee).

Subjects/Keywords: linguistics; contrastive linguistics; morphology; suffix; adverb; adjective; modification; Dutch; English; German; 400 Sprache::410 Linguistik; 400 Sprache::430 Deutsch, germanische Sprachen allgemein; 400 Sprache::420 Englisch, Altenglisch; 400 Sprache::490 Andere Sprachen

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APA (6^th Edition):

Diepeveen, A. (2012). "Modifying words": Niederländische Adverbialmorphologie im Vergleich. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-13500

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Diepeveen, Ariane. “"Modifying words": Niederländische Adverbialmorphologie im Vergleich.” 2012. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-13500.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Diepeveen, Ariane. “"Modifying words": Niederländische Adverbialmorphologie im Vergleich.” 2012. Web. 19 Jan 2021.

Vancouver:

Diepeveen A. "Modifying words": Niederländische Adverbialmorphologie im Vergleich. [Internet] [Thesis]. Freie Universität Berlin; 2012. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-13500.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Diepeveen A. "Modifying words": Niederländische Adverbialmorphologie im Vergleich. [Thesis]. Freie Universität Berlin; 2012. Available from: http://dx.doi.org/10.17169/refubium-13500

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

13. Park-Shim, Ock Sook. The Dance in Heinrich Heine`s Work.

Degree: 2004, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-7993

► The Dance in Heinrich Heine`s work Ock Sook Park This study analyzes the aesthetic concept of Heinrich Heine by scrutinizing his own genuine literary media… (more)

▼ The Dance in Heinrich Heine`s work Ock Sook Park This study analyzes the aesthetic concept of Heinrich Heine by scrutinizing his own genuine literary media for the realization of this concept. Heine does not separate his profession of a writer from his sense of social responsibility, but rather one causes the other in his life. Taking this aspect into consideration, this study aims to show Heine´s unique character in his literary mastery as well as his vital concern for society and literature. This interest is due to the notion, that Heine uses his very own media for the realization of his concept of literature in his writing as well as for the elucidation of this concept. Following his concept of literature, literature and respectively art shall transcend the conventional borders and reach into the realm of society and politics, setting both of them in motion. With this conviction Heine tries to use adequate media and asserts their value continuously in his writing. According to this, his choice of media is in my point of view an integral part of his literary work. Belonging to this important media is above all the dance. Heine awards the dance a key position in his works. Thus without analyzing its meaning and function, the understanding of Heine is incomplete. Heine transforms the dancemotiv into a literary tool and develops a array of dancefigures, reflecting his basic aesthetic attitude and principles. His dances and dancefigures embody and articulates his literary and social message and its importance. This also shows his literary and political point of view very clearly. Due to this reason this work deals with the significance of the dance and the explanatory power of the description of the dance for the understanding of Heine, focussing specially on the following questions in order to show what is needed for a fair understandung and relaying of Heine, what needs to be complemented and what has to be revised: 1\. What motivates Heine to use the dance as a literary medium? 2\. Which function and role does the dance play in Heine`s works? 3\. What does the dance reveal about Heine`s awareness of literature and his view of society? 4\. What are the specifics of the dance for Heine, with which he tries to relate literature and politics, so that they start "to dance"? Advisors/Committee Members: n (gender), Prof. Dr. Gerhard Bauer (firstReferee), Prof. Dr. Ursula Heukenkamp (furtherReferee).

Subjects/Keywords: Dance; Revolution; The Rehabilitation of the Body; Sensualism and Spiritualism; The Young Germany; 400 Sprache::430 Deutsch, germanische Sprachen allgemein::430 Germanische Sprachen; Deutsch

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Park-Shim, O. S. (2004). The Dance in Heinrich Heine`s Work. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-7993

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Park-Shim, Ock Sook. “The Dance in Heinrich Heine`s Work.” 2004. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-7993.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Park-Shim, Ock Sook. “The Dance in Heinrich Heine`s Work.” 2004. Web. 19 Jan 2021.

Vancouver:

Park-Shim OS. The Dance in Heinrich Heine`s Work. [Internet] [Thesis]. Freie Universität Berlin; 2004. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-7993.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Park-Shim OS. The Dance in Heinrich Heine`s Work. [Thesis]. Freie Universität Berlin; 2004. Available from: http://dx.doi.org/10.17169/refubium-7993

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

14. Widner, Bettina. A Study about Satirical Novels of German Exile in the 1930s by Example of Irmgard Keun, Walter Mehring and Klaus Mann.

Degree: 2001, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-5934

► This dissertation focuses on satirical novels which were written in exile in the 1930s during the Nazi period and were only seldom received by readers… (more)

▼ This dissertation focuses on satirical novels which were written in exile in the 1930s during the Nazi period and were only seldom received by readers and critics. The novels embody a search for the conditions that gave rise to Nazi rule and attribute a considerable portion of the responsibility to a widespread lack of principle which led people to zealously fell in line with whatever was prevalent at the time and which was the result not of material privation but of personal weakness, for which the people themselves were to blame. These novels written in exile are in the tradition of Georg Christoph Lichtenberg and Heinrich Heine's enlightening satires on petit bourgeois life. All the satires studied avail themselves of the concept of the "Untertan", or subservient subject, which Heinrich Mann outlined in his novels. It would seem that the satirical type of the potentially fascist petit bourgeois with leanings towards anti-democratic ideology can only be described ex negativo. Consequently, the weak personality of the subservient figure is confronted with more creative characters, with outsiders and rogues. These standard figures embody encrusted bourgeois ideals. If the petit bourgeois thinking of the main protagonists is to be seen as an atrophied stage in bourgeois existence, then the non-conformists must be regarded as extremes of this, both corresponding to and challenging the others' lack of principle. At first sight it would appear to be imprudent to deride an opponent such as fascism, which openly and emphatically renounces reason. Yet by neutralising logical behaviour, laughter enables one to react to the arbitrary use of power and accept the existence of absurdity. By means of laughter emotion cajoles reason into tolerating the brutal fact of Nazism. In all the works I have examined, exile has the effect of promoting political radicalism. Yet the "Volksfrontgedanke", or popular front concept, is not necessarily the outcome of such a process of developing awareness on the part of the author. The satirical gesture is more one of individualistic hostility to dogmatism nurtured by scepticism and pessimism. If the provisional ego of criticism is to regain a standpoint in satire, then only at the price of the idea of progress. These novels clearly show what National Socialism demanded of bourgeois literature \endash a denial of any upward trend in culture, intellectual pursuit, civilisation. These satirical novels can be regarded as a companion piece to the Socialist novel of resistance. Whatever way it is rendered, the motif of "a critique of the petit bourgeois" reveals much the same dissension as that of the satirist towards the strategy of the Communist Party. Any such left-wing bourgeois thinking came to an abrupt end with the accession to power of the National Socialists in 1933. Advisors/Committee Members: n (gender), Professor Dr. Horst Domdey (firstReferee), Professor Dr. Claudia Albert (furtherReferee).

Subjects/Keywords: Satire; Exile; 1930s; National Socialism; Irmgard Keun; Klaus Mann; Walter Mehring; 400 Sprache::430 Deutsch, germanische Sprachen allgemein::430 Germanische Sprachen; Deutsch

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Widner, B. (2001). A Study about Satirical Novels of German Exile in the 1930s by Example of Irmgard Keun, Walter Mehring and Klaus Mann. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-5934

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Widner, Bettina. “A Study about Satirical Novels of German Exile in the 1930s by Example of Irmgard Keun, Walter Mehring and Klaus Mann.” 2001. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-5934.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Widner, Bettina. “A Study about Satirical Novels of German Exile in the 1930s by Example of Irmgard Keun, Walter Mehring and Klaus Mann.” 2001. Web. 19 Jan 2021.

Vancouver:

Widner B. A Study about Satirical Novels of German Exile in the 1930s by Example of Irmgard Keun, Walter Mehring and Klaus Mann. [Internet] [Thesis]. Freie Universität Berlin; 2001. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-5934.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Widner B. A Study about Satirical Novels of German Exile in the 1930s by Example of Irmgard Keun, Walter Mehring and Klaus Mann. [Thesis]. Freie Universität Berlin; 2001. Available from: http://dx.doi.org/10.17169/refubium-5934

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

15. Gaebel, Ulrike. Tradition and Destruction in the Prose Adaptations of Elisabeth of Nassau-Saarbrücken.

Degree: 2002, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-13209

► Time and time again the aesthetic simplicity of late medieval adaptations of earlier narrative forms has been emphasized. It is said that they presented an… (more)

▼ Time and time again the aesthetic simplicity of late medieval adaptations of earlier narrative forms has been emphasized. It is said that they presented an abundance of long-winded events while being concerned solely with the audiences' entertainment - be it suspense, exotic places, bloodthirsty battles, love or laughter. The perception of them as an inconsistent accumulation of individual episodes and a storyline impaired by continued changes of direction has also been applied to 15th and 16th century adaptations the of Chansons de geste. Therefore, based on the Chansons de geste-adaptations of Elisabeth of Nassau-Saarbrücken and other contemporary adaptations this study intends to turn this view into the starting point for a hermeneutic approach. Indeed, it is the very lack of originality and the story's repetitive serial character that demands individual texts and their synchronous links be put into context. Instead of establishing diachronic or synchronic accumulations of variations on either a thematic history or its potential representations, the aim is to look for the particular function of analogous narrative elements within the individual text. Based on this method the first section of this study is concerned with medium- sized narrative units' relation to one another. They will be called themes (Themen), a term that is to date not common in German narrative theory. This will avoid the rather diverse term motif. The themes provide "communicative" examples: They offer categories of heroic behaviour and identity. Due to the texts' interdependencies these categories have a dynamic quality and can be re-grouped in varying constellations. The study's second section will show how, together with the themes, the most important subjects (Sujets) are developed. As meaningful relations between acts these subjects equate the characters and their dealings with terms of reference that can be understood as different degrees of social belonging. This includes different aspects of relationships, gender relations and feudalism. Thereby society's mechanisms of integration are shown while simultaneously the frictions individual heroes need to deal with, and the regular disturbances in new relationships, are identified. A cursory reading filters out structural elements and patterns of interpretations that the texts all share. In this way it should become obvious which significant elements can constitute Chanson de geste in German. Advisors/Committee Members: n (gender), Prof. Dr. Erika Kartschoke (firstReferee), Prof. Dr. Werner Röcke (furtherReferee).

Subjects/Keywords: Chanson de geste; Elisabeth von Nassau-Saarbrücken; Prosaroman; Herpin; Sibille; Loher und Maller; Huge Scheppel; 400 Sprache::430 Deutsch, germanische Sprachen allgemein::430 Germanische Sprachen; Deutsch

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APA (6^th Edition):

Gaebel, U. (2002). Tradition and Destruction in the Prose Adaptations of Elisabeth of Nassau-Saarbrücken. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-13209

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Gaebel, Ulrike. “Tradition and Destruction in the Prose Adaptations of Elisabeth of Nassau-Saarbrücken.” 2002. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-13209.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Gaebel, Ulrike. “Tradition and Destruction in the Prose Adaptations of Elisabeth of Nassau-Saarbrücken.” 2002. Web. 19 Jan 2021.

Vancouver:

Gaebel U. Tradition and Destruction in the Prose Adaptations of Elisabeth of Nassau-Saarbrücken. [Internet] [Thesis]. Freie Universität Berlin; 2002. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-13209.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gaebel U. Tradition and Destruction in the Prose Adaptations of Elisabeth of Nassau-Saarbrücken. [Thesis]. Freie Universität Berlin; 2002. Available from: http://dx.doi.org/10.17169/refubium-13209

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

16. Mertens, Martin. Electronic editions – possibilities, limitations, perspectives.

Degree: 2008, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-6560

► The thesis "Electronic Editions – Possibilities, Limitations, Perspectives" presents concepts and technologies for electronic editions in the field of German language and literature. The thesis… (more)

▼ The thesis "Electronic Editions – Possibilities, Limitations, Perspectives" presents concepts and technologies for electronic editions in the field of German language and literature. The thesis focuses on describing forms of information contained by written texts that extend beyond the literal information content, and on the possibilities that exist for encoding this information in electronic editions and thus opening it up to electronic evaluation. It begins with a survey of existing electronic editions, which can be divided roughly into two categories: electronic editions that take their orientation from books, and electronic editions that are oriented more heavily toward the possibilities offered by electronic media. This distinction provides the starting point for an investigation of the medial circumstances of texts in books and texts in electronic media. The focus here is on information which books convey above and beyond the letters which make up written texts - e.g. through typography and layout or in aspects of book production and distribution. These "apparatuses of the Gutenberg universe" are contrasted with the possibilities of information transfer and information modelling in the electronic media. At the fore are concepts based on semantic text markup using markup languages such as Standard Generalized Markup Language (SGML) or Extensible Markup Language (XML). Alongside technologies for working with SGML/XML encoded data, text markup according to the guidelines of the Text Encoding Initiative (TEI) is presented, and different encoding possibilities and models are discussed. The textual basis consists of excerpts from Franz Kafka: "Der Prozeß" (The Trial, Frankfurter Kafka Ausgabe) and Georg Büchner: "Dantons Tod" (Danton's Death, Marburger Büchner Ausgabe). In conclusion, the possibilities for recording supplementary information on electronic texts as metadata will be discussed. Here, too, suitable encoding options will be described and discussed, such as the Maschinelle Austauschformat für Bibliotheken (MAB, MABxml), the Dublin Core Metadata Initiative (DC, DCMI), and the relevant TEI guidelines. Advisors/Committee Members: [email protected] (contact), n (gender), Prof. Dr. Ursula Kocher (firstReferee), Prof. Dr. Wolfgang Neuber (furtherReferee).

Subjects/Keywords: Electronic edition; text encoding initiative; XML; 400 Sprache::430 Deutsch, germanische Sprachen allgemein; 000 Informatik, Informationswissenschaft, allgemeine Werke

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Mertens, M. (2008). Electronic editions – possibilities, limitations, perspectives. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-6560

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Mertens, Martin. “Electronic editions – possibilities, limitations, perspectives.” 2008. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-6560.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Mertens, Martin. “Electronic editions – possibilities, limitations, perspectives.” 2008. Web. 19 Jan 2021.

Vancouver:

Mertens M. Electronic editions – possibilities, limitations, perspectives. [Internet] [Thesis]. Freie Universität Berlin; 2008. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-6560.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mertens M. Electronic editions – possibilities, limitations, perspectives. [Thesis]. Freie Universität Berlin; 2008. Available from: http://dx.doi.org/10.17169/refubium-6560

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Hoherz, Arpine. Semantic and syntactic analysis of the concept of reflexivity in comparison to German and Armenian.

Degree: 2018, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-1236

► The present work examines contrastively the concept of reflexivity in German and Armenian from the (morpho-)syntactic and semantic points of view. The analysis demonstrate that… (more)

▼ The present work examines contrastively the concept of reflexivity in German and Armenian from the (morpho-)syntactic and semantic points of view. The analysis demonstrate that the reflexive is coded in German by the marker and (partial pronoun) sich, while Armenian expresses it first and foremost using the marker (and pronoun) իրեն iren which is strongly reflexive. The reflexivity indicated by the polyfunctional verbal marker -վ- -v- is only one of its possible meanings and is therefore weakly reflexive. This morpheme functions primarily to mark the middle, passive and reciprocal forms. The medial components also include those verbs in German with obligatory sich-marking, in contrast with the optionally sich-marked verbs which represent the reflexive. The decisive criteria in this differentiation as well as in the distinction between the middle and reflexive in Armenian include animacy (of the agent), intentionality, action not directed at one’s self, the semantic content and the semantic classes of these verbs. Both languages have the reflexive forms of the direct reflexive, indirect reflexive, partial (possessive) reflexive and pseudo reflexive. The decausative is identified in German, while the adverbial use of the reflexive is observed in Armenian. The comparison of these forms – sich, իրեն iren and v-marked – yields that the reflexive իրեն iren-verbs in Armenian function not only and not even primarily as the equivalent reflexive form of the (optional and obligatory) sich verbs in German, but instead the v-verbs often have the following meanings as well: mediopassive, medioactive, pseudo-middle, reciprocal middle, differentiating between active/medial verb-forms, and medial doublets. In contrast to the Armenian German also has a reflexive-reciprocal variant. In addition, the sich-marker is also implemented in Armenian by the 0-v-marker as an intransitive verb more rarely as a transitive as well. The research thus highlights not only the polyfunctionality of the Armenian v-marker as well as the German sich-marker, it also emphasizes the two possibilities for implementing the reflexive in Armenian. Advisors/Committee Members: female (gender), Fritz, Matthias (firstReferee), von Mengden, Ferdinand (furtherReferee).

Subjects/Keywords: Reflexivität; Medium; sich; reflexiv; 400 Sprache::430 Deutsch, germanische Sprachen allgemein::435 Deutsche Grammatik; 400 Sprache::490 Andere Sprachen::490 Andere Sprachen

…In der Arbeit von Geniusiene sind mehrere Sprachen – darunter auch Deutsch und Armenisch… …man beim Vergleich der beiden Sprachen Deutsch und Armenisch häufiger auf Gegensätze und… …beiden Sprachen zunächst die Frage nach den genauen Bezeichnungen sowie Klärung der… …vorgenommen. Dabei geht es in der Arbeit darum, zu zeigen, wie die Reflexivität in beiden Sprachen… …diese Realisationsmöglichkeiten in beiden Sprachen sind und sich zueinander verhalten. Ein…

2 more images…

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APA (6^th Edition):

Hoherz, A. (2018). Semantic and syntactic analysis of the concept of reflexivity in comparison to German and Armenian. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-1236

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hoherz, Arpine. “Semantic and syntactic analysis of the concept of reflexivity in comparison to German and Armenian.” 2018. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-1236.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hoherz, Arpine. “Semantic and syntactic analysis of the concept of reflexivity in comparison to German and Armenian.” 2018. Web. 19 Jan 2021.

Vancouver:

Hoherz A. Semantic and syntactic analysis of the concept of reflexivity in comparison to German and Armenian. [Internet] [Thesis]. Freie Universität Berlin; 2018. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-1236.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hoherz A. Semantic and syntactic analysis of the concept of reflexivity in comparison to German and Armenian. [Thesis]. Freie Universität Berlin; 2018. Available from: http://dx.doi.org/10.17169/refubium-1236

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

18. Köpcke, Rolf. the attempts of gain ascendency by the GDR-Ministry of Security over the author.

Degree: 2003, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-10643

► The destination of the twopart dissertation is, the Grass-research, and the activity of the GDR-Ministry of Security (MfS), on this work. The aim is to… (more)

▼ The destination of the twopart dissertation is, the Grass-research, and the activity of the GDR-Ministry of Security (MfS), on this work. The aim is to complete the contempoary historic research. The analysis of the methods of the MfS to take influence on the literary life in the Federal Republic of Germany from 1950 till 1989 shows, that there was an influence in two different ways: By "skimmin" and "decomposition". Therefore it's necessary to evaluate the documents of the "Bundesbeauftragter für die Unterlagen des Staatssicherheitsdienstes der ehemaligen Deutschen Demokratischen Republik (BStU)" where being collect around 500-pages concerning Grass. The problem to get allowance for research is detailed described in the report of activity of the BstU in 2001. It's necessary, that every concerning person must be informed before starting research. In case of "Grass" was hold out a prospect by the BStU in 2002. But the highest court in Germany has decided in the prejustice case of "Helmut Kohl" on 8. of March 2002, that without allowance by the concerning person research in these documents is impossible. The inquiry therefore is concentrated on the facts described in documents of the federal archives. In this way it's possible to evaluate direct influence. But it is remarkable, that the documents and there describing never give an objective picture of the real life, because conditional by oppression of state a subjective influenced behavior of the police-spy is veritable. If the subject of investigation is reduced to the formulation "writers and state security in the FRG" reference can be made to a parallel examination "Sicherungsbereich Literatur (security sector literature)" published in 1996 including the subtitle "writers and state security in the GDR". Specific questions are discussed followed by investigations of facts: \- Is there any intervention from the Stasi (state security service) evident on Grass in his novel "Ein weites Feld (A Wide Field)"? \- Which of the Unofficial Collaborators (IM) of the ministry of state security and its leading IMs (FIM) had an influence on Grass according to their security political interest and organizations of the GDR by using which means and methods? In which space of time? What was their result? What was their aim? \- How does Grass document in his novel his political outlook towards the ministry of state security? Three main sources of investigation were used. Is any punishment against his informers feared by Grass according to the decision of the Federal Constitutional Court from 15.05.1995 relevant or statute-barred? Which further documents are stored up in the "Foundation Archives of the parties and mass organizations of the GDR in the Federal Archives" (SAPMO) in Berlin- Lichterfelde besides those stored up in the BStU? The investigations at this institution followed the maxim to examine 96 if ever possible 96 records of different origin and perspective to shed light on historical facts. The third source of investigations were the archives of the arts academy containing… Advisors/Committee Members: n (gender), Univ.-Prof. Dr. Ulrich Albrecht (firstReferee), Privat-Dozent Dr. Klaus Schroeder (furtherReferee).

Subjects/Keywords: working up of Germany's reunite (1989-1991); Berlin-novel >; A far field<; (1995) by Günter Grass; attempts of gain ascendy by the GDR-Ministry of Security; 400 Sprache::430 Deutsch, germanische Sprachen allgemein::430 Germanische Sprachen; Deutsch

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Köpcke, R. (2003). the attempts of gain ascendency by the GDR-Ministry of Security over the author. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-10643

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Köpcke, Rolf. “the attempts of gain ascendency by the GDR-Ministry of Security over the author.” 2003. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-10643.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Köpcke, Rolf. “the attempts of gain ascendency by the GDR-Ministry of Security over the author.” 2003. Web. 19 Jan 2021.

Vancouver:

Köpcke R. the attempts of gain ascendency by the GDR-Ministry of Security over the author. [Internet] [Thesis]. Freie Universität Berlin; 2003. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-10643.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Köpcke R. the attempts of gain ascendency by the GDR-Ministry of Security over the author. [Thesis]. Freie Universität Berlin; 2003. Available from: http://dx.doi.org/10.17169/refubium-10643

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Vienna

19. Bugl-Bernhard, Renate. Rüdigers Konflikt.

Degree: 2019, University of Vienna

URL: http://othes.univie.ac.at/57993/

► Diese Masterarbeit widmet sich dem Treuekonflikt von Rüdiger von Bechelaren. Im theoretischen Teil soll zuerst der Frage, ob Rüdiger eine historische oder fiktive Person sein… (more)

Subjects/Keywords: 18.02 Germanische Sprachen und Literaturen: Allgemeines; Nibelungenlied

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APA (6^th Edition):

Bugl-Bernhard, R. (2019). Rüdigers Konflikt. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/57993/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bugl-Bernhard, Renate. “Rüdigers Konflikt.” 2019. Thesis, University of Vienna. Accessed January 19, 2021. http://othes.univie.ac.at/57993/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bugl-Bernhard, Renate. “Rüdigers Konflikt.” 2019. Web. 19 Jan 2021.

Vancouver:

Bugl-Bernhard R. Rüdigers Konflikt. [Internet] [Thesis]. University of Vienna; 2019. [cited 2021 Jan 19]. Available from: http://othes.univie.ac.at/57993/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bugl-Bernhard R. Rüdigers Konflikt. [Thesis]. University of Vienna; 2019. Available from: http://othes.univie.ac.at/57993/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Vienna

20. Guzy, Elisabeth. Erich Kästner und das Theater.

Degree: 2010, University of Vienna

URL: http://othes.univie.ac.at/10942/

► Der Beschäftigung Erich Kästners mit dem Theater widmet sich diese Diplomarbeit, da jener Bereich seiner schriftstellerischen Tätigkeit zu den unbekannteren zählt. Anhand seiner Theaterkritiken, seiner… (more)

Subjects/Keywords: 24.02 Theater: Allgemeines; 10.99 Geisteswissenschaften allgemein: Sonstiges; 17.82 Dramatik; 18.02 Germanische Sprachen und Literaturen: Allgemeines; 02.00 Wissenschaft und Kultur allgemein: Allgemeines; Kästner / Theater; Kästner / theatre

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APA (6^th Edition):

Guzy, E. (2010). Erich Kästner und das Theater. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/10942/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Guzy, Elisabeth. “Erich Kästner und das Theater.” 2010. Thesis, University of Vienna. Accessed January 19, 2021. http://othes.univie.ac.at/10942/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Guzy, Elisabeth. “Erich Kästner und das Theater.” 2010. Web. 19 Jan 2021.

Vancouver:

Guzy E. Erich Kästner und das Theater. [Internet] [Thesis]. University of Vienna; 2010. [cited 2021 Jan 19]. Available from: http://othes.univie.ac.at/10942/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Guzy E. Erich Kästner und das Theater. [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/10942/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

21. Ali, Yasser Mohammed Hassan. Eine textuelle und analytische Studie in der Poesie von ʾAmal Dunqul.

Degree: 2013, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-8896

► Die Textgrammatik studiert die Texte und Textlinguistik, die versucht, die Grammatik, die traditionell ein Regelwerk zur Analyse und/oder Erzeugung von Sätzen war, auf die Ebene… (more)

▼ Die Textgrammatik studiert die Texte und Textlinguistik, die versucht, die Grammatik, die traditionell ein Regelwerk zur Analyse und/oder Erzeugung von Sätzen war, auf die Ebene der Texte zu erweitern. Der Begriff Textgrammatik bezieht sich erstens auf den Bereich der Textlinguistik. Zusätzlich zu den oben, die Textlinguistik untersucht textuelle Besonderheiten in der Stilistik, der Rhetorik. Text Grammatik konzentriert sich auf sieben Standards der Textualität (Kohäsion, Kohärenz, Intentionalität, Akzeptabilität, Informativität, Situationalität und Intertextualität). Diese Standards werden zu einer Gruppe von Beziehungen, Definitionen und sprachlichen Eigenschaften, die ein Modell des menschlichen Gedächtnisses und seiner aktiven Kapazitäten darstellen verwandt, und wie die textuelle Ereignis besteht. Daher Grammatik des Textes ist eine ideale Vorstellung. Darüber hinaus umfasst ist, Text Grammatik beschäftigt sich mit beiden sprachlichen Ebenen: \- Die regelmäßigen Verfahren. \- Den unregelmäßigen Stufen, zu erreichen die vollkommenste linguistisches Modell. Diese These (Text Grammar in Modern Arabic Poetry: A Textual and Analytic Study of ʾAmal Dunqul`s Poetry) stellt eine wesentliche Einblicke in die Rolle von textuellen Standards bei der Bestimmung der besten Ebene des Textes für eine effektive Kommunikation mit der arabischen Empfänger erforderlich gespielt. Daher ist das Ziel eines Textes Grammatik, in der Regel ist es, die Wirksamkeit der textlichen Zusammenhang zwischen dem Text und dem Empfänger zu beweisen, und die Bedingungen, die die Produktion von effektiven Texte ermöglichen etablieren. Die allgemeine Methodik dieser Arbeit wird in den folgenden Gesichtspunkten, die den Mittelpunkt des Themas darstellen konzentriert: \- Das allgemeine Konzept der Textualität, die die allgemeine Eigenschaft von schriftlichen Unterlagen, durch die aufeinander folgenden Sätze bilden einen zusammenhängenden Text wie von de Beaugrande und Dressler definiert sind. \- Erklärung der textuellen Merkmale Arabisch, seinen Phasen, und die Bemühungen der arabischen Linguisten, besonders in der Grammatik und Rhetorik. \- Anwendung von textuellen Standards in der Poesie des ʾ Amal Dunqul nach zwei Perspektiven: a) Die textliche Standards von de Beaugrande und Dressler vorgeschlagen. b) Die besonderen Eigenschaften, die die arabischen Text (ʾ Amal Dunqul Modell) charakterisieren, einschließlich weiterer Details speziell auf die Standards der Textualität. Advisors/Committee Members: [email protected] (contact), m (gender), Prof. Dr. Rainer Voigt (firstReferee), Prof. Dr. Angelika Neuwirth (furtherReferee).

Subjects/Keywords: Linguistics; Arabic studies; Arabic language; 400 Sprache::490 Andere Sprachen::492 Afroasiatische Sprachen; semitische Sprachen

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Ali, Y. M. H. (2013). Eine textuelle und analytische Studie in der Poesie von ʾAmal Dunqul. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-8896

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Ali, Yasser Mohammed Hassan. “Eine textuelle und analytische Studie in der Poesie von ʾAmal Dunqul.” 2013. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-8896.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Ali, Yasser Mohammed Hassan. “Eine textuelle und analytische Studie in der Poesie von ʾAmal Dunqul.” 2013. Web. 19 Jan 2021.

Vancouver:

Ali YMH. Eine textuelle und analytische Studie in der Poesie von ʾAmal Dunqul. [Internet] [Thesis]. Freie Universität Berlin; 2013. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-8896.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ali YMH. Eine textuelle und analytische Studie in der Poesie von ʾAmal Dunqul. [Thesis]. Freie Universität Berlin; 2013. Available from: http://dx.doi.org/10.17169/refubium-8896

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

22. Schbani, Bana. Structure and problems of contemporary Arabic dictionaries.

Degree: 2011, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-9211

► Craft of dictionary making became a global craft in our present time, since a lot of linguists from different languages contributed to the development of… (more)

▼ Craft of dictionary making became a global craft in our present time, since a lot of linguists from different languages contributed to the development of this craft. The evolution of this craft at the present time doesn't negate Arabs distinction in this field, since they already surpassed others in the craft of dictionary making from antiquity, and lexicon types differed so that enriched studies about them .whoever, Arabs contemporary dictionaries became an imitation of old lexicons so the user suffered from many problems while recourse to them in terms of search for required words, or terms of defining these words. Hence this research in the title of - structure and problems of contemporary Arabic dictionary – al-Muʿğam al-Wasīṭ as a model - comes as a contribution to develop the contemporary Arabic lexicography. The research clarifies the theoretical and practical foundations that should be taken into account when planning and implementing craft of contemporary Arabic dictionary making through studying and analyzing several items and terms of al-Muʿğam al- Wasīṭ dictionary . This research aims to provide viable solutions to the problems of contemporary dictionaries by highlighting their mistakes at the level of choosing vocabularies of the dictionary which will form its entries, or at the level of ordering these vocabularies ,or at the level of defining these vocabularies semantic definition firstly, grammatical, morphological and stylistic definition later. When we skim over a linguistic dictionary we can find a clear decrease in recording dozens of standard Arabic words or colloquial words or words that are borrowed from other languages which don't have Arabic corresponding. During the order of selected headwords we can note that many of the borrowed words were egested under Arabic headwords, in addition to that a lot of Arabic words were recorded under headwords that are not considered from the same linguistic category. This research offers solutions to the order of Arabic or borrowed headwords in way that allows the reader to find the required word as soon as possible. At the level of the definition of headwords, the research is considered with offering the proper methods to define the headwords of the dictionary a definition that takes into account the established foundations of dictionary science. Since the Arabic dictionary suffers from a distinct lack of semantic definition of many of the terms, mostly our modern dictionaries in their definitions depend on transcription of old lexicons so the definitions of several entries are some times vague or uncompleted or maybe wrong. Hence it's necessary for our dictionaries to develop their methods in definition whereas they take into consideration the modern methods that were founded by modern lexicology. On other hand, the dictionary doesn't take into account of each entry of the words explanation entries on the syntactic, morphological and stylistic levels as we find, for example, in European dictionaries, where a lot of entries stand without any signal to their… Advisors/Committee Members: [email protected] (contact), w (gender), Prof. Dr. Angelika Neuwirth (firstReferee), Prof. Dr. Gotthard Strohmaier (furtherReferee).

Subjects/Keywords: lexicography; linguistics; dictionaries; metalexicography; lexikology; 400 Sprache::490 Andere Sprachen::492 Afroasiatische Sprachen; semitische Sprachen

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APA (6^th Edition):

Schbani, B. (2011). Structure and problems of contemporary Arabic dictionaries. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-9211

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Schbani, Bana. “Structure and problems of contemporary Arabic dictionaries.” 2011. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-9211.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Schbani, Bana. “Structure and problems of contemporary Arabic dictionaries.” 2011. Web. 19 Jan 2021.

Vancouver:

Schbani B. Structure and problems of contemporary Arabic dictionaries. [Internet] [Thesis]. Freie Universität Berlin; 2011. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-9211.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schbani B. Structure and problems of contemporary Arabic dictionaries. [Thesis]. Freie Universität Berlin; 2011. Available from: http://dx.doi.org/10.17169/refubium-9211

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Vienna

23. Reschreiter, Gerhard. Die Þiðreks saga af Bern als montierter Text.

Degree: 2010, University of Vienna

URL: http://othes.univie.ac.at/11911/

► Bei der Lektüre der altnorwegischen Þiðreks saga af Bern fallen einem sofort die zahlreichen Unstimmigkeiten und Brüche auf, die diesen dennoch höchst interessanten Text charakterisieren.… (more)

Subjects/Keywords: 17.99 Literaturwissenschaft: Sonstiges; 18.02 Germanische Sprachen und Literaturen: Allgemeines; Þiðreks saga / Montage / Intertextualität / Heldendichtung

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APA (6^th Edition):

Reschreiter, G. (2010). Die Þiðreks saga af Bern als montierter Text. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/11911/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Reschreiter, Gerhard. “Die Þiðreks saga af Bern als montierter Text.” 2010. Thesis, University of Vienna. Accessed January 19, 2021. http://othes.univie.ac.at/11911/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Reschreiter, Gerhard. “Die Þiðreks saga af Bern als montierter Text.” 2010. Web. 19 Jan 2021.

Vancouver:

Reschreiter G. Die Þiðreks saga af Bern als montierter Text. [Internet] [Thesis]. University of Vienna; 2010. [cited 2021 Jan 19]. Available from: http://othes.univie.ac.at/11911/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Reschreiter G. Die Þiðreks saga af Bern als montierter Text. [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/11911/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Vienna

24. Scheuringer, Sebastian. Spätmittelalterliche und frühneuzeitliche Lebens-, Glaubens- und Gedankenwelten.

Degree: 2018, University of Vienna

URL: http://othes.univie.ac.at/53061/

► Die Begriffe 'Aberglaube' oder auch 'Unglaube' sowie 'Glaube', 'Wissen' und 'Aufklärung' sind es, welche in dieser Masterarbeit in einem mittelalterlichen, genauer gesagt in einem spätmittelalterlichen… (more)

▼ Die Begriffe 'Aberglaube' oder auch 'Unglaube' sowie 'Glaube', 'Wissen' und 'Aufklärung' sind es, welche in dieser Masterarbeit in einem mittelalterlichen, genauer gesagt in einem spätmittelalterlichen Kontext, näher beleuchtet werden. Dabei lässt sich eine stetige Blickführung gen Antike, aber auch gen Frühe Neuzeit und in den späteren Gefilden dieser Arbeit auch gen Gegenwart, nicht vermeiden, da sich die Betrachtung diverser Wissenskomponenten und die Rolle des Aberglaubens vom Mittelalter bis zur Gegenwart nur überblicksmäßig in einen historischen Gesamtkontext einordnen lässt. Der Aberglaube bestimmte das Leben des Menschen schon seit Anbeginn seiner Entstehung und erreichte schließlich im Mittelalter, auch unter dem Einfluss der katholischen Kirche seinen Höhepunkt. Das Spätmittelalter wird in der gegenwärtigen Zeit immer noch als eine dunkle Epoche angesehen, eine Zeit, in der nicht nur Armut und Gewalt das Leben der Menschen beherrschten, sondern in der auch abstruse Glaubensvorstellungen, Wunderglaube, der Glaube an das Übernatürliche und Fabelhafte die Überhand über das menschliche Denken hatte. Freilich sei im Zuge der Beschäftigung mit dem Mittelalter immer das Weltbild dieser Zeit, sowie auch die Tatsache, dass das Christentum im Mittelpunkt der Menschen stand, zu beachten. In dieser Arbeit wird insbesondere anhand des Tirolers HANS VINTLER und des Meistersängers MICHEL BEHEIM aufgezeigt, dass kritisches Denken bereits im ausgehenden Mittelalter existierte und dass man nach und nach die katholischen Lehren und Predigten infrage stellte, sowie auch den Aberglauben, genannt seien an dieser Stelle etwa die Mantik, der Wolfsbann oder auch sämtliche andere Arten der Zauberei, wie der Wetterzauber, und der Magie, welche sich wiederum in Schwarze und Weiße Magie gliedern lässt, kritisch beleuchtete. Dabei sei im Zuge dieser Arbeit immer wieder auch auf namhafte Personen des christlichen Vorlebens, wie etwa THOMAS VON AQUIN, verwiesen. Gerade HANS VINTLER verstand es in seinen pluemen der tugent, ein Werk, welches, neben dem BEHEIM'schen Schaffen, mehr oder minder im Zentrum dieser Masterarbeit stehen wird, verstand es, die verschiedensten Arten des Unglaubens zu kritisieren, wobei im Zuge seiner Superstitionenkritik auch der Klerus und der Adel des Öfteren im Zentrum der Kritik standen bzw. stehen. Der Tiroler Richter, der aufgrund genau dieser richterlichen Tätigkeit einen enormen Erfahrungswert vorzuweisen hatte, zeigt bzw. zeigte gekonnt die Missstände seiner Zeit auf und erläutert immer wieder, wie sehr der Aberglaube den Menschen schaden würde. Außerdem sah er darin, sowie auch in den christlichen Predigten und in der Naivität der Menschen, solchem Unglauben Glaube zu schenken, den Ursprung der grausamen Hexen- und Zaubererverfolgungen. Auch MICHEL BEHEIM, der eine ganze Fülle an Gedichten, sowohl weltlicher, politischer als auch geistlicher Natur, verfasste, wetterte, ähnlich wie HANS VINTLER, über die Missstände seiner Zeit bzw. des Christentums, welches sich laut ihm immer…

Subjects/Keywords: 18.08 Deutsche Sprache und Literatur; 18.02 Germanische Sprachen und Literaturen: Allgemeines; 18.10 Deutsche Literatur; 18.09 Deutsche Sprache; 18.00 Einzelne Sprachen und Literaturen allgemein; 17.71 Literaturgeschichte; 17.97 Texte eines einzelnen Autors; 17.98 Textsammlungen; 17.93 Literarische Stoffe, literarische Motive, literarische Themen; 18.99 Sonstige Sprachen und Literaturen; 17.90 Literatur in Beziehung zu anderen Bereichen von Wissenschaft und Kultur; 17.01 Geschichte der Sprach- und Literaturwissenschaft; 17.87 Besondere Literaturkategorien; 02.99 Wissenschaft und Kultur allgemein: Sonstiges; 10.99 Geisteswissenschaften allgemein: Sonstiges; Aberglauben / Aberglaube / Superstitio / Unglaube / Unglauben / Volksglaube / Volksglauben / Hans Vintler / Vintler / Beheim / Michel Beheim / Stricker / Naturkunde / pluemen der tugent / Blumen der Tugend / Spätmittelalter / Wissen / Buchwissen / Erfahrungswissen / Aufklärung / Frühe Neuzeit / Hexenverbrennungen / Hexen / Hexerei / Zauberei / Zauberer / Wahrsagerei / Heilkunde / Hildegard von Bingen / Trolle / Österreich

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Scheuringer, S. (2018). Spätmittelalterliche und frühneuzeitliche Lebens-, Glaubens- und Gedankenwelten. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/53061/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Scheuringer, Sebastian. “Spätmittelalterliche und frühneuzeitliche Lebens-, Glaubens- und Gedankenwelten.” 2018. Thesis, University of Vienna. Accessed January 19, 2021. http://othes.univie.ac.at/53061/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Scheuringer, Sebastian. “Spätmittelalterliche und frühneuzeitliche Lebens-, Glaubens- und Gedankenwelten.” 2018. Web. 19 Jan 2021.

Vancouver:

Scheuringer S. Spätmittelalterliche und frühneuzeitliche Lebens-, Glaubens- und Gedankenwelten. [Internet] [Thesis]. University of Vienna; 2018. [cited 2021 Jan 19]. Available from: http://othes.univie.ac.at/53061/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scheuringer S. Spätmittelalterliche und frühneuzeitliche Lebens-, Glaubens- und Gedankenwelten. [Thesis]. University of Vienna; 2018. Available from: http://othes.univie.ac.at/53061/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

25. Fischer, Sebastian. Die Lokalkasus im Hurritischen.

Degree: 2018, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-266

► Die Untersuchung der Lokalkasus ergab eine Reihe neuer Ergebnisse und Präzisierungen. Dem Funktionsbereich des Ablativs -dan kann die Angabe des Stimulus hinzugefügt werden, auch wenn… (more)

▼ Die Untersuchung der Lokalkasus ergab eine Reihe neuer Ergebnisse und Präzisierungen. Dem Funktionsbereich des Ablativs -dan kann die Angabe des Stimulus hinzugefügt werden, auch wenn es sich bislang nur um ein Beispiel handelt. Unterstützung findet diese Annahme durch den ne-Kasus, der als Ablativ fungieren kann. Auch dort finden sich Beispiele der Markierung des Stimulus. Die typischen Funktionen des Essivs -a sind die Beschreibung eines Zustands und der Lokativ. Eine Richtungsangabe ist derart selten, dass sie als Ausnahme gelten muss und mit den beobachteten Interferenzen zwischen Essiv und Dativ -va zusammenhängen könnte. So kann der Dativ etwa auch als Lokativ verwendet werden. Der Dativ scheint sein Funktionsspektrum dahingehend zu erweitern, dass er anstelle des Direktivs -da gebraucht werden kann. Eine generelle Austauschbarkeit des Direktivs und Dativs ist nicht feststellbar. Bis auf sehr wenige Fälle wird der Direktiv stets als Richtungsangabe benutzt. Die verba dicendi treten in der Regel mit dem Direktiv auf. Einen Schwerpunkt der Arbeit bildete vor allem die Diskussion des ne-Kasus bzw. e-Kasus. In dieser Arbeit wird die Existenz eines ne-Kasus und eines e-Kasus vertreten. Der e-Kasus ist außerhalb der belegten Konstruktion mit relationalem Nomen schwer nachweisbar, sondern oft lediglich aufgrund starker Indizien anzunehmen. Für den ne-Kasus möchte ich die Funktionen Ablativ (separativisch, ablativus modi), Markierung des Stimulus und Instrumental ansetzen. Dem e-Kasus ist meines Erachtens die Funktion Direktiv und Lokativ sowie der Ausdruck der Beziehung („hinsichtlich, betreffs“ oder Ähnliches) zuzuweisen. Möglicherweise aufgrund der graphischen (und vielleicht auch lautlichen) Ähnlichkeit des ne-Kasus mit dem e-Kasus, wenn letzterer nach dem Relator -ne erscheint, werden Strategien zur eindeutigen Bestimmung der Funktion des Kasus nötig. Diese können sein: a) eine eindeutige Semantik des Verbs, b) Verwendung der Kurzform -n des ne-Kasus und c) Verwendung eindeutiger Kasus wie des Direktivs -da oder des Ablativs -dan. Bei der großen zeitlichen und räumlichen Verbreitung des Hurritischen muss mit der Möglichkeit mehrerer Entwicklungslinien gerechnet werden, die sich verschiedener Lösungsstrategien bedienen. Wie schon länger bekannt ist, besitzt das Hurritische sowohl „Postpositionen“ als auch „Präpositionen“. Neben den bekannten Konstruktionen können im Boğazköy-Material Belege gefunden werden, die dafür sprechen, dass der Gebrauch dieses sprachlichen Mittels vielfältiger ist, als bislang angenommen wurde. Je nach Art der Konstruktion sind diese Wörter als relationale Nomen oder als Adpositionen anzusehen. Zu den zur Bildung der relationalen Nomen verwendeten Kasus (Direktiv, Dativ) ist möglicherweise der ne-Kasus/e-Kasus hinzuzufügen. Den Konstruktionstyp „relationales Nomen (e-Kasus) + Bezugswort im Genitiv“, der sich im Mittani-Brief findet, kann im Boğazköy-Material vorerst nicht nachgewiesen werden. Ein Übergang von „Postpositionen“ zu „Präpositionen“ kann anhand der Belege nicht begründet… Advisors/Committee Members: male (gender), Klinger, Jörg (firstReferee), Cancik-Kirschbaum, Eva (furtherReferee).

Subjects/Keywords: Hurritisch; Lokalkasus; Adpositionen; 400 Sprache::410 Linguistik::415 Grammatik; 400 Sprache::490 Andere Sprachen::490 Andere Sprachen

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Fischer, S. (2018). Die Lokalkasus im Hurritischen. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-266

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Fischer, Sebastian. “Die Lokalkasus im Hurritischen.” 2018. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-266.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Fischer, Sebastian. “Die Lokalkasus im Hurritischen.” 2018. Web. 19 Jan 2021.

Vancouver:

Fischer S. Die Lokalkasus im Hurritischen. [Internet] [Thesis]. Freie Universität Berlin; 2018. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-266.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fischer S. Die Lokalkasus im Hurritischen. [Thesis]. Freie Universität Berlin; 2018. Available from: http://dx.doi.org/10.17169/refubium-266

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

26. Rind-Pawlowski, Monika. Subordinate Clause Construction in Dzungar Tuvan.

Degree: 2017, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-13249

► Dzungar Tuvan is a Tuvan variety spoken by approximately 2,000 people in the Ili Kazakh region in Northern Xinjiang, China. The main settlement area comprises… (more)

▼ Dzungar Tuvan is a Tuvan variety spoken by approximately 2,000 people in the Ili Kazakh region in Northern Xinjiang, China. The main settlement area comprises the three villages Akkaba, Kanas, and Kom. This work is a fieldwork- based synchronous description of the morphologic components that form subordinate clauses in Dzungar Tuvan. The theory developed by Johanson (1971) on aspect and aktionsart in Turkish has been used as a basis and has been expanded to the non-finite domain of Dzungar Tuvan. The participles in -Vr and -GAn play an important role in the formation of subordinate clauses. According to their basic properties, they can take part in different aspecto-temporal forms. The aorist participle -Vr primarily expresses a view in cursu on an event, but it also allows a posterior reading. The perfect participle -GAn, on the other hand, expresses anteriority. The use of -GAn in the finite domain is distinguished from its use in the non-finite domain in that the distinction between -GAn and the the past tense form -D, which can only appear in finite position, is neutralized. Besides, the verbs of the non-transformative action type (Johanson) play an important role in the formation of subordinate clauses. Next to their aktionsart reading, they also have an aspectual reading, which affects the combinations with the two participles in different ways. The aktionsart reading prevails in the construction -(I)p VNA-Vr: The main verb is reinterpreted as non-transformative, which often leads to a continuative or iterative interpretation of the event. In the construction -(I)p VNA-GAn, the aktionsart or the aspectual reading of the VNAs can prevail. The aspectual reading results in a focal form (Johanson), so that -Vr in its in cursu reading is relegated to the non-focal view of the event. The aktionsart reading of the VNAs in combination with -GAn serves to reinterpret an event as non-transformative and present it as anterior. Relative clauses are formed by means of participles attributed to a head noun. When the relative clause subject is referentially identical with the matrix clause subject, the relative clause does not overtly refer to its subject. Otherwise, the head noun can take a possessive suffix correferential with the relative clause subject. If the relative clause subject is expressed by a nominal element, this element is genitive-marked. Relative clauses can be formed with an indefinite head noun. This can lead to constructions excerting an adverbial modification on the matrix clause. When the lexemes kiži ‚human, person‘, ǰüve ‚thing‘, ǰer ‚place‘ serve as a head noun of a participial construction, it follows the inflection rules of a relative clause, i.e. a subject expressed by a nominal element is genitive-marked. When šaγ ‘time’, öy ‘time’ and the Kazakh loan gez ‘time, moment, occasion’ serve as a head noun, these constructions convert to the category of the adverbial clause, so that their subject appears in the nominative accordingly. The participle can be nominalized as agent noun, thus forming… Advisors/Committee Members: w (gender), Prof. Dr. Claus Schönig (firstReferee), Dr. PD Irina Nevskaya (furtherReferee).

Subjects/Keywords: Turkic languages; Tuvan; subordination; relative clause; complement clause; adverbial clause; 400 Sprache::490 Andere Sprachen::495 Ost- und südostasiatische Sprachen

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Rind-Pawlowski, M. (2017). Subordinate Clause Construction in Dzungar Tuvan. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-13249

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Rind-Pawlowski, Monika. “Subordinate Clause Construction in Dzungar Tuvan.” 2017. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-13249.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Rind-Pawlowski, Monika. “Subordinate Clause Construction in Dzungar Tuvan.” 2017. Web. 19 Jan 2021.

Vancouver:

Rind-Pawlowski M. Subordinate Clause Construction in Dzungar Tuvan. [Internet] [Thesis]. Freie Universität Berlin; 2017. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-13249.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rind-Pawlowski M. Subordinate Clause Construction in Dzungar Tuvan. [Thesis]. Freie Universität Berlin; 2017. Available from: http://dx.doi.org/10.17169/refubium-13249

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Freie Universität Berlin

27. Schumacher, Matthias. The Carmina Latina Epigraphica in Roman Britain.

Degree: 2012, Freie Universität Berlin

URL: https://refubium.fu-berlin.de/handle/fub188/13698

► This is the first full-scale, monographical study of the Carmina Latina Epigraphica of Roman Britain, focusing on philological aspects: previous scholarship is scarce, and the… (more)

Subjects/Keywords: verse inscription; Roman Britain; Carmina Latina Epigraphica; epigraphy; 400 Sprache::470 Latein, italische Sprachen::470 Italische Sprachen; Latein

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Schumacher, M. (2012). The Carmina Latina Epigraphica in Roman Britain. (Thesis). Freie Universität Berlin. Retrieved from https://refubium.fu-berlin.de/handle/fub188/13698

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Schumacher, Matthias. “The Carmina Latina Epigraphica in Roman Britain.” 2012. Thesis, Freie Universität Berlin. Accessed January 19, 2021. https://refubium.fu-berlin.de/handle/fub188/13698.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Schumacher, Matthias. “The Carmina Latina Epigraphica in Roman Britain.” 2012. Web. 19 Jan 2021.

Vancouver:

Schumacher M. The Carmina Latina Epigraphica in Roman Britain. [Internet] [Thesis]. Freie Universität Berlin; 2012. [cited 2021 Jan 19]. Available from: https://refubium.fu-berlin.de/handle/fub188/13698.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schumacher M. The Carmina Latina Epigraphica in Roman Britain. [Thesis]. Freie Universität Berlin; 2012. Available from: https://refubium.fu-berlin.de/handle/fub188/13698

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Vienna

28. Soursos, Nathalie Patricia. Die Literatur der griechischen Migration der zweiten Generation im deutschsprachigen Raum.

Degree: 2009, University of Vienna

URL: http://othes.univie.ac.at/5524/

Die vorliegende Arbeit befasste sich mit der griechischen Migrationsliteratur der zweiten Generation anhand der Texte von Aris Fioretos, Perikles Monioudis und Andreas Schäfer.

The present diploma thesis deals with the Greek migrant literature of the second generation, based on the texts of Aris Fioretos, Perikles Monioudis and Andreas Schäfer.

Subjects/Keywords: 17.01 Geschichte der Sprach- und Literaturwissenschaft; 18.41 Griechische Sprache; 17.14 Vergleichende Sprachwissenschaft; 18.02 Germanische Sprachen und Literaturen: Allgemeines; Migration / Migrationsliteratur / Fioretos / Monioudis / Schäfer / Gastarbeiter; migration

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Soursos, N. P. (2009). Die Literatur der griechischen Migration der zweiten Generation im deutschsprachigen Raum. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/5524/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Soursos, Nathalie Patricia. “Die Literatur der griechischen Migration der zweiten Generation im deutschsprachigen Raum.” 2009. Thesis, University of Vienna. Accessed January 19, 2021. http://othes.univie.ac.at/5524/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Soursos, Nathalie Patricia. “Die Literatur der griechischen Migration der zweiten Generation im deutschsprachigen Raum.” 2009. Web. 19 Jan 2021.

Vancouver:

Soursos NP. Die Literatur der griechischen Migration der zweiten Generation im deutschsprachigen Raum. [Internet] [Thesis]. University of Vienna; 2009. [cited 2021 Jan 19]. Available from: http://othes.univie.ac.at/5524/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Soursos NP. Die Literatur der griechischen Migration der zweiten Generation im deutschsprachigen Raum. [Thesis]. University of Vienna; 2009. Available from: http://othes.univie.ac.at/5524/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Vienna

29. Eisenschenk, Katrin. Sprachliche Stolpersteine in den Textaufgaben der standardisierten Reifeprüfung aus Mathematik für DaZ-Schüler.innen.

Degree: 2020, University of Vienna

URL: http://othes.univie.ac.at/61585/

► Die vorliegende Diplomarbeit analysiert die Textaufgaben der Reifeprüfung aus Mathematik aus dem Jahr 2018, um mögliche sprachliche Stolpersteine für Schüler.innen mit Deutsch als Zweitsprache zu… (more)

Subjects/Keywords: 17.23 Mehrsprachigkeit; Sprachen in der Schule / Alltagssprache / Bildungssprache / Fachsprache / Reifeprüfung / Textaufgaben / Mathematik / DaZ / Deutsch als Zweitsprache / Leichte Sprache / Einfache Sprache

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Eisenschenk, K. (2020). Sprachliche Stolpersteine in den Textaufgaben der standardisierten Reifeprüfung aus Mathematik für DaZ-Schüler.innen. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/61585/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Eisenschenk, Katrin. “Sprachliche Stolpersteine in den Textaufgaben der standardisierten Reifeprüfung aus Mathematik für DaZ-Schüler.innen.” 2020. Thesis, University of Vienna. Accessed January 19, 2021. http://othes.univie.ac.at/61585/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Eisenschenk, Katrin. “Sprachliche Stolpersteine in den Textaufgaben der standardisierten Reifeprüfung aus Mathematik für DaZ-Schüler.innen.” 2020. Web. 19 Jan 2021.

Vancouver:

Eisenschenk K. Sprachliche Stolpersteine in den Textaufgaben der standardisierten Reifeprüfung aus Mathematik für DaZ-Schüler.innen. [Internet] [Thesis]. University of Vienna; 2020. [cited 2021 Jan 19]. Available from: http://othes.univie.ac.at/61585/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Eisenschenk K. Sprachliche Stolpersteine in den Textaufgaben der standardisierten Reifeprüfung aus Mathematik für DaZ-Schüler.innen. [Thesis]. University of Vienna; 2020. Available from: http://othes.univie.ac.at/61585/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Vienna

30. Wuthe, Elisabeth Hermine. Die schönen Männer im Parzival.

Degree: 2008, University of Vienna

URL: http://othes.univie.ac.at/1398/

► In der vorliegenden Diplomarbeit wurde die Schönheit der männlichen Protagonisten im Hinblick auf ihre körperlichen und charakterlichen Vorzüge untersucht. Im Zuge dessen stellte sich auch… (more)

▼ In der vorliegenden Diplomarbeit wurde die Schönheit der männlichen Protagonisten im Hinblick auf ihre körperlichen und charakterlichen Vorzüge untersucht. Im Zuge dessen stellte sich auch die Frage, ob das Ideal der „Kalokagathie“ von den männlichen Figuren in Wolfram von Eschenbachs „Parzival“ erfüllt werden konnte. Doch so wie es in der realen Welt nicht nur ein Schwarz und Weiß, ein absolutes Gut und Böse gibt, lässt auch Wolfram bei seinen Helden in der „Höfischen Welt“ Flecken auf ihrer „weißen Weste“ zu. Diese „Elsternfarbigkeit“ ist ein Charakteristikum des Mannes. Dass der Autor nicht wertet, sondern sich der Beurteilung seiner Figuren entzieht und es dem Publikum überlässt, sich eine Meinung zu bilden, konnte im Laufe der Arbeit immer wieder unter Beweis gestellt werden. Wolframs Männer sind zwar alle äußerlich strahlend schön, wobei ihre Schönheit wie in einem Schönheitswettbewerb gereiht wird, doch weisen sie charakterliche Mängel auf. Die Anwendung der „ausgleichenden Funktion“ der Schönheit spielt hier eine wichtige Rolle, da sie von Wolfram immer dann eingesetzt wird, wenn die Protagonisten Verfehlungen begehen. Außerdem wird auch aufgrund ihres genetischen Erbes für ihre Verstrickung in ein unabwendbares Schicksal um Verständnis und Entschuldigung gebeten. Neben der körperlichen Schönheit wurde auch die erotische Ausstrahlung der Helden untersucht, wobei der Erotik des Orients eine nicht geringe Bedeutung zukam. Die Untersuchungen zur Sexualität gestalteten sich als sehr kurzweilig, da Wolfram in seinem Werk einen Reigen von Szenen entwirft, der von zarten erotischen Schilderungen bis hin zu deftigen sexuellen Passagen, teilweise unterlegt von kräftigem Humor, reicht. Wie wichtig die Liebe in diesem Werk ist, zeigt sie anhand ihrer großen Kraft, mit der sie letztendlich die beiden in Unordnung geratenen Gesellschaftskreise (Gralsgesellschaft und Artusgesellschaft) gegen Ende des Romans wieder in einen Zustand der Harmonie und des Friedens führt.

Subjects/Keywords: 18.02 Germanische Sprachen und Literaturen: Allgemeines; Parzival / Männer / Schönheit / Erotik / Sexualität / Eschenbach

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Wuthe, E. H. (2008). Die schönen Männer im Parzival. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/1398/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Wuthe, Elisabeth Hermine. “Die schönen Männer im Parzival.” 2008. Thesis, University of Vienna. Accessed January 19, 2021. http://othes.univie.ac.at/1398/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Wuthe, Elisabeth Hermine. “Die schönen Männer im Parzival.” 2008. Web. 19 Jan 2021.

Vancouver:

Wuthe EH. Die schönen Männer im Parzival. [Internet] [Thesis]. University of Vienna; 2008. [cited 2021 Jan 19]. Available from: http://othes.univie.ac.at/1398/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wuthe EH. Die schönen Männer im Parzival. [Thesis]. University of Vienna; 2008. Available from: http://othes.univie.ac.at/1398/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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Open Access Theses and Dissertations